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Mr Book With No Story wants his pages uncluttered by pictures and plot lines but images, questions and ideas keep invading the unruly pages, ignoring his efforts to chase them away. It turns out that Mr Book’s fear is having nothing to say but in this fun tribute to the creative process, he needn’t have worried.

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Michael Leannah wrote Most People as an antidote to the scary words and images children hear and see every day. Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of colour). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media.

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Michael Leannah wrote Most People as an antidote to the scary words and images kids hear and see every day. Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of color). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media. Fountas & Pinnell Level M

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Milk doesn’t just appear in the refrigerator, nor do apples grow in the fruit bowl. Before we eat, many people work very hard—planting grain, catching fish, tending animals, filling crates and stocking shelves.

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When scientist Heather Lynch came across a satellite image of the remote Danger Islands of the Antarctic Peninsula showing an enormous pink swath of land, she knew exactly what she was looking at

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Discover the enormous world of some of the planet's tiniest creaturesand the giant job they do in our ecosystem

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How did she navigate the world of venture capitalists and investment bankers to engineer the sale of her company and reap a personal fortune? And what does her subsequent odyssey to buy and donate a new national park in Maine's north woods—thus repaying what she regards as the “harmonic debt to the planet” she incurred by manufacturing beauty products—tell us about America and the American dream? Queen Bee is a fascinating biography of a fascinating woman, her game-changing skin-care company, and the quest to create a national park in the north woods. A richly textured portrait of the woman who built Burt's Bees from nothing and altered the global business of skin care. A tightly woven story of the paper-industry exodus, the giant clearance sale of the north woods, the downward spiral of paper-company towns, and the battle for a new national park. A tale of the American Dream in action— what it can do for the fortunate few who are in the right place at the right time with wits and determination, and what it can do to the unfortunate many who find themselves on the wrong side of “creative destruction.”

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Joe's photos capture moments of ephemeral grace and beauty in places that are forgotten or hiding in plain sight. Smelt Brook in Castine is not on any standard itinerary. Neither are South Addison, Merrymeeting Bay, the Scarborough Marsh, and many other places Joe has explored over the years. Even places that are familiar to many--West Quoddy Head, Old Orchard Beach, Monhegan Island, Pemaquid Point, Portland Harbor, Acadia National Park, and others--are revealed by Joe's camera in moments of other-worldly allure. There are surprises on every page, just as there are surprises around any bend of a Maine coastal road. Every photo in this book was taken from a public vantage point you can reach by car or ferry. An appendix offers directions to each place. Ken Textor's essays reveal hidden nuggets on every page: why the shade on a Castine street has a strange, nostalgic feel; what to think of a mauve lobster boat or a seemingly abandoned dory in the weeds; how a lighthouse surrounded by granite quarries came to be built of brick; which is the front and which is the back of a house built between Main Street and the harbor; how to enumerate the many services provided by a salt marsh; why the lobstering isn't better in upper Blue Hill Bay; why sea air makes us hungry; and how a wormdigger turns a mudflat into money. The great naturalist Louis Agassiz believed that the only way to discover the truth of a thing is through sustained attention. In THE HIDDEN COAST OF MAINE, Joe Devenney and Ken Textor share the results of three-and-a-half decades of attention to an amazing place.

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In E. B. White on Dogs, his granddaughter and manager of his literary estate, Martha White, has compiled the best and funniest of his essays, poems, letters, and sketches depicting over a dozen of White's various canine companions. Featured here are favorite essays such as 'Two Letters, Both Open,' where White takes on the Internal Revenue Service, and also 'Bedfellows,' with its 'fraudulent reports'; from White's ignoble old dachshund, Fred. ('I just saw an eagle go by. It was carrying a baby.') From The New Yorker's 'The Talk of the Town' are some little-known Notes and Comment pieces covering dog shows, sled dog races, and the trials and tribulations of city canines, chief among them a Scotty called Daisy who was kicked out of Schrafft's, arrested, and later run down by a Yellow Cab, prompting The New Yorker to run her 'Obituary.' Some previously unpublished photographs from the E. B. White Estate show the family dogs, from the first collie, to various labs, Scotties, dachshunds, half-breeds, and mutts, all well-loved.This is a book for readers and writers who recognize a good sentence and a masterful turn of a phrase; for E. B. White fans looking for more from their favorite author; and for dog lovers who may not have discovered the wit, style, and compassion of this most distinguished of American essayists.

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Most of these short, savvy essays have appeared in The Forecaster, in Ed's Universal Notebook column (named for the spiral-bound reporter's notebooks that he buys two dozen at a time), or in the Maine Times, where he was a staff writer for a number of years. He started reporting when he was a sophomore at Westbrook High, writing for the Westbrook American, and aside from a stint as a librarian at the Portland Public Library after college, he's been scribbling for a living in Maine for his working life. Opinionated, insightful, humorous, and sometimes controversial, Ed Beem enjoys his role as a local observer, and these essays will resonate with anyone tuned in to day-to-day life in backyard Maine.

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Maine is a rural backwater? Meet Hiram Abrams, born in Portland in 1878 the son of a Russian immigrant real estate broker, attended public schools, left school at age sixteen, sold newspapers, bought a cow and started a dairy -- and eventually became the founder and president of United Artists. Or Aurelia Gay Mace, born in 1835 in Strong, a Shaker from an early age, credited with the invention of the wire coat hanger. Aurelia achieved national fame in 1890 when she mistook Charles Lewis Tiffany for a tramp, gave him lemonade, brushed his clothes, insisted that he sit down for the noon meal, and sent him off with a box lunch. Tiffany responded by sending her a set of engraved silver. Meet Milton Bradley who was born in Vienna (Maine) in 1836, educated at Harvard, worked as a mechanical engineer and patent solicitor, became interested in lithography, developed a board game, The Checkered Game of Life, and founded the Milton Bradley Company. Or Louise Bogan, who was born in Livermore Falls in 1897, moved to Greenwich Village as a young woman, took up the bohemian life,occasionally drove the get away car for a fur thief, and ended up as the poetry critic for the New Yorker Magazine. And many more...

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Bold artworkwith a charming retro feel

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This story examines some of the women and BIPOC figures included at the United States Capitoland featured in statues around the countryas well as examines the timely question: who needs a statue?

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Between his opening greeting and the bookend closing page on which he stalks away after taking no questions, Gato wants to make one thing perfectly clear: Although he has four legs, two ears, and a long, long tail, the word “cat” does not define him. His identity is his alone to describe and determine. With the help of Danica Novgorodoff’s laugh-out-loud illustrations, he takes us on a tour of his adventures, accomplishments, and daily activities that makes mincemeat of our first impressions. He wears a sweater and a leash, so is he a dog? He runs in pastures, so is he a horse? He likes flowers, so is he a bee? He swims, so is he a duck? He has flown in airplanes and ridden in subways, so is he a person? Maybe he’s all those things, but what he truly is, he wants us to know, is Gato. To underline the story’s message of empowerment and self-identity, the back cover and backmatter include photos of the real Gato (Winter Miller’s cat) doing everything he claims and more. Signs on walls, headlines in newspapers, New Yorker cartoon homages, and sight gags on every page reward repeated readings and will make this book the first one that parents reach for at bedtime.

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Rafael Guastavino Sr. was 39 when he left a successful career as an architect in Barcelona. American cities—densely packed and built largely of wood—were experiencing horrific fires and Guastavino had the solution: The soaring interior spaces created by his tiled vaults and domes made buildings sturdier, fireproof and beautiful. What he didn’t have was fluent English. Unable to win design commissions, he transferred control of the company to his American-educated son, whose subsequent half-century of inspired design work resulted in major contributions to the built environment of America. Immigrant Architect is an introduction to architectural concepts and a timely reminder of immigrant contributions to America. The book includes four route maps for visiting Guastavino-designed spaces in New York City: uptown, midtown, downtown and Prospect Park.

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Civilization rearranges nature for human convenience. Clothes and houses keep us warm; agriculture feeds us; medicine fights our diseases. It all works—most of the time. But key resources lie in the most hazardous places, so we choose to live on river flood plains, on the slopes of volcanoes, at the edge of the sea, above seismic faults. We pack ourselves into cities, Petri dishes for germs. Civilization thrives on the edge of disaster. And what happens when natural forces meet molasses holding tanks, insecticides, deepwater oil rigs, nuclear power plants? We learn the hard way how to avoid the last disaster—and maybe how to create the next one. What we don’t know can, indeed, hurt us. This book’s white-knuckled journey from antiquity to the present leads us to wonder at times how humankind has survived. And yet, as Author Gale Eaton makes clear, civilization has advanced not just in spite of disasters but in part because of them. Hats off to human resilience, ingenuity, and perseverance! They’ve carried us this far; may they continue to do so into our ever-hazardous future. The History in 50 series explores history by telling thematically linked stories. Each book includes 50 illustrated narrative accounts of people and events—some well-known, others often overlooked—that, together, build a rich connect the-dots mosaic and challenge conventional assumptions about how history unfolds. Dedicated to the premise that history is the greatest story ever told. Includes a mix of “greatest hits” with quirky, surprising, provocative accounts. Challenges readers to think and engage. Includes a glossary of technical terms; sources by chapter; teaching resources as jumping-off points for student research; and endnotes. Fountas & Pinnell Level Z+

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Gloria loves to sing, dance and act in her bedroom, but not in public. No way. Gloria’s big problem makes sure of that, following her wherever she goes and constantly reminding her that she’s anxious and frightened, that she’s not good enough and that everyone will laugh at her. Anxious Gloria worries all the time, about everything. Until, one day, Gloria summons all her courage to try out for a community theatre production. She marches herself to the audition and her big problem marches right in behind her. She gets up on stage and her big problem takes a seat in the front row and starts to laugh at her. And then at last she yells “STOP!” and her big problem shrinks to a little problem and Gloria wins a part in the play.

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Mrs. Snowden tells the kids that T = True, H = Helpful, N = Necessary, and K = Kind. If what you’re about to say isn’t any of these things, she tells them, you shouldn’t say it. Later that day, when Tyaja is about to criticize her friend Dhavi’s new haircut, she is stopped by four little elves sporting the letters T, H, N, and K, who reinforce Ms. Snowden’s lesson and remind Tyaja how friends should treat friends. Tyaja learns that she is the “I” in THiNK!

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“Have I ever told you that, for me, there is no one more special than you? That for me, you are the most special child in the world, and that I love you now and will love you forever? Have I ever told you that?” Shani King wrote Have I Ever Told You? as a note to his children, to remind them that they are amazing in their individuality and that they have the power to choose who they want to be in this world. The illustrations create a masterful visual narrative: warm, witty, simple, profound, and as ferociously empowering as a children’s book can be.

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While Joey’s mother explains the context of numbers in vivid ways, Joey’s imagination transforms their ordinary car ride into a magical odyssey through a land of make-believe. Is 2 a Lot? is a wonderfully charming and authentic exchange between mother and child. Annie Watson’s story makes numbers tangible and Rebecca Evans’s illustrations bring them to life.

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What happens in the oceans is critically important to life on Earth. The girl in her little blue house wants to believe that other children love the oceans and want to keep them safe, alive and beautiful.

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"Rosy-cheeked and quite antique, Miss Pinkeltink / carried everything but the kitchen sink. / Her purse was so big that it dragged on the floor. / When she rode on the bus it got stuck in the door." Generous and eccentric, Miss Pinkeltink fills her huge purse with everything from a toilet plunger to roller skates, and then gives it all away. She offers tape to fix a flat tire and a bone to a kitty: Miss Pinkeltink’s gifts never quite hit the mark, / but she gave what she had, and she gave from the heart. And then, with nothing left to give or to shelter herself, she huddles on a park bench, trying to sleep in the rain. And that’s where Zoey sees her from her bedroom window and knows that something must be done.

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Snowdrops and crocuses yield to tulips and hyacinths, then dogwood blossoms, iris, lupine, daisies, morning glories, daylilies, geraniums, peonies, sunflowers, roses, and chrysanthemums as spring passes to summer, then autumn. At last the garden slumbers into winter under a blanket of snow, preparing next year’s procession of blooms. Like actors crossing a stage, flowers narrate the passing seasons in the first person, each one briefly proclaiming its unique and vital role in the natural world. Backmatter descriptions complete this child’s introduction to a garden year, in which the passage of time is vividly realized. Fountas & Pinnell Level L

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When Mother Earth bids goodnight, / the world is bathed in silver light. / She says, “Goodnight, my precious ones.” / Nature’s song has just begun. Mother Earth’s Lullaby is a gentle bedtime call to some of the world’s most endangered animals. Rhythm, rhyme, and repetition create a quiet moment for children burrowing down in their own beds for the night, imparting a sense that even the most endangered animals feel safe at this peaceful time of day. In successive spreads, a baby giant panda, yellow-footed rock wallaby, California condor, Ariel toucan, American red wolf, Sumatran tiger, polar bear, Javan rhinoceros, Vaquita dolphin, Northern spotted owl, Hawaiian goose, and Key deer are snuggled to sleep by attentive parents in their dens and nests under the moon and stars. Brief descriptions of each animal appear in the back of the book.

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This very strange tale began in May in a friendly forest on a sunny day. Skipping along a path in the wood danced Sylvia Rose, and man, she was GOOD! Laughing and leaping came Sylvia Rose, Whirling and twirling on twinkly toes. Bold, adventurous Sylvia Rose loves visiting the animals and trees of the forest. The girl and her favorite cherry tree share almost everything, including dancing and stories, but they can’t travel the world together because the tree is rooted deep in the earth. Determined to overcome this obstacle, Sylvia Rose enlists her animal friends to uproot the glorious tree, and Sylvia and the tree set off globetrotting together, taking in the wonders of the world from the Eiffel Tower to the Sydney Opera House, each sight more amazing than the last. Back home in the forest, however, the animals begin to suffer without the food and shelter of their life-sustaining cherry tree. Can the tree give up her newfound freedom and return to her role in the forest ecosystem? Fountas & Pinnell Level M

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Annie is preparing for Career Day at school and is trying to follow her teacher's directive to keep her career choice a secret. Every evening she works on her costume while her family asks for hints. Grandpop gives her a camera in the hope that she will aspire to be a journalist like him. Grandma tells her about her days winning awards for her desserts and lets Annie borrow her mixing bowl and oven mitts. Dad is convinced that she'll wants to be a mountain climber like him; and when Mum asks for a hint, she gives Annie some high-top trainers hoping Annie will be a basketball player like she is. Annie does not commit to any of her family members' career choices, but in the end shows that she can blend something from everyone and make it her own. Readers will have no doubt that Annie is well equipped to follow her dream to travel into space. The illustration of her room shows planets hanging from the ceiling, stars and moons on her bedspread and tissue box, space posters on the walls and a telescope for stargazing. Tadgell's watercolour illustrations are child-friendly and complementary to Slade's concise storytelling. Background information gives a short biography of four female astronauts, information about the phases of the moon and a list of sources to learn more.

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But one day while making deliveries, they collided on a street corner. Rubio’s cheeses and Julienne’s fruits flew skyward and fell on their heads, creating spontaneous juicy pairings that they couldn’t help but taste. The forbidden combinations were out of this world. Nothing could ever be the same. Fortunately for Rubio and Julienne, their forbidden adventures end more happily than Romeo and Juliette’s, though not before our heroes overcome a few obstacles and accidents, one of which prompts a mortified Rubio to exclaim, “What cheese through yonder window breaks?” A backmatter menu of child friendly delicious fruit-cheese combinations augments the story. Lexile Level 580 Fountas and Pinnell Level O

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The con artists in this book pursued a variety of ambitions—making money, winning wars, mocking authority, finding fame, trading an ordinary life for a glamorous one—but they all chose the lowest, fastest road to get there. Every hoax is a curtain, and behind it is a deceiver operating levers and smoke machines to make us see what is not there and miss what is. As P.T. Barnum knew, you can short-circuit critical thinking in any century by telling people what they want to hear. Most scams operate on a personal scale, but some have shaped the balance of world power, inspired explorers to sail uncharted seas, derailed scientific progress, or caused terrible massacres. A HISTORY OF AMBITION IN 50 HOAXES guides us through a rogue’s gallery of hustlers, liars, swindlers, imposters, scammers, pretenders, and cheats. In Gale Eaton’s wide-ranging synthesis, the history of deception is a colorful tour, with surprising insights behind every curtain. Fountas & Pinnell Level Z+

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They are all among the historical figures portrayed in this delightful book by writer Abby Ewing Zelz and cartoonist Eric Zelz. Just like us, the great movers and shakers of history had to eat, and their favorite foods turn out to be a highly entertaining thread to follow through the history of our small planet. History and biography have never been this tasty! Includes do it yourself historic Pandowdy recipe Includes backmatter with brief bios of featured historic figures Fountas & Pinnell Level W

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The 5,000-year-old Iceman discovered frozen in the Alps may have treated his gallstones, Lyme disease, and hardening of the arteries with the 61 tattoos that covered his body—most of which matched acupuncture points—and the walnut-sized pieces of fungus he carried on his belt. The herbal medicines chamomile and yarrow have been found on 50,000-year-old teeth, and neatly bored holes in prehistoric skulls show that Neolithic surgeons relieved pressure on the brain (or attempted to release evil spirits) at least 10,000 years ago. From Mesopotamian pharmaceuticals and Ancient Greek sleep therapy through midwifery, amputation, bloodletting, Renaissance anatomy, bubonic plague, and cholera to the discovery of germs, X-rays, DNA-based treatments and modern prosthetics, the history of medicine is a wild ride through the history of humankind.

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This is Richard Turere’s own story: Richard grew up in Kenya as a Maasai boy, herding his family’s cattle, which represented their wealth and livelihood. Richard’s challenge was to protect their cattle from the lions who prowled the night just outside the barrier of acacia branches that surrounded the farm’s boma or stockade. Though not well-educated, 12-year-old Richard loved tinkering with electronics. Using salvaged components, spending $10, he surrounded the boma with blinking lights, and the system works; it keeps lions away. His invention, Lion Lights, is now used in Africa, Asia and South America to protect farm animals from predators.

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If someone asked you to paint a snowman, you would probably start with three white circles stacked one upon another. Then you would add black dots for eyes, an orange triangle for a nose and a black dotted smile. But if Picasso painted a snowman… From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist’s imagination can summon magic from a prosaic subject. Greg Newbold’s chameleon-like artistry shows us Roy Lichtenstein’s snow hero saving the day, Georgia O’Keefe’s snowman blooming in the desert, Claude Monet’s snowmen among haystacks, Grant Wood’s American Gothic snowman, Jackson Pollock’s snowman in ten thousand splats, Salvador Dali’s snowmen dripping like melty cheese, and snowmen as they might have been rendered by J.M.W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence and Vincent van Gogh. Our guide for this tour is a lively hamster who—also chameleon-like—sports a Dali moustache on one spread, a Van Gogh ear bandage on the next. “What would your snowman look like?” the book ask and then offers a page with a picture frame for a child to fill in. Backmatter thumbnail biographies of the artists complete this highly original tour of the creative imagination that will delight adults as well as children.

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A young girl finds a starfish on the beach and wants to show it to her mother at home, but doesn’t want to take it from its home. With encouragement from her dad and a little imagination, Ana is able to let the sea star go and yet keep it with her at the same time. This beautiful picture book celebrates the power of imagination and an appreciation of the natural world. Back matter invites children into the lives and experiences of a jellyfish, stingray, loggerhead turtle and other sea creatures. “The sea star waited as the sand settled around it. Then slowly, slowly it crept home to the sea grass meadow on hundreds of tiny tube feet.” “Ana watched a snowy plover grab its dinner from the surf. Then the tiny bird skittered across the sand. Ana and Papa followed their shadows home.”

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The solution, he realizes, is in the rooftop gardens and window boxes of his apartment neighbors, representing a varied and continuously blooming array of flowers that the bees will love. Aunt Celine must bring her bees to Paris! But first he and his friends Alice and Samir must convince their skeptical neighbors and landlord, Mr. Dubi, that this is a good idea. Adorned with Parisian skylines, Bees in the City is a love letter to the City of Light and a celebration of the can-do spirit of kids. Sarah McMenemy’s illustrations recall the Parisian magic of Madeleine. The book’s backmatter explores urban beekeeping and rooftop gardening in greater depth. Fountas & Pinnell Level P

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If you look carefully, you can find them and be amazed! These secret pools form every year when low places on the forest floor fill up with rain and melted snow. They soon become home to hatching wood frogs, spotted salamanders, and fairy shrimp. Even in late summer and fall, when many vernal pools have shrunk to mud holes, creatures such as turtles and snakes rely on them for shelter and food. The Secret Pool introduces young readers to the wonders right underfoot as the voice of a vernal pool shares its secrets through the seasons, and sidebars provide fun facts on its inhabitants and the crucial role these small, often overlooked wetlands play in maintaining a healthy environment. This edition includes new backmatter features about wetland habitats and animals for classroom use and reader interest.

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The narrator is a composite of people Pu Zhelong influenced in his work. With further context from Melanie Chan’s historically precise watercolors, this story will immerse young readers in Chinese culture, the natural history of insects, and the use of biological controls in farming. Backmatter provides context and background for this lovely, sophisticated picture book about nature, science, and Communist China. “The first time I saw a scientist in my village was also the first time I saw a wasp hatch out of a moth’s egg,” writes the narrator of this picture book about Chinese scientist Pu Zhelong. “In that moment I could not have said which was the more unexpected—or the more miraculous.” In the early 1960s, while Rachel Carson was writing and defending Silent Spring in the U.S., Pu Zhelong was teaching peasants in Mao Zedong’s Communist China how to forgo pesticides and instead use parasitic wasps to control the moths that were decimating crops and contributing to China’s widespread famine. This story told through the memories of a farm boy (a composite of people inspired by Pu Zhelong) will immerse young readers in Chinese culture, the natural history of insects, and sustainable agriculture. Backmatter provides historical context for this lovely, sophisticated picture book. The author, Sigrid Schmalzer, won the Joseph Levenson Post-1900 Book Prize for 2018 for her book Red Revolution, Green Revolution. This is the most prestigious prize for a book about Chinese history, and the book upon which Moth and Wasp, Soil and Ocean is based. Fountas & Pinnell Level U

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