Search results for ""silvana""

The Many Lives and Deaths of Louise Brunet brings together several hundred works of art, objects and archival documents, covering diverse geographies over several millennia. From Cranach to 1960s industrial design, and ancient funerary stele to 18th century Japanese Samurai armour, the exhibition draws on the collections of local and foreign institutions. It exhumes trans-historical narratives of fragility and resistance and confronts them with a diversity of works by the biennale’s invited artists. Departing from the context of Lyon, the exhibition is designed as a retelling of the obscure 19th century story of Louise Brunet, a silk spinner from the Drôme, who after joining the revolution of the “Canuts” (silk weavers) in 1834, embarked on an arduous journey of self-reinvention, which ended in the Lyon-owned silk factories of Mount Lebanon. Louise Brunet is portrayed as an elusive figure, part real, part fictional, that appears in different guises, in various places, at several moments in history.

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This volume collects over 350 works created by Francesco Jodice – artist, photographer and filmmaker – over 25 years of his career. His entire production is accompanied by texts by 65 critics, curators and artists. Photographs, films, maps and installations bring about a kaleidoscopic fresco of our time. Texts by: Cecilia Andersson, Gabriele Basilico, Marcella Beccaria, Stefano Boeri, Ilaria Bonacossa, Annelie Bortolotti, Silvia Camporesi, Raúl Cárdenas Osuna, Luca Cerizza, Laura Cherubini, Antonella Crippa, Denis Curti, Catherine David, Anna Dethridge, Giacinto Di Pietrantonio, Sergio Edelsztein, Emiliano Gandolfi, Walter Guadagnini, Anna Maria Guash, Rafael Doctor Roncero, Patrick Henry, Horacio Hernandez, Mimmo Jodice, Filippo Maggia, Rem Koolhaas, Bruno Latour, Amparo Lozano, Gianfranco Maraniello, Thomas Mayr, Massimo Melotti, Marco Meneguzzo, Francesca Alfano Miglietti, Juan José Millás, Luca Molinari, Roberto Murgia, Nobuo Nakamura, Franziska Nori, Rosa Olivares, Costanza Paissan, Cristiana Perrella, Saverio Pesapane, Sandro Petraglia, Christopher Phillips, Rafael Pinilla, Andrea Pinkets, Carlo Artuto Quintavalle, Letizia Ragaglia, Cathy Rémy, Eleonora Roaro, Carlo Sala, Francesco Sala, Gabriele Sassone, Gabi Scardi, Thomas Seelig, Marta Sesé, Angela tecce, The Cool Couple, Roberta Valtorta, Lea vergine, Eugenio Viola, Paul Virilio, Arianna Visani, Francesco Zanot, and Miguel Zugaza.

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Metamorphosis is a central theme of contemporary creativity, investigated by artists, stylists, designers, philosophers and craftsmen who have crossed the exclusive fences of their respective disciplines in search of the changing inclusiveness of metamorphosis. With a pioneering spirit, Bvlgari investigates metamorphosis in all its different meanings: symbolic, creative and artistic. The protagonist of the narration is the snake, an emblem of metamorphosis and regeneration in all cultures, and an icon of the Roman maison’s goldsmith mastery from the 1940s to today. In symbolic metamorphoses, the snake embodies the archetype of transformation and renewal, which refers to the dualism of life, while in creative metamorphoses its seductive charm has deeply inspired material culture, from ancient clothing to contemporary fashion, from primitive jewellery to the Bvlgari collections that celebrate the snake as a symbol, myth, creative theme and personal adornment. With regards to artistic metamorphoses, Bulgari asked five artists to represent their own idea of metamorphosis: Azuma Makoto, Daan Roosegaarde, Ann Veronica Janssens Vincent Van Duysen, and Refik Anadol, have interpreted this theme through the poetics of their respective artistic languages. The results are surprising, heterogeneous and powerful, demonstrating that metamorphosis is the most revolutionary and profound act in the life of a person, a society or a culture. Text in English and Italian.

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“Architecture shapes the monuments, the memories, and the expressions of societies and groups, creating a common language with which they debate and communicate their experiences and cultures.” - Hashim Sarkis For the Biennale Architettura 2021, in addition to the Exhibition Catalogue and the Short Guide, the curatorial team has put together two distinct volumes, entitled Expansions and Cohabitats, in order to further elaborate on the theme of 'How will we live together?.' These books will appeal to a wide range of readers both from architecture and art communities and beyond, to include anyone who is interested in the role that creative practice can play in collectively answering the complex challenges posed by today’s unstable world. Conceived as a record that delves deeper into a special section of the exhibition, Cohabitats comprises essays and visual material that look to the theme of the Biennale Architettura 2021 from the lens of a specific geographic location. While the main exhibition is primarily organised in five parts that contemplate a new spatial contract at five scales - as diverse beings, as new households, as emerging communities, across borders, and as one planet - this volume as well as the section of the show it is associated with, present analytical examples that speak to all five of them at once. The essays examine past and current practices of coming together in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina, and more. Also available: Expansions ISBN 9788836648610

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Fondazione Ghisla Art Collection was founded in April 2014, with the aim of making an artistic holding of international value available to the public, to be shared with all those who recognise art to be an indelible asset. The collection has been created by the Ghislas, a husband-and-wife team impelled by a growing and eclectic passion for artistic expressiveness.Leafing through the pages of this volume, one is immersed in the collecting taste of Pierino and Martine Ghisla, who over the last 40 years have gathered perfect masterpieces from the Pop Art, Arte Informale, Conceptual Art, Abstract Art and New Dada movements together with emerging artists who are perhaps less well-known to the general public. Prominent among the collected artists are the names of: Paul Delvaux, Joan Mirò, Pablo Picasso and Carla Accardi, Fernando Botero, Keith Haring and Robert Mapplethorpe, through to Jan Fabre, Wim Delvoye, Fabrice Hyber and Chiharu Shiota.In addition to a conversation bet

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Since ancient times, fashion jewellery in Italy has been, and still is, an important component of clothing. The history of fashion cannot be written without mentioning its jewels. This book presents 200 Italian fashion jewels that, spanning from the era of La Dolce Vita to the Pret à Porter of the Eighties, from '90s Minimalism to the Neo Baroque of the new millennium, define the aesthetic mirror of society and show the transformation of styles and customs, ambitions and conquests of women, the evolution of shapes and innovations of materials and new technologies. DIVA! Italian Glamor in Fashion Jewellery tells about fashion jewellery in its creative intersections with Italian excellence: craftsmanship, design and fashion. It is a typically Italian story based on the ability to combine creativity, manufacturing and industry, art and technology, beauty and innovation. The masters of costume jewellery enter a dialogue with the great stylists and the talents of design, three heterogeneous visions with a single great protagonist: the Italian fashion jewel. Text in English and Italian.

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This monograph, which Germano Celant worked on before his demise and is published posthumously with an introductory text by Carlos Basualdo, is the first to systematically retrace the life and career of photographer Claudio Abate (Rome, 1943-2017). The book offers a historical and critical reading of Abate’s work, documented through a chronology full of illustrations, unpublished materials, texts and quotations. Abate’s production ranges from photographs of artworks, artists and exhibitions of Arte Povera to shots on the Italian and international exhibition scene, up to photographs on theatre, fashion, costume, current affairs for weeklies and magazines, even experimental photographic artworks. In an all-encompassing vision, Abate puts the photographic medium to the test by adapting it to multiple fields, disciplines, themes and subjects.

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Painter, draftsman and engraver, Pierre Lesieur (1922-2011) was one of the most influential French artists of the second half of the 20th century. Trained at the École des Beaux-Arts in Paris - where he took lessons from André Lhote - and at the Académie de Montmartre, he had his first exhibition in 1952. Lesieur’s paintings of the 1950s are characterised by the use of brightly coloured areas, in line with the work of Henri Matisse and Pierre Bonnard. In the 1960s, this research bordered on abstraction, particularly in still lifes and representations of objects. From the 1970s onwards, through his paintings and drawings, Lesieur took a particular interest in interiors, as well as in portraits and female nudes. Early in his career, Pierre Lesieur was recognised as an important artist. After his first personal exhibition in 1952, his work was regularly shown at the Coard Gallery in Paris. From the 1990s, Lesieur’s notoriety became international, resulting in further exhibitions in Japan and the United States. Some of his works are now housed in major museums such as the Center Pompidou, the Metropolitan Museum of Art and the Hiroshima Museum. Text in English and French.

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00s is the first exhibition that explores the 2000s, taking as its starting point one of the most important European collections of contemporary art – the Cranford Collection. This accompanying catalogue selects 100 works from the collection, and includes pieces by artists such as Louise Bourgeois, Cindy Sherman, Damien Hirst, Gerhard Richter, Raymond Pettibon, and Josh Smith. With an introduction by Nicolas Bourriaud, the CEO of MO.CO, and interviews with Muriel and Freddy Salem, the Patrons of the Cranford Collection. Text in English and French.

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"I became a cook because I'm a glutton," says Antonio Guida, top chef of the Seta restaurant, at the two Michelin-starred Mandarin Oriental in Milan. His cuisine is intense and powerful, made of original flavours which he continuously studies, creates and invents. This book tells his story: the affections, the iconic dishes, the raw materials, from Apulia to the Lombard capital, passing through Paris, Zurich and Asia. And, of course, his recipes: refined and unusual, successful without fail, explained step by step, they are accompanied by illustrations and a final glossary.

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This catalogue documents the first exhibition in the Middle East by KAWS (Brian Donnelly, born 1974, USA). The solo show explores his career and vast oeuvre and features paintings and sculptures made over the past 20 years. KAWS' imagery has long possessed a sophisticated, dark humour, revealing the interplay between art and consumerism, referencing both art history and pop culture. Donnelly began his career in street art in the 1990s, becoming synonymous with the name KAWS, a tag that became a staple in his 'sub-vertisments' (modifications of commercial works). In addition to more than 40 major pieces exhibited in the Garage Gallery, examples of commercial collaborations designed by KAWS, among them sneakers, skateboards, and toys are on view in a separate archive above Café 999. A massive 5-meter-tall sculpture, COMPANION (PASSING THROUGH) (2013), in the Fire Station courtyard and an inflatable 40-metre public artwork at the Dhow Harbour, HOLIDAY (2019), also serve to highlight the exhibition.

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Alongside the classical reading of the garden as a secluded and circumscribed place of yearning full of meditative, spiritual, and philosophical possibilities, it is viewed in the exhibition as a place of duality and contradiction: a threshold between reality and fantasy, utopia and dystopia, harmony and chaos, between being shut out and being included. In today's world, defined by radical climate change and migratory flows, the garden can be seen as a place of paradise and exile, reflecting within its borders themes as pressing as the anthropocene, seed politics, the legacies of colonialism and historical segregation. In addition to deliberate political positions, the Garden of Earthly Delights features works that also bring to life the sensual dimensions of gardens: immersive installations and video works show an intensive abundance of nature, but also the fragility of the paradise-like state. Artists: Maria Thereza Alves, Korakrit Arunanondchai, Hicham Berrada, John Cage, Tacita Dean, Nathalie Djurberg & Hans Berg, Futurefarmers, Lungiswa Gqunta, Rashid Johnson, Yayoi Kusama, Louise Lawler, Renato Leotta, Isabel Lewis and LABOUR, Libby Harward, Jumana Manna, Uriel Orlow, Heather Phillipson, Pipilotti Rist, Maaike Schoorel, Taro Shinoda, Zheng Bo. Text in English and German.

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The spectacular close-up images contained in this book show nature in a new light. The curious and inquiring photographic lens of Giovanni De Sandre reveals unexpected details, an amazing world hidden in well-known plants, some of which we use in the kitchen every day. Naturalis fons delivers a clear message to its reader: to appreciate the wonders of nature by learning to look with new eyes at the most common and apparently insignificant plants. Text in English, Italian and French.

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This volume accompanies the largest exhibition of contemporary art from Australia to be presented outside the continent. It's characterised by a surprising richness and variety, offering a combination of personal stories, languages, ethnic origins, religions and traditions. The artists belong to many Aboriginal cultures and First Nations and those that arrived from the Pacific, Europe, Asian countries and America. Curated by Eugenio Viola, this project encompasses a broad constellation of cultural, political and social practices and perspectives, and takes into consideration different means of expression such as painting, performance, installation, sculpture, video, drawings and photography. Artists: Vernon Ah Kee, Tony Albert, Khadim Ali, Brook Andrew, Richard Bell, Daniel Boyd, Maria Fernanda Cardoso, Barbara Cleveland, Destiny Deacon, Hayden Fowler, Marco Fusinato, Agatha Gothe-Snape, Julie Gough, Fiona Hall, Dale Harding, Nicholas Mangan, Angelica Mesiti, Archie Moore, Callum Morton, Tom Nicholson (with Greg Lehman), Jill Orr, Mike Parr, Patricia Piccinini, Stuart Ringholt, Khaled Sabsabi, Yhonnie Scarce, Soda Jerk, Dr Christian Thompson AO, James Tylor, Judy Watson, Jason Wing and Nyapanyapa Yunupingu. Text in English and Italian.

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This book is dedicated to Inge Morath (Graz, 1923 - New York, 2002), an exceptional photographer and refined intellectual, as well as the first woman to be admitted to the famous Magnum Photo agency. Over 150 photographs and documents retrace the main phases of her work, highlighting the humanity that characterises her entire production: a sensitivity moulded by the tragic experience of the Second World War, which over the years will result in the documentation of the resistance of the human spirit to extreme difficulties and in the awareness of the value of life. Text in English and Italian.

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In her latest work, Aisha in Wonderland, artist Maïmouna Guerresi invites viewers - through the languages of photography, video and installation - to enter an inner, hidden universe. An excuse to portray moods, feelings and existential thoughts on an incessant quest to find oneself and a new identity. Maïmouna Guerresi is an Italian-Senegalese multi-media artist working with photography, sculpture, video and installation. Her work presents an intimate perspective on the spiritual ideas of human beings in relation to their inner mystical dimensions. Maïmouna's images become an appreciation of a shared humanity beyond psychological, cultural and political boundaries. The hybrid embrace of her work towards the spirituality and ancestry of African, Asian and European cultures mirrors her own embrace of globalisation in art and life. Recurring metaphors - milk, light, the hijab, trees and contrasting black and white - create an awareness of the vital unifying qualities of Islamic spirituality. The figures and scenes presented by the artist take on a new light - that of a universal truth about community and the soul - wherein the person becomes a sacred dwelling, or a meeting place for humanity to rediscover our shared mystical body. Text in English and Spanish, with texts in Italian and Catalan in the appendix.

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Cuba has been living under the American embargo for the last 64 years. The living conditions due to the embargo are extremely difficult for the population. The regime provides for education and food but people are obliged to live in the same houses as their families as they are not allowed and do not have the means to buy or construct new ones. During the last six decades people took over old houses once belonging to people now gone or deceased and transformed them into Solar. A Solar is a multifamily and multicultural entity that represents the layers and the complexity of the contemporary Cuban society. Often inhabited by as many as 30 different families, Solar houses, in small tiny apartments that were once rooms, a variety of people. From young families to elderly people everyone lives and cohabits in small spaces with almost no privacy. Through a series of portraits executed with a medium format camera the photographer documents Solar, focussing on the inhabitants and their living spaces. Text in English, Italian, and Spanish.

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Eva Marisaldi expresses herself by means of an eclectic, many-faceted artistic language, developed by alternating photographs, actions, videos, animations and installations with embroidery and drawing techniques. Her works feature a lyrical narrative vein and, though she is inspired by reality, her study focuses on the hidden aspects of our everyday life, analysing it through her way of making art. A playful process that penetrates the spheres of imagination and fantasy. Asking herself questions on topics such as dialogue and communication, Marisaldi investigates the possibility of a reflection that is both individual and collective within the exhibition area, relating with it in a precise, sophisticated manner. Thus Marisaldi's works don't have an immediate impact; her interventions, fairly complex and obscure, are marked by an initial feeling of disorientation, requiring viewers to reflect long and carefully as they observe the works closely. Text in English and Italian.

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The artworks of Russian-born artist Evgeny Antufiev's pervade the interstices of the archaeological museum Salinas in Palermo; they are rooted in symbolic visual representations of archaic civilisations generating consonance between different worlds and eras. They evoke ancient discoveries and appear to us as a "gift" just found within the surrounding landscape and belonging to Nature itself. Art, a founding element of history, contributes to define Landscape through human actions; these overlap with Nature and become part of a legacy which enriches itself progressively, as in the case of unstoppable DNA changes which are conveyed to the next generations. Everything can be discovered and rediscovered and Art is capable of shedding light on this complex itinerary by asking questions on the notions of time and space, memory and imagination.

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The State Tretyakov Gallery, the leading reservoir of Russian fine art in the world, has presented iconic masterpieces for the first time ever in Doha as part of Qatar-Russia 2018 Year of Culture. The exhibition catalogue traces the connections between the artworks by revolutionary pioneers of the early 20th century such as Vladimir Tatlin, Alexander Rodchenko and Mikhail Matyushin in comparison to the creations of the artists of the avant-garde second wave. The most radical discoveries of the century manifested itself not only in the development of new forms, but also in the affirmation of innovative ways of overcoming prevalent traditional techniques and materials. This global experiment which aimed to literally transform the world was revived towards the end of the 1950s in the art of the descendants. These artists of the postwar generation shifted their focus mainly to movement, light and sound as fundamental elements of art. Paintings, graphic art, photographs and model reconstructions are evidence of how the Russian avant-garde forever changed the course of not only art history, but architecture, scientific progress and technology. Text in English and Arabic.

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A construction site offered the scenario for a big photographic project created by Carlo Valsecchi, the fruit of which is presented in the pages of this volume. The gaze of Carlo Valsecchi (Brescia, 1965) is educated by a solid artistic preparation: over the course of many years he’s been using photography to investigate architecture and, in a wider sense, the landscape, both natural and artificial. Valsecchi interprets these places by offering us a vision that transcends the space and the contingent moment: his images invite us to discover a timeless reality, which perhaps will eventually come: posterius. As William Ewing points out in his long afterword, Valsecchi gives us images of ethereal, abstract spaces that border on the surreal, managing to bring out the mystery inherent in them. Text in English and Italian.

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On the centenary of his birth, this volume traces the entire work of Mimmo Rotella, a major Italian Pop Artist on the international scene of the twentieth century. Published to coincide with an exhibition at GNAM, Rome, 30 October 2018 - 10 February 10th 2019. Rich in critical contributions and a vast iconographic apparatus, the book traces every stage of Mimmo Rotella's career: from the first abstract works to the informal experiences of the 50s, from the relationship with Pierre Restany's Nouveau Réalisme to the tangencies with Pop Art and his relationship with America. Extensive detail is dedicated to his most famous research, the one revolving around the décollages and the back of posters, but also to Rotella's relationship with cities such as New York, Rome, Paris and Milan, with the critics and his contemporaries. This book is published on the occasion of Mimmo Rotella's centenary, and coincides with the largest ever exhibition dedicated to the artist (Rome, GNAM, 30 October 2018 - 10 February 2019). Texts by: Clare Bell, Tobia Bezzola, Paola Bonani, Ester Coen, Vincenzo De Bellis, Veronica Locatelli, Lola Lorant, Elizabeth Mangini, Gianfranco Maraniello, Massimo Mininni, Luca Pietro Nicoletti, Massimo Romeri, Paul-Louis Roubert, Francesca Pola, Marta Sironi, Antonella Soldaini, Chiara Spangaro, Francesco Tedeschi, Giulia Tulino & Riccardo Venturi.

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In this first editorial monograph, Giuseppe Mastromatteo (1970) collects the results of artistic research conducted through fifteen years of activity. His shots start from people - faces, bodies - and then technology is used to create visual effects that, by altering the features of the portrayed subjects, lead to an unexpected world, offering complex food for thought. As in the Eyedentikit series, where the photographer's gaze overlaps with that of his models, eliminating the distance between the author and his subject in a courageous act of fusion that raises questions about the concept of identity. With Indepensense, then, we witness a border crossing between senses and body surfaces, in a mixture of human beings with a surreal flavour that inspires a meditation on the understanding and acceptance of diversity. Text in English and Italian.

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A fascinating insight into two of the giants in the history of Western art.

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This complete catalogue documents the work on canvas and the sculptures of Achille Perilli, one of the greatest artists of the second post-war period, master founder of Forma1 (1947-52) - a prestigious group active in Rome in the field of abstract research. The catalogue - which covers Perilli''s production from 1945 to 2016, and includes the works documented by contemporary publications - is the result of a meticulous research on the papers kept by the Perilli Archive, in Italian and foreign libraries, as well as exhaustive searching through public and private collections. A comprehensive chapter is dedicated to the life of the artist - covering events from his birth until January 2016. This is a remarkable reference work, offering deeper understanding of this fundamental artist and his work.

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Showcases Alexandra Albini's unique, hand-made jewellery pieces. Feminine shapes often embrace large baroque pearls or precious gems that are not cut according to conventional standards but are roughly shaped or left in their natural crystal habit. The gems are chosen for the beauty of their colours and for their inclusions, valued because they add a natural authenticity to the stone. After all, aren't inclusions nature's fingerprint, worthy of being celebrated rather than condemned as flaws? These are the principal ingredients of Alexandra Albini's jewellery collection, as it is revealed in the pages of this book through the empathic eye of celebrated photographer Gian Paolo Barbieri. Text in English and Italian.

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Arman was a US-naturalised French painter. This book covers the first twenty years of Arman's artistic production, from the Accumulations of industrial objects and series products to the Poubelles, documenting consumer society's waste; from the famous Colères, Coupes and Combustions, which through different processes dematerialise objects depriving them of their functionality, to paintings, to actions and monumental works adhering to the 'poetic of things'.

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In the work of Korean artist Peter Kim (born 1967), the repeated line becomes a visual mantra. This exhibition catalogue explores Kim's drawings, paintings and sculptural works, and includes an interview, essays and brief biography. Text in English and Italian.

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Ewa-Mari Johansson's personal research should be interpreted as a general work-in-progress. It is endowed with a sort of internal coherence that appears as stages of a single dialectic path without a real beginning or a definite end. Ewa-Mari Johansson's work is endowed with a sort of internal coherence that appears as stages of a single dialectic path without a real beginning or a definite end. But it has developed in a circular manner - often returning to investigate the same field, but each time with a different and heightened critical and aesthetic awareness. Text in English and Italian.

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Edited by French street artist Julien Malland (known as Seth) and Hervé Perdriolle, a specialist in vernacular Indian art, this book offers a world tour of street art by artists entirely outside of any art discourse or public profile beyond the public evidence of the work itself. Text in French.

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The historic textile collections belonging to the Diocese of Novara and preserved within the ancient sacristies of its many churches, have inspired the volume Caravaggio: Fashion and Fabrics. Caravaggio's ability to capture in paint such precious garments, with their shimmering weaves, arabesque-like patterns and decorative motifs informs a new narrative, exploring how clothing may indicate much more than a mere fashion choice. Using Caravaggio's The Cardsharps as the focus, we may understand how the three figures depicted are set in contrast: by social class, age and appearance. These differences are underpinned by the clothing that they wear, and on closer examination, it is apparent that the fabrics described in paint are directly comparable to those of the historic collections of Novara. In their insightful and detailed analysis, the authors of this volume present a comprehensive overview of the development of fashion and fabrics, from the sixteenth to the seventeenth century, when Italy's textile industry was at its peak. Text in English and Italian.

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The images and the articles preserved by Maria Callas are often enhanced by autograph annotations revealing the names of the people portrayed alongside her, on special occasions or simply in moments of her everyday life. This volume is thus an ideal album of the Divina''s memories, fully respecting the order and the themes she favoured, highlighting the sacrality of her personal objects, her career, and her unbridled passion for fashion and elegance. Text in English and Italian.

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Eve Arnold (1912-2012) was not only the first woman to become associated with Magnum Photos, but also one of the major photographers of the twentieth century. This book coincides with a related exhibition presented at Palazzo Madama, Museo Civico d'Arte Antica, Turin, but does not specifically document the show. Throughout her long career, Eve Arnold photographed celebrities and Hollywood stars at the height of glamour - such as Marilyn Monroe (a close friend of Arnold's), Joan Crawford, Elizabeth Taylor and Marlene Dietrich - as well as the poor and dispossessed. Her work was sought out by presidents, royalty and political activists: Malcolm X personally asked Eve Arnold to document his fight against racism. For her international work, which took her from Afghanistan to Mongolia and was often commissioned by leading magazines, she received numerous honours and awards, culminating in her election as Master Photographer, the world's most prestigious photographic honour. Eve Arnold includes a biography of the artist, a foreword by Angela Madesani and text by Arnold's close friend Simonetta Agnello Hornby. Text in English, Italian and French.

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A selection of around fifty paintings traces the evolution of Impressionism and takes us on a journey along the river, from Paris to Le Havre, passing through Argenteuil, Vétheuil and Giverny. hroughout the nineteenth century, artists painted the Seine, its light, its banks, its bridges and its ports. Above all, however, it was the impressionists and their emulators, careful observers of modern life, who made it their favourite subject. From dawn to dusk, Claude Monet, Alfred Sisley, Gustave Caillebotte and Armand Guillaumin never grew weary of observing the play of reflections on the surface of the water. Often the Seine also enchanted Auguste Renoir, Camille Pissarro and Berthe Morisot.

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Gianfranco Frattini (Padova 1926 ? Milan 2004) studied Architecture at the Politecnico di Milano, mentored by Portaluppi and Ponti, who invited him to collaborate in his studio while he was still a student. A pragmatic industrial designer, Frattini embodied the typically Italian approach to design as a total project. This book recounts his professional and personal journey, following his evolution through the analysis of his works.They consistently reflect a sense of moderation and a deliberate distance from prevailing trends, which had only minimal influence on his design projects. Frattini's experimentation with materials and forms was so wide reaching that it could define the process of design in its most tangible meaning.The exhibition Gianfranco Frattini: ieri, oggi, domani, held in 2023 in an extraordinary setting, Palazzo Arese Borromeo in Cesano Maderno (near Milan), was an opportunity to further explore the legacy of this understated master of Italian

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The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely. The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality. Text in English, Italian and French.

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The book presents a masterful photographic campaign through which Marco Anelli documented the public works of Costantino (Tino) Nivola (1911-1988) in New York. Through a skilful modulation between light and shadow, distinctive of Anelli’s language, the images – strictly in black and white – offer a profound and evocative understanding of the sculptor’s work – a leading figure in the 20th century art scene – but also of the context that houses them, thanks to the involvement of the surrounding community that participated in the work of the photographer. The project therefore investigates the works by Nivola scattered throughout the five districts of the city (Manhattan, Brooklyn, Queens, The Bronx, Staten Island) with the aim of highlighting them, relaunching their knowledge and encouraging their preservation through shared awareness.

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Miguel Rio Branco was a freelance photographer and director of photography for movies when he embarked on documentary photography, and was soon noticed for the dramatic quality of his colour work. In 1980 he became an associate of Magnum Photos. Fascinated by places of strong contrast, the power of tropical colours and light, he made Brazil his main area of exploration. This volume includes a special introductory text by Germano Celant and a critical intervention by Walter Guadagnini. “The work of Miguel Rio Branco is shaped by his need for the magic of the image, which is the result of a moment of grace and naturalness in the human condition. Through his images, he seeks a solution that offers a continuity between life and photography. Indeed, in his photographs, the passions of life are not subjected to any purifying cleansing, but offer the observer the outward fabric of life captured from its dark side, where all the conflicts of a human and non-human reality end up. Every form surges into this reality and is reduced to debris, but also to primitive and pure energy.”— Germano Celant Text in English and Italian.

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Maqbool Fida Husain (1913-2011) is a central figure in Indian modern art, and the most represented artist in Mathaf’s collection. A founding member of the Progressive Artists Group, formed in Bombay in 1947, Husain played a leading role in revolutionising art in India by parting ways with the dominant genres of academic painting and miniaturist nostalgia. This book investigates the work produced in all six decades of Husain’s artistic practice, and includes paintings, prints, poetry, architecture, textile and film. It is divided into three themes: first, the idea of home as a habitat, a repository of Husain’s childhood memories, and a space of exploration; second, the human passion for creativity and knowledge; and third, a multitude of approaches to the cosmic and divine aspects of being – expressed in myths, philosophies, world religions, narratives and symbols. The book also presents Husain’s portfolio on Islamic Civilisations, a series of 99 works commissioned by Her Highness Sheikha Moza bint Nasser in 2007.

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The book investigates the use of colour in art through artistic movements and research that stand apart from canonical histories on colour and abstraction, with multiple accounts relating to memory, politics, spirituality, storytelling, psychology and synesthesia By analysing the different colour theories that gradually took shape in the turbulent socio-political context that characterised the 20th century, Emotions of Color in Art reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardisation of the use of colour in the modern age (synthetic colours) and the digital era (RGB colours offered by various online palettes), a levelling that considerably reduces our ability to distinguish colours in the real world.

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This work presents two previously unpublished series of photographs by Andres Serrano. The first previously unpublished series of photographs - Residents of New York - was produced in the artist's hometown in 2014 and the second - Denizens of Brussels - in March 2015 in close cooperation with the Musées Royaux des Beaux-Arts during preparations for Serrano's retrospective in Brussels, when he walked the streets of the capital for ten nights to encounter the most marginal of its inhabitants. With his unique vision, making no judgements and conveying no political message (a point he insists on), he presents men and women generally invisible to passersby, forcing us by the sheer power of his photographs to see these urban residents. The text is by Michel Draguet, and Andres Serrano himself talks about his approach, the two series and the specific qualities of each. Text in English, French and Dutch.

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A guide to one of the greatest artists of all time; compact and up to date. These pages are intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, an artist epitomising the highest ideals of the age of Humanism whose complex personality challenges even the experts in this field of studies.

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This book is published on the occasion of an exhibition in Milan, which was first shown in Murcia (Spain) and after in Siena (September 2009 - January 2010), featuring a selection of 114 pictures, some of which are previoiusly unpublished, almost all of small size, by the famous American photographer Francesca Woodman. Born in Denver in 1958, daughter of the ceramist Betty and the painter George Woodman, Francesca started to work with the camera when she was only thirteen, by making her first self-portrait. In the nine following years, before her suicide in January 1981 when she was only twenty-three, she kept on taking pictures of herself at home, in the midst of nature, on her own or with friends, while in action shots or in studied poses. With texts by Isabel Tejeda, Marco Pierini and Lorenzo Fusi, a biography of the artist and a complete bibliography, this book is the most recent and most complete publication of the artist's work. Text in English and Italian.

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The Musée international de la Croix-Rouge et du Croissant-Rouge owns a unique collection of posters from around the world. From the beginning of its history, the Humanitarian Movement uses this support to spread its messages and values. For the presentation of the Red Cross and Red Crescent, the recruitment of volunteers, the request for donations, the call for blood donation, the promotion of hygiene rules, the prevention of diseases or disasters, the dangers of mines or the teaching of first aid, posters challenge the public, inform and try to rally to the humanitarian cause. More than a means of communication, they are also witnesses of an era capturing the events that are shaking the world and the concerns of the regions in which they appear. Mirrors of society, the posters carry with them the history of the Movement, its actions, its necessity and, even more, its universality.

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One of the most prestigious contemporary art awards, the Marcel Duchamp Prize was created in 2000 by the ADIAF, Association for the international diffusion of French art which groups together 400 contemporary art collectors rallied around the French scene. Its ambition is to bring together the most innovative artists and help them raise their international profile. Each year, the Marcel Duchamp Prize is awarded to one of four artists, either French or living in France, all of them working in the field of the plastic and visual arts. Since the outset, this collectors' prize benefits from a close partnership with the Centre Pompidou who invites the four nominated artists for a 3-month group show in its Galerie 4. The winner is chosen by an international jury of collectors and directors of leading institutions. Text in English and French.

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The illustrated stories published in the Christmas issues of the youth magazines have left lasting memories with Finnish children. Translated in French for the first time, these charming stories take us into landscapes of forests and lakes, squirrels and tits, leprechauns and trolls - more facetious than worrisome. Text in French.

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Functional Jewellery is a valuable tool for understanding the complexity and beauty of jewellery, even in ordinary, everyday gestures, like pinning the edges of a cape, buttoning a coat, styling hair or protecting nail varnish.

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Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauvists, Cubists and Surrealists.

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