Search results for ""jacana media (pty) ltd""

Written for the past two decades, this collection of poetry is a raw snapshot of social and political millieu as seen through the eyes and experiences of the author. This modern South African poetry is a journey through the geography of love, hate, politics, race, dance, poetry, and language.

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From high profile figures such as Cyril Ramaphosa, Albie Sachs, and Wendy Luhabe to analysts such as Wendy Lucas-Bull, Vuyo Jack, and Itumeleng Mahabane; to practitioners such as Lot Ndlovu, Eric Mafuna, Nolitha Fakude, this title brings together leading South African analysts and practitioners in the most comprehensive analysis of black economic empowerment (BEE) to date. The volume situates black economic empowerment within the longer trajectory of black business history; critically analyses the constitutional and political imperatives for empowerment; and provides policy recommendations for legislative and regulatory clarity. Visions of Black economic empowerment achieves what the debates on empowerment have thus far failed to do, which is to examine the sociological foundations of BEE. Its appeal, however, goes beyond technical discussions of BEE to an examination of the political ecomony of BEE, and the raging debates about capital concentration in a land still characterised by mass poverty and inequality. Read the views of the leading contenders in this debate - from Blade Mzimande of the South African Communist Party to fellow African National Congress heavyweight, Saki Macozoma - and examine potential policy innovations to bridge this divide. Essential for the academic and research community, business practitioners and analysts, and for a public that is hungry for the analytical tools to evaluate the most talked about economic policy of the post-apartheid transition. This rich collection of essays reflect the broad analytical range of tis editors - former cabinet minister and former Reserve Bank Deputy Governor; Professor Gill Marcus has been selected by the Absa Board to be the new chair of Absa Group LImited and Absa Bank Limited, business analysts Khehla Shubane, political commentator and scholar Xolela Mangcu, and former poltical editor and researher, Adrian Hadland.

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This title is inspired by the courage of a young woman, known variously as "Khwezi" and "the complainant", who took a principled decision to lay a charge of rape against Jacob Zuma, a man who was to her a father-figure, a family friend, a comrade, and the Deputy President of South Africa. She took on the fight against considerable odds. Zuma is one of the most popular and powerful political leaders of his time. She could not have known, however, the immense strength she would need to face the prolonged public attacks on her. As the Zuma supporters spat the words "Burn the Bitch" outside the courtroom, the young woman faced an interrogation inside. Her accusers, and the judge, concurred that having worn a kanga that evening, the complainant had, like so many other women, "asked for it'. This title speaks truth to power - not just male power, but political power, religious and cultural power, imperial and military power. By using the trial of Jacob Zuma as a mirror, the title reveals the hidden yet public forms of violence against women in their homes, marriages, churches and political organisations. Caught in the crossfire of the nation's political succession battle, the young woman refused to back down. By speaking out, she amplified the muffled screams of many other women who have been raped by those who parade their power in the corridors of parliament, government, corporations, and religious and traditional institutions. Crushed and conquered by the mechanics of power, she was forced by a so-called free country to flee into exile. We hope that in reading the story of this trial and seeing the particular ways in which women can be subjugated by power, South Africans will have the opportunity to reflect on, and demand better of, the kind of leaders and leadership they deserve.

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Globalisation and new identities - a view from the middle brings together 12 ethnographic studies of post-apartheid South Africa, which focus on the emergence of new South African identities with both strong local characteristics and powerful global influences. It shows how, in different ways, through adoption, adaptation, avoidance and resistance - South Africans are responding to the forces and connections of globalisation. These ethnographies refuse to make of South Africa a special case, a case apart from the rest of the world, but instead locate it within the rest of the world. In adapting northern approaches to globalisation to their own purposes, the originality of the authors' engagement with South Africa's social fabric becomes clear in historical perspective. All these studies show how globalisation constitutes and is constituted by the spreading of localised interests and identities - quite a tranformation from the intense national politicization associated with the anti-apartheid struggle.

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The Obituary Tango, is an anthology of short stories from around Africa, which were submitted to the 2005 Caine Prize for African Writing. The winner of the 2005 Caine Prize, Monday Morning was written by Nigerian S.A. Afolabi. The four others shortlisted for the award, which has become known as Africa's Booker Prize, include Tropical Fish by Doreen Baingana of Uganda; Tindi in the Land of the Dead by Ike Okonto of Nigeria; The Obituary Tango by Jamal Mahjoub of Sudan and Jail Birds by South African Mutual Naidoo. This anthology collects the winner and the shortlisted stories, together with stories written at the Celtel Caine Prize Writers' Workshop held near Naivasha in Kenya earlier this year.

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The story revolves around a group of students who are caught up in South Africa's political uprising in 1976. They find refuge in a Greek bar where they find that its owner, George's own background and experiences in Stalinist Greece parallels theirs.

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Foolish delusions is an adventure. Taking seriously the idea that writing can transform your life, the narrative works as a double helix. One strand explores the growing confidence, skill, and personal courage of a woman (Anna) who longs for connection with the past, and - through engagement with a writing course - finds this connection through extraordinary archaeological creativity (which demands the archive, the imagination, and uncovering of personal memories). The second strand unfurls the story of the ancestor to whom Anna is guided by her writing, an ancestor whose nineteenth-century life powerfully illuminates the meanings of gender, sexuality, and colonialism in Cape Town. Despite the philosophical complexity, the novel is gentle, smoothly crafted and full of insightful, delicate reflection. Those interested in writing will find the workbook lessons enable their own life-writing. Those wanting a 'good story' will discover in Anna's search for her ancestor a compelling and historically well-rooted tale of love, loss, and transcendence.

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Stitched-up, is where the author demystifies the complex issues facing women in modern life. In this researched work the author answers some important questions about the cause of today's most universal female complaint, exhaustion. Drawing upon a broad range of literature she delves into female self-sacrifice and finds that, although women hold their own in most fields, the idea that a woman's needs go unnoticed and unmet still persists. According to the author female self-sacrifice is a scam; it is not behaviour that exists naturally in the make-up of women. She backs this controversial claim by gathering wisdom from the powerful goddesses of our past, inspiration from the early feminists and groundbreaking ideas from modern psychology. For her the reality adds up to generations of women being stitched-up by cultural myths and religious beliefs that span centuries. Today the same common thread underpins a woman's desire for breast implants or Botox, motivates the conservative drive for 'family-values' and creates stumbling blocks that prevent women from supporting one another's accomplishments.

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The author brings together in Delicious travel a collection of her culinary wanderings through some of the most remote and unchartered parts of South Africa - places we thought we knew - in different and completely unexpected ways. The author has an eye and ear for the idiosyncratic and the quirky, in her quest for great cuisine, she uncovers the eccentricities of the people who live - and cook - in the countryside. 'Great cuisine' isn't necessarily haute cuisine, but rather the ingredients, chefs and places, all conspiring to make an experience memorable. It rediscovers bits of history and paints vivid pictures of people and their stories as it traces culinary treasures down hidden paths. This is intelligent travel with a twist! We learn how to make mealiepap pie in Victoria West, and conversely, the most sublime of seared tuna with a tantalising Far East-flavoured topping in a remote Eastern Cape town. We discover how, just outside De Rust, Jans Rautenbach, the godfather of Afrikaans film, got to sport a cathedral window in his house; how the breeding of Arabian horses on a stud farm influences the cuisine in the area and what really happens at a Karoo cattle auction when everyone buys jerepigo in support of church coffers. We discover how Mpumalanga's Robbers' Pass got its name; how the creative writing process imposes on cooking; and we find out why writer/artist Braam Kruger is more famous for his perfect fish and chips than for his art and possibly most importantly, how to mix the perfect Bloody Mary or Martini.

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A shrewd yet soulful novel, Paperless is set in Oxford and revolves around three groups in the university town: the African students who entered the country legally on student visas, the blue-collar South African workers who overstayed their visitor visas and are illegal, and black Britons who are an enigma to the Africans. As the chief protagonist Luzuko Goba navigates these worlds, his relationship with his former political exile father – who has just died – is revealed. This is a book about migrants, legal and illegal, out of time, on the wrong side of the UK’s department of immigration. They are paperless.

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One of the keys to understanding the life of the bush is through identifying the droppings of wild animals. Whether you call it scat, poop, spraint, tath or fewmets, the presence of a pile of this stuff on the garden lawn, a pathway through the veld or on the windshield of your car will lead to the question of who left it there. br> In this book you will find images and identification hints for the faecal deposits of mammals, reptiles, amphibians, birds and even insect, mollusc and arachnid life. Ideal as a handbook in the bush, staying in a game park or in the collection of a wildlife researcher, this book is a wonderful aid and resource.

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My parents named me Vuyani, which simply means be happy and let us rejoice!’ The Joy Dancer, by multi-award-winning dancer and choreographer, Gregory Vuyani Maqoma, co-written with the legendary Gcina Mhlophe, takes children on a jubilant voyage through his extraordinary life. This is an autobiographical children’s book brought to life with vibrant illustrations from the acclaimed illustrator, Elizabeth Pulles. To celebrate Gregory’s 50th turn around the sun, and in marking his legacy (Birthday Legacy Project), he shares his journey of self-discovery, reminding children that their dreams can take them on extraordinary adventures, such as his. Gregory grew up in Soweto where he found magic in music and dance as a young child. His father’s jazz music, the gumboot dancers at the men’s hostel, and seeing Michael Jackson on television all stirred his imagination. Gregory played the big drum for the marching band with the drum majorettes and created his own band called The Joy Dancers who performed for his community. Gregory had a dream to dance and in this stunning book, children will take pleasure and inspiration in dreaming along with him. Both dazzling and informative–and as profoundly rich as Gregory’s dreams–The Joy Dancer will be a cherished classics for generations to come. This book is his legacy and our children’s heritage.

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In this courageous and inspiring book, Thembi Kgatlana tells the story of her beginnings in the tough streets of Mohlakeng. She always had the talent and a dream to play soccer for South Africa but she was told that ‘Girls Don’t Do That’. This is the story of her hard work, her determination and of her bravery. Read her story to find out how she came to play for Banyana Banyana and was named the greatest player on the African continent.

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Daniel Dumile Qeqe (1929–2005), ‘Baas Dan’, ‘DDQ’. He was the Port Elizabeth leader whose struggles and triumphs crisscrossed the entire gamut of political, civic, entrepreneurial, sports and recreational liberation activism in the Eastern Cape. Siwisa tells the story of Qeqe’s life and times and at the same time has written a social and political biography of Port Elizabeth – a people’s history of Port Elizabeth. As much as Qeqe was a local legend, his achievements had national repercussions and, indeed, continue to this day. Central to the transformation of sports towards non-racialism, Qeqe paved the way for the mainstreaming and liberation of black rugby and cricket players in South Africa. He co-engineered the birth of the KwaZakhele Rugby Union (Kwaru), a pioneering non-racial rugby union that was more of a political and social movement. Kwaru was a vehicle for political dialogues and banned meetings, providing resources for political campaigns and orchestrations for moving activists into exile. This story is an attempt at understanding a man of contradictions. In one breath, he was generous and kind to a fault. And yet he was the indlovu, an imposing authoritarian elephant, decisively brutal and aggressive. Then there was Qeqe, the man whose actions were not in keeping with the struggle. This story narrates his role in ‘collaborationist’ civic institutions and in courting reactionary homeland structures, yet through all that he was the signal actor in the emancipation of rugby in South Africa.

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It is the godly feeling of dancing like a goddess and snapping on a beat with sheer joy that makes all the trouble life demands worthwhile. In these moments, of intensive freedom from pain, of joy that knows no bound and peace that passeth all understanding, I become that kid again, dancing with my mother.’ Welcome Mandla Lishivha’s exquisitely crafted memoir is unlike anything you’ve ever read. Boy On The Run is a staggeringly beautiful and honest exploration of identity through grief, love and friendship, giving us, the readers, a glorious song of self-expression. This book will change your life.

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Police spokesperson and former TV journalist McIntosh Polela has been on our screens for many years. But behind his seemingly unfazed demeanour, a troubled past haunts him. His parents disappeared when he was a little boy, leaving him and his sister Zinhle to suffer years of brutal abuse. When the truth of his parents’ disappearance is revealed, the teenage McIntosh makes a fully functioning gun from found object which he keeps for the day when he finds his father. He knows that he must come face to face with the man who robbed him of his childhood. McIntosh has to confront his father about his mother’s brutal death. How can he possibly forgive, when his father remains a remorseless brutal and heartless monster?

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The Jacana Literary Foundation and the Other Foundation are thrilled to announce the publication of the fourth volume of The Gerald Kraak Anthology, The Beautyful Ones Have Just Been Born. With the prize ceremony linked to Africa Day, the publication of the anthology is tied to the Pride Month of June and the celebrations of the LGBTQI+ community which occur across the globe. This year’s anthology is filled with inspiring and fearless literary works of fiction, non-fiction and poetry from across Africa. These stories capture the essence of the African LGBTQI+ community and showcase some of Africa’s most talented writers. The anthology gives a voice to those who would otherwise be marginalised and it insists that differences must be recognised, embraced and celebrated. The second of the Gerald Kraak Anthologies, As You Like It, received the LAMBDA Literary Award for LGBTQ Anthology Fiction 2019 at a ceremony in New York. A testament to the brave storytellers of Africa, and the impact they have. The Gerald Kraak Anthology and Prize is made possible by the Jacana Literary Foundation and the Other Foundation.

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The Young Entrepreneur’s Playbook is a sequential guide that takes the entrepreneur from inception of an idea to success and all the way to exit. Lindile details the milestones of growing and evolving a business in a journey that is by no means linear. This playbook reveals a path to the desired destination of every entrepreneur who uses it, where the entrepreneur can define his or her own formula of success, from the very first inkling of an idea and turning that into a reality. Lindile push-starts the entrepreneur using a strategy he calls Rapid Deployment to monetise ideas by turning them into reality. It is a model that can move an idea from zero to a hundred in a matter of days. Fast implementation allows the idea to go through an entire life cycle in a short space of time. Most importantly, it forces the budding entrepreneur to start. This playbook outlines the importance of investing in oneself. A successful exit is determined at the point of entry. The entrepreneur must take full control of how the journey ends or evolves. This guides the decisions that the entrepreneur makes as he or she starts and grows the business. Ultimately, entrepreneurship requires consistency, resilience, adaptability, mental strength and acute awareness. All of this must be rooted in mindfulness. Although mindfulness is not something taught in business schools, it is an essential element of success. At its very core, The Young Entrepreneur’s Playbook is for anyone with an idea to bring to life, something of value to provide, challenge to move past, aspiration to chase after and willingness to do something about it. This is a playbook of how to get it done, all the while embracing failure as an important part of the process but ultimately a useful tool to expedite the very outcome that you seek.

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Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title ‘Imbokodo’ was been chosen as it is a Zulu word that means “rock” and is often used in the saying ‘Wathint’ Abafazi, Wathint’ Imbokodo!’, which means “You Strike a Women, You Strike a Rock!” These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

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The Discovery of Love, explores and heightens one of the dominant themes in Nthikeng Mohlele’s literary oeuvre, that of love. In this collection, love is reflected upon in expansive and unexpected dimensions. It becomes the backdrop against which Mohlele delves into the intricacies of human agency with profound and often unexpected effects. These stories dazzle; they are wide-ranging in scope, yet particular in their authorial intent.

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Now in its 10th year, the Sol Plaatje European Union Poetry Award is a launching pad for upcoming poets. From slam poetry to formal rhyme, the anthology is a celebration of language and cultural diversity. Assembled by a brilliant team of judges, from a blind selection, this year’s compilation contains the best poems from over 600 entries, in 10 of the 11 South African languages. Named after Solomon Tshekisho Plaatje (1876–1932), the award recognises the life and vision of this highly respected political and social activist. We always hope that it reveals the political and social attitudes of our time and reflects the complex, nuanced and uncomfortable truths of life in South Africa.

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The vast crowd that line the beflagged route to the Kremlin was, as in New York, friendly and cheering. ‘Welcome, Otherworld Visitors to the Land of Socialism!’ spelt out the banners, in big Cyrillic letters. ‘For Universal Peace and Free Scientific Exchanges!’ The chairman of the Supreme Soviet, Noriskin, followed closely along the pattern set by Dr Faradien when he introduced Rogard. And Rogard’s message of peace and goodwill, expressed in flawless Russian, once again met with loud and enthusiastic applause. The White People came from the planet Oxindu. They were highly intelligent and they came in peace. Or did they? This astonishing novel has been buried in the archives for over fifty years. Written by Michael Harmel in 1959, The White People deftly and presciently maps the state of the Earth in the middle of the Cold War, mirroring the struggles around the world for a common language, humanity and a way of lessening the environmental destruction of the planet.

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The fact is that the role, relevance and contribution of the Black Consciousness philosophy is more warranted now than ever. See, Black Consciousness does not die. It remains relevant even when it is apparently dormant. Its approach and method are always readily available to be used by the oppressed when the need arises to confront particular and universal challenges posed by institutional racism and violence. Black Consciousness has turned up the heat against oppressive rule, exploitation and racism in South Africa and around the world, as young people and politicians, academics and campaigners reconfigure a global socioeconomic revolution. Long linked with universal freedom movements, Black Consciousness has a particularly profound and proud history in the country that gave birth to Steve Biko. An intrinsic part of international solidarity actions, it still captures the imagination of resistance fighters young and old. Embracing African liberation, the Black Panthers, Black Power in England, Marxism in the Caribbean and remarkable links even to Mao Tse-tung’s Cultural Revolution, it remains at the centre of struggles for people’s power. First published in 2017, the year of the 40th anniversary of Biko’s murder by the apartheid regime, The Black Consciousness Reader has been revised and updated as an essential collection of history, interviews and opinions about the philosophy. A contribution to the world’s Black cultural archive, it examines how the proper acknowledgement of Blackness brings a greater love, a broader sweep of heroes and a wider understanding of intellectual and political influences. Although Biko is a strong figure within this history, the book documents many other significant Black Consciousness personalities and actions, as it predominantly focuses a South African eye on its influence on power, feminism, land, art, music, society and religion. Keorapetse ‘bra Willie’ Kgositsile and his son, American rap prodigy Earl Sweatshirt are inside it. So too Onkgopotse Tiro, Vuyelwa Mashalaba, a young Nomzamo Winnie Mandela, Bobby Seale, Assata Shakur, Neville Alexander, Thomas Sankara, Walter Rodney, Lefifi Tladi, Ready D, Ntsiki Biko, Nina Simone, Barney Pityana, Zulaikha Patel and many others. It looks at links between K-Pop and Black Consciousness, militancy in Harlem and the uprisings in Soweto, Black theology and the bible’s red commandments. This amalgam of facts, ideas, images and moving pictures is written and compiled by political journalist Baldwin Ndaba, culture writers Therese Owen and Masego Panyane, columnist and poet Rabbie Serumula, author and political analyst Janet Smith and multimedia specialist and church leader Paballo Thekiso.

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Anne Biccard has worked as an emergency doctor in Johannesburg for more than 30 years. It is a job that is both terrifying and thrilling, where death can be outwitted by skill and quick thinking, and the pressure eased by dark humour. The coronavirus, however, has added another dimension of fear. In this heartwarming and at times hilarious memoir she recounts some of the cases that have burst in through her doors, such as the woman who mistook her Dettol for beer and the man who tried to run down his cardiologist. There is sadness, too, as she remembers the patients who didn’t make it. Above all, she writes of the camaraderie and dogged determination of health workers holding fast in the face of the Covid-19 nightmare as they battle, every day, to save a stranger’s life.

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This novel opens the door to the lives of five Coloured women facing life-changing challenges while trying to do the most important thing – survive another day in Eldorado Park in the south of Johannesburg. Kaylynn, Bertha, Janice, Laverne and Raquel try to navigate their way through domestic violence, migration, coming of age and the ever-cloying patriarchy that permeate every part of living in Eldorado Park, affectionately known as Eldos by its people. These women are at different ages and stages of their lives yet connected by this one place and a community that has shaped their worldview. Through phone calls, diary entries, poems and other forms of reported speech, each woman’s struggles are told with honesty. Written, in part, from the perspective of Eldos, this predominantly Coloured township comes alive as the reader gets a look into the heart of a community that has been branded with the image of addiction and violence. The author’s hope is to take the reader on a sensory experience that lays bare the sights, smells and soul of Eldos through the eyes of its residents and specifically these women characters. At its core, Those Who Live In Cages is a story about Coloured women, family, friendship, identity, and the many ways one can play the hand that life deals you.

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Corruption cost taxpayers around R1.5 trillion during Jacob Zuma’s spell as president of South Africa. Despite attempts by the police, the courts and the Public Protector to stem the rising tide of graft in South Africa, several politicians were rewarded with high office after stealing the aspirations of millions of people. Fred Daniel, one citizen among many targeted by predator politicians, stood up against the scourge. The retaliation he faced after attempts by corrupt politicians to grab his nature reserve in Mpumalanga included vandalism, arson, smears and death threats. His nemesis is Deputy President D.D. Mabuza, who presided over several departments in the province that were wrecked by graft before he ascended to the position of the second most powerful politician in the country. Fred has won more than twenty cases over the past fifteen years in magistrates’ and high courts where his claims of corruption-related harassment were found credible. The North Gauteng High Court is hearing his damages claim against Mabuza, government departments and officials amounting to more than R1 billion. It stems from Fred’s exposure of fraudulent land scams allegedly orchestrated by Mabuza. At great personal cost, Fred and his family stood up to corruption. They endured the loss of a livelihood and their home – and the fear that follows when the government places a target on the back of a citizen blowing the whistle on its misdeeds. Fred will not back down. For him, failure is not an option.

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‘This place is labelled the city of gold, Jozi Maboneng. There is indeed a constant rush, the winner takes it all, and a “survival of the fittest” mentality driving the hunger and competitive spirit of those born here, and equally seen in the eyes of the immigrants; legal and illegal alike. Dreams not realised have left most of the once-eager hopefuls desolate, seeking shelter under bridges and abandoned city buildings… Oh Yeoville, Yeoville man, now this was a whole different world on its own … the culture, the music, the DJs and live bands, the food and the hangout places’ – Gloria Bosman, ‘A Little Something from the Pot’ Joburg Noir is a collection of writings about memories, legends, loss, jokes, stories, myths and experiences by twenty-two gifted and versatile authors in South Africa. It makes the reader experience present-day Johannesburg as if one were in the past. The stories seek to understand, reconstruct, reinvent and recover this city space of loss, joy, deprivation, resistance and possibility by revealing its complex dynamics. They are funny, shocking, violent, absurd, strangely tender and memorable. Their lasting resonance lies in the fact that they invoke the joys and traumas of the past and present, making the two to co-exist and interlock. After reading this uncompromising and gritty anthology, the reader is bound to feel like a time-traveller who has voyaged into a magical alternate city and a reality that was either misnamed or not named at all. The intention is to help the readers to delve into their own memories in search of pictures of their sweet childhood and fractured identities.

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What’s an end of the year celebration without Madam & Eve? They go together like a crazy marriage, like the ANC without a split, like the EFF and red overalls, like Auntie Helen and Twitter, like bread and butter and jam, like the cream on the top. They’re funny, familiar and wonderful, like Marmite to your mates overseas, like recognisable and special, like no Christmas stocking should be without one. The Madam & Eve annual is a very special part of our heritage, loved by the young, loved by the old, it’s the present that always gets sold! It’s the perfect gift for the whole family.

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Exhibiting the wonders of nature and the beauties of the African continent, The 30-Year Safari: A celebration of Getaway photography is an awe-inspiring coffee table book showcasing photography from the last decade to celebrate Getaway’s 30th birthday. Having built a loyal and dedicated readership, Getaway designed this book using photographs from its own readers. It is a salute to all Africa has to offer – from its natural splendour to the talent of its contributors. Images from the sea to the sky grace the pages in the form of high-definition photos, and with its elegant hardcover format and dust jacket, it is the perfect travel inspiration book. Getaway has become synonymous with the finest African travel photography and this book – the very best of its archive – is a tribute to the many photographers who have made it so. It is indeed a book made by Getaway readers for Getaway readers.

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Ontmoet vir Wanda, met haar pragtige bos hare. Sy is dapper en sterk, maar sy is ongelukkig omdat die seuns by die skool haar genadeloos terg. Deur Makhulu se haargeheime en stories leer sy egter om haar hare as ’n kroon te sien, en iets waarop sy trots kan wees. Hierdie boek gaan oor identiteit en skoonheid, en is ’n viering van hoe kultuurtrots deur generasies heen geleer en oorgedra word.

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Famous for her hilarious do-it-yourself videos, SuzelleDIY has released her very own cookbook, Recipes. Also available in Afrikaans, the pages are full of delicious recipes that Suzelle has gathered and created over the years, from her ouma’s old classics to her own creative ideas that will get everyone talking at their next dinner party!Recipes by SuzelleDIY is a passion project put together by Suzelle and her team. This project has been a long time in the making and the Sketchbook team cannot wait to finally share the book with the world!Readers will be tantalised with scrumptious desserts, easy dinners, fun and delicious twists on South African favourites (bobotie balls anyone?), as well as a few wonderful recipes from special guests who also wanted their recipes in the book, shame.This cookbook is for everybody! So pop on your aprons people! It’s time to use your own creativity and make some delicious kitchen magic happen. DIY? Because anybody can!

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“I wrestled with life and lost.” So begins the story of Michael, a corporate lawyer known to his colleagues and associates as Sir Marvin, who picks his way – sometimes delicately, but more often in his own blundering way – through the unfathomable intricacies that make up a life: love and anger, humility and ambition, trust and distrust, selfishness and selflessness. A flawed individual with an acute understanding of the roads that must be navigated to achieve even the slightest insight into the human condition. In this study in introspection, embroidered with lyrical prose and astonishing intuition, the hero, meditative and melancholic, is at once both tragic and comic.

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On 22 November 1977, 40 years ago, Robert Smit and his wife Jean were brutally murdered in their Springs home. They were shot and stabbed several times. The words RAU TEM were spray-painted in red on the walls. A high-ranking member of the National Party, Robert Smit was involved in probable sanctions-busting activities through a front company, Santam International. Told by Liza Smit, daughter of Robert and Jean, who was 13 years old at the time of the murders, this is a book of two stories; the story of the life-long and destructive impact the murders had on the lives of those left behind, and particularly and very poignantly, on that of Liza’s own life.It also tries to unravel the mystery of the murders. We follow Liza as she gathers evidence to present to the Truth and Reconciliation Commission (TRC) and meets with a wide array of those who might help solve the crime, from ministers to shady con men. Despite Liza’s efforts and the huge public interest in the murders, despite the numerous conjectures on who might have murdered this high-ranking politician and his wife, despite the complicated reasons put forward as to who might have given the orders to have them killed, 40 years later we are no closer to a conviction or a trial. Told by the daughter of Robert and Jean Smit, I am Liza Smit lends an intimate insider’s view into apartheid intrigues not accounted for at the TRC.

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South Africa has entered a new era, with the country’s recently elected president, Cyril Ramaphosa, promising a ‘new dawn’. But will President Ramaphosa and his administration, together with business and labour, be able to turn the economy around and at last satisfy the aspirations of millions of people who, for decades, have been promised better lives? And what role should business – and organised business – be playing in all of this? Although business is the main driver of the economy, it has for years been a passenger in economic policy-making. These and other questions relating to South Africa’s complex character and uncertain future prospects are thoroughly explored in Good Capitalism, Bad Capitalism: The Role of Business in South Africa.Written by prominent economist, Raymond Parsons, together with Ali Parry, the book offers a balanced and absorbing analysis of what various institutions and individuals have (and have not) done to eradicate the legacy of apartheid and bring South Africa to where it is today. Freed from the shackles of the Zuma regime, South Africa now has a decisive opportunity to take stock of what has gone wrong in the country since the advent of democracy and take appropriate corrective action. But will it? What are the chances of success?History can so easily repeat itself if politicians and business leaders choose to ignore the lessons of the past. Fresh thinking and a large dose of pragmatism are imperative if South Africa is to turn the corner and build a bigger, stronger and better economy. At this critical juncture, organised business institutions in South Africa also need to reprise their role as the voice and champion of the constituencies they are mandated to serve.

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No little thorn in the flesh or irritating fly in the ointment, Zapiro just cannot be ignored. It's been one helluva year. We've held our breath thinking Zuma may resign. We've seen Juju re-booted and Zille tweeted out. We've seen Trump's megalomania, Bell Pottinger's spin and Pravin's fightback, cadres captured and Cabinet's relocation to Saxonwold Shebeen. GuptaLeaks threaten to drown us and as the flood rises the rodents scatter. And who better to make sense of this than Zapiro, political analyst, cartoonist and agent provocateur. He has the ability to knock the air out of us, to rock us back in our seats, to force us bolt upright with a 1000-watt jolt of electrifying shock. He shines a light on the elephant in the room, presents the emperor in all his naked glory. When all around is crumbling, when fake news and zipped lips conceal the truth, Zapiro comes to the rescue.

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The seventh volume in this series anthologises the best entries for the 2017 Sol Plaatje European Union Poetry Award. The anthology is a truly democratic as well as creative effort, in keeping with the spirit of the legendary intellectual giant, Sol Plaatje; activist, linguist, translator, novelist, journalist and leader. The poems offer readers sensibilities, observations and responses to the complex, nuanced and uncomfortable realities of life in our country – past, present and future. Written in Afrikaans, English, Sepedi, Sesotho, Setswana, isiXhosa and isiZulu and accompanied by English translations where relevant, they reflect the diversity of our nation. The poems are important. Chair of the judging panel, Professor Mongane Wally Serote, says: “These South African poets have understood something. They hold the present by the scruff and threaten it. If this nation has not revolted, it is evolving to revolt, the poets say. The present cannot hold, the poets keep saying. Like healers, they sing, beat the drums and dance to the rhythm of their tongues.” Each year the Jacana Literary Foundation (JLF) invites South African poets, young and old, debut or previously published, to submit for consideration up to three works in any of the official languages of South Africa. Athol Williams, Goodenough Mashigo, Wally Serote, Pieter Odendaal and Kholeka Putuma are on this year’s judging panel. Judging blind, they select a long-list of poems for publication in the anthology. The project is funded by the European Union.

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Rehana Rossouw takes us into a world seemingly filled with promise yet bedeviled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times. Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy's politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, but can she break free? Told with Rehana's trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

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Photojournalist Masixole Feni, the first black winner of the 2017 Ernest Cole award, showcases his work in A Drain on our Dignity: An Insider's Perspective. It portrays issues such as evictions, poor infrastructure, lack of sanitation, water scarcity, and overpopulation in black communities. As Feni says, ""I live at the back of an RDP house in Mfuleni on the Cape Flats. I experience issues like poor sanitation, access to clean water and the flooding first hand"". Photographing the lack of sanitation was unpleasant, but he did not want a photographer from outside the community telling their stories while he watched on. This is an insider's account of people's lives in informal settlements. The photographs depict very graphically the inequality that exists between underprivileged communities and privileged communities. Jacana Media in conjunction with the Ernest Cole Photographic Award have published the three previous award winners' photographic collections and this is the fourth in the series. The Ernest Cole Award is curated by the Centre of African Studies (CAS) at the University of Cape Town.

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In the the mysterious world of the Congo River, we meet Chrisnelt, a young Congolese boy who grows into manhood shaped by the vast leaves held in the branches of tropical forests, all the while battling a ravaged world of globalized greed and death. Chrisnelt is a gardener of unusual genius: he learns from birds, insects, and foreign weeds. Chrisnelt is guided by the ancient journey of water in his part of Africa: the constant flow to the ocean, and the rise back into the sky of mists. This powerful story at the edge of damnation bends a reflection of all of us through the eyes of a birdwatcher who sees wings fly like escaping leaves on streams of eternal water and air for all.

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Introduces readers to a strange assortment of new vocabulary, and through this touches on the familiar danger of the commercialization of language. Through a linguistically brilliant text, Tammy Baikie has created a world that exposes a society swallowed up by ad men.

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Did you know that the machine used to drill tunnels for the first underground railway in England was invented by a South African, or that the first computers in South Africa were women calculators working at the Royal Observatory in Cape Town? Everyone knows that the Kreepy Krawly, Pratley's Putty, Dolos, and CATscanner were invented in South Africa, but what about the Sheffel Bogie, Oil of Olay, Q20, Policansky fishing reels, Lodox low-dose X-ray machine, and Waste Shark? This authoritative volume is crammed with information on the awesome variety of new products and services that South Africans, at home and abroad, have invented from precolonial times to the present. Written in a highly accessible style and richly illustrated, the book spotlights Wadley's Loop, Louis Liebenberg's Cybertracker, the unique Africanis dog, the first computerized ticketing system in the world, the first ever digital laser, and more. Historic photographs, fascinating anecdotes, and illuminating case studies light up the text and make it read like a detective novel.

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This book, the first of its kind, compiled over six years, provides a wealth of information that opens up a new world of understanding for all plant lovers. For anyone with an interest in botany or wondering what a plant name means, this remarkable book will be an indispensable guide.

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Scientists, and their research, are often shaped by the prevailing social and political context at the time. Kuljian explores this trend in South Africa and provides fresh insight on the search for human origins – in the fields of palaeoanthropology and genetics – over the past century. The book follows the colonial practice in Europe, the US and South Africa of collecting human skeletons and cataloguing them into racial types, in the hope that they would provide clues to human evolution. Kuljian sheds light on how, during apartheid, the concept of racial classification mirrored the way in which many scientists thought about race and human evolution.

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In What Will People Say?, a rich variety of township characters—the preachers, the teachers, the gangsters and the defeated—come to life in vivid language as they eke out their lives in the shadows of gray concrete blocks of flats. It is the story of the Fourie family, residents of Hanover Park in the Cape Flats during the height of the struggle era. Which members of the Fourie family will thrive, which ones will not survive? Generously spiced with Cape Flats slang, the novel features vivid and gritty descriptions of the difficult issues faced by those living in this marginalized and disadvantaged community.

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Part detective trail, part love affair and pure story telling at its best. In 1990 an expedition of Cambridge scientists arrived at the Plains of Nechisar, tucked between the hills of the Great Rift Valley in the Gamo Gofa province in the country of Ethiopia. On that expedition they collected twenty three species of small mammals, a rodent, a bat; three hundred and fifteen species of birds were seen, sixty nine species of butterfly were identified; twenty species of dragonflies and damselflies; seventeen reptile species were recorded; three frog species were filed; plants were listed. And the wing of a bird was packed into a brown paper bag. It was to become the most famous wing in the world. When the specimens finally arrived at the British Natural History Museum in Tring it set the world of science aflutter. It seemed that the wing was unique, but they questioned, can you name a species for the first time based only on the description of a wing, based on just one wing? After much to and fro confirmation was unanimous, and the new species was announced, Nechisar Nightjar, Caprimulgus solala, (solus:only and ala:wing). And birdwatchers like Vernon began to dream. Twenty two years later an expedition of four led by Ian Sinclair set off to try to find this rarest bird in the world. Vernon R.L. Head captivates and enchants as he tells of the adventures of Ian, Dennis, Gerry and himself as they navigate the wilderness of the plains, searching by spotlight for the elusive Nechisar Nightjar. But this book is more than a boy's own adventure in search of the rarest bird in the world. It is a meditation on nature, on ways of seeing, on the naming of things and why we feel so compelled to label. It is a story of friendships and camaraderie. But most of all it embraces and enfolds one into the curious and eye-opening world of the birdwatcher. For birdwatchers, twitchers, bird lovers, and about-to-become birdwatchers everywhere. For those who enjoy the natural world, the outdoors, the untamed places. Reminiscent of Nathaniel's Nutmeg and Longitude, this true story of incredible adventure will bring out the explorer in everyone who reads it.

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Unhappily married Cape Town academic Art Berger is offered what appears to be a professional lifeline: to reconstitute the final papers of the great South African writer Charles de Villiers into book form. He is uncomfortable about the role of ghostwriter, but the project becomes literary detective work he cannot give up. Introduce de Villiers' beautiful daughter, Lynda, and Art is ensnared. Sunderland alternates between sections, mostly in journal form, chronicling Art's struggle to make sense of de Villiers' fragmented and disordered text, and sections—scenes, notes, outlines—from that very work. A novel of literary ideas as much as of character, this fascinating collaboration by two of South Africa's finest wranglers of words comes to a literal crescendo. It is a finely tuned masterpiece to read in one sitting.

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In this memoir—or as the author describes it, ""nonfiction novel""—the reader is swept along two equally entertaining narrative strands, one set in the present day, the other in the past. Mashed together, they form the story of King Adz's life—the man also known as ""Adam Stone"" to the authorities. The book describes, in the present day, Adz's quest to make some sense of modern South Africa. He spends as much time as he can hanging out with a selection of interesting, unusual, and creative locals, from Jack Parow to Roger Ballen. He also visits the most interesting places—Portuguese restaurants that are well past their sell-by dates, street culture festivals, and small dorps that are off the map. Through all this is the palpable sense that when Adz is in South Africa, he always feels at home. The backbone of the book tells how Adz came to South Africa, with wife and children, and worked in the world of brands, advertising, and digital media. Readers learn how he accidentally became a film director and might also have fallen into bad company. This is a fascinating, funny chance to look at South Africa through the eyes of an outsider who has forced himself inside.

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Another country, South Africa: New portraits is based on South Africans' views on the country and personal history; it gives an unvarnished account of what has changed personally and generally in the country through the lens of existing photographs. A follow-up to Reiner Leist's South Africa: Blue portraits, which was published in 1993 on the eve of the first democratic elections, Another country includes black and white portraits which are followed by new colour portraits of the participants, but also of surviving sons or daughters, a grandson, a new bearer of the office or the same site. The images are accompanied by edited versions of the conversations, which provide visual and verbal stories of humanity and the South African landscape.

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