Search results for ""illustrated books""

A magnificent illustrated journey into California’s famed deserts and the astonishingly abundant life they contain.A San Francisco Chronicle Bestseller!From Obi Kaufmann, author-illustrator of the best-selling California Field Atlas, comes a grand adventure through time, geography, and ecology in California’s deserts. Of a piece with his richly illustrated books The Forests of California and The Coasts of California, this volume features hundreds of vivid watercolor maps and illustrations, blending art and science to breathtaking effect. Journeying through the Great Basin, Mojave, Colorado, and Sonoran Deserts, Kaufmann pays special attention to national and state parks and monuments, and to the dozens of wilderness areas that reveal the underappreciated natural abundance of California’s arid lands. From Joshua Tree to Death Valley, these deserts full of life, as Kaufmann evokes them, are perfect places for meditating on our future, and for imagining a California that might thrive beyond the age of climate breakdown. The Deserts of California is a canonical entry into the literature of the American deserts, uniquely colorful and celebratory, and abounding in hope and wonder.

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Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from illustrators of manuscripts and albums to active mediators of imperial visionary experience, cultivating their patrons’ earthly and spiritual authority. Featuring over 80 color illustrations, The Brush of Insight traces this shift, demonstrating how royal artists created a new visual economy that featured highly naturalistic royal portraits and depictions of the emperors’ dreams. These images, in turn, shaped the perception of the Mughal emperors’ preeminence in all domains—temporal and spiritual—from the reign of Akbar to that of his son and successor, Jahangir. In analyzing a wide range of visual materials including manuscripts, albums, and coins, art historian Yael Rice documents how manuscript painters and paintings challenged the status of writing as the primary medium for the transmission of knowledge and experience. With compelling material and original arguments, The Brush of Insight probes how pictures and illustrated books became central to imperial modes of seeing and being in early modern Mughal South Asia.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Gus is Hot!, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: e u r h b f lSight words: full his of on putTheme: Following instructionsVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. ls and provide preparation for the Cambridge English: Young Learners (YLE) Starters, Movers and Flyers exams.Nat Sits, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: s a t p i nSight words: an in sitTheme: Feeling safeVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Peppa Pig: In the Garden, a Level 1 Reader, is Pre-A1 in the CEFR framework and includes practice for the Cambridge English Pre-A1 Starters tests. Short sentences contain a maximum of two clauses, using the present tense and some simple adjectives.Look at the little animals in Grandpa Pig's garden. There is lots for Peppa, George, and their friends to see! Visit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Space, a Level 4 Reader, is A2 in the CEFR framework and includes practice for the Cambridge English A2 Flyers tests. The longer text is made up of sentences with up to three clauses, more past and future tense structures, modal verbs and a wider variety of conjunctions.Space is very big. It's full of planets, comets, stars and asteroids. People have gone into Space and they have visited the moon!Visit the Ladybird Education website for more information.

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In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists.Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.

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The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A’s National Art Library. This is the story of the illustrated book, from the earliest printed examples to the present day, told through the collections of the National Art Library at the Victoria and Albert Museum, London – a library that was created to bring together examples of superlative book-making on almost every subject. Gathered here are some of the most influential, compelling and striking examples of the illustrated book, arranged thematically in chapters devoted to subjects such as art, literature, religion, architecture, natural history, fashion, and shopping. Brimming with innovative and beautiful examples, ranging from well-known titles, such as Owen Jones’s Grammar of Ornament and James Audubon’s Birds of America, to other wonderful but less familiar publications, this collection offers a fascinating overview of some of the finest illustrated books ever created – demonstrating their enduring appeal.

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A new series of illustrated books specifically designed for children in elementary education, narrating the stories of those great historical figures who have left their mark on humanity in fields such as science, art, exploration, music and other subjects. Young readers will be able to read all about these famous people's main achievements, experiencing the main steps of their lives through Isabel Munoz's engaging illustrations, and finding out some curious facts about their work and success. In the six volumes of the series, children will be fascinated by the genial and revolutionary intuition of Einstein, Leonardo da Vinci's vast breadth of expertise, the incredible discoveries about space made by Galileo Galilei, Mozart's infinite musical creativity, the masterpieces created by Picasso and Van Gogh. There is an index at the end of each volume listing the main biographical events and some simple quizzes will help children to further understand and test their knowledge. Ages: 6 plus

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Hokusai created sublime works during the last thirty years of his life, right up to his death at the age of ninety. Publications have hitherto presented his long career as a chronological sequence. This book takes a fresh approach based on innovative scholarship: thematic groupings of works are related to the major spiritual and artistic quests of Hokusai’s life. Hokusai’s personal beliefs are studied here through major brush paintings, drawings, woodblock prints and illustrated books. The book gives due attention to the contribution of Hokusai’s daughter Eijo (Oi), an accomplished artist in her own right. Hokusai continually explored the mutability and minutiae of natural phenomena in his art. His late subjects and styles were based on a mastery of eclectic Japanese, Chinese and European techniques and an encyclopaedic knowledge of nature, myth, and history. Mount Fuji was the most significant model for Hokusai in his quest for immortality. This collection of Hokusai’s works draws on the finest to be found in Japan and around the world, making this the most important publication for years on Hokusai, and a uniquely valuable overview of the artist’s late career.

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Following the success of the established titles in this popular series, Sketching from the Imagination: Storytelling brings to life the characters, worlds, and tales of traditional stories and modern tales alike. 50 professional storybook artists from around the globe take inspiration from folklore and fairytales, myths and legends, and modern books and novels. Many of these artists create their own narratives, exploring their storytelling skills through an extraordinary talent for transforming words into compelling visual concepts. Children eagerly turn the pages of illustrated storybooks – some of those illustrations would be enchanting and dream-like, others were menacing and ugly (but no less intriguing). Those images often linger into adulthood, when graphic novels and illustrated books take over to feed our adult curiosity and child-like sense of adventure. Each artist not only shares several pages of their original art, but also the story behind it – the narrative of the art itself, and their fascinating account of the artistic process. From traditional children’s characters to the fantastical, surreal, and terrifying worlds, every genre imaginable is covered. Whether you’re a beginner or experienced artist, no matter what your style and medium, this book will have you telling tales in no time.

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Ladybird Readers is an ELT graded reader series for children aged 3-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction.· Beautifully illustrated books, carefully written by language learning experts· Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills· Eight levels follow the Common European Framework of Reference for language learning (CEFR)· Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests· A unique code in each printed book provides access to online audio, extra activities and learning resourcesGulliver's Travels, a Level 5 Reader, is A2 in the CEFR framework and includes practice for the Cambridge English A2 Flyers tests and KET exams. The longer text is made up of sentences with up to three clauses, more complex past and future tense structures, modal verbs and a wider variety of adverbs and pronouns.After a shipwreck, Gulliver finds himself on an island of tiny people and no way to get home. What adventures will he have?Visit the Ladybird Education website for more information.

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The first in a series of illustrated books exploring the longest and best-known naval campaign of World War II, focusing on the struggle between Allied naval and air forces and Hitler''s U-boats. When fighting broke out in September 1939, neither the British Royal Navy nor the German Kriegsmarine were prepared for another war in the North Atlantic. Having defeated the U-boats in World War I, the Royal Navy was confident it would succeed again. This was quickly shown to be an illusion, as neither the scale of forces available nor their tactics were sufficient. The Germans were even less prepared, with only a small number of U-boats, most of which were left over from World War I. Respected naval historian Mark Stille examines the struggle between Allied naval and air forces and the German U-boats in the first 15 months of the war. The Germans attempted to win a tonnage war against Allied shipping, with well-trained and bold U-boat commanders enjoying some brilli

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In 1903, after a fire completely destroyed her family home in Norfolk, UK, the 27- year-old Constance helped her mother redesign their house and recreate the garden. It was an experience from which she never looked back, going on to become an internationally recognised garden expert and connoisseur. A rich woman herself, she was attracted to the most spectacular and extravagant gardens in the world. From Shalimar Bagh, Lahore, to Nishat Bagh, Srinagar, to La Granja near Madrid, Constance earned her reputation studying Mughal and Moorish gardens as well as those in Great Britain, France, Italy and northern Europe. Between 1910 and 1955 she wrote about them, painted and photographed them and lectured on them. She produced two successful illustrated books, and numerous articles for magazines, including Country Life, Vogue, The Burlington Magazine, Harpers Bazaar, and The Times. When she died in 1966, she left paintings, photographs, diaries, press cuttings and scrapbooks to her grandchildren. It is upon this fascinating and hitherto unseen archive of memorabilia that Constance Villiers Stuart: In Pursuit of Paradise is based.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. The Silver Ring, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: igh ear air ureSight words: come from so stop we whatTheme: Being patientVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. The Big Dipper, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: igh ear air ureSight words: as have like said some went youTheme: Being braveVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Dash and Thud, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: ch sh th ngSight words: if ran then they with yesTheme: Looking after each otherVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Jazz the Vet, a Starter level Reader, introduces phonics and sight words. Each book contains two versions of the story: the first with single words focusing on phonics, with the emphasis on letter recognition and pronunciation; the second with short sentences introducing sight words.Phonics: j v w x y z quSight words: be but had he him she tell wasTheme: Helping othersVisit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Under the Oceans, a Level 4 Reader, is A2 in the CEFR framework and includes practice for the Cambridge English A2 Flyers tests. The longer text is made up of sentences with up to three clauses, more past and future tense structures, modal verbs and a wider variety of conjunctions.Many animals live in the world's oceans. Find out about animals that hide, animals that live in the dark, and animals with big teeth!Visit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction.· Beautifully illustrated books, carefully written by language learning experts· Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills· Eight levels follow the Common European Framework of Reference for language learning (CEFR)· Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests· A unique code in each printed book provides access to online audio, extra activities and learning resources Peter Pan, a Level 5 Reader, is A2 in the CEFR framework and includes practice for the Cambridge English A2 Flyers tests and KET exams. The longer text is made up of sentences with up to three clauses, more complex past and future tense structures, modal verbs and a wider variety of adverbs and pronouns.Wendy, Michael and John go a on a great adventure when Peter Pan teaches them to fly and takes them to Neverland.Visit the Ladybird Education website for more information.

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Seven Seas is excited to present Peter Pan, an all-new illustrated edition of the beloved story of the boy who never grows up, accompanied by manga-style artwork that will appeal to readers of any age who still believe in magic. Peter Pan is a literary classic, and has been adapted into numerous plays, movies, cartoons, and novels. This new edition reintroduces readers to J. M. Barrie's original novel, Peter Pan, in its entirety, accompanied by delightful black-and-white manga-style illustrations by Kriss Sisson, illustrator of Seven Seas' popular Alice and Oz illustrated books. Look for the second star to the right and it's straight on 'til morning as you follow young Wendy, John, and Michael Darling as they're whisked away from their London home to the magical world of Neverland. Their guide, the brash ruler of Neverland, is none other than Peter Pan - the boy who never grows up. With a little fairy dust and a lot of happy thoughts, the Darling children soar through the skies of Neverland as Peter befriends mermaids, plays alongside the Lost Boys, and confronts the pirates led by the vengeful Captain Hook!

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Over the past two decades, the art world has broadened its geographic reach and opened itself to new continents, allowing for a significant crosspollination of post-conceptual strategies and vernacular modes. Printed materials, both in innovative and traditional forms, have played a key role in this exchange of ideas and sources. This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to prints, from the resurgence of ancient printmaking techniques – often used alongside digital technologies – to the worldwide proliferation of self-published artists’ books and ephemera. Print/Out features focused sections on ten artists and publishers, including Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Museum in Progress, Superflex and Rirkrit Tiravanija, as well as rich illustrations of additional printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker. An introductory essay by Christophe Cherix, Chief Curator of Prints and Illustrated Books at MoMA, offers an overview of this period with particular attention to new directions and strategies within an expanded field of printmaking.

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A look into an enchanting, underexplored genre of illustrated manuscripts that reveals new insights into urban life in the Middle Ages In this innovative study, Nina Rowe examines a curious genre of illustrated book that gained popularity among the newly emergent middle class of late medieval cities. These illuminated World Chronicles, produced in the Bavarian and Austrian regions from around 1330 to 1430, were the popular histories of their day, telling tales from the Bible, ancient mythology, and the lives of emperors in animated, vernacular verse, enhanced by dynamic images. Rowe’s appraisal of these understudied books presents a rich world of storytelling modes, offering unprecedented insight into the non-noble social strata in a transformative epoch. Through a multidisciplinary approach, Rowe also shows how illuminated World Chronicles challenge the commonly held view of the Middle Ages as socially stagnant and homogeneously pious. Beautifully illustrated and backed by abundant and accessible analyses of social, economic, and political conditions, this book highlights the engaging character of secular literature during the late medieval era and the relationship of illustrated books to a socially diverse and vibrant urban sphere.

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This book is the first in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1940s—a decade which began with the state gearing up for war just as the last formerly enslaved person passed away. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era, such as the music explosion around John Coltrane and Thelonious Monk in the eastern part of the state and Earl Scruggs and traditional string band music in the west, the polio pandemic, shipbuilding in wartime, a harsh era of hurricanes and floods, as well as tobacco as the king of the farming and industrial sectors. The book contains color vintage photographs and illustrations. The author, writer, professor, and musician, Philip Gerard, has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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Exploring the impact and influence of global trade networks on 17th-century Dutch life and art The 17th century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic’s growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself—in its subject matter, materials, meaning and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and negative aspects of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at 17th-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made. Artists include: Rembrandt van Rijn, Jacob van Ruisdael, Rachel Ruysch, Frans Hals, Judith Leyster, Gerrit van Honthorst, Maria Schalcken, Pieter Claesz, Nicolaes Maes, Jan van Huysum and Johannes Vermeer.

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In the twenty-first century, debates on the future of books and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this artistic and intellectual activity, there has been little scrutiny of book arts in South Asia and their particular ontologies, histories, and genealogies. This volume weaves together scholarly essays, original artistic projects, and works of creative nonfiction to trace a history of illustrated books in South Asia from 1100 CE to the present. From Nepalese palm-leaf manuscripts and imperial Mughal albums to lithographed cookbooks and mimeographed magazines, contributors examine a diverse range of materials rarely, if ever, studied together. Thematically organized, the chapters stage a critical dialogue between artists and scholars, emphasizing the visual, material, aesthetic, and phenomenological dimensions of books. Against narratives of the death of books in a digital age, this volume argues for the book as a vital form and dynamic practice. Written in a lucid and lively style, it will be of interest to scholars, curators, artists, critics, students, museum visitors, and readers of contemporary comics and graphic novels.

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The complete guide to amazing digital illustration techniques!Are you an animator, an illustrator, a designer? Or an artist working in multiple digital fields at once? If so, this is the book for you! Manga & Anime Digital Illustration Guide takes you inside the studios of 12 professional Japanese artists and animators. In this book, you will learn the techniques used by the pros to draw and design characters for a variety of commercial and creative platforms. Follow the step-by-step lessons to learn how to create amazing characters and illustrations, and forge your own pathway in the world of creative careersLearn the pro techniques for a wide variety of modern applications, such as: Smartphone apps, anime films and video games Posters, covers, advertisements and special effects Fan art and fantasy fiction illustrations Illustrated books, manga and graphic novels Pull up a chair for this collection of private tutorials and let the experts show you how they work. Learn the tips and techniques that lead to unforgettable illustrations!

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Drive the big red fire engine and help put out the fire. A great interactive finger tab book, with fun facts on every spread. Back by popular demand! Ken Wilson-Max's popular and innovative novelty transport books are packed full of tabs to pull, flaps to lift and pop-ups to pop. An utter delight for children (and parents!). The bell rings in the fire house, there is a fire somewhere! Someone needs help. Open the doors and drive the big red fire engine across town. Put up the big ladder and aim the water hose at the flames to put them out. Well done! You have saved the day. AGES: 0 to 5 AUTHOR: Ken Wilson-Max is the author of over 30 illustrated books for children including the interactive vehicle books and the Max series. He lives in north London with his wife, Manya Stoic author/illustrator of Rain and his daughter Luba. SELLING POINTS: . Masses of wonderfully fun interactive elements . Learn about all kinds of transport, which is always a popular topic for children . Bright, bold illustrations

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How to Make It as a Woman outlines the history of prosopography or group biography, focusing on the all-female collections that took hold in nineteenth-century Britain and America. The queens, nurses, writers, reformers, adventurers, even assassins in these collective female biographies served as models to guide the moral development of young women. But often these famous historical women presented untrustworthy examples.Beginning in the fifteenth century with Christine de Pizan, Alison Booth traces the long tradition of this genre, investigating the varied types and stories most often grouped together in illustrated books designed for entertainment and instruction. She claims that these group biographies have been instrumental in constructing modern subjectivities as well as relations among classes, races, and nations.From Joan of Arc to Virginia Woolf, Booth examines a host of models of womanhood—both bad and good. Incorporating a bibliography that includes more than 900 all-female collections published in English between 1830 and 1940, Booth uses collective biographies to decode the varied advice on how to make it as a woman.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. BBC Earth: Amazing Predators, a Level 6 Reader, is A2+ in the CEFR framework and supports YLE Flyers and KET exams. The longer text is made up of sentences with up to four clauses, more complex past and future tense structures, passives and time clauses.All animals need to eat to live. Some animals eat other animals, and these predators must do some amazing things to hunt their prey!Visit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. Jon's Football Team, a Level 1 Reader, is Pre-A1 in the CEFR framework and includes practice for the Cambridge English Pre-A1 Starters tests. Short sentences contain a maximum of two clauses, using the present tense and some simple adjectives.The blue and yellow team get three goals! Jon's team do not get any goals. Ben Wills helps Jon. Now, Jon's team get lots of goals!Visit the Ladybird Education website for more information.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources. The Red Knight, a Level 3 Reader, is A1+ in the CEFR framework and includes practice for the Cambridge English A1 Movers tests. The longer text is made up of sentences with up to three clauses, some expression of future meaning, comparisons, contractions and relative clauses.Tom's brother Will was a knight. One day, Will had to go away. Later, a knight in red armor came to the castle. Who was he?Visit the Ladybird Education website for more information.

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For more than three centuries Oxford has been the subject of fine illustrated books and engraved prints. These exquisitely made illustrations have become part of the historical record, showing how Oxford’s identity is rooted in the past and tracing a history of the city’s development through the architecture of its most beautiful colleges and university buildings. Prints made by David Loggan in the seventeenth century show us a university where the medieval origins are already largely overlaid by Tudor and Stuart rebuilding. The engravings in the eighteenth-century Oxford Almanacks illustrate a city dominated by neo-classical ideas, while those of the nineteenth century show an increasingly romantic feel for the architecture against its natural background of sky, trees and river. Hand-coloured etchings published by Ackermann in the nineteenth century and Ingram’s Memorials of Oxford of 1837 offer a nostalgic portrait of Oxford before development changed it into the modern city it is today. The best of these historic prints are reproduced here to create a panorama of classical Oxford, with an accompanying text describing the origin of each building, institution or public event, together with the salient features of their history. Together they offer an instructive and captivating view of Oxford through the ages.

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This gorgeously designed retelling of The Nutcracker will make the perfect Christmas present for ballet fans everywhere! In snow white covered St. Petersburg, young dancer Stana’s dreams have finally come true – she has been chosen to play the lead role in Tchaikovsky’s new ballet, The Nutcracker. But with all eyes looking at her, can Stana overcome her nerves and dance like she’s never danced before? From the author of the bestselling The Sinclair Mysteries, Katherine Woodfine, and Waterstone’s Book Prize winner, Lizzy Stewart, this sumptuous and magical retelling of The Nutcracker will transport you on a journey fay beyond the page. Praise for Katherine Woodfine's The Sinclair's Mysteries series: ‘A wonderful book, with a glorious heroine and a true spirit of adventure’ Katherine Rundell, award-winning author of Rooftoppers 'Dastardliness on a big scale is uncovered in this well-plotted, evocative novel' The Sunday Times 'It's a dashing plot, an atmospheric setting and an extensive and imaginative cast. Katherine Woodfine handles it all with aplomb' The GuardianPraise for Lizzy Stewart's There's a Tiger in the Garden (Winner of the Waterstones Children's Book Prize 2017, Illustrated Books Category): ‘A journey of discovery’ The Guardian ‘A stunning testament to the power of imagination’ Metro

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Notable events of the 1950s in North Carolina, the second book in this North Carolina history series.This book is the second in a series of small, richly illustrated books about North Carolina history through the decades. Originally published as hugely popular serialized articles for Our State magazine, this book chronicles events in North Carolina in the 1950s—a decade which began with a postwar boom in transportation, travel, and progress while some North Carolinians also began to speak out for their rightful piece of prosperity and freedom. The volume is not a textbook overview of the state’s history. Rather, each chapter focuses on a lively and illuminating set of events in the era such as the fight for recognition by the Lumbee Tribe, the opening of an art museum with a collection owned by the people of North Carolina, the formation of Research Triangle Park, and the birth of the civil rights era at a small lunch counter.The book contains color vintage photographs and illustrations. The author—writer, professor, and musician, Philip Gerard—has published widely, including an iconic novel about the Wilmington coup of 1898, Cape Fear Rising, and is beloved in North Carolina, especially among Our State readers.

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Edward Ardizzone RA (1900-79) was one of relatively few British artists who defined the field of illustration for their generation. Although his work as an artist and illustrator was wide-ranging, it is for his illustrated children's books, almost continuously available since they were first published from the late 1930s onwards, that he is best known. This book provides the first fully illustrated survey of Ardizzone's work, analysing his activity as an artist and illustrator in the context of 20th-century British art, illustration, printing and publishing. Copiously illustrated with many previously unpublished images, Edward Ardizzone: Artist and Illustrator also contributes more broadly to the current reassessment and investigation of mid-20th-century British art and illustration. Alan Powers (author of the bestselling Eric Ravilious: Artist and Designer) has written a critically considered text which draws for the first time on the family's archives, those of Ardizzone's publishers, and conversations with those who knew the artist. This beautiful and enlightening book, which reflects in its design and production values the aesthetic of an artist who was closely involved in the production of his own illustrated books, will be a fascinating read both for specialists as well as for readers who have grown up with the unforgettable characters of Ardizzone's classic children's stories.

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This photographic album portrays the four classes of locomotives introduced to operate on the British Railways system, prior to Privatisation in 1994. Increasing loads and deteriorating reliability of older classes necessitated the design of new, higher horsepower classes of diesel locomotives to operate the increasing requirement to operate trains handling loads in bulk, such as coal, minerals, fuels etc. The four classes included one American design the class 59 which set new standards in haulage capacity and reliability. The other three designs classes 56, 58 and 60 were more suitable to their tasks than previous models, but in the case of the class 56, suffered a poor repuatation for availability for several years, although the few remaining members of the class have now attained acceptable standards. Of the four classes, a small number of class 56s operate in private ownership, all the class 58s have been withdrawn, but all the class 59s and 60s are in daily use throughout England and Wales. This album has been written by David Cable, author of a series of illustrated books covering railways in the UK as well as overseas. The book shows examples of all four classes working a variety of duties at a wide range of locations.

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William Henry Fox Talbot is celebrated today as one of the English inventors of photography. He made early photographic experiments in the 1830s, released the details of his photogenic drawing process in January 1839, and introduced important innovations to the medium in the 1840s and 1850s. Drawing on archive material in the Bodleian Library, including three albums given by Talbot to his sister, Horatia Feilding, as well as his illustrated books, Sun Pictures in Scotland and The Pencil of Nature, this volume shows how Talbot was continually inventing photography anew. A selection of eighty full-page plates provides a thematic survey of Talbot’s work, reproducing images that document his travels, his home and his family, as well as his intellectual interests, from science to literature to ancient languages. An illustrated introduction places Talbot’s work within the context of a modernising Britain, as well as within his own social and intellectual milieu, and explores how the competing daguerreotype process spurred Talbot to improve his own techniques and seek new functions and uses for paper-based photographs. This evocative selection is testament to Talbot’s constant quest for new photographic advances, offering a compelling window into the archives of an extraordinarily determined and creative man.

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A series of illustrated books specifically designed for children in elementary education, narrating the stories of those great historical figures that have left their mark on humanity in fields such as science, art, exploration, music, fashion and other subjects. Young readers will be able to read all about these famous people's main achievements, experiencing the main steps of their lives through Isabel Munoz's engaging illustrations, and finding out some curious facts about their work and success. In the twelve volumes of the series, children will be fascinated by the genial and revolutionary intuition of Einstein, Leonardo da Vinci's vast breadth of expertise, the incredible discoveries about space made by Galileo Galilei, the visionary theories about the Universe by Stephen Hawking, the Maria Montessori's educational method Mozart's infinite musical creativity, the masterpieces created by Picasso, Van Gogh, and Frida Kahlo. Young readers will also discover how Marie Curie, Charles Darwin and Coco Chanel have changed science, medicine and fashion forever. There is a timeline at the end of each volume listing the main biographical events and some simple quizzes will help children to further understand and test their knowledge. Ages: 6 plus

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Long before the photo op, political rulers were manipulating visual imagery to cultivate their authority and spread their ideology. Born just decades after Gutenberg, the Holy Roman Emperor Maximilian I (1459-1519) was, Larry Silver argues, the first ruler to exploit the propaganda power of printed images and text. Marketing Maximilian explores how Maximilian used illustrations and other visual arts to shape his image, achieve what Max Weber calls "the routinization of charisma," strengthen the power of the Hapsburg dynasty, and help establish the Austro-Hungarian Empire. A fascinating study of the self-fashioning of an early modern ruler who was as much image-maker as emperor, Marketing Maximilian shows why Maximilian remains one of the most remarkable, innovative, and self-aggrandizing royal art patrons in European history. Silver describes how Maximilian--lacking a real capital or court center, the ability to tax, and an easily manageable territory--undertook a vast and expensive visual-media campaign to forward his extravagant claims to imperial rank, noble blood, perfect virtues, and military success. To press these claims, Maximilian patronized and often personally supervised and collaborated with the best printers, craftsmen, and artists of his time (among them no less than Albrecht Durer) to plan and produce illustrated books, medals, heralds, armor, and an ambitious tomb monument.

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‘I’m for mechanical art’, said Andy Warhol (1928–1987). ‘When I took up silkscreening, it was to more fully exploit the preconceived image through commercial techniques of multiple reproduction.’ Printmaking was a vital artistic practice for Andy Warhol. Prints figure prominently throughout his career from his earliest work as a commercial illustrator in the 1950s, to the collaborative silkscreens made in the Factory during the 1960s and the commissioned portfolios of his final years. In their fascination with popular culture and provocative subverting of the difference between original and copy, Warhol’s prints are recognized now as a prescient forerunner of today’s hypersophisticated, hyper-saturated and hyper-accelerated visual culture. Andy Warhol Prints, published to accompany a major exhibition at the Portland Art Museum – the largest of its kind ever to be presented – includes approximately 250 of Warhol’s prints and ephemera from the collection of Jordan D. Schnitzer, including iconic silkscreen prints of Campbell’s soup cans and Marilyn Monroe. Organized chronologically and by series, Andy Warhol Prints establishes the range of Warhol’s innovative graphic production as it evolved over the course of four decades, with a particular focus on Warhol’s use of different printmaking techniques, beginning with illustrated books and ending with screen printing.

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The GAZ-67 and the subsequent GAZ-67B were general purpose four wheel drive Soviet military vehicles built by GAZ starting in 1943. By the end of the war, it was the soviet equivalent of the Willy's Jeep The GAZ-67 was a further development of the earlier GAZ-64. A main improvement was a wider track of 1446 mm. It also had a strengthened chassis frame, enlarged fuel tank and other improvements. It was powered by a slightly more powerful 54 hp (40 kW) version of GAZ M1 4-cylinder 3280 cc gasoline motor, and had a top speed of 90 km/h (56 mph). Production started on 23 September 1943 This is a pictorial album of the GAZ-67 and subsequent GAZ-67B, including 77 black and white photos as well as 103 colour photos and a set of Techmod decals in 1:72 and 1:35 scales. About the Series This is a classic series of highly illustrated books on the best machines of war, with several hundred photographs of each aircraft or vehicle. With close-up views of the key features of each machine, including its variations, markings and modifications, customising and creating a model has never been easier. Includes extra features such as decals and masking foil.

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Ladybird Readers is an ELT graded reader series for children aged 3­-11 learning English as a foreign or second language. The series includes traditional tales, popular characters, modern stories, and non-fiction. - Beautifully illustrated books, carefully written by language learning experts. - Structured language progression to develop children's reading, writing, speaking, listening and critical thinking skills. - Eight levels follow the Common European Framework of Reference for language learning (CEFR). - Language activities provide preparation for the Cambridge English Pre-A1 to A2 (YLE) tests. - A unique code in each printed book provides access to online audio, extra activities and learning resources.Treasure Island, a Level 5 Reader, is A2 in the CEFR framework and includes practice for the Cambridge English A2 Flyers tests and KET exams. The longer text is made up of sentences with up to three clauses, more complex past and future tense structures, modal verbs and a wider variety of adverbs and pronouns.Jim Hawkins finds a map which shows buried treasure! Can Jim stop Long John Silver from finding the treasure on Treasure Island?Visit the Ladybird Education website for more information.

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The lives, works and imagery of women artists, patrons and icons in Renaissance Italy The story of the Renaissance in Italy is often told through the work of great male artists such as Michelangelo, Raphael, Donatello and Leonardo. But what about the female half of the population? By exploring works made by, for, or about women, this book aims to reconsider a period of creative ingenuity and artistic excellence from their often-overlooked perspective. Drawing on the rich collection of paintings, ceramics, textiles, illustrated books and prints at the Museum of Fine Arts, Boston, this publication focuses on images of feminine power, both sacred and secular, telling the stories of saints such as Mary Magdalen as examples of strength and ascetic devotion, Biblical heroines such as Judith as civic and domestic role models, and the mythical sorceress Medea as the ideal of a heroic nude. Women also asserted their presence as artists, artisans and patrons: Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Vittoria Colonna, Isabella d’Este and Eleonora Gonzaga are just some of the strong women who shaped the life and art of the Italian Renaissance.

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Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time. From this starting point, Drawing on the Victorians sets out to explore the relationship between Victorian graphic texts and today’s steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored. In this collection, scholars from literary studies, cultural studies, and art history consider contemporary works—Alan Moore’s League of Extraordinary Gentlemen, Moto Naoko’s Lady Victorian, and Edward Gorey’s Gashlycrumb Tinies, among others—alongside their antecedents, from Punch’s 1897 Jubilee issue to Alice in Wonderland and more. They build on previous work on neo-Victorianism to affirm that the past not only influences but converses with the present. Contributors: Christine Ferguson, Kate Flint, Anna Maria Jones, Linda K. Hughes, Heidi Kaufman, Brian Maidment, Rebecca N. Mitchell, Jennifer Phegley, Monika Pietrzak-Franger, Peter W. Sinnema, Jessica Straley

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In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children’s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads – communist goals, pedagogy, and propaganda – The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate.

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A facsimile edition of the ‘little anthology’ of favourite poems compiled and illustrated by Rex Whistler in 1923. This is a personal collection, hand-written and embellished, by a young artist who had recently discovered poetry. Rex Whistler was just eighteen and in his first year at the Slade when he began to compile it, using an ordinary ruled exercise book to keep his handwriting straight. The poems are well known and well loved, the watercolours are enchanting. Every page shows Rex Whistler’s new-found delight in verse of a romantic kind: Keats, Marvell, de la Mare, Emily Dickinson, Shelley, Tennyson, Gray, Edith Sitwell and others. But, though serious about the poems, he could not, being Rex Whistler, deny himself flippancy on a title page, or in a pencilled comment added to Keats’ woebegone knight-at-arms. Whistler made this earliest of all his illustrated books for his own pleasure. It was first published, in an abbreviated edition, in 1981, almost sixty years after Whistler compiled it, and has long been out of print. This splendid new edition, an exact facsimile of the original, is alive with the youthful pleasure that first inspired the brightly coloured fantasies of 1923. A separate booklet includes Laurence Whistler's afterword to the 1981 edition, a new introduction by Hugh and Mirabel Cecil, and a note from the publishers describing the process of producing the facsimile.

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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.

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