Search results for ""drawn and quarterly""

Thousands of South Korean children were adopted around the world in the 1970s and 1980s. More than nine thousand found their new home in Sweden, including the cartoonist Lisa Wool-Rim Sjoblom, who was adopted when she was two years old. Throughout her childhood she struggled to fit into the homogenous Swedish culture and was continually told to suppress the innate desire to know her origins. Be thankful, she was told; surely her life in Sweden was better than it would have been in Korea. Like many adoptees, Sjoblom learned to bury the feeling of abandonment. In Palimpsest, an emotionally charged memoir, Sjoblom s unaddressed feelings about her adoption come to a head when she is pregnant with her first child. When she discovers a document containing the names of her biological parents, she realizes her own history may not match up with the story she s been told her whole life: that she was an orphan without a background. As Sjoblom digs deeper into her own backstory, returning to Korea and the orphanage, she finds that the truth is much more complicated than the story she was told and struggled to believe. The sacred image of adoption as a humanitarian act that gives parents to orphans begins to unravel. Sjoblom s beautiful autumnal tones and clear-line style belie the complicated nature of this graphic memoir s vital central question: Who owns the story of an adoption?

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Kitaro is a fun, eerie romp into Japan''s supernatural world. --School Library Journal, YALSA Great Graphic Novel for TeensThe second in a seven-volume series of the best of Shigeru Mizuki''s Kitaro comics, designed with a kid-friendly format and price point!Kitaro Meets Nurarihyon is the second volume in the adventures of Shigeru Mizuki''s bizarre yokai boy Kitaro and his gaggle of otherworldly friends. These seven stories date from the golden age of Gegege no Kitaro, when Mizuki had perfected the balance of folklore, comedy, and horror that made Kitaro one of Japan''s most beloved characters.In Kitaro Meets Nurarihyon, Kitaro and his father, Medama Oyaji, face off against one of their most powerful enemies--the self-styled Yokai Supreme Commander known as Nurarihyon. Over the course of this volume, Kitaro takes on the swamp-dwelling Sawa Kozo, the mysterious Diamond Yokai, and the sea giant called Umizato, and wages

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Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+ -SalonHow do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry''s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry''s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: The ordinary is extraordinary.

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A cutting portrayal of the pursuit of work-life balance from the cartoonist of Shit is Real. To achieve the proper work-life balance perhaps we just need the right therapist to coach us through our day-to-day. Anita, Sandra, and Dex have ambitions. Anita wants to move from making utility ceramics to fine art sculpture but her pent up dissatisfaction results in an outburst that puts her studio mate s work at risk. Sandra juggles her practical administrative day job at a startup with her wellness influencer channel, finding both in jeopardy when a messy affair with her coworker comes to light. In another corner of the same startup, Dex s innovative ideas are rejected, leading him to spend his days hacking and working as a bike courier. All three are disillusioned with their daily grinds. As the pressure for self-improvement builds they all end up looking to the same therapist for answers. Soon the boundaries between work and life begin to bleed into each other and it becomes increasingly impossible to find balance. All the solace the characters expect their therapist to provide is obscured by her quirks, whims, and psycho-parlance, leading to sessions that are neglectful at best and actively inhibit growth at worst. In striking colors and trippy transformational sequences, Aisha Franz captures the comedic absurdity of contemporary work-life and wellness culture.

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The Handbook to Lazy Parenting is the bestselling cartoonist Guy Delisle's final tribute to the frequently hilarious and absurd situations that any parent will find themselves in when raising young children--all told with his trademark sarcastic wit. But even as his children grow older, wiser, and less interested in their father's antics, Delisle has no shortage of bad-parenting stories, only now, sometimes the joke is on him! From trying to convince Louis to play video games instead of letting him do his homework, to forgetting Alice in a stationery store after buying a pen, to tricking the kids out of dessert to make up for his own blunder, Delisle tells relatable stories of parenthood, the mistakes we have trouble admitting to, and the impulse that we all sometimes have to give a comically serious answer to a child's comically serious question. With impressive timing and pacing in these lighthearted vignettes, Delisle delivers his gut-wrenchingly funny punch lines in self-deprecating fashion, letting everyone know who is ultimately the butt of the joke. The Handbook to Lazy Parenting will delight parents, of course, but also anyone who has raised or known an inquisitive child and needs some pro tips on being, well, a bad dad!

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Sometimes I dream about myself and in my dream I m someone else But also, I am me becoming the horse that I want to be. Was it always like this? What if your self portrait was a collection of weird shapes? Have you ever felt like an abstract painting? Do you ever simultaneously wish and worry that the boundaries of your body will melt away and you ll become a magnificent horse? Becoming Horses is a book about squinting hard and looking from the right angle to find that everything around you sparkles just a little and the shapes of things are not firm but fuzzy. The You you know may shift and take form as a beautiful horse, a sunset, or something so special, so huge that you could never describe it.

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Appeared on Best of 2018 lists from Quill & Quire and the Globe and Mail!Although the fungi are anthropomorphized with cartoon eyes and goofy grins, the research behind the book is real.The Globe & Mail 100 Best Books of 2018Gravel turns adventures in mushroom hunting into scintillating reading material.Quill & Quire Best Kids' Books of 2018Elise Gravel is back with a whimsical look at one of her family's most beloved pastimes: mushroom hunting! Combining her love of exploring nature with her talent for anthropomorphizing everything, she takes us on a magical tour of the forest floor and examines a handful of her favorite alien specimens up close. While the beautiful coral mushroom looks like it belongs under the sea, the peculiar Lactarius indigo may be better suited for outer space. From the fun-to-stomp puffballs to the prince of the stinkersthe stinkhorn mushroomand the musically inclined chanterelles, Gravel shares

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How will the beloved residents of Moominvalley survive a comet?Another classic Moomin story reworked in full color, with a kid-proof but kid-friendly size, price, and format.It''s getting hotter and hotter in Moominvalley, and all the creatures have taken note of the troubling weather. After a mysterious cloud appears in the sky one day, an exodus begins. The Hattifatteners, the Nibling, Mrs. Fillyjonk (and all her children), and even Mymble pack up to leave the valley. When they realize the mysterious cloud is a comet headed straight for Moominhouse, Moomin, Little My, and Snorkmaiden decide to leave their home too. As the clock ticks down and the comet nears Moominvalley, the plot thickens. Between a tidal wave and a comet-struck Moomin, the end does seem nigh, but the day may yet be saved.Tove Jansson''s flawless cartooning is brought to life in a whole new way within these pages. A delight for the whole family!

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Drawn in 1971 and 1972, these stories expand Yoshihiro Tatsumi's prolific artist's vocabulary for characters contextualised by themes of depravity and disorientation in twentieth-century Japan. Some of the tales focus on the devastation the country felt as a result of World War II: in one story a man devotes twenty years to preserving the memory of those killed at Hiroshima, only to discover a horrible misconception at the heart of his tribute. Yet, while American influence does play a role in the disturbing and bizarre stories contained within this volume, as always it is Tatsumi's characters that bear his hallmark, muddling through isolated despair and fleeting pleasure to live out their darkly nuanced lives.

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'Scrapbook' presents a comprehensive collection of the work of Adrian Tomine, ranging from the strips originally published in Tower Records' 'Pulse' magazine to his illustration and design work.

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A new edition of the artist's bold reinterpretation of a century-old bookWith a foreword by Sheila Heti, Leanne Shapton's cult art book inspired by a government textbook is back in print with a gorgeous new cover.While shopping in the used-book store the Monkey''s Paw in Toronto, Leanne Shapton happened upon a 1956 edition of the stalwart reference book The Native Trees of Canada, originally published in 1917 by the Canadian Department of Northern Affairs and National Resources. Most people might simply view the book as a dry cataloging of a banal subject; Shapton, however, saw beauty in the technical details and was inspired to create her own interpretation of The Native Trees of Canada.Shapton distills each image into its simplest form, using vivid colors in lush ink and house paint. She takes the otherwise complex objects of trees, pinecones, and seeds and strips them down into bold, almost abstract shapes and colors: the w

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The great fine art doodler returnsCanadian treasure Marc Bell returns with another gorgeous, confounding comic that redefines how an art book can tell a story and how a graphic novel can be an object first and story second. His internal monologue leaks out like static from a radio and informs the external; he's tying up loose ends; he's finishing long-paused sentences.Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast.In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truththe i

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A uniquely thrilling and emotive fantasy ride along a sea-bordered highwayThe wondrous rustic landscape of Nova Scotia bursts from the page in Vera Bushwack, where reality gladly gives way to fantastical flights of fancy before gently coming back down to earth. A chainsaw fires up and Drew's vision blurs. Their body vibrates alive with the whrrr of the engine, the whiff of gas. Drew dissolves as their alter-ego, Vera Bushwack, takes charge. Assless-chaps-wearing, unflinching Vera slashes through thick trunks, felling trees righteously from the back of a majestic steed.Vera's here to help, of course. Drew needs to clear the land for their future cabin in the woods. And if it weren't for Vera's brazenness, Drew may, ironically, fall reliant on others to learn self-reliance. Nevertheless, men enter Drew's orbit, all too eager to explain how things workan aggravating occurrence that comes crashing into Drew as dependably as the nearby ocean waves.J

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The arrival of the greatest single panel cartoonist since Charles AddamsOne swing trapeze artist prepares to receive a newborn child from another all the while shrieking Support the head! A hopeful, naked Adam reaches high for the largest leaf while a frustrated Eve hands him a smaller, more-appropriately sized leaf. A dejected squid stands in a doorway, shock and dismay on his face, as a ruined surprise party lies in wait before himguests, presents, and birthday cake covered in a blast of ink in mid-Sur as loose balloons butt against the ceiling.Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of casual readers laugh out loud. At times reminiscent of Charles Addams, George Booth, William Steig,

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A budding friendship between two misfits unravels in the wake of school violence. Schoolyard outcasts Charlie and Astrid meet up after school near a cliff at the edge of the woods surrounding their sleepy town. They make a blood pact to jump together in five days time, before their thirteenth birthdays. Not that navigating the unspoken pecking order of the school quad makes it easy. Can the intensity of their bond survive the scrutiny of their peers, or will it crumble under the sum of each other s disappointments? Manon Debaye s characters live in a world just on the periphery of adult supervision, where kids prey upon one another with casual aplomb only to find themselves completely out of their depth. A deft use of colored pencils brings sleepy but barren suburban landscapes to the fore, further capturing childhood s last pivotal moments as it teeters on the edge of adolescence with startling honesty in this devastatingly well-crafted debut. Winner of the 2023 Philippe Druillet Prize at Angouleme, The Cliff is a moody, visceral glimpse into pre-teen life, unflinching in its portrayal of trivialized cruelties alongside simple joys.

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A slow-motion drive-by view of a collapsing universe meant to sit in the palm of your hand. How fast can you go in a buggy drawn by the flap of a butterfly s wings? How do you measure the speed of waking from a dream? Such abstract inquiries into the unrelenting absurdity of contemporary life make up this omnibus of meditative vignettes from one of mainland China s most prolific and recognizable yet anonymous new underground cartoonists of the current generation. Every story in 20 km/h toes the line between pun and poetry, and lands somewhere just short of a zen koan: Come back to it as often as you like, it will never read quite the same way twice. A nondescript figure awakes from an assembly line of identically fashioned companions and boards a rowboat destined for the unknown. A man holds the key to sleep in his hand and uses it to disappear into his mattress. The moon is plucked from the sky and fed into a vending machine for a can of soda. Woshibai s minimalist renderings are a startlingly delightful cocktail of existential dread and silent slapstick that arrest the mind s eye with equal parts humor and grace.

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A delicate, timeless, and breathtaking coming-of-age story. The critically acclaimed and award-winning cartoonist Keum Suk Gendry-Kim returns with a stunning addition to her body of graphic fiction rooted in Korean history. Adapted from Park Wan-seo s beloved novel, The Naked Tree paints a stark portrait of a single nation s fabric slowly torn to shreds by political upheaval and armed conflict. The year is 1951. Twenty-year-old wallflower Lee Kyung ekes out a living at the US Post Exchange, where goods and services of varying stripe are available for purchase. She peddles hand-painted portraits on silk handkerchiefs to soldiers passing through. When a handsome young northern escapee and erstwhile fine artist is hired despite waning demand, an unlikely friendship blossoms into a young woman s first brush with desire against the backdrop of the Korean War at its most devastating. Gendry-Kim brings a masterpiece of world literature to life with bold, expressive lines that capture a denuded landscape brutally forced into transition and the people who must find their way back to each other within it. Available for the first time in English, this edition of The Naked Tree is exquisitely translated by award-winning expert Janet Hong.

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A rip-roaring journey through the highs and lows of tour life. Welcome aboard the tour van of Major Threat Brooklyn s finest rock band yet to catch a break as they traverse the US of A on a last-ditch summer festival tour. On drums we ve got band dad Ed, the stoic drummer who keeps bumping into tech bro co-workers that he can't quite relate to. On bass, there s Paul, a man of mostly mystery, who drinks hard and yet manages to glide through life, intelligible to no one except energy-drink guzzling Marco, the baby of the band and newest replacement lead singer. And of course there's the gentle and serene Lilith, a weed lollipop sucking, stuffed-animal backpack wearing guitarist healing from heartbreak. There s sex, drugs, and rock n roll, sure, but there s also tender moments as the motley crew take turns behind the wheel, compiling lists of the hottest hunks and best guitar riffs to pass the miles. From tour fashion to breakdowns mechanical and emotional Leslie Stein holds no bars in this incredibly funny and heartfelt love-letter meets parody of life on the road. Her first full-length fiction, Brooklyn's Last Secret expertly showcases Stein s trademark cocktail of charm, wit, and whimsey, leaving readers decidedly affected by their time spent in her world. With her smoothest line and most stunning watercolor washes to date, Brooklyn's Last Secret reveals a lighter, more humorous tone from the LA Times Book Prize winning cartoonist.

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A sweeping yet intimate portrait of World War II s legacy in Japan. Showa 1944-1953: A History of Japan continues Eisner award-winning author Shigeru Mizuki's historical and autobiographical account of Japanese life in the twentieth century. In this volume, the tail-end of the Pacific War and its devastating consequences upon the author and his compatriots loom large. Two rival navies engage in a deadly game of feint and thrust, waging a series of ruthless military campaigns across the Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. When the United States unleashes the atomic bomb then still a new and now enduringly terrible weapon it is the ultimate, definitive blow. The catastrophic fallout from both explosions surpasses the limits of popular imagination. Mizuki's own life is irrevocably changed in the shadow of history. After losing an arm during his time in service, the author struggles to forge a path into the future. Should he remain on the island of Rabaul as an honored friend of the local Tolai? Or should he return to the rubble of Japan and return to his earliest artistic inclinations? This penultimate installment of a landmark series is a searing condemnation of war, told with the deft hand of Japan's most celebrated cartoonist.

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A laugh out loud funny parable for the digital age. There once was a lady who was very creepy. She moved about the world in seemingly normal ways, except for one tremendously bizarre tic. First she sought out kids transfixed by their screens, staring blindly and blank-faced at nearly any device, and then she would snatch something precious from them. In this picture book for grown-ups, sibling duo Keiler Roberts and Lee Sensenbrenner render a compelling and downright creepy modern fable about kids who are hooked on their digital devices. Creepy is the contemporary answer to the shocking tales of the Brothers Grimm and bedtime moral stories like the boy who cried wolf or the princess and the pea: in it, Roberts and Sensenbrenner provide a shrewd and comical commentary on the increasing digitization of childhood. Known for her award-winning autobiographical comics, Roberts s signature deadpan humour is on full display in these vibrantly painted pages. It s safe to say that no one tackles the peril of screen time as vividly or absurdly as this pair.

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An ambitious feminist anthology chronicling Indigenous rebellions around the world. In 1930s Bolivia, self-described Anarchist Cholas form a libertarian trade union. In the Northern Highlands of Vietnam, the songs of one girl s youth lead her to a life of activism. In the Philippines, female elders from Kalinga blaze a trail when pushed into impromptu protest. Equally striking accounts from Brazil, Chile, Ecuador, India, Nepal, Peru and Thailand weave a tapestry of trauma and triumph, shedding light on not-too-distant histories otherwise overlooked. Indigenous Peoples all over the world have always had to stand their ground in the face of colonialism. While the details may differ, what these stories have in common is their commitment to resistance in a world that puts profit before respect, and western notions of progress before their own. Movements and Moments is an introductory glimpse into how Indegenous Peoples tell these stories in their own words. From Southeast Asia to South America, vibrant communities must grapple with colonial realities to assert ownership over their lands and traditions. This project was undertaken in cooperation with the Goethe-Institut Indonesien in Jakarta. These stories were selected from an open call across 42 countries to spotlight feminist movements and advocacies in the Global South.

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Stability withers where passion blossoms in this cool-toned meditation on mid-life relationships. A loving home and husband; two grown sons; a lakeside cabin with a picnic table where their initials are carved; and the chance encounter with a woman at a party that destabilizes it all. Elise is in her mid-fifties and is satisfied with life. But the moment she sees Dagmar, she s entranced. What begins as eye contact transitions to harmless texting, and quickly swells into the type of lust and yearning Elise did not know her life was lacking. Both happily married, there s trepidation, but they can t resist. The two arrange to meet, changing the course of Elise s stable and consistent life forever. Though Elise s husband attempts to support her exploration, he also begins an affair with a much younger woman a postgraduate student in her thirties. The cliche of it all is too much for Elise to bear. As their marriage unravels, her love for Dagmar grows stronger. But with Dagmar content to stay in her marriage, Elise is stranded, adrift, completely alone for the first time in her adult life, and searching for someone to blame the other woman. In the blur of a breakdown, she s left facing the reality that, after all, she started it. In lush watercolour washes and pencil crayons, Anneli Furmark s Walk Me to the Corner is a gorgeous portrait of desire and heartbreak, and the painful gamble the heart sometimes choses in spite of the mind.

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It s the early 2000s. Lauren is fifteen, soft-spoken, and ashamed of her body. She s a devout member of an evangelical church, but when her Bible-thumping parents forbid Lauren to bring evolution textbooks home, she opts to study at her schoolmate Mariah s house. Mariah has dial-up internet, an absentee mom, and a Wiccan altar the perfect setting for a study session and sleepover to remember. That evening, Mariah gives Lauren a makeover and the two melt into each other, in what becomes Lauren s first queer encounter. Afterward, a potent blend of Christian guilt and internalised homophobia causes Lauren to question the experience. Author Jessica Campbell (XTC69) uses frankness and dark humour to articulate Lauren's burgeoning crisis of faith and sexuality. She captures teenage antics and banter with astute comedic style, simultaneously skewering bullies, a culture of slut-shaming, and the devastating impact of religious zealotry. Rave is an instant classic, a coming-of-age story about the secret spaces young women create and the wider social structures that fail them.

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Join acclaimed author Elise Gravel on a dazzling and revelatory tour of the insect world!In The Bug Club, Elise Gravel shares all of her favourite and most interesting facts about these marvelous creatures, some of which are so unique and strange, you could almost imagine them living in outer space!Most people know that spiders have eight eyes, but what about the caterpillar? These little critters have them beat with a whopping twelve! Did you know mosquitoes are attracted to smelly feet? That the honey bee has hair on her eyeballs? That butterfly feet double as noses? And grasshoppers have ears on their bellies? These are just some of the many things about bugs that make them endlessly enchanting. Elise's inquisitiveness and charm pop off the page as she takes us on a walk through her mindand the awe-inspiring natural wonders that exist right outside our doorsteps.If you're curious what the inside of a slug looks like, The Bug Club has g

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The musical adaptation of Seth's George Sprott, captured on vinyl and packaged by the cartoonist himself!Something strange happens when you pass your work along to another artist for interpretation. It goes away a relative and comes back a stranger. Lines of dialogue I had written in my graphic novel, now spoken or sung by actors, were odd and moving. I could suddenly recognize from what wellspring of emotion they had originated in me. A truly moving experience. SethSeth's acclaimed graphic novel George Sprott has now inspired a modern opera by the artistic director and musician Mark Haney. Captured on a classic vinyl record with a sumptuous, over-the-top design by Seth, Omnis Temporalis: A Visual Long-Playing Record is part chamber music, part song cycle, and part audio drama. Haney's unique project builds on Seth''s original picture novella while standing alone as a musical triumph.Omnis Temporalis remixes elements of Seth

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This primer on feminism and media literacy teaches young readers why it mattersThe League of Super Feminists is an energetic and fierce comic for tweens and younger teens. Cartoonist Mirion Malle guides readers through some of the central tenets of feminism and media literacy including consent, intersectionality, privilege, body image, inclusivity and more; all demystified in the form of a witty, down-to-earth dialogue that encourages questioning the stories we''re told about identity. Malle's insightful and humorous comics transport lofty concepts from the ivory tower to the eternally safer space of open discussion. Making reference to the Bechdel test in film and Peggy McIntosh's dissection of white privilege through the metaphor of the invisible knapsack, The League of Super Feminists is an asset to the classroom, library, and household alike.Knights and princesses present problems associated with consent; superheroes reveal problematic stereo

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The bodies of citizens and the infrastructure surrounding them is constantly updating. People can t recognize themselves in old pictures, and they wake up in apartments of completely different sizes and shapes. Commuter routes radically differ day to day. The citizens struggle with adaptability as updates happen too quickly, and the changes are far too radical to be intuitive. There is no way to resist the updates are enacted by a nameless, faceless force. Familiar Face s narrator works in the government s department of complaints, reading through citizens reports of the issues they ve had with the system updates. The job isn t to fix anything, but rather to be the sole human sounding board, a comfort in a system so decidedly impersonal. These complaints aren t mere bug reports they can be anything: existential, petty, just plain heartbreaking. Michael DeForge s ability to find the humanity and emotional truth within the outlandish bureaucracy of everyday life is unparalleled. The signatures of DeForge s work a vibrant color palette, surreal designs, and self-aware sense of humor enliven an often-bleak technocratic future. Familiar Face is a masterful and deeply funny exploration of how we define our sense of self, and how we cope when so much of life is out of our control.

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For the collectors, one of the best comic books of all time!Lulu Moppet is back with even more outlandish adventures and misadventures, as cartoonist John Stanley settles into kooky and entertaining suburban storylines starring Lulu, Tubby, Alvin, and the rest of the gang.Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ageseven if she sometimes finds herself in hot water. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals, sabotages the boys in a masterful snowball fight, and solves the crime of the missing piggy bank! Over the course of these stories, Stanley excels at visual gags, from Lulu winning the soap box derby by turning her frock into a sail, to a lonely cloud almost getting sucked up by a vacuum.This is the second installment in Drawn & Quarterly's landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s an

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After an unexpected breakup, a young woman named Selma experiences a series of reveries and emotional setbacks. Struggling to relate to her friends and accomplish even the simplest tasks like using a modern laundromat, she sinks deeper into depression. After witnessing another couple break-up and chancing upon the jilted male of the couple, Anders, at his pet store job, Selma realises that her mysterious neighbor is the woman of that same couple. Her growing despair distances her from from her eager and sympathetic friend. One day, as the mysterious glamorous neighbor is leaving for a business trip, Selma discovers the woman has dropped her key card to her apartment. Selma initially resists but eventually she presses the key to her neighbors lock and enters. Aisha Franz is a master of portraying feminine loneliness and confusion while keeping her characters tough and real. Her artwork shifts from sparseness to detailed futurist with ease. Her characters fidget and twirl as they zip through a world both foreign and familiar. Base human desires and functions alternate with dreamlike symbolism to create a tension-filled tale of the nightmare that is modern life.

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R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men. In perfect Trumpian fashion, The Unquotable Trump will be a 48-page treasury annual needlessly oversized and garishly colored; a throw-back to the past when both Comics and America were Great. This will be the hugest comic, truly a great comic. You won t want to miss this, trust me, you ll see!

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Matthew Thurber s Art Comic is a blunt and hilarious assault on the swirling hot mess that is the art world. From sycophantic fans to duplicitous gallerists, fatuous patrons to self-aggrandizing art stars, he lampoons each and every facet of the eminently ridiculous industry of truth and beauty. Follow Cupcake, the Matthew Barney obsessive; Epiphany nee Tiffany Clydesdale, the divinely inspired performance artist; Ivanhoe, a modern knight in search of artistic vengeance, and his squire, Turnbuckle. Each artist is more ridiculous than the last, yet they are tested and transformed by the even more absurd machinations of Thurber s fantastical art world. Can the Free Little Pigs destroy this blighted system? Will The Group continue its indirect assassination of promising young artists? Can artistic integrity exist in this world amid the capitalist co-opting, petty rivalries, otherworldly portals, heavenly interventions, and murders at sea? Art Comic is brimming with references and cameos, outsize personalities and shuddering nonsense?Robert Rauschenberg smashes a beer bottle, Francesca Woodman, a wineglass. In the center of it all, Thurber s twisted drawings and laugh-out-loud dialogue convey a complicated picture of an industry at the intersection of fantasy and reality. Part scathing condemnation, part irreverent appreciation, Thurber s comics skewer the art world in a way only an art lover can.

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Leslie Stein takes us on a sinuous urban stroll divorced from destination, glimpsing New York City through her open eyes. While she is closing up a bar late at night, she is also an adolescent at a rave in the mountains, an adult grappling with her grandfather s fading memory or at one of her first waitressing jobs. Stein is a master storyteller, an urban explorer, and a loyal guide through dark days and simple, blissful encounters. Stein s curiosity about and generosity toward the world around her come through powerfully: each colorful story flows with vivid watercolors and delicate ink lines. Here, an autobiography is built through memories and moments tied together by loose lines, evoking a beautiful dreamlike yet endlessly relatable glimpse into the world of a thirty-something woman carving out a life for herself, one step at a time. Known for her acclaimed Eye of the Majestic Creature series, collected here are Stein s serialized Vice.com comics which have become a staple for the site, showcasing her storytelling abilities with a freer style. With an introduction and new material, Present will be a deluxe die-cut hardcover that is a meditation on memory. Stein is asking us to take a moment to be here now, while acknowledging the other places and people we always carry with us.

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The Customer is Always Wrong is the continuing saga of a young naive artist working in a restaurant of drunks, junkies, thieves, and creeps. Oakland in the late seventies is a scuzzy, low-rent warzone and Mimi Pond folds the tales of the sleaze-ball characters that sur- round her into her workaday waitressing life. Outrageous and loving tributes and takedowns of her co-workers and satellites of the Imperial Cafe create a snapshot of a time in Mimi s life where she encounters who she is, and who she is not. Told in the same brash yet earnest style as her previous memoir Over Easy, Pond s storytelling gifts have never been stronger than in this epic, comedic novel. She drops readers right back at the Imperial with its great coffee and depraved cast, where things only get worse for the addicts and alcoholics surrounding her while her career as a cartoonist starts to take off.

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Lynda Barry's comics were my YA before YA really even existed. She's been writing teen stories with an incredibly clear voice since the early 80s. [The Greatest Of Marlys] is raw, ugly, hilari-ous, and poignant. -Raina Telgemeier, Smile and Drama. Eight-year-old Marlys Mullen is Lynda Barry's most famous character from her long-running and landmark comic strip Ernie Pook's Comeek, and for good reason! Given her very own collection of strips, Marlys shines in all her freckled and pig-tailed groovy glory. The trailer park where she and her family live is the grand stage for her dramas big and small. Joining Marlys are her teenaged sister Maybonne, her younger brother Freddie, their mother, and an offbeat array of family members, neighbors, and classmates. Marlys's enthusiasm for life knows no bounds. Her childhood is one where the neighborhood kids stay out all night playing kickball; the desire to be popular is unending; bullies are unrepentant; and parents make few appearances. The Greatest Of Marlys spotlights Barry's masterful skill of chronicling childhood through adolescence in all of its wonder, awkward- ness, humor, and pain.

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