Search results for ""david r. godine publisher inc""

These two puzzle-solving classics are sure to enthral junior detective everywhere. Full of hitmen, hoods, sneak-thieves, and kidnappers, the Crime & Punishment books offer mysteries as challenging as any novel. The clues are all here, just waiting for young Sam Spades and Jane Marples to piece together the solutions. Each two-page mystery features a short description of the crime and a detailed drawing of the crime scene, which provide all the facts. Guided by questions, young sleuths can narrow down the evidence and find the culprit.

Read more less

Cool logic shattered like a kaleidoscopic image into symmetrical and infinitely meaningless beauties. Published by Black Sparrow Press, 24 Tenth Street, Santa Rosa, CA 95401. Annotation copyright Book News, Inc. Portland, Or.

Read more less

“A delight”—BooklistA richly illustrated historical account of English-language dictionaries, and the people who made them, from the dawn of printing to the present day. Dictionaries are repositories of erudition, monuments to linguistic authority, and battlefields in cultural and political struggles. For centuries, they were also works of almost superhuman endurance, produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Dictionaries also are often beautiful objects: typographically innovative, designed to project learning and authority. Painstakingly collected and lovingly presented, here are the stories behind great works of scholarship and the people who produced them—their prodigious endurance, their nationalist fervor, their philological elucubrations haphazardly mixed with crackpot theories, their

Read more less

“I must refrain from shouting what a brilliant work this is (præteritio). Farnsworth has written the book as he ought to have written it – and as only he could have written it (symploce). Buy it and read it – buy it and read it (epimone).”—Bryan A. Garner, Garner's Modern English UsageEveryone speaks and writes in patterns. Farnsworth is your guide to patterns known as rhetorical figures that can make your words more emphatic, memorable, and effective. This book details the timeless principles of rhetoric from Ancient Greece to the present day, drawing on examples in the English language of consummate masters of prose, such as Lincoln, Churchill, Dickens, Melville, and Burke.Most rhetorical figures amount to departures from simple and literal statement, such as repeating words, putting words into an unexpected order, leaving out words that might have been expected, asking questions and then answering them. All apply to the composition of a simple sentence or paragraph—repetition and variety, suspense and relief, concealment and surprise, the creation of expectations and then the satisfaction or frustration of them. Farnsworth's Classical English Rhetoric is for anyone who wants to be a better speaker or writer.

Read more less

Far-ranging and thought-provoking essays on the relation of art and ethnic identity. This first collection by award-winning author John Yau, drawn from decades of work, includes essays about Black, Asian, Latinx, and Native American artists: sculptors Luis Jimenez and Ruth Asawa; “second generation Abstract Expressionists” such as the Black painter Ed Clark and the Japanese American painter Matsumi Kanemitsu; the performance artists James Luna and Patty Chang; the photographers Laurel Nakadate and Teju Cole; and a generation of Asian American artists that has emerged during the last decade. While identity is at the fore in this collection, Yau’s essays also propose the need for an expansive view of identity, as in the essay “On Reconsidering Identity,” which explores the writings of Lydia Cabrera and Edouard Glissant, and the possibilities of creolisation versus the reductiveness of Aime Cesaire’s Negritude.Please Wait by the Coat Room is for serious readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists’ desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

Read more less

“Soaked in booze and sadness, psychotic eruptions and hilarity.”—Willy VlautinIn the freewheeling, debaucherous tradition of Charles Bukowski, a taxi driver’s stories from the streets of lowlife Los Angeles—with an introduction by Willy Vlautin. “Dan Fante is an authentic literary outlaw.”—New York Times. Dan Fante lived the stories he wrote. His voice has the immediacy of a stranger of the next barstool, of a friend who lives on the edge. As he writes in Short Dog (the title is street slang for a half-pint of alcohol): I had been back working a cabbie gig as a result of my need for money. And insanity. Hack driver is the only occupation I know about with no boss, and because I have always performed poorly at supervised employment, I returned to the taxi business. The up side, now that I was working again, was that my own boozing was under control and I was on beer only, except for my days off.Fante was the son of famed novelist and screenwriter John Fante, but as the Los Angeles Times wrote, the younger Fante “… allows us a glimpse of the Southern California demimonde that surely escaped his father’s attention.”These outsider stories are raw, vivid, and brutally honest. But even when the stories are fueled by anger and disgust, they are punctuated by unexpectedly funny and dark-humored vignettes. Short Dog is for readers ready for a cab ride on the wild side.

Read more less

“Seething Nation! Vast & Flowing! Day & Night & Dawn!” Bold, sweeping, investigative, rhapsodic, hilarious, heart-rendering, thought-provoking, Edward Sanders' three-volume, America: A History in Verse uniquely and brilliantly tells "the story of America...a million stranded fabric / woven by billions of hands & minds”. It is by turns angry, wistful, defiant and extremely funny re-inventions of historical and biographical worlds, a highly original mix of chronicle, anecdote, document, reportage, paean and polemic. Volume 1, 1900-1939 chronicles the birth of the American century through one world war and to the brink of a second. Not since Leaves of Grass has there been such an un-ironic attempt to give voice to “the rhapsody of a great nation / where so many sing without cease / work without halt / shoulder without shudder / to bring the Feather of Justice to every / bell tower, biome & blade of grass / in Graceful America.” Long may Sanders sing our common song, and long may his America “dwell in peace, freedom & equality / out on its spiraling arm / in the Milky Way.”

Read more less

“Flows with depth and power....wide-open wonder.”—Washington Post“Simon Van Booy electrifyingly combines story with parable....wise, witty and always breathtakingly beautiful.”—San Francisco Chronicle, Best Fiction of the Year As a writer lies dying, he has one last story to tell: a tale of faith and devotion, a meditation on what lies beyond this life, and a prayer of gratitude that may lead to rebirth. This is Simon Van Booy at his visionary best. “Language is a map leading to a place not on the map,” announces a young writer lying in a hospital bed at the beginning of The Presence of Absence. As he contemplates his impending physical disappearance and the impact on his beloved wife, he realizes, “Life doesn’t start when you’re born . . . it begins when you commit yourself to the eventual devastating loss that results from connecting to another person.” Infused with poetic clarity and graced with humor, Simon Van Booy’s innovative novella asks the reader to find beauty—even gratitude—in the cycle of birth and death. Stripped of artifice, The Presence of Absence is a meditation between the writer and the reader, an imaginative work that challenges the deceit of written words and explores our strongest emotions. Simon Van Booy is not only a master storyteller but a writer whose fiction is rich with philosophical insights into things both mapped and undiscovered. The Presence of Absence parts the darkness to reveal what has been just out of sight all along.

Read more less

The story of a man coming into his own by coming home. Since he was a boy, Bill Eville knew he wanted two things in life: to be a writer and a father. Being a minister’s husband had not been on this list, having left the church as a teenager as soon as his parents stopped making him go each Sunday. In Washed Ashore, Eville’s life changes when his wife Cathlin takes a job as the first female pastor of a 350-year-old church on Martha’s Vineyard, the island that was once home to generations of his ancestors. With their two small children in tow, the couple begins a new life eight miles out at sea. Readers follow Eville’s journey from stay-at-home-dad to newspaper editor as he discovers what it means to be a writer, a father, and—after his wife’s devasting breast cancer diagnosis—what it truly means to be a minister’s husband. Washed Ashore, told in a series of linked essays, is poignant and funny, filled with faith, struggle, and light.

Read more less

“One of the Year’s Best,” Times Literary Supplement When a writer tracks down his literary hero, Graham Greene, who is living quietly on the shores of the Mediterranean, the author finds his new friend is every bit as complex as the fiction he’s famous for. While living in southern France in 1972, Michael Mewshaw engineered a meeting with Graham Greene. Mewshaw was an ambitious young journalist and novelist, Greene was an internationally revered elder statesman of letters. The pair became fast friends and corresponded for the next twenty years. My Man in Antibes is an intimate portrait of what it was like to eat, drink, and gossip with one of the most revered—and complicated—authors of the twentieth century. Growing up Catholic with literary aspirations, Mewshaw believed Greene was the author to emulate. Not only did Greene demonstrate how religious belief and church dogma could be subjects for fiction, he also wrote murder mysteries and political thrillers where his characters’ inner conflicts played out dramatically in exotic settings. Under Greene’s sway, Mewshaw traveled through Mexico like the whiskey priest in Greene’s The Power and the Glory and honeymooned at the Hotel Oloffson in Haiti, the setting of The Comedians. When Mewshaw tracked down Greene in Antibes, he found the author was far from a reclusive, close-mouthed figure: Greene garrulously recounted tales about the many women in his life—and husbands of those women—as well as his extraordinary interviews with political figures such as Fidel Castro and Ho Chi Minh. Over the next two decades, Mewshaw and Greene ate meals together, discussed their travels, and talked about writers they knew in common, such as Anthony Burgess, Shirley Hazzard, and Gore Vidal. While young Mewshaw looked up to the world-weary Greene, their relationship was never simply that of mentor and mentee. My Man in Antibes bristles with misunderstandings, arguments, and one young writer’s desire to get to know a legendary older writer who, in many ways, actively sought to remain unknowable.

Read more less

“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

Read more less

“Beautifully written and astutely observed. This is a marvelous book.”—Washington Post“For fans of The Perfect Storm, In the Heart of the Sea, and Bill Bryson on his sassiest days.”—Afar Travel Magazine and GuideAboard a sinking cruise ship, a journalist faces death and reconsiders life. “If you’re looking for a great read, look no further than The Passenger.”—San Francisco ExaminerIn March 2019, the Viking Sky cruise ship was struck by a bomb cyclone in the North Atlantic. Rocked by 50-foot swells and 40-knot gales, the ship lost power and began to drift straight toward the notoriously dangerous Hustadvika coast in Norway. This is the suspenseful, harrowing, funny, touching story by one passenger who contemplated death aboard that ship. Chaney Kwak is a travel writer used to all sorts of mishaps on the road, but this is a first even for him: trapped on the battered cruise ship, he stuffs his passport into his underwear just in case his body has to be identified. As the massive cruise ship sways in surging waves, Kwak holds on and watches news of the impending disaster unfold on Twitter, where the cruise ship’s nearly 1,400 passengers are showered with “thoughts and prayers.” Kwak uses his twenty-seven hours aboard the teetering ship to examine his family history, maritime tragedies, and the failing relationship back on shore with a man he’s loved for nearly two decades: the Viking Sky, he realizes, may not be the only sinking ship he needs to escape.The Passenger takes readers for an unforgettable journey from the Norwegian coast to the South China Sea, from post-WWII Korea to pandemic-struck San Francisco. Kwak weaves his personal experience into events spanning decades and continents to explore the serendipity and the relationships that move us—perfect for readers who love to discover world travel through the eyes of a perceptive and witty observer.

Read more less

A must-read for the craftsperson, artisan and artist. “In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.”—Matthew Crawford, author of Shop Class as SoulcraftWoodworking, handicrafts —the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution.How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly probes for answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.

Read more less

“A deft combination of adventure, history, reportage and elegy.”—Washington Post A journey to the coast of North Sentinel Island, home to a tribe believed to be the most isolated human community on earth. The Sentinelese people want to be left alone and will shoot deadly arrows at anyone who tries to come ashore. As the web of modernity draws ever closer, the island represents the last chapter in the Age of Discovery—the final holdout in a completely connected world.In November 2018, a zealous American missionary was killed while attempting to visit an island he called “Satan’s last stronghold,” a small patch of land known as North Sentinel in the Andaman Islands, a remote archipelago in the Indian Ocean. News of the tragedy fascinated people around the world. Most were unaware such a place still existed in our time: an island unmolested by the advances of modern technology.Twenty years before the American missionary’s ill-fated visit, a young American historian and journalist named Adam Goodheart also traveled to the waters off North Sentinel. During his time in the Andaman Islands he witnessed another isolated tribe emerge into modernity for the first time.Now, Goodheart—a bestselling historian—has returned to the Andamans. The Last Island is a work of history as well as travel, a journey in time as well as place. It tells the stories of others drawn to North Sentinel’s mystery through the centuries, from imperial adventurers to an eccentric Victorian photographer to modern-day anthropologists. It narrates the tragic stories of other Andaman tribes’ encounters with the outside world. And it shows how the web of modernity is drawing ever closer to the island’s shores.The Last Island is a beautifully written meditation on the end of the Age of Discovery at the start of a new millennium. It is a book that will fascinate any reader interested in the limits—and dangers—of our modern, global society and its emphasis on ceaseless, unbroken connection.

Read more less

Attorney Adam Dwyer has six months to live. Carla Dwyer has to try and relax. Lieutenant Tom Cocoran has twenty years on the force. Baby and Skippy have a couple of hours to kill. All five of these people will never be the same after a series of violent events, hilarious as they are tragic, upset the equilibrium of life in a small, strange city. Between Boston and New York City lies Providence, Rhode Island. Long considered one of the most corrupt cities in the country, it was often difficult to discern who was more corrupt, the mafia bosses or the suits at city hall. But as the story begins it was definitely a gangland figure (known as “The Moron”) whose slashed, bullet-ridden body Lieutenant Cocoran fished from the Providence River. Providence is a fast-paced black comedy of parallel lives in the small, East Coast port city. Adam Dwyer is a criminal lawyer dying of leukemia. He and his wife Clara receive another blo

Read more less

A New England Book Award Finalist. “Rich with shining interiors and tactile relationships, delicate human to delicate earth...Poems acting as guides, helping us navigate and remember...”—New York Times Magazine Susan Barba’s collection of poems resembles the spheroid stone of its name; when cracked open, a glittering and fascinating crystalline structure is revealed but the stony sphere she offers us, and the beauty within, is nothing less than the earth.The word “geode” also houses within it “ode,” a praise poem. With both anguish and exaltation, Barba considers our time within the larger scale of deep-time. The species decreasing in number and disappeared and the possibility of human extinction haunt this book, while new generations and the possibility of renunciation of our old ways animate it. There is wonder here as well. She writes...Oak, whose girth exceeds my reach forever I am at your feet, looking up. Here is the world, Barba reminds us, like a ball, in our hands. Poems include “Earthwards,” “Letter from Gaia,” “River,” and “Final Letter of Stone.” geode is for anyone who loves poetry’s uniquely precise and enduring power.

Read more less

A woman from New England falls for a charming Scottish landowner only to discover she’s also in a complex relationship with his family’s 400-year-old ancestral estate, The Guynd. Funny and heartwarming, this is the story of a house, a place, and a marriage. Guynd (rhymes with “wind“) is Gaelic for “a high, marshy place.” It’s there that Belinda Rathbone’s memoir takes place after her unlikely marriage and move to pastoral Scotland. There she learns to cope with a grand but crumbling mansion still recovering from the effects of two world wars, an overgrown landscape, a derelict garden, troublesome tenants, local aristocracy, Scottish rituals, and a husband who loathes change.Alternating between enchantment and near despair, Rathbone digs into family and local history in an effort to understand her new surroundings and the ties that bind us through generations. “The book lifts and excels,” wrote The New York Times, “Rathbone nails down a little bit of the Scottish soul in all its stark splendor.” The perfect book for anyone who loves a fish-out-of-water romance and a touching story of home.

Read more less

The illustrated classic of an inspired woman and her flower garden on Appledore Island. Celia Thaxter’s small garden with hollyhocks and poppies and scarlet flax was much admired by friends, neighbors, and visitors to the island off the coast of Portland, Maine. There, she wrote this collection of remembrances and gardening advice that was originally published in 1894, shortly before her death. It has never been out of print since.In vivid prose, Thaxter captures the stretching stems and blossoming flowers in moods ranging from bitter defeat—delivered by unrelenting slugs—to the exultant triumph of birdsong and bursting blooms. Any gardener will understand and take heart from Thaxter’s philosophical outlook. “I am fully and intensely aware,” she writes, “that plants are conscious of love and respond to it as they do to nothing else.”Many artists found inspiration in Celia Thaxter’s garden including the American impressionist, Childe Hassam, who provided this enduring book’s many full-page paintings and chapter head decorations. This book is perfect for anyone passionate about flowers and the many trials and triumphs of gardening.

Read more less

A literary humor classic—fractured biographical moments from the lives of great writers and composers.This is a collection of mostly imagined encounters between literary figures and their real or imagined family members, friends, and bitter enemies. In Howard Moss’s satirical voice and Edward Gorey’s twenty-five deadpan illustrations, we see Jane Austen wielding artful passive aggression and Sense and Sensibility galleys, the Alcott girls sculpting fudge, the rise of Emily Dickinson’s ruthless witch hazel business, among other delights.Perfect for those who love literature too much to hold it closely to actual facts.

Read more less

A young boy finds his calling as the chef of a fancy restaurant in this read-aloud picture book. Comfort food indeed! Eating outrageously fine cuisine is the sole activity that stops this young lad from screaming incessantly. But one fateful night, when his parents accidentally burn dinner, the boy’s temper flares and he begins to yell. Tired of all the noise, Mom and Dad relinquish all cooking responsibilities, leaving it all up to him. E voilà! The boy so enjoys cooking that he sings instead of screams, and finds that he is so talented that his parents open a restaurant with the boy as head chef.But life in the kitchen of an acclaimed and busy restaurant is not easy, so when the boy begins to make mistakes, will his penchant for earsplitting noise ruin everything?Witty text and clever illustrations combine to create a silly yet serious picture book for readers of all ages which teaches kids that you catch more flies with honey than with vinegar, especially when you’re singing. The New York Times wrote, “Ackerman and Dalton (The Lonely Phone Booth) have cooked up something witty and, as an example of the parental art of redirecting, perhaps inadvertently wise.”

Read more less

Translated into English for the first time, this is Georges Perec's unique, puzzling, and often imitated memoir. At once an affectionate portrait of mid-century Paris and a daring pointillist autobiography, Georges Perec's / Remember is the last of this essential writer's major works to be translated into English. Consisting of 480 numbered statements, all beginning identically with "I remember," and all limited to pieces of public knowledge - brand names and folk wisdom, actors and illnesses, places and things ("I remember: "When parents drink, children tipple"; "I remember Hermes handbags, with their tiny padlocks"; "I remember myxomatosis") - the book represents a secret key to the world of Perec's fiction. As critic, translator, and Perec biographer David Bellos notes in his introduction to this edition, since its original publication, "It's hardly possible to utter the words je me souviens in French these days without committing a literary allusion." As playful and puzzling as the best of Perec's novels, I Remember began as a simple writing exercise, and grew into an expansive, exhilarating work of art: the image of one unmistakable and irreplaceable life, shaped from the material of our collective past.

Read more less

This is the riveling story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance pointing. On the eve of its centennial celebrations in December 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting's export from Italy, challenging the museum's right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry Rathbone, faced the most challenging crossroads of his 30-year career. In her quest for the true story behind this pivotal event in her father's life, Belinda Rathbone delves into the background of the affair as it was reported in the popular press, both questioning the inevitability of its outcome and revealing the power struggle within the museum that led to his resignation. She draws almost entirely from primary source material in various archival collections and over a hundred contemporary and personal interviews. It is lavishly illustrated with full-colour plates and many previously unpublished photographs.

Read more less

Filled with wit and insight, this is a fascinating tour of Venice from an artist's perspective. The city of Venice has always provided an almost irresistible lure for both writers and artists. Henry James loved it, as did Ruskin, Browning, Pound, and Brodsky. For artists, it has been a compulsory magnet since the time of Bellini and Canaletto. By the 19th century there was hardly an artist of note - Whistler and Turner, Sargent and Prendergas - who was not seduced by the city's charms, history, and aesthetic heritage. For the depiction of Venice by artists, it's a high bar that's been set, but Adam Van Doren, grandson of the Pulitzer prize-winning poet Mark Van Doren, convincingly confronts the competition in this charming memoir, a verbal and visual account of his love affair with the city. His story is personal; like all other artists, he sees the city through his own eyes, but he is also well-informed historically, lacing his tour with information, opinion, and wit.

Read more less

This is a superb collection of stories by Stig Dagerman, one of the most talented writers of Sweden's post-war generation. Stig Dagerman (1923-1954) is regarded as the most talented young writer of the Swedish post-war generation. By the 1940s, his fiction, plays, and journalism had catapulted him to the forefront of Swedish letters, with critics comparing him to William Faulkner, Franz Kafka, and Albert Camus. His suicide at the age of thirty-one was a national tragedy. This selection, containing a number of new translations of Dagerman's stories never before published in English, is unified by the theme of the loss of innocence. Often narrated from a child's perspective, the stories give voice to childhood's tender state of receptiveness and joy tinged with longing and loneliness. The title story, "To Kill A Child", is the most famous of Dagerman's short stories and among the most anthologized and oft-read stories in Sweden.

Read more less

The selected early poems by Mark Doty including the complete texts of Turtle, Swan and Bethlehem in Broad Daylight for which Mr. Doty has contributed a new introduction.

Read more less

Take your children back to 1910 for an old-fashioned New England summer in the country, complete with a July Fourth parade.Poet laureate Donald Hall (author of The Ox-Cart Man and other classics of country life) grew up spending his summers on his grandfather’s farm in rural New Hampshire. It was there he milked cows, raised sheep, and heard stories about the past that are brought to life in this read-aloud picture book for young children.In that long-ago time, the biggest celebration of the year was the July Fourth celebration in Danbury, New Hampshire—complete with flags, marching bands, speeches, and ice cream. A trip to Boston, where toys could be bought for a penny apiece, was a major event. This is a piece of Americana that will bring readers—and listeners—back to a simpler time when pleasure came from making as much as buying, where politics were truly local, and when worth was determined by character, not price.Published in the same format and with the same delightful handcolored scratchboard illustrations by Michael McCurdy as Donald Hall’s Lucy’s Christmas, this is a wonderful way to share old-time summer traditions and history with your child.

Read more less

Arranged for daily inspiration, wisdom from one of America’s great visionary and philosophical minds.“A chief event of life is that day on which we have encountered a mind that startled us.” A Year with Emerson is a feast of 365 such days. Known throughout the world for his cogent, epigrammatic writing, admired as the “George Washington of American Literature,” his work is even more enriching in bigger doses. Daily almanac entries present the heart of Ralph Waldo Emerson’s ideas and philosophy. Some were written on the very day in which they appear in the book, some are speculations and musings of the season and the natural world, but all are unfailingly wise, still relevant to our modern times.Emerson’s mind ranged across the universe even as he traveled the length and breadth of the United States and Europe. With Emerson as a companion and guide, we meet the ideas and personalities he championed and encountered, from Lincoln to John Muir, from Carlyle to Montaigne, and, of course, the close New England circle of Hawthorne, Thoreau, Margaret Fuller, and the Alcotts. With company such as this, and the scope of Emerson’s vision, you're sure to encounter rich food for thought every day of the year.

Read more less

COSMOPOLITAN AND SENSITIVE, articulate and composed, Wohlauer is a master of the dramatic image, the framed landscape, the arrested instant. In this collection of fifty of his best images selected from his work over the past decade, the viewer is treated to dolmans from Ireland and standing stones from Scotland, the sweeping waves of the Big Sur and Oregon coast, and the majestic and dramatic vistas of the American desert. These landscapes, carefully crafted, beautifully printed, stand beside his quiet and unassuming still lives and his sculpted nudes with an assured authority. For this is a photographer who feels no need to strain for effect, to manipulate techniques, material, or subject matter, or batter the viewer with proof of his virtuosity. The material is left to speak for itself, reflecting a talent that knows precisely what it is doing and is content to let the drama of the subjects at hand speak more loudly than the man behind the camera. Beautifully printed in fine-line duotone, this is an extraordinary record of compelling vision, of an artist working proudly in the footsteps of Adams, Weston, and Strand.

Read more less

Here is a selection of letters, envelopes, and illustrations by an artist who could never resist the temptation of filling his letters to family and friends with enchanting vignettes and sketches, done quickly, humorously and lovingly, with a sure touch for outline, wash and colour that always distinguished his work.

Read more less

Anyone who has spent any time messing around with boats — wooden boats in particular — knows that those cunning curves, endless seams, and rotting wood hold more than practical challenges. All boats have histories, some more poignant than others, and few narratives of the past few decades have captured the mystique of a boat’s provenance (in this case Chris Craft) or more touchingly depicted the ties that boats often create between father and son than this classic by Joe Soucheray.

Read more less

Presents a collection of short stories focusing on the relationship between and mother and daughter from such authors as Margaret Atwood, Gloria Naylor, and Alice Walker.

Read more less

Thrashin’ Time takes us back to autumn days in North Dakota in 1912, when farmers worked the land with sturdy draft horses and a new-fangled machine called the steam traction engine. The story opens with young Peter’s first look at the engine— blue boiler and red wheels, puffing smoke and hissing steam, gears spinning and rods stroking back and forth— and old Mr. Torgrimson’s wise prediction: “You know, Peter, you’re witnessing the beginning of real scientific farming.”

Read more less

A book length series of poems, looking at life in all its imperfections through the viewpoint of an inextinguishable character whose spirit triumphs through humor. Clayfeld, a comic everyman, is the center of these poems about the nature of beauty, sorrow, and art, as well as the potential for happiness. Thwarted continually by ordinary defeats, Clayfeld endures and laughs, loves and remembers.Critic Harold Bloom called poet Robert Pack an heir to Robert Frost and Edwin Arlington Robinson. That heritage is fully apparent in this joyous and exuberant odyssey.

Read more less

On fog-shrouded barrier island or deep in winter woods, eighteen essays describe the wild, outer half of Cape Cod. Robert Finch is a vivid witness to our participation, whether as individuals or as communities, in the mysteries of natural experience. As he explains: “One of the primary reasons this place yields so much to me so consistently is that I have invested so much of myself into it, physically, mentally, and emotionally . . . a thousand simple, repeated, physical acts have given this landscape a texture for me so that even its most casual aspect is filled, not with slick charm or abstract nostalgia, but with living, tactile memory.” In these essays, Finch demonstrates once again his profound willingness to ask essential questions. These essays recognize our need for both the human and the nonhuman in our lives; they probe the ambiguities in our response to the terror and beauty of the natural world and the love and aggression we struggle with in our associations with one another. Robert Finch’s remarkable prose offers high entertainment, but also gives us new sympathies for and understanding of both nature and ourselves.

Read more less

With Kamala Harris’s rise, American Blacks are entering a new phase in the struggle against white supremacy. Standing firmly in the African American tradition, Walton believes in the possibility of reconciliation with those whites who desire it, offering a hand of friendship and pragmatic ideas for paths forward. Born into the Civil Rights Movement, author Anthony Walton observed firsthand the opening of opportunity for racial reconciliation. He also saw systemic racism and the vicious backlash against Black progress embodied in the Southern Strategy, Tea Party, and MAGA. Over time, Walton came to believe that moving forward requires a “Third Reconstruction” to accomplish what remains: better health outcomes, secure voting rights, and sustained economic and educational opportunity. Only this approach, he believes, will accomplish what remains unfinished for true African American equality. Blending social history, bracing a

Read more less

The life of Charles Bukowski—laureate of lowlife Los Angeles—a novelist and poet who wrote as he lived. This is the only biography of Bukowski written by a close friend and collaborator. Neeli Cherkovski began a deep friendship with Bukowski in the 1960s while guzzling beer at wrestling matches or during quieter evenings discussing life and literature in Bukowski’s East Hollywood apartment. Over the decades, those hundreds of conversations took shape as this biography—now with a new preface, “This Thing Upon Me Is Not Death: Reflections on the Centennial of Charles Bukowski.” Bukowski, author of Ham on Rye, Post Office, and other bestselling novels, short stories, and poetry collections only ever wanted to be a writer. Maybe that’s why Bukowski’s voice is so real and immediate that readers felt included in a conversation. “In his written work, he’s a hero, a fall guy, a comic character, a womanizing lush, a wise old dog,” biographer Neeli Cherkovski writes. “His readers do more than glimpse his many-sidedness. For some, it’s a deep experience. They feel as if his writing opens places inside of themselves they might never have seen otherwise. Often a reader comes away feeling heroic, because the poet has shown them that their ordinary lives are imbued with drama.” Full of anecdotes, wisdom, humor, and insight, this is an essential companion to the work of a great American writer. Long-time Bukowski fans will come away with fresh insights while readers new to his work will find this an exhilarating introduction. “In his death, I hear him clearly,” Cherkovski writes. “His voice comes to me resonant, full of unforced authority, a message of endurance, self-reliance, and honesty of expression. At the same time, he is also saying, ‘Poetry is a dirty dishrag. Keep laughing at yourself on the way out the door.’ ”

Read more less

A debut novel of great depth and power. “Art, grief, and technology churn in this excellent and raw novel…that profoundly explores the way we live with technology and how it informs our understanding of reality.”—Publishers WeeklyIn this debut novel, conceptual artist Sheila B. Ackerman heeds a mysterious urge to return to her estranged family home and arrives at the exact moment of her mother’s suicide.In an attempt to cope with and understand her own self destructive tendencies, Sheila plants a camera on the lawn outside the house to film 24/7 while workers deconstruct the physical object that encases so many of her memories. Meanwhile, as she begins to experience frequent blackouts, she finds herself hunting a robot drone through the San Francisco MOMA with a baseball bat, part of a provocative, technological show, The Last Art, and resuming a violent affair with her college professor. With a backdrop of post-9/11 San Francisco, Sheila navigates the social-media-obsessed, draught-ridden landscape of her life, exploring the frail line between the human impulse to control everything that takes place around us and the futility of excessive effort to do so. This thought-provoking work is for anyone who questions the status quo.

Read more less

Discover the unique mind and humane vision of an under-recognized American author. Encompassing themes of race, education, fame, law, and America’s past and future, these essays are James Alan McPherson at his most prescient and invaluable. Born in segregated 1940s Georgia, McPherson graduated from Harvard Law School only to give up law and become a writer. In 1978, he became the first Black author to win the Pulitzer Prize for fiction. But all the while, McPherson was also writing and publishing nonfiction that stand beside contemporaries such as James Baldwin and Joan Didion, as this collection amply proves. These essays range from McPherson’s profile of comedian Richard Pryor on the cusp of his stardom; a moving tribute to his mentor, Ralph Ellison; a near fatal battle with viral meningitis; and the story of how McPherson became a reluctant landlord to an elderly Black woman and her family. There are meditations on family as the author travels to Disneyland with his daughter, on the nuances of a neighborhood debate about naming a street after Malcolm X or Dr. Martin Luther King, and, throughout, those connections that make us most deeply human—including connections between writer and reader. McPherson writes of his early education, “The structure of white supremacy had been so successful that even some of our parents and teachers had been conscripted into policing the natural curiosity of young people. We were actively discouraged from reading. We were encouraged to accept our lot. We were not told that books just might contain extremely important keys which would enable us to break out of the mental jails that have been constructed to contain us.” The collection’s curator, Anthony Walton, writes, “In his nonfiction, McPherson was often looking for a way ‘beyond’ the morasses in which Americans find themselves mired. His work is a model of humanistic imagining, an attempt to perform a healing that would, if successful, be the greatest magic trick in American history: to ‘get past’ race, to help create a singular American identity that was no longer marred by the existential tragedies of the nation’s first 400 years. He attempted this profound reimagining of America while simultaneously remaining completely immersed in African American history and culture. His achievement demonstrates that an abiding love for black folks and black life can rest alongside a mastery of ‘The King’s English’ and a sincere desire to be received as an American citizen and participant in democracy. It is time for that imaginative work to be fully comprehended and for this simultaneously American and African American genius to assume a fully recognized place beside the other constitutive voices in our national literature.” This is a collection for any reader seeking a better understanding of our world and a connection to a wise and wickedly funny writer who speaks with forceful relevance and clarity across the decades.On Becoming an American Writer is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

Read more less