Search results for ""University of Oklahoma Press""

Since the earliest days of Spanish exploration and settlement, New Mexico has been known for lying off the beaten track. But this new history reminds readers that the world has been beating paths to New Mexico for hundreds of years, via the Camino Real, the Santa Fe Trail, several railroads, Route 66, the interstate highway system, and now the Internet. This first complete history of New Mexico in more than thirty years begins with the prehistoric cultures of the earliest inhabitants. The authors then trace the state's growth from the arrival of Spanish explorers and colonizers in the sixteenth century to the centennial of statehood in 2012. Most historians have made the territory's admission to the Union in 1912 as the starting point for the state's modernization. As this book shows, however, the transformation from frontier province to modern state began with World War II. The technological advancements of the Atomic Era, spawned during wartime, propelled New Mexico to the forefront of scientific research and pointed it toward the twenty-first century. The authors discuss the state's historical and cultural geography, the economics of mining and ranching, irrigation's crucial role in agriculture, and the impact of Native political activism and tribe-owned gambling casinos. New Mexico: A History will be a vital source for anyone seeking to understand the complex interactions of the indigenous inhabitants, Spanish settlers, immigrants, and their descendants who have created New Mexico and who shape its future.

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In the first book to focus on relations between Indians and emigrants on the overland trails, Michael L. Tate shows that such encounters were far more often characterized by cooperation than by conflict. Having combed hundreds of unpublished sources and Indian oral traditions, Tate finds Indians and Anglo-Americans continuously trading goods and news with each other, and Indians providing various forms of assistance to overlanders.Tate admits that both sides normally followed their own best interests and ethical standards, which sometimes created distrust. But many acts of kindness by emigrants and by Indians can be attributed to simple human compassion.Not until the mid-1850s did Plains tribes begin to see their independence and cultural traditions threatened by the flood of white travelers. As buffalo herds dwindled and more Indians died from diseases brought by emigrants, violent clashes between wagon trains and Indians became more frequent, and the first Anglo-Indian wars erupted on the plains. Yet, even in the 1860s, Tate finds, friendly encounters were still the rule.Despite thousands of mutually beneficial exchanges between whites and Indians between 1840 and 1870, the image of Plains Indians as the overland pioneers' worst enemies prevailed in American popular culture. In explaining the persistence of that stereotype, Tate seeks to dispel one of the West's oldest cultural misunderstandings.

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For centuries, indigenous rulers of Mesoamerica commissioned elaborate pictorial histories to maintain their claims to power, land, and privilege - a practice they continued under Spanish authority after the conquest. The Lienzo of Tlapiltepec is one such history. An intricate pictographic document on cotton cloth measuring 156 by 66.5 inches, the lienzo was produced by an Indian painter-scribe of great skill during the sixteenth century in the northern Mixteca, in the Mexican state of Oaxaca. It depicts events dating from the eleventh century to the early years of the Spanish colony. Housed since 1919 in the Royal Ontario Museum of Canada, the lienzo is a work of such complexity and reach that few scholars possess the tools to understand its message and context. The contributors to this volume are among that select few. In four chapters, front matter, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec - as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo, including the one rendered for this book, which employed innovative processes to recover long faded colors. Unique in its detail, scope, and depth, this is the first volume to offer a full description and analysis of the Lienzo of Tlapiltepec and to grant widespread access to this extraordinary repository of history.

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For nearly a century, Richard John Cunliffe's Lexicon of the Homeric Dialect has served as an invaluable resource for students and scholars of Homer's Iliad and Odyssey. As both an English-Homeric dictionary and a concordance, the Lexicon lists and defines in English all instances of Greek words that appear in the two epics. Now, with the inclusion of Cunliffe's -Homeric Proper and Place Names---a forty-two-page supplement to the Lexicon--this expanded edition will be even more useful to readers of Homer.In his original preface to the supplement, Cunliffe explained that proper and place names had to be excluded from the Lexicon -chiefly on the ground of expense.- Although the Lexicon has enjoyed perennial popularity, scholars have long lamented the absence of -capitalized- name-forms in the Lexicon. By consolidating the two works into one handy single-volume format, this expanded edition fills the only gap in Cunliffe's indispensable reference.In his preface to the expanded edition, James H. Dee explains the benefits of uniting the two dictionaries. In addition, Dee provides a brief list of errata and a helpful key to Cunliffe's system of referencing the poems according to Greek letter.

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In this heartfelt tribute to the spirit and people of Oklahoma, one of the state's most distinguished photojournalists shows that he is equally talented as a photographer and writer. Showcasing black-and-white photographs and fifty short essays, Shooting from the Hip portrays Oklahoma's people, animals, lifestyles, landscapes, and weather in all their diversity. Cowboys, kids, tornados, trucks, rattlesnakes, fiddlers - J. Don Cook has seen them all, and through his poignant essays, he allows us not only to see them but to understand them as he does.After a hardscrabble boyhood, Cook became a photographer at the age of twenty when he took a job with the Ada Evening News in southern Oklahoma. His first assignment was to photograph six abandoned puppies at the city dump - an apt foreshadowing of his career, for he has always been drawn to the poor, the disenfranchised, and the downtrodden.In addition to the brief essays that accompany his photographs, Cook shares some of his own life experiences in a moving introduction and epilogue. His unsparing account of some of the worst moments of his difficult youth and his meditations on how he used these hardships to become an artist can only be called inspirational. ""At seven I didn't know any better,"" he writes, ""and believed I had few choices. But I quickly learned to cope - to feint, to dodge, to hide, to read, to run, to survive, to make art - and I did it all, shooting from the hip.""J. Don Cook, a resident of Oklahoma City, is an award-winning photojournalist, artist, poet, and business entrepreneur. Nominated three times for a Pulitzer Prize and named News Photographer of the Year seven times by the Oklahoma Press Association, his photographs have appeared in such magazines as National Geographic and Time. James Garner, the acclaimed film and television actor, is best known for his leading roles in the television series Maverick and the The Rockford Files. He is a native of Norman, Oklahoma.

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The first European artist-naturalists to tour North America in the eighteenth and nineteenth centuries were awed not only by the continent's varying landforms but also by the animals they encountered: vast herds of buffalo, majestic horned stags, a bewildering variety of birds. The earliest sketches depicting these fauna began the remarkable tradition of wildlife in American art, a tradition that evolved along with the United States as a nation and still thrives today.For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained this tradition by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. Wildlife in American Art presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.More than a museum catalogue, this volume offers descriptions of individual artists in the collection as well as in-depth, informative essays about what the natural environment has meant to Americans over time - untamed wilderness, sublime creation, endless resource, threatened habitat. Author and art historian Adam Duncan Harris also describes how these meanings have played out in painting and sculpture over the past two centuries. More than 125 full-color illustrations highlight the entire range of the museum's collection, from the western wilds of George Catlin to the desert drama of Georgia O'Keeffe. Also included are elegant birdstones carved by ancient Americans, exquisite avian artwork by John James Audubon, epic western scenes by Albert Bierstadt, idealistic depictions of unspoiled wilderness by Carl Rungius, and modern takes on the subject by Andy Warhol, Paul Manship, and Robert Kuhn.By bringing together and comparing works of unmatched beauty and majesty, this volume gives to a salient theme in American art the attention it has long deserved.

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A renowned activist recalls his childhood years in an Indian boarding schoolBest known as a leader of the Indian takeover of Alcatraz Island in 1969, Adam Fortunate Eagle now offers an unforgettable memoir of his years as a young student at Pipestone Indian Boarding School in Minnesota. In this rare firsthand account, Fortunate Eagle lives up to his reputation as a ""contrary warrior"" by disproving the popular view of Indian boarding schools as bleak and prisonlike.Fortunate Eagle attended Pipestone between 1935 and 1945, just as Commissioner of Indian Affairs John Collier's pluralist vision was reshaping the federal boarding school system to promote greater respect for Native cultures and traditions. But this book is hardly a dry history of the late boarding school era. Telling this story in the voice of his younger self, the author takes us on a delightful journey into his childhood and the inner world of the boarding school. Along the way, he shares anecdotes of dormitory culture, student pranks, and warrior games. Although Fortunate Eagle recognizes Pipestone's shortcomings, he describes his time there as nothing less than ""a little bit of heaven.""Were all Indian boarding schools the dispiriting places that history has suggested? This book allows readers to decide for themselves.

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Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold.As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he reveals in this book the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a ""mass subculture"" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history.Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore.With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.

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Bonnie and Clyde were responsible for multiple murders and countless robberies. But they did not act alone. In 1933, during their infamous run from the law, Bonnie and Clyde were joined by Clyde's brother Buck Barrow and his wife Blanche. Of these four accomplices, only one--Blanche Caldwell Barrow--lived beyond early adulthood and only Blanche left behind a written account of their escapades. Edited by outlaw expert John Neal Phillips, Blanche's previously unknown memoir is here available for the first time. Blanche wrote her memoir between 1933 and 1939, while serving time at the Missouri State Penitentiary. Following her death, Blanche's good friend and the executor of her will, Esther L. Weiser, found the memoir wrapped in a large unused Christmas card. Later she entrusted it to Phillips, who had interviewed Blanche several times before her death. Drawing from these interviews, and from extensive research into Depression-era outlaw history, Phillips supplements the memoir with helpful notes and with biographical information about Blanche and her accomplices.

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Once a familiar backyard visitor in many parts of the United States and Mexico, the box turtle is losing the battle against extinction. In North American Box Turtles, C. Kenneth Dodd, Jr., has written the first book-length natural history of the twelve species and subspecies of this endangered animal. This volume includes comprehensive information on the species' evolution, behavior, courtship and reproduction, habitat use, diet, population structure, systematics, and disease. Special features include color photos of all species, subspecies, and their habitats; a simple identification guide to both living and fossil species; and a summary of information on fossil Terrapene and Native uses of box turtles. End-of-chapter sections highlight future research directions, including the need for long-term monitoring and observation of box turtles within their natural habitat and conservation applications. A glossary and a bibliography of literature on box turtles accompany the text.All royalties from the sales of this volume will go to the Chelonian Research Foundation, a nonprofit foundation for the conservation of turtles.

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George Armstrong Custer. The name evokes instant recognition among Americans and people around the world. No figure in the history of the American West has more powerfully moved the human imagination. This new, lavishly illustrated book combines over 300 photographs and paintings, many in color, with a revised edition of Robert M. Utley's classic biography, Cavalier in Buckskin.Drawing on twelve years of additional research on Sitting Bull and the Battle of the Little Bighorn, Utley has dramatically changed his original interpretations of Custer's Last Stand in this revised edition, and has brought the reference list completely up to date for the benefit of students, scholars, and western history buffs.Bringing to life vivid images of the western military frontier, Custer presents George Armstrong Custer, the man and the legend, and illuminates the challenges he faced in warfare with the Indians of the Great Plains.

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This extensively revised edition of Thurman Wilkins's masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran's time, as he became ""the Dean of American Painters.""The American West was the subject of Thomas Moran's greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado's Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden's geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States.Moran was an artist happy in his work. He wrote, ""I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures."" The New York Times said of the first edition of this unique account of his life, ""Moran's mastery comes through clearly and awesomely and often, pleasurably."" Readers will find the new edition equally enjoyable.

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The intimate, human memories regarding Charles M. Russell, his genius and eccentricities, which Frank Linderman set down shortly after the death of his good friend, constitute a miscellany of personal insights for which any of Russell's biographers ought to have given his eyeteeth. But in none of the increasingly frequent Russell commentaries, apparently, has use ever been made of these prime source materials.When Russell and Linderman met, it was to be expected a close friendship would result. Their interests, experiences, and natural inclinations were of the same cloth. They loved untrammeled people in virgin country; they had high regard for the old-time Indian and his mores; they held the encroachments upon the old West of civilization's less laudable aspects in mutual disdain; and, finally, Linderman with words and Russell with paint and clay were professional artists concerned in the re-creation of a beloved time fast slipping away.These recollections of their shared campfires, trails, conversations, and fun constitute the finest portrait extant of Charley Russell, the human being, pulsing with personality, quip, and many of his well-known tall tales.

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From water birds to birds of prey to the complex order of perching birds, Oklahoma is remarkable for the variety and extent of its bird life. Ornithologists, students, and amateur birders alike will welcome this comprehensive and lavishly illustrated guide to birds in the state by Frederick M. Baumgartner and A. Marguerite Baumgartner.Fifty-one color plates and 58 line drawings of Oklahoma birds by artist Wallace Hughes as well as more than 150 black-and-white photographs compiled by Herbert Chezem, including numerous remarkable photographs of birds in action, illustrate the text.

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An exciting story of a Texas Ranger, adventurer, and immigration officer who became a symbol of his age while gambling with death in the wild frontier regions of Texas, Arizona, and Old and New Mexico. Charles Goodnight knew the West of Jim Bridger, Kit Carson, Dick Wooton, St. Vrain, and Lucien Maxwell. He ranged a country as vast as Bridger ranged. He rode with the boldness of Fremont, guided by the craft of Carson. His vigorous zest for life enabled him to live intensely and amply, and in this book by J. Evetts Haley, himself no stranger to the West, provides a fully readable and important western biography, vividly told, thrilling, witty, and completely authentic.

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On Tuesday, May 29, 1453, the young Sultan Mehemmed, known to history as -the Conqueror, - launched the final assault against the walls of Constantinople and added that imperial capital, as coping stone; to the Empire that his fathers had conquered. As the Sultan's Imam intoned the Muslim creed within the walls of Hagia Sophia, the Greek cathedral become a Turkish mosque, and the curtain went up on a new era. In this, the ninth volume of The Centers of Civilization Series, Bernard Lewis describes the city and its civilization in the great age of the Ottoman Sultanate, between the fifteenth and seventeenth centuries.Under the Ottomans, the city once again became the center of a vest empire and of a flourishing civilization. The conquerors did not destroy the captured Christian city, but took care to preserve and embellish; they added four Muslim minarets to Hagia Sophia, built many fine mosques and palaces of their own, and transformed the shrunken remnant of the Byzantine city into a new and splendid imperial capital.The great new Muslim city of Istanbul which they created became a center of cultural as well we political life. It was the gateway between East and West, the place where Asia and Europe clashed and blended. It was the seat of the Sultans and the Grand Viziers, of the government of the Ottoman Empire. No less interesting than the concepts of government and the Muslim religion practiced by the Ottoman Turks were the imperial place and household and the people of the city.Mr. Lewis relies upon the first-hand accounts of Turkish historians and poets and European travelers, thus enabling the reader to see the city, its people, and their life through the eyes of contemporary participants and observers.

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The most comprehensive and up-to-date guide to Texas historiography of the past quarter-century, this volume of original essays will be an invaluable resource and definitive reference for teachers, students, and researchers of Texas history. Conceived as a follow-up to the award-winning A Guide to the History of Texas (1988), Discovering Texas History focuses on the major trends in the study of Texas history since 1990.In two sections, arranged topically and chronologically, some of the most prominent authors in the field survey the major works and most significant interpretations in the historical literature. Topical essays take up historical themes ranging from Native Americans, Mexican Americans, African Americans, and women in Texas to European immigrant history; literature, the visual arts, and music in the state; and urban and military history. Chronological essays cover the full span of Texas historiography from the Spanish era through the Civil War, to the Progressive Era and World Wars I and II, and finally to the early twenty-first century.Critical commentary on particular books and articles is the unifying purpose of these contributions, whose authors focus on analyzing and summarizing the subjects that have captured the attention of professional historians in recent years. Together the essays gathered here will constitute the standard reference on Texas historiography for years to come, guiding readers and researchers to future, ever deeper discoveries in the history of Texas.

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Boundaries - lines imposed on the landscape - shape our lives, dictating everything from which candidates we vote for to what schools our children attend to the communities with which we identify. In Creating the American West, historian Derek R. Everett examines the function of these internal lines in American history generally and in the West in particular. Drawing lines to create states in the trans-Mississippi West, he points out, imposed a specific form of political organization that made the West truly American.Everett examines how settlers lobbied for boundaries and how politicians imposed them. He examines the origins of boundary-making in the United States from the colonial era through the Louisiana Purchase. Case studies then explore the ethnic, sectional, political, and economic angles of boundaries. Everett first examines the boundaries between Arkansas and its neighboring Native cultures, and the pseudo war between Missouri and Iowa. He then traces the lines splitting the Oregon Country and the states of California and Nevada, and considers the ethnic and political consequences of the boundary between New Mexico and Colorado. He explains the evolution of the line splitting the Dakotas, and concludes with a discussion of ways in which state boundaries can contribute toward new interpretations of borderlands history.A major theme in the history of state boundaries is the question of whether to use geometric or geographic lines - in other words, lines corresponding to parallels and meridians or those fashioned by natural features. With the distribution of western land, Everett shows, geography gave way to geometry and transformed the West. The end of boundary-making in the late nineteenth century is not the end of the story, however. These lines continue to complicate a host of issues including water rights, taxes, political representation, and immigration. Creating the American West shows how the past continues to shape the present.

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Ideas defer to no border - least of all the idea of belonging. So where does one belong, and what does belonging even mean, when a border inscribes one's identity? This dilemma, so critical to the ethnic Mexican community, is at the heart of Homeland, an intellectual, cultural, and literary history of belonging in ethnic Mexican thought through the twentieth century. Belonging, as Aaron E. SÁnchez's sees it, is an interwoven collection of ideas that defines human connectedness and that shapes the contours of human responsibilities and our obligations to one another. In Homeland, SÁnchez traces these ideas of belonging to their global, national, and local origins, and shows how they have transformed over time. For pragmatic, ideological, and political reasons, ethnic Mexicans have adapted, adopted, and abandoned ideas about belonging as shifting conceptions of citizenship disrupted old and new ways of thinking about roots and shared identity around the global. From the Mexican Revolution to the Chicano Movement, in Texas and across the nation, journalists, poets, lawyers, labor activists, and people from all walks of life have reworked or rejected citizenship as a concept that explained the responsibilities of people to the state and to one another. A wealth of sources - poems, plays, protests, editorials, and manifestos - demonstrate how ethnic Mexicans responded to changes in the legitimate means of belonging in the twentieth century. With competing ideas from both sides of the border they expressed how they viewed their position in the region, the nation, and the world - in ways that sometimes united and often divided the community. A transnational history that reveals how ideas move across borders and between communities, Homeland offers welcome insight into the defining and changing concept of belonging in relation to citizenship. In the process, the book marks another step in a promising new direction for Mexican American intellectual history.

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In the highlands of Chiapas, Mexico, a large indigenous population lives in rural communities, many of which retain traditional forms of governance. In 1996, some 350 women of these communities formed a weavers' cooperative, which they called Jolom Mayaetik. Their goal was to join together to market textiles of high quality in both new and ancient designs. Weaving Chiapas offers a rare view of the daily lives, memories, and hopes of these rural Maya women as they strive to retain their ancient customs while adapting to a rapidly changing world. Originally published in Spanish in 2007, this book captures firsthand the voices of these Maya artisans, whose experiences, including the challenges of living in a highly patriarchal culture, often escape the attention of mainstream scholarship. Based on interviews conducted with members of the Jolom Mayaetik cooperative, the accounts gathered in this volume provide an intimate view of women's life in the Chiapas highlands, known locally as Los Altos. We learn about their experiences of childhood, marriage, and childbirth; about subsistence farming and food traditions; and about the particular styles of clothing and even hairstyles that vary from community to community. Restricted by custom from engaging in public occupations, Los Altos women are responsible for managing their households and caring for domestic animals. But many of them long for broader opportunities, and the Jolom Mayaetik cooperative represents a bold effort by its members to assume control over and build a wider market for their own work. This English-language edition features color photographs - published here for the first time - depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women's narratives and place their accounts within cultural and historical context.

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This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view and deeper appreciation of the ways that our physical surroundings manifest who we are as a people and what we value as a society.

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The California gold rush of 1849 created fortunes for San Francisco merchants, whose wealth depended on control of the city’s docks. But ownership of waterfront property was hotly contested. In an 1856 dispute over land titles, a county official shot an outspoken newspaperman, prompting a group of merchants to organize the San Francisco Committee of Vigilance. The committee, which met in secret, fed biased stories to the newspapers, depicting itself as a necessary substitute for incompetent law enforcement. But its actual purpose was quite different. In Dirty Deeds, historian Nancy J. Taniguchi draws on the 1856 Committee’s minutes—long lost until she unearthed them—to present the first clear picture of its actions and motivations. San Francisco’s real estate comprised a patchwork of land grants left from the Spanish and Mexican governments—grants that had been appropriated and sold over and over. Even after the establishment of a federal board in 1851 to settle the complicated California claims, land titles remained confused, and most of the land in the city belonged to no one. The acquisition of key waterfront properties in San Francisco by an ambitious politician motivated the thirty-odd merchants who called themselves “the Executives” of the Vigilance Committee to go directly after these parcels. Despite the organization’s assertion of working on behalf of law and order, its tactics—kidnapping, forced deportations, and even murder—went far beyond the bounds of law. For more than a century, scholars have accepted the vigilantes’ self-serving claims to honorable motives. Dirty Deeds tells the real story, in which a band of men took over a city in an attempt to control the most valuable land on the West Coast. Ranging far beyond San Francisco, the 1856 Vigilance Committee’s activities affected events on the East Coast, in Central America, and in courts throughout the United States even after the Civil War.

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A reprint of the University of Oklahoma Press edition of 1980.This reliable text presents a clear and simple outline of Greek and Latin meters in order that the verse of the Greeks and Romans may be read as poetry.

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A testament to the ingenuity of scholarly presses, One Book/Five Ways is a fascinating experiment in comparative publishing. This book records the history of a single manuscript, entitled No Time for Houseplants, submitted to five different university presses—Chicago, MIT, North Carolina, Texas, and Toronto—and then actually published by the University of Oklahoma Press. Each of the five model publishers agreed to treat the book as a real project accepted for publication and to compile a log of procedures they followed. These logs include correspondence, budgets, forms, layouts, and specifications, providing an insider's look at the path a manuscript takes through the various departments of each press, from editorial to marketing. With a new Foreword discussing changes in publishing since 1978 and an Afterword commenting on the actual publication of No Time for Houseplants, One Book/Five Ways is a unique educational tool for anyone interested in the publishing process.

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The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior.By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life. (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history.Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.

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