Search results for ""Grove Press / Atlantic Monthly Press""

"So many historical novels read like connect-the-dots puzzles or costume dramas, so one that is fresh, original and time-travels to an undiscovered past is a real discovery...Jam On The Vine stands on its own as a powerful coming-of-age novel, and it is also a sharp reminder of the critically important role played by the African-American newspaper in American history."--Chicago Tribune "A captivating saga...The verdict: 'unforgettable'; 'gripping'; 'instant classic.'"--Elle "As addictive as your mom's fresh-baked buttermilk biscuits, and just as delicious."--Essence "A vivid depiction of the black experience during one of the ugliest periods in American race relations."--Knoxville News Sentinel A dynamic and compulsive debut, Jam on the Vine chronicles the life of trailblazing African American woman journalist, Ivoe Williams, through the start of the twentieth century. In unflinching prose, we follow Ivoe and her family from the Deep South to the Midwest. Jam on the Vine is both an epic vision of the injustices that defined an era and a compelling story of a complicated history we only thought we knew. "Ivoe is a splendid character, mouthy, determined, crusading and irrepressibly cheerful." --Wall Street Journal "A major work of fiction that entertains and edifies us, while it rescues a little-known story from the back pages of history."--Dallas Morning News "[A] big, bold bildungsroman of a debut."--The Guardian.com "If a historical fiction author's purpose is to give a reader a better understanding and empathy for the people of the time and place, then Barnett hit the mark."--The Missourian

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From 1993 to 1994, Sigrid Rausing completed her anthropological fieldwork on the penninsula of Noarootsi, a former Soviet border protection zone in Estonia. Abandoned watchtowers dotted the coastline, and the huge fields of the Lenin collective farm were laying fallow, waiting for claims from former owners who had fled war and Soviet and Nazi occupation. Rausing's research focused on the loss of historical memory during the Soviet occupation, and the slow revival of an independent Estonian culture, including the recognition of the minority Swedes in Estonia. She lived and worked amongst the villagers, witnessing their transition from repression to independence, and from Soviet neglect to post-Soviet austerity.

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'The late Jim Harrison was one of the true greats when it came to writing about food. He combined an attention to detail with a glorious prose style and a massive appetite... A must read.' - ObserverNew York Times bestselling author Jim Harrison was one of America's most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as 'the poet laureate of appetite' (Dallas Morning News). A Really Big Lunch collects many of his food pieces for the first time - and taps into his larger-than-life appetite with wit and verve. Jim Harrison's legendary gourmandise is on full display in A Really Big Lunch. From the titular New Yorker piece about a French lunch that went to thirty-seven courses, to pieces from Brick, Playboy, the Kermit Lynch Newsletter and more on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison's pointed aperçus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison's life over the last fifteen years. A Really Big Lunch is a literary delight that will satisfy every appetite.

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Written by 'a sublimely elegant historical novelist as addictive as crack' (Daily Telegraph), the Inspector Troy series is perfect for fans of Le Carré, Philip Kerr and Alan Furst.1941.After ten years spying for the Americans, Wolfgang Stahl disappears during a Berlin air raid. The Germans think he's dead. The British know he's not. But where is he? MI6 convince US Intelligence that Stahl will head for London, and so Captain Cal Cormack, a shy American 'aristocrat', is teamed with Chief Inspector Stilton of Stepney, fat, fifty and convivial. Between them they scour London, a city awash with spivs and refugees. When things start to go terribly wrong, ditched by MI6 and disowned by his embassy, Cal is introduced to his one last hope - Sergeant Troy of Scotland Yard...

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Holidays in Hell follows P. J. O'Rourke on a global fun-finding mission to the most desperate places on the planet, from the bombed-out streets of Beirut to the stultifying blandness of Heritage USA. P.J.'s unforgettable adventures abroad include storming student protesters' barricades in South Korea, interviewing Communist insurrectionists in the Philippines, and going undercover in Arab garb at Jerusalem's Dome of the Rock Mosque. Packed with P.J.'s classic riffs on everything from Polish nightlife under communism to Third World driving tips, Holidays in Hell is one of the best-loved books by one of today's most celebrated humorists - a full-tilt, no-holds-barred romp through politics, culture, and ideology.Taking a long look at Nicaragua, P.J. asks, "Is Nicaragua a Bulgaria with marimba bands or just a misunderstood Massachusetts with Cuban military advisors?"; has a close encounter with a Philippine army officer he describes as "powerful-looking in a short, compressed way, like an attack hamster"; and concludes, "Some people are worried about the difference between right and wrong. I'm worried about the difference between wrong and fun."

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A tumultuous novel about America's loss of innocence in the late Sixties.Turner Raines is Mr Heartbreak. Everybody leaves him. They walk out, they run away... they die. When his oldest friend Mel Kissing dies with an ice pick through his skull, Raines picks up the thread and sets out to ask 'who?' and 'why?'But this is America in 1969 and one death is just a drop in the ocean. The USA is about to land a man on the moon and the Vietnam War is ripping the country to pieces, setting sons against fathers, fathers against sons. The Woodstock festival is in full swing and Norman Mailer is standing as candidate for Mayor of New York.Against this backdrop, Raines' questions take him back to the childhood home he left in Texas, back to the battered remains of his youth... and as his memory unravels, America unravels with it.

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A Book of the Year in Rolling Stone, Uncut, Mojo, The Telegraph and the Glasgow HeraldThis troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song.Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner Rickie Lee Jones, in her own words. It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.With candour and lyricism, the 'Duchess of Coolsville' (Time) takes us on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits, and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee's stories are rich with the infamous characters of her early songs - 'Chuck E's in Love,' 'Weasel and the White Boys Cool,' 'Danny's All-Star Joint' and 'Easy Money' - but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold, and tales of her fabled ancestors.In this electrifying and intimate memoir by one of the most remarkable, trailblazing and tenacious women in music are never-before-told stories of the girl in the raspberry beret, a singer-songwriter whose music defied categorization and inspired pop culture for decades.

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Dream Work, a collection of forty-five poems, follows both chronologically and logically Mary Oliver’s American Primitive, which won her the Pulitzer Prize for poetry in 1983. The depth and diversity of perceptual awareness — so steadfast and radiant in American Primitive — continues in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit — to accepting the truth about one’s personal world, and to valuing the triumphs while transcending the failures of human relationships.

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Frantz Fanon's seminal work on anticolonialism and the fifth year of the Algerian Revolution. Psychiatrist, humanist, revolutionary, Frantz Fanon was one of the great political analysts of our time, the author of such seminal works of modern revolutionary theory as The Wretched of the Earth and Black Skin, White Masks. He has had a profound impact on civil rights, anticolonialism, and black consciousness movements around the world. A Dying Colonialism is Fanon's incisive and illuminating account of how, during the Algerian Revolution, the people of Algeria changed centuries-old cultural patterns and embraced certain ancient cultural practices long derided by their colonialist oppressors as "primitive," in order to destroy those oppressors. Fanon uses the fifth year of the Algerian Revolution as a point of departure for an explication of the inevitable dynamics of colonial oppression. This is a strong, lucid, and militant book; to read it is to understand why Fanon says that for the colonized, "having a gun is the only chance you still have of giving a meaning to your death."

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This powerful collection of articles, essays, and letters spans the period between Black Skin, White Masks (1952) and The Wretched of the Earth (1961), Fanon’s landmark manifesto on the psychology of the colonized and the means of empowerment necessary for their liberation. These pieces display the genesis of some of Fanon’s greatest ideas — ideas that became so vital to the leaders of the American civil rights movement.

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"The myth of Charles Manson is not likely to survive the impact of his own words,” Nuel Emmons writes in the introduction to Manson In His Own Words, the shocking true confessions that lay bare the life and mind of the cult leader and notorious criminal. His story provides an enormous amount of new information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Great Depression to an unmarried fifteen-year-old, Manson lived through a succession of changing homes and substitute parents, until his mother finally asked the state authorities to assume his care when he was twelve. Regimented and often brutalized in juvenile homes, Manson became immersed in a life of petty theft, pimping, jail terms, and court appearances that culminated in seven years of prison. Released in 1967, he suddenly found himself in the world of hippies and flower children, a world that not only accepted him, but even glorified his anti-establishment values. It was a combination that led, for reasons only Charles Manson can fully explain, to tragedy. Manson’s story, distilled from seven years of interviews and examinations of his correspondence, provides sobering insight into the making of a criminal mind, and a fascinating picture of the last years of the sixties. No one who wants to understand that time, and the man who helped to bring it to a horrifying conclusion, can miss reading this book.

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“Mr. Harrison’s perceptions are jagged and cutting . . . a remarkably well-plotted story.”—Christopher Lehmann-Haupt, The New York TimesThe New York Times bestselling author of thirty-nine books of fiction, non-fiction, and poetry—including Legends of the Fall, Dalva, and Returning to Earth—Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. His novel A Good Day to Die centers on an unlikely trio: a poet with a tendency to lapse into beatific reveries of superb fishing in cold, fast streams; a Vietnam vet consumed by uppers, downers, and violence; and a girl who loved only one of them—at first. With plans conceived during the madness of one long drunken night, the three of them leave Florida, driving west to buy a case of dynamite, determined to save the Grand Canyon from a dam they believe is about to be built. A Good Day to Die is an unrelenting tour de force, and a dark exploration of what it means to live beyond the pale in contemporary America. Returning Harrison fans will be ecstatic to find this in print once again, and for new readers, this work serves as the perfect introduction to Harrison’s remarkable insight, storytelling, and evocation of the natural world.

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"Among America's greatest poets, a true minimalist who can weave awesome poems from remarkably few words." -Richard Kostelanetz, New York Times Book Review Every generation of poets seems to harbor its own hidden genius, one whose stature and brilliance come to light after his talent has already been achieved and exercised. The same drama of obscurity and nuance that attended the discovery of Emily Dickinson and Wallace Stevens is suggested by the career of Robert Lax. An expatriate American whose work to date — more than forty books — has been published mostly in Europe, this 85-year-old poet built a following in the U.S. among figures as widespread as Mark Van Doren, e. e. cummings, Jack Kerouac, and Sun Ra. The works in Love Had a Compass represent every stage of Lax's development as a poet, from his early years in the 1940s as a staff writer for The New Yorker to his present life on the Greek Island of Patmos. An inveterate wanderer, Lax's own sense of himself as both exile and pilgrim is carefully evoked in his prose journals and informs the pages of the Marseille Diaries, published here for the first time. Together with the poems, they provide the best portrait available to date of one of the most striking and original poets of our age.

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*Winner of the NYPL Young Lions Award**Winner of the CLMP Firecracker Award*Finalist for the NBCC John Leonard PrizeA New York Times Writer to Watch This SummerNamed a Best Book of the Year by Literary Hub and Library JournalIn 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul and Youssef. They are adopted as infants and live in a shared bedroom perched atop a mosque in Staten Island. The boys are a conspicuous trio: Dayo is of Nigerian origin, Iseul is Korean and Youssef indeterminately Middle Eastern, but they are so close as to be almost inseparable. Nevertheless, Youssef is keeping a secret from his brothers: he has an imaginary double, a familiar who seems absolutely real, a shapeshifting creature he calls Brother. The boys' adoptive father, Imam Salim, is known for his radical sermons extolling the virtues of opting out of Western ideologies. But he is uncharismatic at home, a distant father who spends evenings in his study with whiskey-laced coffee, writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health, the reason for his nighttime excursions from the house and the truth about what happened to the boys' parents. When Imam Salim's path takes him back to Saudi Arabia, the boys will be forced to follow. There they will be captivated by an opulent, almost futuristic world and find traces of their parents' stories. But they will have to change if they want to survive in this new world, and the arrival of a creature as powerful as Brother will not go unnoticed.With stylistic brilliance and intellectual acuity, in Brother Alive Zain Khalid brings characters to vivid life with a bold energy that matches the great themes of his novel - family, capital, power, sexuality and the possibility of reunion for those who are broken.

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Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then 'stretched amazed and singly march into the imaginary.' This encounter - so strange, so typical of flamingos with their fabulous posture - is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing.This issue of Freeman's tells the story of that interaction, its costs, its tendernesses, the mythological flex of it. From lovers in a Chiara Barzini story, falling apart as a group of wild boars roams in their Roman neighbourhood, to the soppen emergency birth of a cow on a Wales farm, stunningly described by Cynan Jones, no one has the moral high ground here. Nor is this a piece of mourning. There's wonder, humour, rage and relief, too.Featuring pigeons, calves, stray dogs, mascots, stolen cats, and bears, to the captive, tortured animals who make up our food supply, powerfully described in Nobel Prize winner Olga Tokarczuk's essay, this wide-ranging issue of Freeman's will stimulate discussion and dreams alike.

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“Dogs are not people dressed up in fur coats, and to deny them their nature is to do them great harm.” So says short-story writer Jeanne Schinto in her witty introduction to The Literary Dog, a superlative collection of contemporary stories written by some of the most important writers of our time. A traditional dog story usually recounts some heroic and unbelievable dog deed that the teller swears is true. The stories in The Literary Dog, however, are not traditional dog stories at all. Writers of short fiction, from Kafka to Updike, have a distinguished history of using the dog as a subject for the highest and purest literary aims, stories not about dogs but rather ones in which dogs are essential and intrinsic to the effect. Schinto has selected only contemporary pieces, most of which were first published in the 1980s. Including stories by some of the most important writers of our time, this beautiful and highly accomplished collection features good dogs and bad dogs, but only great fiction.

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