Search results for ""Author Luigi"

Some of Italy's best-known writers, including Luigi Pirandello, Natalia Ginzburg, Alberto Moravia, and Antonio Tabucchi, join Italy's rising literary stars to take the reader on a panoramic tour of both city and countryside, across the social spectrum, surveying the country's rich cultural history. Explore Italy's popular tourist destinations and out-of-the-way spots under the fresh and even startling light cast by these eighteen diverse and exciting stories, most of which are available here in English for the first time. Italy is consistently one of the top five travel destinations in the world for American travellers. For those who wish to reach beyond the stereotypes and discover an Italy that's off the beaten path, as well as new insights along familiar, well-travelled roads, these stories -- arranged geographically for the traveller, armchair or otherwise -- is an excellent place to start.

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In the second half of the twentieth century, the Italian historical novel provided an unrivalled number of best sellers and publishing 'phenomena'. The success of the genre is closely related to a more general interest in revisiting the past in the light of a changed understanding of the nature, or philosophy, of history. This study aims to explore the particularly marked increase in the production and popularity of the historical novel in the period between the mid-1960s and the early 1990s, with reference to current debates on the nature of history. It presents a theoretical framework which establishes the centrality of philosophy of history to the development of the genre. The employment of this framework opens out the discussion of literary change to the consideration of historiographical developments and wider critical debate. The theoretical insights gained inform the close textual analysis provided in the chapters dealing with novels written by five of Italy's foremost contemporary writers: Leonardo Sciascia, Vincenzo Consolo, Sebastiano Vassalli, Umberto Eco, and Luigi Malerba.

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This book treats one of the thorniest issues in contemporary antitrust theory: the role of tacit collusion among oligopolistic undertakings and the instruments to apply competition law against its harmful consequences. The author builds a very thorough parallel among US and European legal traditions, enforcement possibilities and concrete choices against tacit collusion. The result is an advanced and entertaining reading to be recommended both to lawyers and economists that study and practice antitrust.'- Pier Luigi Parcu, European University Institute, ItalyBy examining the issue of collusion in EU and US competition law, this book suggests possible strategies for improving the antitrust enforcement against parallelism, by exploiting the most advanced achievements of economic analysis.The book contains a suggested approach to collusion, in ex ante and ex post perspectives. By moving from the analysis of the state of art, in terms of law, case law, and scholarship, Marilena Filippelli analyses inconsistencies and failures in the current antitrust enforcement toward collusion and develops a workable parameter for the issue of collective dominance. The most innovative part of this work goes beyond the analysis of collective dominance itself and involves the interference of arts. 101 and 102. The conclusion is a re-definition of the relationship between those rules - from dichotomy to redundancy. Finally, the book highlights the antitrust significance of semi-collusion as a strategy made of collusion and competition. The author considers economic models equalling, as for the effects, collusion and semi-collusion and the case law supporting the qualification of semi-collusion as a species of collusion. The analysis involves both US and EU systems under the highly topical economic-oriented approach. It also contains an original view of European antitrust prohibitions.Because of its contents and its approach, this book will be attractive to every academic interested in antitrust law. Moreover, the well-documented research on parallelism, involving law, case law and scholarship, makes this book interesting also for competition authorities and antitrust lawyers.Contents: Introduction Part I: Parallelism in US Competition Law 1. US Antitrust Policy Towards Parallelism: The Ex Post Enforcement 2. The US Merger Policy Towards Collusion Part II: Parallelism in EU Competition Law 3. First Evidence of the 'Oligopoly Problem- in the Enforcement of EU Antitrust Laws 4. The First Stage of EU Oligopoly Control: Shaping the Category of Collective Dominance 5. Airtours and its Aftermath Part III: A Suggested Approach to Collective Dominance 6. Coordinated Effects in EU Merger Control 7. Abuses of Collective Dominance Section I: Taxonomy of Collective Dominance Section 2: Dealing with Tacit Collusion 8. Lessons from Collective Dominance: Re-thinking the Relationship of Articles 101 and 102 Concluding Remarks: EU and US Approach to the Oligopoly Problem: An Economic-based Trend toward Convergence Bibliography Index

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Las conversaciones que recoge este libro son diálogos vibrantes que nos permiten descubrir la vida como vocación. Reproducen un año de encuentros entre el autor, Luigi Giussani, y un centenar de jóvenes decididos a comprometer su vida con Cristo en una forma de dedicación total que la Iglesia llama `virginidad`. Un libro en el que el genio del autor brilla especialmente, en un recorrido humanamente razonable y atractivo a través de los conceptos principales que describen la existencia cristiana: fe (libertad, obediencia), esperanza (pobreza, confianza) y caridad (sacrificio, virginidad). En este camino, a medida que lo recorráis, estáis destinados a encontrar, a descubrir y a comprender aquello para lo que está hecha vuestra vida. Por eso es razonable empezar, porque es razonable todo lo que corresponde al deseo de la vida.

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Gravity always wins in battle and architecture. When the Boxer, a rare ancient bronze, was excavated on the south side of the Quirinal Hill in Rome in 1885, it seemed “as if he was awakening again after a long pause in the fighting.” Seated and heavy, he still awaits his next round. In contrast, the Palazzetto dello Sport, built out of prefabricated parts by Pier Luigi Nervi for the 1960 Olympic Games, seems to defy gravity. These two icons of Rome were brought together in the imagination through architecture, poetry, and music tracks: surrounded by a palazzettino woven together out of carbon bars, the Boxer from the Quirinal gets a new home in an architectural sound-poetry installation. This book documents the collaboration of the Rome Prize winners Sabine Scho, Sebastian Felix Ernst, and Golden Diskó Ship, and is being produced by the Deutsche Akademie Rom Villa Massimo.

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Llevada a la escena por primera vez en Roma en 1921 en medio de protestas y de la incomprensión general, " Seis personajes en busca de autor " representó la apertura hacia un nuevo modo de hacer teatro, rompiendo con las tradiciones y los patrones repetitivos del " teatro burgués " . Esta obra de Luigi Pirandello (1867-1936) compendia y aglutina todo lo que el teatro de vanguardia ha venido proponiendo al espectador en los últimos cien años, como el teatro dentro del teatro, la autonomía del personaje y sus relaciones con el autor, también presente en la escena, la ruptura de la " cuarta pared " , etc. Este volumen ofrece la versión de 1925, considerada unánimemente la definitiva, acompañada en apéndice del prefacio en el que el propio Pirandello arrojó luz sobre las preocupaciones y aspiraciones que planean sobre la pieza.

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Boston, Lincolnshire, has been nicknamed 'the capital of the Fens'. Its heritage through the ages has been influenced by both religious institutions and its port. In many ways it is closer to some of the continental cities of Europe than to England and yet this town is very English. Dominated by The Stump - the largest parish church in England - Boston has experienced religious upheavals as well as the demon drink. Overshadowed these days by its American sister-town of Boston, Massachusetts, it still retains a stoic and highly individual resistance to change. Since photography came into widespread use, Bostonian photographers, such as Caleb Smith, F. Beales, Luigi Cella, the Addy brothers and C. Faulkner have compiled an archive of material for future generations to look back on. This selection give an insight into some of the buildings and people that made the modern Boston - a busy, hard-working town, bustling with activity.

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Benito Mussolini has persistently been described as an 'actor' – and also as a master of illusions. In her vividly narrated account of the Italian dictator's relationship with the theatre, Patricia Gaborik discards any metaphorical notions of Il Duce as a performer and instead tells the story of his life as literal spectator, critic, impresario, dramatist and censor of the stage. Discussing the ways in which the autarch's personal tastes and convictions shaped, in fascist Italy, theatrical programming, she explores Mussolini's most significant dramatic influences, his association with important figures such as Luigi Pirandello, Gabriele D'Annunzio and George Bernard Shaw, his oversight of stage censorship, and his forays into playwriting. By focusing on its subject's manoeuvres in the theatre, and manipulation of theatrical ideas, this consistently illuminating book transforms our understandings of fascism as a whole. It will have strong appeal to readers in both theatre studies and modern Italian history.

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Madama Butterfly is one of the most popular operas of all time, despite its disastrous premiere, after which it was immediately withdrawn and revised. This guide explores how and why the libretto was softened to suit the tastes of European opera-goers, and the different variants are set out, side by side. Professor Jean-Pierre Lehmann introduces the story and shows how the theme of a Japanese girl deserted by a heartless foreigner became a classic. Since John Luther Long’s novella – on which the opera was based – is included as well, it is possible to judge how successful Puccini was in catching its essence in his hauntingly beautiful score. Contents: Images of the Orient, John-Pierre Lehmann; Tribulations of a Score, Julian Smith; Madame Butterfly, John Luther Long; Madama Butterfly: Libretto by Giuseppe Giacosa and Luigi lllica after the book by John Luther Long and the play by David Belasco; Madam Butterfly: English version based on that of R.H. Elkin

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Puglia. Tra albe e tramonti offers a brilliant account of Luigi Ghirri's relationship with Puglia - a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri's career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia's whitewashed streets, luminescent nights, doorways and arches, potted cacti, funfairs, and beaches, as well as a group of artists, critics, and curators who would become his close friends and collaborators. Over the following decade, Ghirri returned to the area almost every year, photographing, exhibiting, and deepening his understanding of its subtle terrain. These photographs, almost all of which are little-known and previously unpublished, capture the textures and rhythms of urban life, delighting in visual coincidence and tactile detail. Their sense of quiet discovery - and the colour film on which they are shot - allude warmly to the area's identity as a popular holiday destination. Ghirri maps the Apulian territory via the traces left by its inhabitants and visitors in images flooded with the distinctive light of Southern Italy - the bright sun and its eloquent shadows, and the otherworldly aura of neon and streetlights after dark. With texts by Adele Ghirri and Arturo Carlo Quintavalle.

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This volume is a continuation of the first instalment of the editorial project Canova | In Four Tempos, ISBN 9788874399215, born in co-edition with the Pallavicino Foundation in Genoa with the goal of collecting in a refined publication the photographic research of Luigi Spina focused on the plaster models by Antonio Canova almost entirely preserved at the plaster cast gallery in Possagno. This project accompanying the four-year Canovian celebrations (2019–2022) is structured in four publications, each focused on a specific nucleus of plaster models. Its aim is to give new dignity to Antonio Canova’s creative process while highlighting the fundamental role of the bronze nails (repères) that made the metamorphoses from plaster model to marble sculpture possible. The first volume is devoted to the dialogue of Myth and Faith, illustrated by Spina with photographs of Cupid and Psyche, Paolina Borghese Bonaparte, Venus and Mars, the Lying Magdalen, Peace, and the Lamentation of Christ, while this, the second volume, revolves mainly around Myth. The sculptures on which the visual narrative focuses are: Dancer with Finger on Chin, Dedalus and Icarus, Theseus Defeats the Centaur, Naiad, Pius VII Praying, Venus and Adonis, and Sleeping Nymph.

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Opera, whose name derives from the Italian word for “work,” is a genre in constant flux. While some see it as representing outdated bourgeois culture, for many others it embodies the ultimate art form with almost revolutionary possibilities. Situated next to the State Opera, the PalaisPopulaire, in cooperation with MAXXI - National Museum of XXI Century Arts in Rome, will present the exhibition OPERA OPERA Allegro ma non troppo in 2022. Based on a wide and significant selection of the Museum’s Collection, the show as well as the catalogue are devoted to a quintessentially Italian subject while at the same time exploring the fascination and potential of opera as a theatrical Gesamtkunstwerk - a total work of art - from the perspective of global visual arts. The artists featured deal with physical expression, masking, staging, performativity, experiences of space, and sound. Artists: Vanessa Beecroft, Monica Bonvicini, William Kentridge, Liliana Moro, Olaf Nicolai, Luigi Ontani, Susan Philipsz, Kara Walker. Text in English and German.

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After twenty years, Odysseus finally returns to Ithaca, but instead of receiving the homecoming he had hoped for finds himself caught in an intense battle of wills with his faithful and long-suffering wife Penelope. When Penelope recognizes him under the guise of a beggar, she becomes furious with him for not trusting her enough to include her in his plans for ridding the palace of the Suitors. As a result, she plays her own game of fictions to make him suffer for this lack of faith, inspiring jealousy, self-doubt, and misgivings in her husband, the legendary Homeric hero. In this captivating retelling of the Odyssey, Penelope rises as a major force with whom to be reckoned. Shifting between first-person reflections, Ithaca Forever reveals the deeply personal and powerful perspectives of both wife and husband as they struggle for respect and supremacy within a marriage that has been on hold for twenty years. Translated by PEN award-winner Douglas Grant Heise, Luigi Malerba’s novel gives us a remarkable version of this greatest work of western literature: Odysseus as a man full of doubts and Penelope as a woman of great depth and strength.

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It was just after five o'clock on 4 May 1949 as the Avio Linee Italiane Fiat G.212, carrying 18 players of AC Torino and 13 other passengers, was preparing to land at Turin's Aeritalia airport.?Thick fog meant visibility was poor, and strong winds had blown the plane off course. Disorientated, the plane was around ten miles from the runway and flying in excess of 100mph, when suddenly, out of the fog emerged the Basilica of Superga. With no time for the pilot to react, the plane crashed into the Basilica, killing all 31 passengers instantly including manager Erno Egri Erbstein, English coach Leslie Lievesley, and three well-known Italian sports journalists: Renato Casalbore, the founder of Tuttosport, Renato Tosatti, Gazzetta del Popolo, and Luigi Cavallero, La Stampa.Known as Grande Torino, in honour of their achievements, AC Torino had dominated their domestic league, and on the international stag

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This book offers a review of Matteo Pugliese’s art over the past 20 years. The figures the Milanese sculptor creates are distinguished by their great power, revealing an inner torment that can no longer be disguised. The men depicted in his sculptures are all trying to break free of the wall that holds them, to throw off their limitations and assert their value as individuals in the hopes of escaping from dull uniformity and social and family expectations. These are people who are attempting to achieve a painful rebirth by struggling against materialised restraint — a wall — that seeks to prevent them expressing themselves, growing and therefore existing. The artist chooses to portray the moment of greatest effort, of supreme tension, the instant when a man regains control of his life and struggles against what is holding him trapped so as to restore a sense of purpose in his life. The carefully studied poses of his figures recall ancient models, in the same way as the material from which they are fashioned is also ancient. Luigi Spina’s lens knowingly lingers on these figures’ troubled birth and enables the reader, admirer, and art historian to acquire an intimate understanding of the sculpture and even to feel a part of the travails and manifest vulnerability that grip all of humanity. Text in English and Italian.

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Frederick Marryat’s The Phantom Ship (1839), James F. Cooper’s The Red Rover (1828) and Richard H. Dana’s Two Years Before the Mast (1840) may be regarded as simulacra of reality imitating the then extremely popular literary conventions of the Gothic sea novel, the nautical romance and the sea diary, respectively. However, informed by René Girard’s model of mimetic desire, Luigi Pirandello’s theory of mimetic form and Meyer H. Abrams’ metaphor of «mimetic mirror», the analysis proves that the explored texts combine mimesis with creatio, that is the reproduction of maritime experience with the representation of general truths concerning human existence. Thus, the study demonstrates that the reading of the selected nineteenth-century sea novels through the lens of twentieth-century theories, regarded as variations on the concept of mimesis, may lead to re-evaluation of the long forgotten texts, which proved inspiring to some of the most prominent nautical writers, among others Joseph Conrad and Herman Melville.

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Formless\Form offers one of the first in-depth investigations on the birth of Italian experimental photography from the mid 1930s to the mid Fifties of the Twentieth century. This catalogue presents a selection of about 50 vintage and little-known original prints by 7 outstanding Italian photographers belonging to major Italian photo archives and prestigious international art collections, as well as a choice of rare photography books. The volume includes an annotated chronology of the main exhibition publications and photographic events from the mid Thirties to the end of the Fifties, an essay, as well as biographical notes on the photographers displayed in the exhibition. Photographers include: Piergiorgio Branzi (1928), Giuseppe Cavalli (1904-1961), Pasquale De Antonis (1908-2001), Franco Grignani (1908-1999), Nino Migliori (1926), Paolo Monti (1908-1982), Luigi Veronesi (1908- 1998). Texts by Antonella Russo, Silvia Paoli Text in English and Italian.

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The contents of the book will highlight the differences between the design and engineering disciplines – strengths and flaws. It will also illustrate examples of interdisciplinary interactions. Any false dichotomies will be revealed and the many non-linear processes borne out of challenging conventions between traditional and new modes of practice will be revealed. Projects based on a body of experience spanning many years will be selected to support experimentation that goes beyond an undisciplined search for originality, innovation and creativity. In addition to writings from Hanif Kara and Daniel Bosia contributions will be sought from specialists in the field who have played a role in the operations of P.art® at AKT II – past and present – qualifying them to disseminate and distribute a particular form of ‘knowledge’. Features work of architectural practices: Adjaye Associates, Foster + Partners, Heatherwick Studio, HOK, Serie Architects, Wilkinson Eyre Architects and Zaha Hadid Architects. In addition to AKT II, it will encompass the work of engineers and engineering consultants such as: Arup, Cecil Balmond, Buckminster Fuller, Buro Happold, Pier Luigi Nervi and Peter Rice.

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First published in 1891, Pellegrino Artusi's La scienza in cucina e l'arte di mangier bene has come to be recognized as the most significant Italian cookbook of modern times. It was reprinted thirteen times and had sold more than 52,000 copies in the years before Artusi's death in 1910, with the number of recipes growing from 475 to 790. And while this figure has not changed, the book has consistently remained in print. Although Artusi was himself of the upper classes and it was doubtful he had ever touched a kitchen utensil or lit a fire under a pot, he wrote the book not for professional chefs, as was the nineteenth-century custom, but for middle-class family cooks: housewives and their domestic helpers. His tone is that of a friendly advisor - humorous and nonchalant. He indulges in witty anecdotes about many of the recipes, describing his experiences and the historical relevance of particular dishes. Artusi's masterpiece is not merely a popular cookbook; it is a landmark work in Italian culture. This English edition (first published by Marsilio Publishers in 1997) features a delightful introduction by Luigi Ballerini that traces the fascinating history of the book and explains its importance in the context of Italian history and politics. The illustrations are by the noted Italian artist Giuliano Della Casa.

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This collection with parallel texts in Italian and English gives the English-reading audience a sense of the great variety of the present poetic scene in Italy with a selection of twenty-one of the most representative contemporary poets. Contemporary Italian poetry offers an extraordinary array of styles, voices, approaches, ways of looking at the world and ways of representing it. This anthology tries to capture the multiplicity of these voices with its selection of the most representative poets from different backgrounds: academics, working-class writers, editors, journalists, performers, travellers and professional translators. The poets who appear are: Antonella Anedda, Franco Buffoni, Dome Bulfaro, Maria Grazia Calandrone, Chandra Livia Candiani, Milo De Angelis, Matteo Fantuzzi, Fabio Franzin, Marco Giovenale, Mariangela Gualtieri, Andrea Inglese, Rosaria Lo Russo, Valerio Magrelli, Guido Mazzoni, Umberto Piersanti, Laura Pugno Shirin Ramzanali Fazel, Ida Travi, Luigi Trucillo, Patrizia Valduga, Giovanna Cristina Vivinetto and Lello Voce.

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After twenty years, Odysseus finally returns to Ithaca, but instead of receiving the homecoming he had hoped for finds himself caught in an intense battle of wills with his faithful and long-suffering wife Penelope. When Penelope recognizes him under the guise of a beggar, she becomes furious with him for not trusting her enough to include her in his plans for ridding the palace of the Suitors. As a result, she plays her own game of fictions to make him suffer for this lack of faith, inspiring jealousy, self-doubt, and misgivings in her husband, the legendary Homeric hero. In this captivating retelling of the Odyssey, Penelope rises as a major force with whom to be reckoned. Shifting between first-person reflections, Ithaca Forever reveals the deeply personal and powerful perspectives of both wife and husband as they struggle for respect and supremacy within a marriage that has been on hold for twenty years. Translated by PEN award-winner Douglas Grant Heise, Luigi Malerba’s novel gives us a remarkable version of this greatest work of western literature: Odysseus as a man full of doubts and Penelope as a woman of great depth and strength.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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The Religious Sense, the fruit of many years of dialogue with students, is an exploration of the search for meaning in life. Luigi Giussani shows that the nature of reason expresses itself in the ultimate need for truth, goodness, and beauty. These needs constitute the fabric of the religious sense, which is evident in every human being everywhere and in all times. So strong is this sense that it leads one to desire that the answer to life’s mystery might reveal itself in some way.Giussani challenges us to penetrate the deepest levels of experience to discover our essential selves, breaking through the layers of opinions and judgments that have obscured our true needs. Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions.Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives. In this revised edition, John Zucchi offers a new translation of this seminal and best-selling work.

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This publication was designed to celebrate the 50th anniversary of the discovery of the Riace Bronzes. In it, Luigi Spina’s photographic research dialogues with the texts written by Carmelo Malacrino. The photographer here develops a continued narrative, offering a direct comparison between the two sculptures, identified as A and B, exploring interpretations of the physicality of the two subjects as well as the three-dimensional quality of the bronze bodies, often concealed by the two-dimensional appearance of photographic images. Carmelo Malacrino analyses these famous 5th century BC masterpieces from two points of view: as ancient works of art on the one hand, and considering their significance for contemporary culture on the other. He retraces the story of the Bronzes beginning with their discovery in August, 1972, exploring the circumstances of their unearthing, the restoration they underwent, the exhibitions in which they were shown, as well as the impact they have had on the public, both nationally and internationally. Equally relevant is the reinterpretation of these two statues, beginning with their contextualisation in the sphere of ancient Greek art, the related stylistic issues, and the reflection upon the practices and the knowledge possessed by Classical sculpture workshops. This volume will be a pleasant surprise for those of you who love Classical sculpture, for archaeology enthusiasts, and for all those who aren’t satisfied with a quick glance when it comes to admiring a work of art.

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Educators have become increasingly interested in the diverse learning environments of young children and the ways in which children and childhood are positioned within those environments. The documentation and analysis of processes of pathologization and de-pathologization in early childhood may provide scholars with the understanding needed to develop more responsive educational approaches. Early Childhood Curricula and the De-pathologization of Childhood examines what is possible for young children when their education addresses their assets and is organized in ways that expand their identity options. Adopting an interdisciplinary approach, Rachel M. Heydon and Luigi Iannacci shed light on the ways in which joint notions of normality and abnormality are used to pathologize childhood. As teachers and educational researchers, they offer first-hand accounts of processes that take individual children and turn them into 'others' who are seen as deficient or 'at risk.' Through a variety of critical, qualitative case studies that examine general literacy education, special education, early childhood education, and intergenerational learning environments, this book highlights the theoretical underpinnings of asset-oriented curricular practices and suggests what is possible for young children when their education begins from and cultivates their funds of knowledge. Written for those interested in improving the lives of children through interdisciplinary studies, this volume offers sustained theoretical engagement that will appeal to educators around the world.

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El presente volumen recoge las lecciones pronunciadas por don Luigi Giussani --y los diálogos a que dieron lugar las mismas-- durante los tres primeros Ejercicios espirituales de la Fraternidad de Comunión y Liberación tras su reconocimiento pontificio, que tuvo lugar en el año 1982.Es posible vivir el cristianismo en un contexto que el propio papa Francisco ha calificado de cambio de época, dominado por la inseguridad, el miedo y el desamparo? Cómo se puede descubrir la pertinencia de la fe a las exigencias de la vida? Se puede vivir sin el desaliento de verse sobrepasado por las circunstancias?La respuesta a estas preguntas constituye el sustrato del presente libro, en el que se propone una fe que se muestra atractiva y experimentable a través de la extraña compañía de aquellos cuya vida ha sido ya cambiada por el encuentro con Cristo.

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En una fotografía aparece una mujer de espaldas. Muestra la nuca, exhibe la desnudez de su hombro, renuncia a mirar de frente. Impávida, sostiene un peinado contenido por una peineta. La mujer le da la espalda al fotógrafo y, una vez que el dedo de éste oprime el obturador, le da la espalda al mundo, a nosotros. Nu)n(ca es el resultado de un embrujo. Plantado frente a esa fotografía, Luigi Amara observa cómo se gesta un laberinto por el que luego divagará sin dejar un hilo que lo salve. El poeta asiste a la promesa de una revelación guardada con celo detrás del misterio de lo oculto. De qué se guarda la mujer? Qué esconde? Amara embiste estas preguntas y de la colisión emergen sus terrores conjurados, los territorios a los que renunció, la pira en la que arden los deseos no consumados.

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This cutting-edge book explores the diverse and contested meanings of ''citizenship'' in the 21st century, as representative democracy faces a mounting crisis in the wake of the Digital Age. Luigi Ceccarini enriches and updates the common notion of citizenship, answering the question of how it is possible to fully live as a citizen in a post-modern political community.Employing an international, multidisciplinary framework, Ceccarini brings together the findings of continental political philosophy and history, and contemporary western political science and communication studies to advance our understanding of political motivation and participation in the present day. As new participatory and monitoring dynamics of online citizenship redefine the very form of public space, this timely book addresses the values, creativity and aspirations through which social actors engage with a networked society, making use of technological innovations and new forms of communication to participate in post-representative politics.A provocative call to action in an era defined by distrust, disillusionment and digitization, this book is crucial reading for scholars and researchers of political science, sociology and communication studies, particularly those seeking a thoroughly modern understanding of digital citizenship. It will also benefit advanced political science students in need of a historical overview of the concept of citizenship and how it has developed under the auspices of the Internet.

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At the top of Carlotta di Lenardo grandparents’ house in Italy there is a room which houses the library. A hidden door amongst the bookshelves opens into a secret attic, a large room dominated by an enormous model railway, which her grandfather built and added to throughout his life. Significant though it was for her relationship with him, one day during a family lunch he revealed her another of his not very secret passions – his enduring love for photography – and shared with her his archive of more than 8,000 photographs: a body of vernacular work capturing over half a century of life in vivid colour. Unknown in his lifetime, Alberto di Lenardo’s work offers a precursor to some of Italy’s best-loved photographers, such as Luigi Ghirri, with work made across Italy, the USA, Brasil, Morocco, Greece and beyond. In Carlotta’s scrupulous sequencing, An Attic Full of Trains shows us a joyous cross-section of life in the 20th Century: one of beaches and bars, mountains, road trips, lovers and friends.

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Four Calabrian artists who trained during the 1970s, four different poetic paths and a communion of intentions. After Marginalia, the first group exhibition held in 1979, their path split across Italy, to reunite in 2021 in an exhibition bearing the same title. Francesco Correggia held the chair of Decoration Department in Brera Academy of Fine Arts in Milan. He initially focused on performances and site- specific actions, before turning to painting. Luigi Magli lives in Cosenza. He’s interested in semiotics and the language of art, investigating matter and its expressive possibilities through his ‘personal expressionism’. Rocco Pangaro lives in Rende. He teaches Artistic Anatomy at the Academy of Fine Arts in Catanzaro. His research is wedged in the relationship between the artistic intervention and the place that hosts it. Giovanni Vatrella moved to Gorizia. He incorporates reality in his works, showing and concealing it at the same time behind thin canvases. The book, edited by Bruno Corà, highlights the affinities and divergences of these artists. It is accompanied by a rich apparatus of significant archive images.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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In 1932 Antonio Seguso and his sons Archimede and Ernesto joined forces with Napoleone Barovier and Luigi 'Olimpio' Ferro to found Vetretia Artistica Barovier & C.; the name of the firm was changed to Seguso Vetri D'Arte in 1937. The turbulent era of the company's history - marred by some severe economic downturns - ended in 1973 when it was taken over by Maurizio Albarelli. On entering the firm in 1945, Flavio Poli turned the program around to make it fresh and contemporary. Thus Seguso Vetri D'Arte became the leading glass factory on Murano. Flavio Poli's designs chimed perfectly with the 1950s and '60s zeitgeist. We are indebted indeed to Marc Heiremans for devoting years of hard work at various Murano sites to tracking down almost all the Seguso archive material: an incredible treasure trove which he has been evaluating, working up and subjecting to meticulous scholarly treatment. The fruits of his labors are presented in this book, which is essentially a catalogue of works.

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When the fledgeling Honda Motor Company wanted to break into Europe, they knew their machines had to prove themselves at the greatest motorcycle race in the world, the Isle of Man TT. At that time part of the World Championship series, the TT attracted the biggest names in the racing world. It was also the toughest and most challenging event of its kind.In 1959, the first Japanese riders to reach the Island experienced a culture shock when they encountered western lifestyles for the first time, and this was only a few years after the Second World War. Yet they won over young hearts and minds, and helped rebuild bridges.Not only that, Honda machines proved themselves reliable and fast. They were soon picking up race victory after race victory and the likes of Jim Redman, Luigi Taveri and Mike Hailwood were queueing up to ride them.When they walked away from Grand Prix motorcycle racing in 1967, Honda had won everything there was to win on two wheels at the Isle of Man TT. A legend was

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De todos los traumas provocados por el ser humano, los que se producen dentro de las familias por los cuidadores son los más graves. Dar voz, escuchar a los niños y contar esas historias es, por lo tanto, no sólo un deber profesional, sino también un deber ético, moral y civil.La escucha terapéutica de los niños maltratados o que han sufrido abusos debería enseñarse en las universidades y practicarse en los servicios públicos. Sin embargo esta enseñanza no se imparte ni siquiera en las escuelas de especialización en Psiquiatría, Neuropsiquiatría Infantil, Pediatría o Psicología Clínica. En este libro Luigi Cancrini tiene el coraje de representar y denunciar, con su trabajo y con la descripción precisa de las terapias que realiza o supervisa, que el dolor, el sufrimiento, los traumas repetidos y la distorsión de las relaciones en familias a menudo violentas y sin ayuda tienen consecuencias devastadoras para el cuerpo y la mente de los niños. Trabajar con otros niños maltratados será

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El teatro no puede morir. Forma parte de la vida misma; todos somos sus actores. Y aunque fueran abolidos y abandonados los teatros, el teatro seguiría en la vida, insuprimible. Y siempre sería espectáculo la misma naturaleza de las cosas. Hablar de muerte del teatro en un tiempo como el nuestro, tan lleno de contrastes y, por tanto, tan rico de materia dramática, entre tanto fermento de pasiones y sucederse de casos que conmueven la vida entera de los pueblos, choque de acontecimientos e inestabilidad de situaciones y la necesidad, cada vez más perceptible, de afirmar, al final, alguna certidumbre nueva en medio de un tan angustioso ondear de dudas, es verdaderamente un contrasentido.Luigi PirandelloFragmento de su discurso en el coloquio Volta

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Expressing one of many Luba sub-styles, the tall, standing male figures created by master carvers of the Hemba culture in southeastern Congo since at least the mid-1800s arguably rank among the noblest sculptural depictions of the human figure in sub-Saharan Africa. With their serene gaze and meditative expression, they exude a tranquility and dignity that befits these idealised likenesses memorialising esteemed leaders of the past. Infused with a life-force or vital energy, these spirit-invested objects were able to communicate between the living and the dead. Thanks to their inner power they had the capacity to impact the material sphere by allowing the ancestors to positively influence the well-being of their surviving relatives. In this publication, through the perceptive lens of art photographer Luigi Spina, we discover nine of the most accomplished Hemba creations whose classical style has triggered comparisons with some kouroi sculptures of ancient Greece. Spina's photographic interpretations help us understand why these proportionally balanced and symmetrically conceived ancestral figures have earned the admiration of African art lovers around the world. These personal readings of the beloved Hemba commemorative portraits also confirm why these sensitive renderings of the human anatomy deserve inclusion in the universal history of artistic creativity and a place in André Malraux's 'Museum Without Walls'. Text in English and French.

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Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.

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La relevancia de Hans Kelsen para la ciencia jurídica contemporánea es incuestionable: fundador de la teoría general del derecho, máximo teórico de la democracia representativa y padre del actual constitucionalismo rígido y concentrado. Abundando en esta importancia, y a la luz del nuevo paradigma de la democracia constitucional, Luigi Ferrajoli procede en este libro a una reconstrucción sistemática de las tesis de la teoría pura kelseniana, mostrando sus méritos pero también sus contradicciones. En concreto, señala y trata en toda su profundidad diez aporías presentes en la obra de Kelsen. Un análisis que va mucho más allá del mero interés historiográfico, pero que tampoco cabe reducir a una simple cuestión académica de epistemología jurídica.Al dar un vuelco a la tesis kelseniana de la no aplicabilidad de la lógica al derecho, la relación entre derecho y lógica se identifica para Ferrajoli con la cuestión de la normatividad de las constituciones y de la construcción de la democra

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Cuadernos de Serafino Gubbio operador, está considerada como una de las obras esenciales de Luigi Pirandello y, en particular desde los años 90, un sector importante de la crítica la considera su obra maestra. En ella, encontramos a Pirandello en estado puro. Serafino Gubbio, el protagonista-narrador, articula a lo largo de la novela una reflexión acerca del hombre frente a la vida y a la modernidad, encarnada por el entonces incipiente maquinismo, frente al que Pirandello se subleva. Centrada en el mundo del cine, se trata de una novela filosófica, pero con trama y con sorprendente desenlace, y también de una rica novela psicológica, que nos plantea una indagación sobre la vida, la inteligencia, las relaciones humanas, las relaciones entre sexos, en la que llama la atención la galería de arquetipos humanos masculinos y femeninos, caracteres universales que nos encarnan a todos. Walter Benjamin glosó y admiró esta obra maestra de la que destacó sus aplastantes intuiciones. Gadir recupe

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For the second catalogue of materials from the John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection, Professor John Milton Ward has selected over 2,100 items relating to Italian ballet from the seventeenth through the twentieth century. Italian Ballet, 1637–1977 includes published materials (printed scores, librettos, treatises on ballet) as well as hundreds of manuscript scores (many autograph), letters, contracts, choreographic notes, and costume and set designs. Like its predecessor The King’s Theatre Collection, Italian Ballet, 1637–1977 was designed to be a useful scholarly resource, with descriptive citations for each ballet and detailed indexes for titles, choreographers, composers, and theaters. Arranged chronologically, Italian Ballet, 1637–1977 allows the researcher to follow the development of Italian ballet from unnamed comic dances performed between the acts of eighteenth-century opera to the large-scale nineteenth-century ballets choreographed by Antonio Pallerini and Luigi Manzotti. The catalogue is meant not only as a reference to the collection at Harvard, but also as an entryway for scholars to delve into this unexplored area of musicology and dance history.

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An exploration of the many depictions of Charlemagne in the Italian tradition of chivalric narratives in verse and prose. Chivalric tales and narratives concerning Charlemagne were composed and circulated in Italy from the early fourteenth to the mid-sixteenth century (and indeed subsequently flourished in forms of popular theatre which continue today). But are they history or fiction? Myth or fact? Cultural memory or deliberate appropriation? Elite culture or popular entertainment? Oral or written, performed or read? Beginning in the age of Dante with the earliest tales composed for Italians in the hybrid language of Franco-Italian, which draw inspiration from the French tradition of Charlemagne narratives, the volume considers the compositions of anonymous reciters of cantari and the prose versions of the Florentine Andrea da Barberino, before discussing the major literary contributions to the genre by Luigi Pulci, Matteo Maria Boiardo and Ludovico Ariosto. The focus throughout is on the ways in which the portrait of Charlemagne, seen as both Emperor and King of France, is persistently ambiguous, affected by the contemporary political situation and historical events such as invasion and warfare. He emerges through these texts in myriad guises, from positive and admirable to negative and despised.

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Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. The contributions in this volume illuminate critical aspects of the Anglo-Saxon, Anglo-Norman and Angevin worlds - and more. Essays consider the complexities of the Norman administration in North Africa, the Canterbury primacy controversy through the lens of the relics of St Ouen, and the meanings of natura and divinitas in the works of Bernardus Silvestris. Additional chapters explore cross-cultural definitions of masculinity articulated through the biblical figure of David, the social networks and monastic patronage of the female lords of Braine, and the links between legal classifications of adultery and thirteenth-century fabliaux. The Journal continues its focuson source criticism with explorations of two Italian sources -- a Miscellany from the Piedmontese monastery of Novalesa and an overlooked Venetian source for Byzantine imperial history. A re-assessment of the legal and judicial activities of King Henry I rounds out the volume. Contributors: JASON BAXTER, LUIGI ANDREA BERTO, APRIL HARPER, JOHN HUDSON, RUTH MAZO KARRAS, MATT KING, BRIDGET K. RILEY, EDWARD M. SCHOOLMAN, YVONNE SEALE.

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Offering a thorough assessment of recent developments in the economic literature on happiness and quality of life, this major research handbook astutely considers both methods of estimation and policy application. Luigino Bruni and Pier Luigi Porta's refreshing, and constructively critical, approach emphasizes the subject's integral impact on latter-day capitalism.Expert contributors critically present in-depth research on a wide range of topics including:- the history of the idea of quality of life and the impact of globalization- links between happiness and health- comparisons between hedonic and eudaimonic well-being- the relational and emotional side of human life, including subjective indicators of well-being- genetic and environmental contributions to life satisfaction- the impact of culture, fine arts and new media.Accessible and far-reaching, the Handbook of Research Methods and Applications in Happiness and Quality of Life will prove an invaluable resource for students and scholars of welfare and economics as well as practicing psychologists and researchers.Contributors: M. Bianchi, L. Bruni, L. Crivelli, S. Della Bella, A. Delle Fave, E. Diener, E. Granata, M. Guerini, P. Krause, B. López Noval, M. Lucchini, F. Maggino, H.À. Marujo, N. Matteucci, C. Miller, J. Morozink Boylan, L.M. Neto, G. Nuvolati, A. Pelloni, P.L. Porta, M. Rojas, C.D. Ryff, A. Sen, M.J. Sirgy, L. Stanca, L. Tay, R. Veenhoven, S. Vieira Lima

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Haute couture often dazzles us with its precision, craftsmanship and the extravaganza inherent in it. Clothing items are made out of proportion; unique materials are used and everything is hand-finished. But, the Pret-a-porter collections of today comply with the classic principles of Haute Couture. The items shown on the catwalk should theoretically be wearable, but often in reality this is not entirely the case. Includes conversations with Angelo Flaccavento, Antonio Mancinelli, Alexander Fury, Colin McDowell, Farida Khelfa, Irene Silvagni, Natasha Fraser-Cavassoni, Nicole Phelps, Pierre Hardy, Robin Schulie, Rick Owens, Stephen Jones, Thom Browne, Tim Blanks, Vivienne Westwood, Yohji Yamamoto, Zandra Rhodes, Viktor & Rolf and many more Photographs and artworks by Ali Mahdavi, Anthony Maule, Brian Griffin, Daniel Jackson, Erik Madigan Heck, Fabien Baron, Francois Berthoud, Giampaolo Sgura, Jackie Nickerson, Kevin Tachman, Luigi & Iango, Michal Pudelka, Mikael Jansson, Miles Aldridge, Peter Lindbergh, Rene Habermacher, Txema Yeste, Sebastian Kim, Sheila Metzner and others.

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In this book, controversial and world-renowned theologian, Stanley Hauerwas, tackles the issue of theology being sidelined as a necessary discipline in the modern university. It is an attempt to reclaim the knowledge of God as just that – knowledge. Questions why theology is no longer considered a necessary subject in the modern university, and explores the role it should play in the development of our “knowledge” Considers how theology is often excluded from the knowledges of the modern university because these are constituted by an understanding of time necessary to make economic and state realities seem inevitable Argues that it is precisely this difference that makes Christian theology an essential resource for the university to achieve its task - that is, to form people who are able to imagine a different world through critical and disciplined reflection Challenges the domesticated character of much recent theology by suggesting how prayer and the love of the poor are essential practices that should shape the theological task Converses with figures as diverse as Luigi Giussani, David Burrell, Stanley Fish, Wendell Berry, Jeff Stout, Rowan Williams and Sheldon Wolin Published in the new and prestigious Illuminations series.

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Mythical Diary is a visual journey through the classical sculpture of Museo Archeologico Nazionale di Napoli. It is a physical engagement with the marble bodies of myth. Through his black and white photography, Luigi Spina disassembles the limbs of the sculptures, emphasising their curves and hidden eroticism, humanising them to establish a dialogue with the observer. A sculpture is the sign of eternal, unchanging beauty: the only real evidence of the many lives that have passed and come to an end leaving a profound mark in the story of many other existences. For Spina, with his own vision of sculpture, a statue of Aphrodite is not merely a stereotypical portrayal of myth. In it are gathered the anxieties, dreams, hopes and joys of all those who have set eyes on her and dreamed or studied her. In a way, classical sculpture is profoundly present in our veins, in our very breath. The project takes the form of an imaginary diary covering fifteen days. But this is only an ephemeral period of time, a convention. The whole work developed over a period of days and months amounting to years, always in contact with the circumscribed space made of myriad lives and stories, which we call a museum. In Mythical Diary, Spina attempts to make classical sculpture interact with the viewer's desire to be a part of this ancient world that has always influenced our way of life, our culture and our society, proving itself to be contemporary with any period.

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Sicily is at the crossroads of the Mediterranean, and for over 2000 years has been the gateway between Europe, Africa and the East. It has long been seen as the frontier between Western Civilization and the rest, but never definitively part of either. Despite being conquered by empires - Romans, Byzantines, Arabs, Normans, Hapsburg Spain - it remains uniquely apart. The island's story maps a mosaic that mixes the story of myth and wars, maritime empires and reckless crusades, and a people who refuse to be ruled. In this riveting, rich history Jamie Mackay peels away the layers of this most mysterious of islands. This story finds its origins in ancient myth but has been reinventing itself across centuries: in conquest and resistance. Inseparable from these political and social developments are the artefacts of the nation's cultural patrimony - ancient amphitheatres, Arab gardens, Baroque Cathedrals, as well as great literature such as Giuseppe di Lampedusa's masterpiece The Leopard, and the novels and plays of Luigi Pirandello. In its modern era, Sicily has been the site of revolution, Cosa Nostra and, in the twenty-first century, the epicentre of the refugee crisis. The Invention of Sicily is a dazzling introduction to the island, its history and its people.

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Luigi Valadier, son of the French-born Andrea, obtained his silversmith license in 1760 and became one of the most celebrated artists in Europe, working for the noble families of Rome (Borghese, Odescalchi, Chigi, Orsini), cardinals and popes and a broad international clientele which included the Duke of Northumberland, Madame du Barry, the Balì of Malta, Jacques-Laure Le Tonnelier de Breteuil, the King of Sweden, Karl Theodor, Elector of Bavaria, the Count of the North, heir to the Russian throne, etc. His workshop situated near Piazza di Spagna employed dozens of craftsmen and produced not only silverware but also bronze statues, often copies of ancient sculptures, magnificent clocks, vases in precious marbles, lamps, huge candelabras, furniture, desers, reliquaries and liturgical vessels, and much more. In 1785 while completing commissions for the Borghese prince and working on the cast of the enormous bell of St Peter's, he committed suicide by drowning in the Tiber river, possibly due to the severe economic challenges from which his extraordinary workshop was suffering.

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