Search results for ""Author Léo""

Birdland was a legendary nightclub in New York City and, from 1949 to 1965, was the scene for the greatest jazz music and musicians in the world. This illustrated book offers a history of this legendary jazz club and presents the greats who played its stage, in capsule biographies, vintage photos, and rare memorabilia. Named after legendary jazz saxophonist Charlie “Yardbird” Parker, the club showcased memorable double and triple bills lasting until dawn. Many classic live recordings were made at “the Jazz Corner of the World,” such as “A Night at Birdland” by the Art Blakey Quintet, “Basie at Birdland,” and “Coltrane, Live at Birdland.” Birdland established itself as the one place that every jazz musician had to play. Greats such as Charlie Parker, Dizzy Gillespie, Bud Powell, Miles Davis, Thelonious Monk, Count Basie, John Coltrane, Art Tatum, Art Blakey, Horace Silver, Clifford Brown, Ella Fitzgerald, Stan Getz, Lester Young, Billie Holiday, Oscar Peterson, and Sonny Rollins, to name only a few, graced its stage.

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Tom no sale nunca a la calle, hasta que Vera le propone jugar a pillar. Mientras la persigue, Tom se pierde. Cómo conseguirá volver a casa?

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The emergence of the cult of Osiris is, in most cases, dated to the end of the 5th dynasty, the period in which the name of Osiris appears in writing, and it is commonly held that before this period not a trace of the cult can be discerned. This study is intended to investigate whether this emergence was really so sudden, or if there is evidence to suggest this appearance was preceded by a period of development of the theology and mythology of the cult. One of the most important aspects of the mythology of the cult is the rebirth of Osiris. In the theology of the cult this rebirth was projected on mortal men, and led to the postulation that every human being, whether royal or non-royal, had the possibility to attain eternal life after death. What made this cult even more attractive is that this eternal life was not confined to the tomb, as it used to be for non-royalty. The study is concerned with the rebirth possibilities of non-royal persons and aims to determine the chronological development of the rebirth connotations of the various decoration themes that were used in the chapel of Old Kingdom tombs. The decoration themes that are the subject of the determinations are the group of bed-scenes consisting of the bed-making scene and the marital bed-scene, the development in form and length of the bread loaves on the offering table, the different aspects of the scenes in which the “lotus” flower is depicted, and the marsh scenes.

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At the end of the 6th dynasty the 500 year old established order of the Old Kingdom fell apart, which, according to the interpretation given to various contemporary literary sources, started a period of social unrest and economic decline. The magnitude of the economic investment bestowed by the members of the higher social strata on the monuments that would be the abode for their after-life leads to the hypothesis that an economic decline could also manifest itself in the dimensions of the various architectonic elements of these monuments. The dimensions of the tombs have been chosen as the subject of this study. The preliminary part of the study is performed on the tombs in the necropolis of Giza. The results of the study are compared with the same measurements in the necropoleis of Saqqara and Abusir. The conclusion is that the economic decline started already at the early dynastic period and not as a result of the caving in of the Old Kingdom. An interesting ‘side-effect’ of the study is that the dimensions of the tombs can serve as a method to check a dating that has been proposed based on other aspect of the tomb.

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“Dr. Leo Galland, a respected global leader in the eld of holistic medicine, has written an astounding book of revelations about the nature of heaven and earth, loss and pain, and love.” — Christiane Northrup, M.D., #1 New York Times best-selling authorAlready Here tells of the death of Leo Galland’s son, Christopher, at the age of 22; the direct visual evidence Christopher showed him that our souls do go on; and the communications he received from Christopher’s spirit that dramatically changed Leo’s understanding of life and its meaning.In life, Christopher was a brain-damaged special needs child who challenged everyone he knew with his unpredictable behavior and uncanny insights. After his death, he revealed to Leo the real purpose of his life, as a spiritual guide who taught others by confounding their assumptions and expectations. And he began to share with Leo a new perspective on everything from the nature of good and evil to the concept of timelessness to the notion that the universe is, fundamentally, an act of love.Christopher’s wisdom was revealed to Leo over the course of a year, coalescing into three themes, which Leo calls the Gift of the Opposite, the Gift of Presence, and the Gift of Timelessness. Leo quickly came to realize that these gifts were not for him alone: they contain ancient wisdom, held sacred in many traditions, that Chris intended him to share with others. He has written this book, under Chris’s direction, to do just that.Already Here presents a unique dialogue in which an analytical, scientific mind tries to comprehend truths from another plane of existence —one that, nonetheless, is inseparable from our own. Chris describes Heaven and Earth, spirit and matter, as unified opposites that cannot exist without each other and cannot be separated from human consciousness. The book takes its title from Christopher’s final message to Leo, in which he describes Heaven as an “eternal present” where everyone is together, even those of us still living earthly lives. “Lighten up,” Christopher says to his father. “You’re already here, you know.”

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One of the rarest mysteries in the author's Sergeant Beef series, Case with Four Clowns, which has only been published once in the US - more than fifty years ago - is now available in paperback for the first time. It is regarded by critics as one of Leo Bruce's most baffling mysteries. A murder is yet to be committed - that much is certain - but who will be the victim? And who will be the murderer? It is Sgt. Beef's job to discover these facts, if he can, in time to prevent the deed from being done. But when he reaches the small traveling circus where the murder is to take place, he finds that practically everyone there is seething with hatred, each has a motive which might make him a killer; and any one of a dozen people could easily be the victim. The doughty Sgt. Beef has broken some pretty tough cases, and this one - with mystery entagled within mystery - stirs the bulldog within him. The clues are there, but unless the reader is very astute, he or she will overlook them; but Sgt. Beef misses nothing.

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Walking on the sand before breakfast, Carolus Deen's cousin Fay, who was staying on the Suffolk coast, has come upon the head of Lilliane Bomberger, the celebrated and universally detested novelist. The body was buried in the sand with only the head protruding; at least one tide had washed over it. Before this frustrating case ends, three murders are committed. This is vintage Bruce, mixing thrills and chills with unique humour.

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Leo Lionni’s spirited story about a minnow and a tadpole is now available as a Step 3 Step into Reading book—perfect for children who are ready to read on their own!

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Leo Lionni’s Caldecott Honor–winning story is now available as a Step 3 Step into Reading book—perfect for children who are ready to read on their own. Winter is coming, and all the mice are gathering food . . . except for Frederick. But when the days grow short and the snow begins to fall, it’s Frederick’s stories that warm the hearts and spirits of his fellow field mice. Lionni’s enduringly popular tale makes a winning addition to the Step into Reading line, letting young children enjoy this classic all by themselves.

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* AN OBSERVER BEST NEW NOVELIST FOR 2024 * ‘A spellbinding achievement’ FINANCIAL TIMES ‘Poignant and often painfully comic’ OBSERVER ‘I gasped, laughed, and wept my way through it’ KHALED HOSSEINI ‘Hugely impressive’ NEW EUROPEAN ‘Novels like this might help light the way’ GUARDIAN Tbilisi’s littered with memories that await me like landmines. The dearly departed voices I silenced long ago have come back without my permission. The situation calls for someone with a plan. I didn’t even bring toothpaste. Saba’s father is missing, and the trail leads back to Tbilisi, Georgia. It’s been two decades since Irakli fled his war-torn homeland with two young sons, now grown men. Two decades since he saw their mother, who stayed so they could escape. At long last, Tbilisi has lured him home. But when Irakli’s phone calls stop, a mystery begins... Arriving in the city as escaped zoo animals prowl the streets, Saba picks up the trail of clues: strange graffiti, bewildering messages transmitted through the radio, pages from his father’s unpublished manuscript scattered like breadcrumbs. As the voices of those left behind pull at the edges of his world, Saba will discover that all roads lead back to the past, and to secrets swallowed up by the great forests of Georgia. In a winding pursuit through the magic and mystery of returning to a lost homeland, Hard by a Great Forest is a rare, searching tale of home, memory and sacrifice – of one family’s mission to rescue one another, and put the past to rest.

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NOMINATED FOR THE SUNDAY TIMES SPORTS BOOK AWARDS 2022 'Superbly insightful' - FourFourTwo ‘Hugely enjoyable.’ - Henry Winter, Chief Football writer, The Times 'A brilliant read.' - Jamie Carragher ------ Complex, overlooked and misunderstood, football’s centre-halves rarely take centre-stage. Leo Moynihan’s long overdue celebration of this much-maligned position explores the unique mindset and last-ditch, bone-crunching tackles of the traditionally bruising hard man, hell-bent on destroying glory. Football is often romanticised as ‘The Beautiful Game’. If that’s true, then the game’s centre-half might be considered the unsightly pimple on the end of its otherwise perfectly formed nose. The stopper is the last line of defence, the big man with small ideas, the lump who lumps it. Thou Shall Not Pass (from a command England captain Terry Butcher shouted before every match) celebrates the football position where brutal characters are loved for their hard-hitting tackles and bruising mentality, and yet laughed at for their apparent lack of skill. Covering the long and illustrious history of the centre-half, Thou Shall Not Pass takes the reader into the muddy penalty area frequented by our protagonists, into their domain. The places they head the ball, the places where they tackle, the places in which they will stop at nothing to stop a forward. What makes a defender approach the game the way they do? What makes them different from those whose sole purpose is flair? Featuring exclusive interviews – including those with Virgil van Dijk, Jamie Carragher, Terry Butcher, Mark Lawrenson, Darren Moore, Steph Houghton, Tony Adams, Frank Leboeuf and Dion Dublin – and packed with rich and highly entertaining anecdotes, the book explores all aspects of the position and investigates the mentality of those who ply their trade there.

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In Empty Moments, Leo Charney describes the defining quality of modernity as “drift”—the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture’s preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust’s conception of time/memory with Cubism’s attempt to interpret time through perspective and Surrealism’s exploration of subliminal representations of the present. Other topics include Husserl’s insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin’s laws of thermodynamics. Ultimately, Charney’s work hints at parallels among such examples, the advent and popularity of cinema, and early film theory. A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity.

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