Search results for ""Author Fredericks"

Frederick Douglass was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist Ida B. Wells to take his place. With this journal cover, we celebrate the legacies of two of the most revered leaders in African American history.

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200 Iconic Landscapes That Define North America Frederick Law Olmsted is the father of American landscape architecture. His firm, and the successor firms that sprung from it, worked through the nineteenth and twentieth centuries to shape some of our most beloved green spaces, including national, state, and city parks, suburban neighborhoods, and academic campuses. He is most famous for creating New York’s Central and Prospect Parks, Stanford University’s campus, and the Capitol Grounds. What is less known and surprising about his legacy is that he worked widely across North America. By highlighting 200 iconic landscapes, many of which are still open to the public today, Experiencing Olmsted brings a fresh approach to the firms’ work and philosophy. It highlights not only grand city parks, but also other public venues born out of a desire for social equity. Olmsted was an early voice for parks as democratic spaces that could be reached on foot by a large percentage of any city’s populace. He viewed parks as restorative places—what he termed “the lungs of a city.” Brimming with contemporary and archival photography as well as original drawings and plans, this truly remarkable record brings these places to vivid life.

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In one corner, a godless young warrior, Voltaire’s heralded ‘philosopher-king’, the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of ‘outdated’ music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age. Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged ‘old Bach’ to a musical duel, asking him to improvise a six-part fugue based on an impossibly intricate theme (possibly devised for him by Bach's own son). Bach left the court fuming, but in a fever of composition, he used the coded, alchemical language of counterpoint to write ‘A Musical Offering’ in response. A stirring declaration of faith, it represented ‘as stark a rebuke of his beliefs and world view as an absolute monarch has ever received,’ Gaines writes. It is also one of the great works of art in the history of music. Set at the tipping point between the ancient and the modern world, the triumphant story of Bach's victory expands to take in the tumult of the eighteenth century: the legacy of the Reformation, wars and conquest, the birth of the Enlightenment. Brimming with originality and wit, ‘Evening in the Palace of Reason’ is history of the best kind – intimate in scale and broad in its vision.

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When Charles Frederick Ball was killed at Gallipoli in 1915 The Irish Times called him ‘one of the best known botanists and horticulturists in Ireland’. Fred Ball (to friends and family) trained in horticulture at Kew Gardens in the UK, moved to Dublin in 1906, became Assistant Keeper at the Royal Botanic Gardens in Glasnevin, and was editor of the journal Irish Gardening. A skilled plant breeder, he could have expected, in time, to succeed Sir Frederick Moore as Keeper of the Botanic Gardens. Instead, he responded to the call to serve king and country, enlisting in the famous 7th Battalion, Royal Dublin Fusiliers. This book describes Fred Ball’s life and achievements up to his tragic death at Suvla Bay in September 1915, shedding new light on his contribution to Irish horticulture as well as his time as a soldier. It is also the story of Fred Ball’s relationship with Alice Lane, the youngest daughter of a well to do Anglo-Irish family, who was the love of his life. They were married in Dublin in December 1914, just after Fred had joined up. The author, Alice’s grandson, discovered among his mother’s papers a small metal box containing over 100 letters that Fred wrote to Alice between 1911 and 1914. These letters, combined with further research in libraries and archives in Ireland and England, provide a captivating account of Fred Ball’s life in the Victorian and Edwardian worlds of which he was a part. Richly illustrated with historical photographs, Charles Frederick Ball offers a moving testament to a life tragically cut short. “A fascinating story, beautifully told. And what a wonderful collection of photographs.” – Jeff Kildea, author of Anzacs and Ireland “Excellent ... [a] really valuable reference … It is a sad though exciting story.” – Seamus O’Brien, Head Gardener, National Botanic Gardens, Kilmacurragh

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Delving into Frederick Sandys's unconventional life, Betty Elzea's research reveals much about his complicated and often scandalous relationships. Born and educated in Norwich with an artisan background, Sandys was bohemian by nature, though from necessity, to the world at large, he appeared genteel and respectable. Unfortunately disorganised, un-businesslike and preferring to live alone as a bachelor in lodgings, he struggled to support two growing families of illegitimate children. From youth, developing skills as a draughtsman and painter, he moved to London, meeting Dante Gabriel Rossetti and the Pre-Raphaelites and their associates, while keeping a foothold in Norwich where he maintained friendships and enjoyed the support of the Norfolk gentry and several notable Norwich industrialists. Norfolk landscape painting and nature studies led to commissioned portraiture which became his main source of income. He is known for depictions of beautiful women in legendary disguises as well as meticulously-detailed portraits of elderly women. He also pioneered a new type of large-scale portrait drawing in chalks.

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The selected correspondence of the great American abolitionist and reformer dating from the immediate post–Civil War years This third volume of Frederick Douglass’s Correspondence Series exhibits Douglass at the peak of his political influence. It chronicles his struggle to persuade the nation to fulfill its promises to the former slaves and all African Americans in the tempestuous years of Reconstruction. Douglass’s career changed dramatically with the end of the Civil War and the long-sought after emancipation of American slaves; the subsequent transformation in his public activities is reflected in his surviving correspondence. In these letters, from 1866 to 1880, Douglass continued to correspond with leading names in antislavery and other reform movements on both sides of the Atlantic, and political figures began to make up an even larger share of his correspondents. The Douglass Papers staff located 817 letters for this time period and selected 242, or just under 30 percent, of them for publication. The remaining 575 letters are summarized in the volume’s calendar.

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"An indispensable work for any student of the Old South. The book is not merely indispensable; it is challenging and controversial."—New York TimesFor decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post–Civil War America. Historians, landscape architects, conservationists, city planners, students, and citizens' groups continue to turn to Olmsted for ideas about the development and conservation of green spaces in urban areas.The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics

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In 1890, Frederick Law Olmsted, then nearly sixty-eight years old, had risen to the pinnacle of his career. Together with his partners, stepson John Charles Olmsted and protege Henry Sargent Codman, he was involved in a number of major ongoing projects, including the Boston, Buffalo, and Rochester park systems, the campus plan for Stanford University, and numerous private estates. In July, he reported that the firm had "twenty works of considerable importance" underway, including nine large parks and six estates that he believed were "matters of public interest." Before the summer ended, the firm's commitments would expand dramatically as Olmsted and his partners were appointed landscape architects for the World's Columbian Exposition in Chicago. As commissions for new park systems, residential communities, grounds for educational institutions, and private homes increased, Olmsted feared that their commitments would exceed the partners' ability to do their best work. Despite these fears, Olmsted's work in the final six years of his professional career would only enhance his considerable reputation, as the ninth and final volume of The Papers of Frederick Law Olmsted reveals. With its impressive waterways, monumental buildings, and verdant islands and shores, the Chicago fair proved to be one of the firm's crowning achievements. The early 1890s also saw the culmination of Olmsted's wide-ranging work on one of his other great projects: the design of the grounds of George W. Vanderbilt's massive estate, Biltmore, near Asheville, North Carolina. In planning the estate's thousands of acres, Olmsted outlined new approaches to landscape design, promoted the creation of the first scientific forestry operation in the United States, designed a model residential subdivision, and proposed an arboretum that would have been the most ambitious in the nation. The Last Great Projects, 1890-1895, chronicles the history of one of the world's greatest landscape design firms while offering a fascinating retrospective on Frederick Law Olmsted's productive final years. The volume also gathers together the important documents of this last triumphant era. As Olmsted neared the end of his career, he wrote some of his most reflective letters and reports, summarizing the legacy of his involvement with the U.S. Sanitary Commission, the quality of landscape design in England and France, the biographical circumstances that proved most important to his development as an artist, and his hopes and fears for the future of his profession.

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A pathbreaking consideration of the intertwined critical responses to Harriet Beecher Stowe and Frederick Douglass, giants of abolitionist literature. Harriet Beecher Stowe and Frederick Douglass represent a crucial strand in nineteenth-century American literature: the struggle for the abolition of slavery. Yet there has been no thoroughgoing discussion of the critical receptionof these two giants of abolitionist literature. Reading Abolition narrates and explores the parallels between Stowe's critical reception and Douglass's. The book begins with Stowe's Uncle Tom's Cabin, considering its initial celebration as a work of genius and conscience, its subsequent dismissal in the early twentieth century as anti-Southern and in the mid-twentieth century as racially stereotypical, and finally its recent recovery as a classic of women's, religious, and political fiction. It also considers the reception of Stowe's other, less well-known novels, non-fictional works, and poetry, and how engaging the full Stowe canon has changed the shape of Stowe studies. The second half of the study deals with the reception of Douglass both as a writer of three autobiographies that helped to define the contours of African American autobiography for later writers and critics and as an extraordinarily eloquent and influential orator and journalist. Reading Abolition shows that Stowe's and Douglass's critical destinies have long been intertwined, with questions about race, gender, nationalism, religion, and thenature of literary and rhetorical genius playing crucial roles in critical considerations of both figures. Brian Yothers is Frances Spatz Leighton Endowed Distinguished Professor and Associate Chair of the Department ofEnglish at the University of Texas at El Paso.

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This new edition is a valuable aid when used in conjunction with eight important books that picture Frederick Carder's Steuben glass. The easy-to-use tabulated format cross references the line drawings of shapes found in Paul Gardner's classic book The Glass of Frederick Carder (reprinted by Schiffer Publishing), auction records from the last eleven years, and references to photographs in the eight books cited. This revised second edition features a greatly expanded photo section with over 100 new photos; drawings of over 60 new glass shapes found in the archives of the Rakow Research Library at the Corning Museum of Glass in Corning, New York; and a new chapter on Steuben candlesticks. It also expands the auction results from about 2,000 to over 8,500, and includes additional auction houses not covered in the first edition. Curators, historians, glass dealers, scholars, and collectors alike owe a round of applause to Marshall Ketchum for this precise, important, and now updated reference work; this book will make their jobs much easier.

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For decades Frederick Law Olmsted (1822-1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post-Civil War America. Historians, landscape architects, conservationists, city planners, and citizens' groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest and seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, "The Spoils of the Park." In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system-the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others.

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'A full throttle, adrenaline-laced espionage page-turner . . . Get ready to blast off and enjoy the ride!' Jack Carr, former Navy SEAL Sniper and #1 New York Times bestselling author of the James Reece Terminal List series'Continuous action, Mach-speed mayhem, sharp intrigue, and well-rounded characters - what more could you want from a thriller?' Steve Berry, New York Times bestselling author of The 9th Man and the Cotton Malone seriesIsrael, late 1973. As the Yom Kippur War flares into life, a state-of-the-art Soviet MIG fighter is racing at breakneck speed over the arid scrublands below . . . and promptly disappears.NASA Flight Controller and former US Navy test pilot Kaz Zemeckis watches the scene from the ground - and is quickly pulled into a dizzying, high-stakes game of spies, lies and a possible high-level defection that plays out across three continents. The prize is beyond value: the secrets of the Soviets' mythical 'Foxbat' MiG-25, the fastest, highest-flying fighter plane in the world and the key to Cold War air supremacy. But every defection is double-edged with risk, and Kaz must tread a careful line between trust and suspicion. Ultimately, he must invite the fox into the henhouse - bringing the defector into the heart of the United States' most secret test site - and hope that, with skill and cunning, the game plays out his way. For Chris Hadfield's second heart-stopping thriller, we move from Space to another rich and exciting part of Chris's CV: his time as a top test pilot in both the US Air Force and the US Navy, and as an RCAF fighter pilot intercepting armed Soviet bombers in North American airspace. Full of insider detail, excitement and political intrigue drawn from real events, The Defector brings us the nerve-shredding rush of aerial combat, as told by one of the world's best fighter pilots.Praise for The Apollo Murders'A nail-biting Cold War thriller' James Cameron'An exciting journey to an alternate past' Andy Weir 'Not to be missed' Frederick Forsyth 'Explosive' Gregg Hurwitz 'Exciting, authentic' Linwood Barclay

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Born into Boston wealth, Harvard educated, and German trained (composition), Converse was considered by many to be the most important composer in America just prior to World War I. Performances of his operas by the Metropolitan and Boston Opera companies greatly stimulated acceptance of indigenous American opera.

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What can we learn about leadership and the experience of war from the best combat leaders the world has ever known? This book takes us behind the scenes and to the front lines of the major wars of the past 250 years through the words of twenty combat commanders. What they have to say--which is remarkably similar across generational, national, and ideological divides--is a fascinating take on military history by those who lived it. It is also worthwhile reading for anyone, from any walk of life, who makes executive decisions. The leaders showcased here range from Frederick the Great to Norman Schwarzkopf. They include such diverse figures as Napoleon Bonaparte, commanders on both sides of the Civil War (William Tecumseh Sherman and Stonewall Jackson), German and American World War II generals (Rommel and Patton), a veteran of the Arab-Israeli wars (Moshe Dayan), and leaders from both sides of the Vietnam War (Vo Nguyen Giap and Harold Moore). What they have had in common is an unrivaled understanding of the art of command and a willingness to lead from the front. All earned the respect and loyalty of those they led--and moved them to risk death. The practices of these commanders apply to any leadership situation, whether military, business, political, athletic, or other. Their words reveal techniques for anticipating the competition, leading through example, taking care of the "troops," staying informed, turning bad luck to advantage, improvising, and making bold decisions. Leader after leader emphasizes the importance of up-front "muddy boots" leadership and reveals what it takes to persevere and win. Identifying a pattern of proven leadership, this book will benefit anyone who aspires to lead a country, a squadron, a company, or a basketball team. It is a unique distillation of two and a half centuries of military wisdom.

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This collection sheds new light on the nature, role and practice of philosophy and science in the renewed Berlin Academy from the mid-1740s to the 1770s, and in so doing provides a robust new instalment of materials for the broader task of constructing a historiography of philosophy at this important Enlightenment institution. The collection ranges from discussions of the roles of philosophy and natural philosophy in the formation of the reinvigorated Academy in the mid-1740s, to conceptions of the correct philosophical methodology to be deployed by the Academy. It provides the first ever study of the nature and arrangement of the new classes of the Academy, and a fresh appraisal of the Academy’s methodological eclecticism. One recurring theme is the status of metaphysics: there are studies of both special metaphysics, including the study of the soul; general metaphysics, that is, the study of being in general; and foundational metaphysical principles and concepts, such as Maupertuis’s Principle of least action, Euler’s concept of space and Lambert’s notion of an experimental metaphysics. The collection also takes the study of the Academy in new directions through focused studies of important figures whose writings deserve to be better understood, such as Jean Bernard Merian, Louis de Beausobre, Jean Henri Samuel Formey and Johann Georg Sulzer.

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“My husband considered you a dear friend,” Mary Todd Lincoln wrote to Frederick Douglass in the weeks after Lincoln’s assassination. The frontier lawyer and the former slave, the cautious politician and the fiery reformer, the President and the most famous black man in America—their lives traced different paths that finally met in the bloody landscape of secession, Civil War, and emancipation. Opponents at first, they gradually became allies, each influenced by and attracted to the other. Their three meetings in the White House signaled a profound shift in the direction of the Civil War, and in the fate of the United States. James Oakes has written a masterful narrative history, bringing two iconic figures to life and shedding new light on the central issues of slavery, race, and equality in Civil War America.

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On 1 September 1909, American explorer Frederick Cook caused one of the biggest sensations in exploration history when, after a year with no word from him, news arrived that he had not only survived his Arctic expedition but had become the first person to ever reach the North Pole.Cook was instantly transformed into one of the heroes of the age. With his boat due to arrive in Copenhagen a few days later, journalists from across Europe scrambled to get there in time to meet him.One of them was Philip Gibbs, an obscure British reporter whose chance encounter in a Copenhagen café led to an exclusive interview with Cook before he reached land. But the interview left Gibbs doubting the explorer’s story, and so he decided to gamble his career and credibility by making it clear he thought Cook was lying. And so began a frantic few days when Cook was showered with accolades while Gibbs tried to prove his claim was a fraud.The Explorer and the Journalist is the extraordinary story of a high-stakes confrontation from which only one of Gibbs and Cook would emerge with their reputation intact.

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Frederick Douglass was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist Ida B. Wells to take his place. With this journal cover, we celebrate the legacies of two of the most revered leaders in African American history.

Read more less