Search results for ""Author Fredericks"

A pathbreaking consideration of the intertwined critical responses to Harriet Beecher Stowe and Frederick Douglass, giants of abolitionist literature. Harriet Beecher Stowe and Frederick Douglass represent a crucial strand in nineteenth-century American literature: the struggle for the abolition of slavery. Yet there has been no thoroughgoing discussion of the critical receptionof these two giants of abolitionist literature. Reading Abolition narrates and explores the parallels between Stowe's critical reception and Douglass's. The book begins with Stowe's Uncle Tom's Cabin, considering its initial celebration as a work of genius and conscience, its subsequent dismissal in the early twentieth century as anti-Southern and in the mid-twentieth century as racially stereotypical, and finally its recent recovery as a classic of women's, religious, and political fiction. It also considers the reception of Stowe's other, less well-known novels, non-fictional works, and poetry, and how engaging the full Stowe canon has changed the shape of Stowe studies. The second half of the study deals with the reception of Douglass both as a writer of three autobiographies that helped to define the contours of African American autobiography for later writers and critics and as an extraordinarily eloquent and influential orator and journalist. Reading Abolition shows that Stowe's and Douglass's critical destinies have long been intertwined, with questions about race, gender, nationalism, religion, and thenature of literary and rhetorical genius playing crucial roles in critical considerations of both figures. Brian Yothers is Frances Spatz Leighton Endowed Distinguished Professor and Associate Chair of the Department ofEnglish at the University of Texas at El Paso.

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This new edition is a valuable aid when used in conjunction with eight important books that picture Frederick Carder's Steuben glass. The easy-to-use tabulated format cross references the line drawings of shapes found in Paul Gardner's classic book The Glass of Frederick Carder (reprinted by Schiffer Publishing), auction records from the last eleven years, and references to photographs in the eight books cited. This revised second edition features a greatly expanded photo section with over 100 new photos; drawings of over 60 new glass shapes found in the archives of the Rakow Research Library at the Corning Museum of Glass in Corning, New York; and a new chapter on Steuben candlesticks. It also expands the auction results from about 2,000 to over 8,500, and includes additional auction houses not covered in the first edition. Curators, historians, glass dealers, scholars, and collectors alike owe a round of applause to Marshall Ketchum for this precise, important, and now updated reference work; this book will make their jobs much easier.

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Frederick Jackson Turner's 1893 essay on the history of the United States remains one of the most famous and influential works in the American canon. That is a testament to Turner's powers of creative synthesis; in a few short pages, he succeeded in redefining the way in which whole generations of Americans understood the manner in which their country was shaped, and their own character moulded, by the frontier experience. It is largely thanks to Turner's influence that the idea of America as the home of a sturdily independent people – one prepared, ultimately, to obtain justice for themselves if they could not find it elsewhere – was born. The impact of these ideas can still be felt today: in many Americans' suspicion of "big government," in their attachment to guns – even in Star Trek's vision of space as "the final frontier." Turner's thesis may now be criticised as limited (in its exclusion of women) and over-stated (in its focus on the western frontier). That it redefined an issue in a highly impactful way – and that it did so exceptionally eloquently – cannot be doubted.

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Born into Boston wealth, Harvard educated, and German trained (composition), Converse was considered by many to be the most important composer in America just prior to World War I. Performances of his operas by the Metropolitan and Boston Opera companies greatly stimulated acceptance of indigenous American opera.

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"An indispensable work for any student of the Old South. The book is not merely indispensable; it is challenging and controversial."—New York TimesFor decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post–Civil War America. Historians, landscape architects, conservationists, city planners, students, and citizens' groups continue to turn to Olmsted for ideas about the development and conservation of green spaces in urban areas.The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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This collection sheds new light on the nature, role and practice of philosophy and science in the renewed Berlin Academy from the mid-1740s to the 1770s, and in so doing provides a robust new instalment of materials for the broader task of constructing a historiography of philosophy at this important Enlightenment institution. The collection ranges from discussions of the roles of philosophy and natural philosophy in the formation of the reinvigorated Academy in the mid-1740s, to conceptions of the correct philosophical methodology to be deployed by the Academy. It provides the first ever study of the nature and arrangement of the new classes of the Academy, and a fresh appraisal of the Academy’s methodological eclecticism. One recurring theme is the status of metaphysics: there are studies of both special metaphysics, including the study of the soul; general metaphysics, that is, the study of being in general; and foundational metaphysical principles and concepts, such as Maupertuis’s Principle of least action, Euler’s concept of space and Lambert’s notion of an experimental metaphysics. The collection also takes the study of the Academy in new directions through focused studies of important figures whose writings deserve to be better understood, such as Jean Bernard Merian, Louis de Beausobre, Jean Henri Samuel Formey and Johann Georg Sulzer.

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Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics

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In 1890, Frederick Law Olmsted, then nearly sixty-eight years old, had risen to the pinnacle of his career. Together with his partners, stepson John Charles Olmsted and protege Henry Sargent Codman, he was involved in a number of major ongoing projects, including the Boston, Buffalo, and Rochester park systems, the campus plan for Stanford University, and numerous private estates. In July, he reported that the firm had "twenty works of considerable importance" underway, including nine large parks and six estates that he believed were "matters of public interest." Before the summer ended, the firm's commitments would expand dramatically as Olmsted and his partners were appointed landscape architects for the World's Columbian Exposition in Chicago. As commissions for new park systems, residential communities, grounds for educational institutions, and private homes increased, Olmsted feared that their commitments would exceed the partners' ability to do their best work. Despite these fears, Olmsted's work in the final six years of his professional career would only enhance his considerable reputation, as the ninth and final volume of The Papers of Frederick Law Olmsted reveals. With its impressive waterways, monumental buildings, and verdant islands and shores, the Chicago fair proved to be one of the firm's crowning achievements. The early 1890s also saw the culmination of Olmsted's wide-ranging work on one of his other great projects: the design of the grounds of George W. Vanderbilt's massive estate, Biltmore, near Asheville, North Carolina. In planning the estate's thousands of acres, Olmsted outlined new approaches to landscape design, promoted the creation of the first scientific forestry operation in the United States, designed a model residential subdivision, and proposed an arboretum that would have been the most ambitious in the nation. The Last Great Projects, 1890-1895, chronicles the history of one of the world's greatest landscape design firms while offering a fascinating retrospective on Frederick Law Olmsted's productive final years. The volume also gathers together the important documents of this last triumphant era. As Olmsted neared the end of his career, he wrote some of his most reflective letters and reports, summarizing the legacy of his involvement with the U.S. Sanitary Commission, the quality of landscape design in England and France, the biographical circumstances that proved most important to his development as an artist, and his hopes and fears for the future of his profession.

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What can we learn about leadership and the experience of war from the best combat leaders the world has ever known? This book takes us behind the scenes and to the front lines of the major wars of the past 250 years through the words of twenty combat commanders. What they have to say--which is remarkably similar across generational, national, and ideological divides--is a fascinating take on military history by those who lived it. It is also worthwhile reading for anyone, from any walk of life, who makes executive decisions. The leaders showcased here range from Frederick the Great to Norman Schwarzkopf. They include such diverse figures as Napoleon Bonaparte, commanders on both sides of the Civil War (William Tecumseh Sherman and Stonewall Jackson), German and American World War II generals (Rommel and Patton), a veteran of the Arab-Israeli wars (Moshe Dayan), and leaders from both sides of the Vietnam War (Vo Nguyen Giap and Harold Moore). What they have had in common is an unrivaled understanding of the art of command and a willingness to lead from the front. All earned the respect and loyalty of those they led--and moved them to risk death. The practices of these commanders apply to any leadership situation, whether military, business, political, athletic, or other. Their words reveal techniques for anticipating the competition, leading through example, taking care of the "troops," staying informed, turning bad luck to advantage, improvising, and making bold decisions. Leader after leader emphasizes the importance of up-front "muddy boots" leadership and reveals what it takes to persevere and win. Identifying a pattern of proven leadership, this book will benefit anyone who aspires to lead a country, a squadron, a company, or a basketball team. It is a unique distillation of two and a half centuries of military wisdom.

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For decades Frederick Law Olmsted (1822-1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post-Civil War America. Historians, landscape architects, conservationists, city planners, and citizens' groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest and seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, "The Spoils of the Park." In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system-the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.

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Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others.

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Frederick Douglass was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist Ida B. Wells to take his place. With this journal cover, we celebrate the legacies of two of the most revered leaders in African American history.

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A new edition of the African American masterpiece featuring critical essays by Angela Y. Davis.A masterpiece of African American literature, Frederick Douglass's Narrative is the powerful story of an enslaved youth coming into social and moral consciousness by disobeying his white slavemasters and secretly teaching himself to read.Achieving literacy emboldens Douglass to resist, escape and ultimately achieve his freedom. After escaping slavery, Douglass became a leader in the anti-slavery and women's rights movements, a bestselling author and U.S. diplomat.In this new critical edition, legendary activist and feminist scholar Angela Davis sheds new light on the legacy of Frederick Douglass.In two philosophical lectures originally delivered at UCLA in autumn 1969, Davis focuses on Douglass's intellectual and spiritual awakening, and the importance of self-knowledge in achieving freedom from all forms of oppression. With detailed attention to Douglass's text, she interrogates the legacy of slavery and shares timeless lessons about oppression, resistance and freedom.And in an extended introductory essay written for this edition, Davis comments on previous editions of the Narrative and re-examines Douglass through a contemporary feminist perspective.An important new edition of an American classic."Angela Y. Davis presents a long overdue examination of Douglass' work not just from the perspective of a woman but one of the most provocative and profound minds of the last half century. It is my sincere hope that this City Lights edition of The Narrative will inspire researchers and individuals to take a closer look at the tremendous degree of influence Anna Murray Douglass had in the life and the career of her husband and my great-great-great grandfather."—Kenneth B. Morris, Jr., Great-great-great grandson of Frederick Douglass and Great-great grandson of Booker T. Washington"Davis' arguments for justice are formidable . . . The power of her historical insights and the sweetness of her dream cannot be denied."—New York Times Book Review"Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon . . . meet the real Angela Davis: perhaps the leading public intellectual of our era."—Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original"One of America's last truly fearless public intellectuals."—Cynthia McKinney, Former U.S. Democratic Congresswoman"Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!"—Virginian-Pilot"There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition."—Mumia Abu-Jamal"Behold the heart and mind of Angela Davis, open, relentless, and on time!"—June Jordan"The enormous revolution in Black consciousness which has occurred in your generation, my dear sister, means the beginning or the end of America. Some of us, white and Black, know how great a price has already been paid to bring into existence a new consciousness, a new people in an unprecedented nation. If we know, and do nothing, we are worse than the murderers hired in our name. If we know, then we must fight for your life as though it were our own—which it is—and render impassable with our bodies the corridor to the gas chamber. For, if they take you in the morning, they will be coming for us that night."—James Baldwin

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Part of a definitive English-language edition, prepared in collaboration with the Institute of Marxism-Leninism in Moscow, which contains all the works of Marx and Engels, whether published in their lifetimes or since. The series includes their complete correspondence and newly discovered works.

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On 1 September 1909, American explorer Frederick Cook caused one of the biggest sensations in exploration history when, after a year with no word from him, news arrived that he had not only survived his Arctic expedition but had become the first person to ever reach the North Pole.Cook was instantly transformed into one of the heroes of the age. With his boat due to arrive in Copenhagen a few days later, journalists from across Europe scrambled to get there in time to meet him.One of them was Philip Gibbs, an obscure British reporter whose chance encounter in a Copenhagen café led to an exclusive interview with Cook before he reached land. But the interview left Gibbs doubting the explorer’s story, and so he decided to gamble his career and credibility by making it clear he thought Cook was lying. And so began a frantic few days when Cook was showered with accolades while Gibbs tried to prove his claim was a fraud.The Explorer and the Journalist is the extraordinary story of a high-stakes confrontation from which only one of Gibbs and Cook would emerge with their reputation intact.

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This is the first biography of Boy Browning, whose name is inextricably linked with the creation and employment of Britains airborne forces in the Second World War. Commissioned into the Grenadier Guards, Browning served on the Western Front, earning a DSO during the Battle of Cambrai. As Adjutant at Sandhurst, he began the tradition of riding a horse up the steps at the end of the commissioning parade. Browning represented England as a hurdler and Great Britain at the 1928 Winter Olympics. In 1932 Browning married Daphne du Maurier, who was ten years younger and became one of the 20th centurys most enduring and popular novelists with titles such as Jamaica Inn and Rebecca. Browning commanded two brigades before being appointed to command 1 Airborne Division in 1941, later acting as Eisenhowers advisor on airborne warfare in the Mediterranean. In 1944 he commanded 1st Airborne Corps, which he took to Holland for Operation MARKET GARDEN that September. Allegedly coining the phrase a bridge too far, he has received much of the blame for the operations failure. In late 1944, Browning became Chief of Staff to Mountbatten. In 1948 he became Comptroller and Treasurer to Princess Elizabeth and Prince Philip and then Treasurer to the latter following the Queens accession. He was a close adviser to the Royal couple who respected his judgment. By this time Boy and Daphne lived separate lives with Boy working at the Palace in London and Daphne reluctant to leave her beloved Cornwall although the marriage remained intact. Questions exist as to Daphnes sexuality and Boy had a succession of discrete mistresses. After a nervous breakdown probably due to marriage problems, he resigned in 1959 and retired to Cornwall. Browning died in March 1965.

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Frederick Marryat’s The Phantom Ship (1839), James F. Cooper’s The Red Rover (1828) and Richard H. Dana’s Two Years Before the Mast (1840) may be regarded as simulacra of reality imitating the then extremely popular literary conventions of the Gothic sea novel, the nautical romance and the sea diary, respectively. However, informed by René Girard’s model of mimetic desire, Luigi Pirandello’s theory of mimetic form and Meyer H. Abrams’ metaphor of «mimetic mirror», the analysis proves that the explored texts combine mimesis with creatio, that is the reproduction of maritime experience with the representation of general truths concerning human existence. Thus, the study demonstrates that the reading of the selected nineteenth-century sea novels through the lens of twentieth-century theories, regarded as variations on the concept of mimesis, may lead to re-evaluation of the long forgotten texts, which proved inspiring to some of the most prominent nautical writers, among others Joseph Conrad and Herman Melville.

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In 1879, Canon Thomas Frederick Simmons edited the late medieval poem now known as The Lay Folks' Mass Book creating what remains the standard edition of the text. This volume shows how Simmons' interest in the text was related profoundly to contemporary debates about worship in the Church of England, and how he used his medievalist researches as the basis for the most important attempt at Prayer Book revision between the Reformation and the twentieth century.

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