Search results for ""terrain""

Mateo makes the dangerous journey back home to the United States through the Sonoran Desert with the help of a new friend, a ghost named Guillermo in a supernatural borderland odyssey by debut graphic novelists Julio Anta and Jacoby Salcedo. As long as he remembers to stay smart and keep his eyes open, Mateo knows that he can survive the trek across the Sonoran Desert that will take him from Mexico to the United States. That is until he’s caught by the Border Patrol only moments after sneaking across the fence in the dead of night.Escaping their clutches comes at a price and, lost in the desert without a guide or water, Mateo is ill-prepared for the unforgiving heat that is sure to arrive come sunrise. With the odds stacked against him, his one chance at survival may be putting his trust in something, or rather someone, that he isn’t even sure exists.If you’d asked him if ghosts were real before he found himself face-to-face with one, Mateo wouldn’t have even considered it. But now, confronted with the nearly undeniable presence of Guillermo, he’s having second thoughts. Having spent his afterlife guiding migrants to safety, Guillermo knows things about the Sonoran Desert far beyond what could be explained by a mere hallucination. But even as Mateo forms an uneasy partnership with Guillermo, survival is still uncertain.The Sonoran Desert, with its hostile temperatures and inhabitants, is teeming with danger as the Border Patrol and rogue militias prowl its deadly terrain. As his journey stretches on, Mateo will have to decide exactly what and who he’s willing to sacrifice to find home.

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The Fourteenth Army was one of the most successful British and Commonwealth forces of the Second World War. It was not only the largest of the Commonwealth armies but was also the largest single army in the world with around half a million men under its command. Operating in the most inhospitable terrain, it drove the previously undefeated Japanese Army from the Indian border and out of Burma in an unrelenting offensive. The Fourteenth Army, often referred to as the Forgotten Army, was made up from units that came from all corners of the Commonwealth and was composed of thirteen divisions from East and West Africa as well as Britain and India. After the defeat of the Japanese these divisions compiled a summary of its actions and it is these unique documents that form the basis of this new book. Presented here together then for the first time is the story of war against the Japanese as told by each of the divisions that fought in that bitter conflict the original and authentic accounts untouched by the pens of historians. These accounts can never be supplanted and will be an invaluable source of information for generations to come. It will also help the many millions of relatives of those men that fought with the Fourteenth Army understand the complex campaign of 1943-1945\. The Fighting Divisions of the Fourteenth Army is completed with citations for those actions which saw the award of the Victoria Cross and detailed Orders of Battle throughout the Fourteenth Armys existence to make this the most detailed study of its kind.

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A rediscovered mountaineering classic and the extraordinary true story of a daring escape up Mount Kenya by three prisoners of war.When the clouds covering Mount Kenya part one morning to reveal its towering peaks for the first time, prisoner of war Felice Benuzzi is transfixed. The tedium of camp life is broken by the beginnings of a sudden idea - an outrageous, dangerous, brilliant idea.There are not many people who would break out of a P.O.W. camp, trek for days across perilous terrain before climbing the north face of Mount Kenya with improvised equipment, meagre rations, and with a picture of the mountain on a tin of beef among their more accurate guides. There are probably fewer still who would break back in to the camp on their return.But this is the remarkable story of three such men. No Picnic on Mount Kenya is a powerful testament to the human spirit of revolt and adventure in even the darkest of places."The history of mountaineering can hardly present a parallel to this mad but thrilling escapade" - Saturday Review"A most extraordinary prisoner-of-war and escape story" - New Yorker"A mad venture and a gallant tribute to man's deep yearning for freedom" - Kirkus Reviews"The book crackles with the same dry humour as its title. It contains the prison-yard bartering and candlelight stitching that mark a classic jailbreak yarn; the encounters with wild beasts in Mount Kenya's forest belt are as gripping, and the descriptions of sparkling glaciers as awe-inspiring, as any passage in the great exploration diaries of the early 20th century" - The Economist

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Historic market towns, rolling green hills, secret sandy beaches: welcome to Great BritainWhether you want to visit London's world-class museums, spend time at the seaside or venture into the great outdoors, your DK Eyewitness travel guide ensures you experience all that England, Scotland and Wales have to offer.From the jagged peaks of the Scottish Highlands to the sweeping sands of Cornwall's coast, Great Britain promises miles of spectacular terrain to hike, bike and explore. Dotted across the landscape, cities like Manchester, Edinburgh and Bristol surge with restless energy, showcasing some of the world's most innovative art, music and culinary scenes.Our updated guide brings Great Britain to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the region's iconic buildings and neighbourhoods.You'll discover: -Our pick of Great Britain's must-sees, top experiences and hidden gems -The best spots to eat, drink, shop and stay -Detailed maps and walks that make navigating the region easy -Easy-to-follow itineraries -Expert advice: get ready, get around and stay safe -Colour-coded chapters to every part of Great Britain, from London to Devon and Cornwall, Wales to Scotland's Highlands and Islands -A lightweight format, so you can take it with you wherever you goWant the best of Great Britain in your pocket? Don't forget to check out DK Eyewitness Top 10 guides to Scotland, the Lake District, Cornwall and Devon, and London.

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Prince Edward County, Virginia closed its public school system in 1959 in "massive resistance" to the U.S. Supreme Court's historic Brown v. Board decision of 1954. The editorial pages of the local family-owned newspaper, The Farmville Herald, led the fight to lock classrooms rather than integrate them. The school system remained closed until the fall of 1964, when the County was forced by federal courts to comply with the school integration ordered by Brown. The vast majority of white children had continued their education in a private, whites-only academy. But more than 2,000 black students were left without a formal education by the five-year closure. Their lives were forever changed.A Civil Rights Reparations Story: The Road to Healing in Prince Edward County, Virginia, by Ken Woodley, is his first-person account of the steps taken in recent years to redress the wound. The book's centerpiece is the 18-month fight to create what legendary civil rights activist Julian Bond told the author would become the first Civil Rights-era reparation in United States history; it was led by Woodley, then editor of The Farmville Herald, still owned by the original family. If the 2003-04 struggle to win passage of a state-funded scholarship program for the casualties of massive resistance had been a roller coaster, it wouldn't have passed the safety inspection for reasons of too many unsafe political twists and turns. But it did.The narrative unfolds in Virginia, but it is a deeply American story. Prince Edward County's ongoing journey of racial reconciliation blazes a hopeful and redemptive trail through difficult human terrain, but the signs are clear enough for a divided nation to follow. The history is as important for its insights about the past as it it about what it has to share about a way into our future.

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New York Times bestselling author. Attention Minecraft players, take an adventure right into the game you love!Can Gameknight999 survive a Minecraft journey one hundred years into the past?This adventure series is created especially for readers who love the fight of good vs. evil, magical academies like Hogwarts in the Harry Potter saga, and games like Minecraft, Terraria, and Pokemon GO.A freak thunderstorm strikes just as Gameknight999 is activating his father’s digitizer to re-enter Minecraft. Sparks flash across his vision as he is sucked into the game… and when the smoke clears, he’s arrived safely. But it doesn’t take long to realize that things in the Overworld are very different.Gameknight sees the same blocky terrain and square clouds as usual, but almost everything else has changed. His friends are nowhere to be found. His castle has disappeared and the village he calls home is missing its defenses and fortified wall. Even stranger, no one seems to know who he is.The User-that-is-not-a-user realizes he’s been accidentally sent a hundred years into the past, back to the time of the historic Great Zombie Invasion. None of his friends have even been born yet. But that might be the least of Gameknight999’s worries, because travelling back in time also means that the evil virus Herobrine, the scourge of Minecraft, is still alive…Sky Pony Press, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more.

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This book examines some of the salient historiographical and conceptual issues that animate current scholarly debates about the nature of the medieval contribution to modern Western political ideas. On the one hand, scholars who subscribe to the 'Baron thesis' concerning civic humanism have asserted that the break between medieval and modern modes of political thinking formed an unbridgeable chasm associated with the development of an entirely new framework at the dawn of the Florentine Renaissance. Others have challenged this hypothesis, replacing it with another extreme: an unbroken continuity in the intellectual terrain between the twelfth and the seventeenth centuries (or later). The present book seeks to qualify both of these positions. Cary J. Nederman argues for a more nuanced historiography of intellectual continuity and change that depends upon analyzing a host of contextual as well as philosophical factors to account for the emergence of the European tradition of political theory in the medieval and early modern periods. He finds that categories such as 'medieval' and 'modern' can and should be usefully deployed, yet always with the understanding that they are provisional and potentially fluid. The book opens with an introduction that lays out the main issues and sources of the debate, followed by five sets of interrelated chapters. The first section critically assesses some of the leading scholars who have contributed to the current understanding of the relationship between medieval and modern ideas. The central part of the book includes three sections that address salient themes that illuminate and illustrate continuity and change: Dissent and Power, Empire and Republic, and Political Economy. The volume closes with a few examples of the ways in which medieval political doctrines were absorbed into and transformed during the modern period up to the nineteenth century.

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The Atlas of Birds captures the breathtaking diversity of birds, and illuminates their conservation status around the world. Full-color maps show where birds are found, both by country and terrain, and reveal how an astounding variety of behavioral adaptations--from flight and feeding to nest building and song--have enabled them to thrive in virtually every habitat on Earth. Maps of individual journeys and global flyways chart the amazing phenomenon of bird migration, while bird classification is explained using maps for each order and many key families. Conservation provides a strong focus throughout, with maps illustrating where and why birds are most under threat, and what is being done to protect them. Separate sections examine key factors influencing their distribution and endangering their survival, from deforestation and climate change to invasive species and the cage-bird trade. Bird groups most affected, such as island endemics, are highlighted, while a fascinating chapter explores the complex historical relationship between birds and humans, with maps and data for everything from poultry farming to birdwatching. The maps are supported by an authoritative text that uses the very latest data and case studies from BirdLife International. Packed with sumptuous photos, original diagrams, and imaginative graphics that bring the numbers to life, this book is a stunning and timely insight into perhaps the most colorful and intriguing group of organisms on our planet. * The premier illustrated atlas of bird diversity, behavior, and conservation * Features full-color maps, photos, and diagrams * Covers bird evolution, classification, and behavior * Describes the complex relationship between birds and their habitats * Explores the impact of human activities on species survival * Illustrates where and why birds are most under threat--and how to protect them

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Richard Hugo visited places and wrote about them. He wrote about towns: White Center and La Push in Washington; Wallace and Cataldo in Idaho; Milltown, Philipsburg, and Butte in Montana. Often his visits lasted little more than an afternoon, and his knowledge of the towns was confined to what he heard in bars and diners. From these snippets, he crafted poems. His attention to the actual places could be scant, but Hugo’s poems resonate more deeply than travelogues or feature stories; they capture the torque between temperament and terrain that is so vital in any consideration of place. The poems bring alive some hidden aspect to each town and play off the traditional myths that an easterner might have of the West: that it is a place of restoration and healing, a spa where people from the East come to recover from ailments; that it is a place to reinvent oneself, a region of wide open, unpolluted country still to settle. Hugo steers us, as readers, to eye level. How we settle into and take on qualities of the tracts of earth that we occupy -- this is Hugo’s inquiry. Part travelogue, part memoir, part literary scholarship, The Car That Brought You Here Still Runs traces the journey of Frances McCue and photographer Mary Randlett to the towns that inspired many of Richard Hugo’s poems. Returning forty years after Hugo visited these places, and bringing with her a deep knowledge of Hugo and her own poetic sensibility, McCue maps Hugo’s poems back onto the places that triggered them. Together with twenty-three poems by Hugo, McCue’s essays and Randlett’s photographs offer a fresh view of Hugo’s Northwest. Watch the book trailer: https://www.youtube.com/watch?v=J8_W1FZn06w

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In the autumn of 1777, near Saratoga, New York, an inexperienced and improvised American army led by General Horatio Gates faced off against the highly trained British and German forces led by General John Burgoyne. The British strategy in confronting the Americans in upstate New York was to separate rebellious New England from the other colonies. Despite inferior organization and training, the Americans exploited access to fresh reinforcements of men and materiel, and ultimately handed the British a stunning defeat. The American victory, for the first time in the war, confirmed that independence from Great Britain was all but inevitable. Assimilating the archaeological remains from the battlefield along with the many letters, journals, and memoirs of the men and women in both camps, Dean Snow's 1777 provides a richly detailed narrative of the two battles fought at Saratoga over the course of thirty-three tense and bloody days. While the contrasting personalities of Gates and Burgoyne are well known, they are but two of the many actors who make up the larger drama of Saratoga. Snow highlights famous and obscure participants alike, from the brave but now notorious turncoat Benedict Arnold to Frederika von Riedesel, the wife of a British major general who later wrote an important eyewitness account of the battles. The author, an archaeologist who excavated on the Saratoga battlefield, combines a vivid sense of time and place--with details on weather, terrain, and technology--and a keen understanding of the adversaries' motivations, challenges, and heroism into a suspenseful, novel-like account. A must-read for anyone with an interest in American history, 1777 is an intimate retelling of the campaign that tipped the balance in the American War of Independence.

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For many years the first battle of St Albans was regarded as a ‘short scuffle in the street’. A.W. Boardman, the author of Towton 1461: The Anatomy of a Battle, proves this was not the case. Indeed, the battle was unique and a significant event in England’s medieval history.The street fighting was widespread, the town was pillaged in the aftermath, Henry VI was almost killed, and the battle’s political consequences proved so problematic for both sides that parliament used official propaganda to conceal the truth.St Albans was, along with other lesser-known battles of the early 1450s, the genesis of the Wars of the Roses, and it is probably the best-documented encounter of the period. The battle heralded the beginning of an intense blood feud that fuelled the civil wars between York and Lancaster for many generations. But what really happened in the streets of St Albans on 22 May 1455? What prompted Richard Duke of York and the Neville family to rebel against Henry VI? And who were the instigators of the conflict that caused the execution and deaths of a substantial portion of England’s nobility by the end of the fifteenth century?This book answers these questions and discusses the theories about St Albans following a detailed and multi-disciplined approach. A.W. Boardman reveals the anatomy of a battle hidden beneath the streets and alleyways of this modern city and explains the wider issues of the Wars of the Roses in northern England. Illustrated throughout with contemporary images, modern photographs and specially drawn battle maps, this new and fully updated edition is a thorough examination of the sources, the terrain and the military significance of the first battle of St Albans: a battle where the streets ran red with blood.

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There is nothing new about evil; it has been with us since time immemorial. But there is something new about the kind of evil that characterizes our contemporary liquid-modern world. The evil that characterized earlier forms of solid modernity was concentrated in the hands of states claiming monopolies on the means of coercion and using the means at their disposal to pursue their ends ends that were at times horrifically brutal and barbaric. In our contemporary liquid-modern societies, by contrast, evil has become altogether more pervasive and at the same time less visible. Liquid evil hides in the seams of the canvass woven daily by the liquid-modern mode of human interaction and commerce, conceals itself in the very tissue of human cohabitation and in the course of its routine and day-to-day reproduction. Evil lurks in the countless black holes of a thoroughly deregulated and privatized social space in which cutthroat competition and mutual estrangement have replaced cooperation and solidarity, while forceful individualization erodes the adhesive power of inter-human bonds. In its present form evil is hard to spot, unmask and resist. It seduces us by its ordinariness and then jumps out without warning, striking seemingly at random. The result is a social world that is comparable to a minefield: we know it is full of explosives and that explosions will happen sooner or later but we have no idea when and where they will occur.In this new book, the sequel to their acclaimed work Moral Blindness Zygmunt Bauman and Leonidas Donskis guide the reader through this new terrain in which evil has become both more ordinary and more insidious, threatening to strip humanity of its dreams, alternative projects and powers of dissent at the very time when they are needed most.

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This second volume of a new three-part series of Antonio Negri's work is focussed on the consequences of the rapid process of deindustrialisation that has occurred across the West in recent years.In this volume Negri investigates exactly what happens when the class subjects of industrial capitalism are demobilised and the factories close. Evidently capital continues to make profit, but how and where? According to Negri, the creation of value extends beyond the factory walls to embrace the whole of society; the 'mass worker' of industrialism gives way to the 'socialised worker' (operaio sociale) and the terrain of exploitation now becomes the whole of human life. In postmodernity, the metropolis becomes the privileged arena of value extraction. We must therefore understand the global city, with its stratifications, its enclosures and its resistances. Old categories of the private and the public are inadequate to describe the new matrix of production, which is characterised rather by the 'common', the productive space of cognitive and immaterial labour. Today's metropolis can be defined as a space of antagonisms between forms of life produced, on the one hand, by finance capital (the capital that operates around rents), and on the other by the 'cognitive proletariat'. The central question is then how 'the common' of the latter can be mobilised for the destruction of capitalism.In an analysis that runs from the Italian workerism (operaismo) of the 1970s to the present day, From the Factory to the Metropolis offers readers valuable insight into the far-reaching impact of deindustrialisation, presenting both the challenges and opportunities. It will appeal to the many interested in the continuing development of Negri's project and to anyone interested in radical politics today.

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This second volume of a new three-part series of Antonio Negri's work is focussed on the consequences of the rapid process of deindustrialisation that has occurred across the West in recent years.In this volume Negri investigates exactly what happens when the class subjects of industrial capitalism are demobilised and the factories close. Evidently capital continues to make profit, but how and where? According to Negri, the creation of value extends beyond the factory walls to embrace the whole of society; the 'mass worker' of industrialism gives way to the 'socialised worker' (operaio sociale) and the terrain of exploitation now becomes the whole of human life. In postmodernity, the metropolis becomes the privileged arena of value extraction. We must therefore understand the global city, with its stratifications, its enclosures and its resistances. Old categories of the private and the public are inadequate to describe the new matrix of production, which is characterised rather by the 'common', the productive space of cognitive and immaterial labour. Today's metropolis can be defined as a space of antagonisms between forms of life produced, on the one hand, by finance capital (the capital that operates around rents), and on the other by the 'cognitive proletariat'. The central question is then how 'the common' of the latter can be mobilised for the destruction of capitalism.In an analysis that runs from the Italian workerism (operaismo) of the 1970s to the present day, From the Factory to the Metropolis offers readers valuable insight into the far-reaching impact of deindustrialisation, presenting both the challenges and opportunities. It will appeal to the many interested in the continuing development of Negri's project and to anyone interested in radical politics today.

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Addressing in depth the reality that women of color, particularly Black women, face compounded exploitation and economic inequality within the neoliberal university.More Black women are graduating with advanced degrees than ever before. Despite the fact that their educational and professional opportunities should be expanding, highly educated Black women face strained and worsening economic, material, and labor conditions in graduate school and along their academic career trajectory. Black women are less likely to be funded as graduate students, are disproportionately hired as contingent faculty, are trained and hired within undervalued disciplines, and incur the highest levels of educational debt. In Lean Semesters, Sekile M. Nzinga argues that the corporatized university—long celebrated as a purveyor of progress and opportunity—actually systematically indebts and disposes of Black women's bodies, their intellectual contributions, and their potential en masse. Insisting that "shifts" in higher education must recognize such unjust dynamics as intrinsic, not tangential, to the operation of the neoliberal university, Nzinga draws on candid interviews with thirty-one Black women at various stages of their academic careers. Their richly varied experiences reveal why underrepresented women of color are so vulnerable to the compounded forms of exploitation and inequity within the late capitalist terrain of this once-revered social institution.Amplifying the voices of promising and prophetic Black academic women by mapping the impact of the current of higher education on their lives, the book's collective testimonies demand that we place value on these scholars' intellectual labor, untapped potential, and humanity. It also illuminates the ways past liberal feminist "victories" within academia have yet to become accessible to all women. Informed by the work of scholars and labor activists who have interrogated the various forms of inequity produced and reproduced by institutions of higher education under neoliberalism, Lean Semesters serves as a timely and accessible call to action.

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RESPATIALISING FINANCE ‘In Respatialising Finance Sarah Hall uses the internationalisation of the Chinese Renminbi (RMB) to work through a sympathetic conceptual and empirical critique of prevailing analyses of International Financial Centres (IFCs). Her conceptual (re)framing stresses the politics, institutions and economics of IFCs and will be essential reading for all social scientists interested in the dynamism of contemporary finance and financial centres.’Professor Jane Pollard, Centre for Urban and Regional Development Studies (CURDS), Newcastle University, UK‘Through detailed study of Chinese RMB internationalisation and combining analytical insights from economic geography, sociology, and international political economy, Sarah Hall shows why offshore networks anchored in territories such as the City of London are both core to global monetary and financial landscapes, and provide a key terrain for state power and politics.’Professor Paul Langley, Department of Geography, Durham University, UKRespatialising Finance is one of the first detailed empirical studies of how and why London became the leading western financial centre within the wider Chinese economic and political project of internationalising its currency, the renminbi (RMB). This in-depth volume examines how political authorities in both London and Beijing identified the potential value of London’s international financial centre in facilitating and legitimising RMB internationalisation, and how they sought to operationalise this potential through a range of market-making activities.The text features original data from on-the-ground research in London and Beijing conducted with financial and legal professionals working in RMB markets and offers an original theoretical approach that brings economic geography into closer dialogue with international political economy. Recent work on territory illustrates how financial centres are not simply containers and facilitators of global financial flows – rather they serve as territorial fixes within the dynamic and crisis-prone nature of global finance.

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In jazz circles, players and listeners with “big ears” hear and engage complexity in the moment, as it unfolds. Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz. Essays range from a reflection on the female boogie-woogie pianists who played at Café Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker’s novel Young Man with a Horn (1938) and Michael Curtiz’s film adaptation (1950). Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture.Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives. One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar. Other essays explore the composer George Russell’s Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of “female hysteria” by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies’ Dance Orchestra during the Second World War. By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz.Contributors: Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T. Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, João H. Costa Vargas

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Planting and transplanting, seeding and reshaping—landscaping practices that emerged in the eighteenth century—are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, Sowing Empire considers imperial relandscaping—its patriarchal organization, heterosexual reproduction, and slavery—and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance—how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system—as a means of regulating national, sexual, and gender identities—Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.”Utilizing a wide range of both visual and written sources—maps, literature, and travel writing—this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.

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An original history of psychology told through the stories of its most important breakthroughs and the people who made themAdvances in psychology have revolutionized our understanding of the human mind. Imaging technology allows researchers to monitor brain activity, letting us see what happens when we perceive, think, and feel. But technology is only part of how ideas about the mind and brain have developed over the past century and a half. In Our Minds, Our Selves, distinguished psychologist and writer Keith Oatley provides an engaging, original, and authoritative history of modern psychology told through the stories of its most important breakthroughs and the men and women who made them.Our Minds, Our Selves traverses a fascinating terrain: forms of conscious and unconscious knowledge; brain physiology; emotion; stages of mental development from infancy to adulthood; language acquisition and use; the nature of memory; mental illness; morality; free will; creativity; the mind at work in art and literature; and, most important, our ability to cooperate with one another. Controversial experiments--such as Stanley Milgram's investigation of our willingness to obey authority and inflict pain and Philip Zimbardo and his colleagues' study of behavior in a simulated prison—are covered in detail. Biographical sketches illuminate the thinkers behind key insights and turning points: historical figures such as Hermann Helmholtz, Charles Darwin, Sigmund Freud, Jean Piaget, B. F. Skinner, and Alan Turing; leading contemporaries such as Geoffrey Hinton, Michael Tomasello, and Tania Singer; and influential people from other fields, including Margaret Mead, Noam Chomsky, Jane Goodall, and Gabrielle Starr.Enhancing our understanding of ourselves and others, psychology holds the potential to create a better world. Our Minds, Our Selves tells the story of this most important of sciences in a new and appealing way.

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In a world awash in “fake news,” where public figures make unfounded assertions as a matter of course, a preeminent legal theorist ranges across the courtroom, the scientific laboratory, and the insights of philosophers to explore the nature of evidence and show how it is credibly established.In the age of fake news, trust and truth are hard to come by. Blatantly and shamelessly, public figures deceive us by abusing what sounds like evidence. Preeminent legal theorist Frederick Schauer proposes correctives, drawing on centuries of inquiry into the nature of evidence.Evidence is the basis of how we know what we think we know, but evidence is no simple thing. Evidence that counts in, say, the policymaking context is different from evidence that stands up in court. Law, science, historical scholarship, public and private decisionmaking—all rely on different standards of evidence. Exploring diverse terrain including vaccine and food safety, election-fraud claims, the January 2021 events at the US Capitol, the reliability of experts and eyewitnesses, climate science, art authentication, and even astrology, The Proof develops fresh insights into the challenge of reaching the truth.Schauer combines perspectives from law, statistics, psychology, and the philosophy of science to evaluate how evidence should function in and out of court. He argues that evidence comes in degrees. Weak evidence is still some evidence. The absence of evidence is not evidence of absence, but prolonged, fruitless efforts to substantiate a claim can go some distance in proving a negative. And evidence insufficient to lock someone up for a crime may be good enough to keep them out of jail. This book explains how to reason more effectively in everyday life, shows why people often reason poorly, and takes evidence as a pervasive problem, not just a matter of legal rules.

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What makes a place? "Infinite City", Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically - connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of "Vertigo". Across an urban grid of just seven by seven miles, she finds seemingly unlimited landmarks and treasures - butterfly habitats, queer sites, murders, World War II shipyards, blues clubs, Zen Buddhist centers. She roams the political terrain, both progressive and conservative, and details the cultural geographies of the Mission District, the culture wars of the Fillmore, the South of Market world being devoured by redevelopment, and much, much more. Breathtakingly original, this atlas of the imagination invites us to search out the layers of San Francisco that carry meaning for us - or to discover our own infinite city, be it Cleveland, Toulouse, or Shanghai. Contributors include: Cartographers - Ben Pease and Shizue Seigel; Designer - Lia Tjandra; Artists - Sandow Birk, Mona Caron, Jaime Cortez, Hugh D'Andrade, Robert Dawson, Paz de la Calzada, Jim Herrington, Ira Nowinski, Alison Pebworth, Michael Rauner, Gent Sturgeon and Sunaura Taylor; Writers and researchers - Summer Brenner, Adriana Camarena, Chris Carlsson, Lisa Conrad, Guillermo Gomez-Pena, Joshua Jelly-Schapiro, Paul La Farge, Genine Lentine, Stella Lochman, Aaron Shurin, Heather Smith and Richard Walker; and, Additional cartography - Darin Jensen, Robin Grossinger and Ruth Askevold, as well as San Francisco Estuary Institute.

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A single-source guide to harnessing the power of 3D visualization tools for analysis and representation of landscapes Current technology allows designers to model environmental phenomena and space in new and exciting ways that go beyond the two-dimensional plane. The models, illustrations, and animations that can be created usher in a new paradigm of landscape representation that can become analytical tools as well as beautiful imagery. The text focuses on digital modeling methods that can be used to express rich environments using digital tools to develop, composite, and animate scenes. This full-color book provides coverage of 3D visualization tools for land planning and landscape architecture. The methods and theories in Modeling the Environment present landscape representation around a core set of ideas—scene, object, terrain, environment/atmosphere, time/dynamics, and the composite—that centers representation on human experience. Supported by www.lab.visual-logic.com, a website offering tutorials and forums, the text shows you how to use Autodesk 3ds Max to create dynamic landscape environments while also referring to a range of other tools including Google SketchUp, Autodesk Maya, and AutoCAD Civil 3D. It also demonstrates how to integrate 3D visualization tools into existing workflows, and offers critical coverage of intelligent drawings and representations, giving you a glimpse at the future of the profession. This book: Includes sections intended to build upon one another in order to understand the environment as a composite representation of multiple systems interacting Shows how to integrate 3D visualization tools into existing workflows, as opposed to offering an entirely new workflow Emphasizes modeling, animation, and simulation as both design analysis tools and presentation tools Modeling the Environment is essential reading for professionals in landscape architecture, urban planning and design, architecture, and related disciplines who are looking to be at the forefront of technology.

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Shaping Losses explores how traumatic loss affects identity and how those who are shaped by loss give shape, in turn, to the empty place where something--relationships, family, culture--was and is no longer. Taking the example of the decimation of European Jewry during the Nazi era, Shaping Losses confronts the problem of transforming trauma into cultural memory. This eloquent volume examines how memoirs, films, photographs, art, and literature, as well as family conversations and personal remembrances, embody the impulse to preserve what is destroyed. The contributors -- all distinguished women scholars, most of them survivors or daughters of survivors--examine classic memorializations such as Claude Lanzmann's film Shoah and Roman Vishniac's photographs of prewar Jews as well as several less-well-known works. They also address ways in which children of survivors of the Holocaust--and of other catastrophic traumas--struggle with inherited or vicarious memory, striving to come to terms with losses that centrally define them although they experience them only indirectly. Shaping Losses considers the limitations of Holocaust representations and testimonies that capture shards of the experience but are necessarily selective and reductive. Contributors discuss artistic efforts to "preserve the rawness" of memory, to resist redemptive closure in Holocaust narratives and public memorials, and to prevent the Holocaust from being sealed in "the cold storage of history." The authors probe the nature of memory and of trauma, studying the use of language within and outside a traumatic context such as Auschwitz and pinpointing the qualities that make traumatic memory ineffable, untransmittable, and perhaps unreliable. Within the "haunted terrain of traumatized memory" that all Holocaust testimonies inhabit, the impulse to give form to emptiness--to shape loss--emerges as a necessary betrayal, a vital effort to bridge the gap between history and memory.

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Splashed against the tumultuous Clinton years and framed by the clash between gay political might and anti-gay activism, "All the Rage" presents the first authoritative guide to the new gay visibility. From the public outing of Ellen DeGeneres to the vicious murder of Matthew Shepard, gay lives and images have moved onto the centre stage of American public life. Lesbians and gay men are indeed everywhere, from television sitcoms to Budweiser ads, from the White House to the Magic Kingdom. Combining personal stories with incisive analysis, Suzanna Danuta Walters chronicles this historic moment in our culture, arguing that we live in a time when gays are seen, but not necessarily known. Many consider the new gay visibility a sign of social acceptance, while others charge that it is mere window dressing, obscuring the dogged persistence of discrimination. Walters moves beyond these positions and instead argues that these realities coexist: gays are at once the sign of social decay in our culture and the chic flavour of the month. Taking on the common wisdom that visibility means progress, "All the Rage" maps the terrain on which gays are accepted as witty accessories in movies, gain access to political power, and yet still fall into constrictive stereotypes. Walters warns us with clarity and wit of the pitfalls of equating visibility with full integration into the fabric of American society. From the playful TV fantasies of lesbian weddings on "Friends" to the very real obstacles confronting gay marriage, from the award-winning comedy "Will & Grace" to Bible-thumping radio superhost Dr. Laura, "All the Rage" takes on naive celebrants and jaded naysayers alike. With a sophisticated mix of caution and optimism, the book provides an illuminating guide through these heady, controversial times.

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The remarkable woman at heart of the smash New York Times bestseller and Oscar-winning film Hidden Figures tells the full story of her life, including what it took to work at NASA, help land the first man on the moon, and live through a century of turmoil and change.In 2015, at the age of 97, Katherine Johnson became a global celebrity. President Barack Obama awarded her the prestigious Presidential Medal of Freedom—the nation’s highest civilian honor—for her pioneering work as a mathematician on NASA’s first flights into space. Her contributions to America’s space program were celebrated in a blockbuster and Academy-award nominated movie.In this memoir, Katherine shares her personal journey from child prodigy in the Allegheny Mountains of West Virginia to NASA human computer. In her life after retirement, she served as a beacon of light for her family and community alike. Her story is centered around the basic tenets of her life—no one is better than you, education is paramount, and asking questions can break barriers. The memoir captures the many facets of this unique woman: the curious “daddy’s girl,” pioneering professional, and sage elder. This multidimensional portrait is also the record of a century of racial history that reveals the influential role educators at segregated schools and Historically Black Colleges and Universities played in nurturing the dreams of trailblazers like Katherine. The author pays homage to her mentor—the African American professor who inspired her to become a research mathematician despite having his own dream crushed by racism. Infused with the uplifting wisdom of a woman who handled great fame with genuine humility and great tragedy with enduring hope, My Remarkable Journey ultimately brings into focus a determined woman who navigated tough racial terrain with soft-spoken grace—and the unrelenting grit required to make history and inspire future generations.

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THE NEW THRILLER FROM THE NUMBER 1 BESTSELLING AUTHORHe turns the groaning Abbott over, puts the barrel of the gun to the back of his head.'We're doing him a favour,' he says. 'I know a guy with a death-wish when I see one.'He pulls the trigger.They say blood is thicker than water. They never mention alcohol. Ex special-forces soldier Alex Abbott has a lead on the killer of his dead brother. If only he can stay off the booze long enough to hunt it down. But the skeletons in Abbott's closet are mounting up faster than the bodies in their bags, and Abbott needs to get his focus back if he's going to get his revenge.His pursuit takes him to the North of England, where Abbott infiltrates a local gang; forced to carry out jobs to maintain his cover. As he gains their trust he ventures deeper into the organisation uncovering a long-established, international network of rich, depraved thrill-seekers, with a sadistic side-hustle in child trafficking.Can Abbott stay ahead of his quarry and keep those who matter to him safe? The answer will take Abbott into Eastern Europe, and a deadly game of cat and mouse where he will face a terrible choice between his past and his future; it's winner takes all and Abbott has everything to lose.'A real tour de Forces. Enough guns, all-terrain armour and macho bravado to put Bond and Bourne to shame' - The Sun'Crisp, brisk and powerful. Ollerton skilfully portrays the menace, chaos and corruption of post-Saddam's Iraq' - Financial Times'Authentic and gritty' - Heat Magazine'With a flawed, relatable hero at its heart, Scar Tissue is an adrenaline-fuelled thriller that sets the groundwork for a gripping on-going series' - Culturefly

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Despite international conventions and human rights declarations, millions of people have suffered and continue to suffer torture, slavery, or violent deaths, with no remedy or recourse. They have fallen, in essence, “below the law,” outside of law’s protection. Often violated by their own governments, sometimes with support from transnational corporations, or nations benefiting from human rights violations, how can these victims find justice? Lawyers Beyond Borders reveals the inner workings of the advances and retreats in the quest for redress and restoration of human rights for those whom international legal-political systems have failed. The process of justice begins in the US, with a handful of human rights lawyers steeped in the American tradition of advancing civil rights through civil litigation. As the civil rights movement gained traction and an ample supply of lawyers, this small cadre turned their attention toward advancing international human rights, via the US legal system. They sought to build another piece of the rights revolution, this time for survivors of egregious human rights violations in faraway lands. These cases were among the most unlikely to be slated for victory: The abuses occurred abroad; the victims are aliens, usually with few, if any, resources; the perpetrators are politically powerful, resourced, and well connected, often members of governments, militaries, or multinational corporations. The legal and political systems’ structures are mostly stacked against these survivors, many who bear the scars of trauma and terror.Lawyers Beyond Borders is about agency. It is about how, in the face of powerful interests and seemingly insurmountable obstacles—political, psychological, economic, geographical, and physical—a small group of lawyers and survivors navigated a terrain of daunting barriers to begin building, case-by-case, new pathways to justice for those who otherwise would have none.

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"Hampshire and the Isle of Wight" is one of 10 titles in the updated "Cycle Tours" series. The series has now been in continuous print for more than 15 years and with regular route revisions and updating the successful formula has gathered a large following. Each book in the series contains 20 routes all of which are either totally new or have been re-ridden and updated. There are 15 lane rides of between 23 and 37 miles taking you along low-traffic or traffic free roads, tracks and paths. These visit the beautiful villages and rolling countryside of Hampshire and the Isle of Wight with suggested short cuts for shorter rides, and suggested links to other nearby rides for a full day out. The 5 off-road rides of between 10 and 20 miles explore the Hampshire Downs, the New Forest, the Isle of Wight and the South Downs. A unique feature of the "Cycle Tours" series is the superb Ordnance Survey 1:50,000 Landranger mapping showing the routes of the rides. The mapping not only gives the detail and clarity you need to follow the route with ease and safety, but allows you to plan short-cuts and detours, to look out for new places of interest, and to become truly involved in the landscape you are cycling through. Clear directions are given alongside the mapping and elevation profiles make planning the pacing of each ride an easy task. Extra information includes an introduction to the area of the route, nearest railway stations, places of interest with descriptions, guides to refreshment stops, and clear indications of distance, grade and terrain. The books are practically designed with a spiral-binding to make route-following as simple as possible.

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An affectionate but meticulously researched history of one of the most beautiful and best-loved corners of England – Crosthwaite Parish, nestling deep within the mountains and valleys of the Lake District. 'A unique contribution to English history' Hunter Davies 'A delightful, refreshingly written book, attentive to social detail and telling the only story that matters – history' Simon Jenkins 'A wonderful book' Margaret Drabble 'A completely fresh perspective on the Lakes and Lake Poets... I hugely enjoyed it' Andrew Marr Bounded by the peaks of Scafell, Skiddaw and Helvellyn, and embracing such well-known landmarks as Borrowdale, Derwentwater and Keswick, it lies within the heart of the Lake Poets' landscape and its rugged terrain excites passion in all those who know it. The Parish also boasts a remarkable history. Its 90 square miles were governed, from medieval times, by eighteen annually chosen 'customary tenants'; ancestors of the people who later prompted Wordsworth's portrayal of the area as 'a perfect Republic of Shepherds and agriculturalists'. His fellow poet Robert Southey lived within the Parish for forty years, was an active parishioner and rests in St Kentigern's churchyard. Here he is given his rightful position as a Lake Poet. In the nineteenth century, the Victorian state killed off the old parish system, sweeping away the egalitarian rule of the Eighteen Men. But a degree of redemption was at hand. Canon Rawnsley, vicar of Crosthwaite from 1883, pledged to defend the Lake District for future generations. So the Parish was at the heart of the creation of the National Trust and blazed a trail for a wider movement to preserve the English landscape. Writing with a historian's rigour and bearing aloft the banner of the Lake District statesmen, Philippa Harrison has produced a magisterial and fascinating record of a parish with a unique social, cultural and aesthetic resonance in English history.

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Museyon Guides' curators from around the world have composed this guidebook to inform you - the armchair film critic, the rampant moviegoer, the bona fide celluloid aficionado - of exactly where to go. Why just dream of the places you see in cinema? Instead, explore the terrain with the help of these carefully crafted cultural companions. Travel the world through the lens of your favourite film scenes and discover the best locations for your next picture-perfect vacation. NORTH AMERICA, SOUTH AMERICA: Report a fire at the Hook & Ladder Company #8 if you want to see Ghostbusters headquarters in New York City. Stop for a cup of coffee at the cafe in San Francisco where Steve McQueen's Bullit meets an informant. Bring your own box of chocolates to Chippewa Square, Savannah, and re-enact the iconic scenes from Forrest Gump. Visit the Marine Building in Vancouver and be transported to Clark Kent's employer, The Daily Planet, in Smallville. Find out what part of Puerto Rico posed for the Lord of the Flies, why Madonna evaded Argentina when playing Eva Peron, and much, much more. SELLING POINTS: . Each guide contains hundreds of colour photographs that jump off the pages of each pocket-sized guide. . Each guide references a multitude of movies: Europe references 199 films; Asia, Oceania & Africa references 139 films; and North America & South America references 198 films. . Meticulously researched and curated by film reviewers, producers, directors, historians and location specialists from every angle. . A personalised introduction kicks off each book with the editor's very personal take on the best the region has to offer. . The Museyon Guides are the only guidebooks that offer a range of thematic tours geared for film buffs. . Mix and match these tours to create your own unforgettable trip. Months' worth of excursions in each title. Illustrated

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In June 1942, the U.S. Army began recruiting immigrants, the children of immigrants, refugees, and others with language skills and knowledge of enemy lands and cultures for a special military intelligence group being trained in the mountains of northern Maryland and sent into Europe and the Pacific. Ultimately, 15,000 men and some women received this specialized training and went on to make vital contributions to victory in World War II. This is their story, which Beverley Driver Eddy tells thoroughly and colorfully, drawing heavily on interviews with surviving Ritchie Boys.The army recruited not just those fluent in German, French, Italian, and Polish (approximately a fifth were Jewish refugees from Europe), but also Arabic, Japanese, Dutch, Greek, Norwegian, Russian, Turkish, and other languages—as well as some 200 Native Americans and 200 WACs. They were trained in photo interpretation, terrain analysis, POW interrogation, counterintelligence, espionage, signal intelligence (including pigeons), mapmaking, intelligence gathering, and close combat.Many landed in France on D-Day. Many more fanned out across Europe and around the world completing their missions, often in cooperation with the OSS and Counterintelligence Corps, sometimes on the front lines, often behind the lines. The Ritchie Boys’ intelligence proved vital during the liberation of Paris and the Battle of the Bulge. They helped craft the print and radio propaganda that wore down German homefront morale. If caught, they could have been executed as spies. After the war they translated and interrogated at the Nuremberg trials. One participated in using war criminal Klaus Barbie as an anti-communist agent. This is a different kind of World War II story, and Eddy tells it with conviction, supported by years of research and interviews.

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

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The Habsburg Empire’s grand strategy for outmaneuvering and outlasting stronger rivals in a complicated geopolitical worldThe Empire of Habsburg Austria faced more enemies than any other European great power. Flanked on four sides by rivals, it possessed few of the advantages that explain successful empires. Its army was not renowned for offensive prowess, its finances were often shaky, and its populace was fragmented into more than a dozen ethnicities. Yet somehow Austria endured, outlasting Ottoman sieges, Frederick the Great, and Napoleon. The Grand Strategy of the Habsburg Empire tells the story of how this cash-strapped, polyglot empire survived for centuries in Europe's most dangerous neighborhood without succumbing to the pressures of multisided warfare.Taking readers from the War of the Spanish Succession in the early 1700s to the Austro-Prussian War of 1866, A. Wess Mitchell argues that the Habsburgs succeeded not through offensive military power or great wealth but by developing strategies that manipulated the element of time in geopolitical competition. Unable to fight all their enemies at once, the Habsburgs learned to use the limited tools at their disposal—terrain, technology, and treaty allies—to sequence and stagger their conflicts, drive down the costs of empire, and concentrate scarce resources against the greatest threat of the moment. Rarely holding a grudge after war, they played the "long game" in geopolitics, corralling friend and foe alike into voluntarily managing the empire's lengthy frontiers and extending a benign hegemony across the turbulent lands of middle Europe.A study in adaptive statecraft, The Grand Strategy of the Habsburg Empire offers lessons on how to navigate a messy geopolitical map, stand firm without the advantage of military predominance, and prevail against multiple rivals.

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In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust. In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence. In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna's parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows. Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act "civilized." Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land. Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember-strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become-in the eyes of the law-a kidnapper himself.

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Twenty eight walks varying in length from 2 to 7 1/2 miles. Photographs illustrate many of the features to be seen on the walks. Using over sixty years of knowledge of Dartmoor, Michael Caton leads you on a series of 28 walks based on paths and trackways over the moor. Some of these walks are based on those led by the author for the Dartmoor Preservation Association. Many of the walks have not been described in previous guidebooks or are not shown on the OS 1:25,000 map. The walks are for those who wish to venture well into the open moor without having to negotiate the rough Dartmoor terrain. A section has been included on the origin and history of the tracks including special comment on the route of the well known Abbot’s Way. There is also a section describing briefly what to see on the walks, including prehistoric monuments, medieval and later remains such as mining and granite crosses, as well as flora and fauna. The walks have been arranged in order around the southern and then the northern moor. Each walk starts at a suitable parking place. The routes are described in detail with appropriate grid references and brief information on the scenery and features to be seen. The start of all the walks is shown on an overview map of Dartmoor. About half of the routes are circular whereas others are more suited to a linear course. The walk descriptions are accompanied by maps in which the route has been sketched out on the appropriate section of the 1:25,000 OS map. A separate section gives advice to walkers and explains how to use this guide. It also draws attention to safety issues of walking on Dartmoor, including the dangers of military firing and adverse weather conditions.

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The Price of Glory: Verdun 1916 is the second book of Alistair Horne's trilogy, which includes The Fall of Paris and To Lose a Battle and tells the story of the great crises of the rivalry between France and Germany. The battle of Verdun lasted ten months. It was a battle in which at least 700,000 men fell, along a front of fifteen miles. Its aim was less to defeat the enemy than bleed him to death and a battleground whose once fertile terrain is even now a haunted wilderness. Alistair Horne's classic work, continuously in print for over fifty years, is a profoundly moving, sympathetic study of the battle and the men who fought there. It shows that Verdun is a key to understanding the First World War to the minds of those who waged it, the traditions that bound them and the world that gave them the opportunity. 'Verdun was the bloodiest battle in history ... The Price of Glory is the essential book on the subject' Sunday Times 'It has almost every merit ... Horne sorts out complicating issues with the greatest clarity. He has a splendid gift for depicting individuals' A.J.P. Taylor, Observer 'A masterpiece' The New York Times 'Compellingly told ... Alastair Horne uses contemporary accounts from both sides to build up a picture of heroism, mistakes, even farce' Sunday Telegraph 'Brilliantly written ... very readable; almost like a historical novel - except that it is true' Field Marshal Viscount Montgomery One of Britain's greatest historians, Sir Alistair Horne, CBE, is the author of a trilogy on the rivalry between France and Germany, The Price of Glory, The Fall of Paris and To Lose a Battle, as well as a two-volume life of Harold Macmillan.

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“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR“[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston GlobeDoes a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives.Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.

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The West Bank has been a vital part of greater New Orleans since the city's inception, serving as its breadbasket, foundry, shipbuilder, railroad terminal, train manufacturer, and even livestock hub. At one time it was the Gulf South's St. Louis, boasting a diversified industrial sector as well as a riverine, mercantilist, and agricultural economy. Today the mostly suburban West Bank is proud but not pretentious, pleasant if not prominent, and a distinct, affordable alternative to the more famous neighborhoods of the East Bank. Richard Campanella is the first to examine the West Bank holistically, as a legitimate subregion with its own story to tell. No other part of greater New Orleans has more diverse yet deeply rooted populations: folks who speak in local accents, who exhibit longstanding cultural traits, and, in some cases, who maintain family ownership of lands held since antebellum times- even as immigrants settle here in growing numbers. Campanella demonstrates that West Bankers have had great agency in their own place ­-making, and he challenges the notion that their story is subsidiary to a more important narrative across the river. The West Bank of Greater New Orleans is not a traditional history, nor a cultural history, but rather a historical geography, a spatial explanation of how the West Bank's landscape formed: its terrain, environment, land use, jurisdictions, waterways, industries, infrastructure, neighborhoods, and settlement patterns, past and present. The book explores the drivers, conditions, and power structures behind those landscape transformations, using custom maps, aerial images, photographic montages, and a detailed historical timeline to help tell that complex geographical story. As Campanella shows, there is no ""greater New Orleans"" without its cross ­-river component. The West Bank is an essential part of this remarkable metropolis.

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This open access book is the first monograph that brings together insights from comparative politics, political sociology, and migration studies to introduce the current state of knowledge on external voting and transnational politics. Drawing on new data gathered within the DIASPOlitic project, which created a comparative dataset of external voting results for 6 countries of origin and 17 countries of residence as well as an extensive qualitative dataset of 80 in-depth interviews with four groups of migrants, this book not only illustrates theoretical problems with empirical material, but also provides answers to previously unaddressed questions. The empirical material focuses on the European context. The Eastern Enlargement of the European Union (2004-2007) triggered a westward wave of migration from Central and Eastern European countries which faced the expansion of existing émigré communities and the emergence of new ones. As this process coincided with the expansion of migrant voting rights, the result is a large set of populous diaspora communities which can potentially have a significant impact on country electoral politics, making the study of external voting highly relevant. This book’s introduction takes stock of current research on transnational politics and external voting, presenting core puzzles. The following chapter introduces the context of intra-European migration and the political situation in Central-Eastern European sending countries. The next two sections address the empirical puzzles, drawing on new quantitative and qualitative. The conclusion takes stock of the evidence gathered, discusses the normative problem of non-resident voters enfranchisement, connects external voting to the broader debate on political remittances and finally, maps the terrain ahead for future research. This concise, empirically grounded introduction to external voting is critical reading in structuring the debate around migration and shaping research agendas for the future.

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Arc New Voices from Europe and Beyond: 1The first volume in Arc's New Voices from Europe, a series of anthologies featuring the work of contemporary poets written in what might be described as the 'small' languages of Europe. The six young Slovenian poets - three male (Uros Zupan, Peter Semolic and Gregor Podlogar) and three female (Vida Mokrin-Pauer, Maja Vidmar and Natasa Velikonja) - who contribute to this anthology are from the post-postmodernist generation, the generation that came of age in the 1990s and that takes the freedoms of an independent nation-state as a given. Although their work may have more in common with that of poets in wider Europe (even North America) than with their predecessors in the Slovenian cultural tradition (as described in the illuminating introduction to this volume), they write with a distinctiveness and originality that, to quote from the introduction, "traverses the hitherto neglected terrain of colloquial speech, hybrid identities and cultural sensibilities of an urban capitalist milieu". This is a fascinating introduction to contemporary Slovenian poetry. "This is the first in a new series of bilingual anthologies from Arc, with the admirable aim of bringing the work of a younger generation of poets across Europe to a wider English-language readership. Six Slovenian Poets fulfils this endeavour with a varied selection of poets under forty, all published for the first time within the past decade and all, in their various ways, breaking with Slovenian literary tradition. These young poets reference the Beckhams, Dolce & Gabbana, Sinead O'Connor and Gilbert and George as well as Paz, Yeats and Auden: poems, as Gregor Podlogar comments in Ana Jelnikar and Stephen Watts' fine translation, for when '54 TV programmes / just aren't enough'."Modern Poetry in Translation

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The go-to Eastern Provence travel guide for over 30 years. Strap on your boots and discover Eastern Provence on foot with the Sunflower Eastern Provence travel guide. And on the days when your feet may have had enough, enjoy some spectacular scenery on one of our legendary car tours. The Sunflower Eastern Provence guide is indispensable for hiking in Eastern Provence or seeing Eastern Provence by car. This guide, half of a two-volume set, is intended for first-time visitors who want to tour eastern Provence and the Cote d'Azur by car and enjoy some superb walks en route. The drives have been described in such detail that there is no need to make constant reference to a map. The walks selected - all set in areas of great natural beauty and historical interest - are those the authors believe offer the greatest sense of satisfaction for the effort involved. These are not tough GR routes, but mostly circular walks suitable for moderately fit people. Inside the Sunflower Eastern Provence guide book you'll find:* 70 long and short walks for all ages and abilities - each walk is graded so you can easily match your ability to the level of walk; * Topographical walking maps - give you a clear sense of the surrounding terrain; * Free downloadable gps tracks - for the techies; * Satnav guidance to walk starts for motorists; * 10 car tours and fold-out touring map - for easy reference on your tour; * Strolls to idyllic picnic spots - enjoy our recommendations for where to picnic along the way; * Timetables for public transport - ideal if you want to link two walks or avoid hiring a car on your holiday; * Online update service for the latest information Whether you decide to tour Eastern Provence by car or explore on foot we look forward to showing you around.

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This new research in English on the work of the Mozambican writer Mia Couto provides a comprehensive introduction to the critical terrain of Couto's literary thought. Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camões Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]

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Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association Winner, 2021 Lambda Literary Award in LGBTQ Studies Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

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An authoritative work on Synthetic Aperture Radar system engineering, with key focus on high resolution imaging, moving target indication, and system engineering technology Synthetic Aperture Radar (SAR) is a powerful microwave remote sensing technique that is used to create high resolution two or three-dimensional representations of objects, such as landscapes, independent of weather conditions and sunlight illumination. SAR technology is a multidisciplinary field that involves microwave technology, antenna technology, signal processing, and image information processing. The use of SAR technology continues grow at a rapid pace in a variety of applications such as high-resolution wide-swath observation, multi-azimuth information acquisition, high-temporal information acquisition, 3-D terrain mapping, and image quality improvement. Design Technology of Synthetic Aperture Radar provides detailed coverage of the fundamental concepts, theories, technology, and design of SAR systems and sub-systems. Supported by the author’s over two decades of research and practice experience in the field, this in-depth volume systematically describes SAR design and presents the latest research developments. Providing examination of all topics relevant to SAR—from radar and antenna system design to receiver technology and signal and image information processing—this comprehensive resource: Provides wide-ranging, up-to-date examination of all major topics related to SAR science, systems, and software Includes guidelines to conduct grounding system designs and analysis Offers coverage of all SAR algorithm classes and detailed SAR algorithms suitable for enabling software implementations Surveys SAR and computed imaging literature of the last sixty years Emphasizes high resolution imaging, moving target indication, and system engineering Design Technology of Synthetic Aperture Radar is indispensable for graduate students majoring in SAR system design, microwave antenna, signal and information processing as well as engineers and technicians involved in SAR system techniques.

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A collection of poems that contemplate the bureaucracy of the mind through interior political cabinets Taking its name from the banal, purgatorial space outside (but inside) a doctor’s office, Well Waiting Room imagines the conversations we have with ourselves at this liminal site as an exchange between interior bureaucrats, each of whom governs a particular aspect of the psyche. The poems explore the dynamics of this political ministry, which includes the Cabinets of Desire, Indulgences, Self-Preservation, Ordinary Affairs, Ambivalence, Confrontations, and many others—there’s even a press secretary, a curator, and a general counsel. Like a cabinet of curiosity wrapped in red tape, the poems examine the compartmentalization of the mind and the confounding news of the day. Formally, the poems range from dramatic monologues to combative sonnets, quippy memos to voice-y prose blocks, incantatory interludes to dreamlike visual landscapes. Sometimes, the poems address a purely internal conflict: Why do we lie to ourselves, indulge in schadenfreude, repeat the same mistakes? Other times, the poetic lens points outward like a spear, confronting the external universe: social injustice, polar ice melt, the Trump administration, and other man-made disasters. But in both universes, the poems find joy: the first observation of gravitational waves, the otherworldly beauty of rare marine species, the discovery that you are your own best way out. For Schlaifer, the underlying question is an epistemological one, an ontological one, a theological one. Why are we here, how do we know things, and why does God—so often—seem to be working against us? In Schlaifer’s bureaucratic vision of the mind, readers will see their own internal voices affectingly (and often humorously) reflected. The book traverses unknowable terrain in sturdy boots. It unearths not answers but better questions for our time.

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Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change.Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history.Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos

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Re/presenting Class is a collection of essays that develops a poststructuralist Marxian conception of class in order to theorize the complex contemporary economic terrain. Both building upon and reconsidering a tradition that Stephen Resnick and Richard Wolff—two of this volume’s editors—began in the late 1980s with their groundbreaking work Knowledge and Class, contributors aim to correct previous research that has largely failed to place class as a central theme in economic analysis. Suggesting the possibility of a new politics of the economy, the collection as a whole focuses on the diversity and contingency of economic relations and processes.Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways. Re/presenting Class will appeal primarily to scholars of Marxism and political economy.Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff

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This groundbreaking collection focuses on what may be, for cultural studies, the most intriguing aspect of contemporary globalization—the ways in which the postnational restructuring of the world in an era of transnational capitalism has altered how we must think about cultural production. Mapping a "new world space" that is simultaneously more globalized and localized than before, these essays examine the dynamic between the movement of capital, images, and technologies without regard to national borders and the tendency toward fragmentation of the world into increasingly contentious enclaves of difference, ethnicity, and resistance. Ranging across issues involving film, literature, and theory, as well as history, politics, economics, sociology, and anthropology, these deeply interdisciplinary essays explore the interwoven forces of globalism and localism in a variety of cultural settings, with a particular emphasis on the Asia-Pacific region. Powerful readings of the new image culture, transnational film genre, and the politics of spectacle are offered as is a critique of globalization as the latest guise of colonization. Articles that unravel the complex links between the global and local in terms of the unfolding narrative of capital are joined by work that illuminates phenomena as diverse as "yellow cab" interracial sex in Japan, machinic desire in Robocop movies, and the Pacific Rim city. An interview with Fredric Jameson by Paik Nak-Chung on globalization and Pacific Rim responses is also featured, as is a critical afterword by Paul Bové.Positioned at the crossroads of an altered global terrain, this volume, the first of its kind, analyzes the evolving transnational imaginary—the full scope of contemporary cultural production by which national identities of political allegiance and economic regulation are being undone, and in which imagined communities are being reshaped at both the global and local levels of everyday existence.

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