Search results for ""author jacob"

Fate can take you to places beyond your dreams . . .1866. Three Blake sisters remain in the Swan River Colony and two are quite happy to forge new lives for themselves there. The third, Xanthe, yearns to see the world. But even if she could afford to travel, could she persuade her beloved twin to let her go? Maia has fallen in love with their employer, and would surely be happiest staying behind with him.Xanthe's opportunity comes in the form of a handsome Irishman bringing some of the sisters' inheritance from England. But for Maia, the same man brings trouble in his wake: someone who has the power to make her life a misery.Can both sisters find the courage to finally find a home to call their own?******************What readers are saying about DESTINY'S PATH'Excellent ending to the series' - 5 stars'This is a book you cannot put down' - 5 stars'This is my ninth Anna Jacobs in 10 weeks! Can't wait to start my next one' - 5 stars'Another great read' - 5 stars'A jolly good read' - 5 stars

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From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding. In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty. The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.

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In this engaging inquiry, originally published in 1989 and now fully updated for the twenty-first century, Warren J. Belasco considers the rise of the "countercuisine" in the 1960s, the subsequent success of mainstream businesses in turning granola, herbal tea, and other "revolutionary" foodstuffs into profitable products; the popularity of vegetarian and vegan diets; and the increasing availability of organic foods. From reviews of the previous edition: "Although Red Zinger never became our national drink, food and eating changed in America as a result of the social revolution of the 1960s. According to Warren Belasco, there was political ferment at the dinner table as well as in the streets. In this lively and intelligent mixture of narrative history and cultural analysis, Belasco argues that middle-class America eats differently today than in the 1950 because of the way the counterculture raised the national consciousness about food."—Joan Jacobs Brumberg, The Nation "This book documents not only how cultural rebels created a new set of foodways, brown rice and all, but also how American capitalists commercialized these innovations to their own economic advantage. Along the way, the author discusses the significant relationship between the rise of a 'countercuisine' and feminism, environmentalism, organic agriculture, health consciousness, the popularity of ethnic cuisine, radical economic theory, granola bars, and Natural Lite Beer. Never has history been such a good read!"—The Digest: A Review for the Interdisciplinary Study of Food "Now comes an examination of... the sweeping change in American eating habits ushered in by hippiedom in rebellion against middle-class America.... Appetite for Change tells how the food industry co-opted the health-food craze, discussing such hip capitalists as the founder of Celestial Seasonings teas; the rise of health-food cookbooks; how ethnic cuisine came to enjoy new popularity; and how watchdog agencies like the FDA served, arguably, more often as sleeping dogs than as vigilant ones."—Publishers Weekly "A challenging and sparkling book.... In Belasco's analysis, the ideology of an alternative cuisine was the most radical thrust of the entire counterculture and the one carrying the most realistic and urgently necessary blueprint for structural social change."—Food and Foodways "Here is meat, or perhaps miso, for those who want an overview of the social and economic forces behind the changes in our food supply.... This is a thought-provoking and pioneering examination of recent events that are still very much part of the present."—Tufts University Diet and Nutrition Letter

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Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70`s and 80`s to its resurgence in the 90`s and 00`s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.Featuring Ira Robbins, Alex Segura, Mary E. Donnelly, Pat DiPuccio, John Borack, Dave Hill, Will Birch, S. W. Lauden, Jordan Oakes, Brian Vander Ark, Anne K. Ream & R. Clifton Spargo, Chip Jacobs, Bill DeMain, Thierry Côté, Doug Brod, Jim Lindberg, Balin Schneider, Mike Randle, Butch Walker, Andrea Warner, Paul Myers,and Rex Broome's

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Between 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant “slave narratives.” They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives—such as those of Frederick Douglass and Harriet Jacobs—have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves.Volume One (1770-1849) includes the narratives of James Albert Ukawsaw Gronniosaw, Olaudah Equiano (Gustavus Vassa), William Grimes, Nat Turner, Charles Ball, Moses Roper, Frederick Douglass, Lewis & Milton Clarke, William Wells Brown, and Josiah Henson.

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Text in English & Arabic. If it is true, as Ibn 'Arabī claims, that voyaging never ceases in all worlds and dimensions, the paradigmatic voyages recounted in this remarkable book offer the reader an inexhaustible source of reflection. As a well-known Sufi saying puts it, 'the spiritual journey is called "voyage" (safar) because it "unveils" (isfār) the characters of the Men of God'. This book explores the theme of journeying and spiritual unveiling as it plays out in the cosmos, in scripture and within the soul of the mystic. Beginning with a series of cosmological contemplations, Ibn 'Arabī then turns to his own selective readings of Prophetic lore, in which he gives profound Muhammad, Adam, Enoch, Noah, Abraham, Lot, Jacob and Joseph, and Moses. Angela Jaffray's translation of Kitāb al-Isfār 'an natā'ij al-asfār brings this major treatise to an English-speaking audience for the first time. It is accompanied by a new edition of the Arabic text based in a manuscript in Ibn 'Arabi's own hand, an introduction and extensive notes. It also includes a rich in-depth commentary that will guide the reader through Ibn 'Arabī's subtle and allusive writing.

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This sharp, witty study of a book never written, a sequel to Walter Benjamin's Arcades Project, is dedicated to New York City, capital of the twentieth century. A sui generis work of experimental scholarship or fictional philosophy, it analyzes an imaginary manuscript composed by a ghost. Part sprawling literary montage, part fragmentary theory of modernity, part implosive manifesto on the urban revolution, The Manhattan Project offers readers New York as a landscape built of sheer life. It initiates them into a world of secret affinities between photography and graffiti, pragmatism and minimalism, Andy Warhol and Robert Moses, Hannah Arendt and Jane Jacobs, the flâneur and the homeless person, the collector and the hoarder, the glass-covered arcade and the bare, concrete street. These and many other threads can all be spooled back into one realization: for far too long, we have busied ourselves with thinking about ways to change the city; it is about time we let the city change the way we think.

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This sharp, witty study of a book never written, a sequel to Walter Benjamin's Arcades Project, is dedicated to New York City, capital of the twentieth century. A sui generis work of experimental scholarship or fictional philosophy, it analyzes an imaginary manuscript composed by a ghost. Part sprawling literary montage, part fragmentary theory of modernity, part implosive manifesto on the urban revolution, The Manhattan Project offers readers New York as a landscape built of sheer life. It initiates them into a world of secret affinities between photography and graffiti, pragmatism and minimalism, Andy Warhol and Robert Moses, Hannah Arendt and Jane Jacobs, the flâneur and the homeless person, the collector and the hoarder, the glass-covered arcade and the bare, concrete street. These and many other threads can all be spooled back into one realization: for far too long, we have busied ourselves with thinking about ways to change the city; it is about time we let the city change the way we think.

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Volume 35A of Research in the History of Economic Thought and Methodology features a symposium on historical epistemology, guest edited by Till Düppe and Harro Maas. The symposium includes new research from the guest editors, as well as from Loïc Charles and Christine Théré, Hsiang-Ke Chao, Tobias Vogelsang, and Thomas Stapleford. This internationally renowned cast of contributors offers a variety of perspectives on one of the major approaches in empirical philosophy of science and economic thought. Volume 35A also includes a new research paper by Cameron Weber on the paradoxical notion of value employed in the economics of art and culture. An archival piece by Marc Nerlove, winner of the John Bates Clark Medal in 1969, completes the volume. Originally written in the summer of 1953, when Nerlove was a 19-year-old graduate student serving as research assistant to Jacob Marschak and Tjalling Koopmans at the Cowles Commission, the paper relates the ideas of Cournot to the concept of Nash equilibrium. The paper was long-forgotten by Nerlove and has only recently been rediscovered among the Marschak Papers at UCLA. Olav Bjerkholt contributes a foreword to Nerlove’s archival piece.

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For as long as historical annals have been kept, they have recorded the frauds and fakes that have been imposed upon innocent dupes. Perhaps the earliest Christian story of all is that which tells of the deception that Jacob practised on his unsuspecting father Abraham, pretending to be his brother Esau; and today the theft of identity is reported to be the most rapidly spreading crime. And throughout the ages works of art and literature, coinage, and documents of all kinds have been forged for profit, personal status – and even out of pure mischief. Fakes, Scams and Forgeries details many of the most notorious acts of forgery, fraud and fakery that have taken place over the centuries, describing how they were perpetrated, their acceptance by those who considered themselves experts, and how – often after many years – they were eventually detected. As well as providing entertaining and in-depth profiles of famous forgers and legendary frauds, the text deals with the many modern scientific techniques that have been developed for the examination of suspect materials.

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Early modern thought was haunted by the unknowable character of the fallen world. The sometimes brilliant and sometimes baffling fusion of theological and scientific ideas in the era, as well as some of its greatest literature, responds to this sense that humans encountered only an incomplete reality. Ranging from Paradise Lost to thinkers in and around the Royal Society and commentary on the Book of Job, The Unknowable in Early Modern Thought explores how the era of the scientific revolution was in part paralyzed by and in part energized by the paradox it encountered in thinking about the elusive nature of God and the unfathomable nature of the natural world. Looking at writers with scientific, literary and theological interests, from the shoemaker mystic, Jacob Boehme to John Milton, from Robert Boyle to Margaret Cavendish, and from Thomas Browne to the fiery prophet, Anna Trapnel, Kevin Killeen shows how seventeenth-century writings redeployed the rich resources of the ineffable and the apophatic—what cannot be said, except in negative terms—to think about natural philosophy and the enigmas of the natural world.

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Early modern thought was haunted by the unknowable character of the fallen world. The sometimes brilliant and sometimes baffling fusion of theological and scientific ideas in the era, as well as some of its greatest literature, responds to this sense that humans encountered only an incomplete reality. Ranging from Paradise Lost to thinkers in and around the Royal Society and commentary on the Book of Job, The Unknowable in Early Modern Thought explores how the era of the scientific revolution was in part paralyzed by and in part energized by the paradox it encountered in thinking about the elusive nature of God and the unfathomable nature of the natural world. Looking at writers with scientific, literary and theological interests, from the shoemaker mystic, Jacob Boehme to John Milton, from Robert Boyle to Margaret Cavendish, and from Thomas Browne to the fiery prophet, Anna Trapnel, Kevin Killeen shows how seventeenth-century writings redeployed the rich resources of the ineffable and the apophatic—what cannot be said, except in negative terms—to think about natural philosophy and the enigmas of the natural world.

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"Homero is one of the planet's great environmental heroes."—Jacob Scherr, Director of Global Strategy & Advocacy, Natural Resources Defense Council, Washington, DC News of the Earth chronicles Homero Aridjis's relationship with the natural world through his writings and his activism as president of the Grupo de los Cien [Group of 100], Mexico's influential environmental group composed of one hundred prominent personalities in the arts, culture, and science, which Aridjis founded in 1985. Under his leadership, the group's efforts led to a ban on the capture and commercialization of sea turtles, legislation reducing the amount of lead in gasoline, daily monitoring of air quality in Mexico City, and official designation of sanctuaries for the monarch butterfly. Aridjis waged a lifelong battle against threats to endangered ecosystems and wildlife in his country, many with global implications, including campaigns to save the gray whale, bottle-nosed dolphin, bee population, giant saguaro cactus, endangered coral reefs, and rainforests of Mexico. This book highlights these crucial battles, with detailed documentation of critical environmental victories. Homero Aridjis, one of Latin America's foremost literary figures, is the author of forty-eight books of poetry and prose. He served as Mexico's Ambassador to Switzerland, The Netherlands, and UNESCO, and as president of PEN International. He received awards from the United Nations (Global 500 Award), the Orion Society, Mikhail Gorbachev, Global Green USA, and the Natural Resources Defense Council. Betty Ferber Aridjis was born in New York and graduated from Bryn Mawr College. She served as the International Coordinator of the Grupo de los Cien (Group of 100) since its founding in 1985. Her lifelong commitment to the environment was also honored by Mikhail Gorbachev and by Global Green USA with the Green Cross Millennium Award for International Environmental Leadership. She is the translator of several books by Homero Aridjis into English.

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As the summer begins, the Jacobs family arrive at their holiday home in Massachusetts, only to find that a truck has been driven into their water-filled quarry and a young man has drowned. It is a dreadful echo of another recent death: the suicide of Joan and Anders' eldest daughter. When details emerge of the man's identity, fifteen-year-old Eve becomes obsessed with proving that his death wasn't an accident, while her little sister unwittingly adopts his orphaned dog. Joan is more interested in tracking down the drowned man's mother, while Anders, who cannot talk about his own daughter's death, doesn't want to get involved. As they simultaneously try to adjust to their own loss and absorb this apparent tragedy, each in their own way confronts life's normal hurdles - growing up, sustaining a marriage, facing the future. Here are characters so vividly imagined and drawn with such emotional insight that they leap off the page. When the summer ends, you will not want to let them go.

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The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality-streamlined, chrome, and glossy black-along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York's Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore's John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures-along with apartment houses and government buildings-typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.

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From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments.In 1899, Thorstein Veblen coined the phrase ‘conspicuous consumption’ to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen’s crude denunciation of material extravagance finds echoes in media exposés about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity.The essays in Conspicuous Consumption in Africa put Veblen’s concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa’s projects of modernity, and their global lineages and legacies. In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies – South African society in particular.

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On 19 May 1928, just three months after the sport had been launched in this country at the pioneering High Beech meeting, Fred Mockford and Cecil Smith introduced speedway racing to Crystal Palace with the first international match between England and Australia, the forerunner of the Test matches. It was an immediate success with the public who flocked in their tens of thousands to witness these latter day black-clad gladiators hurtling their way round the track on bikes with no brakes at breakneck speed and flinging their bikes into a slide at the corners at impossible angles. This book looks at how speedway came to open at Crystal Palace and follows its history through the next six years as a league team operating in the world's first speedway league until its closure in 1933 and its brief revival in the late 1930s. Although one of the pioneering tracks little was known about its history until now as Norman Jacobs provides a comprehensive history covering the major events at the track, facts and figures, behind the scenes anecdotes and its larger than life characters including Johnnie Hoskins, Ron Johnson and Tom Farndon, who became the Star Riders' champion in 1933.

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«¿Te gustaría oír mi historia, Bella? No tiene un final feliz, pero ¿cuál de nuestras existencias lo tiene? Estaríamos debajo de una lápida si hubiéramos tenido un desenlace afortunado.»Bella se encuentra de nuevo en peligro: una serie de misteriosos asesinatos está sembrando el pánico en la localidad y hay un ser maligno tras ella, sediento de venganza. Además, tendrá que elegir entre su amor por Edward y su amistad con Jacob, consciente de que su decisión podrá desencadenar definitivamente la guerra entre vampiros y hombres lobo. Mientras se va acercando su graduación se le presenta una nuevo dilema mucho más complejo: vida o muerte. Pero ¿cuál es cuál?La «Saga Crepúsculo», en la que se incluyen los títulos Crepúsculo, Luna nueva, Eclipse, 

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Politics looked straightforward when Patrick Kidd took over the reins of the daily political sketch in The Times in 2015. David Cameron had just won a general election and would clearly be Prime Minister for as long as he wanted; George Osborne was his obvious successor (rather than the editor of a free London evening newspaper); Theresa May was a slightly underwhelming Home Secretary and Jeremy Corbyn an anonymous Labour backbencher best known as a serial rebel against his own party. Then suddenly everything went a bit strange. In this anthology of his best columns from the past four years, Kidd plays the role of parliamentary theatre critic, chronicling the collapse of Cameron, the nebulous clarity of May, the rise and refusal to fall of Corbyn and Boris Johnson's repeated failure to keep his foot out of his mouth. Featuring a menagerie of supporting oddballs, such as Jacob and the Mogglodytes, Failing Grayling, Gavin `Private Pike' Williamson and the simpering lobby fodder that are Toady, Lickspittle and Creep, this is a much-needed antidote to the gloom of the Brexit years.

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Henry Thornton's Inquiry into the Nature and Effects of the Paper Credit of Great Britain (1802) is the repository of much of what is the best and most clear in modern monetary theory. However, it is only in recent years, largely through the efforts of Jacob Viner and Friedrich Hayek, that Thornton's work has been restored to its rightful place within monetary theory. Jeremy Bentham, was an extraordinary exponent of Utilitarianism and a founding father of administrative science, but he published very little on economics and what he did write was so dramatically ahead of its times that while it has proved stimulating to later generations it was virtually unknown in his own times. Similarly, it was Simonde de Sismondi and James Lauderdale, rather than Malthus, who were the true precursors of Keynesian thought. Their ideas and writings were thought incomprehensible and both men were attacked and ridiculed by contemporaries. However, modern economic theory has given them a new significance and coherence, making their writings relevant and comprehensible to economists. Here is a collection of the best of the articles published on these thinkers in the last two decades.

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Postcards from Home: Creativity in a Time of Crisis is a beautiful and unforgettable collection of self-rendered images from a bevy of photographers, filmmakers, actors, creative directors, performance artists, fashion designers, and models from Marc Jacobs, Karen Elson, Florence Pugh, Maurizio Cattelan, Virgil Abloh, Lin-Manuel Miranda, Billy Porter, Donatella Versace, Tom Ford, Lizzo, Kendall Jenner, Gisele Bundchen, Cindy Sherman, Tracee Ellis Ross, and Kim Kardashian West, among others, that share a glimpse of their lives under lockdown. From self-portraits in their homes, to images of Vogue s friends and collaborators with their families, to photographs of original artworks created during this time of social distancing these snapshots reflect a moment in history when the world turned upside down, but creativity flourished. This unique photography book is a must-have for devotees of fashion, art, culture, and photography, and reaches across a readership of all ages. A portion of the proceeds will go to A Common Thread, Vogue s new fundraising initiative to provide assistance to the fashion industry during the COVID-19 pandemic.

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Long awaited after No Future, and making queer theory controversial again, Lee Edelman’s Bad Education proposes a queerness without positive identity—a queerness understood as a figural name for the void, itself unnamable, around which the social order takes shape. Like Blackness, woman, incest, and sex, queerness, as Edelman explains it, designates the antagonism, the structuring negativity, preventing that order from achieving coherence. But when certain types of persons get read as literalizing queerness, the negation of their negativity can seem to resolve the social antagonism and totalize community. By translating the nothing of queerness into the something of “the queer,” the order of meaning defends against the senselessness that undoes it, thus mirroring, Edelman argues, education’s response to queerness: its sublimation of irony into the meaningfulness of a world. Putting queerness in relation to Lacan’s “ab-sens” and in dialogue with feminist and Afropessimist thought, Edelman reads works by Shakespeare, Jacobs, Almodóvar, Lemmons, and Haneke, among others, to show why queer theory’s engagement with queerness necessarily results in a bad education that is destined to teach us nothing.

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Throughout the Progressive Era, reform literature became a central feature of the American literary landscape. Works like Upton Sinclair’s The Jungle, Charlotte Perkins Gilman’s “The Yellow Wall-Paper,” and Jacob Riis’s How the Other Half Lives topped bestseller lists and jolted middle-class readers into action. While realism and social reform have a long-established relationship, prominent writers of the period such as Henry James, Edith Wharton, James Weldon Johnson, Rebecca Harding Davis, and Kate Chopin resisted explicit political rhetoric in their own works and critiqued reform aesthetics, which too often rang hollow. Arielle Zibrak reveals that while these writers were often seen as indifferent to the political currents of their time, they actively engaged in reform work in their private lives. Examining the critique of reform aesthetics within the tradition of American realist literature of the late nineteenth and early twentieth centuries, Writing against Reform promises to change the way we think about the fiction of this period and many of America’s leading writers.

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Contemporary thought has been profoundly shaped by the early-twentieth-century turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. But the relationship between time and system remains unexplained by the standard account of this shift. Through a new history of systematic thinking across the humanities and sciences, The Writing of Spirit argues that nineteenth-century historicism wasn’t simply replaced by a more modern synchronic perspective. The structuralist revolution consisted rather in a turn toward time’s absolutely minimal conditions, and thus also toward a new theory of diachrony. Pourciau arrives at this surprising and powerful conclusion through an analysis of language-scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm and Richard Wagner to the Russian Futurists, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to a pressing contemporary question—namely, what role history should play in the interpretation of the present.

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When it comes to viewing art, living in the information age is not necessarily a benefit. So argues Michael Findlay in this book that encourages a new way of looking at art. Much of this thinking involves stripping away what we have been taught and instead trusting our own instincts, opinions, and reactions. Including reproductions of works by Mark Rothko, Paul Klee, Joan Miro , Jacob Lawrence, and other modern and contemporary masters, this book takes readers on a journey through modern art. Chapters such as "What Is a Work of Art?" "Can We Look and See at the Same Time?" and "Real Connoisseurs Are Not Snobs," not only give readers the confidence to form their own opinions, but also encourages them to make connections that spark curiosity, intellect, and imagination. "The most important thing for us to grasp," writes Findlay, "is that the essence of a great work of art is inert until it is seen. Our engagement with the work of art liberates its essence." After reading this book, even the most intimidated art viewer will enter a museum or gallery feeling more confident and leave it feeling enriched and inspired.

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According to Marx, the family is the primal scene of the division of labor and the "germ" of every exploitative practice. In this insightful study, Jacob Emery examines the Soviet Union's programmatic effort to institute a global siblinghood of the proletariat, revealing how alternative kinships motivate different economic relations and make possible other artistic forms. A time in which literary fiction was continuous with the social fictions that organize the social economy, the early Soviet period magnifies the interaction between the literary imagination and the reproduction of labor onto a historical scale. Narratives dating back to the ancient world feature scenes in which a child looks into a mirror and sees someone else reflected there, typically a parent. In such scenes, two definitions of the aesthetic coincide: art as a fantastic space that shows an alternate reality and art as a mirror that reflects the world as it is. In early Soviet literature, mirror scenes illuminate the intersection of imagination and economy, yielding new relations destined to replace biological kinship—relations based in food, language, or spirit. These metaphorical kinships have explanatory force far beyond their context, providing a vantage point onto, for example, the Gothic literature of the early United States and the science fiction discourses of the postwar period. Alternative Kinships will appeal to scholars of Russian literature, comparative literature, and literary theory, as well as those interested in reconciling formalist and materialist approaches to culture.

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'A daring, delightful and galvanising call to save the world, one plant at a time' Bookseller, Editor's ChoiceTEN YEARS AGO, BEN JACOB TURNED OUTLAW TO SAVE OUR RAREST FLOWERS. THIS IS HIS STORY.Obsessed by orchids since childhood, Ben spent years travelling to far-flung jungles to see them in the wild. Then a chance encounter set him off on a journey of discovery into the wonderful, but often forgotten, world of Britain's fifty-one native species. These include the Bee which looks (and smells) so much like one that even bees are fooled, the Ghost which exists without sunlight, and Autumn Lady's Tresses which gave Darwin the proof he needed for his theory of evolution.But our orchids are in desperate trouble. Many species are facing extinction. Decimated by changes in land use and climate, inadequately protected by environmental and planning laws, their habitats are disappearing fast. Determined to act before it was too late, Ben broke into building sites in the dead of night to rescue threatened plants, and turned his kitchen into a laboratory, his fridge into storage for hundreds of baby orchids, and his back yard into a plantation. But doing all that put him on the wrong side of the law. . . At once a memoir, a natural history, and an inspiring call to action, reintroducing us to Britain's most endangered flowers, The Orchid Outlaw shows us how we can all save the world, one plant at a time.

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"If we harbor thoughts of violence or hatred, or seek revenge or retribution, we are contributing to the wounding of the world; if we transform those thoughts into forgiveness and compassion, and then move beyond them to actually make amends or restitution, we are contributing to the healing of the world. This timely, powerful and compassionate book helps show us the way." —Deepak Chopra "Nothing will help us survive the present age more than breaking the tragic cycles of violence and revenge that threaten our very existence. To do so, we must honor our soul's desire for deeper forms of reconciliation, a process that Phil Cousineau reveals here as being on the other side of forgiveness, in the ancient ritual of atonement. His book is a profoundly important contribution to the healing of the world, and I give it my blessing." —Robert A. Johnson, author of Transformation, Inner Work and Owning Your Own Shadow As indispensable as forgiveness has been to the healing process throughout history, there is another equally profound action that is needed for ultimate reconciliation, which Arun Gandhi, grandson of Mohandas Gandhi, calls “the other side of the coin.” Turning over the coin of forgiveness, we discover atonement, the half-hidden, much-overlooked other half of the reconciliation process. Beyond Forgiveness shows how acts of atonement—making amends, providing restitution, restoring balance—can relieve us of the pain of the past and give us a hopeful future. This rich and powerful book includes 15 thoughtful contributions by high-profile thinkers and activists including Huston Smith, Michael Bernard Beckwith, Azim Khamisa, Rabbi Michael Lerner, Jacob Needleman, Michael Nagler, Diane Hennacy Powell, James O’Dea, Arun Gandhi, Kate Dahlstedt, Ed Tick, Richard J. Meyer, Rev. Heng Sure, Douglas George-Kanentiio and Katharine Dever. Atonement is put forward as a process that we must all learn to practice—from individuals to nations—if we are to heal our wounds and move forward.

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A beautifully designed and lavishly illustrated survey of 19th-century paintings in the Netherlands This comprehensive overview is the first book in more than 60 years on the underexplored history of painting in the Netherlands in the 19th century. Jenny Reynaerts, an acclaimed specialist in 19th-century Dutch art, takes a close look at works from famous canvases by Vincent van Gogh to lesser-known works and even recently discovered paintings. Offering a synthesis of numerous focused studies from the past 50 years, Reynaerts pays special attention to the stylistic developments, the contemporary art market, and the relationships that Dutch artists at the time had with the international art world. The book boasts 500 illustrations by artists including Van Gogh, Ary Scheffer, Lawrence Alma-Tadema, Barend Cornelis Koekkoek, Jacob and Matthijs Maris, and many more. Designed by renowned Dutch designer Irma Boom, this book will serve as the authoritative text on 19th-century painting in the Netherlands.Distributed for MercatorfondsExhibition Schedule:Museum Singer Laren (January 15–May 15, 2020)

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This terrifying selection of ghost stories brings together the very best classic works from the masters of the supernaturalPhantom coaches, evil familiars, shadowy houses, spectral children and mysterious doppelgangers haunt these tales. They range from the famous, such as M. R. James's tale of an ancient curse, 'Oh, Whistle, and I'll Come To You, My Lad' and W. W. Jacobs's story of gruesome wish-fulfilment, 'The Monkey's Paw', to lesser-known masterpieces: Robert Louis Stevenson's 'Thrawn Janet', telling of a parish priest tormented for life by his encounter with the undead; Charles Dickens's unsettling account of a railway signal-man and an ominous portent; and Edward Bulwer Lytton's 'The Haunted and the Haunters', where a cursed house harbours a diabolical secret.Michael Newton's introduction discusses why ghost stories scare us and why they flourished from the mid-nineteenth to early-twentieth century, examining their changing conventions throughout history. This edition also includes further reading, notes, a glossary and a chronology.Edited with an introduction and notes by Michael Newton

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This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.

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Argues that the historical primacy of youth politics in Limpopo, South Africa has influenced the production of generations of nationally prominent youth and student activists - among them Julius Malema, Onkgopotse Tiro, Cyril Ramaphosa, Frank Chikane, and Peter Mokaba. In 2015 and 2016 waves of student protest swept South African campuses under the banner of FeesMustFall. This book brings an historical perspective to the recent risings by analysing regional influences on the ideologies that haveunderpinned South African student politics from the 1960s to the present. The author considers the history of student organization in the Northern Transvaal (today Limpopo Province) and the ways in which students and youth in this relatively isolated area in the north of South Africa have influenced political change on a national scale, over generations. Organized around the stories of several key political actors, the book introduces the reader to critical spaces of political mobilization in the region. Among the most prominent is the University of the North at Turfloop, which played an integral role in building the South African Students' Organisation (SASO) in the late 1960s and propagating Black Consciousness in the 1970s. It became an ideological battleground where Black Consciousness advocates and ANC-affiliates competed for influence in the 1980s. Turfloop has remained politically significant in thepost-apartheid era: it was here in 2007 that Julius Malema stumped for Jacob Zuma's ascension to the presidency during the ANC's pivotal party conference that resulted in the ousting of Thabo Mbeki. The final two chapters address Malema's political ascension in regional branches of the Congress of South African Students (COSAS) and the ANC Youth League. Anne Heffernan is Assistant Professor in the History of Southern Africa at Durham University and a Research Associate of the History Workshop, University of the Witwatersrand. She is Co-editor of Students Must Rise: Youth Struggle in South Africa Before and Beyond Soweto '76 (Wits University Press, 2016). Southern Africa (South Africa, Namibia, Lesotho, Zimbabwe and Swaziland): Wits University Press

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In 2022, American Jews face an increasingly unsafe and anti-Semitic landscape at home. Against this backdrop, the Jacobson family gathers for Passover in Los Angeles. But their immediate problems are more personal than political, with the three adult children, Mo, Edith and Jacob, in various states of crisis; the result, each claims, of a lifetime of mistreatment by their father, Julian.The siblings have begun to suspect that Julian is hastening their mother Roz's demise, and years of resentment boil over as they debate whether to go through with the real reason for their reunion: an ill-considered plot to end their father's iron rule forever. That is, if they can put their bickering, grudges, festering relationships and distrust of one another aside long enough to act. And God help them if their mother finds out . . . Tell Me How This Ends Well presents a blistering vision of near-future America, turning the exploits of one very funny, very troubled family into a rare and compelling exploration of the state of America itself.

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Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa. Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods,narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics. Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Ann Genova is a Ph.D. candidate at the University of Texas at Austin.

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Mike Puma of the New York Post provides insight into the team's inner sanctum as only he can The New York Mets are one of the most historic teams in Major League Baseball, with superstars over the years including Jacob deGrom, Mike Piazza, David Wright, and Tom Seaver. Aided by dozens of new, exclusive interviews, readers will gain the perspective of players, coaches, and personnel from Mets history in moments of greatness as well as defeat, making for a keepsake no fan will want to miss. Few fan bases display as much rabid devotion to their team as the New York Mets’, win or lose. That spirit is celebrated in this colorful collection of stories about the Lovable Losers. The If These Walls Could Talk series is a one-of-a-kind, insider’s look into the great moments, the lowlights, and everything in between in your team’s history. Other New York titles include: If These Walls Could Talk: New York Giants If These Walls Could Talk: New York Yankees If These Walls Could Talk: New York Jets

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In Dreams of El Dorado, H. W. Brands tells the thrilling, panoramic story of the settling of the American West, from Lewis and Clark's expedition in the early 19th century to the closing of the frontier by the early 20th. He introduces us to explorers, mountain men, cowboys, missionaries and soldiers, taking us from John Jacob Astor's fur trading campaign in Oregon to the Texas Revolution, from the California gold rush to the Oklahoma land rush. Throughout, Brands explores the contradictions of the West and explodes its longstanding myths. The West has been celebrated as the proving ground of American individualism; in reality, the West depended on collective action and federal largesse more than any other region. The West brought out the finest and the basest in those who ventured there, evoking both selfless heroism and unspeakable violence. Visons of great wealth drew generations of Americans westward, but El Dorado was never more elusive than in the West.Balanced, authoritative, and masterfully told, Dreams of El Dorado sets a new standard for histories of the American West.

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In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity.Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.Published for the Paul Mellon Centre for Studies in British Art

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Immigration has always caused immense public concern, especially when the perception is that immigrants are not assimilating into society they way they should, or perhaps the way they once did. Americans are frustrated as they try to order food, hire laborers, or simply talk to someone they see on the street and cannot communicate with them because the person is an immigrant who has not fully adopted American culture or language. But is this truly a modern phenomenon? In From Immigrants to Americans, Jacob Vigdor offers a direct comparison of the experiences of immigrants in the United States from the mid-19th century to the present day. His conclusions are both unexpected and fascinating. Vigdor shows how the varying economic situations immigrants come from has always played an important role in their assimilation. The English language skills of contemporary immigrants are actually quite good compared to the historical average, but those who arrive without knowing English are learning at slower rates. He continues to argue that today’s immigrants face far fewer “incentives” to assimilate and offers a set of assimilation friendly policies. From Immigrants to Americans is an important book for anyone interested in immigration, either the history or the modern implications, or who want to understand why today’s immigrants seem so different from previous generations of immigrants and how much they are the same. Co-published with the Manhattan Institute

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Landscape architecture can be more than aesthetically innovative: it can contribute to integration in society, social stability, and a vibrant public life. But how does a park become an intensively used stage, a well-visited everyday location? What constitutes the “boon of life” (Jane Jacobs)? And what makes a park urban?The Park am Gleisdreieck in Berlin—developed between 2007 and 2014—was initiated by citizens and built in dialogue with them. This publication presents the principles underlying its design. They form a toolbox for big city parks that can be used in diverse ways, stimulate interaction, and appeal to the senses. Furthermore, the book situates the park within the contemporary work of landscape architecture and shows how visitors perceive the park and its atmospheres. Overall, this work lays out the design elements that model a successful citizens’ park in the twenty-first century: Many voices have contributed to its development; its design is dynamically complex, and the park invites change and appropriation.

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“People ought to try to make their horses happy,” wrote Jacob Biggle’s wife Harriet in The Biggle Horse Book in 1894. “A happy, cheerful horse will do more work and live longer, and thus be more profitable to its owner, than one whose temper is kept constantly ruffled, whose disposition is soured by ill-usage, and whose peace of mind is often disturbed by the crack of the whip, the hoarse voice of the driver, the strain of overwork, the discomfort of a hard bed, or the pangs of hunger and thirst.” When it comes to the treatment of animals—especially the horse—the Biggles were ahead of their time.Folksy and informative, this manual offers timeless tips on the effective and humane treatment and training of horses and detailed descriptions of all the major breeds. Practical horsemen and veterinarians of the era contributed their wisdom and insight, and their maxims on owning, riding, and working with horses will provide endless hours of entertainment. Here are just a few: “Proper food and lots of sentiment will make with good blood a good horse.” “If you must put frosty bits in some mouths, let it be your own. Suffering begets sympathy.” “The three greatest enemies of the horse are idleness, fat, and a dumb blacksmith.” “Don’t try to fit a horse to the collar. It won’t work. Fit the collar to the horse.” Enhanced with beautiful engravings, illustrations, and snippets of poetry throughout, The Biggle Horse Book remains a loving and fitting tribute to “this noble servitor of man.”

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In this close analysis of The Fathers According to Rabbi Nathan, a sixth-century commentary on the Mishnah-tractate The Fathers (Avot), Jacob Neusner considers the way in which the story, as a distinctive type of narrative, entered the canonical writings of Judaism. The final installment in Neusner's cycle of analyses of the major texts of the Judaic canon, Judaism and Story shows that stories about sages exist in far greater proportion in The Fathers According to Rabbi Nathan than in any of the other principal writings in the canon of Judaism of late antiquity. Neusner's detailed comparison of The Fathers and The Fathers According to Rabbi Nathan demonstrates the transmission and elaboration of these stories and shows how these processes incorporated the newer view of the sage as a supernatural figure and of the eschatological character of Judaic teleology. These distinctions, as Neusner describes them, mark a shift in Jewish orientation to world history. Judaism and Story documents a chapter of rabbinic tradition that explored the possibility of historical orientation by means of stories. As Neusner demonstrates, this experiment with narrative went beyond the borders of rabbinic preoccupation with rhetorical argumentation focused on the explication of the Torah. The sage story moved in the direction of biography, but without allowing biography to emerge. This development, in Neusner's account, parallels the movement from epistle to Gospel in early Christianity and thus has broad implications for the history of religions.

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The British Army's considerable contribution to The Korean War 1950 - 1953 was largely composed of 'conscripts' or national servicemen. Plucked from civilian life on a 'lottery' basis and given a short basic training, some like Jim Jacobs volunteered for overseas duty and suddenly found themselves in the thick of a war as intensive and dangerous as anything the Second World War had had to offer. As a member of 170 Independent Mortar Battery RA from March 1951 to June 1952 Jim was in the frontline at the famous Battle of the Imjin River. By great luck he evaded capture - and death - unlike so many. He returned to the UK only to volunteer again for a second tour with 120 Light Battery from March 1953 to March 1954. During this period he was in the thick of the action at the Third Battle of the Hook during May 1953. In this gripping memoir Jim calmly and geographically recounts his experiences and emotions from joining the Army through training, the journeys by troopship and, most importantly, on active service in the atrocious and terrifying war fighting that went on in a very foreign place.

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Tales from the Freudian Crypt is a fundamental reassessment of the Freud legend that aims to shake the very foundations of Freud studies. Writing from the perspective of intellectual history, the author traces the impact that Freud's essay Beyond the Pleasure Principle has had, and continues to have, on twentieth-century thought. Designed as both an introduction and a corrective to the vast literature on Freud, the book explores the trail left by Freud's late theory of the death drive, paying special attention to its ramifications in the fields of biography, biology, psychotherapy, philosophy, and literary theory. The author ironically concludes that if there were such a thing as a death drive, it would look like this seemingly endless and in many ways arbitrary proliferation of the literature on Freud. After first undertaking to demystify the pretensions of this literature, from the works of Sandor Ferenczi to those of Jacques Lacan, the author proposes a theory that sheds new light on the so-called cultural works of Freud's final years. He argues that the death drive theory was an elaborate ruse that Freud adopted to insulate his "findings" against criticism directed from outside the field of psychoanalysis—that Freud's troubling recourse to metapsychology was closely tied to his lifelong fear of suggestion. The author delivers a carefully reasoned, sustained blow to the culture of psychoanalysis—theoretical, therapeutic, institutional—which is driven by what it desires and fears most: death. In sum, Tales from the Freudian Crypt is offered as a kind of bankbook, audit, and investment plan for future work in Freud studies.

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Tales from the Freudian Crypt is a fundamental reassessment of the Freud legend that aims to shake the very foundations of Freud studies. Writing from the perspective of intellectual history, the author traces the impact that Freud's essay Beyond the Pleasure Principle has had, and continues to have, on twentieth-century thought. Designed as both an introduction and a corrective to the vast literature on Freud, the book explores the trail left by Freud's late theory of the death drive, paying special attention to its ramifications in the fields of biography, biology, psychotherapy, philosophy, and literary theory. The author ironically concludes that if there were such a thing as a death drive, it would look like this seemingly endless and in many ways arbitrary proliferation of the literature on Freud. After first undertaking to demystify the pretensions of this literature, from the works of Sandor Ferenczi to those of Jacques Lacan, the author proposes a theory that sheds new light on the so-called cultural works of Freud's final years. He argues that the death drive theory was an elaborate ruse that Freud adopted to insulate his "findings" against criticism directed from outside the field of psychoanalysis—that Freud's troubling recourse to metapsychology was closely tied to his lifelong fear of suggestion. The author delivers a carefully reasoned, sustained blow to the culture of psychoanalysis—theoretical, therapeutic, institutional—which is driven by what it desires and fears most: death. In sum, Tales from the Freudian Crypt is offered as a kind of bankbook, audit, and investment plan for future work in Freud studies.

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This unique and important anthology of Gandhi's writings offers a judicious, manageable and appealing selection from around 50,000 pages of work published originally in approximately 100 books. Alan Jacobs' choice includes the most telling speeches, news articles, letters, state documents and other writings, including autobiography. We gain an intimate picture of Gandhi's education and early life, his controversial marriage, his South African struggle, his deeply held religious and spiritual principles, his lively Ashram, and his strong political views. We are also told the story of Gandhi's momentous achievement in liberating India from British rule. The book starts with a full Introduction followed by a Biography giving us the main details of a life packed with significant incident. Part One of the selection, containing fascinating extracts detailing each period of Gandhi's eventful life in chronological order, reads like an enthralling narrative. Part Two assembles an assortment of

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Zoje Stage delivers another knockout with a blood-chilling follow-up to international sensation Baby Teeth, taking readers back into the unsteady world of a young sociopath who’s all grown up.Hanna is no stranger to dark thoughts: as a young child, she tried to murder her own mother. But that was more than sixteen years ago. And extensive therapy—and writing letters to her younger brother—has since curbed those nasty tendencies.Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people.But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart. With life slipping out of her control, Hanna rever

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In Heaven's Interpreters, Ashley Reed reveals how nineteenth-century American women writers transformed the public sphere by using the imaginative power of fiction to craft new models of religious identity and agency. Women writers of the antebellum period, Reed contends, embraced theological concepts to gain access to the literary sphere, challenging the notion that theological discourse was exclusively oppressive and served to deny women their own voice. Attending to modes of being and believing in works by Augusta Jane Evans, Harriet Jacobs, Catharine Maria Sedgwick, Elizabeth Oakes Smith, Elizabeth Stoddard, Harriet Beecher Stowe, and Susan Warner, Reed illuminates how these writers infused the secular space of fiction with religious ideas and debates, imagining new possibilities for women's individual agency and collective action. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open cornellpress.cornell.edu/cornell-open) and other repositories.

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Some cities seem destined to become major financial capitals, yet never do-Seville, for instance, was the centre of Spain's opulent New World Empire, but failed to become a financial metropolis. Others, like former colonial backwater Hong Kong, defy the odds by growing into major trading centres. What are the key factors distinguishing those cities that become wealthy from those that don't? Christopher Kennedy illuminates how geography, technology, and especially the infrastructure of urban economies allow cities to develop and thrive. The Evolution of Great World Cities unfolds through the tales of several urban centres-including Venice, Amsterdam, London, and New York City-at key junctures in their histories. Kennedy weaves together significant insights from urbanists such as Jane Jacobs and economists such as John Maynard Keynes, drawing striking parallels between the functioning of ecosystems and of wealthy capitals. The Evolution of Great World Cities offers an accessible introduction to urban economies that 'will change the way you think about cities.'

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