Search results for ""Author Thames"

David Hockney is possibly the world’s most popular living painter, but he is also something else: an incisive and original thinker on art. Here are the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface. How does drawing make one ‘see things clearer, and clearer, and clearer still’, as Hockney suggests? What significance do different media – from a Lascaux cave wall to an iPad – have for the way we see? What is the relationship between the images we make and the reality around us? How have changes in technology affected the way artists depict the world? The conversations are punctuated by wise and witty observations from both parties on numerous other artists – Van Gogh or Vermeer, Caravaggio, Monet, Picasso – and enlivened by shrewd insights into the contrasting social and physical landscapes of California, where Hockney lives, and Yorkshire, his birthplace. Some of the people he has encountered along the way – from Henri Cartier-Bresson to Billy Wilder – make entertaining appearances in the dialogue.

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Interviews with leading contemporary designers, including Paul Smith, Stephen Jones, and Maria Cornejo and education professionals, including Willie Walters, Course Director at Central St Martins, Andrew Groves from the University of Westminster and a Foreword by Shelley Fox, the Donna Karan Professor of Fashion, Director of the MFA Fashion Design and Society Program at Parsons, New York, will enable all readers both to understand the vital role of research and to discover the techniques the designers have adapted for themselves, while a richly illustrated profile of the major themes of fashion is both a highly original resource and a mine of information about each theme for readers to draw on in their own research.

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This is a highly readable history and a unique work of reference. Focusing on the succession of the rulers of imperial Rome, it uses timelines with at-a-glance visual guides to each reign and its main events. Biographical portraits of the 56 principal emperors from Augustus to Constantine, together with a concluding section on the later emperors, build into a highly readable single-volume history of imperial Rome. Biographical information is illustrated with busts of each emperor, coin portraits, battle plans and cutaway diagrams of imperial monuments. Supporting datafiles for every emperor list key information such as name at birth, wives and children, full imperial titles and place and manner of death. Genealogical trees and over 90 sidebars and special features on subjects ranging from Nero’s Golden House to Diocletian’s Palace allow the reader to delve even deeper. Colourful contemporary judgments by such writers as Suetonius and Tacitus are balanced by judicious character assessments made in the light of modern research. The famous and the infamous – Caligula and Claudius, Trajan and Caracalla – receive their due, while lesser names emerge clearly from the shadows for the first time. Chronicle of the Roman Emperors is at once a book to be enjoyed as popular history, an essential work of reference, and a source of visual inspiration, bringing to life one of the most powerful and influential empires the world has ever known. ‘A valuable volume providing a nice blend of information and entertainment’ – Teaching History ‘Marvellous’ – New Scientist

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This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written. Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance. The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.

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Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.

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A fresh look at the stories at the heart of Norse mythology, exploring their cultural impact right up to the present day. The heroes and villains of Norse mythology have endured for centuries, infiltrating art, opera, film, television and books, shape-shifting – like the trickster Loki – to suit the cultures that encountered them. Through careful analysis of the literature and archaeology of the Norse world, Carolyne Larrington takes us deep into the realm described in the Icelandic sagas, from the gloomy halls of Hel to the dazzling heights of Asgard. She expertly examines the myths’ many modern-day reimaginings, revealing the guises that have been worn by the figures of Norse myth, including Marvel’s muscled, golden-haired Thor and George R.R Martin’s White Walkers, who march inexorably southwards, bringing their eternal winter with them. This sophisticated yet accessible guide explores how these powerful stories have inspired our cultural landscape, from fuelling the creative genius of Wagner to the construction of the Nazi’s nationalist ideology. Larrington’s elegantly written retellings capture the essence of the original myths while also delving into the history of their meanings. The myths continue to speak to such modern concerns as masculinity and environmental disaster – after the inevitable, apocalyptic ragna rök, renewal comes from the roots of Yggdrasill, the World Tree.

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Marcel Duchamp (1887–1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist’s life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp’s work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp’s life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girst’s texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was ‘the most intelligent mind of his time’.

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‘Eco’ awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology. Organized into six chapters, the book moves through the various levels of artists’ engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 illustrations feature the work of 95 artists and art collectives from all over the world, including The Artist as Family, Nyaba Leon Ouedraogo, Yao Lu, Tue Greenfort, Eva Jospin, Ravi Agarwal, Nadav Kander, Naoya Hatakeyama, Tattfoo Tan, Berndnaut Smilde, Simon Starling, and Jennifer Allora and Guillermo Calzadilla.

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This glorious gift book presents Van Gogh’s lifelong love affair with the garden. Illustrated with an extraordinary range of works, from iconic oils such as Irises to exquisite etchings and intimate sketches, the book is a visual feast. The images are illuminated by a sensitive commentary, which augments the well-known facts of Van Gogh’s life by exploring the importance of the garden locations he sought out wherever he went.

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A history of women designers and consumers from 1900 to the present day. The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making. Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.

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Since the early years of the 20th century, Western abstract art has fascinated, outraged and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. Anna Moszynska traces the origins and evolution of abstract art, placing it in broad cultural context. She examines the pioneering work of Kandinsky, Malevich and Mondrian alongside the Russian Constructivists, the De Stijl group and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and 40s with the emphasis on personal expression after the Second World War. Op, Kinetic and Minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival – in paint, fabric, sculpture and installation – in recent decades. The first edition of this book, published in 1990, was acclaimed by reviewers; now in full colour and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.

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A thrilling photographic adventure around an offbeat selection of the world's abandoned buildings, captured by one of the videogame industry's most beloved creatives. Urban exploration is a way of life for those who choose it as their passion. The secrets and mysteries that disused places incite can be intoxicating and inspiring. As Nakamura has said herself, I love breaking boundaries and making people say WOW. As artists, we use our imagination to see the INVISIBLE. Project UrbEx documents a multitude of abandoned spaces, placing them into thematic sections from lost hotels and ex-military sites to factories, laboratories and hospitals. A bright Pantone orange ink is used throughout for the text and chapter openers popping on the page to reflect Nakamura's sense of fun, vibrance and imagination. With a foreword by videogame-designer-turned-photographer Liam Wong, the book also features sections of Nakamura's personal travel diary, printed on pages with a narrower width,

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An illustrated biography of the remarkable and pioneering artist Leonora Carrington, told through the houses and locations that had meaning for her and are fundamental to an understanding of her work. An evocative visual chronicle on the life of Leonora Carrington as seen through interiors, international locations and vintage photographs, this book leads the reader on a personal journey through the many spaces she inhabited and which infused and haunted her art and the people she knew. Long underrated, Carrington is now considered as one of the vanguard, not only in histories of women artists but also Surrealism; her interests – feminism, ecology and life-enhancing art – are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society and England to embrace new experiences and mix with artists in Europe and America, and to forge her own unique artistic style. From Lancashire to London, Cornwall to France and Spain, then to Mexico, New York and finally back to Mexico, each place and interior became etched in her memory – whether her grandmother’s kitchen with its giant stove, Parisian cafés, a rural French hideaway, the sanatorium in Santander or her Mexican sanctuary – only to be echoed, sometimes decades later, in her paintings and writings. ‘Houses are really bodies,’ she wrote in her novella The Hearing Trumpet (1974), ‘We connect ourselves with walls, roofs, and objects just as we hang on to our livers, skeletons, flesh and blood streams.’

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A Sunday Times Art Book of the Year: the first critical illustrated biography of this much-loved artist, locating her firmly in the art worlds of late 19th- and early 20th-century London and Paris. One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris. This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. John’s library, ranging from writing by her friends Rilke and Arthur Symonds to French philosophy and religious thought, is considered, as is her part in the increasing presence and visibility of women artists in the early-twentieth-century art world. From the life rooms of the Slade to the Paris salons, this is the story of an artist both devoted to her craft and deeply involved in the life and creativity of her era. With over 120 illustrations, Gwen John: Art and Life in London and Paris offers a lively, meticulously researched portrait of Gwen John as a vital and utterly compelling figure in twentieth-century art history.

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Brimming with upbeat guidance, this accessible handbook shows how anyone can use art to enlighten, uplift, calm and ease stress and anxieties. Visual art is enlightening, challenging, informative and arresting; but it can also be therapeutic, reducing anxiety and stress levels, and offering perspective on the challenges that we all face in our lives. This guide introduces readers to new ways of looking at a wide range of art. Through careful examination and explanation, it investigates how engaging with art and drawing upon its ideas can help everyone feel connected and inspired. From Frida Kahlo confronting her anxieties to Henri Matisse embracing happiness, from Louise Bourgeois conquering fear to Auguste Rodin finding hope, it shows how you too can use art to work through difficult emotions and improve your mental wellbeing. Even art that unsettles can help us to think and feel differently. Artists have been conveying aspirations, emotions, ideas and stories for thousands of years; this book will help everyone to ‘read’ these messages, and thereby to enrich their own emotional life through art.

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The definitive story of Amy Winehouse’s life and career told through key photographs, memorabilia and recollections by those who knew her best. Curated by Amy’s stylist and close friend Naomi Parry.Amy Winehouse left an indelible mark on both the music industry and pop culture with her soulful voice and bold 60s-inspired aesthetic. Featuring stories and anecdotes from a wide range of characters connected to Amy, specially commissioned photography of memorabilia, styled and dressed themed sets incorporating Amy’s clothing, possessions and lyrics, and previously unseen archival images, this volume presents an intimate portrait that celebrates Amy's creative legacy. Interspersed throughout are personal reflections on Amy’s life and work, provided by her friends, colleagues and fans. These include Ronnie Spector, Vivienne Westwood, Bryan Adams, Little Simz, Carl Barât, close friend Catriona Gourlay, Douglas Charles-Ridler (owner of the Hawley Arms), tattooist Henry Hate, goddaughter Dionne Broomfield and DJ Bioux. Each one has a personal story to share and together their anecdotes and reflections build into a complex picture of a much admired but troubled star. Vice Culture Editor Emma Garland puts these insights into context with an introduction that highlights the principal events and achievements in Amy’s life and work, and the key characters that played a part in it.Organized broadly chronologically, the book features newly shot lyric sheets, sketches and ephemera together with contextual photographs and video stills, including album, single and promotional artworks and outtakes. Punctuating the story are photographs of dressed room sets each created, designed and styled especially for the book by Naomi Parry to evoke a period or aspect of Amy’s life or personality, incorporating Amy’s clothing, possessions, lyrics and other memorabilia.With kind support from the Winehouse family.With 300 illustrations in colour

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Published to coincide with an exhibition at the Hayward Gallery, London, this is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent. In the Black Fantastic assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. Neither Afrofuturism nor Magic Realism, but inhabiting its own universe, In the Black Fantastic brings to life a cultural movement that conjures otherworldly visions out of the everyday Black experience – and beyond – looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Transcending time, space and genre to span art, design, fashion architecture, film, literature and popular culture from African myth to future fantasies and beyond, this vital, timely and compelling publication is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent.

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The ultimate inspirational guide for anyone dreaming of living on a boat of their own, featuring practical tips on everything from clever storage solutions to finding moorings and living off-grid. Every boat has a story. For thousands of years, water-borne vessels have provided livelihoods and catered to our spirit of adventure – as well as retreats from the pressures of modern life. It is little wonder that life on the water calls out to the creative and the curious – the mavericks, artists, architects, crafters and designers who have made their homes on barges, clippers and houseboats. Featuring an international range of vessels, Making Waves celebrates those outliers seeking a different way of life, exploring how living on a boat offers the chance to achieve a more satisfying life/work balance while holding much of the paraphernalia and constrictions of the modern world at bay. With stunning photography and packed with practical advice and inspiration, the book reveals how anyone can transform one-time working crafts into beautiful and unique places to live and work. Each home featured affords its dwellers a retreat. Some glide through extraordinary countryside; others bob companionably in city wharfs. Their interiors reflect the residents’ imaginations, styles, families and working lives, demonstrating how even seemingly challenging spaces can be transformed into unique and intriguing living quarters. The compelling personal stories behind each boat will encourage and inspire readers to consider a shift in their own lifestyles and embrace a life on the water.

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An instructive book that examines the practice of drawing for illustration through case studies and sketchbooks, written by one of the world’s foremost experts and teachers on the subject. This essential handbook explores the subject of drawing for illustration in-depth, with an emphasis on drawing as a skill and fundamental language that every illustrator should master. It aims to encourage students through examples and case studies, by showcasing the often-unseen world of draughtsmanship that underpins the finished graphic. From book illustration to graphic novels, caricatures to commercial design, it draws on contemporary sketchbooks, projects and historical examples to make the connection between the practice of drawing from observation and drawing from imagination. Martin Salisbury sets out by explaining the fundamentals of this exciting discipline, before outlining the basic principles of line, tone, composition and colour through inspiring examples. Different approaches to drawing including anecdotal, sequential and reportage are examined, to enable students to acquire their own personal visual language. Interviews with illustrators also provide invaluable insight into the creative process, as they outline their challenges and motivations, and what drawing personally means for them. Packed with visual inspiration, this book features detailed analysis of works by key illustrators from past and present including George Cruikshank, Egon Schiele, Ronald Searle and Sheila Robinson through to Laura Carlin, Alexis Deacon and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.

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Arguably the most famous perfume in the world – most memorably endorsed by Marilyn Monroe – Chanel No 5 continues to fascinate and claims millions of devotees around the world. Created in 1921 by Coco Chanel, the perfume was one of the first to use synthetics. To complement her pioneering fashion, Chanel wanted to give the modern woman ‘a perfume, but an artificial perfume...not rose or lily of the valley...a perfume that is compound’, presented in a distinctively pared-back glass bottle that would become an icon in its own right (inspiring a series of works by Andy Warhol decades later). Presented in two volumes (one on the early years of Chanel No 5 from 1921 to 1945, the other on the period in which Chanel No. 5 went truly global, from the postwar years to today), Chanel No 5 explores the evolution of the perfume’s packaging, composition, manufacture and marketing, with unprecedented access to the Chanel archives and those tasked with creating the fragrance today. The world’s leading creatives have lent their talents to the perfume’s advertising campaigns, which are given pride of place in the book, from photographers such as Richard Avedon and Helmut Newton, to film directors including Ridley Scott and Baz Luhrmann, and stylish muses – Coco Chanel herself, of course, as well as Suzy Parker, Catherine Deneuve, Nicole Kidman, Gisele Bündchen and Lily-Rose Depp.With over 750 illustrations

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All knowledge, the cosmos arranged on shelves, in cupboards, or hanging from the ceiling, ‘infinite riches in a little room’ – such were the cabinets of curiosities of the 17th century. This survey, now available in a compact edition, traces the amazing history of cabinets of curiosities, from their first appearance in the inventories and engravings commissioned by Renaissance nobles such as the Medici or the Hapsburgs, via those of the Dane Ole Wurm and the Italian polymath Athanasius Kircher, to the serious 17th- and 18th-century scientists Elias Ashmole and Levinas Vincent.

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In a climate that ranges from cold, dark and unforgiving to endless sun and crystalline skies, the homes of the Nordic countries are lifted by ever-changing and dramatic natural light balanced by an intrinsic sense of warmth. Nordic architects today are as much informed by vernacular traditions and natural materials as their forebears, but the most recent generation of practitioners reflects a new appetite for spatial exploration and changing lifestyles. Divided into four chapters – rural cabins, coastal retreats, town houses and country homes – this survey of over forty of Scandinavia’s finest and most innovative houses features work by a broad spectrum of leading architects, such as Jon Danielsen Aarhus, Tham & Videgård, Snorre Stinessen, Reiulf Ramstad and Todd Saunders. Structured by terrain to reveal the full diversity of the landscape and its architectural challenges, the book is full of fresh thinking about living spaces that are at once universal and distinctively Nordic. From country houses complete with traditional Nordic fireplaces, saunas, window seats and verandas, to remote cabin hideaways and artist’s studios, there are details and grand ideas that can be applied to residential design anywhere. A reference section includes an appendix of architectural plans.

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At first glance, all you can see on the page are simple outlines of body parts or seemingly abstract shapes. But look closely through the three coloured glasses and the amazing intricacy of the human body becomes apparent – as if by magic, the secrets of life are revealed! Following the award-winning What’s Hidden in the Woods?, this book includes a removable poster, which can be unfolded for even more fun!

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Shakespeare's potent use of garden imagery has captivated successive generations of readers and inspired the making of gardens across the globe. Laced with quotations and abounding with illustrations drawn from sources including Elizabethan gardening books, embroidered fabrics and hand-coloured herbals, The Quest for Shakespeare's Garden tells the story of the Bard's own garden at New Place in Stratford-upon-Avon, revealing its place in garden history.

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The fifth instalment in this popular and highly successful series, Viking follows on from Legionary, Gladiator, Knight and Samurai, your guide to the Norse world of the tenth century ad. Discover everything you will need to become a successful Viking warrior: how to join a war band; what to look for in a good leader; how to behave at a feast; what weapons and armour to choose; how to fight in a shield wall; where to go raiding; how to plunder a monastery and ransom a monk; how to navigate at sea; and what to expect if you die gloriously in battle. Modern reconstructions and ancient artefacts, including 16 pages of brilliant colour images, will immerse the reader visually in the Viking world. The humorous text peppered with quotes from sagas and chronicles will take you on an engrossing journey from joining a raiding party to how to die gloriously.

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A unique pop-up book from the master of the medium, David A. Carter. This spectacular pop-up book is packed with tabs to pull, wheels to wind, flaps to flip and lots more surprises. So many colourful shapes, stripes and spots are ready to come to life - all you need to do is make them move!

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As an editor, curator and wit, Diana Vreeland made a lasting mark and remains an icon for generations of fashion lovers. During her fifty-year reign as the ‘Empress of Fashion’, she launched Twiggy, advised Jackie O and coined some of fashion’s most eloquent proverbs, such as ‘the bikini is the biggest thing since the atom bomb.’ She aimed to ‘instruct where possible, to delight, to give pleasure, to bring to the reader what interests her.’ In this book, the first full-length biography of Vreeland, Amanda Mackenzie Stuart portrays a visionary: a fearless innovator who inspired designers, models, photographers and artists, and who reinvented the way we think about style and where we go to think about it.

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The definitive illustrated retrospective on the Oscar-winning director of some of the most resonant and enduring films of all time. For more than five decades, Steven Spielberg has created inspiring, exciting and unforgettable movie magic. Jaws, E.T., the Indiana Jones series, Close Encounters of the Third Kind, Schindler's List, Saving Private Ryan and West Side Story are among the many favourites that have thrilled cinema audiences all over the world. They are some of the highest-grossing, most captivating and enduring films of all time contemporary classics that indelibly remain part of our lives. This timely retrospective celebrates more than fifty years of Steven Spielberg's boundless energy and his unwavering commitment to excellence in all areas of his work. Drawing on his many first-person interviews, distinguished writer and critic Richard Schickel provides unique insight on every one of Spielberg's thirty-four major movies. John H. Foote, one of Canada's best known f

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Described by an admirer as ‘the High Druidess of fashion, the Supreme Pontiff, Perpetual Curate and Archpresbyter of elegance, the Vicaress of Style’, Diana Vreeland is the cloth from which 21st-century fashion editors are cut. Diana joined Harper’s Bazaar in 1936, where her pizzazz and singular point of view quickly made her a major creative force in fashion. During her time at Harper’s Bazaar and later as the editor-in-chief of Vogue, the self-styled ‘Empress of fashion’ launched Twiggy’s career, advised Jackie Kennedy, and enjoyed the full swing of sixties’ London. In Diana’s Vogue, women were encouraged to resist fashion orders from on high, and to use their own imaginations in re-creating themselves – much as Vreeland spent her own life doing. In this book, Amanda Mackenzie Stuart portrays a visionary: a fearless innovator who inspired designers, models, photographers and artists. Diana Vreeland reinvented the way we think about style and where we go to find it. As an editor, curator and wit, she made a lasting mark and remains an icon for generations of fashion lovers.

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One of only seven editors-in-chief in American Vogue’s history, Jessica Daves has remained one of fashion’s most enigmatic figures—until now. Diana Vreeland’s direct predecessor in the role, it is Daves who first catapulted the magazine into modernity. A testament to a changing America on every level, Daves’s Vogue was the first to embrace a ‘high/low’ blend of fashion in its pages and also introduced world-renowned artists, literary greats, and cultural icons into every issue, offering the reader a complete vision of how fashion, interiors, art, architecture, entertaining, literature, and culture were all connected and all contributed to refining and defining personal style. Profiling icons of American style from John and Jackie Kennedy to Charles and Ray Eames, Daves’s Vogue also featured the couture creations of Dior, Chanel, Givenchy, and Balenciaga. Organized in multifaceted, thematic chapters, 1950s in Vogue features carefully curated photographs, illustrations and page spreads from the Vogue archives (with both iconic and less-familiar images from photographers including William Klein, Irving Penn, Karen Radkai and Erwin Blumenfeld), as well as reproductions of fascinating archival materials and correspondence.

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The religious thinkers, political leaders, law-makers, writers and philosophers of the early Muslim world helped to shape the 1,400-year-long development of today’s secondlargest world religion. But who were these people? What do we know of their lives, and the ways in which they influenced their societies? Chase F. Robinson draws on the long tradition in Muslim scholarship of commemorating in writing the biographies of notable figures, but weaves these ambitious lives together to create a rich narrative of early Islamic civilization, from the Prophet Muhammad to fearsome Tamerlane. Beginning in Islam’s heartland, Mecca, we move across Arabia to follow Islam’s journey across North Africa, as far as Spain in the West, and eastwards through Central and East Asia; we see the rise and fall of Islamic states through the political and military leaders working to secure peace or expand their power, and, within this political climate, the development of Islamic law, scientific thought and literature through the words of the scholars who devoted themselves to these pursuits. Alongside the famous characters who coloured this landscape, including Muhammad’s controversial cousin, ’Ali; the first Sultan of Egypt, Saladin; and the poet Rumi, the reader will also meet less wellknown figures, such as Shajar al-Durr, slave-turned-Sultana of Egypt, and Ibn Fadlan, whose travels in Eurasia brought first-hand accounts of the Volka Vikings to the Abbasid Caliph.

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John Julius Norwich presents a sweeping tour of forty great cities that shaped the ancient world and its civilizations - and which in turn have shaped our own. The cities of the ancient world built the foundations for modern urban life, their innovations in architecture and politics essential to cities as we know them today. But what was it like to live in Babylon, Carthage or Teotihuacan? From the first cities in Mesopotamia to the spectacular urban monuments of the Maya in Central America, the cities explored here represent almost three millennia of human history. Not only do they illustrate the highest achievement of the cultures that built them, but they also help us understand the rise and fall of these ancient peoples. Eminent historians and archaeologists with first-hand knowledge of each site give voices to these silent ruins, bringing them to life as the teeming, state-of-the-art metropolises they once were.

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People all over the world have always used symbols to express and communicate the things that mean most to them. From a country's flag, which can signify more than patriotism, to a charm bracelet, with its 'portable memories', symbolism takes various forms. Familiarity with symbolism opens up levels of understanding most of us have probably never been aware of. Why, for instance, do we share a secret with the words 'a little bird told me'? What is it about a horseshoe that, in the right circumstances, brings luck? Why a horse's shoe? How old is the swastika, and where has it been used as a symbol (and what was Jung getting at when he said the Nazi's used it 'backwards')? In nearly 1500 entries, many of them strikingly and often surprisingly illustrated, J.C. Cooper has documented the history and evolution of symbols from prehistory to our own day. Lively, informative and often ironic, she discusses and explains an enormous variety of symbols extending from the Arctic to Dahomey, from the Iroquios to Oceania, and coming from systems as diverse as Tao, Christianity, Judaism, Buddhism, Islam, Tantra, the cult of Cybele and the Great Goddess, the Pre-Columbian religions of the Western Hemisphere and the Voodoo cults of Brazil and West Africa.

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This handy guide to Egyptian mythology explores how the ancient Nile-dwellers explained the world around them. It delves into the origins of life, the creation and evolution of the world, and the reigns of the gods on earth, before introducing us to the manifestations of Egypt’s deities in the natural environment; the inventive ways in which the Egyptians dealt with the invisible forces all around them; and the trials and tribulations of the life hereafter. This is the perfect introduction for modern readers to the mysteries of Egyptian mythology.

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This beautifully illustrated book brings to life the greatest treasures from the tomb of Tutankhamun. Fifty of the most important objects on display today are each accompanied by a short, accessible text giving the reader just enough information to understand their relevance and importance while retaining a sense of wonder at these ancient artefacts. Each carefully selected object is presented with a full-page colour image and a facing text explaining what the object is, where it was found and why it was buried with the young Pharaoh. There are quotes throughout the text from Howard Carter on his discovery of the tomb in 1922. An introduction by the esteemed Egyptologist Garry Shaw gives a brief overview of the history of ancient Egypt and sets out what we know about the life and times of the young king. He offers a graphic depiction of the dramatic story of the discovery and opening of the tomb by Howard Carter in 1922, and touches on the latest theories and scientific work that has taken place, as well as explaining what is still left to be discovered and the controversial nature of some of the latest interpretations. This is the perfect pocket-sized companion for anyone visiting the Tutankhamun exhibition travelling around the world, the New Egyptian Museum in Giza or any of the renowned collections of Egyptology in museums across the world.With 92 illustrations, 80 in colour

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Following his account of Irish origins as evidenced by archaeology, genetics and linguistics, J. P. Mallory returns to the subject to interrogate what he calls the ‘Irish Dreamtime’: the native Irish retelling of their own origins, as related by medieval manuscripts. He attempts to explore the reality of this version of the earliest history of Ireland, which places apparently ‘mythological’ events on a concrete timeline of invasions, colonizations and royal reigns that extends even further back in time than the history of Classical Greece. Can the accounts of this ‘Dreamtime’ really inform us of the way of life in Iron Age Ireland? By comparing the world depicted in the earliest Irish literary tradition with the archaeological evidence available on the ground, Mallory explores Ireland’s rich mythological tradition and tests its claims to represent reality.

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The livre d’artiste, or ‘artist’s book’, is among the most prized in rare book collections. Henri Matisse (1869–1954) was one of the greatest artists to work in this genre, creating his most important books over a period of eighteen years from 1932 to 1950 – a time of personal upheaval and physical suffering, as well as conflict and occupation for France. Brimming with powerful themes and imagery, these works are crucial to an understanding of Matisse’s oeuvre, yet much of their content has never been seen by a wider audience. In Matisse: The Books, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each of eight limited-edition volumes, the artist constructs an intriguing dialogue between word and image. She also highlights the books’ profound significance for Matisse as the catalysts for the extraordinary ‘second life’ of his paper cut-outs. In concert with an eclectic selection of poetry, drama and, tantalizingly, Matisse’s own words, the books’ images offer an astonishing portrait of creative resistance and regeneration. Matisse’s books contain some of the artist’s best-known graphic works – the magnificent, belligerent swan from the Poésies de Stéphane Mallarmé, or the vigorous linocut profile from Pasiphaé (1944), reversed in a single, rippling stroke out of a lake of velvety black. In Jazz, the cut-out silhouette of Icarus plummets through the azure, surrounded by yellow starbursts, his heart a mesmerizing dot of red. But while such individual images are well known, their place in an integrated sequence of pictures, decorations and words is not. With deftness and sensitivity, Lalaurie explores the page-by-page interplay of the books, translating key sequences and discussing their distinct themes and creative genesis. Together Matisse’s artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment and the women in his life. In addition, Matisse: The Books illuminates the artist’s often misunderstood political affinities – in particular, his decision to live in the collaborationist Vichy zone, throughout World War II. Matisse’s wartime books are revealed as a body of work that stands as a deeply personal statement of resistance.

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A new atlas of imaginary islands conjured up by an international gathering of illustrators, including work by Coralie Bickford-Smith, Bill Bragg, Marion Deuchars, Chris Riddell, Maisie Paradise Shearring, Hervé Tullet, Aušra Kiudulaite and more.Islomania is a recognized affliction. But what is it about islands that is so alluring, and why do so many people find these self-contained worlds completely irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. Venetian sailors were the first to make collections of them by drawing maps of those they visited in their isolari – literally the ‘island books’. Then in 1719 Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of literature and an instant bestseller. Defoe’s tale combined the real and the imagined and transformed them into a compelling creative landscape, establishing a whole literary genre and unleashing the power of an island for storytelling. To celebrate the tercentenary of Robinson Crusoe’s publication, a truly international range of leading illustrators imagine they too have been washed up on their own remote island. In a specially created map they visualize what it looks like, what it’s called and what can be found on its mythical shores. In a panoply of astonishingly creative and often surprising responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers and dreamers alike.

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A compelling visual anthology of one of photography's most popular subjects, reframing our understanding of why we photograph animals and why photographing them matters to us and the planet. A visual overview of the history and future of animal photography, Why We Photograph Animals encourages us to think and rethink the way we have looked at - and used - animals and to consider our future relationships with non-human species. Multi-stranded, this book features the work of more than 100 photographers supported by thematic essays that provide historical context; interviews with and contributions by leading contemporary photographers that explore their influences, methods and motivations; and dazzling visual collections that present the very best animal photography from its inception to the present day. The result is a book that will engage those with an interest in wildlife photography and the natural world, but also those with a concern for the future of the planet. Huw Lewis

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'Rendering' is the reproduction or representation of an architect's design in the form of a drawing of the building as it will appear, complete with accessory details such as trees, traffic and people. It is also much used in preparing drawings for engineers, designers and manufacturers, and in advertising and industry generally. Rendering with Pen and Ink is the classic guide to rendering techniques and methods - the standard work in its field. Its authoritative text and illustrations make it indispensable for students and staff in art colleges and universities everywhere.

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An authoritative visual history of one of the world’s oldest and most vibrant cultures, drawing on South Asian art and artefacts from prehistory to the present. Arranged chronologically, and abundantly illustrated with expertly selected objects, this superb new overview connects today’s India with its past. Early chapters uncover prehistoric objects from 1.5 million years ago, examine artefacts from the Indus Civilization, and follow the emergence and transmission of Buddhism, Jainism, Hinduism and Sikhism, as well as the incoming religions of Zoroastrianism, Islam and Christianity. During the medieval era, skills related to temple-building and sculpture-production in stone and bronze developed. From this remote period up to the present day, pilgrimage has been an important part of the spread of social, political and religious ideas. With the rise of the Mughals, the last Muslim dynasty of India, India once more became a leading economic power. The development of a distinct Mughal style can be traced in paintings, hardstone carving and metalwork. Following the advent of Europeans in India in the early Mughal period, trade in spices, textiles and other luxury goods increased. Later, in the 19th century, under British rule, much of South Asia became part of a national and international trade complex that saw Indian goods exported throughout the world. Modernism and political independence in the 20th century saw the fresh assertion of Indian culture through cinema, dance and music. An extraordinary range of history and culture is presented here, from the splendour of dynastic empires to the rural, and tribal life of the subcontinent. This is a compelling visual history of some of the world’s oldest cultures.

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Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.

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Leonardo da Vinci (1452–1519) was a painter, architect, inventor and student of all things scientific. His natural genius crossed so many disciplines that he epitomized the term ‘Renaissance man’. Today he remains best known for his art, including two paintings that remain among the world’s most famous and admired, Mona Lisa and The Last Supper. This book features six meticulously crafted pop-ups of his most famous works: Self portrait; Annunciation; Ornithopter; Virgin & Child; Architecture – an overview of his drawings and designs; and Vitruvian Man.

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This standard introduction to visual art since 1945 has been revised, updated and redesigned for the first time since 2001. Movements, trends and individual artists from abstract expressionism to the present day are summarized, with detailed coverage of major developments such as pop art, conceptual and performance work, minimal art, neo-expressionist and figurative painting, the YBAs and the globalized art scene of the twenty-first century. A new chapter on art since 2000 includes discussion of work by Banksy and Ai Weiwei, as well as recent trends in art from Russia and Eastern Europe. Writing with exceptional clarity and a strong sense of narrative, Edward Lucie-Smith demystifies the work of dozens of artists, revealing how the art world has interacted with social, political and environmental concerns. Nearly 300 images of key artworks range from the paintings of Jackson Pollock via graffiti from 1980s New York and land art of the 1970s to contemporary painting from China and video from Japan. The book is as global in its reach as art has become in the 21st century.

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Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high prehispanic civilizations of Central America – Olmec, Maya, Teotihuacan, Toltec and Aztec – as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures and paintings. From the Olmec Colossal Head 5 recovered from San Lorenzo to the Aztec Calendar Stone found in Mexico City’s Zócalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in prehispanic civilizations. This new edition incorporates new lavish colour images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.

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Born in Yorkshire in 1903, of the heroic generation in twentieth-century British Art which included Henry Moore (with whom she studied in Leeds) and Ben Nicholson (whom she married), she explored in her sculpture the forms of life – especially human life – as well as those of mathematics. Professor Hammacher knew Hepworth for many years, and has written an intimate and highly readable account of her life and work.

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A journey through the great mass-extinction events that have shaped our Earth. In this vast sweep of our Earth’s history, Michael Benton brings the deep past to life as never before. Deploying the cutting-edge tools in biology, chemistry, physics and geology that are transforming our understanding of previous environmental cataclysms – including the incredible new discovery of a hitherto unknown extinction event – he uncovers not only their lethal effects but also the processes that brought about such large-scale destruction. Beginning with the oldest extinction, Benton investigates the Late Ordovician, which set the evolution of the first animals on an entirely new course; the late Devonian, brought on by global warming; the cataclysmic End-Permian, which wiped out over 90 per cent of all life on Earth; and, book-ending the age of the dinosaurs, the newly discovered Carnian Pluvial Event and the End-Cretaceous asteroid. He examines how global warming, acid rain, ocean acidification, erupting volcanoes and meteorite impact have affected conditions on Earth, the drastic consequences for global ecology, and how life in turn survived, adapted and evolved. This expert retelling of scientific breakthroughs allows us to link long-ago upheavals to our modern crises. As today’s climate scientists and political leaders grapple to understand these processes and our planet enters the sixth great extinction, these insights from the past may hold the key to survival.

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This lively, authoritative account of a crucial period in Britain’s history has been revised and updated to incorporate the very latest findings and research. Guy de la Bédoyère – the popular face of Romano-British archaeological studies – puts the Roman conquest and occupation within the larger context of Romano-British society and how it functioned. With nearly 300 illustrations and dramatic aerial views of Roman sites, and brimming with the very latest research and discoveries, Roman Britain will delight and inform all those with an interest in this seminal epoch of British history.

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