Search results for ""author alex"

Essays suggesting new ways of studying the crucial but sometimes difficult range of medieval mystical material. This volume seeks to explore the origins, context and content of the anchoritic and mystical texts produced in England during the Middle Ages and to examine the ways in which these texts may be studied and taught today. It foregrounds issues of context and interaction, seeking both to position medieval spiritual writings against a surprisingly wide range of contemporary contexts and to face the challenge of making these texts accessible to a wider readership. The contributions, by leading scholars in the field, incorporate historical, literary and theological perspectives and offer critical approaches and background material which will inform both research and teaching. The approaches to Middle English anchoritic and mystical texts suggested in this volume are many and varied. In this they reflect the richness and complexity of the contexts from which these writings emerged. These essays are offered aspart of an ongoing exploration of aspects of medieval spirituality which, while posing a considerable challenge to modern readers, also offer invaluable insights into the interaction between medieval culture and belief. Contributors: E.A. Jones, Dee Dyas, Valerie Edden, Santha Bhattachariji, Denis Renevey, A.C. Spearing, Thomas Bestul, Liz Herbert McAvoy, Barry A. Windeatt, Alexandra Barratt, R.S. Allen, Roger Ellis, Ann M. Hutchison, Marion Glasscoe, Catherine Innes-Parker

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This multidisciplinary study takes a fresh look at Judean history and biblical literature in the late fourth and third centuries BCE. In a major reappraisal of this era, the contributions to this volume depict it as one in which critical changes took place.Until recently, the period from Alexander’s conquest in 332 BCE to the early years of Seleucid domination following Antiochus III’s conquest in 198 BCE was reputed to be poorly documented in material evidence and textual production, buttressing the view that the era from late Persian to Hasmonean times was one of seamless continuity. Biblical scholars believed that no literary activity belonged to the Hellenistic age, and archaeologists were unable to refine their understanding because of a lack of secure chronological markers. However, recent studies are revealing this period as one of major social changes and intense literary activity. Historians have shed new light on the nature of the Hellenistic empires and the relationship between the central power and local entities in ancient imperial settings, and the redating of several biblical texts to the third century BCE challenges the traditional periodization of Judean history.Bringing together Hellenistic history, the archaeology of Judea, and biblical studies, this volume appraises the early Hellenistic period anew as a time of great transition and change and situates Judea within its broader regional and transregional imperial contexts.

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‘Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures’ – Don McCullin Journeys Across Roman Asia Minor is driven by an eye for beauty and an ear for history. It is an album of the most recent photographs taken by Don McCullin, informed by a life full of hard-won experience. Working the ineffable magic of a master-craftsman, he frames an ancient sanctuary known to Homer, then focuses on the broken face of an exhausted emperor, before turning his eye on the sensuous torso of a goddess. While most of us were sheltering from Covid, Don explored the mountains, valleys and coast of western Turkey, hunting out the most poignant and powerful ruins of the Roman Empire. He has created a meditation on landscape, the effects of light on ancient stone, the way clouds animate the past, but it is also inescapably about past conflict. About conquest, about imperium, about power. Journeys across Roman Asia Minor shows us a world still packed full of enchantment and wonder. He shows us pavements once trodden by Aristotle and Alexander the Great, Caesar and Sulla, St Paul and Hadrian. Through his lens we view ancient theatres cascading down the slopes of mountains, two-thousand-year-old bridges still used by hill farmers, and find spring water flowing into fountains still dominated by statues of the gods.

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In this authoritative study Professor Wolfson’s purpose is to trace the processes of reasoning by which Philo Judaeus of Alexandria arrived at his philosophic principles. These principles later became the common foundations of Jewish, Christian, and Moslem philosophy, and in the 17th century were made the target of attack by Spinoza. This comprehensive work will be indispensable to all serious students of Philo’s thought.

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By the end of John Cecil Stephenson’s art school training – first a scholarship to Leeds Art School then to The Royal College of Art – he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter – but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation. By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 & 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, ‘one of the earliest artists in the country to develop a completely abstract style’? Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened ‘a nest of gentle artists’, his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution – including Piet, László Moholy-Nagy and Alexander Calder – just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read’s house at No. 3 Mall Studios.

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The second series of adventures from Big Finish continues, featuring Christopher Eccleston as the Ninth Doctor. Sometimes things lurk below the surface which only the Doctor can see... From a moon with poison seas, to a 19th century health spa, even somewhere as everyday as a furniture store on a Sunday afternoon - there are always hidden depths and unseen dangers to uncover! 3.1 The Seas of Titan by Lizbeth Myles. Out on Saturn's moon, Titan, an outpost all-but-forgotten by Earth struggles on against the odds. As the Doctor joins explorers deep in the methane seas, they discover a hidden civilisation. But will the Sea Devils prove to be the colony's salvation or its final destruction? 3.2 Lay Down Your Arms by Lisa McMullin. 1864. Instead of relaxing at the Bad Homburg Spa, its visitors are fighting. And Bertha Kinzky, housekeeper to Alfred Nobel, is appalled. Perhaps the mysterious Herr Schmidt can help? Soon, Bertha is contending with aliens, as well as her mother's matchmaking, as she and the Doctor try to keep the peace. 3.3 Flatpack by John Dorney. Liv Chenka and Tania Bell are spending Sunday afternoon on that most traditional of couple activities. Furniture-shopping! But just how long has London's newest Flatpack store been open? Who is its mysterious manager? And is it even Sunday? Liv is about to run into a very old friend... CAST: Christopher Eccleston (The Doctor), Rebecca Root (Tania Bell), Nicola Walker (Liv Chenka), Sasha Behar (Diana Hendry), Joseph Kloska (Ludwig Von Husseldorf), Yasmin Mwanza (Rachel Bates / Taroth), Jamie Parker (Tsar Alexander II/Trinity), Diana Quick (Sophie Kinzky), Kate Sissons (Bertha Kinzky), Jeremy Swift (Fraser/Colleague One).

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The founding of the first Persian Empire by the Achaemenid king Cyrus the Great in the sixth century BCE established one of the greatest world powers of antiquity. Extending from the borders of Greece to northern India, Persia was seen by the Greeks as a vastly wealthy and powerful rival and often as an existential threat. When the Macedonian king Alexander the Great finally conquered the Achaemenid Empire in 330 BCE, Greek culture spread throughout the Near East, but local dynasties-first the Parthian (247 BCE-224 CE) and then the Sasanian (224-651 CE)-reestablished themselves. The rise of the Roman Empire as a world power quickly brought it, too, into conflict with Persia, despite the common trade that flowed through their territories. Persia addresses the political, intellectual, religious, and artistic relations between Persia, Greece, and Rome from the seventh century BCE to the Arab conquest of 651 CE. Essays by international scholars trace interactions and exchanges of influence. With more than three hundred images, this richly illustrated volume features sculpture, jewelry, silver luxury vessels, coins, gems, and inscriptions that reflect the Persian ideology of empire and its impact throughout Persia's own diverse lands and the Greek and Roman spheres. This volume is published to accompany a major international exhibition presented at the Getty Villa from April 6 to August 8, 2022.

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During his last years ethnohistorian Frank G. Speck turned to the study of Iroquois ceremonialism. This 1950 book investigates the religious rites of the Cayuga tribe, one of six in the Iroquois confederation that occupied upstate New York until the American Revolution. In the 1930s and the 1940s Frank Speck observed the Midwinter Ceremony, the Cayuga thanksgiving for the blessings of life and health, performed in long houses on the Six Nations Reserve in Ontario. Collaborating with Alexander General (Deskáheh), the noted Cayuga chief, Speck describes vividly the rites and dances giving thanks to all spiritual entities. Of special interest are the medicine societies that not only prescribed herbs but used powerfully evocative masks in treating the underlying causes of sickness. In a new introduction, William N. Fenton discusses Speck’s distinguished career.

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Presenting for the first time the Alexis Gregory Gift to The Frick Collection, this exquisite publication provides illuminating insights into Gregory’s magnificently eclectic collection, cataloging his fine and decorative works of art in detail.Twenty-eight works of art bequeathed to the Frick by Alexis Gregory range from Limoges enamels to Saint-Porchaire ware to pastels by the Venetian painter Rosalba Carriera. This remarkable gift has introduced new types of objects to the Frick: works in ivory and rhinoceros horn are the first of their kind to be held in the collection.Gregory’s gift includes fifteen Limoges enamels, one of them produced in the workshop of Suzanne de Court, the only woman known to have led an enamel workshop in Limoges. Also part of the gift are a gilt-bronze sculpture, an ivory hilt, a pomander, ewers, saltcellars, and two clocks. Many of Gregory’s objects came from such prestigious owners as the French royal collections and the Rothschilds. Included in the publication are commentaries on each gift.This lavishly illustrated publication accompanies an exhibition that will be on view at The Frick Collection February 16 through May 14, 2023.

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This special issue brings together scholars, artists, and activists working at the intersections of queer theory, critical race studies, and radical movements to consider prison abolition as a project of queer liberation and queer liberation as an abolitionist project. Pushing beyond observations that prisons disproportionately harm queer people, the contributors demonstrate that gender itself is a carceral system and demand that gender and sexuality, too, be subject to abolition. The contributors offer fresh analytical lenses, personal reflections, and unequivocal calls to action to the ongoing work of constructing liberatory futures without prisons, police, or the tyranny of colonial gender systems. In the essays collected here, they explore trans identity and community across prison walls, consider how gentrification functions as a carceral mechanism, meditate on the importance and ethics of queer art, and argue for the necessity of anticarceral queer politics that do not look to punishment for justice. Contributors. Marquis Bey, Caia Maria Coelho, Stephen Dillon, Nadja Eisenberg-Guyot, Jesse A. Goldberg, Jaden Janak, Alexandre Martins, Alison Rose Reed, S. M. Rodriguez, Kitty Rotolo, Lorenzo Triburgo, Sarah Van Dyck

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From classicist James Romm comes a “striking…fascinating” (Booklist) deep dive into the last decades of ancient Greek freedom leading up to Alexander the Great’s destruction of Thebes—and the saga of the greatest military corps of the time, the Theban Sacred Band, a unit composed of 150 pairs of male lovers.The story of the Sacred Band, an elite 300-man corps recruited from pairs of lovers, highlights a chaotic era of ancient Greek history, four decades marked by battles, ideological disputes, and the rise of vicious strongmen. At stake was freedom, democracy, and the fate of Thebes, at this time the leading power of the Greek world. The tale begins in 379 BC, with a group of Theban patriots sneaking into occupied Thebes. Disguised in women’s clothing, they cut down the agents of Sparta, the state that had cowed much of Greece with its military might. To counter the Spartans, this group of patriots would form the Sacred Band, a corps whose history plays out against a backdrop of Theban democracy, of desperate power struggles between leading city-states, and the new prominence of eros, sexual love, in Greek public life. After four decades without a defeat, the Sacred Band was annihilated by the forces of Philip II of Macedon and his son Alexander in the Battle of Chaeronea—extinguishing Greek liberty for two thousand years. Buried on the battlefield where they fell, they were rediscovered in 1880—some skeletons still in pairs, with arms linked together. From violent combat in city streets to massive clashes on open ground, from ruthless tyrants to bold women who held their era in thrall, The Sacred Band recounts “in fluent, accessible prose” (The Wall Street Journal) the twists and turns of a crucial historical moment: the end of the treasured freedom of ancient Greece.

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Der Untersuchung liegen Hexenszenen und magische Ritualschilderungen in Schlüsseltexten aus der hellenistisch-alexandrinischen Epoche bis in die julisch-claudische Kaiserzeit zugrunde: Dabei schlägt das Buch die Brücke zwischen den Begebenheiten realer antiker Magiepraxis und der literarischen Darstellung durch die Dichter. Zur Untersuchung einer jeden Zauberszene gehört deswegen die grundsätzliche Erklärung des magischen Motivschatzes z. B. von Zauberarten, -prinzipien, -termini und Ingredienzien , eine sorgfältige Analyse des rituellen Prozederes in seinen einzelnen Schritten, eine Gegenüberstellung mit den griechischsprachigen Zauberpapyri als fassbarer Realienquelle für antike Zauberrituale sowie eine ausgiebige Deutung des magischen Geschehens unter Beachtung der Funktion der Magie im jeweiligen literarischen Werk. Die erzielten Ergebnisse fügen sich dabei zu einem stimmigen Urteil über die Entstehung und Veränderung der antiken Zauberszene und des Hexenbildes, ja lassen dabei eine zunehmend fiktionalisierte und immer stärker gewertete Darstellungsweise des Magischen durch die Dichter erkennen. Eine stilistisch ansprechende Übersetzung und eine dem übergeordneten Verständnis dienende gliedernde Inhaltsangabe ist einer jeden Zauberszene beigegeben.

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Sometimes What We Need Most Is What We Fear Most "Times change and situations seem to change, but there is still a great need for prophets, for God's ambassadors, to stand up and be counted. Who will dare to be Paul the Apostle today, or Dorothy Day, or Francis of Assisi, or Dietrich Bonhoeffer? Who will dare, when God calls, to say, 'Here I am, Lord. Send me'?" —from the Foreword by Archbishop Desmond Tutu Meet twelve fascinating—at times, intimidating—Christian change agents who were unafraid to ask what God would have them do in the face of life’s realities—and unafraid to go ahead and do it. Their words and actions challenged the status quo, and in so doing they showed the face of Jesus to the Church and to the world. Whether calling us to live simply in the name of Jesus, showing the way to genuine peacemaking, or exemplifying the true meaning of courage, the legacies of these blessed troublemakers continue to inspire us today … if we let them. Paul of Tarsus • Mary Magdalene • Origen of Alexandria • Francis of Assisi • Hildegard of Bingen • Thomas Cranmer • Sojourner Truth • Dorothy Day • Dietrich Bonhoeffer • Janani Luwum • Oscar Romero • K. H. Ting

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A magical, captivating tale of adventure set in imperial Russia. St Petersburg, Russia 1725. Katinka Dashkova is running for her life because everything she knows is changing. Katinka, a dazzling ballerina with a hunched back, and her friends Alexei the Giant and Nikolai the dwarf are different. That's why they are part of Peter the Great's Circus of Curiosities. But the Tzar is dead and they must flee the Winter Palace. Guided by a special map, they set out across Russia running for their lives. An enthralling and delicious blend of history and fiction.

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Where do we begin to talk about abstract art? This question depends on one’s worldview. From the point of view of the collection included in this book, the arc of abstraction is very broad, sweeping and multivalent. The essays included here take an open view of the story of abstraction, reflecting the variation and diversity of American art included in the holdings of the Newark Museum. The museum gave avant-garde abstraction an early American home, exhibiting the works of painter Max Weber in 1913. Yet abstraction’s American roots extend earlier as seen in indigenous objects as well. Donald Kuspit discusses America’s earliest abstract painter Arthur Dove and the innovations of Georgia O’Keefe, Joseph Stella, Morgan Russell, and Alexander Calder who all “convey abstraction’s ambivalent consciousness of nature and its unconscious attempt to recover the self.”The Arc of Abstraction is lavishly illustrated with over 80 full-color images of works by a broad array of abstract artists including Ad Reinhardt, Phillip K. Smith, III, Philip Guston, Isamu Noguchi, Romare Howard Bearden, Stuart Davis, Louise Nevelson, Arshile Gorky, Mark Rothko, Melvin Edwards, and Joaquín Torres-García. Expert commentary by Ulysses Grant Dietz, Tricia Laughlin Bloom, Gabriel Dawe, Jalena Louise Jampolsky, Marela Zacarias, Tarin Fuller, William L. Coleman, Souleo, Tricia Laughlin Bloom, and Kay WalkingStick provides important insights to help readers understand the nature and significance of the artwork. Published by Newark Museum. Distributed worldwide by Rutgers University Press.

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This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace.The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari

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This panoramic book tells the story of how revolutionary ideas from the Enlightenment about freedom, equality, evolution, and democracy have reverberated through modern history and shaped the world as we know it today. A testament to the enduring power of ideas, The Shape of the New offers unforgettable portraits of Adam Smith, Thomas Jefferson, Alexander Hamilton, Charles Darwin, and Karl Marx--heirs of the Enlightenment who embodied its highest ideals about progress--and shows how their thoughts, over time and in the hands of their followers and opponents, transformed the very nature of our beliefs, institutions, economies, and politics. Yet these ideas also hold contradictions. They have been used in the service of brutal systems such as slavery and colonialism, been appropriated and twisted by monsters like Stalin and Hitler, and provoked reactions against the Enlightenment's legacy by Islamic Salafists and the Christian Religious Right. The Shape of the New argues that it is impossible to understand the ideological and political conflicts of our own time without familiarizing ourselves with the history and internal tensions of these world-changing ideas. With passion and conviction, it exhorts us to recognize the central importance of these ideas as historical forces and pillars of the Western humanistic tradition. It makes the case that to read the works of the great thinkers is to gain invaluable insights into the ideas that have shaped how we think and what we believe.

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Since its rapid imperial expansion in the seventeenth century, Russia's politics, society, and culture have exerted a profound influence on movement throughout Eurasia. The circulation of people, information, and things across Russian space transformed populations, restructured collective and individual identities, and created enduring legacies. This volume represents the latest discoveries of scholars attempting to rediscover this experience, and to understand its lasting meaning for today. These gathered essays tell a broad range of stories, involving a remarkable cross-section of historical actors: imperial visionaries, stage-coach entrepreneurs, religious pilgrims, tourists, disability activists and metropolitan police, among others. The book illuminates three major themes: the role of human mobility in Russian governance; the processes by which people decide where and how to move; and the political and cultural power of different kinds of movement. A strong contribution to our understanding of the history of Russia and the Soviet Union, this volume offers new models of research for historians, sociologists, political scientists, and others who are seeking to integrate the study of human mobility into their work. Contributors are Eugene M. Avrutin, Alexandra Bekasova, Faith Hillis, Gijs Kessler, Diane P. Koenker, Chia Yin Hsu, Eileen Kane, Anne Lounsbery, Matthew Light, Sarah D. Phillips, John Randolph, Anatolyi Remnev, Jeff Sahadeo, Frithjof Benjamin Schenk, Charles Steinwedel, Willard Sunderland, and Elena Tyuryukanova.

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"Only when our life is wholly directed towards God do we become capable of seeing God in all and begin to do so by faith not only in all the significant happenings of life but even in the insignificant ones and to submit entirely to His holy will."The 19th century saw a renaissance of Russian spirituality in the writings of St Ignatius (Brianchaninov) and St Theophan the Recluse, many of whose works have become well-known throughout the world. This book brings to an English-speaking audience the spiritual counsels of another Russian monastic of the same period.Born into a patrician family in the Don region, Anna Mikhailovna Sebriakova forsake the world at the age of seventeen and joined the Ust'-Medveditskii convent, where she was tonsured a nun with the name Arsenia. She subsequently served as abbess of this same monastery for 41 years. Heavily influenced by the writings of St ignatius, she took up correspondence with his brother P.A. Brianchaninov and became his spiritual mentor. Her letters to Peter Alexandrovich form the bulk of this book. Also offered are a selection of her personal notes and letters to other individuals. Abbess Arsenia's counsels are steeped in Holy Scripture and in the inspiration that she draws from the services of the Orthodox Church. Throughout, she emphasizes the need to humble oneself, discern the will of God, and fulfill it through every moment of our life.

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A facsimile edition of the 1953 history of the Philadelphia PhilliesFred Lieb and Stan Baumgartner's history of the Philadelphia Phillies was originally published in 1953 as part of the celebrated series of major league team histories published by G. P. Putnam. With their colorful prose and delightful narratives, the Putnam books have been described as the Cadillac of the genre and have become prized collectibles for baseball readers and historians.Together Lieb and Baumgartner chronicle the Phillies franchise's turbulent past—from its frustrating early decades, through its heartbreaking loss to the Boston Red Sox in the 1915 World Series, to its exciting "Whiz Kids" pennant of 1950. Phillies legends like Grover Cleveland Alexander, Chuck Klein, and Ed Delahanty fill these pages, and their colorful anecdotes are woven into the fabric of each season's story.In addition to its comprehensive and intimate examination of the team's history, The Philadelphia Phillies addresses the challenge of rooting for an often-struggling home team in a city known for its passionate baseball fans. Lieb's devotion to his hometown Phillies and overall love of the game and Baumgartner's unique insight as a Philadelphia sportswriter and former player often lead to thoughtful advice and comfort for long-suffering Phillies fans. A trip through a rocky but remarkable past, The Philadelphia Phillies is another enjoyable addition to the Writing Sports Series.

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In the half century since World War II, American academic culture has changed profoundly. Until now, those changes have not been charted, nor have their implications for current discussions of the academy been appraised. In this book, however, eminent academic figures who have helped to produce many of the changes of the last fifty years explore how four disciplines in the social sciences and humanities--political science, economics, philosophy, and literary studies--have been transformed. Edited by the distinguished historians Thomas Bender and Carl Schorske, the book places academic developments in their intellectual and socio-political contexts. Scholarly innovators of different generations offer insiders' views of the course of change in their own fields, revealing the internal dynamics of disciplinary change. Historians examine the external context for these changes--including the Cold War, Vietnam, feminism, civil rights, and multiculturalism. They also compare the very different paths the disciplines have followed within the academy and the consequent alterations in their relations to the larger public. Initiated by the American Academy of Arts and Sciences, the study was first published in Daedalus in its 1997 winter issue. The contributors are M. H. Abrams, William Barber, Thomas Bender, Catherine Gallagher, Charles Lindblom, Robert Solow, David Kreps, Hilary Putnam, Jose David Saldivar, Alexander Nehamas, Rogers Smith, Carl Schorske, Ira Katznelson, and David Hollinger.

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S-337473 accompanies Sarah Oppenheimer’s (born 1972) exhibition at the Wexner Center. The project spotlights Oppenheimer’s current investigation of the switch, and how such a device might be able to work in space to generate a matrix of views that cannot be experienced by an individual simultaneously. The illustrated catalog includes new photography of the work in situ and documentation of her cross-disciplinary collaborations, along with newly commissioned essays by scholars, including Alexander R. Galloway (Professor of Media, Culture and Communication at NYU) and Laurent Stalder (Chair for the Theory of Architecture at the ETH in Zurich).

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Gilbert du Motier became the Marquis de Lafayette at a young age, but he was not satisfied with the comforts of French nobility—he wanted adventure! A captain at eighteen and a major general by nineteen, he was eager to prove himself in battle. When he heard about the Revolution going on in America, he went overseas and fought alongside Alexander Hamilton and George Washington for America’s independence. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

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Automata and mechanical toys delight children and adults alike with the beauty of their design and the excitement of their movement. This book explains how the mechanisms work and celebrates many leading makers. Topics covered: · History of automata & mechanical toys including the early inventors from Hero of Alexandria, through the mechanical marvels of the eighteenth & nineteenth centuries, to contemporary automata. · Advice on how to get started; tools and materials required and techniques explained. · Step-by-step instructions with clear colour photographs.

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The network's top leading ladies and gentlemen – Candace Cameron Bure, Lacey Chabert, Kristin Chenoweth, Chris McNally, Danica McKellar, Christina Milian, Tamera Mowry-Housley, Jodie Sweetin, Holly Robinson Peete, Alexa and Carlos PenaVega, and many others – share their personal holiday recipes (Candace Cameron Bure’s Chewy Ginger Cookies, anyone?), favorite ideas for Christmas decorating and gift giving, as well as ways to savor and share the true meaning of the holidays. This revised edition includes even more recipes (gingerbread houses! Christmas morning brunch!), tree trimming techniques, DIY moments (Gift wrapping ideas! Ornament crafts!)and watch-party ideas and menus (including new bingo cards and festive cocktails!) to enjoy alongside your Christmas movie marathon. Inside you'll find: 60 recipes for delicious holiday meals, Christmas cookies, desserts, drinks, and snacks, plus recipes from the Hallmark Channel movie stars such as Chris McNally's Classic Eggnog, and Lacey Chabert's Sweet Potato Pie A heartfelt foreword from Candace Cameron Bure on her love of the holidays An introduction from Country Living Editor-in-Chief Rachel Hardage Barrett on how holiday movies offer comfort and warmth Super-fun quizzes to test your Hallmark Channel Christmas Movie IQ Decorating and gift-wrapping ideas and thoughtful ways to express gratitude Everything you need to host a watch-party including a play-along bingo cards Colour photos throughout including captivating images from your favorite holiday romances Heartwarming tales of rescue animals It's the must-have gift for your favorite Hallmark Channel movie fan or for anyone who wants to put a little more happily-ever-after into the happiest season of all!

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Text in German. One of the philosophical self-understanding texts of the 20th century that has so far received little attention is the fundamental debate that Jewish philosophers and theologians led after the National Socialists came to power. In newspapers, magazines and books, until the violent end of Jewish public life in Germany in 1938, there was still a passionate argument about contemporary and "true" Judaism for half a decade. Central interpretations beyond the much invoked "German-Jewish symbiosis" came mainly from the theological side. While the law-abiding Rabbi Alexander Altmann (19061987) clung to halachic Judaism as the central meaning for Jews, the young religious historian Hans-Joachim Schoeps (19091980) favored the content of Karl Barth's Christian dialectical theology. The common point of reference in these discussions was not infrequently Franz Rosenzweig (18861929), whose work had received a remarkable reception since 1933. In view of the existential threat, philosophers also participate in the controversy over the question "What is Judaism?" The essay mainly examines the polemic by Leo Strauss (18991973), whose book Philosophy and Law from 1935 had become a manifesto for contemporaries. His sharp criticism of the turning away from the sources of Judaism, as Maimonides (11381204) had canonized in his writings, resulted in a redefinition of the Enlightenment and tradition in Judaism. Among other things, the philosopher Julius Guttmann (18801950) and his student Fritz Bamberger (19021984) responded with a defense of liberal Judaism.

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"an anthology that’s ... eclectic, drunk and delicious." —The New York TimesIf you love pie, whiskey, and good writing, this collection of funny and heartbreaking stories, poems, and recipes serves up a plethora of pleasure.What happens when good writing is inspired by and served with a slice of pie and a shot of whiskey? Pie & Whiskey is a literary event series started in Spokane, Washington, where the idea was to serve good pie, good whiskey, and good writers reading prose or poetry about pie and whiskey. This collection features the best original work from the series by writers such as Anthony Doerr, Elissa Washuta, Kim Barnes, and more. Proving that good writing is best served with a slice of pie and a shot of whiskey, a smattering of pie recipes and whiskey-centric cocktails are included alongside dozens of surprising, funny, heartbreaking, fantastically written stories and poems by Jess Walter, J Robert Lennon, Kim Barnes, and ML Smoker and more.Full contributor list:Kim Addonizio • Steve Almond • Kim Barnes • Devin Becker • Judy Blunt • Anthony Doerr • Thom Caraway • Elizabeth J. Colen • Debra Magpie Earling • Christopher Howell • Sherrie Flick • Jacob H. Fries • Nina Mukerjee Furstenau • Margot Kahn • Meissa Kwasny • Kate Lebo • J. Robert Lennon • Samuel Ligon • Gary Copeland Lilley • Robert Lopez • Tod Marshall • Virginia Reeves • Laura Read • Paisley Rekdal • Nicole Sheets • M. L. Smoker • Alexandra Teague • Rachel Toor • Robert Wrigley • Ed Skoog • Jess Walter • Shawn Vestal • Elissa Washuta • Joe Wilkins • Nance Van Winckel • Kristen Millares Young • Maya Jewell Zeller

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More than a truly brilliant graphic designer, Otl Aicher was a transformative thinker, photographer, typographer, ecologist, philosopher, co-founder and mentor of the renowned Hochschule fuer Gestaltung at Ulm and teacher. On the centenary of his birth, this splendidly produced and designed book looks at every facet of his career, and traces the many strands of his lasting influence. Otl Aicher is most famously known for the pictographs he designed for the 1972 summer Olympic Games in Munich. Fifty years later, his system of iconography has become a universal language, directing people to bathrooms, through subways, around airports and hospitals. But Aicher's achievements extended far beyond the world of graphic design. Filled with illustrations, photographs, documents and archival material, and enhanced by thoughtful and personal essays from leading critics, designers, and friends, this survey takes a disciplinary approach to explore Aicher's role as one of the founding figures of visual communication. We learn about Aicher's work developing corporate brands; how he created the Rotis typeface, then built architecture incorporating the font; how he collaborated with artists and architects such as Josef Albers, Alexander Kluge, and Norman Foster; and how his founding of the Ulm School of Design reflected his passion for teaching, and for an open, free, and democratic society. Aicher's achievements are evident in nearly every public space on the globe and this definitive and timely reference work rightfully places Aicher among the pioneering geniuses of the past century.

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Midrash is arguably the most ancient genre of Jewish literature, forming a voluminous body of scriptural exegesis over the course of centuries. There is hardly anything in the ancient rabbinic universe that was not taught through this medium. The diversity and development of that creative profusion are presented here in a new light. The contributors cover a broad range of texts, from late antiquity to the modern period and from all the centres of literary creativity, including non-rabbinic and non-Jewish literature, so that the full extent of the modes and transformations of Midrash can be fully appreciated. A comprehensive introduction situates Midrash in its historical and cultural setting, pointing to creative adaptations within the tradition and providing a sense of the variety of genres and applications discussed in the body of the book. Bringing together an impressive array of the leading names in the field, the volume is innovative in both its scope and content, seeking to open a new period in the study of Midrash and its creative role in the formation of culture. It should be of interest to all scholars of Jewish studies, as well as to a wider readership interested in the interrelationships between hermeneutics, culture, and creativity, and especially in the afterlife of a classical genre and its ability to inspire new creativity in many forms. Contributors: Philip Alexander, Sebastian Brock, Jacob Elbaum, Michael Fishbane, Robert Hayward, William Horbury, Sara Japhet, Ephraim Kanarfogel, Naftali Loewenthal, Ivan G. Marcus, Alison Salvesen, Marc Saperstein, Chava Turniansky, Piet van Boxel, Joanna Weinberg, Benjamin Williams, Elliot Wolfson, Eli Yassif.

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An examination of hagiographical traditions and their impact. Icelanders venerated numerous saints, both indigenous and from overseas, in the Middle Ages. However, although its literary elite was well acquainted with contemporary Continental currents in hagiographic compositions, theological discussions, and worship practices, much of the history of the learned European networks through which the Icelandic cult of the saints developed and partially survived the Lutheran Reformation remains obscure. The essays collected in this volume address this lacuna by exploring the legacies of the cult of some of the most prominent saints and holy men in medieval Iceland (the Virgin Mary along with SS Agnes of Rome, Benedict of Nursia, Catherine of Alexandria, Dominic of Caleruega, Michael the Archangel, Jón of Hólar, Þorlákr of Skálholt, Lárentíus of Hólar, and Guðmundr the Good), using evidence drawn from Old Norse-Icelandic and Latin hagiographic literature, homilies, prayers, diplomas, sacred art, place-names, and church dedications. By placing the medieval Icelandic cult of the saints within its wider European context, the contributions trace new historical routes of cultural transmission and define the creative processes of the accommodation and adaptation of foreign hagiographic sources and models in medieval and early modern Iceland. They provide a clear picture of an Icelandic hagiographic literature and culture that celebrates the splendour of the saints; they also show how an engaging literary genre, which became immensely popular on the island throughout the Middle Ages and beyond, was created.

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To understand mental function, we need to uncover the representations and processes underlying our ability to comprehend and to produce words, sentences,numbers and objects (or pictures of them). The unique contribution of the field of cognitive neuropsychology is the investigation of these representations and processes in individuals who have sustained selective brain damage. Indeed, studies of such individuals provide a window into the mental system and allow us to explore the functional architecture that is necessary and sufficient for cognition. This special issue of Cognitive Neuropsychology is a collection of papers that exemplifies this type of cognitive neuropsychology research. The special issue is designed to honour and pay tribute to Eleanor M. Saffran, one of the pioneers of this discipline, who adopted this approach in her wide-ranging investigations of individuals with cognitive impairment following brain damage.The papers included in this collection all explore issues concerning behavioural and neural mechanisms mediating cognition and are divided into four separate sections. Two of these focus on language, with the emphasis of the first on single word recognition and the second on processes that are invoked beyond the single word level. Conceptual and semantic processes are covered in a third section and the final section is concerned with issues related to more peripheral processes, which, when impaired, give rise to alexia, agnosia and/or agraphia. This extensive collection of papers represents a comprehensive overview of the current state of the field and the papers elucidate the most recent findings in the domain of cognitive neuropsychology.

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Essays illuminating a complex and sophisticated musical manuscript. The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. . WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUÍA is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fábregas, Cristina Urchueguía, Rob C. Wegman

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The Industrial Revolution caused a paradigm shift from an agrarian economy to a manufacturing economy, giving birth to the industrial city. ‘City’ became synonymous with a concentration of factories causing unfiltered scenes between centres of production and urban dwellings. The corrupted image of the city ultimately led to the displacement and separation of production away from residential zones in the 20th century. However, new innovative manufacturing technologies are allowing a coexistence between factories and dwellings through hybrid typologies that blend production back into the urban fabric. This AD issue discusses the implications of the re-emergence of production as an architectural and urban agenda through hybrid models that engage a new socioeconomic shift. Given the contemporary circumstances of a global pandemic affecting global supply chains, it is necessary to deliver a vision for a new productive urbanism that allows autonomous circular economies to flourish. Our 21st-century cities have an obligation to explore a new industrial revolution of shared economies that optimise the use of the legacy systems, infrastructure and building stock. Yet it is ultimately up to architecture to take arms in delivering new typologies. Contributors: Frank Barkow, Michele Bonino and Maria Paola Repellino, Kristiaan Borret, Vicente Guallart, Tali Hatuka, Doojin Hwang, Yerin Kang and Chihoon Lee, Kengo Kuma, Wesley Leeman, Scott Lloyd and Alexis Kalagas, Winy Maas, DK Osseo-Asare, Marina Otero Verzier, Nina Rappaport, and Shohei Shigematsu. Featured architects: Barkow Leibinger, DJH Architects, Goldsmith, Kengo Kuma & Associates, MVRDV, OMA, and TEN.

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The premier scholar-poet of the Hellenistic age.Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.

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A retelling of Greek mythology and ancient history as recommended for Steiner-Waldorf curriculum Class 5-6 (age 10-12).This welcome new addition to Charles Kovacs' work contains legendary stories of mythical heroes and historic figures from the dawn of western civilization. Through the fearless deeds of Heracles, Theseus and Odysseus to the Golden Age of Athens and the conquests of Alexander the Great, the narrative vividly portrays the journey from the mysteries of antiquity to the birth of modern medicine, science and philosophy.

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The Norton Critical Edition is based on the 1623 First Folio text, the only authoritative edition of the play. The editor has modernized spelling but preserves, for the most part, the original lineation and characteristically heavy punctuation. The text of Measure for Measure is accompanied by a full introduction, a note on the text, textual variants, and related illustrations. “Sources” considers the probable, primary, and analogous sources Shakespeare drew upon while composing Measure for Measure, including excerpts from G. B. Giraldi Cinthio’s Hecatommithi and The Tragedy of Epitia, King James I’s Basilikon Doron, and—most directly—George Whetstone’s The History of Promos and Cassandra. “Criticism” collects seventeen important commentaries on Measure for Measure spanning four centuries, including, among others, those by Alexander Pope, Charlotte Lennox, Samuel Johnson, Elizabeth Inchbald, A. C. Bradley, G. Wilson Knight, Jonathan Dollimore, and Marliss C. Desens. “Adaptations and Responses” reprints alternative versions of the play: William D’avenant’s The Law Against Lovers (1662), Charles Gildon’s Measure of Measure, or, Beauty the Best Advocate (1700), and Charles Marowitz’s postmodern version (1975). A Selected Bibliography is also included.

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An illuminating exploration of the new frontiers—and unsettled geographical, temporal, and thematic borders—of early modern European history.The study of early modern Europe has long been the source of some of the most creative and influential movements in historical scholarship. New Horizons for Early Modern European Scholarship explores recent developments in historiography both to exhibit the field's continuing vibrancy and to highlight emerging challenges to long-assumed truths. Essays examine • how key ideas and intellectual practices arose, circulated through scholarly culture, and gave way to subsequent forms • Europe's transforming relationship with Asia, the Americas, Africa, and the rest of the world• how overlooked evidence illuminates vital but obscured people, practices, and objects • connections between disciplines, types of sources, time periods, and placesOpening up emerging possibilities, this book demonstrates that early modern European scholarship remains a source for groundbreaking historical insights and methodologies that would benefit the study of any time and place. Contributors: Alexander Bevilacqua, Ann Blair, Daniela Bleichmar, William J. Bulman, Frederic Clark, Anthony Grafton, Jill Kraye, Yuen-Gen Liang, Elizabeth McCahill, Nicholas Popper, Amanda Wunder

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While ancient civilizations worshipped strong, active emotions, modern societies have favored more peaceful attitudes, especially within the democratic process. We have largely forgotten the struggle to make use of thymos, the part of the soul that, following Plato, contains spirit, pride, and indignation. Rather, Christianity and psychoanalysis have promoted mutual understanding to overcome conflict. Through unique examples, Peter Sloterdijk, the preeminent posthumanist, argues exactly the opposite, showing how the history of Western civilization can be read as a suppression and return of rage. By way of reinterpreting the Iliad, Alexandre Dumas's Count of Monte Cristo, and recent Islamic political riots in Paris, Sloterdijk proves the fallacy that rage is an emotion capable of control. Global terrorism and economic frustrations have rendered strong emotions visibly resurgent, and the consequences of violent outbursts will determine international relations for decades to come. To better respond to rage and its complexity, Sloterdijk daringly breaks with entrenched dogma and contructs a new theory for confronting conflict. His approach acknowledges and respects the proper place of rage and channels it into productive political struggle.

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In the winter of 1965, Leo Strauss taught a seminar on Hegel at the University of Chicago. While Strauss neither considered himself a Hegelian nor wrote about Hegel at any length, his writings contain intriguing references to the philosopher, particularly in connection with his studies of Hobbes, in his debate in On Tyranny with Alexandre Kojève; and in his account of the “three waves” of modern political philosophy. Leo Strauss on Hegel reconstructs Strauss’s seminar on Hegel, supplemented by passages from an earlier version of the seminar from which only fragments of a transcript remain. Strauss focused his seminar on the lectures collected in The Philosophy of History, which he considered more accessible than Hegel’s written works. In his own lectures on Hegel, Strauss continues his project of demonstrating how modern philosophers related to ancient thought and explores the development and weaknesses of modern political theory. Strauss is especially concerned with the relationship in Hegel between empirical history and his philosophy of history, and he argues for the primacy of religion in Hegel’s understanding of history and society. In addition to a relatively complete transcript, Leo Strauss on Hegel also includes annotations, which bring context and clarity to the text.

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This is the first detailed exploration of one of the earliest major poems by Alexander Pope, Windsor-Forest (1713). The book reveals how Pope used the artistic conventions of the Stuart court, such as masque, architecture, allegorical painting, and heraldry to create the last great Renaissance poem in English. A coherent symbolic design is constructed around the themes of the river and the forest. Pope organizes the structure and style of the poem to create a prophetic version of nationhood, drawing on such sources as the plays of Ben Jonson, the Whitehall paintings of Rubens, the architecture of Inigo Jones, the panegyric work of Dryden, and the topographical poetry of Drayton. The political dimensions of the poem are considered in relation to the foundation of the South Sea Company in 1711, with its foreshadowing of imperial issues to come. The book will spark further interest in a poem that has been gaining increasing attention recently from writers such as E. P. Thompson and Laura Brown. It shows the centrality of Windsor-Forest in Pope's own career, and the centrality of Pope in the debates of his time. Pat Rogers is DeBartolo Professor in the Liberal Arts at the University of South Florida.

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Description A new generation of serverless tools, including Claudia.js, make it radically easier to set up serverless web applications so users can focus on what their app does instead of meddling with infrastructure configuration and deployment. Serverless Apps with Node and Claudia.js walks readers through building serverless apps on AWS using JavaScript. They’ll learn to simplify the design and development process so they can focus on getting their application deployed as fast as possible without sacrificing quality. Key features · Create a serverless API using AWS Lambda and Claudia.js · Build a voice assistant with Amazon Alexa · Develop microservices with Node.js, AWS Lambda, S3, and more · Create a chatbot for multiple platforms Audience Written for beginner and intermediate web developers comfortable with JavaScript and Node.js. Some prior experience with AWS is required. About the technology Serverless computing services like AWS Lambda and API Gateway can be tedious to set up, aren't designed to work well with JavaScript and Node, and most of the quirks and gotchas aren't well documented. Claudia doesn't alter your project layout or abstract away the core AWS services; it just makes it easier to get started with them!

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Take an unforgettable tour around the world to meet the creatures that share our city spaces – from bears to bats, penguins to opossums – and learn about how they have adapted and thrived in this gorgeously illustrated gift book written by award-winning natural history journalist Ben Hoare.Wild City travels the globe, exploring how animals have adapted to live alongside humans, in busy cities including New York, Rio de Janeiro, Berlin, Stockholm, London, Alexandria, Singapore and Mumbai. Discover hawks by a world-famous shopping street, snakes slithering through city sewers, and penguins waiting patiently to cross the road. Feature spreads take a closer look at the animals, showing how some wander in plain sight while others hide away in our homes, and we meet wildlife heroes from around the world – ordinary people doing extraordinary things to make our wild neighbours feel welcome.Lyrical and factual text written by the award-winning Ben Hoare is perfectly complemented by Lucy Rose's stunning illustrations. The beautiful cityscapes are full of detail with something new to discover with every look.

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En esta guía práctica la neurocientífica Jenny Barnett y la profesora y madre Alexia Barrable demuestran que puedes aumentar de forma espectacular la felicidad de tu hijo con solo unos minutos al día. Y lo hacen a través de métodos cuya eficacia ha sido demostrada científicamente y que inculcarán en ellos habilidades de felicidad que les durarán toda la vida. Un libro repleto de actividades sencillas para niños de todaslas edades.

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"...Made my head hurt! -- Isaac Newton...Doesn't bug me! -- Grace Hopper...Rang my chimes! -- Alexander Graham BellThese innovative, witty, and utterly outrageous brainbusters engage reasoning power while honing problem-solving skills. Beginning with easier puzzles, then getting progressively harder, this tantalizing collection will increase brain power with each puzzle conquered. Also included is a special Solutions section that gives a detailed answer to each brainbuster."

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A virtual assistant by any name - Alexa, Siri, whoever - can be a sweet addition to your home. You might use one for simple jobs like playing music or streaming podcasts. Or you might use one to communicate with friends and to remind you about homework while helping you make your breakfast. Find out how digital assistants work and what the future might hold for this part of a high-tech home.

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Urban Identity is the second in the successful Learning from Place series that draws upon the wealth of experience in the Academy of Urbanism. This edition deals with the subject of urban identity and character. Why is it that all modern towns and cities look the same, as they become dominated by identikit buildings, multi-national corporations, even arbitrarily imposed urban design rules? How can we preserve and foster the sense of local identity and character that so value without falling into the trap of historical pastiche?Four leading urban thinkers take this theme as the staring point for chapters on urban identity. The classical architect Robert Adam delivers a broadside to modern architecture that he sees as the multi-national face of globalism. The architect and academic John Worthington ponders the difference between how a place is seen, its identity and how it wants to be seen, its brand. While the architects Anthony Reddy from Ireland and Frank Walker from Scotland explore the notion of local and national identity in architecture and design. These chapters are interspersed with five chapters by leading practitioners inspired by the shortlisted places for the Academy’s second annual awards. The surveyor Chris Balch revels in the life of three great European cities while Brian Evans, Chris Brett celebrate three towns that are really great small cities. David Rudlin looks at three creative quarters and what they contribute to the economic and social life of their host cities while Frank McDonald takes us on a journey down three great streets and David Taylor and Anthony Alexander applaud three urban places created created and improved in recent years. Like the first book in this series, Urban Identity brims with fascinating and sometimes controversial insights and opinions on urbanism. Illustrated again by the drawings of David (Harry) Harrison and poems by Ian MacMillan and packed with photographs and plans of the places visited by the Academy as part of their awards scheme.

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Discover the inspiring voices that have changed our world, and started a new conversation. A sister title to Great Women’s Speeches (2021), and the pocket edition of Loud and Proud (2020), Great LGBTQ+ Speeches is a pioneering collection of over 40 empowering and influential speeches that chart the history of the LGBTQ+ movement. Photocollage portraits and enlightening commentaries accompany the words of Audre Lorde, Harvey Milk, Munroe Bergdorf, Sir Elton John and more. Together these speakers touch on all aspects of LGBTQ+ life from equal marriage to the AIDS crisis, bullying to parenthood, the first 19th century campaigns through to trans rights allyship today.We are stronger when we stand together, and this collection from award-winning activist Tea Uglow encourages us to do just that whilst celebrating the beauty of our differences. Pour through a pioneering collection of talks, declarations and lectures, from people whose voices have too often been marginalised and the allies that support them; Find over 40 empowering and influential speeches that chart the history of the LGBTQ+ movement up to the present day; Each speech is presented with a striking photographic portrait and an insightful introduction, offering essential context, fresh insights and a nuanced understanding that brings each character and their words to life. The voices: Audre Lorde; Harvey Milk; Munroe Bergdorf; Sir Elton John; Sir Ian McKellen; George Takei; Sylvia Rivera; Bayard Rustin; Elizabeth Toledo; Alison Bechdel; Loretta E. Lynch; Hanne Gaby Odiele; Vito Russo; Tammy Baldwin; Hillary Rodham Clinton; Barak Obama; Senator Karl Heinrich Ulrichs; Robert G. Ingersoll; Theodora Ana Sprungli; Franklin "Frank" Kameny; Sally Gearhart; Harry Hay; Sue Hyde; Mary Fisher; Essex Hemphill; Simon Nkoli; Urvashi Vaid; Eric Rofes; Justice Michael Kirby; Evan Wolfson; Paul Martin; Ian Hunter; Dan Savage and Terry Miller; Rabbi Kleinbaum; Penny Wong; Arsham Parsi; Anna Grodzka; Debi Jackson; Jóhanna Sigurðardóttir; Lee Mokobe; Ban Ki-moon; Geraldine Roman; Cecilia Chung; Olly Alexander.

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Les etudes sur Origene, le grand theologien alexandrin de la premiere moitie du IIIe siecle, offraient une lacune: aucun ouvrage recent ne traite du sujet "Origene et la Bible" dans tous ses aspects. Le Sixieme Colloque consacre a Origene a voulu combler ce manque: le present livre resulte des travaux menes par les specialistes qui se sont reunis pendant cinq jours durant l'ete 1993 a Chantilly (France). Il aborde successivement huit grands themes: la situation de l'hermeneutique d'Origene par rapport aux traditions classique, juive, gnostique et patristique; Origene devant le texte de la Bible (le probleme des Hexaples); l'argumentation scriptuaire d'Origene; les rapports entre l'exegese d'Origene et sa theologie; Origene exegete de la Bible, avec une insistance particuliere sur l'Evangile de Jean et les Lettres de Paul; la posterite de l'hermeneutique d'Origene d'abord chez les Peres grecs (Didyme, Gregoire de Nysse, Cyrille d'Alexandrie, Maxime le Confesseur); ensuite chez les Peres latins (en particulier Hilaire de Poitiers) et au Moyen Age; enfin les debats autour de l'hermeneutique d'Origene aux epoques moderne (Erasme, Luther, Beze) et contemporaine. Les soixante articles de ce volume sont rediges en allemand, anglais, espagnol, francais, italien. Plusieurs Index (notamment un Index scriptuaire) facilitent la consultation de ce livre, que ses editeurs ont concu a la fois comme un ouvrage de reference pour de longues annees et comme un instrument de travail permettant d'entreprendre d'autres recherches.

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