Search results for ""author "george"""

Dieser Sammelband geht auf eine Vorlesungsreihe zurück, welche das Forschungszentrum "Bildung und Religion (EDRIS)" der Universität Göttingen ausgerichtet hat. In 12 Einzelbeiträgen beleuchtet er das Themenfeld von Bildung und Religion anhand bedeutender Lehrer, von denen die meisten während der Zeit des frühen römischen Kaiserreichs bis zur klassischen Periode des Islam (1.-13. Jh. n. Chr.) wirkten. Vorgestellt werden Lehrerpersönlichkeiten wie etwa Platon, Jesus, Plutarch, Flavius Josephus, Libanios, Proklos, Muhammad oder al-Farabi, die die Traditionsbereiche der griechisch-römischen Antike und der monotheistischen Religionen Judentum, Christentum und Islam geprägt haben oder von ihnen geprägt wurden. Zwei Beiträge, die aus der griechisch-römischen Antike und dem Islam thematisch eine Brücke in die Moderne schlagen und so die Weiterwirkung und bleibende Relevanz dieser Traditionen für die Gegenwart zeigen, schließen den Band ab.

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THE POWER of SOCIAL INNOVATION Civic leaders across the U.S. and throughout the world are discovering creative ways to overcome the obstacles that seal the doors of opportunity for too many. These inspiring individuals believe that within our communities lie the entrepreneurial spirit, compassion, and resources to make progress in such critical areas as education, housing, and economic self-reliance. Real progress requires that we take bold action and leverage our strengths for the greater good. The Power of Social Innovation offers public officials, social entrepreneurs, philanthropists, and individual citizens the insights and skills to create healthier communities and promote innovative solutions to public and social problems. This seminal work is based on Stephen Goldsmith's decades of experience, extensive ongoing research, and interviews with 100+ top leaders from a wide variety of sectors. Goldsmith shows that everyday citizens can themselves produce extraordinary social change. The book explores the levers and guiding principles used by champions of civic progress who drive new organizations, new interventions, or new policies to enhance social conditions. The Power of Social Innovation features illustrative case studies of change-oriented philanthropists, public officials, and civic leaders. While all collaborate across sectors, they run both start-ups and established organizations such as the New York City public schools, United Way of America, the United Negro College Fund, and Teach For America. The book shows the catalyzing role each plays in transforming a community's social service delivery systems. To complement the book's myriad tools and case studies,The Power of Social Innovation web site (www.powerofsocialinnovation.com) provides links to relevant Harvard research as well as additional helpful resources.

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This book provides a comprehensive discussion of the issues related to risk, volatility, value and risk management. It includes a selection of the best papers presented at the Fourth International Finance Conference 2007, qualified by Professor James Heckman, the 2000 Nobel Prize Laureate in Economics, as a “high level” one. The first half of the book examines ways to manage risk and compute value-at-risk for exchange risk associated to debt portfolios and portfolios of equity. It also covers the Basel II framework implementation and securitisation. The effects of volatility and risk on the valuation of financial assets are further studied in detail.The second half of the book is dedicated to the banking industry, banking competition on the credit market, banking risk and distress, market valuation, managerial risk taking, and value in the ICT activity. With its inclusion of new concepts and recent literature, academics and risk managers will want to read this book.

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Wall Street Journal Best Seller Finalist: The AMA Leonard L. Berry Book Prize Winner: The Eric Hoffer Book Award (Business) Winner: INDIE Gold Medal Book Award (Business) How are a men’s grooming brand and frustrated "stuck-at-work" dads leading a revolution in masculinity post #MeToo? What can the decline of a global lingerie brand and corporate hackathons teach us about how fear can stifle innovation? How does hiring "neuro-diverse" workers and creating empathetic shampoo bottles signal a dramatic shift toward compassion in the workplace? For the past 9 years, marketing expert and Georgetown University Professor Rohit Bhargava has curated his best-selling list of non-obvious trends by asking the questions that most trend predictors miss. In this all-new ninth edition, discover what more than a million readers already have: how to use the power of non-obvious thinking to grow your business and make a bigger impact in the world. In total, the Non-Obvious 2019 edition features 15 all-new trends across 5 categories including Culture; Consumer Behavior, Marketing; Social Media, Media & Education, Technology; Design plus Economics; Entrepreneurship. The book also features a detailed section with a review and rating for more than 115 previously predicted trends, with longevity ratings for each. As with the original version, this new edition of Non-Obvious also delves into the curation process the author has used for years to build his Trend Reports and takes readers behind the scenes of trend curation (much to the delight of past readers who have been asking about this for years), and show them the methodology they can use to predict the future for themselves.

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This book presents recent and cutting edge advances in our understanding of key aspects of the response of materials under extreme loads that take place during high velocity impact and penetration. The focus of the content is on the numerous challenges associated with characterization and modeling of complex interactions that occur during these highly dynamic events. The following specific topics, among others, are addressed: characterization of material behavior under extreme loadings (estimate of damage, effects related to moisture contents, large pressures, large strain rates, etc.); measurement of microstructural changes associated with damage and mesoscopic scale modeling; macroscopic modeling, using the framework of the theory of viscoplasticity and damage; modeling and simulation of localization, cracking, and dynamic fragmentation of materials; application to penetration mechanics and trajectory instabilities. The book gathers together selected papers based on work presented as invited lectures at the 2nd US-France symposium held on 28-30 May 2008 in Rocamadour, France. The conference was organized by Eric Buzaud (DGA, Centre d'Études de Gramat) under the auspices of the International Center for Applied Computational Mechanics (ICACM).

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As the demand for primary healthcare in the UK increases, a growing number of paramedics are taking on roles within general practice. Moving into a new area of practice can be daunting, but with this manual at your side, you will have the knowledge and confidence to approach any patient consultation in primary care. Written and edited by over 20 clinicians within paramedicine and primary care, this essential reference text sets out the core clinical skills expected for paramedics in primary care. Alongside a comprehensive range of topics related to primary care, including assessment, diagnosis, investigations and management of a number of different presentations, it also covers aspects of consultation techniques, decision making and professional issues. Clinical chapters are concluded with case studies to help put theory into the context of the primary care setting and consolidate learning. Exploring the scope of the paramedic role and its fundamentals within the world of primary care, this is a clinical reference for paramedics already practising in primary care, whilst also equipping prospective paramedics with the required theoretical underpinning and context necessary to build meaningful knowledge and understanding in this field.

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Analysing how price expectations are formed is essential since the dynamics of market prices are mainly driven by the agent's belief concerning the future values of prices and by the uncertainty characterising these values. This is a difficult task as prices are highly volatile in most markets and expectational behaviour is heterogeneous and unstable. This volume discusses the concept of rationality of expectations from both a theoretical and an empirical point of view, and on individual and collective levels. Concerning the first aspect, the book focuses on how agents collect and process information and how market opinion is formed. Concerning the second aspect, the book presents studies based on individual price expectations and on the 'consensus' revealed by survey data. To appreciate the degree of generality of expectational behaviour, the contributors analyse price expectations in a variety of markets, periods and countries. Great attention is paid to financial markets which have represented the main field of analysis of expectations over the last ten years. Four main lessons stem from the works presented in this book. First, if the REH in the muthian sense seems now invalidated, this result does not mean that there is not rationality in price expectations: on the one hand, expectations may be economically rational in the sense of the advantage-cost analysis, and, on the other hand, the exchange of information between agents through the market may involve some mimetic rationalities. Second, it appears important to take into account the individual nature of expectations both at the theoretical and empirical levels: generally, the heterogeneity is not neutral in reaching an economic equilibrium or in estimating expectational processes. Third, expectational behaviour change over time: both the processes and the parameters which intervene in these processes are time-varying, especially according to the volatility of the variables. Fourth, a combination of these three basic processes appears to be successful in explaining the dynamics of expectations, although the expectational process is rather extrapolative (destabilising) when the horizon is short and rather regressive and adaptive (stabilising) when the horizon is long.

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“Stress,” “burn out,” “mental overload”: the twentieth and twenty-first centuries have witnessed an unrelenting expansion of the meaning of fatigue. The tentacles of exhaustion insinuated themselves into every aspect of our lives, from the workplace to the home, from our relationships with friends and family to the most intimate aspects of our lives. All around us are the signs of a “burn-out society,” a society in which fatigue has become the norm. How did this happen? This pioneering book explores the rich and little-known history of fatigue from the Middle Ages to the present. Vigarello shows that our understanding of fatigue, the words used to describe it, and the symptoms and explanations of it have varied greatly over time, reflecting changing social mores and broader aspects of social and political life. He argues that the increased autonomy of people in Western societies (whether genuine or assumed), the positing of a more individualized self, and the ever expanding ideal of independence and freedom have constantly made it more difficult for us to withstand anything that constrains or limits us. This painful contradiction causes weariness as well as dissatisfaction. Fatigue spreads and becomes stronger, imperceptibly permeating everything, seeping into ordinary moments and unexpected places. Ranging from the history of war, religion and work to the history of the body, the senses and intimacy, this history of fatigue shows how something that seems permanently centered in our bodies has, over the course of centuries, also been ingrained in our minds, in the end affecting the innermost aspects of the self.

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"Bruges-la-Morte" is the story of one man's obsession with his dead wife and his soul's struggle between an alluring young dancer - his late wife's double - and the beautiful, melancholy city of Bruges, whose moody atmosphere mirrors his mourning. This hallmark of Belgian symbolist literature, originally published in 1892 and first translated into English by Philip Mosley to great acclaim twenty years ago, is now back in print for the next generation of English readers to discover. With penetrating psychological force and richly metaphorical language, "Bruges-la-Morte" draws a haunting picture of love, grief, and murder in what has become a "dead city," severely Catholic and once proud. The source of the famous opera Die tote Stadt and endless inspiration for Belgian and French artists, this novella will enthrall readers with its dark portrait of fin-de-siecle Europe.

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June 7, 1944. The Allies have landed in Normandy, where they have set a bridgehead : yet this one is narrow and fragile. The Canadians sprint on to Carpiquet, but their attack is crushed by panzers of the Hitlerjugend Division that have just rejoined the frontline. Canadians and Germans are going to fight each other violently, and the tension is at its highest – some Canadian soldiers are murdered in Buron, and at the Ardenne Abbey. June 8, 1944. The Winnipegs are crushed by a German counter-attack in Putot. Some German soldiers are executed on Hill 102, and some Canadian soldiers are executed in Audrieu and Le Mesnil-Patry. Who are the people responsible for those actions ? For the first time, the mystery is partially unveiled. Then, the crazy night attack on Bretteville-l’Orgueilleuse – some panzers will burn and light this terrible night. June 9, 1944. The “Ribbentrop Company” attacks Norrey : seven Panther tanks are destroyed. The Hitlerjugend’s counter-attack is stopped. In Norrey, this is “the accident” : shrapnel wipe out a lot of civilians. The acme of horror has been reached. Thanks to a large number of testimonies, given by the combatants and the Norman civilians – who also suffered a lot during the battle –, this book offers a degree of precision never reached regarding the Battle of Normandy. The wartime and current pictures, the portraits of soldiers and civilians, the maps and the plans make this book a real movie of these “three days in hell” between Bayeux and Caen, while the frontline was still not stabilized, while the soldiers were trying to go from one enemy strongpoint to another, and while the civilians did not know where the danger was…

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'The father of contemporary European detective fiction' Ann Cleeves Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Lock at Charenton.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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Why are these specific artworks the subject of this first monograph? Produced in 2018, the sumptuous paintings, aa is the Kulata Tjuta Kupi Kupi installation, are collaborative artworks. They are reminiscent of the collaborative production process of art in Aboriginal Australia. These major works, in which a variety of Dreaming stories that define the region converge, form cornerstones of the collection that lies at the heart of the Fondation Opale. The Fondation Opale, and its founder and driving force Berengere Primat, has a particularly strong and active relationship with the art centres and the artists of that region of Australia. Several journeys were made to the APY lands in Central Australia. Both paintings, to which respectively several senior women and men collaborated, were commissioned by Berengere Primat and the painting process abundantly documented. These magisterial paintings are testimony to the continuum of culture and intimate knowledge of the land through art. Kupi Kupi, an iteration of the ongoing Kulata Tjuta (many spears in the Pitjantjatjara language) initiated in 2010, is a contemporary and monumental art installation consisting of 1500 spears. It is a metaphor for contemporary Anangu society and the unpredictable direction in which it is moving. All these artworks are testimony to the renewal and relevancy of Aboriginal art in contemporary times. Text in English and French.

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MAINTENANT 12: A Journal of Contemporary Dada Writing and Art serves up the controversial theme, “WE ARE ALL A ‘LIKE’.” With the rise in social media use—and abuse—the concept of “like” has reached whole new levels. There’s the idea of an individual’s reaction to events, people, images, etc. as a reduction to “Like” or “Dislike” without need for deeper consideration. Then there is the status factor: that something which is “Liked” by the largest number of people is of value. In fact, in the social media orbit, it is seemingly beneficial to offer strong, sharp, simplistic opinions—instead of nuanced, deeper, shaded considerations—simply because they provoke the greatest likelihood of widespread attention. How will this reduction of thought shape the future of interpersonal relations, intellectual advancement, and politics? As we teeter on the brink of nuclear war, the concepts of Dada brilliantly encompass the urgency of present times with both clarity and purposeful confusion. The MAINTENANT series, established in 2005, gathers the work of renowned and emerging dada artists and writers from around the world. The series has been archived in leading international institutions including the Museum of Contemporary Art–New York, the BelVUE Museum–Brussels, and more. Renowned contributors have included artists Mark Kostabi, Raymond Pettibon, Giovanni Fontana, Jean-Jacques Lebel, and Kazunori Murakami. Writers have included Allen Ginsberg, Gerard Malanga, Charles Plymell, Jerome Rothenberg, and more, with a strong contingent of punk musician-artist-writers including Grant Hart, Mike Watt, and Exene Cervenka.

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'A unique teller of tales ... What interested Simenon was the average man losing control of his own fate' Observer'She was beautiful, full of vitality, and he was sixteen years older, a dusty, lonely bookseller whose only passion in life was collecting stamps.'Jonas is used to his young wife disappearing. Everyone in the town knows that she goes off with other men. This time, however, he tells a small lie to protect her, saying she is visiting a school friend. It is a lie, however, that eats into him like an illness, provoking hostility and resentment of this timid little Russian-Jewish bookseller, who always thought he had been accepted. As suspicion mounts, his true, terrifying isolation is revealed.

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'Quite simply a masterpiece' John Banville'I've just found a stranger in my house. In a bed on the second floor. He was dying when I got there. You're going to have to deal with it'Hector Loursat has been a drunken recluse since his wife left him eighteen years ago. Shut away in his dilapidated mansion in the small town of Moulins, he barely speaks to his daughter. But when the sound of a gunshot penetrates the padded walls of his study one night, and he discovers a body, Loursat is forced to act. No longer able to ignore the world, he determines to get to the truth of what happened, and save an innocent life.

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THE LAST MAIGRET'The father of contemporary European detective fiction' Ann CleevesHe needed to get out of his office, soak up the atmosphere and discover different worlds with each new investigation. He needed the cafés and bars where he so often ended up waiting, at the counter, drinking a beer or a calvados depending on the circumstances.He needed to do battle patiently in his office with a suspect who refused to talk and sometimes, after hours and hours, he'd obtain a dramatic confession.In Simenon's final novel featuring Inspector Maigret, the famous detective reaches a pivotal moment in his career, contemplating his past and future as he delves into the Paris underworld one last time, to investigate the case of a missing lawyer.'One of the greatest writers of the twentieth century' Guardian

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'His artistry is supreme' John Banville Certain details of the case were etched more sharply than others in Maigret's memory. Even years later he could recall the particular taste and smell of the rain shower in Rue Caulaincourt as keenly as a childhood memory. At a dinner party, Maigret recounts an old case in which Adrien Josset is found guilty and executed for the murder of his wife, Christine. As the case develops under the controlling hand of the magistrate, all clues point to Josset's guilt yet Maigret is left unconvinced following his one interview with him. Years after the case, Maigret still doubts the true identity of the murderer.This novel has been published in a previous translation as Maigret Has Doubts.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

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'His artistry is supreme' John Banville'What was he doing there? A hundred times, in the middle of an investigation, he'd had the same feeling of helplessness or, rather, futility. He would find himself abruptly plunged into the lives of people he had never met before, and his job was to discover their most intimate secrets. This time, as it happened, it wasn't even his job. He was the one who had chosen to come, because a teacher had waited for him for hours in the Purgatory at the Police Judiciaire.'When a school teacher from a small coastal town near La Rochelle asks Maigret to help prove he is innocent of murder, the Inspector returns with him to his insular community and finds the residents closing ranks to conceal the truth.'Compelling, remorseless, brilliant' John Gray

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'His artistry is supreme' John Banville'You're a good soul, inspector, and when you're up against the second-rate criminals you get here in Paris, you're a crack policeman. But this business isn't for you. These guys play rough and they may hurt you. Just drop it! What concern is it of yours, anyway?'When Maigret learns that his hapless colleague Inspector Lognon is being menaced by some notorious American mobsters, he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This novel has been published in a previous translation as Inspector Maigret and the Killers.'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes.' Maigret sets the record straight and tells the story of his own life, giving a rare glimpse into the mind of the great inspector - and the writer who would immortalise him.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray In his mind's eye he would see that slim figure in the striking clothes, those wide eyes the colour of forget-me-not, the pert nose and especially the hat, that giddy, crimson bonnet perched on the top of her head with a bronze-green feather shaped like a blade stuck in it . . . Félicie had given him more trouble than all the 'hard' men who had been put behind bars.This novel has been published in a previous translation as Maigret and the Toy Village.'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray In everyone's eyes, even the old ladies hiding behind their quivering curtains, even the kids just now who had turned to stare after they had passed him, he was the intruder, the undesirable. No, worse, he was fundamentally untrustworthy, some stranger who had just turned up from who knew where to do who knew what.Maigret's old colleague becomes an unexpected rival in book twenty-four of the new Penguin Maigret series.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret's Rival.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray He went out, lit his pipe and walked slowly to the harbour. He could hear scurrying footsteps behind him. The sea was becoming swollen. The beams of the lighthouses joined in the sky. The moon had just risen and the judge's house emerged from the darkness, all white, a crude, livid, unreal white. Exiled from the Police Judiciare in Paris, Maigret bides his time in a remote coastal town of France. There, among the lighthouses, mussel farms and the eerie wail of foghorns, he discovers that a community's loyalties hide unpleasant truths.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret in Exile.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'His artistry is supreme' John BanvilleThey suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges' black gowns, the ermine, the prosecutor's red robe further added to the impression of a ceremony set in stone where the individual counted for nothing Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman's nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man's guilt and at his trial exposes some shocking truths about Meurant's private life that may prove his innocence.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

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'His artistry is supreme' John Banville Standing here at the window in the middle of the morning, vaguely observing the comings and goings in the street, he had a feeling that reminded of certain days in his childhood, when his mother was still alive and he was off school because he had the 'flu or it was the end of term. It was the feeling of finding out 'what went on when he wasn't there'.Inspector Maigret is meant to be taking a holiday, but he can't resist following the development of his colleague Janvier's case in the papers - and playing a few tricks on the way.This novel has been published in a previous translation as Maigret's Little Joke.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'

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A new translation of Simenon's gripping novel about lives transformed by deceit and the destructive power of lust.It was all real: himself, the room, Andrée still lying on the ravaged bed.For Tony and Andrée, there are no rules when they meet in the blue room at the Hôtel des Voyageurs. Their adulterous affair is intoxicating, passionate - and dangerous. Soon it turns into a nightmare from which there can be no escape. Simenon's stylish and sensual psychological thriller weaves a story of cruelty, reckless lust and relentless guilt.'A wondrous achievement, brief, inexorable, pared to, and agonisingly close to, the bone, and utterly compelling; in short, a true and luminous work of art.' John Banville'A double crime, a dark provincial scandal, and a dreadful sort of triumph . . . presented with shattering power' San Francisco Chronicle'One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'A supreme writer . . . unforgettable vividness' Independent

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'The father of contemporary European detective fiction' Ann Cleeves Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled.Maigret's peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Returns.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.'Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?

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