Search results for ""hope""

A BARACK OBAMA BOOK OF THE YEARWINNER OF THE 2020 CRIME WRITERS' ASSOCIATION ALCS GOLD DAGGER FOR NON-FICTIONSHORTLISTED FOR THE 2019 BAILLIE GIFFORD PRIZE FOR NON-FICTIONA SUNDAY TIMES, ECONOMIST AND SPECTATOR BOOK OF THE YEAR'A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she'd spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.'DAVID GRANN, author of Killers of the Flower Moon_____________________________The stunning story of an Alabama serial killer and the true-crime book that Harper Lee worked on obsessively in the years after To Kill a MockingbirdReverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell's murderer was acquitted - thanks to the same attorney who had previously defended the Reverend.As Alabama is consumed by these gripping events, it's not long until news of the case reaches Alabama's - and America's - most famous writer. Intrigued by the story, Harper Lee makes a journey back to her home state to witness the Reverend's killer face trial. Harper had the idea of writing her own In Cold Blood, the true-crime classic she had helped her friend Truman Capote research. Lee spent a year in town reporting on the Maxwell case and many more years trying to finish the book she called The Reverend.Now Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South. At the same time, she offers a deeply moving portrait of one of the country's most beloved writers and her struggle with fame, success, and the mystery of artistic creativity.This is the story Harper Lee wanted to write. This is the story of why she couldn't._____________________________'Fascinating ... Cep has spliced together a Southern-gothic tale of multiple murder and the unhappy story of Lee's literary career, to produce a tale that is engrossing in its detail and deeply poignant... [Cep] spends the first third of Furious Hours following the jaw-dropping trail of murders ... Engrossing ... Cep writes about all this with great skill, sensitivity and attention to detail.'SUNDAY TIMES'It's been a long time since I picked up a book so impossible to put down. Furious Hours made me forget dinner, ignore incoming calls, and stay up reading into the small hours. It's a work of literary and legal detection as gripping as a thriller. But it's also a meditation on motive and mystery, the curious workings of history, hope, and ambition, justice, and the darkest matters of life and death. Casey Cep's investigation into an infamous Southern murder trial and Harper Lee's quest to write about it is a beautiful, sobering, and sometimes chilling triumph.'HELEN MACDONALD, author of H is for Hawk'This story is just too good ... Furious Hours builds and builds until it collides with the writer who saw the power of Maxwell's story, but for some reason was unable to harness it. It lays bare the inner life of a woman who had a world-class gift for hiding ... [this] book makes a magical leap, and it goes from being a superbly written true-crime story to the sort of story that even Lee would have been proud to write.'MICHAEL LEWIS, author of Moneyball and The Big Short

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When Dr. Jack Graham was twenty years old, he got the phone call no one wants to receive. His father had been ruthlessly attacked, and it became clear to young Jack that invisible forces of evil were involved. He realized he needed to take the spiritual world more seriously, because the real battles we face in life are between the powers of good and evil...literally the armies of heaven and hell. Through compelling stories, practical guidance, and biblical truth, Dr. Graham challenges popular opinions and persistent folklore about heaven and hell, good and evil, angels and Satan. You will come away from this book enlightened about the supernatural world and encouraged that God can provide protection, provision, and power for whatever lies ahead. Each chapter includes questions for group discussion or individual reflection. Free online small-group curriculum is also available. "We sometimes forget that the real powers in this world are spiritual rather than physical. I'm thrilled that in Unseen Jack Graham reminds us of the hidden battles we face and instills hope and assurance that believers will emerge victorious. I highly recommend this insightful, biblical, and very personal book."--Mark Batterson, New York Times bestselling author, The Circle Maker "I was captivated by Unseen from start to finish. Dr. Graham has powerfully addressed some of the greatest questions and concerns of our day. We must all recognize that we are in a spiritual battle. This book will help you to not only understand what is going on, but how God has equipped each and every one of us to live a victorious, overcoming Christian life as light in the midst of darkness. This book is a must-read for every Christian."--Christine Caine, founder, The A21 Campaign , bestselling author, Undaunted "Jack Graham is a man of God who understands the spirit world. Our battle isn't against people. It's against Satan and demonic spirits. Jesus' conquest over those evil forces enables us to walk victoriously as we prayerfully put on God's armor and appropriate His Word. Unseen is a mandatory manual for every spiritual warrior!"--Steve Gaines, PhD, senior pastor, Bellevue Baptist Church, Memphis, TN "What you see is not all there is. Unfortunately, too many people are losing battles they don't even know are being fought. In his timely book, Unseen, Dr. Jack Graham equips and empowers us to fight and win spiritual battles God's way. If you are longing for more spiritual power and understanding, read this book."--Craig Groeschel, senior pastor, LifeChurch.tv, author, Altar Ego: Becoming Who God Says You Are "The key word that comes to mind concerning Jack Graham's new book Unseen is needed. There is a war in the heavenlies that touches this earth, but the good news is that we can win the war. Read, be instructed, embrace its truth, and win the battle."--Johnny Hunt, pastor, First Baptist Church, Woodstock, GA "Lift your eyes from the urgent and set your sights on eternity, where a hundred years from today you will be alive and fully aware. Jack Graham calls us not just to finish the race to eternity, but to break the tape accelerating, and his insightful book Unseen tells us why and how!"--James MacDonald, senior pastor, Harvest Bible Chapel and author, Vertical Church "The unseen aspects of the spiritual life are the most important and often most difficult to understand. But our lack of understanding doesn't negate the reality. Jack Graham's words in Unseen will open your eyes to the spiritual battle that surrounds us. Allow Dr. Graham to lead you on a life-changing journey into the unseen."--Gregg Matte, pastor, Houston's First Baptist Church, author, I AM Changes Who i Am "Pastor Jack Graham presents a tactical manual every Christ-follower needs for winning the spiritual conflict with unseen forces of evil."--Kerry Shook, founding pastor, Woodlands Church

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The DC Icons Series has finally arrived bringing Batman: Nightwalker, Wonder Woman: Warbringer, and Catwoman: Soulstealer in one box set! BATMAN: NIGHTWALKER This dark and twisty BATMAN in the blockbuster DC Icons series is an action-packed thrill ride from #1 New York Times bestselling author MARIE LU. Before he was Batman, he was Bruce Wayne. A reckless boy willing to break the rules for a girl who may be his worst enemy. The Nightwalkers are terrorizing Gotham City, and Bruce Wayne is next on their list. Bruce is turning eighteen and inheriting his family s fortune, not to mention the keys to Wayne Industries and all the tech gadgetry that he could ever desire. But on the way home from his birthday party, he makes an impulsive choice that leads to community service at Arkham Asylum, the infamous prison. There, he meets Madeleine Wallace, a brilliant killer with ties to the Nightwalkers. A girl who will speak only to Bruce. She is the mystery he must unravel, but is he convincing her to divulge her secrets or is he feeding her the information she needs to bring Gotham City to its knees? Bruce Wayne is proof that you don t need superpowers to be a super hero, but can he survive Madeleine s tense game of intrigue and deception? WONDER WOMAN: WARBRINGER She will become one of the world's greatest heroes: WONDER WOMAN. But first she is Diana, Princess of the Amazons. And her fight is just beginning. Based on the New York Times bestselling novel by Leigh Bardugo, this graphic novel adaptation brings to life Diana's first adventure beyond the hidden shores of Themyscira. Diana longs to prove herself to her legendary warrior sisters. But when the opportunity finally comes, she throws away her chance at glory and breaks Amazon law risking exile to save a mere mortal. Even worse, Alia Keralis is no ordinary girl and with this single brave act, Diana may have doomed the world. Alia just wanted to escape her overprotective brother with a semester at sea. She doesn't know she is being hunted. When a bomb detonates aboard her ship, Alia is rescued by a mysterious girl of extraordinary strength and forced to confront a horrible truth: Alia is a Warbringer a direct descendant of the infamous Helen of Troy, fated to bring about an age of bloodshed and misery. Together, Diana and Alia will face an army of enemies mortal and divine determined to either destroy or possess the Warbringer. If they have any hope of saving both their worlds, they will have to stand side by side against the tide of war. CATWOMAN: SOULSTEALER Sarah J. Maas's young adult novel is adapted as a graphic novel by comics legend Louise Simonson and artist Samantha Dodge! It's been two years since Selina Kyle last set eyes on Gotham City...and now that Batman is gone, Selina is back! Or at least, Holly Vanderhees is. As Gotham's newest socialite, she'll put her old talent for picking pockets to new use while rubbing shoulders with the city's finest citizens. But her past is catching up to her, and she is running out of time... Luke Fox has been looking for just the right opportunity to show Batman he can protect the city from Gotham's worst as Batwing. When several high-profile fundraisers are disturbed, Luke's clandestine activities clash with his parents' expectations. As a scion of one of Gotham's finest families, he's expected to attend these events with pride. As Batwing, he's trying to stop a new team of villains from ruining his mother's plans. Now he feels permanently one step behind... Will Selina have what it takes to outsmart Batwing before it's too late? Or will she be the final victim of her greatest heist yet?

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It is 1968, the Cold War is raging, and the United States is bogged down fighting the “Communists” in Vietnam. The Berlin Wall is the symbol of a world cut in half, a punitive wall, isolating the Soviet republics that then formed the USSR. In the spring of 1968, the Czechoslovakian Communist Party experimented with "socialism with a human face"—known then as the “Prague Spring.” Suddenly there was freedom of the Press; an end to arbitrary wiretaps; and citizens regained the right to travel without prior authorizations and visas. The borders opened to the West, consumer goods appeared in the stores---and the winds of freedom blew over the country. That summer, Alexander and Anna boarded their Skoda Felicia, a brand-new convertible, to join their daughter Petra in Bratislava, where she had just completed her brilliant medical studies. Tereza, the daughter of a railway worker who survived the concentration camps and a Pravda editor who had long taken in Hungarian refugees from 1956, stayed in a kibbutz in Israel to reconnect with her Jewish culture. Józef, a pastor defrocked for refusing to denounce parishioners to the Party, delivered his first uncensored sermons on the radio. Then, suddenly, on the nights of August 20-21, Soviet tanks invaded Prague to put an end to this brief liberalization experiment. For a few hours, the border with Austria would remain open. Vienna was an hour's train away. Everyone now must make a choice: leave or stay? Fleeing violence or resisting the oppressor? Faced with the invasion of our country by an overmatched foreign power, what would we do? Viliam Klimacek’s historical novel looks back at these major events in Czechoslovakian history. Celebrating the identity of a people, its folklore, its beauty, and its vitality, he makes this novel personal and real by focusing on the story of ten people enmeshed in this difficult moment in history. By telling the human stories of the Czech diaspora, Klimacek reveals the impact of these rapidly moving events on his characters and the lives of their families (based on real people whose names have been changed). Through Tereza, Petra, Józef, Sena (Alexander), Anna and Erika, he tells us about the lives of these (extra)ordinary people—their lives in Czechoslovakia, Their decisions to leave, their flight, their families torn apart and separated, the abandonment of all that they possessed for unknown elsewhere, their perilous journeys, their arrival in a new country, their reception and integration in a new country. The novel describes the vicissitudes and hopes of newcomers, mainly in Canada, the United States, Austria, England, and Israel, who face obstacles—learning a new language, encountering red tape with registration, validating their diplomas and finding a job and housing. They quickly realize—depending on their own situation that many will never see or visit the families they left behind in Czechoslovakia. The experiences that Klimacek’s characters face, endure and overcome we all know will be repeated for untold millions again and again as people around the world flee intolerance, war, calamities in weather and other disaster in our contemporary age. Constructing his stories on very real testimonies, Klimacek’s novel is simultaneously a hymn to tolerance, to acceptance of others, and to the need to support and help the weakest or the poorest. It leads us all to ask ourselves questions, to reflect and perhaps, with a little goodwill, to see certain things differently. While the story is at time dark, it is also full of hope. You may know someone in your own community whose experiences are mirrored in this novel and through your reading you may now appreciate their unbending spirit and desire for freedom and well being for themselves and their families.

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"The Poetry Deal: San Francisco Poet Laureate Series No. 5 gives us di Prima's vision as she looks back at a life lived truly and looks out at a society she still has hope for even as it grieves its failings."--David Nilsen, Fourth & Sycamore: A Literary Journal "The Poetry Deal shines with eros and kindness and the reality of inspiration. No American or Anarchist voice or soul-building heart has ever been more clear. The pages are fierce with love and generosity."--Michael McClure, author of Ghost Tantras "The Poetry Deal is fresh flame from a revolutionary fire that continues to burn. Every woman of every age should carry it in a purse with their pepper spray. Diane is the ultimate weapon."--Amber Tamblyn, author of Dark Sparkler "In her latest collection as San Francisco Poet Laureate, di Prima is again at the height of her powers, with 'the act of writing itself more compelling than ever.'"--Micah Ballard, author of Waifs and Strays "I return to this book again and again to remember what it means to own and further a poetic and political lineage."--Ana Bozicevic, author of Rise in the Fall "The Poetry Deal [is] an urgent success of the highest order ...Diane di Prima should always be high on the American poetry play list. "--Barbara Berman, The Rumpus "Recounting a life in poetry, her commitment to progressive thought and action, and a half-century of Bay Area culture, crises, and change, di Prima writes at the top of her game ...di Prima recalls the time an institutionalized Ezra Pound told her that 'poets have to eat'; rarely has a poet left so much bread on the table for future poets."--*Starred Review, Publishers Weekly "This is a volume that traverses the specific and reaches the universal. She marks her poems with great strength and utmost sensitivity. They are poems that live in real time; not cyberspace. di Prima's poetry is well-lived and poetry worth living in. She is a gifted teacher enjoining the reader to face life's lessons for the attendant dilemmas of old age. Carry this book with you. It will arm you with continuous insight and flaming provocation."--Robert Sutherland-Cohen The Poetry Deal is the first full-length collection of individual poems in decades from legendary feminist Beat poet Diane di Prima. Framed by two passionate, and critical, prose statements assessing her adopted home city, The Poetry Deal is a collection of poems that provide a personal and political look at forty years of Bay Area culture. Often elegiac in tone, the book captures the poet's sense of loss as she chronicles the deaths of friends from the AIDS epidemic as well as the passing of illustrious countercultural colleagues like Philip Whalen, Pigpen from the Grateful Dead, and Kirby Doyle. She also recalls and mourns out-of-town inspirations like Chogyam Trungpa Rinpoche, Audre Lorde, and Ezra Pound. Yet even as she laments the state of her city today, she finds triumph and solace in her own relationships, the marriages of her friends, the endurance of City Lights, and other symbols of San Francisco's heritage. Born in Brooklyn in 1934, Diane di Prima emerged as a member of the Beat Generation in New York in the late '50s; in the early '60s, she founded the important mimeo magazine The Floating Bear with her lover LeRoi Jones (Amiri Baraka). In the late '60s, she moved to San Francisco, where she would publish her groundbreaking Revolutionary Letters (1971) with City Lights. Her other important books include Memoirs of a Beatnik, Pieces of a Dream, Recollections of My Life as a Woman, and Loba. She was named San Francisco Poet

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‘This book was absolutely tremendous!...this mystery is definitely a five-star read!’ ⭐⭐⭐⭐⭐ Reader ReviewA murder in a locked room… can Nancy and Jane find the key to the case?Nancy Hunter is on a mission to find her mother. Samantha Hunter walked out on her family and left the village of Dedley End over twenty years ago. For two decades, Nancy has thought her mother was dead…until she discovered she was spotted at a party at a country estate five months ago.As Nancy delves into the mystery in her own family, the village of Dedley End is rocked by the appearance of Sebastian Holmes, recently released from a long stretch in prison for his part in a jewellery robbery in London. And when someone is found murdered in the local church, it seems that there may be more danger hiding in their sleepy Cotswold village…Nancy and her grandmother Jane, Dedley End’s resident amateur sleuths and owners of a crime fiction bookshop, set about trying to solve the mystery of just who could be the killer, and how they managed a murder in a locked room – but what they don’t know is that finding the murderer might just bring them closer to finding Samantha. But does she want to be found? And what made her hide away for so many years?A twisty and unputdownable cozy mystery featuring a grandmother and granddaughter detective duo – if you’re a fan of The Bingo Hall Detectives, Robert Thorogood or The Thursday Murder Club, you’ll love this!Readers are loving Murder at the Village Church:‘Brilliantly written and many twists and turns right to the end. Loved this series and the characters.’ ⭐⭐⭐⭐⭐ Reader Review‘What a read! Just enough romance and a mystery that keeps you on the edge of your seat.’ ⭐⭐⭐⭐⭐ Reader Review‘This grandmother/granddaughter duo is absolutely everything you want! Filled with so much love, joy, heartache, and truth, you won’t want to put this book down!’ ⭐⭐⭐⭐⭐ Reader Review‘A cozy mystery that was a fun read… I enjoyed the quirky characters.’ ⭐⭐⭐⭐⭐ Reader Review‘Heartwarming but cosy crime… Really kept you guessing. I was totally gripped.’ ⭐⭐⭐⭐⭐ Reader Review‘There were some really good twists in this novel. A truly fun cozy mystery series.’ ⭐⭐⭐⭐⭐ Reader Review‘Will keep you guessing until the very end.’ ⭐⭐⭐⭐⭐ Reader Review‘A page-turner of a book that keeps you hooked.’ ⭐⭐⭐⭐⭐ Reader ReviewPraise for the Dedley Ends Mystery series:‘Superb sleuthing! I thoroughly enjoyed my trip to Dedley End and can’t wait to go back!’ Heidi Swain‘I loved this brilliant cozy read…it felt very Christie-esque. Nancy and Jane were fab, I loved their relationship. And I can’t wait for more.’ ⭐⭐⭐⭐⭐ Reader Review‘Fabulous cosy murder/mystery with an unforgettable crime-fighting trio. Thoroughly enjoyable and highly recommended.’ Angela Marsons‘A perfect read!…Will entice even the most seasoned mystery reader. If you’re a fan of Agatha Christie and M.C. Beaton, you can’t miss this series.’ ⭐⭐⭐⭐⭐ Reader Review‘This. Is. Brilliant. Could not put it down. I really hope there’s more Dedley End adventures!’ ⭐⭐⭐⭐⭐ Reader Review‘Absolutely loved this book!…The characters were great and the story flowed along nicely. I read the book in a day, I couldn’t put it down!’ ⭐⭐⭐⭐⭐ Reader Review‘If you are a fan of cosy crime then I 100% recommend this series. You will not be disappointed!’ ⭐⭐⭐⭐⭐ Reader Review

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This book gives insights into the pain and suffering involved when people are grieving for someone who has committed suicide, but it also offers hope without diminishing the significance of the suffering involved. As such, it has a lot to offer, and is therefore to be welcomed.'- Well-Being'This book provides deep and valuable insight into the experiences of "suicide survivors" - those who have been left behind by the suicide of friend, family member or loved one.'- Therapy Today'The personal stories are full of pathos interest and will clarify where the death leaves those left behind. The list of self-help groups is world wide and it will be useful that you can point the bereaved and traumatized in the right direction.'- Accident and Emergency Nursing Journal'The authors describe powerfully the effect of suicide on survivors and the world of silence, shame, guilt and depression that can follow. Author Christopher Lake is a suicide survivor and co-author Henry Seiden is an experienced therapist and educator.They use sensitive and unambiguous language to provide an understanding of what it is like to live in the wake of suicide and the struggle to make sense of the world. They also look at how survivors might actively respond to their situation, rather than being passive victims. This book should be read by any professional who is likely to come into contact with people affected by suicide.'- Nursing Standard, October 2007'The book is well written and relevant to both survivors and professionals concerned for the welfare of those bereaved by suicide.'- SOBS (Survivors of Bereavement by Suicide) Newsletter'Silent grief is a book for and about "suicide survivors," defined as people who have experienced the death of a friend or relative through suicide, and for anyone who wants to understand what survivors go through. The book explains the profound, traumatic effect suicide has on individuals bereaved in such circumstances. Using verbatim quotes from survivors it explains how they experience feelings of shame, guilt, anger, doubt, isolation and depression. This book provides good insight into the experience of individuals affected by suicide and can be a useful resource to anybody working with such people - be it prisoners who have lost someone close through suicide or the family of a prisoner following a self-inflicted death in prison.- National Offender Management Service. Safer Custody News. Safer Custody Group. May/June 2007Silent Grief is a book for and about "suicide survivors" - those who have been left behind by the suicide of a friend or loved one.Author Christopher Lukas is a suicide survivor himself - several members of his family have taken their own lives - and the book draws on his own experiences, as well as those of numerous other suicide survivors. These inspiring personal testimonies are combined with the professional expertise of Dr. Henry M. Seiden, a psychologist and psychoanalytic psychotherapist.The authors present information on common experiences of bereavement, grief reactions and various ways of coping. Their message is that it is important to share one's experience of "survival" with others and they encourage survivors to overcome the perceived stigma or shame associated with suicide and to seek support from self-help groups, psychotherapy, family therapy, Internet support forums or simply a friend or family member who will listen.This revised edition has been fully updated and describes new forms of support including Internet forums, as well as addressing changing societal attitudes to suicide and an increased willingness to discuss suicide publicly.Silent Grief gives valuable insights into living in the wake of suicide and provides useful strategies and support for those affected by a suicide, as well as professionals in the field of psychology, social work, and medicine.

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Imagine you suddenly find yourself in the control room of a vast technological apparatus, sometime in the future, where you are told that science has satisfied all the needs of all living humans. Furthermore, you learn, the next generation of the species will not be produced in the usual way, but instead by this machine, provided only that somebody push a little red button. The catch: you have to give a reason for pushing it. You hesitate: what do you say? Our own world is more like this scenario than we at first may be inclined to admit, not least in the fact that, mutatis mutandis, we seem to be struggling to come up with a good answer. The problem, says Rémi Brague, is fundamentally a metaphysical one. Now, mention of ‘metaphysics’ in decent society these days is likely to elicit a smile or an unimpressed shrug. If there is a shelf with that label on it in your typical bookstore you are as likely to find guides to crystals, chakras, or hemp care there as you are treatises by Aristotle, Aquinas, or Kant. And, in spite of the ongoing revival of academic interest in metaphysics, it remains a rather specialist domain, a marginal sub-discipline in departments of philosophy, be they analytical or continental in cast. If you should take it too seriously, you’ll lose your bearings in the real world, and you’ll go adrift in some ethereal sea of dreams. It is, in a word, irrelevant – right? Wrong, Brague writes. Sustained reflection on the nature of being, undertaken in the hope that something can indeed be said about it, was for millennia considered to be among the most important of intellectual pursuits, and not without reason. With his characteristic combination of erudition and wit, Brague takes us on a sweeping tour of the discipline’s varying fortunes, from its early Athenian practitioners through its Jewish, Muslim, and Christian heirs, to the chorus of critics who in the last few centuries succeeded in putting an end to its dominance. But the questions that metaphysics was asking, Brague shows, did not disappear with its demise, and so, whether implicitly or explicitly, metaphysics itself has resisted relegation to the history books. For the nature of being, and especially our relationship to it, has continued to haunt its triumphant critics. One quintessentially metaphysical claim above all, as Brague suggests, seems to have horrified them: the doctrine that all that is, insofar as it is, is good. And yet, in rejecting the “convertibility” of the “transcendentals” of being and goodness, critics of the old metaphysics – Voltaire, Kant, Schopenhauer, Nietzsche, Heidegger, Carnap, and Levinas among them – in their own ways offered metaphysical counter-claims, even as they turned increasingly anthropological in their interests. They also raised the stakes. For, whether the denial of the goodness of being can legitimately be attributed some causal responsibility for a world in which our species could rapidly and deliberately ensure its own extinction, this is the world we live in, and that denial does form the basis of the intellectual background from which we tend to begin our speculations. If we need to be able to articulate reasons for our project not to end, then we also need to rethink the rejection that we have come to take for granted. What Brague offers us here is not a narrative of decline, not a Jeremiad, not a nostalgic lament for the thought-world of a bygone era, but a sympathetic outline of some of the major tensions in the philosophical underpinnings of the modernity that we all inhabit. As such, it forms a part of his ongoing effort take modernity “more seriously than it takes itself”, to expose its hidden foundations, and to push it to its logical conclusions. In so doing, he hopes to help clarify where it is that we are going as a species, and to ensure that wherever it is, there is room for us humans in it.

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Fans of fractured fairy tales will be delighted to discover the fantasy, mystery, adventure, and humor in the beloved New York Times bestselling Sisters Grimm series by Michael Buckley, now with new cover art. As featured on NBC’s The Today Show, the nine wildly popular books are favorites around the world. They were among the first books to bring a distinctly girl-power spin to fairy tales—a spin taken up by hit movies and shows TV such as Once Upon a Time, Grimm, and Maleficent, the bestselling book series The Land of Stories, and other. New covers will appear on book one, The Sisters Grimm: The Fairy-Tale Detectives; book two, The Sisters Grimm: The Unusual Suspects; and book three, The Sisters Grimm: The Problem Child. Books four through nine will be available in revised editions soon. ? This third book in the series takes a dark twist, as Sabrina and Daphne get closer to uncovering the truth about their parents. Coming face-to-face with their parents’ kidnappers, the sisters are stunned when one of them turns out to be the world’s most famous fairy-tale character (hint: she wears red) and the other an unstoppable killing-machine known as the Jabberwocky. Without the presumed-dead Mr. Canis (aka The Big Bad Wolf) fighting at their side, the girls have little hope that they’ll ever be reunited with their mother and father. That is until their long-lost Uncle Jake returns home with stories of a weapon that can kill the Jabberwocky—a weapon so powerful that it had to be shattered into many pieces. Now the girls must find the pieces so the deadly weapon can be reformed. But to get the deed done they’ll have to go head-to-head with the Wizard of Oz, the (not so) Little Mermaid, and even the horrible witch Baba Yaga. To complicate matters, Sabrina begins to struggle with an addiction to magic and finds herself unraveling a real-life family mystery. With an irresistible combination of adventure and imagination, the Sisters Grimm series injects classic fairy tales with modern day sensibilities and suspense, creating a fantastical combination readers of all ages will love. “Kids will love Sabrina and Daphne’s adventures as much as I did.” —Sarah Michelle Gellar, star of Buffy the Vampire Slayer and I Know What You Did Last Summer “Adventure, laughs, and surprises kept me eagerly turning the pages.” —R. L. Stine, author of the Goosebumps series “Why didn’t I think of The Sisters Grimm? What a great concept!” —Jane Yolen, award-winning author “Terrific, head-spinning series . . . Rich in well-set-up surprises and imaginatively tweaked characters, this tongue-in-cheek frolic features both a pair of memorable young sleuths and a madcap plot with plenty of leads into future episodes.” —Kirkus Reviews, starred review “Enormously entertaining, the book takes the fractured fairy-tale genre to new heights.” —Time Out New York Kids “An idea that will make other children’s book writers, and tons of aspiring ones, kick themselves for not thinking of it first.” —The San Antonio Express-News “A page-turner that incorporates humor, tension, suspense and a wild cast of characters, readers will have trouble putting this novel down.” —The Dallas Morning News “Quirky and reasonable characters, engaging writing, fresh fairy tale references, and a very real fantasy setting.” —The Raleigh News and Observer, “Most Promising New Series” “The twists and turns of the plot, the clever humor, and the behind-the-scenes glimpses of Everafters we think we know, will appeal to many readers.” —Kliatt, starred review

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Traditional retail is becoming increasingly volatile and challenged as a business model. Brick-and-mortar has shifted to online, while online is shifting into pop-up storefronts. Virtual stores in subway platforms and airports are offering new levels of convenience for harried commuters. High Street and Main Street are becoming the stuff of nostalgia. The Big Box is losing ground to new models that attract consumers through their most-trusted assistant—the smartphone. What’s next? What’s the future for you—a retailer—who is witnessing a tsunami of change and not knowing if this means grasping ahold of new opportunity or being swept away? The Retail Revival answers these questions by looking into the not-so-distant retail past and by looking forward into a future that will continue to redefine retail and its enormous effect on society and our economies. Massive demographic and economic shifts, as well as historic levels of technological and media disruption, are turning this once predictable industry—where “average” was king—into a sea of turbulent change, leaving consumer behavior permanently altered. Doug Stephens, internationally renowned consumer futurist, examines the key seismic shifts in the market that have even companies like Walmart and Procter & Gamble scrambling to cope, and explores the current and future trends that will completely change the way we shop. The Retail Revival provides no-nonsense clarity on the realities of a completely new retail marketplace— realities that are driving many industry executives to despair. But the future need not be dark. Stephens offers hope and guidance for any businesses eager to capitalize on these historic shifts and thrive. Entertaining and thought-provoking, The Retail Revival makes sense of a brave new era of consumer behavior in which everything we thought we knew about retail is being completely reimagined. Praise for The Retail Revival “It doesn’t matter what type of retail you do—if you sell something, somewhere, you need to read Doug Stephens’ The Retail Revival. Packed with powerful insights on the changing retail environment and what good retailers should be thinking about now, The Retail Revival is easy to read, well-organized and provides essential food for thought.” — Gregg Saretsky, President and CEO, WestJet “This book captures in sharp detail the deep and unprecedented changes driving new consumer behaviors and values. More importantly, it offers clear guidance to brands and retailers seeking to adapt and evolve to meet entirely new market imperatives for success.” —John Gerzema, Author of Spend Shift and The Athena Doctrine “The Retail Revival is a critical read for all marketing professionals who are trying to figure out what’s next in retail… Doug Stephens does a great job of explaining why retail has evolved the way it has, and the book serves as an important, trusted guide to where it’s headed next. ” —Joe Lampertius SVP, Shopper Marketing, Momentum Worldwide and Owner, La Spezia Flavor Market “Doug Stephens has proven his right to the moniker ‘Retail Prophet.’ With careful analysis and ample examples, the author makes a compelling case for retailers to adapt, change and consequently revive their connection with consumers. Stephens presents actionable recommendations with optimism and enthusiasm—just the spoonful of sugar we need to face the necessary changes ahead.” —Kit Yarrow, Ph.D., Consumer Psychologist; Professor, Golden Gate University; Co-Author, Gen BuY: How Tweens, Teens and Twenty-Somethings are Revolutionizing Retail “Doug Stephens doesn’t just tell you why retail is in the doldrums, he tells you why retail is a major signpost for the larger troubles of our culture and provides a compelling, inspiring vision for a future of retail—and business, and society.” —Eric Garland, author of Future Inc.: How Businesses Can Anticipate and Profit from What’s Next

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The SS Portland was a solid and luxurious ship, and its loss in 1898 in a violent storm with some 200 people aboard was later remembered as “New England’s Titanic.” The Portland was one of New England's largest and most luxurious paddle steamers, and after nine years' solid performance, she had earned a reputation as a safe and dependable vessel.In November 1898, a perfect storm formed off the New England coast. Conditions would produce a blizzard with 100 miles per hour winds and 60-foot waves that pummeled the coast. At the time there was no radio communication between ships and shore, no sonar to navigate by, and no vastly sophisticated weather forecasting capacity. The luxurious SS Portland, a sidewheel steamer furnished with chandeliers, red velvet carpets and fine china, was carrying more than 200 passengers from Boston to Portland, Maine, over Thanksgiving weekend when it ran headlong into a monstrous, violent gale off Cade Cod.It was never seen again.All passengers and crew were lost at sea. More than half the crew on board were African Americans from Portland. Their deaths decimated the Maine African American community.Before the storm abated it became one of the worst ever recorded in New England waters. The storm, now known as “The Portland Gale,” killed 400 people along the coast and sent more than 200 ships to the bottom, including the doomed Portland. To this day it is not known exactly how many passengers were aboard or even who many of them were. The only passenger list was aboard the vessel. As a result of this tragedy, ships would thereafter leave a passenger manifest ashore. The disaster has been blamed on the hubris of the captain of the Portland, Hollis Blanchard, who decided to leave the safety of Boston Harbor despite knowing that a severe storm was hurtling up the coast. Blanchard, a long-time mariner, had been passed over for a promotion for a younger captain. He decided he wanted to show the steamship company that they had made a mistake by getting the Portland safely into port ahead of the imminent storm. Author J. North Conway has created here a personal, visceral account of the sinking and the times and the people involved, with stories to bring readers onto the Portland that day:Here is Eben Heuston, the chief steward onboard the ill-fated ship. More than half of the crew of the ship were African Americans. Hueston was an African American who lived in the Portland community of Munjoy Hill and was a member of the Abyssinian Church. After the sinking of the Portland the African American community disappeared and the church closed. And Emily Cobb a nineteen year old singer from Portland’s First Parish Church who was scheduled to give her first recital at the church on that Sunday. And Hope Thomas who came to Boston to shop for Christmas and because she decided to exchange some shoes she purchased missed taking the ill-fated Portland.Because of the lack of communications from Maine to Cape Cod, it was days before anyone was able to get word about the fate of the ship or survivors. Author J. North Conway has painstakingly recreated the events, using first-hand sources and testimonies to weave a dramatic, can’t-put-it down narrative in the tradition of Erik Larson’s Isaac’s Storm and Walter Lord’s enduring classic, A Night to Remember. He brings the tragedy to life with contemporaneous accounts the Coast Guard, from Boston newspapers such as the Globe, Herald, and Journal, and from The New York Times and the Brooklyn DailyEagle.

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'Extremely compelling' – THE GUARDIAN 'It's a fascinating read... Buy the book! Buy the book!' – JO GOOD, BBC RADIO LONDON 'Searing... funny, eloquent and honest' – PSYCHOLOGIES 'Remarkable... I hope this book finds a wide readership' – WASHINGTON POST 'A beautifully-rendered memoir' – PUBLISHERS WEEKLY 'Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento. Readers will root for Lily, even when she is attempting to run away from the realities and sometimes authorities chasing her.' – HUFFPOST UK 'A harrowingly honest memoir' – KIRKUS REVIEWS' Because We Are Bad is an emotional, challenging read. Lily takes us deep into the heart of the illness but she is also a deft writer, and even the darkest moments are peppered with wit and wry observations.' – JAMES LLOYD, OCD-UK As a child, Lily Bailey knew she was bad. By the age of 13, she had killed someone with a thought, spread untold disease, and spied upon her classmates. Only by performing a series of secret routines could she correct her wrongdoing. But it was never enough. She had a severe case of Obsessive Compulsive Disorder, and it came with a bizarre twist. This true story lights up the workings of the mind like Mark Haddon or Matt Haig. Anyone who wants to know about OCD, and how to fight back, should read this book. It is ideal for anyone who liked books by fellow OCD sufferers Bryony Gordon (Mad Girl, Glorious Rock Bottom), Rose Cartwright (Pure), and David Adam (The Man Who Couldn't Stop: The Truth About OCD). EXTRACT Chapter 1: Chesbury Hospital From the outside, Chesbury Hospital in London looks like a castle that got lost and was plonked down in the wrong place. It is long and white, with battlements and arched windows from which princesses could call down, in the chapter before they are saved. But it’s not entirely believable. Where the portcullis should be, there are giant glass doors. Walk through them, and you could be in a five-star hotel. The man at reception wears a suit and tie and asks if he can help, like he’s going to book you a table. A glass cupboard showcases the gifts sold by reception: bath oils, rejuvenating face cream, and Green & Black’s chocolate, just in case you arrive empty-handed to see a crazy relative and need an icebreaker. The walls, lampshades, window fittings, and radiators are all a similar, unnameable colour, somewhere between brown, yellow, and cream. A looping gold chandelier is suspended by a heavy chain; the fireplace has marble columns. The members of staff have busy, preoccupied faces—until they come close to you, when their mouths break into wide, fixed smiles. Compared with the Harley Street clinic, there is a superior choice of herbal teas. When the police arrived after the escape, Mum cried a lot; then she shouted. Now she has assumed a sense of British resolve. She queries: ‘Wild Jasmine, Purple Rose, or Earl Grey?’ A nurse checks through my bag, which has been lugged upstairs. She takes the razor (fair enough), tweezers (sort of fair enough), a bottle of Baileys lying forgotten in the handbag (definitely fair enough), and headphones (definitely not fair enough). There would never be a hanging: far too much mess. The observation room is next to the nurses’ station; they keep you there until you are no longer a risk to yourself. It is 10th January, 2013, and I am 19. ABOUT THE WRITER Lily Bailey is a model, writer, and mental health campaigner. As a child and teenager, Lily suffered from severe Obsessive Compulsive Disorder (OCD). She kept her illness private, until the widespread misunderstanding of the disorder spurred her into action. She began campaigning for better awareness and understanding of OCD, and has tried to stop companies making products that trivialise the illness.

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The Essential Guide for Prophets Mining from years on the frontlines of prophetic ministry, and overseeing the internationally renowned Bethel School of Supernatural Ministry, bestselling author Kris Vallotton takes you deep into the heart of one of the most crucial, compelling and controversial topics today: the office of prophet. In this definitive guide, Kris offers often-neglected foundational teaching and provides critical advanced training, including how to · discern your calling and grow in your gift · define your divinely appointed sphere of influence and depth of authority · recognize the six different types of prophets--and how to deal with false ones · navigate potential relational difficulties as you step into your gifting · understand the complex ways God communicates · prepare for the common, but dangerous, spiritual attacks prophets face Vallotton offers a balanced view of not only what modern-day prophets are, but also what they are not. You will come away empowered and equipped with the knowledge and skills needed for this beautiful, vital, supernatural ministry. "The New Testament of Jesus Christ is a message of faith, hope and love. It is called the Good News. My friend and colleague Kris Vallotton is one of the best in the prophetic community to help shape, teach and model these 'Good News Prophets.' Thanks for honoring my generation's pioneering work and picking up the baton and carrying it forth!"--Dr. James Goll, founder, Encounters Network, Prayer Storm and GET eSchool "My friend Kris Vallotton has masterfully crafted this treatise, School of the Prophets, on the dynamics and framework of building a prophetic community in the 21st century. His life experience and seasoning in Christ have afforded the Spirit the opportunity to make him an influencer of influencers and a prophetic voice to the nations with a global footprint."--Mark J. Chironna, M.A., Ph.D.; Mark Chironna Ministries; Church on the Living Edge, Orlando, Florida "I love this book! As a person passionate to see the most desired gift in the New Testament (1 Corinthians 14:1) flourish all over the world, I would recommend this book wholesale. It clearly and biblically describes how to function in the New Testament gift of prophecy and articulates various kinds of biblical prophets. If one heeds its principles, it will give greater understanding and produce higher levels of maturity in prophetic ministry."--Stacey Campbell, founder, Canadian Prophetic Council; author, Ecstatic Prophecy "This is a must-read for all ministries. As an apostolic ministry, we recognize the gifts and callings that God has placed on the lives of those we pastor. Reading School of the Prophets has given us greater insight and understanding of how to help develop and prepare others to walk in their divine assignment. Kris Vallotton brings much clarity in what it means to be called in the office of a prophet and eliminates the fear of giving and receiving the prophetic."--Tony and Cynthia Brazelton, founders and pastors, Victory Christian Ministries International "Kris Vallotton's book reminds us that the heart of prophecy should be God's heart to build up, encourage and speak life. Kris goes through strategic and important teaching about prophecy versus the office of prophet, specifically in the context of the Church. I highly recommend this book and pray that it helps you to understand the prophetic and to 'call the gold' out of those around you."--Heidi Baker, Ph.D.; co-founder and director, Iris Global "As I read this book, I could hear the sound of an entire generation of voices emerge that will transform culture. Kris Vallotton is a father to these voices. School of the Prophets presents a practical methodology for prophetic community and a powerful manifesto for prophetic transformation in this generation."--Bob Hazlett, author, The Roar: God's Sound in a Raging World; Future Perspectives, New Haven, Connecticut

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From the Introduction, by Caroline Walker Bynum: The opportunity to rethink and republish several of my early articles in combination with a new essay on the thirteenth century has led me to consider the continuity - both of argument and of approach - that underlies them. In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders. These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives. The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk - the Cistercians - and other religious groups, monastic and nonmonastic, of the twelfth century. The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression. The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth - and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now - and perhaps has never been - dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians. A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.

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PERIODS, SEX AND ONLINE SHAMING. AN EXTRAORDINARY VERSE NOVEL FROM A BOLD NEW VOICE IN FICTION, PERFECT FOR FANS OF SEX EDUCATION AND SARAH CROSSAN.>> NOMINATED FOR THE 2021 CILIP CARNEGIE MEDAL>> SHORTLISTED FOR THE 2021 AMAZING BOOK AWARDS>> Featured on the Reading Agency's #WonderWomenBooklist>> "The book young people need." SARA PASCOE>> "Bold and vital." SAMANTHA SHANNONDuring Frankie’s first sexual experience, she gets her period. It’s only blood, they agree. No shame. Then a graphic meme goes viral, turning a fun, intimate afternoon into something mortifying and damaging. And Frankie begins to wonder: is she disgusting?As the online shaming takes on a horrifying life of its own, Frankie's universe implodes. But can laughter, bravery and the fiercest of friendships help Frankie find her way out of the darkness?PRAISE FOR BLOOD MOON:"Written with humour and understanding, this is the book young people need." SARA PASCOE“Moving, compelling and bold, it filled me with such hope.” LOUISE O'NEILL“With every verse of her debut, Cuthew shouts down the shame, chips away at the period taboo, and firmly establishes herself as a bold and vital new voice in feminist literature.” SAMANTHA SHANNON“A bloody brilliant book!” GABBY EDLIN, CEO and Founder of Bloody Good Period"Blood Moon is a tour de force of empathetic, passionate writing that refuses to pull any punches." WATERSTONES"A powerful, fiercely feminist novel that normalizes menstruation and confronts destructive cyberculture." KIRKUS, Starred review"A must-read novel of empowerment." BOOKLIST, Starred review"Captures the joy of a crush, the despair of a lost friend, and the humiliation of being “that girl” on the internet." SCHOOL LIBRARY JOURNAL, Starred review"Blood Moon canters along at a furious pace, evoking the escalating torment of online abuse." FINANCIAL TIMES"A powerful novel in verse about feminism, menstruation, and bullying that really captures what teen life is like today." BOOKRIOT"Brilliant and heart-wrenching.” HANA TOOKE, author of The Unadoptables"I devoured this amazing book. Absolutely genius.” KATE WESTON, author of Diary of a Confused Feminist"Frankie’s journey will break your heart, while making you want to dismantle society as we know it." YASMIN RAHMAN, author of All The Things We Never Said"A page-turning exposure of online bullying that will incite tears, fury and empowered conversations." AMY BEASHEL, author of The Sky is Mine“Beautiful, eloquent, relevant.” WIBKE BRUEGGEMANN, author of Love is for Losers"Gorgeous and important.” MARIA KUZNIAR, author of The Ship of Shadows"Sensitively written." PUBLISHERS WEEKLY“Beguiling verse that refuses to pull punches. Important and inspiring.” JOANNA NADIN, author of Joe All Alone“Staggeringly powerful, heart-wrenchingly fragile, desperate, daunting, tender and so very timely.” LU FRASER, author of The Littlest Yak"A must read.” DAMARIS YOUNG, author of The Switching Hour“A beautiful and brave book that needs to be read.” LOUISA REID, author of Gloves Off “Astonishing.” C J SKUSE, author of Sweet Pea“Witty, tender and ultimately uplifting, this book marks the arrival of a talented new voice.” STEVE VOAKE“I stormed through this book - one minute I was laughing, then next turning pages with shaking hands. Extraordinary.” EMMA READ, author of Milton the Mighty“Brilliant.” LUCY VAN SMIT, author of The Hurting“Fabulous. This book made me laugh, gasp and cry in turns! A teen classic.” DASHE ROBERTS, author of The Bigwoof Conspiracy"Every teenage girl should read this, and boys too. Exceptional." MARISA NOELLE, author of The Unadjusteds"Breathtaking in its simplicity and ability to pack complex thoughts and feelings into a few sparse lines on the page. Lucy Cuthew is a true master of words.” NIZRANA FAROOK, author of The Girl Who Stole an Elephant“Brave and compelling.” MARIE BASTING, author of Princess BMX"This is female adolescence, crystallized. And it’s astounding.” LAUREN MYRACLE, New York Times bestselling author"Brilliant. I can almost feel the relief of girls everywhere that finally someone is talking about this. It needs to be on the curriculum.” CATHERINE EMMETT, author of King of the Swamp“I barely looked up... Beautifully written, candid novel.” NICOLA PENFOLD, author of Where the World Turns Wild"This book is astounding. Utterly fearless and original." KIRSTY APPLEBAUM, author of The Middler

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Colin Dayan has one of the most original minds in America and also one of the fiercest. Here for the first time she turns her rigorous intellect toward her own life, onto her vexed relationship with her mother and subsequent suffering -- and she does so with her usual uncompromising clarity. It's rare for such a tormented work to be so masterful. In the Belly of her Ghost is not exactly an easy read, but it's also very hard to put down. -Madison Smartt Bell Colin Dayan's searing personal narrative is as much a Southern Gothic story as a haunting family portrait. A tale of love and resentment, In the Belly of Her Ghost is a memoir and meditation on the author's dead mother -- a Haitian woman attempting to assimilate into white Southern belle high society during the Civil Rights era. Dayan's mother grows austere with her newfound glamour and dismissive of her daughter, whose darker skin foments a loving connection with Lucille, her African American nanny. Capturing the bitter struggle of mother and daughter -- from her childhood unto death and beyond into the disconcerting present--In the Belly of Her Ghost is a lyrical journey through memory and loss. Dayan reflects on her complicated origins as she grows into a woman, uncertain if she's "black" or "white"; we see a gritty, nuanced view of the Jim Crow South. A literary ghost story, In the Belly of Her Ghost grapples with our complicated notions of race, identity, and femininity. In times such as ours, and the times from which they spawned, ages of violence against all forms of "other" -- genders, bodies, skins, ideas -- how can we lay to rest the ghosts that haunt us, and invite to the table those that help us live? Writing from the headlands far into the interior, threading the personal with the public, an elegy with a covert manifesto of hope, Colin Dayan understands what it is to be haunted: by history, by race, by family, by what presses on the definitions of one's life. In pages at once strikingly evocative, allusive, and embodied, rigorously sensory in their hard-won wisdoms, Dayan argues for the co-existence of species, variants of identity and belonging, a commonwealth of the living and the dead. In the Belly of Her Ghost imbues profound remembering with a democracy of looking and listening, where all that matters -- objects, animals, people and place -- is properly attended. It is a volume appearing undeniably in its necessary moment, and it is precisely necessary because the truths it speaks are as old as our troubles, as required as our joys. -Andrea Luka Zimmerman This subtle, ambivalent, deeply thoughtful book makes nothing easy -- difficult moments are imbued with grace and familiar parades of ghosts. "It is not easy to tell a ghost story that is not meant to frighten," Colin Dayan writes, and we hear a series of conversations with the past, with selves old and new, with memories of Haiti and the American South, with a black woman who effectively mothered the writer, with an actual mother both dead and alive. How many of us could so lucidly say of a disappointed and disappointing parent, "I did not want to love her as much as I did"? At the center of this haunting narrative is an unforgettable ghost story, which, ultimately, is not quite a ghost story at all. -Michael Wood With "In the Belly of Her Ghost," Colin Dayan delivers a haunted and haunting memoir of her mother, from a childhood in Haiti to a clipped life as a Southern belle. This is no ordinary family story: it is a lyrical telling of how racial terror and patriarchy reverberate in our most intimate relationships; it is about love aborted and love forged in violence and repression. As rejection, loss, and self-loathing simmer on the surface, this beautiful and desolate work recounts social harms and personal grievances. But it also bears witness to the persistent longing for connection that we carry with us and reminds us of what remains: an abiding faith that love can make you whole, even in death. -Deborah Chasman

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“Proofs and Fundamentals: A First Course in Abstract Mathematics” 2nd edition is designed as a "transition" course to introduce undergraduates to the writing of rigorous mathematical proofs, and to such fundamental mathematical ideas as sets, functions, relations, and cardinality. The text serves as a bridge between computational courses such as calculus, and more theoretical, proofs-oriented courses such as linear algebra, abstract algebra and real analysis. This 3-part work carefully balances Proofs, Fundamentals, and Extras. Part 1 presents logic and basic proof techniques; Part 2 thoroughly covers fundamental material such as sets, functions and relations; and Part 3 introduces a variety of extra topics such as groups, combinatorics and sequences. A gentle, friendly style is used, in which motivation and informal discussion play a key role, and yet high standards in rigor and in writing are never compromised. New to the second edition: 1) A new section about the foundations of set theory has been added at the end of the chapter about sets. This section includes a very informal discussion of the Zermelo– Fraenkel Axioms for set theory. We do not make use of these axioms subsequently in the text, but it is valuable for any mathematician to be aware that an axiomatic basis for set theory exists. Also included in this new section is a slightly expanded discussion of the Axiom of Choice, and new discussion of Zorn's Lemma, which is used later in the text. 2) The chapter about the cardinality of sets has been rearranged and expanded. There is a new section at the start of the chapter that summarizes various properties of the set of natural numbers; these properties play important roles subsequently in the chapter. The sections on induction and recursion have been slightly expanded, and have been relocated to an earlier place in the chapter (following the new section), both because they are more concrete than the material found in the other sections of the chapter, and because ideas from the sections on induction and recursion are used in the other sections. Next comes the section on the cardinality of sets (which was originally the first section of the chapter); this section gained proofs of the Schroeder–Bernstein theorem and the Trichotomy Law for Sets, and lost most of the material about finite and countable sets, which has now been moved to a new section devoted to those two types of sets. The chapter concludes with the section on the cardinality of the number systems. 3) The chapter on the construction of the natural numbers, integers and rational numbers from the Peano Postulates was removed entirely. That material was originally included to provide the needed background about the number systems, particularly for the discussion of the cardinality of sets, but it was always somewhat out of place given the level and scope of this text. The background material about the natural numbers needed for the cardinality of sets has now been summarized in a new section at the start of that chapter, making the chapter both self-contained and more accessible than it previously was. 4) The section on families of sets has been thoroughly revised, with the focus being on families of sets in general, not necessarily thought of as indexed. 5) A new section about the convergence of sequences has been added to the chapter on selected topics. This new section, which treats a topic from real analysis, adds some diversity to the chapter, which had hitherto contained selected topics of only an algebraic or combinatorial nature. 6) A new section called ``You Are the Professor'' has been added to the end of the last chapter. This new section, which includes a number of attempted proofs taken from actual homework exercises submitted by students, offers the reader the opportunity to solidify her facility for writing proofs by critiquing these submissions as if she were the instructor for the course. 7) All known errors have been corrected. 8) Many minor adjustments of wording have been made throughout the text, with the hope of improving the exposition.

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Of related interest... SOCIAL ORIGINS OF MENTAL ABILITY —Gary Collier This volume is the first comprehensive, systematic survey of research into the non-hereditary influences on intelligence. Focusing on the cultural, environmental, and social influences on the development of mental abilities, Dr. Collier helps to advance the nurture side of the "nature vs. nurture" debate. He also offers a viable synthesis of supporting facts and ideas from the worlds of psychology, the psychology of personality, and cognitive psychology. This book will have a profound influence upon academe, the psychological community, educators, and policymakers. 1993 (0-471-30407-7) 320 pp. EGO DEFENSES: Theory and Measurement —Edited by Hope R. Conte and Robert Plutchik This book explores the nature and manifestations of defense mechanisms and traces ego defense theory and research from Freud's initial conceptualization through recent work in object-relations theory and other psychoanalytically oriented approaches. It provides clinical guidelines for diagnosing, assessing, and dealing with defenses, reviews empirical research techniques, and indicates their value in development and in psychotherapy. This volume should be of value to theoreticians, clinicians, and researchers interested in finding appropriate tools for measurement of defense mechanisms. 1994 (0-471-05233-7) 352 pp. A THEORY OF PERSONALITY DEVELOPMENT —Luciano L'Abate with Charles H. Bryson Luciano L'Abate's theories are rooted in social interactions and life experiences, unlike the more traditional, somewhat metaphysical theories of personality development. In this groundbreaking work, he brings to light the heart of his theory, that the ability to love and to negotiate are the sine qua non of personal competence, with the family as the major determinant of both. This book is essential reading for personality researchers, students, and all psychologists in clinical, developmental, abnormal, and social psychology. 1993 (0-471-30303-8) 336 pp. Handbook of Self-Concept "If we could see ourselves as others see us, we would vanish on the spot." —E. M. Cioran It is one of the most intimate of realities and the slipperiest of abstractions. For Sartre it was a double negative and for B. F. Skinner, a set of learned responses. Among exponents of artificial intelligence it is the Oz at the end of the rainbow, while for Voltaire it was an unavoidable pathology. And, ever since William James first identified consciousness of self as a discrete psychological phenomenon, more than a century ago, it has been the source of intense speculation and debate among psychologists. In the past twenty years alone, over 11,000 studies have been conducted on various aspects of self-concept. Much progress has been made, and a general consensus has been reached about many of its aspects, yet, many fundamental questions remain unanswered, such as: What exactly do we mean when we say "self"? Is self-concept an aspect of a broader cognitive self-system, or is it best defined in behavioral terms? How valuable is self-concept to clinical practice? What roles do age, race, gender, and sociocultural variables play in self-concept? Bringing together contributions from leading researchers and clinicians from a broad range of psychological disciplines, this book provides answers to these and other important questions concerning self-concept. It explores all theoretical and applied aspects of self-concept, offering a balanced synthesis of the vast body of information on the subject that has accumulated since the 1970s. Chapters address each of the six primary self-concept domains (competence, social, affect, academic, family, and physical) with an emphasis on the clinical significance of each. In the chapter on clinical assessment, existing self-concept scales are subjected to in-depth quantitative and qualitative review, and readers are provided with standardized tables for organizing the principal characteristics reviewed and comparing individual test results. In the concluding chapter, Dr. Bracken describes the clinical applications of a multidimensional, context-dependent model that facilitates the synthesis of information across instruments (including more than 70 psychoeducational tests and scales provided in an appendix) and informants. Providing practical answers to many of the most important questions about self-concept, Handbook of Self-Concept is essential reading for personality psychologists as well as researchers and educators in developmental, clinical, and social psychology.

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The two years covered in the fifth volume of The Papers of George Catlett Marshall were among the most momentous in the life of Army Chief of Staff George C. Marshall-and in the course of the twentieth century. A year of transitions for Marshall, 1945 witnessed the final assault on Nazi Germany and the use of atomic weapons against Japan. Allied forces under the command of Marshall's protege, Dwight D. Eisenhower, had contained Hitler's Ardennes offensive at the beginning of the year and launched the final drive to smash the German regime. The war against Japan seemed far from over, however, and Marshall was deeply involved in planning for the massive and difficult redeployment of troops and materials from Europe to the Pacific. The debate with the U.S. Navy over supreme command of the invasion of Japan continued through the first six months of the year until Marshall secured Douglas A. MacArthur's appointment. In May and June, the chief of staff was involved in the decision to use the new atom bomb. Military-related political problems continued to consume much of Marshall's time as the Second World War drew to a close, although he was only peripherally involved in the Big Three conferences at Yalta and Potsdam. Instead, demobilization and readying U.S. Army ground and air forces for the postwar era were Marshall's chief concerns. He pressed for a unified military department against navy opposition and also lobbied incessantly for universal military training for all physically fit eighteen-year-old males as the key element in the nation's military readiness and deterrent value. After the fighting ceased, Marshall expected to retire, having served on active duty since 1902, but President Truman kept him in office until late November 1945. The day after his retirement, the president asked him to go to China to mediate in that country's increasingly violent civil war. Despite his initial success in negotiating a cease-fire between the Nationalists and Communists, irreconcilable differences soon led to renewed fighting. Marshall's continued hopes for achieving a political compromise, along with knowledge that his mission was the only hope for avoiding a disaster in China, kept him in the country until early 1947. He returned to the United States only when the president announced that General Marshall would join his cabinet as secretary of state.From The Papers of George Catlett Marshall "The one great element in continuing the success of an offensive is maintaining the momentum. This was lost last fall when shortages caused by the limitation of port facilities made it impossible for us to get sufficient supplies to the armies to continue their sweep into Germany when they approached the German border. Once additional ports had been captured and reopened there was a shortage of rail and transportation facilities with which to get supplies forward. Now the port facilities and the interior supply lines are adequate. Subject to the worldwide shortage of both cargo and personnel shipping, there is no foreseeable shortage which will be imposed by physical events in the field."-Speech to the Overseas Press Club, March 1, 1945 "Today we celebrate a great victory, a day of solemn thanksgiving. My admiration and gratitude go first to those who have fallen, and to the men of the American armies of the air and ground whose complete devotion to duty and indomitable courage have overcome the enemy and every conceivable obstacle in achieving this historic victory."-Marshall V-E Day Radio Address, May 8, 1945 "Just a few months ago the world was completely convinced of the strength and courage of the United States. Now they see us falling back into our familiar peacetime habits. They witness the tremendous enthusiasm with which we mount demobilization and reconversion, but they see as yet no concrete evidence that we are determined to hold what we have won-permanently. Are we already at this early date inviting that same international disrespect that prevailed before this war? Are we throwing away today what a million Americans died or were mutilated to achieve? Are we already shirking the responsibility of the victory?"-Speech to the New York Herald Tribune Forum, October 29, 1945

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An aspiring TV journalist faces a shattering moral dilemma and the prospect of losing her career and her life, when she joins an impetuous photographer in the Middle East. A shocking, searingly authentic thriller by award-winning ex-CNN news executive Sarah Sultoon.‘Shocking and visceral, this novel deals with the horrors of war … a brave, important and utterly compelling book’ S J Watson ‘Gritty, hard-hitting and often harrowing … a hugely exciting voice in crime fiction’ Victoria Selman‘A powerhouse writer’ Jo Spain––––––––––––––––––––––––––––––––––––––An act of mercyOr the ultimate betrayal…Who decides?Samira is an up-and-coming TV journalist, working the nightshift at a major news channel and yearning for greater things. So when she’s offered a trip to the Middle East, with Kris, the station’s brilliant but impetuous star photographer, she leaps at the chanceIn the field together, Sami and Kris feel invincible, shining a light into the darkest of corners … except the newsroom, and the rest of the world, doesn’t seem to care as much as they do. Until Kris takes the photograph.With a single image of young Sudanese mother, injured in a raid on her camp, Sami and the genocide in Darfur are catapulted into the limelight. But everything is not as it seems, and the shots taken by Kris reveal something deeper and much darker … something that puts not only their careers but their lives in mortal danger.Sarah Sultoon brings all her experience as a CNN news executive to bear on this shocking, searingly authentic thriller, which asks immense questions about the world we live in. You'll never look at a news report in the same way again... ‘A powerful story of the brutality of front-line journalism. Authentic, provocative and terrifyingly relevant’ Will Carver ‘A gritty, jarring page-turner’ Peter Hain ‘Passionate, disturbing storytelling at its best’ James Brabazon ‘You won't read another book like this in 2022! Raw, authentic, powerful ... you won't see the end coming!’ E C Scullion ‘Brilliantly conveys both the exhilaration and the unspeakable horror of life on the international news frontline’ Jo Turner ‘Astute and penetrating, evoking feelings that are long lasting and hard to shake off … Sarah Sultoon is a new and welcome voice in what can be a very crowded genre’ Random Things through My Letterbox ‘A masterclass in storytelling and cinematic in scope’ Live & Deadly ‘Brutally honest, extremely thought-provoking, stark and vivid … impossible to put down’ Jen Med’s Book ReviewsPraise for The Source**Winner: Crime Fiction Lover Best Debut Award**‘A brave and thought-provoking debut novel. Sarah Sultoon tackles a challenging and disturbing subject without sensation, and her sensitive handling, tight plotting and authentic storytelling make for a compelling read’ Adam Hamdy‘A taut and thought-provoking book that’s all the more unnerving for how much it echoes the headlines in real life’ CultureFly‘A tense thriller, a remarkable debut, heartbreaking, but ultimately this is a story of resilience and survival’ New Books Magazine‘A powerful, compelling read that doesn’t shy away from some upsetting truths … written with such energy’ Fanny Blake‘Tautly written and compelling, not afraid to shine a spotlight on the darker forces at work in society’ Rupert Wallis‘So authentic and exhilarating … breathtaking pace and relentless ingenuity’ Nick Paton Walsh, CNN‘A powerful, intense whammy of a debut that is both uncomfortable and exhilarating to read … Thought-provoking, tense, and expressive’ LoveReading‘A gripping, dark thriller’ Geoff Hill, ITV‘A cleverly constructed story that offers an authentic view behind the scenes in a British newsroom … an original and wholly engaging debut. Definitely a name to watch’ Crime Fiction Lover‘My heart was racing … fiction to thrill even the most hard-core adrenaline junkies’ Diana Magnay, Sky News ‘Unflinching and sharply observed. A hard-hitting, deftly woven debut’ Ruth Field‘With this gripping, fast-paced debut thriller, it’s easy to see what made Sultoon such a great journalist’ Clarissa Ward, CNN ‘A hard-hitting, myth-busting rollercoaster of a debut’ Eve Smith‘I could picture and feel each scene, all the fear, tension and hope’ Katie Allen For fans of Holly Watt, Sarah Vaughan, Laura Lippman and Karin Slaughter

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An absolutely charming and uplifting love story perfect for fans of Jo Thomas, Trisha Ashley and Jessica Redland. No one loves Christmas more than editorial assistant Eve Pilkins. But when her boss hits her with a huge deadline on Christmas Day, it looks like Eve's favourite time of the year might be cancelled. Armed with as much enthusiasm as she can muster, she travels to the coldest part of England, tasked with ensuring brooding author Edward Priest finishes his latest novel on time. The festive spirit at Cranberry Cross is as dark as the house itself; without a fairy light in sight, it looks like only a Christmas miracle can save this one. Will Eve be up to the task? Don't miss out on this lovely story of hope, forgiveness, and the true meaning of Christmas. From the bestselling author of Starting Over at Acorn Cottage. Readers love Christmas Eve at Cranberry Cross! 'Wow! This book totally surprised me and blew me away. I became so enthralled I couldn't stop reading... The twists and turns in this book really hooked me and the story slowly unfolding and shaping was lovely to read.' NetGalley 4* Review 'What a smashing story, very Christmassy and festive. Made me think of mince pies and cake. This story just carried me along quickly. A sweet read.' NetGalley 5* Review 'A lovely Christmas story with lovely characters. A mish-mash family and an editor living in the same home whilst working. Great read.' Goodreads 5* Review 'Beautiful book and it is so amazing, the story is so lovely and very enjoyable to read. I loved everything about this book.' Goodreads 5* Review 'Who doesn't love a Christmas story? Lots of family fun along with the expected problems. The one highlight was a horrible boss getting their comeuppance. Would thoroughly recommend a read.' NetGalley 5* Review 'Pure escapism in the form of this snowy tale... was gripped from the start and really enjoyed this book which was intertwined with romance and family connections.' NetGalley 5* Review 'I enjoyed this book from cover to cover, it isn't your usual Christmas romance it is so much more. Full of snowy scenes, a broken family and finally love. The perfect book to start off your Christmas reads.' NetGalley 5* Review 'A joy to read. Lovely characters. Great plot... Charming. Very well written. I'd definitely recommend this book. Idyllic... Set the tone of the book to perfection. Perfect seasonal book to get you in the mood for the festive season this year.' @houston3100, 5* Review 'I simply adored this book. It's warm, cosy, enveloping and packed full of beautiful romance. There's a million reasons to read it this festive season.' @beanie_bookworm, 4* Review 'Really lovely Christmas story... A heartwarming read... Great characters and a wonderful read.' NetGalley 5* Review 'What a wonderful and endearing Christmas novel... Reminded me of the Christmas version of Beauty and the Beast. A grumpy overbearing man, a woman stuck in his castle, the possibility of true love? Go pick up a copy – you'll love it.' Goodreads 5* Review 'Loved this book... Envelops loss, struggle, grief, angst, friendship and romance. The Christmas setting only makes it more lovely... The characters are strong and well written. The story warms the heart.' Goodreads 5* Review 'I adore a Kate Forster... This one is literally no different. It is filled with warmth, love, humour, lots of heart and a tonne of Christmas joy and spirit. It's like a great big hug in book form. A must read for chick lit fans.' Goodreads 5* Review 'This would be the best movie... I did not want to put it down... I wanted to see how it ended... don't try to guess... just curl up in a comfy chair, enjoy a cup of steaming herbal tea, and be transported to Cranberry Cross.' NetGalley 5* Review 'A feel good Christmas book... It had many twists and turns along the way... but still managed to get to a wonderful ending... I would love to revisit Cranberry Cross... A fantastic read.' NetGalley 5* Review

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One of the important issues players face – both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change – is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player's recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess. The little detail, though, is in the word “mostly”. Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen's Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on – you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit – and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White's most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines – either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no “one-size-fits-all” solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won't need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.

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An eloquent and timely plea for understanding refugees. Why are young people leaving their country to walk to the United States to seek a new, safe home? Over 100,000 such children have left Central America. This book of poetry helps us to understand why and what it is like to be them. This powerful book by award-winning Salvadoran poet Jorge Argueta describes the terrible process that leads young people to undertake the extreme hardships and risks involved in the journey to what they hope will be a new life of safety and opportunity. A refugee from El Salvador’s war in the eighties, Argueta was born to explain the tragic choice confronting young Central Americans today who are saying goodbye to everything they know because they fear for their lives. This book brings home their situation and will help young people who are living in safety to understand those who are not. Compelling, timely and eloquent, this book is beautifully illustrated by master artist Alfonso Ruano who also illustrated The Composition, considered one of the 100 Greatest Books for Kids by Scholastic’s Parent and Child Magazine. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. CCSS.ELA-LITERACY.RL.2.4 Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song. CCSS.ELA-LITERACY.RL.2.7 Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot. CCSS.ELA-LITERACY.RL.3.4 Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language. CCSS.ELA-LITERACY.RL.3.5 Refer to parts of stories, dramas, and poems when writing or speaking about a text, using terms such as chapter, scene, and stanza; describe how each successive part builds on earlier sections. CCSS.ELA-LITERACY.RL.3.7 Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting) CCSS.ELA-LITERACY.RL.4.1 Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text. CCSS.ELA-LITERACY.RL.4.2 Determine a theme of a story, drama, or poem from details in the text; summarize the text. CCSS.ELA-LITERACY.RL.4.5 Explain major differences between poems, drama, and prose, and refer to the structural elements of poems (e.g., verse, rhythm, meter) and drama (e.g., casts of characters, settings, descriptions, dialogue, stage directions) when writing or speaking about a text. CCSS.ELA-LITERACY.RL.4.7 Make connections between the text of a story or drama and a visual or oral presentation of the text, identifying where each version reflects specific descriptions and directions in the text. CCSS.ELA-LITERACY.RL.5.2 Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text. CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem). CCSS.ELA-LITERACY.RL.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. CCSS.ELA-LITERACY.RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone CCSS.ELA-LITERACY.RL.6.5 Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot. CCSS.ELA-LITERACY.RL.6.7 Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they "see" and "hear" when reading the text to what they perceive when they listen or watch. CCSS.ELA-LITERACY.RL.6.9 Compare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.

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Discover a world of magical storytelling from a twice Costa-shortlisted author“One of our finest children’s writers.” Phil Earle“A master storyteller.” Aisling Fowler“Another absolute triumph from one of my favourite children’s authors.” Catherine DoyleThe greatest magic is hidden in plain sight...Evie is used to not being noticed. But when she meets the mysterious Wainwright, she discovers that going unnoticed might just be what makes her unique. Recruited into a secret magical organization, Evie finds herself at the heart of an ancient and magical battle. Evil is returning to the land, and Evie is the only person who can stop it. But how can she defeat the most dangerous magician in the world, when she doesn’t even know her own powers? Don't miss Ross's other fantasy novels for young readers: The Midnight GuardiansThe Chime SeekersPRAISE FOR SPELLSTONE"Vividly atmospheric with delightful characters... [A] spellbinding story.” Daily Mail “The very definition of a page-turner: riveting, punchy, with surprises around every bend. Ross is a flawless storyteller.” Carlie Sorosiak“Another absolute triumph from one of my favourite children’s authors. Spellstone is both heartfelt and humorous, while fizzing with magic and fun.” Catherine Doyle“A cinematic roller-coaster ride of a book, magical through to its shining core.” Katharine Orton“Infused with magic, adventure and imagination. This is Ross Montgomery on top form, and the result is spectacular.” Katya Balen“A magical book that is both clever and gripping. A joy!” Lisa Thompson“Montgomery's playful imagination floods every page, creating a magical adventure full of high stakes, charming characters and unexpected twists.” Joseph Elliott“A spellbinding adventure, brimming with original magic and the most charming cast of characters.”Jenny Pearson “Sparkling with magic, danger and that wonderful Montgomery wit, Spellstone is one to jump into, full throttle. A fabulous, crackling adventure.” Amy Wilson“Ross Montgomery just gets better and better! Crackling with magic and swirling with mystery, Spellstone had me enchanted from the first page.” Jennifer Bell“Magical storytelling – bold and brilliant.” Sophie Anderson“A brilliantly inventive tale of good versus evil that weaves magic and mystery with a cast of loveable characters. I loved every page of it.” Struan Murray"From the extraordinarily vivid opening scene to the heart-stopping climax, every page proves you're in the hands of a master storyteller. I couldn't put it down!" Aisling Fowler“Ross is one of our finest children’s writers, and this is a magnificent piece of fantasy storytelling. Gripping, quirky and with characters you won’t forget.” Phil EarlePRAISE FOR THE CHIME SEEKERS“Cracking adventure from the wildly imaginative Montgomery.” Daily Mail"Funny, terrifying, full of folkloric strangeness hiding in everyday corner, this sparkling homage to David Bowie's Labyrinth is just as satisfying as last year's The Midnight Guardians." Guardian"[A] whirlwind adventure." Daily Telegraph"Richly imaginative." The Week Junior“A quest like no other: Ross Montgomery is on spectacular form in this brilliant, edge-of-your seat story.” Emma Carroll"Fast-paced and hilarious." Ross Welford"Deliciously creepy, wonderfully imaginative." Sophie Anderson“Very page-turny, with enough funny bits to stop it being too scary.” Philip Reeve“All the hallmarks of an instant classic.” Carlie Sorosiak“A fantastic adventure with shades of Jan Mark, Susanna Clarke and Neil Gaiman ... A brilliant example of the best children's fiction.” Christopher Edge"Ross Montgomery is a true master of storytelling." Jenny Pearson“FLAWLESS. Witty, emotional, beautifully written, pacey, punchy, and a story that just keeps delivering.” Nicola Skinner"A modern classic." Phil Earle“Rich in detail, humour and feeling. Ross Montgomery is a singular talent in writing brave and magical adventures." Katya Balen“Fantastic! A brilliant cast of characters ... a whirlwind adventure and a fae world brimming with darkness, wonder and faerie tricks.” Aisling Fowler“[An] enchanting masterpiece ... Charming, hilarious and brimming with magic." Catherine Doyle“A tricksy, whirlwind of an adventure from start to finish with twists and turns I didn’t expect!” Aisha BusbyPRAISE FOR THE MIDNIGHT GUARDIANSShortlisted for the 2021 Costa Children's Book AwardWaterstones Children's Book of the Month for Christmas 2020Hive Children's Book of the Month for November 2020A Toppsta Children's Book of the Month for November 2020"An enthralling, Narnia-flavoured novel with the folkloric feels of a Christmas classic." Children's Books of the Year, Guardian"Beautifully drawn fantasy characters ... a story of hope and love underpinned by witty humour.” Daily Mail"A magical slice of historical fantasy fiction.” i Newspaper"This lovely adventure story has the feel of a classic children's book." Book of the Week, The Week Junior“Beautiful writing and epic storytelling.” WRD Magazine"A real triumph of the imagination." Editor's Choice, The Bookseller

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'A powerful meditation on what it means to belong.' The Times Literary Supplement'Deeply moving.' David Lammy'Honest, poetic and deeply researched excellence.' Paterson Joseph'It took two decades for me to go in search of the parts of myself I had left behind in the Caribbean. What ghosts were waiting for me there? There was a thick, black journal in my flat, stuffed with letters, postcards, handwritten notes and diary entries. For the first time in years, I opened it.'Twenty years after living there as a child, Alexis Keir returns to the Caribbean island of Saint Vincent. He is keen to uncover lost memories and rediscover old connections. But he also carries with him the childhood scars of being separated from his parents and put into uncaring hands.Inspired by the embrace of his relatives in the Caribbean, Alexis begins to unravel the stories of others who left Saint Vincent, searching through diary pages and newspaper articles, shipping and hospital records and faded photographs. He uncovers tales of exploitation, endeavour and bravery of those who had to find a home far away from where they were born. A child born with vitiligo, torn from his mother's arms to be exhibited as a showground attraction in England; a woman who, in the century before the Windrush generation, became one of the earliest Black nurses to be recorded as working in a London hospital; a young boy who became a footman in a Yorkshire stately home. And Alexis's mother, a student nurse who arrives in 1960s London, ready to start a new life in a cold, grey country - and the man from her island whom she falls in love with.From the Caribbean to England, North America and New Zealand, from windswept islands to the rainy streets of London, and spanning generations of travellers from the 19th century to the present, Windward Family takes you inside the beating heart of a Black British family, separated by thousands of miles but united by love, loss and belonging.Read what everyone is saying about Windward Family:'A powerful meditation on what it means to belong, both as a Black Briton in search of self-knowledge and acceptance... subtly explores the racism experienced by itinerant islanders and their children, and the long shadows cast by slavery and colonialism on St Vincent... a paean to the resilience and courage of those who travel to better the lot of their families and a loving recreation of "small island" Caribbean life... imbued with the pain of separation and loss, and the joy of homecoming.' The Times Literary Supplement'Being Black British is more than an identity, it is a journey into uncharted waters of personal history. Alexis Keir's deeply moving account will ring true for all of those navigating their own stories.' David Lammy'Infused with hope... pertinent and timely... with beautiful touches of memories that will resonate with any child born of Caribbean parents in the UK... honest, poetic and deeply researched excellence.' Paterson Joseph, actor and author of The Secret Diaries of Charles Ignatius Sancho'With a tender mix of prose and historical re-imagining, Alexis creates with words, a symphony of movement that mimics his travels and journeys across continents, in search of identity and belonging. A beautiful ode to migration, love and all that we do for family.' Florence ?lájídé, author of Coconut'By turns heartbreaking and hopeful. Deeply moving.' Anita Sethi'Brilliant... Profound... written in lyrical cinematic prose. I reread many passages strictly for their beauty.' H. Nigel Thomas'Poignant... like reading about your own ancestors, who were once lost but now found and brought to life... a joy to read.' Anni Domingo'A beautiful, illuminating read. Full of heart and wisdom.' Irenosen Okojie'Beautiful, evocative... tells the story of modern Britain as much as it does of this one man.' Stella Duffy'An incredible memoir... truly compelling... truly heartbreaking... I was hooked.' Goodreads reviewer'Heart wrenching... absolutely flawless!' Goodreads reviewer'Beautifully written... had me hooked from the beginning. Refreshing and informative... Fab fab book.' Goodreads reviewer'Heartbreaking... stunning and beautiful.' Goodreads reviewer'Alexis Keir paints a picture so vivid that I could feel the sun on my face, I could smell the sea and taste the food... A brilliant and well deserved 5 stars. The narration was perfect too.' Goodreads reviewer'Sheer beauty... an incredible ancestry, allowing those forgotten to be placed into history forevermore.' Goodreads reviewer'Very powerful and gripping.' Goodreads reviewer'I fell in love with this story.' Goodreads reviewer'A labour of love, and every word is heartfelt.' Goodreads reviewer

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‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore.One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe?Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore.Praise for When I Come Home Again: ‘A superb and quietly devastating novel about grief, hope and the horrific aftershocks of war’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘When I Come Home Again is a heartbreaking read which reveals the far-reaching tragedies of war. My heart ached for the three women and for Adam… I highly recommend it – and I very much look forward to Caroline Scott’s next novel’ Anita Frank, author of The Lost Ones ‘Atmospheric descriptions of the Lake District contrast with the horrors of war in this poignant and breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘A powerful story that’s achingly moving and most beautifully written. Readers of Maggie O’Farrell and Helen Dunmore are likely to enjoy’ Rachel Hore, author of The Love Child ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Captivating, heartbreaking and uplifting. This beautiful and moving book drew me in from the first line and held me enthralled until the very end' Fiona Valpy, author of The Dressmaker's Gift ‘Caroline Scott’s quietly devastating second novel insightfully explores the impact of the Great War on returning soldiers and the families that waited… Scott skillfully unspools their heartbreaking stories while uncovering the source of Adam's fear’ Daily Mail ‘A compulsive, heart-wrenching read, beautifully and painfully evoking the toxic mix of grief and guilt suffered by survivors and the bereaved following WWI’ Liz Trenow, author of Under a Wartime Sky ‘In this powerful psychological novel, Scott explores the mental health of everyone involved in the soldier’s life. A carefully, nuanced, complex story’ Woman & Home ‘I absolutely loved it. It was page turning, mysterious, engrossing and compelling. I thought so many times I had it all figured out and I was wrong every time. I couldn’t get to the end fast enough and finished it at 1 am feeling bereft' Lorna Cook, author of The Forbidden Promise ‘A carefully nuanced, complex story’ Woman’s Weekly ‘A haunting novel with loss at its heart - the loss of self, loved ones and the lives that should have been. Caroline Scott evokes the damage and desolation of the Great War with aching authenticity, and her writing is exquisite' Iona Grey, author of The Glittering Hour 'A poignant story about love and loss’ Best 'Wonderful and evocative . . . it is so much more subtle and complex than being just the journey to discover who Adam really is. It is not only about memory and identity, it's about the repercussions and tragedy of war, reaching out across vast swathes of society' Suzanne Goldring, author of Burning Island ‘Based on true events, this is a powerful story’ Bella ‘A beautifully written novel – immersive, poignant, intricately woven’ Judith Kinghorn, author of The Echo of Twilight ‘An evocative read’ heat ‘Outstanding… The story left me breathless. Powerful, heartrending, and oh so tender. A whirlwind of emotions that will not allow us to forget’ Kate Furnivall, author of The Guardian of Lies ‘Scott’s tense and compelling mystery – with so many broken lives at its centre – ­is a timely reminder that the repercussions of war are lasting, painful and tragic’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag

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Sebastian Vickery has learned something about UFOs that he shouldn’t have—and Naval Intelligence, desperate to silence him, orders his old partner, Agent Ingrid Castine, to trap him. But Castine risks career, liberty, and maybe even life, to warn Vickery—and now they’re both fugitives, on the run from both the U.S. government and agents of the Russian GRU Directorate, which has its own uses for the UFO intelligence. With the unlikely aid of a renegade Russian agent, a homeless Hispanic boy, and an eccentric old Flat-Earther, Vickery and Castine must find an ancient relic that spells banishment to the alien species, and then summon the things and use it against them—in a Samson-like confrontation that looks likely to kill them as well. Sweeping from the Giant Rock monolith in the Mojave Desert to a cultist temple in the Hollywood Hills, from a monstrous apparition in the Los Angeles River to a harrowing midnight visitation on a boat off Long Beach Harbor, Stolen Skies is an alien-encounter novel like no other. About Forced Perspectives: “One book I’ve been hugely excited about is Tim Powers’s latest, Forced Perspectives, set in the magical underbelly of modern-day Los Angeles. Powers may be the master of the secret history novel (and one of the originators of steampunk), but his recent work has really explored the history and magic of Tinseltown in a way no one else can.” —Lavie Tindhar, The Washington Post “. . . frenetic urban fantasy that playfully blends Egyptian mythology, alternate Los Angeles history, and modern technology. . . . A cast of unusual side characters . . . add color and complexity. This labyrinthine tale of the bizarre and fantastic will grip urban fantasy enthusiasts until the end.”—Publishers Weekly ". . . moves at jet speed, along unpredictable paths, and resolves in a fully gratifying melee involving almost every major character, living or dead.”—Locus Magazine Alternate Routes: “Powers continues his run of smashing expectations and then playing with the pieces in this entertaining urban fantasy. . . . This calculated, frenetic novel ends with hope for redemption born from chaos. Powers’ work is recommended for urban fantasy fans who enjoy more than a dash of the bizarre.”—Publishers Weekly “Alternate Routes is both a thrilling mash-up of science fiction, fantasy, and horror and a work of startling moral sophistication. The horror packs a wallop, and there’s as much in the way of suspense and tension as the reader can bear. Powers takes us on one hell of a ride.”—The Federalist "Tim Powers is always at the top of the list when folks ask about my favorite authors. His weaving mythology and legend into modern stories that revolve around secret histories of our most mundane landmarks never ever disappoints."—BoingBoing About Tim Powers: “Powers writes in a clean, elegant style that illuminates without slowing down the tale. . . . [He] promises marvels and horrors, and delivers them all.”—Orson Scott Card “Other writers tell tales of magic in the twentieth century, but no one does it like Powers.”—The Orlando Sentinel “. . . immensely clever stuff. . . . Powers' prose is often vivid and arresting . . . All in all, Powers' unique voice in science fiction continues to grow stronger.”—Washington Post Book World “Powers is at heart a storyteller, and ruthlessly shapes his material into narrative form.”—The Encyclopedia of Science Fiction “On Stranger Tides . . . immediately hooks you and drags you along in sympathy with one central character’s appalling misfortunes on the Spanish Main, [and] escalates from there to closing mega-thrills so determinedly spiced that your palate is left almost jaded.”—David Langford “On Stranger Tides . . . was the inspiration for Monkey Island. If you read this book you can really see where Guybrush and LeChuck were -plagiarized- derived from, plus the heavy influence of voodoo in the game. . . . [The book] had a lot of what made fantasy interesting . . .”—Legendary game designer Ron Gilbert “Powers's strengths [are] his originality, his action-crammed plots, and his ventures into the mysterious, dark, and supernatural.”—Los Angeles Times Book Review “[Powers’ work delivers] an intense and intimate sense of period or realization of milieu; taut plotting, with human development and destiny . . . and, looming above all, an awareness of history itself as a merciless turning of supernatural wheels. . . . Powers’ descriptions . . . are breathtaking, sublimely precise . . . his status as one of fantasy's major stylists can no longer be in doubt.”—SF Site “Powers creates a mystical, magical otherworld superimposed on our own and takes us on a marvelous, guided tour of his vision.”—Science Fiction Chronicle “The fantasy novels of Tim Powers are nothing if not ambitious. . . . Meticulously researched and intellectually adventurous, his novels rarely fail to be strange and wholly original.”—San Francisco Chronicle

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Sebastian Vickery has learned something about UFOs that he shouldn’t have—and Naval Intelligence, desperate to silence him, orders his old partner, Agent Ingrid Castine, to trap him. But Castine risks career, liberty, and maybe even life, to warn Vickery—and now they’re fugitives on the run from both the U.S. government and agents of the Russian GRU Directorate, which has its own uses for the UFO intelligence. With the unlikely aid of a renegade Russian agent, a homeless Hispanic boy, and an eccentric old Flat-Earther, Vickery and Castine must find an ancient relic that spells banishment to the alien species, and then summon the thing and use it against them—in a Samson-like confrontation that looks likely to kill them as well. Sweeping from the Giant Rock monolith in the Mojave Desert to a cultist temple in the Hollywood Hills, from a monstrous apparition in the Los Angeles River to a harrowing midnight visitation on a boat off Long Beach Harbor, Stolen Skies is an alien-encounter novel like no other. About Forced Perspectives: “One book I’ve been hugely excited about is Tim Powers’ latest, Forced Perspectives, set in the magical underbelly of modern-day Los Angeles. Powers may be the master of the secret history novel (and one of the originators of steampunk), but his recent work has really explored the history and magic of Tinseltown in a way no one else can.” —Lavie Tindhar, The Washington Post “. . . frenetic urban fantasy that playfully blends Egyptian mythology, alternate Los Angeles history, and modern technology. . . . A cast of unusual side characters . . . add color and complexity. This labyrinthine tale of the bizarre and fantastic will grip urban fantasy enthusiasts until the end.”—Publishers Weekly “. . . moves at jet speed, along unpredictable paths, and resolves in a fully gratifying melee involving almost every major character, living or dead.”—Locus Magazine About Alternate Routes: “Powers continues his run of smashing expectations and then playing with the pieces in this entertaining urban fantasy. . . . This calculated, frenetic novel ends with hope for redemption born from chaos. Powers’ work is recommended for urban fantasy fans who enjoy more than a dash of the bizarre.”—Publishers Weekly “Alternate Routes is both a thrilling mash-up of science fiction, fantasy, and horror and a work of startling moral sophistication. The horror packs a wallop, and there’s as much in the way of suspense and tension as the reader can bear. Powers takes us on one hell of a ride.”—The Federalist “Tim Powers is always at the top of the list when folks ask about my favorite authors. His weaving mythology and legend into modern stories that revolve around secret histories of our most mundane landmarks never ever disappoints.”—BoingBoing Praise for Tim Powers: “Powers writes in a clean, elegant style that illuminates without slowing down the tale. . . . [He] promises marvels and horrors, and delivers them all.”—Orson Scott Card “Other writers tell tales of magic in the twentieth century, but no one does it like Powers.”—The Orlando Sentinel “. . . immensely clever stuff. . . . Powers' prose is often vivid and arresting . . . All in all, Powers' unique voice in science fiction continues to grow stronger.”—Washington Post Book World “Powers is at heart a storyteller, and ruthlessly shapes his material into narrative form.”—The Encyclopedia of Science Fiction “On Stranger Tides . . . immediately hooks you and drags you along in sympathy with one central character’s appalling misfortunes on the Spanish Main, [and] escalates from there to closing mega-thrills so determinedly spiced that your palate is left almost jaded.”—David Langford “On Stranger Tides . . . was the inspiration for Monkey Island. If you read this book you can really see where Guybrush and LeChuck were -plagiarized- derived from, plus the heavy influence of voodoo in the game. . . . [The book] had a lot of what made fantasy interesting . . .”—Legendary game designer Ron Gilbert “Powers' strengths [are] his originality, his action-crammed plots, and his ventures into the mysterious, dark, and supernatural.”—Los Angeles Times Book Review “[Powers’ work delivers] an intense and intimate sense of period or realization of milieu; taut plotting, with human development and destiny . . . and, looming above all, an awareness of history itself as a merciless turning of supernatural wheels. . . . Powers’ descriptions . . . are breathtaking, sublimely precise . . . his status as one of fantasy's major stylists can no longer be in doubt.”—SF Site “Powers creates a mystical, magical otherworld superimposed on our own and takes us on a marvelous, guided tour of his vision.”—Science Fiction Chronicle “The fantasy novels of Tim Powers are nothing if not ambitious. . . . Meticulously researched and intellectually adventurous, his novels rarely fail to be strange and wholly original.”—San Francisco Chronicle

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THE SUNDAY TIMES BESTSELLER 'Many people wonder if they can still have fun without alcohol... Gray tackles this misconception.' - The New York Times 'Gray's tale of going sober is uplifting and inspiring' - The Evening Standard 'An icon of the Quit Lit movement' - Condé Nast Traveller 'Fascinating' - Bryony Gordon 'Not remotely preachy' - The Times 'Jaunty, shrewd and convincing' - Sunday Telegraph 'Admirably honest, light, bubbly and remarkably rarely annoying' - Alice O'Keeffe, Guardian 'Truthful, modern and real' - Stylist 'Brave, witty and brilliantly written' - Marie Claire 'The Unexpected Joy of Being Sober came to me at a time when I much needed it... The book became my best friend, and got me through, and took me on a journey.' - Sadie Frost 'Particularly lovely, because it's not a deep and dark dive into someone's terrible addiction. It's a celebration of everything that she has gained from not drinking' - Laura Donnelly Ever sworn off alcohol for a month and found yourself drinking by the 7th? Think there's 'no point' in just one drink? Welcome! There are millions of us. 64% of Brits want to drink less.Catherine Gray was stuck in a hellish whirligig of Drink, Make horrible decisions, Hangover, Repeat. She had her fair share of 'drunk tank' jail cells and topless-in-a-hot-tub misadventures.But this book goes beyond the binges and blackouts to deep-dive into uncharted territory: What happens after you quit drinking? This gripping, heart-breaking and witty book takes us down the rabbit-hole of an alternative reality. A life with zero hangovers, through sober weddings, sex, Christmases and breakups. In The Unexpected Joy of Being Sober, Catherine Gray shines a light on society's drink-pushing and talks to top neuroscientists and psychologists about why we drink, delving into the science behind what it does to our brains and bodies.Much more than a tale from the netherworld of addicted drinking, this book is about the escape, and why a sober life can be more intoxicating than you ever imagined. Whether you're a hopelessly devoted drinker, merely sober-curious, or you've already ditched the drink, you will love this book. 'Haunting, admirable and enlightening' - The Pool 'A riveting, raw, yet humorous memoir with actionable advice. A truly unique blend of storytelling and science that holds a universe of hope.' - Annie Grace, author of This Naked Mind 'Like listening to your best friend teach you to be sober. Lighthearted but serious, it's packed with ideas, tools, tips and, most importantly, reasons for living a sober life. This book is excellent.'- Eric Zimmer, host of podcast The One You Feed 'Gray's fizzy writing succeeds in making this potentially boring-as-hell subject both engaging and highly seductive' - The Bookseller 'Catherine Gray is an exceptional writer. Her exquisitely crafted thoughts on the joys of being sober are not only deeply honest and pragmatic, but she manages to infuse tons of humor. This is a delightful, informative, and compelling read for all those who are sober or seeking sobriety.' - Sasha Tozzi, Huffington Post columnist 'Catherine's writing style and voice captivate me. She has a way of translating her story into an experience I don't want to end. I want to drink every drop she produces.' - Holly Whitaker, founder of Hip Sobriety School and co-presenter of Home podcast 'This book is great. A balanced, informative and entertaining mélange of memoir, sociology and psychology. I identified very strongly with huge sections of it.' - Jon Stewart, guitarist of Sleeper and Leaving AA, Staying Sober blogger > 'Sober is too often equated with "sombre" in our culture. Gray's book turns that idea on its head. Her experience of sobriety is joyful and life-affirming. A must-read for anyone who has a nagging suspicion that alcohol may be taking away more than it's giving.' - Hilda Burke, psychotherapist and couples counsellor 'Catherine Gray really captures the FUN we can have in sobriety. This book challenges the status quo; sobriet sounds as liberating as taking a trip to the jungle. Fun and inspirational. What an important book for our time! A joy to read.' - Samantha Moyo, founder of Morning Gloryville 'No other author writes about sober living with as much warmth or emotional range as Catherine Gray. Her deep insight into the subtle psychologies of drinking, and of life, means that everything she writes is both utterly relatable and stretches our minds. Hers is a rare wisdom.' - Dr Richard Piper, CEO, Alcohol Change UK

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There are few women in English history more famous or controversial than Queen Anne Boleyn. She was the second wife of Henry VIII, mother of Elizabeth I and the first English queen to be publicly executed. Much of what we think we know about her is coloured by myth and legend, and does not stand up to close scrutiny. Reinvented by each new generation, Anne is buried beneath centuries of labels: homewrecker, seductress, opportunist, witch, romantic victim, Protestant martyr, feminist. In this vivid and engaging account of the triumphant and harrowing final year of Queen Anne Boleyn's life, the author reveals a very human portrait of a brilliant, passionate and complex woman. The last twelve months of Anne's life contained both joy and heartbreak. This telling period bore witness to one of the longest and most politically significant progresses of Henry VIII's reign, improved relations between the royal couple, and Anne's longed-for pregnancy. With the dawning of the new year, the pendulum swung. In late January 1536, Anne received news that her husband had been thrown from his horse in his tiltyard at Greenwich. Just days later, tragedy struck. As the body of Anne's predecessor, Katherine of Aragon, was being prepared for burial, Anne miscarried her son. The promise of a new beginning dashed, the months that followed were a rollercoaster of anguish and hope, marked by betrayal, brutality and rumour. What began with so much promise, ended in silent dignity, amid a whirlwind of scandal, on a scaffold at the Tower of London. Through close examination of these intriguing events considered in their social and historical context, readers will gain a fresh perspective into the life and death of the woman behind the tantalising tale. "Natalie Grueninger skilfully unravels the myths surrounding Anne Boleyn's downfall, and presents the most compelling account of her final months to date. A Triumph." - Dr Owen Emmerson, Historian and Assistant Curator, Hever Castle "A heart-stirring account of Anne Boleyn's last living year. Researched flawlessly, the events are revealed in a compelling read; little-known facts adding to the tension which builds toward an emotional end. A must-read for fans and students of Tudor history." - Sandra Vasoli, author of Anne Boleyn's Letter From the Tower: A New Assessment "Genuinely ground-breaking, provocative yet sensitive, exquisitely well-researched and fair - both to Anne's friends and enemies - Natalie Grueninger's book shows us the complexities, and the secrets, that wove together during Anne Boleyn's final twelve months as queen. This is an exciting and important book of Tudor history." - Gareth Russell, Historian and author of The Ship of Dreams and Young and Damned and Fair "Astonishingly well-researched, The Final Year of Anne Boleyn triumphantly re-writes the fall of one of England's most famous queen consorts, shedding new light on a well-known story. A riveting and emotional read." - Kate McCaffrey, Assistant Curator, Hever Castle "The Final Year of Anne Boleyn is proof that a thoughtful, serious, and sensitive work of scholarship can also be entertainingly and delightfully written. Grueninger grasps the nitty-gritty and gives us a deeply considered, elegantly restrained, and often freshly compelling interpretation of this thrilling, contested, and fatal year." - Professor Suzannah Lipscomb, Historian, Author and Broadcaster. "Meticulously researched: check, well-referenced: check, a fascinating read: check, an engaging style: check. That's what I look for in a history book! Thank you, Natalie, for meddling in Anne's cause so delightfully well." - Claire Ridgway, Author and Historian "From the scaffold, she asked that we 'judge the best', but history has not been fair to Anne Boleyn. Finally, in this engrossing and meticulously researched exploration of the final year of the controversial queen's life, the real Anne leaps to life in all her tangible humanity. Brilliant, loving, compassionate, acerbic, resilient and breathtakingly bold, this is the Anne we've never fully met. From her dedication to the most vulnerable in her community, to her courage in fronting up to injustice, here was a woman who was speaking truth to power centuries before the term entered the lexicon. The prevailing patriarchy thought they'd silenced her but her enduring popularity has proven them wrong. Weaving primary sources and exhaustive contemporary research, Natalie Grueninger masterfully places the reader front and centre of one of the most portentous years in English history, untangling the complex web of intrigue that ended in the sanctioned murder of an English queen."- Karina Machado, Author and Podcaster

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From the Preface When I first went to Africa in the 1960s, I was bowled over by African art. What really got under my skin were the bangles, principally the bronze bangles from West and Central Africa. They were tactile, weighty and full of design and form. Later, when I lived in Ghana and Togo, I built up my own collection of bangles. In recent years this collection was seen by past and present curators of the British Museum and I was encouraged to work up the expertise to comment on and possibly help classify the Museum’s collection of African bangles. They recognised that they have thousands of these bangles lying mostly untouched and unloved because they could not be given a story, a context, a meaning. They were so enthusiastic and helpful that I secured introductions to many major museums around the world, to study their substantial and interesting collections. Museums in Europe and on the East and West Coasts of the United States gave me access to the rich material they had accumulated. I had the rare privilege of spending days in their storerooms in the course of which I could see and compare many thousands of bangles. The curators who accompanied me in the inspection of their bangles were aware that these beautiful artefacts had lain undisturbed because they could not be explained or set in a wider context. The bangles were attractive but seldom came with a meaningful provenance. To their great credit, these highly-qualified specialists would listen enthusiastically as my wife and I noted bangles which we had encountered elsewhere. Seeing all these bangles and thus, over time, gradually building up a picture of their types, uses and probable areas of origin, I began to realise that I was looking at a decorative culture which was self-generated, wholly unlike the decorative cultures of the rest of the world. It was unique. Astonishingly, it was to be found in almost every inhabited part of the vast semi-continental area of sub-Saharan Africa. Gold and silver were of little consequence. Copper was their “precious metal”. The style – instantly recognisable – was chunky, solid, weighty. Rarity was not a concern; the Eurasians’ “precious stones” were unknown. Rings had no great meaning. It was bangles that were the standard means of conveying status, attraction and readiness for marriage. Most importantly, as I read the stories of explorers and the later accounts of African life in the 19th and 20th centuries while I worked through the museums’ storerooms, it became clear to me, that for centuries, the bangle had been the one and only defining material culture shared by all Africans south of the Sahara. At last, an overall picture was emerging and there was now a chance of describing it before it was too late. The bangle culture that had unified Africans, through which and in which they had lived much of their lives, was fading fast. In their heartland of West and Central Africa the tactile bronze bangles that everyone wore in the 19th century – and which I saw occasionally in northern Ghana in the 1980s – were now encountered more in museums than on the bodies of inhabitants of those regions. This book will follow the art-historical practice of using “bronze” to describe all forms of copper alloys, including brass, when the composition is not directly relevant and retain “copper” for occasions when the pure metal is being discussed. “Bangle” will be used as the generic term for all forms of jewellery applied to the human body. This bangle culture is still an unselfconscious part of daily life in a few isolated African tribes and used quite naturally to send messages. But, in a few decades, this bangle culture will survive only in less traditional forms and only in limited areas in East and Southern Africa. At its height, it was an admirable system of great importance to social intercourse, replete with significance, great beauty and craftsmanship. It deserves to be recorded and I will try to do this in this book. I will set out why this bangle culture was so different from anything else in the world; the skill with which the bangles were made; and how the bangle culture spread throughout all Africa south of the Sahara; I will have to admit that the industrial world and its products have led to the Eurasian hierarchy of gold and silver overtaking bronze in Africa and, indeed, eliminating it as a “precious metal”. But I will end on a note of hope, that there are indications that the sense of solidity of form and the respect for copper that was evident in classical African bangles may still live on among African Americans.

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***'The best gardening book of 2022.' The Telegraph'A book to make even a quick trip to the corner shop endlessly fascinating. Dark has been dubbed the millennial Monty Don for this beautifully written study of the oft-overlooked nature on our doorsteps...Dark teases the drama, humour and history from even the most commonplace buddleja, box and tulip.' George Hudson, Evening Standard, Favourite Gardening Books of the Year'This enjoyable read throws a spotlight on the everyday.' Rachel de Thame's 10 Best Gardening Books of 2022, the Sunday Times'Gardening for a billionaire taught Ben Dark that "plants alone are not enough to make a garden special". Instead he finds "special" in the people and the history, as well as the plants, that fill 19½ London front gardens. A soulful read.' Tom Howard, RHS The Garden, Best Books of The Year'A wonderful book.' Alexandra Shulman, Mail on Sunday'Meet the millennial Monty Don.' The Sunday Times Style'Ben Dark's beautifully observed book, The Grove: A Nature Odyssey in 19 ½ Front Gardens, tells the stories of 20 key plants growing in a single London street's front gardens in a way that's as engaging as it is informative.' The Irish TimesAny walk is an odyssey when we connect with the plants around us. Each tree or flower tells a tale. Mundane 'suburban' shrubs speak of war and poetry, of money, fashion, love and failure. Every species in this book was seen from one pavement over twelve months and there is little here that could not be found on any road in any town, but they reveal stories of such weirdness, drama, passion and humour that, once discovered, familiar neighbourhoods will be changed forever.There is a renewed interest in the nature on our doorsteps, as can be seen in the work of amateur botanists identifying wildflowers and chalking the names on the pavements.But beyond the garden wall lies a wealth of cultivated plants, each with a unique tale to tell. In The Grove, award-winning writer and head gardener Ben Dark reveals the remarkable secrets of twenty commonly found species - including the rose, wisteria, buddleja, box and the tulip - encountered in the front gardens of one London street over the course of year. As Ben writes, in those small front gardens 'are stories of ambition, envy, hope and failure' and The Grove is about so much more than a single street, or indeed the plants found in its 19 ½ front gardens. It's a beguiling blend of horticultural history and personal narrative and a lyrical exploration of why gardens and gardening matter.'A testament to the secret communal power of a front garden.' Alice Vincent, New Statesman'Find joy in the ordinary plots on a city street.' RHS The Garden'Dark makes horticultural history fun and funny.' Editor's Choice, The Bookseller'Ben Dark is such a wonderful writer - The Grove drew me in from the first line.' Lia Leendertz'The Grove is overflowing with delicious nuggets of cultural, social and garden history ­- and I adore Ben Dark's humour and humility in equal measure.' Advolly Richmond'A heartfelt romp through the wisteria and wilderness of London's horticulturally remarkable front gardens.' Jack Wallington'A confident and elegantly written account of the fascinating narratives and histories entangled within the garden plants of a residential London street ... Dark's prose is in the tradition of classic garden writing: humorous, relatable, poetic and insightful ... The Grove is a refreshing read among modern narrative gardening books.' Gardens Illustrated'Fans of Ben Dark's mellifluous tones on The Garden Log podcast will be delighted by how perfectly his lyrical musings transfer to the printed page as, with infant son in tow, he invites the reader upon a series of horticultural expeditions inspired by the deceptively ordinary planting of the front gardens in a south London street. The kind of thoroughly enjoyable read where you realise, late in the day, that learning has snuck in by the back door, though you feel inclined to forgive the author on account of the fun you've had along the way.' Andrew O'Brien'Dark creatively blends practical horticultural knowledge, meditations on his own dream garden, and literary references, including Vita Sackville-West's husband's letter on JP Morgan's garden: "All very good taste and depressing. No inner reality." This will leave armchair gardeners seeing their surroundings with fresh eyes.' Publisher's Weekly'Dark's book amused and educated me during recent bouts of insomnia. I found snippets of information that now elevate my occasional street wanderings to something approaching a botanical exploration. At less than a tenner for the paperback edition, that's truly affordable schooling.' David Wheeler, The Oldie

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"I believe that [Bob Greenleaf's] essay, 'The Servant as Leader' is the most singular and useful statement on leadership that I have read in the last 20 years. Despite a virtual tidal wave of books on leadership during the last few years, there is something different about Bob Greenleaf's essay, something both simpler and more profound . . . For many years, I simply told people not to waste their time reading all the other managerial leadership books. 'If you are really serious about the deeper territory of true leadership,' I would say, 'read Greenleaf.' " —from Chapter 20 by Peter M. Senge, Director of the Center for Organizational Learning at MIT's Sloan School of Management and author of The Fifth Discipline: The Art and Practice of the Learning Organization "There is a building momentum for enlightened leadership in the for-profit world, the social sector, and many areas of government today . . . Good books that deal with the beliefs and convictions that nurture this movement are not easy to find. This is one. Reflections on Leadership is a worthy and worthwhile gift to all those who attach high value both to their responsibilities and to the people with whom they work." —from the Foreword, by Max DePree, Chairman and CEO of Herman Miller Inc. and author of Leadership Is an Art and Leadership Jazz "I could give you three examples of major businesses who have used this business of servant-leadership training . . . at times of terrible crisis and have worked themselves out of the crisis. Practicing servant-leadership . . . had absolutely enormous incredible benefits for them . . . and then they threw it away. Because, as soon as the crisis passed, they said 'why exert ourselves?' The great problem is not how to . . . teach servant-leadership in the first place, but to get organizations to continue to use it and embed it in part of their culture." —from Chapter 7 by M. Scott Peck, author of The Road Less Traveled "Reflections on Leadership is fitting tribute to a man whose own sense of service has given all of us hope that at long last leaders will recognize that power of purpose is far stronger than power of position. After nearly 30 years, Robert K. Greenleaf's work has struck a resonant chord in the minds and hearts of scholars and practitioners alike. His message lives through others, the true legacy of a servant-leader." —Jim Kouzes, Chairman and CEO of TPG/Learning Systems and coauthor of The Leadership Challenge and Credibility "We are each indebted to Greenleaf for bringing spirit and values into the workplace. His ideas will have enduring value for every generation of leaders." —Peter Block, Founding Partner, Designed Learning Inc. and author of The Empowered Manager, Flawless Consulting, and Stewardship: Choosing Service Over Self-Interest In the twenty-five years since Robert K. Greenleaf first articulated his vision of "servant-leadership," the world has seen a steady expansion in the influence of the man and his ideas. Hailed as the "grandfather" of the modern empowerment movement in business leadership, Greenleaf described true leaders as those who lead by serving others —empowering them to reach their full potential. He saw the ideal leader as one who transforms and integrates an organization; a steward with a commitment to the growth of people and the building of a community. Reflections on Leadership demonstrates the scope of Greenleaf's impact on contemporary management theory and offers key essays by Greenleaf and his leading business and intellectual disciples. They include such influential thinkers as M. Scott Peck, author of The Road Less Traveled, and Peter Senge, author of The Fifth Discipline. "Despite all the buzz about modern leadership techniques, no one knows better than Greenleaf what really matters." —Working Woman magazine Reflections on Leadership opens with two remarkable essays by Greenleaf himself. One of them, "Reflections from Experience," published here for the first time, presents Greenleaf's prophetic observations on the use of executive power in an organization. In "Life's Choices and Markers," Greenleaf recounts five significant influences that led him to develop his revolutionary ideas on the nature of leadership. "Servant-leadership deals with the reality of power in everyday life—its legitimacy, the ethical restraints upon it and the beneficial results that can be attained through the appropriate use of power." —The New York Times In Reflections on Leadership, a host of notable management thinkers explore the implications of the servant-leadership concept in such areas as: Business ethics Team-building and servant-leadership Corporate risk-taking Spirit in the workplace Becoming a servant-leader The future of leadership For those who have already benefited from Greenleaf's ideas and wish to deepen their understanding, this is an essential book. It is also the ideal introduction for those eager to draw on a source of wisdom that has inspired so many others.

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“A compilation of leading Dada-influenced artists from around the world." ―TRIBE LA Magazine The 2022 edition of the world’s premiere journal of contemporary dada writing and art continues a revolutionary approach to creation, inspired by the Dada movement. These days you hear a lot about NET ZERO, in reference to steps being taken to combat climate change. NET ZERO refers to the balance between the amount of greenhouse gas produced and the amount removed from the atmosphere. At this time, NET ZERO is an ambition lacking absolute definition as corporate energy titans pledge distant adherence without clear or immediate commitments to act. In fact, these so-called “innovative” scions of wealth seem to not even be able to remove the layer of hot air greenhouse gases spewing from the mouths of the pundits and politicos pushing the affirmation of their endlessly pernicious promises. Enter NYET ZERO. With NYET ZERO, MAINTENANT 16 makes an artistic power grab using DADA—in the form of original art, poetry, and writing aimed at exposing the hypocrisy of the engine-idle rich on recycled paper. We can change the now with art and thought. Otherwise, the future has NOTENTIAL. When the corporate powers that be control all of the energy resources, Art Becomes A Necessity!!! Or as Tristen Tzara put it in his Dada Manifesto, “Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE!” For the first time since debuting in 2008, MAINTENANT 16 includes work from all seven continents on the planet, with more than 250 creators from 35 countries. The MAINTENANT series gathers the work of internationally-renowned contemporary Dada artists and writers. MAINTENANT 16 offers compelling proof that concepts of Dada continue to serve as a catalyst to creators more than a century later. Contributors to Maintenant 16 include: Derek Adams • Susan Shoshannah Adler • Jamika Ajalon • Ina Al-soqi • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Avelino de Araujo • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Brent Bechtel • Peter Beda • Regina Lafay Bellamy • C. Mehrl Bennett • Carla Bertola • Volodymyr Bilyk • József Bíró • Lucy Jane Bledsoe • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • Bob Branaman • Kathy Bruce • Michael Lane Bruner • Imanol Buisan • Fork Burke • Billy Cancel • Angela Caporaso • Peter Carlaftes • Mutes César • Peter Ciccariello • Hal Citron • Lynette Clennell • Andrei Codrescu • Terese Coe • Roger Conover • Anthony Cox • Lars Crosby • Malik Ameer Crumpler • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Heather Dawish • Holly Day • Quỳnh Iris de Prelle • Laylah DeLautréamont • Lily Despic • Sam Dodson • Bruce Louis Dodson • Gabriel Don • Carol Dorf • Robert Duncan • Malcolm Easton • Salvatore Esposito • Jeff Farr • Becky Fawcett • Federico Federici • Rich Ferguson • Cheryl J. Fish • Kathleen Florence • Giovanni Fontana • Robert C. Ford • Kofi Fosu Forson • Patrick Forsythe • Abigail Frankfurt • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Anthony Gibbons • Mark Glista • Gemma Goette • Gustavo Gómez-Mejía • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • Ana-Maria Guta • Janet Hamill • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Erica ESH Henry • Aimee Herman • Jan Herman • Karen Hildebrand • Mark Hoefer • Lawrence Holzworth • Richard Humann • Matthew Hupert • Frie J. Jacobs • Ayushi Jain • Annaliese Jakimides • Mathias Jansson • Jerry T. Johnson • Boni Joi • Milana Juventa • Marina Kazakova • Anthony D. Kelly • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Hope Kroll • Paweł Kuczyński • Zygimantas Kudirka • Bénédicte Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Richard Loranger • Ruggero Maggi • Sara Maino • Gerard Malanga • Jaan Malin • Sophie Malleret • Mary Rose Manspeaker • Philippe Marcade • Fred Marchant • Eliette Markhbein • Bronwyn Mauldin • Jesse McCloskey • Philip Meersman • Lois Kagan Mingus • Charles Mingus III • Julian Mithra • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Alexander Nderitu • Dustin Nelson • J. D. Nelson • Karen Neuberg • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna Gabrielle O’Meara • Ruth Oisteanu • Valery Oisteanu • Suzi Kaplan Olmsted • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pal • Lisa Panepinto • Pamela Papino-Wood • Gay Pasley • John S. Paul • Oladipo Kehinde Paul • Giorgia Pavlidou • Puma Perl • Raymond Pettibon • Charles Plymell • Renaat Ramon • Nicca Ray • Mado Reznik • Travis Richardson • Wes Rickert • Benjamin Robinson • Radoslav Rochallyi • L. Rose • Alison Ross • Martina Salisbury • William Seaton • Jack Seiei • Silvio Severino • Susan Shup • Bertholdus Sibum • Paul Siegell • Denise Silk-Martelli • Zoltan Simon • Lily Simonson • Neal Skooter Taylor (LA Dada) • Angela Sloan • Valerie Sofranko • Paul Sohar • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Laurie Steelink • J. J. Steinfeld • Christine Sloan Stoddard • Thomas Stolmar • Rich Stone • W. K. Stratton • Belinda Subraman • Kelly Talbot • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Anoek van Praag • Lynnea Villanova • Barbara Vos • Matina Vossou • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Syporca Whandal • Brenda Whiteway • Maw Shein Win • A. D. Winans • Tracy Witt • Francine Witte • Jeffrey Cyphers Wright • Yaryan • Gerald Yelle • Karen Romano Young • Andrena Zawinski • Larry Zdeb • Nina Živančević • Joanie HF Zosike

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The Assassination of the Chief Judge has pushed the Capitol to the Edge. The Great Extermination has spread to all the land. The casteless must be annihilated. Their only hope is the fallen Protector Ashok Vadal. But Vadal is being held prisoner on the island of Fortress. In order to save those who need him most, he must escape and find his way across the demon-infested sea and return to Thera, the prophet of an illegal and forgotten god. It is she who has sent the Sons of the Black Sword to war against the warrior caste, hoping to buy time until Vadal’s return. But as the chaos swirls, Grand Inquisitor Omand Vokkan launches a coup to install Lord Protector Devedas as his puppet king. Devedas has no intention of being anyone’s puppet, but it may not matter. For Vokkan has struck a secret bargain with a demon. Vokkan will destroy the casteless for this ancient being; in exchange, he will be granted the power of the ancient gods. Ashok Vadal, Thera, and the Sons of the Black Sword face foes both human and supernatural, Byzantine political intrigue and bloody hand-to-hand combat, gods and demons alike. But Vadal is a warrior, with a warrior's heart, and woe to those who would stand in his way—man, god, demon, or otherwise! About Destroyer of Worlds: “The inevitable fight scenes are just as epic as fans expect. Packed with action, grit, and Ashok’s own grim sarcasm, Correia’s latest is sure to satisfy.”—Publishers Weekly About House of Assassins: “Correia piles on the intrigue, action, and cliffhangers in the invigorating second Saga of the Forgotten Warrior epic fantasy. . . . Correia also weaves in elements that question the value of belief and the cost of giving authority to those who find more profit in preying on the weak. . . . Brisk fight scenes, lively characters, and plenty of black humor continue to make this series a real pleasure.”—Publishers Weekly About Son of the Black Sword: “This book has everything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people—gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow.”—Jim Butcher, creator of the New York Times best-selling Dresden Files “Best-selling fantasy author Correia casts a compelling spell with this India-influenced series opener. . . . Correia skillfully sets in motion this story of plots within plots, revealing complex, sympathetic characters and black-hearted villains with equal detail and insight. Full of action, intrigue, and wry humor, this exciting series launch promises many more thrills to come.”—Publishers Weekly (starred review) “Fans who like Correia’s fast-moving style will be pleased with the plethora of action scenes, and epic fantasy readers interested in delving into a new universe should be equally satisfied. A solid choice for admirers of Brent Weeks and Brandon Sanderson’s Mistborn series.”—Library Journal “Correia is, above all, a storyteller, and he weaves a unique and entertaining tale. Without question, his action sequences pop on the page, his magic system has a nice wrinkle, and he has the foundations laid out for some excellent character growth as the series continues. . . . [A] definite hit.”—Bookreporter “The lore here is fascinating and well told. I enjoyed learning the history of the world and the legend of Ramrowan. The politics are just complicated enough to feel real without being too difficult to follow. Where the book truly shines, however, is in the characters. All are well drawn and distinctively voiced.”—SFCrowsnest “I loved the book, it was great, fast paced, with wonderful characters, and also a lot of wonderful scenes that screamed to be painted.”—Larry Elmore, legendary, award-winning artist, and cover artist for Son of the Black Sword. “Son of the Black Sword: Saga of the Forgotten Warrior tells of what happens after the war with the gods, when demons were cast out and fell to the world to nearly destroy these unstoppable beasts until the gods sent a hero to save them. Centuries have passed since this event and the people have regulated these events to legend. One Ashok has been chosen to be a protector with a powerful weapon in hand, uncovering those who still practice old ways and are potential dangers to the order—but when he discovers all his efforts have been based on a lie, everything's about to change. A powerful epic fantasy evolves into a solid, compelling read.”—Midwest Book Review About the urban fantasy of Larry Correia: “[A] no-holds-barred all-out page turner that is part science fiction, part horror, and an absolute blast to read.”—Bookreporter.com “A gun person who likes science fiction—or, heck, anyone who likes science fiction—will enjoy [these books]. . . The plotting is excellent, and Correia makes you care about the characters…I read both books without putting them down except for work . . . so whaddaya waitin’ for? Go and buy some . . . for yourself and for stocking stuffers.”—Massad Ayoob “This lighthearted, testosterone-soaked sequel to 2009's Monster Hunter International will delight fans of action horror with elaborate weaponry, hand-to-hand combat, disgusting monsters, and an endless stream of blood and body parts.”—Publishers Weekly on Monster Hunter Vendetta

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From the Preface: The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms. A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition. There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making.

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Zelensky is the first major biography of Ukraine's leader written for a Western audience. Told with flair and authority, it is the gripping story of one of the most admired and inspirational leaders in the world. Action-packed biography of Ukraine's comedian-turned-President Millions who have admired Volodymyr Zelensky's defiance during Russia’s invasion of Ukraine will learn much from this up-to-date biography of the Ukrainian President. Zelensky's life to date has been packed with drama and action. By the age of 20, the Jewish boy from the provincial town of Kryvyi Rih had become a star of the stage. At 30, he headed a multimillion-dollar TV company. At 40, he took on Ukraine’s corrupt political and business elite in a TV drama, playing a history teacher who becomes President. Then he launched a real-life political party named after the TV show, won a landslide victory and became Ukraine's real President. When Russian troops flooded across the border, Zelensky refused Western offers to leave Kyiv. He has marshalled Ukraine's resistance and successfully obtained Western missile systems and anti-tank weapons. Zelensky said: ‘If I am elected, they will first sling mud at me. Then they will learn to respect me. And finally cry when I leave.’ Zelensky is written by a long-standing Russia and Ukraine reporter and a Russian- and Ukrainian speaking researcher. It’s a pithy biography of Zelensky for anyone who wants to understand Ukraine’s charismatic head of state, his complex country, and its vexed relationship with Russia. Covering Zelensky's life from his childhood to the Ukrainian presidency, Zelensky deals with his background in a Russian-speaking region of Ukraine, his early career in TV taking part in KVN talent competitions, and his rise through the Ukrainian and Russian television industry. Then it deals with Zelensky's breakthrough moment in the TV series Servant of the People playing a teacher who dreams of reforming Ukraine and ending its corruption. The show becomes a reality and Zelensky's party, Servant of the People, takes power. Zelensky's presidency is marred by his attempts to curry favour with the US President Donald Trump and the offshoring of millions of dollars. Nonetheless, Zelensky battles political rivals and takes on powerful vested interests in Europe’s second-largest country. Then with his doggedness, speeches and strategy, he marshals Ukraine's staunch resistance to a superpower – a fight that most analysts assume Russia will quickly win. But they do not - and Ukraine starts to turn the tide of the war. Zelensky and his country become symbols of defiance against Vladimir Putin's aggression. Zelensky: A Biography of Ukraine's War Leader is both an uplifting story and an urgent message from Ukraine. About the authors STEVEN DERIX is a journalist at the Dutch newspaper NRC. From 2014 to 2020 he was NRC correspondent for Russia, Ukraine and Belarus. MARINA SHELKUNOVA studied journalism and was a researcher and coordinator for NRC and De Standaard. ExtractVladimir Putin rarely underestimates his opponent. At the KGB Academy in Leningrad, he learned the meticulous art of profiling ‘targets’ of the service, whether they were Russian dissidents or East German Communist apparatchiks. Before meeting with anybody, Putin first analyses their strengths and weaknesses. During his first visit to the United States, he wound President George W. Bush around his little finger, with pious tales of his christening in the Russian Orthodox Church. Afterwards, an obviously charmed Bush told of how he had looked into the ‘soul’ of the former KGB officer. When German Chancellor Angela Merkel visited Sochi in 2007 to discuss energy policy, Putin had his black labrador Konni brought in. Merkel – who is terrified of dogs – dared not budge an inch, and Putin dominated the conversation. Vladimir Putin also carefully considers way he talks about people. The Russian President is only too aware of the political appeal of Alexey Navalny, and will therefore never allow the name of the opposition leader to cross his lips – not even since Navalny’s incarceration in January 2021. Putin’s spokesperson, Dmitri Peskov, consistently refers to Navalny as ‘that blogger.’ *** In April 2019, Volodymyr Zelensky was elected as the sixth President of Ukraine, with nearly three-quarters of the vote. One month later, the Russian President attended the World Economic Forum in St. Petersburg. It had been five years since Russia’s annexation of Crimea but daily skirmishes between the Ukrainian army and pro-Russian separatists were still commonplace in eastern Ukraine. ‘Why did you not congratulate Volodymyr Zelenksy when he became President?’ asked the interviewer. Putin breathed a heavy sigh. The Russian officials and business magnates in the room playfully nudged one another: this was going to be good. ‘You know,’ said Putin, ‘he is still pushing a certain rhetoric. He labels us “enemies” and “aggressors.” Perhaps he should think about what he really wants to achieve, what he wants to do.’ Putin had still not once uttered the name ‘Zelensky.’ ‘You are the President of a world power,’ the interviewer fawned, ‘and right now, he is incredibly popular in his country. Both of you could start with a clean slate. Even a small gesture might completely change the course of world history. Why not simply arrange a meeting?’ Putin gave the enormous hall an almost pitying look, and waited until the sniggering from the officials and businesspeople had died down. ‘Did I say “no”?’ replied Putin. With a snide grin, he added: ‘Nobody has invited me.’ ‘Are you prepared to meet with him?’ Putin now looked genuinely amused. ‘Listen, I do not know this man. I hope that we can meet one day. As far as I can tell, he’s amazing at what he does, he’s a marvellous actor.’ Laughter and generous applause filled the room. Putin continued: ‘But seriously: it’s one thing to play a person, but quite another thing to be that person.’ Buy the book to continue reading

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This book describes a system of meaning management, the first-ever systematic approach to successful brand meaning. 'This book illuminates the most ancient grooves in our mental architecture, which Carol Jung described as "archetypes", and shows how they can be employed to bring meaning and profit to a brand. There is a nascent power here, which, if understood correctly, can bring a rare vitality to a brand or a corporation' - From the Foreward by Alex Kroll former Creative Director, CEO and Chairman of Young & Rubicam. Some brands are so extraordinary that they become larger-than-life, symbolic of entire cultures, and used and admired by consumers the world over. But in spite of all the books and banter about branding, few companies come even close to developing iconic identities for their brands. New Internet brands are being born every minute, with lots of flash and fanfare, but often with no real human connection to make them truly relevant.At the same time, mature brands are diluting their identities in an attempt to respond to shifting trends, while other others attempt to graft meaning onto products in artificial and ineffectual ways. As a result, millions of advertising and promotional dollars are being squandered. Understanding and leveraging archetypal meanings - that is, finding the soul of your brand and then expressing it in ways that tap into universal feelings and instincts - are key prerequisites to effective marketing in today's intensely competitive and complex environment. Archetypes - which can be found in reoccurring patterns in art, literature, myth and fables - show us the way. Carol Pearson and Margaret reveal that when these deep psychic imprints are understood and employed, brands not only gain meaning, but companies can also gain market share and increase shareholder value. Yet, until now, no system has been available to help guide the management of archetypal meaning.Best-selling author Carol Pearson has spent 30 years developing systematic psychological frameworks and applying and field-testing them in business and educational settings. Margaret Mark is the strategist behind many of today's most enduring and successful brands, from AT&T and Kraft Foods to General Motors and Madison Square Garden. Together, Mark and Pearson have created the first systematic methodology for leveraging archetypal meanings to build successful brands. In an easily accessible way, "The Hero and the Outlaw" offers a clearly structured system that all business and marketing professionals can follow and replicate.After presenting the compelling concept of archetypal meaning, the authors demonstrate specific methods for implementing this concept into real-world setting, including: how to understand the deep meaning of your product category and "claim" it for your brand, how to assess the competitive landscape from an archetypal perspective, how to connect with customers more deeply, and how to tell your brand's story in a way that echoes the most enduring and beloved story patterns, the world over. Readers will learn how to strip away surface information to discover the deeper core meanings that can make a product, service, or organization a winning brand.Illuminating the untapped potential underlying every stage of the marketing mix, the authors also show how the brand story begins with the product itself, and can be communicated not only in the advertising, but also in event marketing, public relations, organizational culture/policies, and philanthropic efforts. Such efforts flow naturally when a company knows its core values and lives the great story of the archetype that embodies them. The books' fascinating culmination puts it all together with an illumination of how the deep meaning of a product category, itself can inspire a unique and compelling brand identity. This final chapter also shows how products can be effectively marketed in ways that reinforce positive potentials within customers and the society as a whole - and generally, do no harm.A first in business literature, "The Hero and The Outlaw" offers both a fascinating examination of those few extraordinary brands that have already achieved archetypal status, as well as a sound and proven methodology readers can use to achieve their own iconic brand identity - an identity that will withstand the test of time, cross lifestyle and cultural boundaries, and translate into exceptional success. 'For those wise enough to use this system, the outcome will be consistently more powerful brands and higher ROI. I have seen it applied, and it works every time' - Peter Georgescu, Chairman Emeritus, Young & Rubicam.'Mark and Pearson are true humanists. They apply their understanding of common psychic experiences in the unlikely arena of advertising, and then expertly guide marketers to manage their brands' meaning to maximize their commercial effectiveness without causing negative social effects' - Ruth Wooden, President of the National Parenting Association and former ten year President of the Advertising Council.'This provocative and insightful book could and should revolutionize the world of marketing' - Margaret Wheatley, best-selling author, "Leadership and the New Science" and co-author, "A Simpler Way". 'What a great concept! Anyone with a genuine interest in marketing and branding will find this provocative and enlightening book extremely valuable' - Bob Wehling, Global Marketing Officer, Proctor & Gamble. '"The Hero and the Outlaw" will soon become the guiding light, the port in the storm, that will make our meandering and lengthy creative journey light years faster. I only wish it had been written years earlier' - Linda Kaplan Thaler, President and CEO, The Kaplan Thaler Group. 'It reads with the fascination of fiction, and it provides a last remaining hope for managing any meaningful brand differentiation in the marketplace today' - Arlene Brickner, Vice President Creative Services and Public Relations, Coach.

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The outcome of a brutal war, which took place 1,885 years ago, continues to reverberate in the Near East today. It is a tale largely unknown outside Israel, and yet it helps explain why the region continues to be engulfed by strife. "As a historian I learned about the Bar Kokhba War, but the explanations for why and how it happened seemed confused," said historian and author Lindsay Powell. "As with King Arthur, fact and myth have become muddled. To establish the truth, I travelled across three continents. BAR KOKHBA: The Jew Who Defied Hadrian and Challenged the Might of Rome is the result." This amazing and consequential story involves an epic struggle between the two strong-willed leaders over who would rule a nation. One protagonist was Hadrian, the cosmopolitan ruler of the vast Roman Empire, then at its zenith, who some regarded as divine. He is best known today for the famous wall he built in northern Britain. The other was Shim'on, a Jewish military leader in a district of a minor province; some believed him to be the 'King Messiah' after sage Rabbi Akiba allegedly saw him fulfilling biblical prophecy and named him 'Bar Kokhba' ('Son of a Star'). It is also the tale of the clash of two ancient cultures. One was the conqueror, seeking to maintain control of its hard-won dominion they called Judaea; the other was the conquered, seeking to break free and establish a new nation. Shim'on called his new country Israel. Several causes for the war have been suggested, such as bans on circumcision or studying Torah which Powell evaluates in his book. Most likely it was the decision by Hadrian to rebuild then ruined Jerusalem as a pagan city for retired Roman soldiers. He called it Aelia Capitolina after his own family and the triad of Roman gods whose shrine may have been erected over the remains of the Second Temple. It may or may not have been Hadrian's intention, but the Jews took it as a direct insult. During the ensuing conflict - called the 'Second Jewish War' (AD 132-136) - the highly motivated Jewish militia sorely tested the highly trained - and normally invincible - professional Roman army. Powell said: "Amazingly, the Jewish rebels withstood the Roman onslaught for three-and-a-half years. They established an independent nation with its own administration led by Shim'on as its president (nasi). They minted their own coins by overstriking Roman coins with Jewish iconography, cheerfully obliterating the image of the emperor and pagan gods with every strike of the hammer." Found in caves in the Judaean Desert in the 1950s and 1960s, letters from Shim'on to his lieutenants survive revealing how deeply involved he was in day-to-day actions, and his increasing frustration with their laziness. For reasons Powell explains in his book, the Jews ultimately lost. In retribution, Hadrian expelled the Jews from Judea and barred them from entering Aelia Capitolina and its holy sites. He even changed the name of the Roman province to Syria Palaestina - the origin of Palestine. "The outcome of that David and Goliath contest was of great consequence, both for the people of Judaea and for Judaism itself," said Powell. "Centuries of bloodshed followed." In death, Bar Kokhba became a legend. Over the ages, this flawed rebel with a cause become a hero for the increasingly persecuted Jews in the Diaspora longing to found a new Jewish homeland. Across Europe in the early twentieth century, there were athletic teams competing in sports events under the moniker 'Bar Kochba' as part of a movement to create the image of the 'Muscular Jew'. The last games were held in Berlin in 1936, just two years before Kristallnacht. Eric H. Cline, Professor of Classical and Ancient Near Eastern Studies and Anthropology, George Washington University, writes in the foreword of the book: "There are a very limited number of people whose life, and death, still impact other centuries after they have shuffled off this mortal coil. There are fewer still who inspire entire movements, and migrations, such as the return to what is now modern Israel by the Zionists, after that same length of time." In the interwar years in Palestine, armed Jewish resistance groups championed Bar Kokhba as a figure of inspiration in their own struggle against the British and Palestinian Arabs to establish a new State of Israel; it finally came into being in 1948. Today modern Israelis still celebrate Bar Kokhba with bonfires and songs on the annual Lag B'Omer holiday. In researching his book, Powell went on a journey stretching from Hollywood to London, Jerusalem to Tel Aviv and Caesarea, and Herodium to Ein Gedi. He drew upon archaeology, art, coins, inscriptions, militaria, as well as secular and religious documents, to produce a compelling and complete account of the people and events at a crucial time in world history. Commenting on the new book, Cline said: "Let it be said that Powell's researches have resulted in an enthralling journey through history. It is a marvelous search for the man behind the myth, which is well worth reading. I hope that you enjoy it as much as I did."

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Zelensky is the first major biography of Ukraine's leader written for a Western audience. Told with flair and authority, it is the gripping story of one of the most admired and inspirational leaders in the world. Action-packed biography of Ukraine's comedian-turned-President Millions who have admired Volodymyr Zelensky's defiance during Russia’s invasion of Ukraine will learn much from this up-to-date biography of the Ukrainian President. Zelensky's life to date has been packed with drama and action. By the age of 20, the Jewish boy from the provincial town of Kryvyi Rih had become a star of the stage. At 30, he headed a multimillion-dollar TV company. At 40, he took on Ukraine’s corrupt political and business elite in a TV drama, playing a history teacher who becomes President. Then he launched a real-life political party named after the TV show, won a landslide victory and became Ukraine's real President. When Russian troops flooded across the border, Zelensky refused Western offers to leave Kyiv. He has marshalled Ukraine's resistance and successfully obtained Western missile systems and anti-tank weapons. Zelensky said: ‘If I am elected, they will first sling mud at me. Then they will learn to respect me. And finally cry when I leave.’ Zelensky is written by a long-standing Russia and Ukraine reporter and a Russian- and Ukrainian speaking researcher. It’s a pithy biography of Zelensky for anyone who wants to understand Ukraine’s charismatic head of state, his complex country, and its vexed relationship with Russia. Covering Zelensky's life from his childhood to the Ukrainian presidency, Zelensky deals with his background in a Russian-speaking region of Ukraine, his early career in TV taking part in KVN talent competitions, and his rise through the Ukrainian and Russian television industry. Then it deals with Zelensky's breakthrough moment in the TV series Servant of the People playing a teacher who dreams of reforming Ukraine and ending its corruption. The show becomes a reality and Zelensky's party, Servant of the People, takes power. Zelensky's presidency is marred by his attempts to curry favour with the US President Donald Trump and the offshoring of millions of dollars. Nonetheless, Zelensky battles political rivals and takes on powerful vested interests in Europe’s second-largest country. Then with his doggedness, speeches and strategy, he marshals Ukraine's staunch resistance to a superpower – a fight that most analysts assume Russia will quickly win. But they do not - and Ukraine starts to turn the tide of the war. Zelensky and his country become symbols of defiance against Vladimir Putin's aggression. Zelensky: A Biography of Ukraine's War Leader is both an uplifting story and an urgent message from Ukraine. About the authors STEVEN DERIX is a journalist at the Dutch newspaper NRC. From 2014 to 2020 he was NRC correspondent for Russia, Ukraine and Belarus. MARINA SHELKUNOVA studied journalism and was a researcher and coordinator for NRC and De Standaard. ExtractVladimir Putin rarely underestimates his opponent. At the KGB Academy in Leningrad, he learned the meticulous art of profiling ‘targets’ of the service, whether they were Russian dissidents or East German Communist apparatchiks. Before meeting with anybody, Putin first analyses their strengths and weaknesses. During his first visit to the United States, he wound President George W. Bush around his little finger, with pious tales of his christening in the Russian Orthodox Church. Afterwards, an obviously charmed Bush told of how he had looked into the ‘soul’ of the former KGB officer. When German Chancellor Angela Merkel visited Sochi in 2007 to discuss energy policy, Putin had his black labrador Konni brought in. Merkel – who is terrified of dogs – dared not budge an inch, and Putin dominated the conversation. Vladimir Putin also carefully considers way he talks about people. The Russian President is only too aware of the political appeal of Alexey Navalny, and will therefore never allow the name of the opposition leader to cross his lips – not even since Navalny’s incarceration in January 2021. Putin’s spokesperson, Dmitri Peskov, consistently refers to Navalny as ‘that blogger.’ *** In April 2019, Volodymyr Zelensky was elected as the sixth President of Ukraine, with nearly three-quarters of the vote. One month later, the Russian President attended the World Economic Forum in St. Petersburg. It had been five years since Russia’s annexation of Crimea but daily skirmishes between the Ukrainian army and pro-Russian separatists were still commonplace in eastern Ukraine. ‘Why did you not congratulate Volodymyr Zelenksy when he became President?’ asked the interviewer. Putin breathed a heavy sigh. The Russian officials and business magnates in the room playfully nudged one another: this was going to be good. ‘You know,’ said Putin, ‘he is still pushing a certain rhetoric. He labels us “enemies” and “aggressors.” Perhaps he should think about what he really wants to achieve, what he wants to do.’ Putin had still not once uttered the name ‘Zelensky.’ ‘You are the President of a world power,’ the interviewer fawned, ‘and right now, he is incredibly popular in his country. Both of you could start with a clean slate. Even a small gesture might completely change the course of world history. Why not simply arrange a meeting?’ Putin gave the enormous hall an almost pitying look, and waited until the sniggering from the officials and businesspeople had died down. ‘Did I say “no”?’ replied Putin. With a snide grin, he added: ‘Nobody has invited me.’ ‘Are you prepared to meet with him?’ Putin now looked genuinely amused. ‘Listen, I do not know this man. I hope that we can meet one day. As far as I can tell, he’s amazing at what he does, he’s a marvellous actor.’ Laughter and generous applause filled the room. Putin continued: ‘But seriously: it’s one thing to play a person, but quite another thing to be that person.’ Buy the book to continue reading

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TABLE OF CONTENTS: Foreword to the Second Edition. I. THE MAN AND HIS WRITINGS: How Augustine Came to the Episcopacy (Sermon 355, 2); Augustine Chooses Eraclius as His Successor (Letter 213, 1, 5, & 6); Augustine on His Own Writings (Retractations Prol. I, 1-3). II. FAITH AND REASON: Belief is Volitional Consent (On the Spirit and Letter 21, 54; 34, 60); To Believe Is to Think with Assent (Predestination of the Saints 5); Believing and Understanding (On Free Choice II, 2, 4-6); Authority and Reason (Against the Academics III, 20, 43); Two Ways to Knowledge (On Order II, 9, 26-27); Reason and Authority in Manicheism (Value of Believing 1-4); The Relation of Authority to Reason (True Religion 24, 45 -- 25, 47); If I Am Deceived, I Am Alive (City of God XI, 26); I Know that I Am Alive (The Trinity XV, 12, 21-22); Knowledge and Wisdom (The Trinity XII, 14, 21 -- 15, 25); Error and Ignorance (Enchiridion 17). III. THREE LEVELS OF REALITY: Creator, Human Soul, Body (Questions for Simplicianus I, 2, 18); Natures on Three Levels (Letter 18, 2); Soul, Ruled by God, Rules Its Body (On Music VI, 5, 12-13); Soul: Above the Sensible, Below God (True Religion 3. 3); God, Mutable Spirits, and Bodies (Nature of the Good 1-25); Divine, Psychic and Bodily Nature (City of God VIII, 5-6); Causality: Divine, Psychic and Bodily (City of God V, 9); Divine Ideas as Prototypes (Eighty-Three Different Questions 46, 1-2); God Set Spiritual Creation Above the Corporeal (Literal Commentary on Genesis VIII, 20, 39; 25, 46; 26, 48); Evil: the Privation of the Good (Enchiridion 10-12). IV. MAN'S SOUL: Existence, Life, Sense and Reason (On Free Choice II, 3, 7-8, 10); Sensation as an Activity of the Soul (On Music VI, 5, 9-10); Memory, Understanding and Will (The Trinity X, 11, 17-18); The Wonders of Memory (Confessions X, 8-26); Three Levels of Vision (Literal Commentary on Genesis XII, 6, 15 -- 11, 22; 30, 58 -- 31, 59). V. THE WORLD OF BODIES: All Bodily Natures Are Good (City of God XII, 4); Invisible Seeds in the Elements (The Trinity III, 8, 13); The Elements Contain Seminal Reasons (Literal Commentary on Genesis IX, 17, 32); Measure, Number, and Weight (Literal Commentary on Genesis IV, 3, 7); Concerning Formless Matter (Confessions XII, 3. 3 -- 9, 9); Place, Time and the Physical World (City of God XI, 5-6); The Wonders of Nature (City of God XXI, 4-5); God Works Throughout Nature (The Trinty III, 5, 11 -- 6, 11); Man's Natural Endowments (City of God XXII, 24); The Physical World and the Christian (Enchiridion 9). VI. APPROACHING GOD THROUGH UNDERSTANDING: Creation is a Great Book (Sermon, Mai 126, 6); The Journey of the Soul to God (On Free Choice II, 12, 33-34; 15, 39-40; 16, 41-42); The Soul's Ascent to God (Confessions VII, 10, 16 -- 17, 23); The Whole World Proclaims Its Maker (On Psalm 26, Serm. 2, 12); Ascending to the Supreme Truth (True Religion 29, 52 -- 31, 58); Plato's View of God (City of God VII, 4); How to Think About God (The Trinity V, 1, 2 -- 2, 3); The Problem of Speaking About God (The Trinity VII, 4, 7-9); God Is the Selfsame (On Psalm 121, 3, 5); A Divine Invocation (Soliloquies I, 2-6); Late Have I Loved Thee (Confessions X, 27, 38 -- 28, 39). VII. MORAL AND RELIGIOUS LIFE: All Men Desire Happiness (On Psalm 32, Serm. 3, 15-16); Man's Greatest Good (Moral Behavior of the Catholic Church 3-8); Good Love and Bad Love (City of God XIV, 6-7); Moral Evil Stems from Bad Will (City of God XII, 6); Two Precepts of Love (City of God XIX, 14); On Diversities of Local Customs (Letter 54, 1-4); Doing Good to Body and Soul (Moral Behavior of the Catholic Church 27-28); The Evil of Telling a Lie (Enchiridion 18, 19, 22); Lying and Concealing the Truth (On Psalm 5, 7); Faith, Hope and Charity (Enchiridion 8); No Virtues Apart from God (City of God XIX, 25); Our Reward Is Not in This Life (On Psalm 48, Serm. 2). VIII. DIMENSIONS OF GRACE: What the Grace of God Is (On Admonition and Grace 2, 3); Augustine Was Never a Pelagian (Retractations I, 9, 2-4); What True Grace Is (On the Grace of Christ 26, 27); The Work of Grace (City of God XXI, 15-16); How Freedom Is Restored by Grace (Enchiridion 30-32); God's Foreknowledge and Human Willing (City of God V, 10); Grace Before and After the Fall (Enchiridion 104-106); Grace and Good Works (On Psalm 31, Serm. 2, 6-8); Prevenient Grace (On Psalm 18, Serm. 2); Grace and Human Miseries (City of God XXII, 20-22); The Beatific Vision (On Psalm 36, Serm. 2, 8). IX. THE TWO CITIES: Augustine's Analysis of the City of God (Letter to Firmus); How the Two Cities Differ (City of God XIV, 1); Two Loves Make Two Cities (Literal Commentary on Genesis XI, 15, 20); Two Cities Formed by Two Loves (City of God XIV, 28); The Unimportance of Externals (City of God XIX, 19); Relation of the Heavenly and Earthly Cities (City of God XIX, 17); Jerusalem and Babylon (On Psalm 64, 2); Summary of the Two Cities (City of God XVIII, 1); All Nations Are in the City of God (On Psalm 86, 5); The Church and the City of God (On Psalm 98, 4); The Foundation of the Holy City (On Psalm 121, 4); Religion and Human Destiny (True Religion 7, 13 -- 8, 14); The Meaning of a People (City of God XIX, 23-24); Peace: the Tranquility of Order (City of God XIX, 11-13); Two Kingdoms After the Resurrection (Enchiridion 111). X. PHILOSOPHY OF HISTORY: Belief and Historical Events (Eighty-Three Different Questions 48); The Universality of Providence (City of God V, 11); Meaning in History (True Religion 50, 98-99); Six Ages in Biblical History (On Psalm 92, 1); Symbolic Meaning of Jewish History (On Psalm 64, 1); Christ in History (Letter 137, 4, 15-16); The Two Cities in History (On Catechizing the Uninstructed 21, 37); What Is Time? (Confessions XI, 14, 17 -- 30, 40); Critique of Cyclicism (City of God XII, 13-15). APENDIXES: I. Selected, Annotated Bibliography. II. Alphabetical List of Augustine's Writings. III. Glossary of Terms. INDEX.

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TABLE OF CONTENTS: Foreword to the Second Edition. I. THE MAN AND HIS WRITINGS: How Augustine Came to the Episcopacy (Sermon 355, 2); Augustine Chooses Eraclius as His Successor (Letter 213, 1, 5, & 6); Augustine on His Own Writings (Retractations Prol. I, 1-3). II. FAITH AND REASON: Belief is Volitional Consent (On the Spirit and Letter 21, 54; 34, 60); To Believe Is to Think with Assent (Predestination of the Saints 5); Believing and Understanding (On Free Choice II, 2, 4-6); Authority and Reason (Against the Academics III, 20, 43); Two Ways to Knowledge (On Order II, 9, 26-27); Reason and Authority in Manicheism (Value of Believing 1-4); The Relation of Authority to Reason (True Religion 24, 45 -- 25, 47); If I Am Deceived, I Am Alive (City of God XI, 26); I Know that I Am Alive (The Trinity XV, 12, 21-22); Knowledge and Wisdom (The Trinity XII, 14, 21 -- 15, 25); Error and Ignorance (Enchiridion 17). III. THREE LEVELS OF REALITY: Creator, Human Soul, Body (Questions for Simplicianus I, 2, 18); Natures on Three Levels (Letter 18, 2); Soul, Ruled by God, Rules Its Body (On Music VI, 5, 12-13); Soul: Above the Sensible, Below God (True Religion 3. 3); God, Mutable Spirits, and Bodies (Nature of the Good 1-25); Divine, Psychic and Bodily Nature (City of God VIII, 5-6); Causality: Divine, Psychic and Bodily (City of God V, 9); Divine Ideas as Prototypes (Eighty-Three Different Questions 46, 1-2); God Set Spiritual Creation Above the Corporeal (Literal Commentary on Genesis VIII, 20, 39; 25, 46; 26, 48); Evil: the Privation of the Good (Enchiridion 10-12). IV. MAN’S SOUL: Existence, Life, Sense and Reason (On Free Choice II, 3, 7-8, 10); Sensation as an Activity of the Soul (On Music VI, 5, 9-10); Memory, Understanding and Will (The Trinity X, 11, 17-18); The Wonders of Memory (Confessions X, 8-26); Three Levels of Vision (Literal Commentary on Genesis XII, 6, 15 -- 11, 22; 30, 58 -- 31, 59). V. THE WORLD OF BODIES: All Bodily Natures Are Good (City of God XII, 4); Invisible Seeds in the Elements (The Trinity III, 8, 13); The Elements Contain Seminal Reasons (Literal Commentary on Genesis IX, 17, 32); Measure, Number, and Weight (Literal Commentary on Genesis IV, 3, 7); Concerning Formless Matter (Confessions XII, 3. 3 -- 9, 9); Place, Time and the Physical World (City of God XI, 5-6); The Wonders of Nature (City of God XXI, 4-5); God Works Throughout Nature (The Trinty III, 5, 11 -- 6, 11); Man’s Natural Endowments (City of God XXII, 24); The Physical World and the Christian (Enchiridion 9). VI. APPROACHING GOD THROUGH UNDERSTANDING: Creation is a Great Book (Sermon, Mai 126, 6); The Journey of the Soul to God (On Free Choice II, 12, 33-34; 15, 39-40; 16, 41-42); The Soul’s Ascent to God (Confessions VII, 10, 16 -- 17, 23); The Whole World Proclaims Its Maker (On Psalm 26, Serm. 2, 12); Ascending to the Supreme Truth (True Religion 29, 52 -- 31, 58); Plato’s View of God (City of God VII, 4); How to Think About God (The Trinity V, 1, 2 -- 2, 3); The Problem of Speaking About God (The Trinity VII, 4, 7-9); God Is the Selfsame (On Psalm 121, 3, 5); A Divine Invocation (Soliloquies I, 2-6); Late Have I Loved Thee (Confessions X, 27, 38 -- 28, 39). VII. MORAL AND RELIGIOUS LIFE: All Men Desire Happiness (On Psalm 32, Serm. 3, 15-16); Man’s Greatest Good (Moral Behavior of the Catholic Church 3-8); Good Love and Bad Love (City of God XIV, 6-7); Moral Evil Stems from Bad Will (City of God XII, 6); Two Precepts of Love (City of God XIX, 14); On Diversities of Local Customs (Letter 54, 1-4); Doing Good to Body and Soul (Moral Behavior of the Catholic Church 27-28); The Evil of Telling a Lie (Enchiridion 18, 19, 22); Lying and Concealing the Truth (On Psalm 5, 7); Faith, Hope and Charity (Enchiridion 8); No Virtues Apart from God (City of God XIX, 25); Our Reward Is Not in This Life (On Psalm 48, Serm. 2). VIII. DIMENSIONS OF GRACE: What the Grace of God Is (On Admonition and Grace 2, 3); Augustine Was Never a Pelagian (Retractations I, 9, 2-4); What True Grace Is (On the Grace of Christ 26, 27); The Work of Grace (City of God XXI, 15-16); How Freedom Is Restored by Grace (Enchiridion 30-32); God’s Foreknowledge and Human Willing (City of God V, 10); Grace Before and After the Fall (Enchiridion 104-106); Grace and Good Works (On Psalm 31, Serm. 2, 6-8); Prevenient Grace (On Psalm 18, Serm. 2); Grace and Human Miseries (City of God XXII, 20-22); The Beatific Vision (On Psalm 36, Serm. 2, 8). IX. THE TWO CITIES: Augustine’s Analysis of the City of God (Letter to Firmus); How the Two Cities Differ (City of God XIV, 1); Two Loves Make Two Cities (Literal Commentary on Genesis XI, 15, 20); Two Cities Formed by Two Loves (City of God XIV, 28); The Unimportance of Externals (City of God XIX, 19); Relation of the Heavenly and Earthly Cities (City of God XIX, 17); Jerusalem and Babylon (On Psalm 64, 2); Summary of the Two Cities (City of God XVIII, 1); All Nations Are in the City of God (On Psalm 86, 5); The Church and the City of God (On Psalm 98, 4); The Foundation of the Holy City (On Psalm 121, 4); Religion and Human Destiny (True Religion 7, 13 -- 8, 14); The Meaning of a People (City of God XIX, 23-24); Peace: the Tranquility of Order (City of God XIX, 11-13); Two Kingdoms After the Resurrection (Enchiridion 111). X. PHILOSOPHY OF HISTORY: Belief and Historical Events (Eighty-Three Different Questions 48); The Universality of Providence (City of God V, 11); Meaning in History (True Religion 50, 98-99); Six Ages in Biblical History (On Psalm 92, 1); Symbolic Meaning of Jewish History (On Psalm 64, 1); Christ in History (Letter 137, 4, 15-16); The Two Cities in History (On Catechizing the Uninstructed 21, 37); What Is Time? (Confessions XI, 14, 17 -- 30, 40); Critique of Cyclicism (City of God XII, 13-15). APENDIXES: I. Selected, Annotated Bibliography. II. Alphabetical List of Augustine’s Writings. III. Glossary of Terms. INDEX.

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‘Essential reading.’ – ESQUIRE ‘Both absorbing and highly illuminating’ – THE BOOKSELLER ‘No one understands the intricacies of YouTube like Chris Stokel-Walker’ – THE ATLANTIC Two billion people watch YouTube and it reaches deep into everyday lives. Its creators start new trends, popularise new songs and games and make and break new products. Yet while they are famous to billions of mostly young people, they mostly remain a mystery to the general public and mainstream media. What is the secret of their appeal? How do they cope with being in front of the lens – and who is behind their success? More than 100 insiders spoke candidly to teach journalist Chris Stokel-Walker for this first in-depth independent book on YouTube. YouTubers is the only book you need to understand YouTube, its ownership by Google, its deal for stars and its ecosystem of talent managers, advertisers and marketers. It is a richly-layered deep dive into YouTube brimming with lively characters, engaging facts, and influencer case studies. It is an ideal guide for any media studies students, advertisers, brand managers and business people who need to understand YouTube professionally. And for any non-fiction reader interested in a gripping business and technology saga dripping with big money, ruthlessness, determination and ambition. YouTubers starts by charting the platform's launch in a boring 19-second video of the elephant enclosure at San Diego Zoo – which has now had 242 million views. YouTubers then moves onto the first oddball videos before the site found success by showing comedy clips from the TV show Saturday Night Live. YouTubers reveals how YouTube saw off its emerging rivals in the online video battle of the 2000s and was bought by the search engine specialist Google. With Google's billions and boosted by smartphones, YouTube became the dominant video platform. Bloggers started to create engaging, fast-cut videos that capitalised on the intimate relationship between creator and user – a 'parasocial' relationship stronger than the bond between TV presenter and viewer. By ceaselessly urging their followers to tap the like, comment and subscribe buttons, these creators helped YouTube's rise to global domination. YouTubers speaks to YouTube stars KSI, Hank and John Green and delves into the lives of child star MattyB, the training camp for aspiring teenage bloggers, the YouTube stunts that go wrong and the increasing efforts of creators to earn money from Patreon. And it tackles the platform's Muslim extremism, red-pilling, and its content guidelines and censorship. YouTubers asks how YouTube can take on the threat from other big platforms such as Instagram and Facebook. In short, YouTubers tells the riveting story of the exponential growth of YouTube from single home video to global tech phenomenon. It is the best and only book you need to read on YouTube. Extract Introduction One spring afternoon Casey Neistat uploaded a video lasting five minutes and twenty-two seconds to YouTube. In the style of so many YouTubers, he looked straight into the camera and aired his opinion on a matter of importance. As the elder statesman on the platform, Neistat’s words carry weight. He can make or break products and careers — and this video was no different. Seconds after he uploaded his video to YouTube via his superfast broadband at his creative headquarters in New York, it was available worldwide to four billion people: everyone on Earth with an internet connection. Millions of Neistat’s subscribers instantly received a notification telling them that one of YouTube’s most influential stars was again speaking directly to them. Across the world in apartment blocks, restaurants, bedrooms and bathrooms, phones pinged, buzzed and beeped. Hundreds of thousands of people instantly watched what Neistat had to say. Wearing dark glasses, his hair streaked blond, Neistat vented his frustration at the way the media was second-guessing the motivations of YouTubers; and he wanted to single out one journalist in particular. In the comments section underneath his video his fans began discussing the question he posed: did people post videos on YouTube for the fame and fortune — or just to express themselves? YouTube is a kaleidoscope of visual and audio content that mimics the richness, quirkiness, beauty and madness of human life. Every day its users upload videos on everything from pop music to politics, fashion to plumbing, and cars to fishing. The topics are as diverse (and as random) as the world itself. Want to watch racing pigeons, cut a perfect bob, discuss Che Guevara, speak Mandarin, or play guitar? YouTube can offer that, instantly. Want to relax while seeing boiled sweets made the old-fashioned way? Load up Lofty Pursuits. Have a hankering to watch a man meticulously scratch away the foil on 200 lottery playing cards to see if he can win back his outlay? Type ‘moorsey scratchcards’ into your search bar and reap the rewards. Whether giving sex advice, posting football clips or simply splicing together footage to create an action-packed vlog, video makers want to communicate with and be seen by YouTube’s 1.9 billion registered users. Some hope that, like Casey Neistat, they too will one day set off pings across the world. For a few, notifications mean that millions of fans are watching them and their view counters are whirring upwards, along with their bank balances. Elite influencers are creative and dynamic and get to do what they want all day long. Unsurprisingly, becoming a YouTuber is the job children most covet. They understand the platform’s extraordinary growth. YouTube is expanding so fast that outsiders can’t accurately measure its size. An estimated 576,000 hours of video are added daily to YouTube – vastly more than the new releases on Netflix. In October, November and December 2018, Netflix added 781 hours of original content, while 53 million hours of footage likely went onto YouTube. It would take you 35 days to watch the new Netflix content non-stop. You’d still be watching the YouTube uploads in the year 8069. YouTube’s rise has been swift. In little more than a decade, it has moved from an oddity broadcast on bulky grey computer monitors to mass media entertainment viewed on ultra-thin, wall-mounted 55-inch televisions. In the past five years, YouTube viewing has rocketed from 100 million hours a day to one billion hours a day. Buy the book and carry one reading

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Ishmael Jones knows all there is to know about solving mysteries. Together with his love and partner in crimes, Penny Belcourt, he specializes in cases of the weird and uncanny. Lucas Carr went to Glenbury Hall, an old country manor house turned hotel. He signed in at reception, took his key, and went upstairs to his room. But he never got there. Somehow he vanished along the way, with not a single clue to suggest what might have happened to him. Lucas belonged to the same mysterious organization that employs Ishmael and Penny, so they are sent in to solve the mystery. But when they arrive at grim and isolated Glenbury Hall, they discover it has a reputation as one of the most haunted old houses in England. None of the usual headless monks or walled-up nuns—just stories of lost souls that dance with the statues in the grounds; doors that won’t stay shut, and rooms that aren’t always there; and something that prowls the house in the early hours, endlessly searching. They say . . . it crawls. Does Lucas’ disappearance have something to do with the organization or the Hall’s haunted past? Ishmael and Penny have to work their way through a series of mysterious clues and misleading suspects, uncovering secret after secret, before they finally arrive at a truth that no one suspected. The problem with history is that it’s not always content to stay in the past. Praise for Haunted by the Past: "The 11th book in Green’s fantastical mystery series pokes fun at the genre, with fun and plenty of cathartic resolution for readers who like rueful chuckles with their chills. Recommended for those who like antiheroes with more than a bit of snark."—Library Journal Praise for the Ishmael Jones series: “[A] brisk, breezy mystery series . . . With convincing supernatural twists [and] witty chapter titles . . . readers will be anxious for sequels.” —Publishers Weekly “A new book from Green is always a treat for SF and urban fantasy fans, because they know that in his fictional worlds things are never quite what they seem until it’s too late. His first foray into more traditional crime fiction (albeit with an otherworldy flavor) will delight mystery readers, especially those who relish a bit of genre blending.” —Library Journal “Without a doubt, this is one of the best books the author has ever penned down.” —The Gatehouse “I really enjoyed the book. If anything it was over too soon. The author captures the English Country Manor Murder Mystery feel very well, as he sets up pretty much everybody as a suspect . . . I look forward to finding out more in future volumes.” —British Fantasy Society “Ishmael is a wonderful character, an extraterrestrial living among humans, and the series (this is the third installment) is a clever mixture of thriller and SF-horror genres. Green is best known for the Deathstalker space operas, but give this one a few more installments to develop, and it could well become Green’s masterwork.” —Booklist, starred review “Lovers of high-quality fantasy and science fiction should make it a point to seek this guy out, if they haven’t already.” —Booklist “This relatively new series is a wonderful balance of murder mystery and urban fantasy with a sci-fi twist . . . If you enjoyed Green’s previous books or if you are looking for a classic mystery with a modern twist, this is the series for you!” —That’s What I’m Talking About “Ishmael Jones is one of the most underrated series’ ever and I haven’t found one book in the series yet to disappoint . . . I can’t recommend this book and this whole series enough!” —Tiny Book Reviews Praise for Jekyll & Hyde Inc.: “This book is hard to put down. It is exciting from start to finish, with thrills and monsters waiting behind every dark corner.” —San Francisco Book Review "Green transforms Robert Lewis Stevenson’s classic horror novel into the launch pad for an exciting adventure. He takes readers through a romp involving multiple horror classics, updated to the twenty-first century in an amusing and entertaining read." —Ricochet "There’s something about Green’s dark humor that sucks me into many of his books. And, as violent and gory as this book is, it’s really about a good man striving to stay good in the worst circumstances." —Lesa's Book Critiques “It has all the grim and all the dark of many of the author’s previous series.” —Reading Reality Praise for the Deathstalkers series: “Green moves his plot at top speed, and his characters are alive and his background solid.” —Asimov's SF Magazine “An over-the-top masterpiece that veers between brutal comedy and touching riffs on love, loyalty and betrayal . . . bloody funny and extremely bloody.” —The Guardian “Space opera at its action best. The novel is populated with heroic figures reminiscent of Lancelot and Arthur and villains that make Darth Vader seem like a nice person . . . Once again, Simon R. Green has written a work that will appeal to Star War fans.” —Midwest Book Review “A guaranteed blood-and-thunder romp, shot-through with broad swathes of fashion parody, a sustained piss-take on ‘lives of the Rich and Famous’ and the occasional lance of satire. This last is refreshing stuff. It’s mostly aimed at Dictatorship, Fascism, Established Religion, the Toadying Media and so-forth—and it’s nice to find an author who knows that laughter is the most destructive weapon to aim at a repressive establishment. In short, very violent, very funny, very good.” —Infinity Plus About Simon R. Green: “Simon R. Green is a great favorite of mine. It’s almost impossible to find a writer with a more fertile imagination than Simon. He’s a writer who seems endlessly inventive.” —Charlaine Harris “A macabre and thoroughly entertaining world.” —Jim Butcher, on the Nightside series “Nobody delivers sharp, crackling dialogue better than Green, and no one whisks readers away to more terrifying adventures or more bewildering locales.” —Black Gate Magazine “As quintessentially British as fish and chips!” —SF Site “Simon R Green is one hell of a consistent writer—if you like your Fantasy /SF served with lashings of pulp mayhem, dollops of snarky characters and big piles of extreme gore, violence and horror. Mmm tasty.” —Fantasy Book Review UK “Simon R. Green is one of my all-time favorite writers and I haven’t read a book of his that I haven’t devoured. I hope he has many more years of writing left in him and suggest that if you need a fix, pick up his Ishmael Jones books.” —Crooked Reviews “A splendid riddle wrapped in a mystery inside an enigma, conveyed with trademark wisecracking humor, and carried out with maximum bloodshed and mayhem. In a word, irresistible.” —Kirkus, starred review on Night Fall “[F]or those who want a fantasy-genre mash-up that doesn’t slow down.” —Booklist on From a Drood to a Kill

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Science has now proved that the legendary Wim Hof Method of breath control and cold-training can dramatically enhance energy levels, improve circulation, reduce stress, boost the immune system, strengthen the body and successfully combat many diseases. While Wim Hof himself has run marathons in -30 C in shorts, swum hundreds of meters under the ice, sat in a tank of ice for 90 minutes without his core temperature changing and boosted his metabolism by over 300%, The Way of The Iceman documents how anyone can use Wim’s methods to transform their health and strength, quickly and safely.“After teaching specialized breathing techniques to SEALs for years, helping them focus, stay warm in the cold ocean and get centered in combat, I can attest to the authenticity and power of Wim Hof's methods. Wim Hof is providing a great service with his new book The Way of The Iceman by bringing breath training and simple, powerful health practices into mainstream consciousness.” — Mark Divine, US Navy SEAL (ret), Founder SEALFIT, Best selling author of Unbeatable Mind and Way of the SEAL"I am continuously searching for ways to expand my mind, body and spirit—Wim Hof and The Way of The Iceman have done just that! He shows us that human potential is limitless and we are ALL capable of anything we set our minds to.” — Lewis Howes, New York Times bestselling author of The School of Greatness “What fascinates me most about Wim Hof's method is the potential application for athletes...the science in this book shows that we can all amplify our recovery, maximize our pain tolerance, massively jack up energy levels and even learn to control inflammation...and it can be done without resorting to toxic drugs. In fact, the system outlined in this manual might just be the key to producing a generation of enhanced but drug-free athletes.” — Paul “Coach” Wade, author of Convict Conditioning“Inspiration inspires. What I like most about Wim and his book is how he taught me to trust my body, overcome fear and give me the best opportunity for success. He mixes personal experience and science—which becomes truly motivating. Wim provides the tools you need to master self-discipline, gain courage and live a vibrant life. He is Aquaman and Tony Robbins rolled into one. He is The Iceman!” — Jesse Itzler, author of Living With A SEAL"Homo sapiens is a species that is uniquely and tragically ill-adapted to our environment. Maladies ranging from heart disease to diabetes to autoimmune disorders are generated by the mismatch between the natural world we evolved to live in and the artificial realms in which we find ourselves today. Wim Hof's teachings show us how to recalibrate our bodies in a way that recognizes the extremes of our natural environment as teachers to be celebrated and consulted, rather than enemies to be insulated against. Wim's deepest insights resonate with our hunter-gatherer ancestors, who understood the wisdom of adapting to the natural world rather than trying to dominate and control it." — Christopher Ryan, PhD., New York Times best-selling author of Sex at Dawn“We live in a chaotic modern world with daily assaults on our health from frenetic schedules, poor sleep, high stress, chronic disease, and infectious illness. Our brain and nervous system have been highjacked by this toxic environment, always on high alert with real consequences to our physical and mental health.With The Way of The Iceman, Wim Hof has given a profound gift to public health. The science is solid and the results actual and measureable. As you follow his remarkable life story it is readily apparent that this man is no charlatan or snake oil salesman. Through years of commitment and self-experimentation, Wim has empirically figured out how to exert significant control over the autonomic nervous system, a feat once thought impossible. His method has held up to scrutiny under the dispassionate lens of science, expanding our knowledge of what is possible with dedicated training in what is now known as the Wim Hof Method.Deceptively simple, and incredibly powerful, The Way of the Icemangives you not only the scientific framework, but actionable steps you can implement to take back control over your high-jacked brain, increase resilience from illness, and start healing yourself from the inside out. The Wim Hof Method has become a cornerstone in my personal daily wellness plan, and as a public health physician, I cannot recommend it highly enough.” —Dr. Chris Hardy, D.O. MPH, CSCS, Public Health Physician, Integrative Medicine Specialist“The Way of The Iceman is one of only two books in my life that I have read cover to cover the first time I put my hands on it.What won me over was the simplicity of the explanations of diabetes, inflammation and the family of modern ills. Moreover, the discussion on diet, just a brief mention of ‘Fast-Five,’ is the first time I actually understood not only how inflammation is such an issue, but a means to deal with it.This book is the missing link for most of us: the discussion of breathing is so simple, yet so doable; coaches and athletes will understand a newer and simpler means of recovery.Nothing in the book is over the top and we are talking about a guy who swims under ice. The method is so simple, yet so elegant. It’s marvelous and I think you will apply the techniques immediately.” — Daniel John, author of Never Let Go“Wim Hof has learned to control his physiology in a way rarely seen in human history. This book takes his extraordinary techniques and simplifies them so you can optimize your health and wellness. I recommend you learn the unique methods Wim has mastered in order to add vitality to your body and life." — Chad Waterbury, neurophysiologist, author The Muscle Revolution"I found The Way of The Iceman absolutely fascinating! Many of us are familiar with the numerous benefits of cold training, such as increased energy levels, better circulation and improved mood, but nothing on the subject has ever been presented of this magnitude before! The legend himself, Wim Hof, along with Koen De Jong, share not only a detailed account of Mr. Hof's lifetime achievements (such as running a marathon in the Arctic… in just a pair of shorts!), but also practical, actionable methods that anyone can employ.This book has everything from progressive cold submersion methods to breathing techniques. It delves into meditation and spirituality, but also presents the hard science to back it up. Any fan of physical culture or anybody curious about how far the human limits can be pushed needs to add this to their library." — Danny Kavadlo, author of Strength Rules"Wim Hof's techniques healed my gut where nothing else would. And I tried everything. The Way of The Iceman should be required reading. The world is just beginning to realize the extraordinary gift we have in Wim Hof." — Mark Joyner, founder of Simpleology“As someone who enjoys bare-chested, outdoor winter calisthenics workouts, Wim Hof's extreme cold weather feats immediately appealed to me.The Wim Hof Method is so simple that anyone can get started right away. And the results are so palpable that once you start, you'll almost certainly want to keep going.” — Al Kavadlo, author of Street Workout and Pushing The Limits!“Wim Hof first came across my radar a few years ago when I heard of a crazy Dutchman defying the laws of thermodynamics. How could a man submerge himself in freezing water for prolonged periods of time without hypothermia? How was it possible for his body temperature to stay the same during the process? This book is an enlightening look into the nervous system, and the amazing power of the mind. Don't mistake this for simple ‘cold therapy’ although that is a piece of the puzzle. This book will give you a front row seat to an education on the nervous system, and how one man and his disciples have learned to control it in a way that we previously thought was impossible. I found The Way of The Iceman fascinating.” — Max Shank, founder of Ultimate Athleticism and author of Master The Kettlebell"When I read The Way of The Iceman I was struck with awe and hope! Wim has brought scientific evidence to what I personally believe and have been teaching my students for years about breathing, bioenergetics and our connection to the spirit world. By demystifying the religious Wim is helping to support a Truth in the New World; mainly that spirituality without science descends into superstition, and science without spirituality degrades humanity into the meaninglessness of materialism.” — Elliott Hulse "Wim Hof makes the seemingly mystical and extraordinary, ridiculously easy to access. Anyone who is willing to explore the latent powers of deep breathing and imagination will feast upon his unique story and his method of overpowering the unconquerable elements of nature."—Matt Furey, author of Combat Conditioning“What lies within this book is the key to accessing power whenever and wherever on demand. A tool to transcend consciousness and tap into the highest version of yourself. Never have I experienced anything that allowed me to instantly shift vibration and release such energy.”—AJ Roberts, Fitness Hall of Fame and All-Time World Record Holder

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“SOA Design Patterns is an important contribution to the literature and practice of building and delivering quality software-intensive systems.” - Grady Booch, IBM Fellow “With the continued explosion of services and the increased rate of adoption of SOA through the market, there is a critical need for comprehensive, actionable guidance that provides the fastest possible time to results. Microsoft is honored to contribute to the SOA Design Patterns book, and to continue working with the community to realize the value of Real World SOA.” - Steven Martin, Senior Director, Developer Platform Product Management, Microsoft “SOA Design Patterns provides the proper guidance with the right level of abstraction to be adapted to each organization’s needs, and Oracle is pleased to have contributed to the patterns contained in this book.” - Dr. Mohamad Afshar, Director of Product Management, Oracle Fusion Middleware, Oracle “Red Hat is pleased to be involved in the SOA Design Patterns book and contribute important SOA design patterns to the community that we and our customers have used within our own SOA platforms. I am sure this will be a great resource for future SOA practitioners.” - Pierre Fricke Director, Product Line Management, JBoss SOA Platform, Red Hat “A wealth of proven, reusable SOA design patterns, clearly explained and illustrated with examples. An invaluable resource for all those involved in the design of service-oriented solutions.” - Phil Thomas, Consulting IT Specialist, IBM Software Group “This obligatory almanac of SOA design patterns will become the foundation on which many organizations will build their successful SOA solutions. It will allow organizations to build their own focused SOA design patterns catalog in an expedited fashion knowing that it contains the wealth and expertise of proven SOA best practices.” - Stephen Bennett, Director, Technology Business Unit, Oracle Corporation “The technical differences between service orientation and object orientation are subtle enough to confuse even the most advanced developers. Thomas Erl’s book provides a great service by clearly articulating SOA design patterns and differentiating them from similar OO design patterns.” - Anne Thomas Manes, VP & Research Director, Burton Group “SOA Design Patterns does an excellent job of laying out and discussing the areas of SOA design that a competent SOA practitioner should understand and employ.” - Robert Laird, SOA Architect, IBM “As always, Thomas delivers again. In a well-structured and easy-to-understand way, this book provides a wonderful collection of patterns each addressing a typical set of SOA design problems with well articulated solutions. The plain language and hundreds of diagrams included in the book help make the complicated subjects of SOA design comprehensible even to those who are new to the SOA design world. It’s a must-have reference book for all SOA practitioners, especially for enterprise architects, solution architects, developers, managers, and business process experts.” - Canyang Kevin Liu, Solution Architecture Manager, SAP “The concept of service oriented architecture has long promised visions of agile organizations being able to swap out interfaces and applications as business needs change. SOA also promises incredible developer and IT productivity, with the idea that key services would be candidates for cross-enterprise sharing or reuse. But many organizations’ efforts to move to SOA have been mired–by organizational issues, by conflicting vendor messages, and by architectures that may amount to little more than Just a Bunch of Web Services. There’s been a lot of confusion in the SOA marketplace about exactly what SOA is, what it’s supposed to accomplish, and how an enterprise goes about in making it work. SOA Design Patterns is a definitive work that offers clarity on the purpose and functioning of service oriented architecture. SOA Design Patterns not only helps the IT practitioner lay the groundwork for a well-functioning SOA effort across the enterprise, but also connects the dots between SOA and the business requirements in a very concrete way. Plus, this book is completely technology agnostic—SOA Design Patterns rightly focuses on infrastructure and architecture, and it doesn’t matter whether you’re using components of one kind or another, or Java, or .NET, or Web services, or REST-style interfaces. While no two SOA implementations are alike, Thomas Erl and his team of contributors have effectively identified the similarities in composition services need to have at a sub-atomic level in order to interact with each other as we hope they will. The book identifies 85 SOA design patterns which have been developed and thoroughly vetted to ensure that a service-oriented architecture does achieve the flexibility and loose coupling promised. The book is also compelling in that it is a living document, if you will, inviting participation in an open process to identify and formulate new patterns to this growing body of knowledge.” - Joe McKendrick, Independent Analyst, Author of ZDNet’s SOA Blog “If you want to truly educate yourself on SOA, read this book.” - Sona Srinivasan, Global Client Services & Operations, CISCO “An impressive decomposition of the process and architectural elements that support serviceoriented analysis, design, and delivery. Right-sized and terminologically consistent. Overall, the book represents a patient separation of concerns in respect of the process and architectural parts that underpin any serious SOA undertaking. Two things stand out. First, the pattern relationship diagrams provide rich views into the systemic relationships that structure a service-oriented architecture: these patterns are not discrete, isolated templates to be applied mechanically to the problem space; rather, they form a network of forces and constraints that guide the practitioner to consider the task at hand in the context of its inter-dependencies. Second, the pattern sequence diagrams and accompanying notes provide a useful framework for planning and executing the many activities that comprise an SOA engagement.” - Ian Robinson, Principal Technology Consultant, ThoughtWorks “Successful implementation of SOA principles requires a shift in focus from software system means, or the way capabilities are developed, to the desired end results, or real-world effects required to satisfy organizational business processes. In SOA Design Patterns, Thomas Erl provides service architects with a broad palette of reusable service patterns that describe service capabilities that can cut across many SOA applications. Service architects taking advantage of these patterns will save a great deal of time describing and assembling services to deliver the real world effects they need to meet their organization’s specific business objectives.” - Chuck Georgo, Public Safety and National Security Architect “In IT, we have increasingly come to see the value of having catalogs of good solution patterns in programming and systems design. With this book, Thomas Erl brings a comprehensive set of patterns to bear on the world of SOA. These patterns enable easily communicated, reusable, and effective solutions, allowing us to more rapidly design and build out the large, complicated and interoperable enterprise SOAs into which our IT environments are evolving.” - Al Gough, Business Systems Solutions CTO, CACI International Inc. “This book provides a comprehensive and pragmatic review of design issues in service-centric design, development, and evolution. The Web site related to this book [SOAPatterns.org] is a wonderful platform and gives the opportunity for the software community to maintain this catalogue….” - Veronica Gacitua Decar, Dublin City University “Erl’s SOA Design Patterns is for the IT decision maker determined to make smart architecture design choices, smart investments, and long term enterprise impact. For those IT professionals committed to service-orientation as a value-added design and implementation option, Patterns offers a credible, repeatable approach to engineering an adaptable business enterprise. This is a must read for all IT architect professionals.” - Larry Gloss, VP and General Manager, Information Manufacturing, LLC “These SOA patterns define, encompass, and comprise a complete repertoire of best practices for developing a world-class IT SOA portfolio for the enterprise and its organizational units through to service and schema analysis and design. After many years as an architect on many SOA projects, I strongly recommend this book be on the shelf of every analyst and technical member of any SOA effort, right next to the SOA standards and guidelines it outlines and elucidates the need for. Our SOA governance standards draw heavily from this work and others from this series.” - Robert John Hathaway III, Enterprise Software Architect, SOA Object Systems “A wise man once told me that wisdom isn’t all about knowledge and intelligence, it is just as much about asking questions. Asking questions is the true mark of wisdom and during the writing of the SOA Design Patterns book Thomas Erl has shown his real qualities. The community effort behind this book is huge meaning that Thomas has had access to the knowledge and experience of a large group of accomplished practitioners. The result speaks for itself. This book is packed with proven solutions to recurring problems, and the documented pros and cons of each solution have been verified by persons with true experience. This book could give SOA initiatives of any scale a real boost.” - Herbjörn Wilhelmsen, Architect and Senior Consultant, Objectware “This book is an absolute milestone in SOA literature. For the first time we are provided with a practical guide on how the principle centric description of service orientation from a vendor-agnostic viewpoint is actually made to work in a language based on patterns. This book makes you talk SOA! There are very few who understand SOA like Thomas Erl does, he actually put’s it all together!” - Brian Lokhorst, Solution Architect, Dutch Tax Office “Service oriented architecture is all about best practices we have learned since IT’s existence. This book takes all those best practices and bundles them into a nice pattern catalogue. [It provides] a really excellent approach as patterns are not just documented but are provided with application scenarios through case studies [which] fills the gap between theory and practice.” - Shakti Sharma, Senior Enterprise Architect, Sysco Corp “An excellent and important book on solving problems in SOA [with a] solid structure. Has the potential of being among the major influential books.” - Peter Chang, Lawrence Technical University “SOA Design Patterns presents a vast amount of knowledge about how to successfully implement SOA within an organization. The information is clear, concise, and most importantly, legitimate.” - Peter B. Woodhull, President and Principal Architect, Modus21 “SOA Design Patterns offers real insights into everyday problems that one will encounter when investing in services oriented architecture. [It] provides a number of problem descriptions and offers strategies for dealing with these problems. SOA design patterns highlights more than just the technical problems and solutions. Common organizational issues that can hinder progress towards achieving SOA migration are explained along with potential approaches for dealing with these real world challenges. Once again Thomas Erl provides in-depth coverage of SOA terminology and helps the reader better understand and appreciate the complexities of migrating to an SOA environment.” - David Michalowicz, Air and Space Operations Center Modernization Team Lead, MITRE Corporation “This is a long overdue, serious, comprehensive, and well-presented catalog of SOA design patterns. This will be required reading and reference for all our SOA engineers and architects. The best of the series so far! [The book] works in two ways: as a primer in SOA design and architecture it can easily be read front-to-back to get an overview of most of the key design issues you will encounter, and as a reference catalog of design techniques that can be referred to again and again…” - Wendell Ocasio, Architecture Consultant, DoD Military Health Systems, Agilex Technologies “Thomas has once again provided the SOA practitioner with a phenomenal collection of knowledge. This is a reference that I will come back to time and time again as I move forward in SOA design efforts. What I liked most about this book is its vendor agnostic approach to SOA design patterns. This approach really presents the reader with an understanding of why or why not to implement a pattern, group patterns, or use compound patterns rather than giving them a marketing spiel on why one implementation of a pattern is better than another (for example, why one ESB is better than another). I think as SOA adoption continues to advance, the ability for architects to understand when and why to apply specific patterns will be a driving factor in the overall success and evolution of SOA. Additionally, I believe that this book provides the consumer with the understanding required to chose which vendor’s SOA products are right for their specific needs.” - Bryan Brew, SOA Consultant, Booz Allen Hamilton “A must have for every SOA practitioner.” - Richard Van Schelven, Principal Engineer, Ericsson “This book is a long-expected successor to the books on object-oriented design patterns and integration patterns. It is a great reference book that clearly and thoroughly describes design patterns for SOA. A great read for architects who are facing the challenge of transforming their enterprise into a service-oriented enterprise.” - Linda Terlouw, Solution Architect, Ordina “The maturation of Service-Orientation has given the industry time to absorb the best practices of service development. Thomas Erl has amassed this collective wisdom in SOA Design Patterns, an absolutely indispensible addition to any Service Oriented bookshelf.” - Kevin P. Davis, Ph.D “The problem with most texts on SOA is one of specificity. Architects responsible for SOA implementation in most organizations have little time for abstract theories on the subject, but are hungry for concrete details that they can relate to the real problems they face in their environment. SOA Design Patterns is critical reading for anyone with service design responsibilities. Not only does the text provide the normal pattern templates, but each pattern is applied in detail against a background case study to provide exceptionally meaningful context to the information. The graphic visualizations of the problems and pattern solutions are excellent supplementary companions to the explanatory text. This book will greatly stretch the knowledge of the reader as much for raising and addressing issues that may have never occurred to the reader as it does in treating those problems that are in more common occurrence. The real beauty of this book is in its plain English prose. Unlike so many technical reference books, one does not find themselves re-reading sections multiple times trying to discern the intent of the author. This is also not a reference that will sit gathering dust on a shelf after one or two perusings. Practitioners will find themselves returning over and over to utilize the knowledge in their projects. This is as close as you’ll come to having a service design expert sitting over your shoulder.” - James Kinneavy, Principal Software Architect, University of California “As the industry converges on SOA patterns, Erl provides an outstanding reference guide to composition and integration–and yet another distinctive contribution to the SOA practice.” - Steve Birkel, Chief IT Technical Architect, Intel Corp. “With SOA Design Patterns, Thomas Erl adds an indispensable SOA reference volume to the technologist’s library. Replete with to-the-point examples, it will be a helpful aid to any IT organization.” - Ed Dodds, Strategist, Systems Architect, Conmergence “Again, Thomas Erl has written an indispensable guide to SOA. Building on his prior successes, his patterns go into even more detail. Therefore, this book is not only helpful to the SOA beginner, but also provides new insight and ideas to professionals.” - Philipp Offermann, Research Scientist, Technische Universität Berlin, Germany “SOA Design Patterns is an extraordinary contribution to SOA best practices! Once again, Thomas has created an indispensable resource for any person or organization interested in or actively engaged in the practice of Service Oriented Architecture. Using case studies based on three very different business models, Thomas guides the reader through the process of selecting appropriate implementation patterns to ensure a flexible, well-performing, and secure SOA ecosystem.” - Victor Brown, Managing Partner and Principal Consultant, Cypress Management Group Corporation In cooperation with experts and practitioners throughout the SOA community, best-selling author Thomas Erl brings together the de facto catalog of design patterns for SOA and service-orientation. More than three years in development and subjected to numerous industry reviews, the 85 patterns in this full-color book provide the most successful and proven design techniques to overcoming the most common and critical problems to achieving modern-day SOA. Through numerous examples, individually documented pattern profiles, and over 400 color illustrations, this book provides in-depth coverage of: • Patterns for the design, implementation, and governance of service inventories–collections of services representing individual service portfolios that can be independently modeled, designed, and evolved. • Patterns specific to service-level architecture which pertain to a wide range of design areas, including contract design, security, legacy encapsulation, reliability, scalability, and a variety of implementation and governance issues. • Service composition patterns that address the many aspects associated with combining services into aggregate distributed solutions, including topics such as runtime messaging and message design, inter-service security controls, and transformation. • Compound patterns (such as Enterprise Service Bus and Orchestration) and recommended pattern application sequences that establish foundational processes. The book begins by establishing SOA types that are referenced throughout the patterns and then form the basis of a final chapter that discusses the architectural impact of service-oriented computing in general. These chapters bookend the pattern catalog to provide a clear link between SOA design patterns, the strategic goals of service-oriented computing, different SOA types, and the service-orientation design paradigm. This book series is further supported by a series of resources sites, including soabooks.com, soaspecs.com, soapatterns.org, soamag.com, and soaposters.com.

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