Search results for ""Author Thames"

Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share ‘selfies’ in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour

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Empires evoke potent images: Stanley, Livingstone and the colonial gallery of great explorers; the Spanish Conquistador’s quest for gold and silver; and the Dutch heritage of trade in the East Indies. For over 500 years empires have been a feature of the political landscape and – a generation or more after the final collapse of most of the European Empires – the subject is still a major issue for historians. For some countries – Germany and Italy – overseas dreams were short-lived; for others – the United States and the Soviet Union – imperialist activity existed but was never accepted as an official state policy; and the disappearance of the Austro-Hungarian and Ottoman Empires has obscured some of the imperial dimensions of these states. This book shows how the maps of explorations, the chronologies of conquests, the records of settlers and administrators, the balance sheets of commerce and all else that made up the Age of Empires play a key role in explaining the global civilization of today.

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In this innovative approach to Impressionism and its methods, Jonathan Stephenson’s instruction enables amateurs the world over to paint like the Impressionists. Vibrantly illustrated in colour throughout, both with well-known works of art and step-by-step examples, the book shows how the masters achieved their diverse effects and how their ideas and styles can be adapted to today’s tastes. Sections on the artists provide fascinating insights into individual techniques: learn how Monet produced his oil colour sketches, or how Sisley created his atmospheric landscapes. With an introduction providing the historical background to Impressionism, and a comprehensive section on artists’ materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the many thousands of of people inspired by the brilliance and beauty of Impressionist painting.

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Street Art is a phenomenon and subcultural movement that reaches from the darkest urban backstreets to the most glamorous international art fairs. Simon Armstrong examines how it evolved from its origins in the 1970s New York graffiti scene to embrace many new materials, styles and techniques along the way, tracing how this marginal art form graduated into art galleries and the art market, while also heavily influencing design, fashion, advertising and visual culture. Despite having earned a place in the canon of 20th-century art history, Street Art’s qualifications are often disputed both by the art establishment and practitioners themselves, all concerned with notions of authenticity. Examining Street Art’s controversial history in detail, this book provides a full-colour worldwide journey, taking in all of the movement’s significant artists and artworks, styles, materials and methods, and showcasing the works that have come to define it more than any other. It also examines its close relationship to Pop Art and Digital Art, and explores possible futures for Street Art.

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Aimed at anyone wanting to learn more about the increasingly popular art of calligraphy and lettering, this practical introduction showcases many fine examples in the V&A’s collection, and will give readers a new understanding and appreciation of letterforms. Fifteen beautiful step-by-step projects each take their cue from a different technique or tradition. Detailed instructions lead readers through the essentials of classic calligraphy styles such as Gothic and Italic lettering, on to vintage-inspired signwriting and chalkboard design and even into the elegant, image-led worlds of illuminated capitals and zoomorphic calligraphy. Designed by leading calligraphy teachers and practitioners, the projects include a handmade booklet, banner, menu, gift tags, a monogram stamp, greetings cards and more. Each project offers tips on how to take steps towards developing one’s own designs. This book is packed with inspiration and practical advice to enable anyone to find new creative direction through the timeless arts of calligraphy and hand-lettering.

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This remarkable and beautiful book brings together a collection of decorated papers dating from the 16th to the 20th century. They were produced for a wide variety of uses: as wrappers and endpapers for books, as the backing for playing cards, and even as linings for chests and cases. Some decorated papers were used as humble pictures for display in churches and the home; some were sold as souvenirs to pilgrims; and others were used merely as wrappings for foodstuffs such as gingerbread and chocolate. What unites all the papers in the book is the richness of their ornamentation and the thin, flexible characteristics of the original sheets. They are all further united by having been collected by Olga Hirsch (1889–1968), a trained bookbinder who left her collection of some 3,500 papers to the British Library, where they remain one of the largest and most diverse collections of decorated papers in the world. This anthology brings together some of the most exquisite examples. It will delight and inspire designers, bibliophiles and anyone with a love of pattern and decoration.

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Japanese houses today have to contend with unique factors that condition their design, from tiny plots in crowded urban contexts to ever-present seismic threats. These challenges encourage their architects to explore alternating ideas of stability and ephemerality in various ways, resulting in spaces that are as fascinating as they are idiosyncratic. Their formal innovation and attention to materials, technology and measures to coax in light and air while maintaining domestic privacy make them cutting-edge residences that suggest new ways of being at home. Contemporary Japanese architecture has emerged as a substantial force on the international scene ever since Kenzo Tange won the Pritzker Prize in 1987. This overview of 50 recent houses powerfully demonstrates Japan’s enduring commitment to design innovation.

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From the eminent historian Norman Stone, who has lived and worked in the country since 1997, comes this concise survey of Turkey’s relations with its immediate neighbours and the wider world from the 11th century to the present day. Stone deftly conducts the reader through this story, from the arrival of the Seljuks in Anatolia in the eleventh century to today’s thriving republic. It is an historical account of epic proportions, featuring rapacious leaders such as Genghis Khan and Tamerlane through the glories of Sultan Süleyman the Magnificent to Kemal Atatürk, the reforming genius and founder of modern Turkey. At its height, the Ottoman Empire was a superpower that brought Islam to the gates of Vienna. Stone examines the reasons for the empire’s long decline and shows how it gave birth to the modern Turkish republic, where east and west, religion and secularism, tradition and modernity still form vibrant elements of national identity. Norman Stone brilliantly draws out the larger themes of Turkey’s history, resulting in a book that is a masterly exposition of the historian’s craft.

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This is the story of streetwear. King ADZ and Wilma Stone recount how a long line of subcultural movements have been incorporated into a multi-billion-dollar global industry and taken over both the high street and high-end fashion. Starting from the building blocks of repurposed sportswear, workwear and combat-wear, they explain just how it is that a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all. The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the paninari scooter-brats of Milan, and much more. We are shown how streetwear, worn with integrity and swagger, has transcended culture, race, gender and age to become a lasting worldwide phenomenon. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the Internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future. Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of fashion’s fastest-growing and most influential movement.

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Evolution: The Whole Story contains everything you need to know about the development and survival of life on Earth. Each chapter of this accessible and lavishly illustrated book takes a major living group and presents thematic essays discussing the evolution of particular subgroups as they appeared on Earth with reference to detailed comparative anatomy, evolutionary legacies, and the breakthrough theories of eminent scientists. Accompanying the essays are amazing photographic features that investigate the characteristics of individual organisms in detail: in some, remarkable fossils, assembled skeletons, and lifelike reconstructions are presented and analyzed; while in others, living species are depicted and compared in detail to their direct ancestors, creatures that may have lived millions of years ago.

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Finally a book on African design that celebrates the contemporary! It is packed with works that show how the continent’s rich array of craft traditions are being preserved and revived with an exciting contemporary twist. An introductory section identifies the sophistication, vitality, diversity and soulfulness of the past that is now being harnessed to develop a contemporary African identity. Sections on furniture, textiles, ceramics, basketry and lighting bring together the work of respected designers, makers and organizations based on the African continent or part of the diaspora. Celebrating the wider changes occurring across Africa, the fifty or so designers and crafters included have been chosen for their innovative approach to creating sophisticated products. Many of the pieces demonstrate how sustainability and recycling are often of the utmost importance. The book is completed by a glossary and bibliography.

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From ancient and classical masterpieces to contemporary, cutting-edge buildings, architecture has defined our world throughout history. Drawing its examples from all around the globe, Architecture: The Whole Story is a richly illustrated and comprehensive account of the architects, plans, designs and constructions that over the centuries have most engaged our minds, inspired our imaginations and raised our spirits. For everyone who has ever wished for greater insight into the art of building design, Architecture: The Whole Story provides the analytical tools to appreciate to the fullest the variety of architectural achievement and the built environment in the world.

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The elegance of Tuscany’s grand cities is found on a more intimate scale in its numerous small towns and villages, the most charming of which are celebrated in this revised, compact edition of the bestselling book. Thirty-six villages from all over Tuscany feature here, from those clustered around the great cities of Lucca and Florence, which produce some of the finest olive oil and are home to some of the world’s greatest works of art, to the Chianti region and the valley of the Orcia, devoted to the cultivation of aromatic herbs. The vivid, highly descriptive accounts of each village are accompanied by page after page of marvellous colour photographs. ‘Beautifully composed photographs … graceful, knowledgeable text’ – Country Living ‘Breathtaking photographs … the riches and variety of Tuscany are laid out for all to see … a well balanced, well presented and well written exploration of one of Italy’s most beautiful regions’ – Contemporary Review

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The Complete Roman Army draws on archaeology, ancient art and original documentary sources to present the most convincing picture ever published of the world’s most famous fighting machine. Every aspect of the Roman army, from the daily lives of individual soldiers to the outcome of major campaigns, is explored in five accessible sections. Discussions of key Roman battles, hundreds of illustrations and brief biographies of the great commanders bring the campaigns and personalities to life.

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Tells the story of fashion. This book brings to light the fundamental stylistic and formal principles that make up the history of fashion.

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Almost 300 editions and reissues of The Natural History of Selborne testify to its the lasting and universal appeal, but none before has been so beautifully and fittingly illustrated. Gilbert White’s painstaking study of the fauna and flora of his native parish, Selborne in Hampshire, first appeared in 1789 and has delighted and inspired generations of readers ever since. His regular correspondence, beginning in 1767, with two distinguished naturalists forms the basis of The Natural History of Selborne, which was published in the form of his letters to them. The fascination of the book lies in the magic of its prose and the vividness of its description, which have earned it the distinction of being the only work on natural history to have received equal acclaim as a masterpiece of English literature. To complement the text, 124 colour plates have been faithfully reproduced from the hand-coloured engravings of Gilbert White’s contemporaries, giving an invaluable extra dimension to this most captivating of books.

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Late Antiquity and the early Middle Ages are now understood as times of extraordinary skill and creativity in the decorative arts. In the Eastern Roman Empire (Byzantium) artists and craftsmen transitioned from ‘Roman’ to ‘Byzantine’ art and inspired a move from naturalism to a more hieratic and symbolic style, drawing on the deep artistic links connecting the Mediterranean world and the East. The many spectacular artefacts from this period in the Wyvern Collection are luxury objects, most commissioned by wealthy patrons or the Church, ranging in date from the fourth century to around 1300. Masterpieces of great significance for art history, including a 5th-century Artemis missorium, previously unpublished, and an 11th-century enamelled enkolpion from Constantinople are among the highlights of the collection. Other extraordinary objects – Late Roman chariot decorations, a stone funerary door from Syria and brooches brought across Europe by the families of Roman soldiers – complete this artistic panorama of the great Mediterranean and Persian civilizations, whose creative influence extended to the far west of the Islamic world. The catalogue, by Byzantine metalwork expert Marco Aimone, is augmented by three essays from technical specialists: Jack Ogden (enamelling), Peter Northover (metallurgy) and Erica Cruikshank Dodd (hallmarks). Rika Gyselen also contributes readings of Persian inscriptions.

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Alfred Russel Wallace, Henry Walter Bates and Richard Spruce were English naturalists who went to Amazonia 150 years ago. This book is the first to combine all three young men’s experiences of the Amazon, drawing heavily on their own letters and books. All three explored an unknown river and had many thrilling adventures: violent attacks of malaria, fearful rapids, murder attempts, encounters with newly contacted indigenous peoples, shipwrecks, and many other hardships. In addition to their huge contributions to knowledge of the Amazonian environment, each is particularly famous for one discovery. Wallace is acknowledged as a co-discoverer, along with Charles Darwin, of the theory of evolution. Bates discovered protective mimicry among insects, a phenomenon named after him. Spruce transported the quinine-bearing Cinchona tree, the most important medicinal plant of the nineteenth century, to India, where it saved countless lives from malaria.

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The Field Guide to Typography explores and explains the myriad typefaces that we see around us in our day-to-day lives, from airplane liveries to computer screens, from billboard hoardings to signage systems. It presents over 120 typefaces – old and new, common and unusual – with photographic references to help ‘font spotters’ identify particular typefaces in the wild. Accompanying background information explains the origin, usage and key features of each typeface, and ‘Field Facts’ provide little-known nuggets of information to expand your typographical awareness. Attractive and informative, The Field Guide to Typography is a unique visual reference for novice font fans and experienced designers alike, and a comprehensive celebration of our expanding typographic world.

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'I perhaps owe it to flowers', wrote Claude Monet (1840-1926), ‘that I became a painter.’ One of the leading figures of the Impressionist movement and perhaps the most celebrated landscape painter of his age, Monet dedicated his life to capturing the subtleties of the natural world. Trees – willows enveloped in the eerie mists of the Seine, palm trees beneath the bright Mediterranean sun or poplars heavily laden with snow – became a significant motif in his work, and he used them to experiment with an extraordinary variety of tones and colours. Ralph Skea’s account is split into five main chapters, each focusing on a different theme: Monet’s earliest drawings and paintings of trees; his atmospheric use of rivers and coastlines, from the English Channel to the Italian Riviera; the fields, farmlands and orchards of France; parks and gardens in both the city and the countryside, including his series of paintings featuring trees reflected in his water-lily pond; and his muted depictions of trees in winter. The result is a succint and highly accessible exploration of some of the best-loved landscapes in art.

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In our age of fast-paced biotechnological progress and humans' increasing impact on the environment the autonomy of 'nature' has come into question. We can now engineer living things, blur the biological distinctions between humans and animals, and influence parts of our world that we cannot see - such as DNA and genes. These discoveries and far-reaching developments have created fertile ground for artistic expression. This book reveals the ways in which the work of bio artists offers new meanings for our lives in the wake of scientific discovery, as well as new frameworks for describing them. Four thematic chapters cover the key areas in which biotechnology has had an impact on today's world, including ecology, biomedicine, designer genomes and evolutionary theory, profiling the work of 60 artists, collectives and organizations from countries including France, Germany, the US, the Netherlands, Mexico and Japan. Interviews with eight bio artists and technologists, including Arne Hendriks, Mark Dion, Boo Chapple, Heather Dewey-Hagborg and Raphael Kim, provide a deeper insight into the ideas and methods of this new breed of creative practitioner.

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From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects – lacquer, metalwork, ceramics, enamels and other decorative items – excited, stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868–1912) were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan.

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Vincent van Gogh (1853–1890) felt a profound empathy with the natural environment, and considered the spiritual essence of trees to be comparable with that of human figures. Vincent’s Trees traces Van Gogh’s development as a painter of trees in the natural landscape – from his home province of North Brabant, through Paris to Provence. Ralph Skea’s elegant prose is accompanied by Van Gogh’s vibrant illustrations of trees, which range from pencil and ink sketches to watercolours and oil. Stylistic experiments encompassing Pointillism and compositions inspired by Japanese prints give way to the expressive, painterly depictions of his later work. The book also includes quotes from Van Gogh’s letters, which convey the depth of his feeling for the natural landscape, and the force with which it affected him.

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An essential visual overview for students and readers with an interest in Sienese art, history and Renaissance culture. For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo. Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Siena’s system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints. An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.

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The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as ‘primitive’, mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices – among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia – while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text – from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.

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One of the most popular and influential British artists of our times, David Hockney has never ceased to change his style and ways of working, always re-energizing his art with new solutions, fresh ideas and technical mastery. Now excitedly embracing his ‘late period’, Hockney remains as engaged as ever with the questions he has always posed for himself – what to depict, how to depict it and how to persuade the spectator that he or she is an active participant rather than just a passive witness. Published to mark Hockney’s 80th birthday and in the wake of the most extensive Tate retrospective ever accorded to a living artist, this new edition includes a new preface, afterword and final chapter covering work of the past two decades. Tracing a line from the beginnings of Hockney’s career in the early 1960s, the portraits and images of Los Angeles swimming pools, his drawings and photocollages, to his highly acclaimed stage designs for the opera, video works, his iPad drawings and other novel forms of picturemaking, Marco Livingstone shows the continuing preoccupation with invention and artifice that has made this artist’s work at once popular and enduring.

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John Boardman has updated his classic account of one of the most popular historic artistic traditions among Western audiences. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the art of this ancient civilization. We now know conclusively that Greeks in fact lavished their sculptures with realistic colour paint, and also worked with a wealth of other materials on a major scale, including wood and precious metals, proving that our view of ‘classic’ pure white marble of the age is a Renaissance construction. We can identify the work of individual artists, and schools of artists, and have a clearer picture than ever of how art and artistic ideas travelled throughout the Greek world. Boardman encourages the reader to consider the beautiful pieces that have been preserved in their original context, rather than as the isolated installations of our modern galleries, weaving into the discussion of the art objects insights into the society that produced them. Illustrated in full colour throughout for the first time, this fifth edition showcases more vividly than ever the artistic endeavours of the ancient Greeks.

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As heard on BBC Radio 4's 'A Good Read’ 'Where and how Dada began is almost as difficult to determine as Homer's birthplace', writes Hans Richter, the artist and film-maker closely associated with this radical movement from its earliest days. Here, he records and traces Dada's history, from its inception in wartime Zurich, to its collapse in Paris in the 1920s when many of its members were to join the Surrealist movement, to its reappearance in the 1960s in movements such as Pop Art. This absorbing eyewitness narrative is enlivened by extensive use of Dada documents, illustrations and texts by fellow Dadaists. The complex personalities, relationships and contributions of, among others, Hugo Bali, Tristan Tzara, Picabia, Arp, Schwitters, Hausmann, Duchamp, Ernst and Man Ray, are vividly brought to life. Over a hundred years on from the riotous inception of Dada at the Cabaret Voltaire in Zurich in 1916, art historian Michael White provides a new introduction and commentary to a book that has become a legend in its own right, influencing a generation of performers and artists since its first publication in 1965 - David Bowie even quoted from Dada: Art and Anti-Art in his Scary Monsters album. Michael White has unearthed Richter's private correspondence with his fellow Dada artists to tell the story of how the book came about and, using previously unseen archive sources, enables us to read between the lines and discover the truth behind this most elusive of art movements.

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Since the Modern Movement began to be challenge in the late 1960s, architecture has followed a number of widely divergent paths. In this thoughtful and eloquent book, Diane Ghirardo examines the architectural world of the late twentieth century and its theories in the crucial context of social and political issues. Within a survey of a broad range of buildings, she focuses on specific 'megaprojects' as paradigms for discussion. In the realm of public space, she argues, the key questions are raised by the Disney empire and its amusement parks; in domestic space, by the IBA in Berlin, with projects ranging from new structures to rehabilitation and residents' self-build. Her text ranges world-wide, and she considers the work of lesser-known designers and women architects as well as famous international stars.

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Carole Hillenbrand’s book offers a profound understanding of the history of Muslims and their faith, from the life of Muhammad to the religion practised by 1.6 billion people around the world today. Each of the eleven chapters explains a core aspect of the faith in historical perspective, allowing readers to gain a sensitive understanding of the essential tenets of the religion and of the many ways in which the present is shaped by the past. It is an ideal introductory text for courses in Middle Eastern studies, in religious studies, or on Islam and its history.

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This landmark publication presents, for the first time ever, 500 of the very best and previously unpublished graphic works by cinema’s master of film. Created in collaboration with RGALI – the Russian State Archive of Literature and Arts – this book traces Eisenstein’s extraordinary life and career through the distinctive yet evolving styles of his drawings, from early childhood sketches to set and costume designs, and from surreal pshychoanalytic drawings to late abstract works. Foremost Eisenstein scholar Naum Kleiman brings fresh and incredible insights into the motivation and purpose of the drawings, and reflects upon excerpts from Eisenstein’s own discursive texts, some published here for the first time. Comparative frames from Eisenstein’s movies – scanned from the original film – together with a biographical introduction and a foreword by Martin Scorsese completes the revelatory and arresting picture.

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In 1960, John Rewald took over the task of researching and collating Cezanne's oeuvre, following the death of Lionello Venturi, publisher of the first catalogue on Cezanne in 1936. The result is this catalogue raisonné, treating the 954 paintings accepted by Rewald. The plate volume reproduces all 954 paintings, with titles, dimensions and dates, and is chronologically arranged by Rewald’s new dating and numbering, with the works grouped by subject. Walter Feilchenfeldt introduces the book’s history and issues of dating, chronology and authenticity. Each painting is accompanied by a detailed commentary, which draws on an enormous variety of sources, and for over half the paintings, the commentary consists of a lengthy essay. Of special interest are the 200 documentary photographs integrated with the entries, which provide the scholar and admirer of Cézanne’s work with much fascinating visual information, including biographical portraits, landscape motifs and objects found in Cézanne’s studio. Fifty-eight magnificent colour reproductions of the largest paintings also appear in this volume, which concludes with important indices of owners, exhibitions and works; an extensive bibliography; and a concordance of Venturi and Rewald numbers. The mass of information and insight provided by catalogue raisonné makes it an essential reference for scholars, curators, collectors and librarians.

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Ivory is a wonderful material: tactile, beautiful, workable into many different forms and the strongest in the animal kingdom. Unfortunately for the elephant, it has been highly prized from the Palaeolithic to the present day, in part by virtue of its rarity and the difficulty of acquiring it. During the early first millennium bc – the ‘Age of Ivory’ – literally thousands of carved ivories found their way to the Assyrian capital city of Kalhu, or modern Nimrud, in northern Iraq. The majority were not made there, in the heart of ancient Assyria, but arrived as gift, tribute or booty gathered by the Assyrian kings from the small neighbouring states of the ancient Middle Eastern world. The ivories were first unearthed in the mid-19th century by renowned Victorian traveller and adventurer Austen Henry Layard, but it was not until the mid-20th century that the extent of the treasure was realized by Max Mallowan, the archaeologist husband of Agatha Christie. Thousands of extraordinary ivories have since been excavated from the ruins of the ancient city’s extravagant palaces, temples and forts. In recent years, many have been destroyed or remain at risk following the invasion of Iraq and the sacking of the Iraq Museum, as well as in the ongoing conflict and destruction of cultural heritage in the region. As a result, the ivories preserved in these pages form a unique and unparalleled record of the otherwise lost art of the Middle East.

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An appealing picture book of cats depicted by John Craxton, one of the major figures of modern British painting, with an introduction and commentary by Andrew Lambirth, who knew Craxton well. By concentrating on a single subject very dear to John Craxton's heart cats this book offers a much more accessible introduction to this popular artist (championed by David Attenborough and Andrew Marr among many others) than the recently published biography and monograph. Craxton's significance as the early artist companion of Lucian Freud, his time in Greece and his collaborations with Patrick Leigh Fermor have generated growing interest in his art. For John Craxton, cats were an index of moods and states of mind, and a splendidly apposite vehicle for his visual and verbal wit. Craxton loved cats and lived with them, on and off, for most of his life. The cat image came readily to mind and hand, whether he was planning a taverna scene in Crete, or doodling during a telephone conversatio

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A refreshed edition of the plain-speaking yet inspirational architecture primer that encourages the reader to take a broader look at the world around us and how we might shape it. Architecture is a discipline that requires constant collaboration with the wider world, but too often architectural teaching and indeed building designs don't reflect this important fact. The Architecture Concept Book encourages the reader to look and think again, to draw inspiration widely and to consider the context in which the building will sit before putting pen to paper, or cursor to screen. Building on the success of the first edition, James Tait has updated his original text with introductions to each section that inspire further creative thinking and understanding. With 18 new pages and 5,000 extra words of text, this revised edition is the perfect way in to the ideas and fundamentals that govern an often impenetrable industry for anyone interested in our built environment.

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Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came to constitute a distinctively modern view of the world. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.

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Supported by an exhibition at Les Rencontres d'Arles in 2024, to be followed by an international tour, this is the first retrospective of one of China's most important photographic artists. Mo Yi is a photographic artist with a career spanning nearly forty years, from the 1980s to today. This retrospective contextualizes his work within the evolution of contemporary art following reform and opening in China in the aftermath of the Cultural Revolution. Working in a documentary tradition, but building on and reinterpreting the meaning of documentary, Mo Yi's practice is exemplified by experimentation. Regularly creating work in distinct series, he has continually tested ways of extending the boundaries of the medium and his own personal expression. This publication, supported by his first exhibition outside of China, surveys Mo Yi's experimentation in photographic production and performance over the course of his career. Organized into five chronological chapters that mark the mi

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A new take on the history of art from da Vinci to Warhol as reinterpreted and ultimately reinforced by the international phenomenon that is Banksy Few would dispute that Banksy is the most famous urban artist in the world today. That he is also one of the most perceptive art historians of our age might come as a surprise to many. But the myriad memorable works he has created over the past thirty years constitute an audacious commentary on the history of image-making a captivating critique waiting to be pieced together. Armed with little more than stencils, spray paint and an anonymizing cloak of after-hours darkness, Banksy has forged an alluring identity for himself as an incorrigible prankster who doesn't embrace tradition but shreds it. What actually illuminates Banksy's audacious murals, impromptu urban sculptures and vandalized paintings, however, is a profound understanding of the story of art. Banksy recasts masterpieces as powerful comments on contemporary

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An accessible yet critical introduction to African photography and cinema from the mid-20th century to the present day. The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members/close associates if the artist is deceased), and contributions from writers, scholars and curators, it maps a comprehensive introduction to African moving and still imagery. This is a hugely important and timely publication engagement with Black and African histories is stronger than ever before (and long overdue). The major names of African photography, such as Malick Sidibé, Sanlé Sory and Seydou Keïta, have become highly collectible in the art market, while African cinema, pioneered by filmmakers such as Ousmane Sembène in 1960s Senegal, is now recognized for its creative innovation and storytelling. For anyone draw

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Central to the stories of many of the world’s great art galleries are the acquisitions and bequests that shaped their collections. So it is with M+ – a new museum of visual culture in the West Kowloon Cultural District of Hong Kong – and the M+ Sigg Collection. Acquired by the museum in 2012 from the Swiss businessman, diplomat and art collector Uli Sigg, the collection consists of 1,510 works of contemporary Chinese art, dating from the 1970s to the present and ranging across all media. Most significantly, perhaps, it offers a unique window on the remarkable flowering of experimental artistic practices in China during this time – a period of unprecedented social and economic change in the country that saw artists devise new, sometimes radical, approaches to artmaking, formulating new connections between art and society, and developing ground-breaking conceptual methodologies. Published to coincide with the presentation of the M+ Sigg Collection at the opening of the M+ building, Chinese Art Since 1970 features more than 600 works by more than 300 artists represented by the collection, among them Ai Weiwei, Cao Fei and Geng Jianyi. After introductory essays by Pi Li and Uli Sigg, an illustrated chronology spanning the years 1972 to 2020 highlights important social events, exhibitions and artistic movements to establish a context for the discussion of the featured artists and their work that follows. Punctuating this discussion are contributions from renowned art historians, curators and critics from across the globe on specific works and practices, together with in-depth explanations of key concepts and events, from Cynical Realism to the seminal exhibition China/Avant-Garde. Through the medium of the world’s pre-eminent collection of contemporary Chinese art, Chinese Art Since 1970 offers an unparalleled introduction to one of the most culturally dynamic periods in modern Chinese history. With over 700 illustrations

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Green is the new black. With environmental concerns at an all-time high, many of us are looking to promote sustainability in everyday ways, especially at home. It is more important than ever that our kitchen and dining spaces allow us to live in harmony with nature. This glimpse into the home kitchens and dining areas of twenty of the world’s top chefs, food bloggers and restaurateurs reveals inspiring ways that the food-obsessed are embracing the 'wild' at home in their everyday cooking and dining. From a chef who experiments with herbs in a city apartment to a blogger who forages with her family in a local forest, each personality’s featured kitchen story offers a behind-the-scenes view of their unique cooking philosophy along with their insider tips for creating a unique kitchen space. Each chef – from Julia Sherman and David Tanis to Judy Williams (of Via Carota) and Rita Sodi – provides a simple recipe that uses their favourite natural ingredients. Offering advice on essential utensils, entertaining and bringing the outside in, the book also features a directory of websites and restaurants for those interested in finding out more. The desire to know where our food comes from and to minimize our carbon footprints is ever-growing. Wild Kitchen offers fresh insights into kitchen design and styling from those who understand the sustainable lifestyle best, and will inform, delight and inspire all food lovers looking to get back to nature.

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This visually rich survey – the first of its kind – showcases the work of over 200 artists and celebrates the explosion of street art in Africa over the last decade. Including eleven in-depth interviews with street artists active in Africa today as well as coverage of the continent’s major street art projects, collectives and festivals, it takes the reader on an introductory tour of the many African street art scenes, with a deeper focus on the most prominent players in Kenya, Morocco, Senegal, South Africa and Tunisia. Topics and projects covered include the monumental project Murais da Leba in Angola, which saw a huge wall covered by local graffiti and visual artists in the Serra da Leba mountain range; the cultural influences and idiosyncrasies of individual street art scenes, and how they mesh with local communities; and eL Seed’s project ‘Perception’, a huge multi-part mural stretching across more than fifty buildings in Cairo’s Zaraeeb neighbourhood, revealing a message of hope to its marginalized community in the artist’s distinctive ‘calligraffiti’ style. Text commentaries elaborating on styles and processes, and social and cultural context, are peppered throughout the book, giving the reader further insight into a wealth of striking contemporary visual cultures – and helping make this a must-have for street art fans and practitioners.

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This volume is published on the occasion of the opening of the National Museum of Qatar in the state’s capital, Doha. It explores and celebrates architect Jean Nouvel’s innovative design which, inspired by the desert rose with its interlocking disks, responds to the country’s desert location by the sea. The museum, built around Sheikh Abdullah bin Jassim Al-Thani’s original 19th-century palace, honours Qatar’s heritage while looking to its future as a thriving cultural hub.

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Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of about ninety drawings – compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library & Museum – explores the wide range of Thiebaud’s production on paper, including early sketches, luminous pastels and watercolours, and charcoal drawings made in connection with his teaching. In subjects ranging from deli counters and isolated figures to dramatic views of San Francisco’s plunging streets, Thiebaud’s drawings endow the most banal, everyday scenes with a sense of poetry and nostalgia. Fully illustrated and beautifully designed, with illuminating texts, including an extensive interview with the artist, Wayne Thiebaud: Draftsman is the first major publication devoted to his lifelong engagement with drawing.

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This catalogue of the Wyvern sculpture collection, which is not open to the public, comprises outstanding European sculptures of the medieval period, as well as some Late Antique and Byzantine pieces and related works of the post-medieval era. Objects are made from wood, stone (including alabaster and marble) and terracotta. Also included are medieval works of art in metal, mostly consisting of crucifix figures (corpora), and other functional metalware such as aquamanilia (water vessels for the washing of hands) and candlesticks. This sumptuous publication will interest all those concerned with the material culture of the Middle Ages.

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Michelle Ong established Carnet, her Hong Kong-based boutique jewelry house, over twenty-five years ago, and her unique one-off creations draw on Chinese motifs and her love of European culture and craftsmanship. Her multi-hued jewels crystallize natural forms with invisible mastery. The hovering translucency of dragonfly wings, the succulence of ripe fruits, the whisper-light touch of a feather, the seductive fragility of black lace, meticulously hand-wrought from silver, the velvet petals of an anemone, a voluptuously curled seashell, the evanescence of a floating cloud evoked in a scroll of diamonds: each jewel is a miniature sculptural work of art. Jade, China’s imperial gemstone, is reworked into an Art Deco-style cocktail ring. Her Chinese dragon, a fiercely benign creature, writhes in blackened gold and pavé-set emeralds, breathing a stream of fiery rubies. Ong’s work is now acknowledged among the greatest names in high jewelry, renowned for her sublime designs, idiosyncratic colour combinations and deft craftsmanship. This volume will be required reading by serious collectors and aficionados, and a source of deep delight for all those seeking inspiration from the finest of contemporary jewelry creators.

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An irresistible anthology of photography’s greatest and most famous images. PhotoBox presents a collection of 250 photographs by 200 of the world’s most prominent photographers, ranging from legendary masters to contemporary stars, in a compact paperback format. Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more. Each image is accompanied by an engaging commentary and a brief biography of the photographer. This revised edition features fifty new photographs by an international array of practitioners, including Dayanita Singh, Cristina de Middel, Gregory Halpern, Lua Ribeira and more.

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