Search results for ""Otto""

Chatham played a very important part in the nation's Great War effort. It was one of the British Royal Navy's three 'Manning Ports', with more than a third of the town's ships manned by men allocated to the Chatham Division. The war was only 6 weeks old when Chatham felt the affects of war for the first time. On 22 September 1914, three Royal Naval vessels from the Chatham Division, HMS Aboukir, Cressy and Hogue, were sunk in quick succession by a German submarine, U-9. A total of 1,459 men lost their lives that day, 1,260 of whom were from the Chatham Division. Two months later, on 26 November, the battleship HMS Bulwark exploded and sunk whilst at anchor off of Sheerness on the Kent coast. There was a loss of 736 men, many of whom were from the Chatham area. On 18 August 1914, Private 6737 Walter Henry Smith, who was nineteen and serving with the 6th Battalion, Middlesex Regiment, became the first person to be killed during wartime Chatham. He was on sentry duty with a colleague, who accidentally dropped his loaded rifle, discharging a bullet that strook Private Smith and killed him. It wasn't all doom and gloom, however.Winston Churchill, as the First Lord of the Admiralty, visited Chatham early on in the war, on 30 August 1914. On 18 September 1915, two German prisoners of war, Lieutenant Otto Thelen and Lieutenant Hans Keilback, escaped from Donnington Hall in Leicestershire. At first, it was believed they had escaped the country and were on their way back to Germany, but they were re-captured in Chatham four days later. By the end of the war, Chatham and the men who were stationed there had truly played their part in ensuring a historic Allied victory.

Read more less

Wolfgang Luth was one of only seven men to win Germany s highest combat decoration. He operated in almost every theatre of the undersea war from Norway to the Indian Ocean and he was the second most successful German U-boat ace in World War II. Luth is credited with sinking 47 Allied ships and a submarine a record topped only by Otto Kretschmer. In 1944, after 16 war patrols, including one that lasted a record 203 days at sea, he was named commandant of the German naval academy and, aged 30, became the youngest commandant of the German Naval Academy. Until the publication of this comprehensive study his accomplishments were overshadowed by other aces. To correct the neglect, Jordan Vause provides an entertaining, authoritative biography. Vause was intrigued after seeing a portrait of Luth as a midshipman on display and set out to learn all he could, tracking down some of Luth s crewmen and fellow U-boat commanders. He draws on their first-hand information and a variety of written documents to provide a fascinating character analysis. In doing so, he encapsulates the paradoxes inherent in so many German submarine commanders, men spawned by the Nazi regime yet not entirely of it. Vause portrays Luth as a man of contradictions: an agent Nazi ideologue who could bend the rules for a slack sailor, a U-boat ace who could treat survivors of his attacks with clemency but then impetuously gun down other victims in cold blood. Even his best friend admitted that Luth had no remorse for the misery he inflicted on the crews of sunken ships. On the night of May 13th 1945 he was accidentally shot and killed by a German sentry. On May 16th 1945 he was given the Third Reich s last state funeral.

Read more less

Drawing The Motive Force of Architecture Focusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook’s delight and his wide-ranging, catholic tastes for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, William Heath Robinson, Le Corbusier and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group. For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which ‘hand drawing’ and the ‘digital’ are being eclipsed by new hybrids – injecting drawing with a fresh momentum. These ‘crossovers’ provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position or a single referential language. Featuring the likes of Toyo Ito, Perry Kulper, Izaskun Chinchilla, Kenny Kinugasa-Tsui, Ali Rahim, John Berglund and Lorène Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Maya® drawing is creatively contributing something different from a Rhinoceros® drawing, there is much to demand of future techniques.

Read more less

Otto Steidle has devoted himself continuously to the subject of housing for over 30 years, more perhaps than almost any other architect in Germany. At first the Munich office experimented with building with prefabricated elements. This was not in the first place a response to the building industry's production requirements, but intended to give occupants maximum flexibility when equipping or modifying their homes, for example in the residential estate in Genter Strasse in Munich (1969 -- 72) or at documenta urbana in Kassel (1979 -- 82). It was from 1986 -- 92, in the Kreuzgassenviertel in the old town in Nuremberg, that Steidle first addressed the high-density inner-city housing construction that he has increasingly made his own in recent years. For the Wacker-Haus in Munich (1992 -- 96, Opus 31) and the Michaelis quarter in Hamburg (1994 -- 2001) he experimented with tower-like residential buildings developed from the traditional urban block, right down to the inner courtyard, protected from the noise.For the Freischutzstrasse residential quarter in Munich Steidle first combined the 'classical' linear block with a sequence of tower-like slender buildings -- finding an up-to-date response in this way to the challenge of combining living in green surroundings with urban structures and appropriate density. The interplay of different building types made it possible to create exciting 'urban' spaces in green surroundings; an existing biotope with a fine stand of trees thrusts deep into the estate on the open south flank. Although the estate was built in five phases, it seems to be all of a piece. This is not least due to the sensitive colour scheme devised by the Berlin artist Erich Wiesner, who has been working with Steidle + Partner for many years. The dwellings are characterized by generous living areas lit on two sides. The sizes of the dwellings can be varied by removing or adding individual spaces.

Read more less

Text in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: "house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman & Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel & Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer & Lux, the Peter Schmidt Group, Ogilvy & Mather, Young & Rubicam, Spiess/Ermisch/Abel, Springer & Jacoby, McCann & Erickson and Fanghänel & Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.

Read more less

A NEW APPROACH TO CALCULUS THAT BETTER ENABLES STUDENTS TO PROGRESS TO MORE ADVANCED COURSES AND APPLICATIONS Calculus and Analysis: A Combined Approach bridges the gap between mathematical thinking skills and advanced calculus topics by providing an introduction to the key theory for understanding and working with applications in engineering and the sciences. Through a modern approach that utilizes fully calculated problems, the book addresses the importance of calculus and analysis in the applied sciences, with a focus on differential equations. Differing from the common classical approach to the topic, this book presents a modern perspective on calculus that follows motivations from Otto Toeplitz's famous genetic model. The result is an introduction that leads to great simplifications and provides a focused treatment commonly found in the applied sciences, particularly differential equations. The author begins with a short introduction to elementary mathematical logic. Next, the book explores the concept of sets and maps, providing readers with a strong foundation for understanding and solving modern mathematical problems. Ensuring a complete presentation, topics are uniformly presented in chapters that consist of three parts: Introductory Motivations presents historical mathematical problems or problems arising from applications that led to the development of mathematical solutions Theory provides rigorous development of the essential parts of the machinery of analysis; proofs are intentionally detailed, but simplified as much as possible to aid reader comprehension Examples and Problems promotes problem-solving skills through application-based exercises that emphasize theoretical mechanics, general relativity, and quantum mechanics Calculus and Analysis: A Combined Approach is an excellent book for courses on calculus and mathematical analysis at the upper-undergraduate and graduate levels. It is also a valuable resource for engineers, physicists, mathematicians, and anyone working in the applied sciences who would like to master their understanding of basic tools in modern calculus and analysis.

Read more less

Features a special section on the Hungarian German Jewish writer and theater director George Tabori and a Forum section on the 2016 film A German Life. Nexus is the official publication of the biennial German Jewish Studies Workshop, which was inaugurated at Duke University in 2009 and is now held at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing forum in North America for German Jewish studies. Nexus publishes innovative research in German Jewish Studies, introducing new directions, analyzing the development and definition of the field, and considering its place vis-à-vis both German Studies and Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. Nexus 4 features a special section on the Hungarian German Jewish writer and theater director George Tabori; edited by Martin Kagel, this section includes both new documentary material and a number of trenchant scholarly articles. Additionally, the volume includes a Forum section (edited by Brad Prager) on the 2016 documentary film A German Life, an exploration of Kafka and childhood (Ritchie Robertson), and a provocative reassessment of Schindler's List (Eva Revesz). Contributors: Tobias Boes, Antje Diedrich, Norbert Otto Eke, Martin Kagel, Jennifer M. Kapczynski, Brad Prager, Eva Revesz, Ritchie Robertson, Robert Skloot, Kerstin Steitz, Donna Stonecipher, Lena Tabori, StanleyWalden, Valerie Weinstein. William Collins Donahue is the John J. Cavanaugh Professor of the Humanities at the University of Notre Dame, where he chairs the Department of German and Russian. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, The State University of New Jersey. Special section editor Martin Kagel is A. G. Steer Professor of German at the University of Georgia.

Read more less

Two deep human needs are to master the world and to feel safe and secure. The Great Recession thwarted both needs for millions of people around the world. Cooper and Antoniou's global team of scholars address the psychological, economic, social, and other dimensions of our current crisis while charting paths whereby we can again satisfy these needs. Let us rise above the crisis and follow Aristotle's path to living well and faring well. This book offers a plan for doing so.'- James Campell Quick, The University of Texas at Arlington, USAn economic recession can affect the aggregate well-being of a population. This highly regarded and timely book shows a significant increase in the mean levels of distress and dissatisfaction in the work place in recent years.In particular, increasing job demands, intrinsic job insecurity and increasingly inadequate salaries make substantial contributions to psychological distress, family conflict and related behaviors. The contributors reveal that the recession has fundamentally altered the way employees view their work and leaders. With employers and employees still facing a continued period of uncertainty, a severe impact on employment relations is a continuing reality.Given the difficult economic times, many people are feeling the pressure to work harder. This book will be valuable for undergraduate students and practitioners in the fields of organizational behavior and human resource management.Contributors: A.-S. Antoniou, C.C. Benight, K.A. Buchholz, R. Burke, D.A.J. Cable, R. Cieslak, M. Dalla, L. Fiksenbaum, A. Furnham, E. Georgiadi, M. Givalos, E. Greenglass, L.B. Hammer, I.L.D. Houtman, L. Jiang, H. Kahn, D. Karaj, L. Kashahu, B.D. Kirkcaldy, M.A.J. Kompier, L. Lu, A. Malach-Pines, D. Malinowska, Z. Marjanovic, G. Michailidis, G. Mohr, M. O'Driscoll, K. Otto, T. Probst, T. Rigotti, M.M. Schaffer, E.I. Shupe, R.R. Sinclair, E. Smoktunowicz, T.W. Taris, A. Tokarz, M. Trzebinska, A.F. Wagenaar, N. Zaidman

Read more less

Beiträge zur Verfassungsfrage anläßlich der Verhandlungen im Reichsamt des Inneren vom 9. bis 12. Dezember 1918 - Deutschlands künftige Staatsform - Entwürfe für die Paragraphen 11 und 12 einer Verfassung des Deutschen Reiches - Erklärungen zum Scheitern der Kandidatur für die Wahlen zur Nationalversammlung im Wahlkreis 19 (Hessen-Nassau) - Der freie Volksstaat - Zum Thema "Kriegsschuld" - Zur einer Erklärung der Heidelberger Couleurstudenten - Diskussionsbeiträge anläßlich der Gründersitzung der "Arbeitsgemeinschaft für die Politik des Rechts (Heidelberger Vereinigung)" - Der gebundene Privatbesitz in der badischen Verfassung - Der Reichspräsident - Die Untersuchung der Schuldfrage - Die wirtschaftliche Zugehörigkeit des Saargebietes zu Deutschland - Unitarismus, Partikularismus und Föderalismus in der Reichsverfassung - Diskussionsbeiträge anläßlich der Beratungen im Auswärtigen Amt zur Vorbereitung der Friedensverhandlungen, 29. März und 2. April 1919 - Sachliche (angeblich: "politische") Bemerkungen am 19.1.1920 zum Fall Arco - Erklärung zum Fall Arco am 23. Januar1920 - Stellungnahme zu Äußerungen des bayerischen Ministerpräsidenten von KahrIa. Beiträge zur amtlichen Politik in der KriegsschuldfrageBemerkungen zum Verzicht der Kommission der alliierten und assoziierten Regierungen über die Verantwortlichkeit der Urheber des Krieges - Der verstümmelte Bericht des Herrn von Schoen. Eine Erklärung der deutschen ViererkomissionII. Berichte über Reden und DiskussionsbeiträgeDeutschlands politische Neuordnung - Die zukünftige Staatsform Deutschlands - Das neue Deutschland - Der Wiederaufbau der deutschen Wirtschaft - Deutschlands Lage - Deutschlands Wiederaufrichtung - Diskussionsbeitrag zur Rede des badischen Justizministers Ludwig Marum über "Das neue Deutschland und seine Zukunft" am 3. Januar 1919 in Heidelberg - Deutschlands Vergangenheit und Zukunft - Die kommende Reichsverfassung - Probleme der Neuordnung - Der freie Volksstaat - Die gegenwärtige Lage der Deutschen Demokratischen Partei - Student und Politik - Zeugenaussage im Prozeß gegen Ernst Troller - Zeugenaussage im Prozeß gegen Otto NeurathAnhang I:Mitunterzeichnete Aufrufe und öffentliche ErklärungenAnhang II:Aufzeichnungen über eine Unterredung mit Erich LudendorffAnhang III:Nachgewiesene aber nicht überlieferte Schriften und RedenPersonenverzeichnis - Verzeichnis der von Max Weber zitierten Literatur - Verzeichnis der als Varianten zum Edierten Text berücksichtigten Textfassungen - Personenregister - Sachregister - Seitenkonkordanzen - Aufbau und Editionsregeln der Max-Weber-Gesamtausgabe, Abteilung I: Schriften und Reden

Read more less

Tales from writers with Latinx, Caribbean, Asian, African, Arabic, North American, East European origins, and more, challenge the reader with stories that spill out into space, parallel realms or just hidden in plain sight. The stories explore the world from the perspective of the incoming, whether necessitated through war or oppression, financial or familial need, or with hope for a better future, examining visions of displacement and relocation in future and speculative settings. New stories selected from open submissions are set alongside classic sci-fi by the likes of Otto (Eando) Binder and Zenna Henderson, modern stories by such authors as Celu Amberstone and Ken Liu, and older, realist immigrant narratives by Abraham Cahan, Sui Sin Far, Lee Yan Phou, Constantine Panunzio and more. Complemented by a foreword by author E.C. Osondu and an insightful introduction by Betsy Huang, Ph.D., this is an intriguing view of the conflict and anxiety between the settled and the unsettled. The new, contemporary and notable writers featured are: Ali Abbas, Celu Amberstone, Bebe Bayliss, Christine Bennett, Ben Blattberg, Judi Calhoun, V. Castro, P.A. Cornell, Yelena Crane, Indra Das, Deborah L. Davitt, Greg van Eekhout, Louis Evans, Illimani Ferreira, Beáta Fülöp, Elana Gomel, Eileen Gonzalez, Roy Gray, Alex Gurevich, Jennifer Hudak, Jordan Ifueko, Frances Lu-Pai Ippolito, Jas Kainth, Ken Liu, Samara Lo, Kwame M.A. McPherson, E.C. Osondu, Simon Pan, C.R. Serajeddini, Bogi Takács, Kanishk Tantia, Tehnuka, Francesco Verso (translated by Michael Colbert), M. Darusha Wehm, Kevin Martens Wong, and Eris Young. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Read more less

‘Gripping and authentic’ NEW YORK TIMES ‘Heartrending . . . An engrossing read’ FINANCIAL TIMESSEVENTEEN YEARS AFTER THE FALL OF THE THIRD REICH Max Weill has never forgotten the face of Otto Schramm, a doctor who worked with Mengele on appalling experiments and who sent Max’s family to the gas chambers.A NAZI WAR CRIMINAL WHO IS SUPPOSED TO BE DEAD When Schramm escaped to South America after the war, Max swore to one day bring him back to Germany to stand trial. With his life now nearing its end, he asks his nephew Aaron Wiley – a CIA desk analyst – to capture the doctor.AND THE ROGUE CIA AGENT ON HIS TRAIL In Buenos Aires, and unable to distinguish allies from enemies, Aaron must test the boundaries of his own personal morality and ultimately decide: how far is he prepared to go to render justice?PRAISE FOR JOSEPH KANON: ​ 'Joseph Kanon owns this corner of the literary landscape and it’s a joy to see him reassert his title with such emphatic authority' Lee Child 'Clever, devious and morally complex' Sunday Times 'Sensational! No one writes period fiction with the same style and suspense – not to mention substance – as Joseph Kanon' Scott Turow 'Kanon is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell' New York Times 'The perfect combination of intrigue and accurate history brought to life' Alan Furst 'Joseph Kanon continues to demonstrate that he is up there with the very best . . . of spy thriller writers . . . Kanon writes beautifully, superbly . . . he is the master of the shadows of the era' The Times 'The critical stock of Joseph Kanon is high, and Defectors will add further lustre to his reputation . . . There are pleasing echoes here of the “entertainments” of Graham Greene' Guardian

Read more less

Perhaps Norman Weber - as a native of Schwäbisch Gmünd - was born with a love of jewellery. Following a traditional training as a gold and silversmith in Kaufbeuren-Neugablonz, where he teaches today at the State Vocational College for Glass and Jewellery, he studied with professors Hermann Jünger, Otto Künzli and Horst Sauerbruch at the Academy of Fine Arts in Munich. Here the then 25-year-old began his search, together with his colleagues Karl Fritsch, Peter Bauhuis and Karen Pontoppidan, for new paths and definitions in contemporary jewellery. Today Norman Weber is the storyteller in the contemporary studio jewellery scene. For example with the brooches from his series "Portraits", which investigates clichés such as Barbie dolls. Focusing on a particular area of interest - popular images, comics and populist icons - the artist enmeshes the images in perfectly executed constructions - Weber is after all a goldsmith through and through - thereby giving them a new home. At times the critical jewellery artist places these figures in a completely new context. In this way jewellery is moved in the direction of pop and takes on the character of shrill fashion emblems. Precious stones made of velour in jewellery conjure up a smile on the lips of a viewer before he even begins to reflect on the meaning of the spurious stones. But Norman Weber not only tells stories. Other pieces are shaped by underlying constructivist elements - convincing jewellery because their mechanical elements are infused with an exciting dynamic. This monograph provides a first survey of the oeuvre of this talented jewellery master. Exhibition in the Deutsches Goldschmiedehaus Hanau from 2nd September 2010 and further venues thereafter, in Munich and Schwäbisch Gmünd. Text in English & German.

Read more less

Text in English and German. Otto Steidle acquired international recognition for his extraordinary early residential buildings in Munich and for exemplary solutions for school and office buildings. His office and residential complex for Wacker-Chemie in Munich is a lively accent on a particularly conspicuous site in architecturally conservative Munich. Individually balanced buildings are arranged along the block perimeter in Prinzregentenstrasse, the most important east-west axis in the inner city, diagonally opposite the Haus der Kunst, and in Bruderstrasse, which leads to Lehel, a traditional residential area. Steidle has not packed the different functions in layers one above the other, as is usual in commercial projects of this kind, but has separated them clearly from each other. The office building on the noisy carriageway of Prinzregentenstrasse takes the curve to the narrow side street in an elegant sweep, with the glass skin suspended in front of the corner giving the building an almost Mendelsohn-like verve. The series of residential buildings in Bruderstrasse is given a different quality by Berlin painter Erich Wiesner's strong colours and the projecting and recessed facades. And as here too the normal Munich scale is considerably exceeded -- the three residential towers placed diagonally to the courtyard rise eight storeys high -- there is a surprising amount of room for publicly accessible gardens inside the block, designed by landscape architects Latz + Partner, and also scope for revealing the torrential Stadtmuhlbach in a spectacular fashion, which used to be covered, but now shoots directly past one of the windows of the sunken cafeteria and then under the entrance hall of the office building, before playing at waterfalls as it gushes into the Englischer Garten at the other side of the road. Thus Prinzregentenstrasse, as a mile of museum and government buildings, and the Lehel residential area have acquired an architectural attraction of elemental impact in the shape of the Wacker building.

Read more less

Judith Mok was born in the Netherlands, to Jewish survivors of the Holocaust. She trained as a classical singer and travelled the world performing as a soloist, while publishing a novel and poetry collection there. For the last twenty years she has been based in Ireland, where she has become the country's leading voice coach, working with classical singers and many international pop stars. In recent years she started to write in English, publishing a novel and poetry collection and contributing to publications like the Irish Times. The State of Dark is a memoir and detective story. Like many children of Holocaust survivors, she was raised with the emotional trauma of having no other family members, while her parents tried to rebuild their lives in postwar Europe. Despite the constant and occasionally intrusive presence of the past - Anne Frank's father Otto makes an emotional visit to her father to hand over some letters - she had little concrete information about the hundreds of members of her family who died. All the same, the Holocaust and its consequences continued to haunt her life. At one point in her career she worked with the great German soprano Elisabeth Schwarzkopf. It was only years later that she discovered the full extent of Schwarzkopf 's collaboration with the Nazi regime. Not only was she a full member of the National Socialist Party, but was also the mistress of Hans Frank, the notorious 'Butcher of Poland'. Later, Mok would discover that Schwarzkopf had entertained the German troops in Poland at around the same time her family were being murdered there. A chance phone call made from her Dublin home in search of more information unleashes a whole process whereby Mok disovers, in shocking and intimate detail, the terrible fate of her family. The State of Dark is a highly original, moving and beautifully written memoir of the so-called Second Generation trauma, which documents how the Holocaust continues to be a living issue in European life and culture, including in Ireland.

Read more less

Brings together disparate conversations about wildlife conservation and renewable energy, suggesting ways these two critical fields can work hand in hand.Renewable energy is often termed simply "green energy," but its effects on wildlife and other forms of biodiversity can be quite complex. While capturing renewable resources like wind, solar, and energy from biomass can require more land than fossil fuel production, potentially displacing wildlife habitat, renewable energy infrastructure can also create habitat and promote species health when thoughtfully implemented.The authors of Renewable Energy and Wildlife Conservation argue that in order to achieve a balanced plan for addressing these two crucially important sustainability issues, our actions at the nexus of these fields must be directed by current scientific information related to the ecological effects of renewable energy production. Synthesizing an extensive, rapidly growing base of research and insights from practitioners into a single, comprehensive resource, contributors to this volume• describe processes to generate renewable energy, focusing on the Big Four renewables—wind, bioenergy, solar energy, and hydroelectric power• review the documented effects of renewable energy production on wildlife and wildlife habitats• consider current and future policy directives, suggesting ways industrial-scale renewables production can be developed to minimize harm to wildlife populations• explain recent advances in renewable power technologies• identify urgent research needs at the intersection of renewables and wildlife conservationRelevant to policy makers and industry professionals—many of whom believe renewables are the best path forward as the world seeks to meet its expanding energy needs—and wildlife conservationists—many of whom are alarmed at the rate of renewables-related habitat conversion—this detailed book culminates with a chapter underscoring emerging opportunities in renewable energy ecology.Contributors: Edward B. Arnett, Brian B. Boroski, Regan Dohm, David Drake, Sarah R. Fritts, Rachel Greene, Steven M. Grodsky, Amanda M. Hale, Cris D. Hein, Rebecca R. Hernandez, Jessica A. Homyack, Henriette I. Jager, Nicole M. Korfanta, James A. Martin, Christopher E. Moorman, Clint Otto, Christine A. Ribic, Susan P. Rupp, Jake Verschuyl, Lindsay M. Wickman, T. Bently Wigley, Victoria H. Zero

Read more less

In this broad historical and critical overview based on a lifetime of scholarship, James Alfred Martin, Jr., examines the development of the concepts of beauty and holiness as employed in theories of aesthetics and of religion. The injunction in the Book of Psalms to "worship the Lord in the beauty of holiness" addressed a tradition that has comprehended holiness primarily in terms of ethical righteousness--a conception that has strongly influenced Western understandings of religion. As the author points out, however, the Greek forbears of Western thought, as well as many Eastern traditions, were and are more broadly concerned with the pursuit of beauty, truth, and goodness as ideals of human excellence, that is, with the "holiness of beauty." In this work Martin describes a philosophical stance that should prove to be most productive for the dialogue between aesthetics and religion. Beginning with the treatment of beauty and holiness in Hebrew, Greek, and classical Christian thought, the author traces the emergence of modern theories of aesthetics and religion in the Enlightenment. He then outlines the role of aesthetics in the theories of religion proposed by Otto, Eliade, van der Leeuw, and Tillich, in the cultural anthropology of Geertz, and in the thought of Santayana, Dewey, Whitehead, Heidegger, and Wittgenstein. In a global context Martin explores the relation of aesthetic theory to religious thought in the traditions of India, China, and Japan and concludes with reflections on the viability of modern aesthetic and religious theory in the light of contemporary cultural and methodological pluralism. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Read more less

Text in English & German. Not just a winner, but a major winner. And Fellbach won it by letting Zurich architect Ernst Gisel build its new town hall. And it is just the same as winning the lottery: it takes time for it to sink in and to be really pleased. Winning also means stress, especially if the player never really believed in his luck. But why be pleased about a town hall, about a collection of official rooms, intended only to make administering the individual citizen even smoother? Can a town hall be anything at all more than a home for all the official panoply of tit-for-tat responses? It can indeed, if you make it into a piece of the town, a good piece of the town . . . Ernst Gisel's town hall for Fellbach is one of the very few buildings that make one enthuse about the town. Like Stirling's Neue Staatsgalerie it invites you to linger -- even without a reason: in the Stuttgart museum you are attracted by terraces, ramps and an open rotunda, whereas in the Fellbach building there is a sense of a strong suction that will draw the public into the inner courtyard of the complex. "A bit Italian" -- that is what Gisel himself says about the atmosphere there, and he is right. The urban quality of the new town hall corresponds with the quality of the detailed architectural solutions and the care with which Gisel devoted himself to the architectural design in the interior. Art in the building? There is that too. Gisel himself designed the fountain for the market-place façade: architecture on a small scale, a game with volumes through which the water slowly runs. In the inner courtyard, in the town-hall square, is the sculpture Überlebenskopf (survival head) by Zurich artist Otto Müller -- a sober monument that corresponds precisely with the confident but modest character of the building. The new town hall is a fairly perfect piece of architecture and urban art: reticent as a whole, monumental in detail.

Read more less

The units of the Waffen-SS were some of the most successful and influential combat formations produced by any country in this century. Their abilities and accomplishments, in both defense and offense, remain legendary. Finally, the commanders of these elite units are examined here in detail. In this book, the second of a two volume set, sixty-one biographies reveal the lives of the most senior Waffen-SS commanders. Details are provided for education, as well as pre-Third Reich era service in military and civil posts, and includes promotions, assignments and decorations. The 1933-1945 era, the most detailed, reveals all their commands and related data similar to their earlier service. Officially documented recollections of the combat actions that resulted in bestowal of their highest awards (Knight's Cross and German Cross in Gold) are finally discussed. Heavily documented, their individual stories continue until their eventual fates are revealed. Beginning with the only two brothers to command a Waffen-SS corps, the study ends with a pair of officers whose units fought in the final defense of Berlin during 1945. The text detail emulates the initial volume, exhaustively examining the lives of all individuals with full biographical information to include higher award recommendations for the Knight's Cross and German Cross. With a foreword by Knight's Cross with Oakleaves and Swords holder Otto Baum, significant material was provided by numerous Waffen-SS veterans. Profusely illustrated with more than 470 previously unpublished or rare photos and war-time documents, eight Order of Battle charts are also included. A full Feldpost listing Order of Battle for the armed formations at the end of 1940 is also included. Also included is an addendum to Volume 1 that adds both text and photographic material uncovered during the concluding research. Supplementary tactical symbols are also illustrated and explained, expanding the coverage of those detailed in the initial work.

Read more less

Herzog & de Meuron gehören zu den international bedeutendsten Architekten unserer Zeit. Der jüngste Auftrag für die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie große Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhäuser Verlag für Architekturträgt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem Zusammenhang vor. Nach Band 2 im letzten Jahr werden in Band 1 nun die ersten elf Jahre von Herzog & de Meuron dokumentiert. ln diesem Zeitraum von 1978-88 wurde eine methodologische Basis erarbeitet, auf der die Großprojekte der darauffolgenden Jahre aufbauen konnten. Waren Bauten wie das «blaue Haus» bei Basel durch eine naturbezogene Bildhaftigkeit geprägt, so traten Herzog & de Meuron fast gleichzeitig mit Entwürfen hervor, die so verdichtet waren, dass Erscheinungsweise, Funktion und Struktur zusammenfielen. Das Lagerhaus für die Firma Ricola in Laufen ist mit seiner Hülle aus geschichteten Eternitplatten hierfür exemplarisch. Ein weiteres zentrales Thema der ersten Werkdekade ist denn auch die grundsätzliche Neubewertung von Materialien. Ein Haus in einem Garten bei Basel wurde innen und außen ganz aus verschiedenen Sperrhölzern gefügt, die Außenwände eines Wohnhauses im ligurischen Tavole sind aus Bruchsteinen geschichtet. Für ein Laborgebäude in Basel war eine Glashülle vorgesehen, die sich teilweise vom Baukörper ablöst; ein Wohnhaus mit Galerieraum lebt aus der vielfältigen Verwendung von Beton. Bereits bei den Frühwerken ist also ein ausgesprochenes Interesse an der Gestaltung der Fassade erkennbar. Die Auseinandersetzung mit übergreifenden stadtplanerischen Aspekten manifestierte sich erstmals deutlich in der Siedlung Pilotengasse am Stadtrand von Wien, die Herzog & de Meuron zusammen mit Adolf Krischanitz und Otto Steidle 1987-92 entwarfen und realisierten. Das pragmatische Denken für einen spezifischen Ort und Zweck in der sich rasch wandelnden Gegenwart, das den architektonischen Diskurs von Herzog & de Meuron in besonderer Weise auszeichnet, wird im Buch durch verschiedene theoretische Beiträge abgestützt. Wie im bereits erschienenen Band 2 werden auch im Band 1 die zentralen Projekte ausführlich vorgestellt. Im Anhang befindet sich eine Chronologie aller 47 Werknummern von 1978-1988 mit präzisen technischen und bibliografischen Angaben.

Read more less

Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

Read more less

The units of the Waffen-SS were some of the most successful and influential combat formations produced by any country in this century. Their abilities and accomplishments, in both defense and offense, remain legendary. Finally, the commanders of these elite units are examined here in detail. In this book, the second of a two volume set, sixty-one biographies reveal the lives of the most senior Waffen-SS commanders. Details are provided for education, as well as pre-Third Reich era service in military and civil posts, and includes promotions, assignments and decorations. The 1933-1945 era, the most detailed, reveals all their commands and related data similar to their earlier service. Officially documented recollections of the combat actions that resulted in bestowal of their highest awards (Knight's Cross and German Cross in Gold) are finally discussed. Heavily documented, their individual stories continue until their eventual fates are revealed. Beginning with the only two brothers to command a Waffen-SS corps, the study ends with a pair of officers whose units fought in the final defense of Berlin during 1945. The text detail emulates the initial volume, exhaustively examining the lives of all individuals with full biographical information to include higher award recommendations for the Knight's Cross and German Cross. With a foreword by Knight's Cross with Oakleaves and Swords holder Otto Baum, significant material was provided by numerous Waffen-SS veterans. Profusely illustrated with more than 470 previously unpublished or rare photos and war-time documents, eight Order of Battle charts are also included. A full Feldpost listing Order of Battle for the armed formations at the end of 1940 is also included. Also included is an addendum to Volume 1 that adds both text and photographic material uncovered during the concluding research. Supplementary tactical symbols are also illustrated and explained, expanding the coverage of those detailed in the initial work.

Read more less

I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers who consider thirteen monumental works of art created for The New School between 1930 and the present. The nucleus of The New School's Art Collection, these commissions—ranking among the finest site-specific works in New York City—range from murals by José Clemente Orozco and Thomas Hart Benton to installations by Agnes Denes, Kara Walker, Alfredo Jaar, Glenn Ligon, Sol LeWitt, and Martin Puryear + Michael Van Valkenburgh, among others. Providing a kaleidoscopic view into these works, this richly illustrated volume explores each installation through three to four essays written by critics, poets, and scholars from diverse fields including anthropology, mathematics, art history, media studies, and design. Their texts are complemented by three additional essays reflecting on each piece's art historical significance; the architectural contexts in which the works reside on the university's campus; and The New School's relationship to adventurous art practice. Also included is a roundtable discussion among leading arts educators and artists who reflect on the pedagogical potential of a campus-based contemporary art collection. The book's final section presents a history of each commissioned work, highlighted by archival images never before published. Published by The New School. Distributed by Duke University Press. Contributors. Saul Anton, Daniel A. Barber, Stefano Basilico, Carol Becker, Naomi Beckwith, Omar Berrada, Gregg Bordowitz, Tisa Bryant, Holland Cotter, Mónica de la Torre, Aruna D'Souza, Elizabeth Ellsworth, Julia L. Foulkes, Andrea Geyer, Kathleen Goncharov, Jennifer A. González, Michele Greet, Randall Griffey, Victoria Hattam, Pablo Helguera, Jamer Hunt, Anna Indych-López, Luis Jaramillo, Jeffrey Kastner, Robert Kirkbride, Lynda Klich, Carin Kuoni, Sarah E. Lawrence, Tan Lin, Lucy R. Lippard, Laura Y. Liu, Reinhold Martin, Shannon Mattern, Lydia Matthews, Maggie Nelson, Olu Oguibe, G. E. Patterson, Hugh Raffles, Claudia Rankine, Jasmine Rault, Heather Reyes, Frances Richard, Silvia Rocciolo, Carl Hancock Rux, Luc Sante, Mira Schor, Eric Stark, Radhika Subramaniam, Edward J. Sullivan, Roberto Tejada, Otto von Busch, Wendy S. Walters, Jennifer Wilson, Mabel O. Wilson

Read more less

This is the life story of one of the most interesting human beings who ever lived. A political genius who remade Europe and united Germany between 1862 and 1890 by the sheer power of his great personality. It takes the reader into close proximity with a human being of almost superhuman abilities. We see him through the eyes of his secretaries, his old friends, his neighbours, his enemies and the press. Otto von Bismarck 'made' Germany but never 'ruled' it. For twenty eight years he acted as a prime minister without a party. He made speeches, brilliant in content but hesitant in delivery, and rarely addressed a public meeting. He planned three wars and after a certain stage in his career always wore military uniform to which he had no claim. The 'Iron Chancellor', the image of Prussian militarism, suffered from hypochondria and hysteria. Contemporaries called him a 'dictator' and several observers credited him with 'demonic' powers'. They were not wrong. The sheer power of his remarkable 'sovereign sel' awed even his enemies. William I observed that it was hard to be emperor under a man like Bismarck. He towered physically and intellectually over his contemporaries. His spoken and written prose sparkled with wit, insight, grand visions and petty malice. He united Germany and transformed Europe like Napoleon before and Hitler after him but with neither their control of the state nor command of great armies. He was and remained a royal servant. This new biography explores the greatness and limits of a huge and ultimately destructive self. It uses the diaries and letters of his contemporaries to explore the most remarkable figure of the nineteenth century, a man who never said a dull thing or wrote a slack sentence. A political genius who combined creative and destructive traits, generosity and pettiness, tolerance and ferocious enmity, courtesy and rudeness - in short, not only the most important nineteenth-century statesman but by far the most entertaining.

Read more less

This volume brings together a hitherto scattered and inaccessible body of material crucial to the understanding of the evolution of Nazi political thought. Before the publication of this volume, scholars had virtually ignored the extensive writings and programs published by leading Nazi ideologues before 1933. Barbara Miller Lane and Leila J. Rupp have collected the political writings of Nazi theorists—Dietrich Eckart, Alfred Rosenberg, Gottfried Feder, Joseph Goebbels, Gregor and Otto Strasser, Heinrich Himmler, and Richard Walther Darré—during the period before the National Socialists came to power. The Strassers are given considerable space because of their great intellectual importance within the party before 1933. In commentary by the editors, the significance of each Nazi theorist is weighed and evaluated at each stage of the history of the party. Lane and Rupp conclude that Nazi ideology, before 1933 at least, was not a consistent whole but a doctrine in the process of rapid development to which new ideas were continually introduced. By the time the Nazis came to power, however, a group of interrelated assertions and official promises had been made to party followers and to the public. Hitler and the Third Reich had to accommodate this ideology, even when not implementing it. Hitler’s role in the development of Nazi ideology, interpreted here as a very permissive one, is thoroughly assessed. His own writings, however, have been omitted since they are readily available elsewhere. The twenty-eight documents included in this book illustrate themes and phases in Nazi ideology which are discussed in the introduction and the detailed prefatory notes. Long selections, as often as possible full-length, are provided to allow the reader to follow the arguments. Each selection is accompanied by an introductory note and annotations which clarify its relationship to other works of the author and other writings of the period. Also included are original translations of the “Twenty-Five Points” and a number of little-known official party statements.

Read more less

Mainstream fashion system is experienced in an unsustainable cycle with the global supply chain. It is an unsustainable system not only because of its effects on the environment and ecology, but also because of the unfair working conditions which put a social distance between the employer and the employee. This structure, which has greedy characteristics with its production and consumption rates, due to its `fast' cycle on a global scale, recreates a `throwaway' consumption culture every day which causes a waste problem that cannot be solved by the linear production model. Together with this, the non-transparent global supply chain builds the modern slavery system in the third world countries by applying hard labour conditions and violating human rights. Slow fashion movement, which has emerged as an alternative to this course, builds an ecological, sustainable and ethical sense of fashion for design, production and consumption relations. Slow fashion promises a hope for the search of a more humane and ethical future, for the production of long-lasting, enduring, unique, and eco-friendly goods that have been made with care for local values and have respect for craftwork. Slow fashion promises these by also making relationships between the designer, producer and consumer transparent. This book consists of eleven chapters discussing the following issues in the context and socio-politics of slowness: The social justice system of fashion, the social and environmental effects of supply chain, the probability of creating a cyclical economic system rather than the linear cycle of production and consumption, the creative waste management strategies, the role of slowness in association of design and craft, the responsible consumption understanding created by slowness as opposed to the illusion of hedonic sense of consumption and happiness, our emotional and sensual relationship with clothes, and the role of education for the creation of a sustainable fashion system. Contributing authors: Duygu Atalay, Otto von Busch, Hazel Clark, Irem Yanpar Cosdan, Alex Exculapio, Erica de Greef, Alison Gwilt, Alastair Fuad-Luke, Solen Kipoz, Sanem Odabasi, Alice Payne, Yuksel Sahin, Nesrin Turkmen

Read more less

During World War Two, the armed or Waffen-SS branch of the Third Reich’s dreaded security service expanded from two divisions in 1940 to 38 divisions by the end of the war, eventually growing to a force of over 900,000 men until Germany’s defeat in May 1945. Not satisfied with allowing his nascent force to be commanded in combat by army headquarters of the Wehrmacht, Heinrich Himmler, chief of the SS, began to create his own SS corps and army headquarters beginning with the SS-Panzerkorps in July 1942. As the number of Waffen-SS divisions increased, so did the number of corps headquarters, with 18 corps and two armies being planned or activated by the war’s end.While the histories of the first three SS corps are well known, the IV SS-Panzerkorps – which never fought in the west or in Berlin but participated in many of the key battles fought on the Eastern Front during the last year of the war – has been overlooked. Activated during the initial stages of the defence of Warsaw in late July 1944, the corps, consisting of both the 3. and 5. SS-Panzer Divisions (Totenkopf and Wiking, respectively) was born in battle and spent the last ten months of the war in combat, figuring prominently in the battles of Warsaw, the attempted Relief of Budapest, Operation Spring Awakening, the defence of Vienna, and the withdrawal into Austria where it finally surrendered to American forces in May 1945.Herbert Otto Gille’s IV SS-Panzerkorps was renowned for its tenacity, high morale and, above all, its lethality, whether conducting a hard-hitting counterattack or a stubborn defense in situations where its divisions were hopelessly outnumbered. Often embroiled in heated disputes with its immediate Wehrmacht higher headquarters over his seemingly cavalier conduct of operations, Gille’s corps remained to the bitter end one of the Third Reich’s most reliable and formidable field formations.

Read more less

One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda.At the outbreak of war in September 1939, Mildred had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI.Spicing her broadcasts with music, Mildred used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were.After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, but was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.Written by Richard Lucas, a freelance writer and lifelong shortwave radio enthusiast, Axis Sally: The American Voice of Nazi Germany is the first thoroughly documented look at this mythologised figure of World War II.

Read more less

On Christmas Eve 1944, the men of the IV SS-Panzerkorps were preparing to celebrate the occasion as best they could. Taking advantage of the pause in the fighting around Warsaw, they looked forward to partaking in that most German of holidays, including the finest Christmas dinner their field kitchens could still prepare in this fifth year of the war. They had earned it too; after five months of unrelenting combat and the loss of many of their friends, troops from the corps headquarters, headquarters troops, and its two divisions - the 3rd SS Panzer Division “Totenkopf” and the 5th SS Panzer Division “Wiking” - were eagerly anticipating what the holiday would bring, including presents from home and perhaps sharing a bottle of schnapps or wine with their comrades.This was not to be, for that very evening, the corps commander, SS-Obergruppenführer Herbert Otto Gille, received a telephone call notifying him that the 35,000 men of his corps would begin boarding express trains the following day that would take them from the relative quiet of the Vistula Front to the front lines in Hungary, hundreds of kilometers away. Their mission: Relieve Budapest! Thus would begin the final round in the saga of the IV SS-Panzerkorps. In Hungary, it would play a key role in the three attempts to raise the siege of that fateful city. Threatened as much by their high command as by the forces of the Soviet Union, Gille and his troops overcame seemingly insurmountable obstacles in their attempts to rescue the city’s garrison, only to have their final attack called off at the last minute. At that moment, they were only a few kilometers away from the objective towards which they had striven for nearly a month. After the relief attempt’s failure sealed the fate of hundreds of thousands of Hungarians and Germans, the only course of action remaining was to dig in and protect the Hungarian oilfields as long as possible.face=Calibri>

Read more less

An interdisciplinary, multifaceted look at feminist engagements with governance across the global North and global SouthGovernance Feminism: Notes from the Field brings together nineteen chapters from leading feminist scholars and activists to critically describe and assess contemporary feminist engagements with state and state-like power. Gathering examples from North America, South America, Europe, Asia, and the Middle East, it complements and expands on the companion volume Governance Feminism: An Introduction. Its chapters argue that governance feminism (GF) is institutionally diverse and globally distributed—emerging from traditional sites of state power as well as from various forms of governance and operating at the grassroots level, in the private sector, in civil society, and in international relations. The book begins by confronting the key role that crime and punishment play in GFeminist projects. Here, contributors explore the ideological and political conditions under which this branch of GF became so robust and rethink the carceral turn. Other chapters speak to another face of GFeminism: feminists finding, in mundane and seemingly unspectacular bureaucratic tools, leverage to bring about change in policy and governance practices. Several contributions highlight the political, strategic, and ethical challenges that feminists and LGBT activists must negotiate to play on the governmental field. The book concludes with a focus on feminist interventions in postcolonial legal and political orders, looking at new policy spaces opened up by conflict, postconflict, and occupation.Providing a clear, cross-cutting, critical lens through which to map developments in feminist governance around the world, Governance Feminism: Notes from the Field makes sense of the costs and benefits of current feminist realities to reimagine feminist futures. Contributors: Libby Adler, Northeastern U; Aziza Ahmed, Northeastern U; Elizabeth Bernstein, Barnard College; Amy J. Cohen, Ohio State U; Karen Engle, U of Texas at Austin; Jacob Gersen, Harvard U; Leigh Goodmark, U of Maryland; Aeyal Gross, Tel Aviv U; Aya Gruber, U of Colorado, Boulder; Janet Halley, Harvard U; Rema Hammami, Birzeit U, Palestine; Vanja Hamzić, U of London; Isabel Cristina Jaramillo-Sierra; Prabha Kotiswaran, King’s College London; Maleiha Malik, King’s College London; Vasuki Nesiah, New York U; Dianne Otto, Melbourne Law School; Helen Reece; Darren Rosenblum, Pace U; Jeannie Suk Gersen, Harvard U; Mariana Valverde, U of Toronto.

Read more less

Text in English & German. The central Mosque of the Turkish-Islamic Union in Köln-Ehrenfeld has given us one of the most vigorously discussed German building projects of the past 10 years. With this spectacular domed structure, Paul Böhm, the youngest son of Pritzker Prize-winner Gottfried Böhm and grandchild of Dominikus Böhm, has successfully introduced the Osman mosque typus into the modern age. The dome and minaret provide the Turkish / Islamic community with visual identification points. At the same time, this shell-construction structure is broken up into individual segments in a manner that opens it up to both the neighbourhood and the world. Containing conference halls, rooms for community use, a bazaar, a library and a museum, the complex is intended to convey to the surrounding area a message of retained ties to the historical country of origin coupled with acceptance and integration into the new homeland, and a willingness to engage in dialogue. Up to now the mosque represents the high point of the architectural career of Paul Böhm, who was born in 1959 and who is teaching at the Fachhochschule Köln. His work encompasses a multitude of exciting projects and realised buildings, including cultural buildings, university buildings, administration buildings and residential buildings. It is, perhaps, unsurprising that an architect who comes from a family of church builders should have added an impressive religious structure to uvre. St. Theodor in Köln-Vingst is a central-plan building that possesses a coherent atmosphere suited to contemplation whilst, at the same time, opening itself to a part of the city that suffers from social problems. Figures who have played a significant role in Paul Böhm's professional development include Tadao Ando, the master of velvet-smooth concrete, Oswald Mathias Ungers, the great lover of geometry, and Peter Zumthor, the essentialist of his generation. Like these three figures, the architects who Böhm worked with prior to founding his own firm in 2001, all espoused very different philosophies of architecture: Otto Steidle, Anton Schweighofer, Richard Meier . Paul Böhm does, of course, also owe a debt to the traditions of the family of architects that he comes from -- a tradition that he continues in his own individual way.

Read more less

An interdisciplinary, multifaceted look at feminist engagements with governance across the global North and global SouthGovernance Feminism: Notes from the Field brings together nineteen chapters from leading feminist scholars and activists to critically describe and assess contemporary feminist engagements with state and state-like power. Gathering examples from North America, South America, Europe, Asia, and the Middle East, it complements and expands on the companion volume Governance Feminism: An Introduction. Its chapters argue that governance feminism (GF) is institutionally diverse and globally distributed—emerging from traditional sites of state power as well as from various forms of governance and operating at the grassroots level, in the private sector, in civil society, and in international relations. The book begins by confronting the key role that crime and punishment play in GFeminist projects. Here, contributors explore the ideological and political conditions under which this branch of GF became so robust and rethink the carceral turn. Other chapters speak to another face of GFeminism: feminists finding, in mundane and seemingly unspectacular bureaucratic tools, leverage to bring about change in policy and governance practices. Several contributions highlight the political, strategic, and ethical challenges that feminists and LGBT activists must negotiate to play on the governmental field. The book concludes with a focus on feminist interventions in postcolonial legal and political orders, looking at new policy spaces opened up by conflict, postconflict, and occupation.Providing a clear, cross-cutting, critical lens through which to map developments in feminist governance around the world, Governance Feminism: Notes from the Field makes sense of the costs and benefits of current feminist realities to reimagine feminist futures. Contributors: Libby Adler, Northeastern U; Aziza Ahmed, Northeastern U; Elizabeth Bernstein, Barnard College; Amy J. Cohen, Ohio State U; Karen Engle, U of Texas at Austin; Jacob Gersen, Harvard U; Leigh Goodmark, U of Maryland; Aeyal Gross, Tel Aviv U; Aya Gruber, U of Colorado, Boulder; Janet Halley, Harvard U; Rema Hammami, Birzeit U, Palestine; Vanja Hamzić, U of London; Isabel Cristina Jaramillo-Sierra; Prabha Kotiswaran, King’s College London; Maleiha Malik, King’s College London; Vasuki Nesiah, New York U; Dianne Otto, Melbourne Law School; Helen Reece; Darren Rosenblum, Pace U; Jeannie Suk Gersen, Harvard U; Mariana Valverde, U of Toronto.

Read more less

Wind farms are an essential component of global renewable energy policy and the action to limit the effects of climate change. There is, however, considerable concern over the impacts of wind farms on wildlife, leading to a wide range of research and monitoring studies, a growing body of literature and several international conferences on the topic. This unique multi-volume work provides a comprehensive overview of the interactions between wind farms and wildlife. Volume 1 documents the current knowledge of the potential impacts upon wildlife during both construction and operation. An introductory chapter on the nature of wind farms and the impact assessment process is followed by a series of in-depth chapters documenting effects on climatic conditions, vegetation, terrestrial invertebrates, aquatic invertebrates and fish, reptiles and amphibians, birds, bats and terrestrial mammals. A synopsis of the known and potential effects of wind farms upon wildlife in perspective concludes the volume. The authors have been carefully selected from across the globe from the large number of academics, consultants and practitioners now engaged in wind farm studies, for their influential contribution to the science. Edited by Martin Perrow and with contributions by 40 leading researchers including: Robert Barclay, Michael Dillon, Jan Olof Helldin, Hermann Hötker, Jeffrey Lovich, Manuela de Lucas and Eugene Takle. The authors represent a wide range of organisations and institutions including the Universities of Calgary, Iowa State, Lund & Wyoming, US Geological Survey, Michael-Otto-Institut im NABU, Norwegian Institute for Nature Research, Spanish Council for Scientific Research, Renewable Energy Systems and several leading consultancies. Each chapter includes informative figures, tables, colour photographs and detailed case studies. Many of the latter are produced stand-alone from invited additional authors to ensure geographic spread and to showcase exciting new, often previously unpublished research. This book is designed for practitioners, researchers, managers and for a range of students in higher education, particularly those involved with environmental, ecological, conservation, impact assessment and climate change studies. Other volumes: Volume 2: Onshore: Monitoring and Mitigation (978-1-78427-123-7) Volume 3: Offshore: Potential Effects (978-1-78427-127-5) Volume 4: Offshore: Monitoring and Mitigation (978-1-78427-131-2)

Read more less

W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes.Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died.John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946.The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME.Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.

Read more less

The first-ever biography of Richard Wagner's artistically gifted granddaughter who fought against Hitler's Germany but achieved no personal success for her troubles. She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother'sclose liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled toLondon and published articles pillorying the Nazi élite. All the same, her former proximity to Hitler & Co. made her suspicious in the eyes of the authorities, who promptly interned her. Even the British Parliament debated her fate. Only with the help of the world-famous conductor Arturo Toscanini was she able to gain an exit visa. Once she arrived in New York she broadcast, lectured and published against the Nazis, wrote an autobiography, and became friends with many other emigrants including singers who had themselves abandoned Bayreuth. After the war the Mayor of Bayreuth asked her to run the Festival, but she declined in favour of her brothers. They showed little gratitude, however, for after Friedelind returned to Germany in 1953 she found herself manoeuvred out of any role in the Festival management. She still made a remarkable effort to find a niche in post-war German society and culture, and did her best to cope with a family notorious for its intrigues past and present. Friedelind Wagner remained a staunch friend of artists such as Wilhelm Furtwängler, Frida Leider, Otto Klemperer, Erich Kleiber, Leonard Bernstein, WalterFelsenstein, Michael Tilson Thomas and many others. Drawing on archival research in many countries, Eva Rieger has here written the first-ever biography of Richard Wagner's talented, artistic granddaughter who fought againstHitler's Germany, but achieved no personal success for her troubles. Her book gives many new insights into wartime and postwar musical life in Germany, Europe and the United States. EVA RIEGER is a feminist musicologist and author of many books on music.

Read more less

Since its foundation in the ninth century Prague has punched way above its weight to become a fulcrum of European culture. The city s most illustrious figures in the fields of music, literature and film are well known: Mozart staged the premiere of his opera Don Giovanni here; in the early twentieth century Franz Kafka was at the forefront of the city's intellectual life, while later writers such as Milan Kundera and film directors such as Milos Forman chronicled Prague's fortunes under communism. Yet the city has a cultural heritage that runs far deeper than Kafka museums and Mozart-by-candlelight concerts. It encompasses the avant-garde punk group Plastic People of the Universe, the 'new wave' film directors of the 1960s who made their striking movies in the city's famed Barrandov studios, and artists such as Alfons Mucha and Frantisek Kupka whose revolutionary canvases fomented Art Nouveau and abstract art at the dawn of the twentieth century. Beyond art galleries, concert halls and cinemas the history of Prague has been one of invasion and sometimes brutal oppression. The great German chancellor Otto von Bismarck once commented that 'whoever controls Prague, controls mid-Europe' and a succession of imperialist powers have taken this advice to heart, most recently Nazi Germany and the Soviet Union. Opposition has taken many forms, from the religious reformer Jan Hus in the fifteenth century to playwright and dissident Vaclav Havel, whose elevation to the Czechoslovak presidency in 1990 made him a symbol of the rebirth of democracy in Eastern Europe. In this book Andrew Beattie also reflects on the modern city, where bold new buildings such as Frank Gehry's 'Dancing House' rub shoulders with monuments from the Gothic and Baroque eras such as the Charles Bridge and St. Vitus' Cathedral. He considers the suburbs too, home to world-renowned football and ice hockey teams, gleaming shopping centres and grim communist-era apartment blocks that are often home to Vietnamese, Romany and Muslim minority groups who live in a city with a growing international outlook. The Prague he reveals is an increasingly confident and diverse city of the new Europe.

Read more less

Text in English & German. Klaus R Uhlig, born in 1932 in Altenburg near Leipzig, is at first and foremost a painter of people. His upright figures, with a strong vertical emphasis and often depicted in groups, represent the emerging XXL generation. With his "Structurels", Uhlig created a painting style that combines classical realistic with modern abstract painting. Linking and overlapping numerous individual pictures to form a composite creates configurations that can be interpreted in many ways. Gil E Stein shows other aspects of his output in this publication. This includes works such as Das letzte Blatt der Welt or 9-11, which was actual-ly painted in 2001, and the group of pictures called "Arborel". The most striking feature of Uhlig's pictures is the positive impact they make. One contributing factor here is that a clear working philosophy lies behind their creation. Uhlig's work is intended to show "that our life and our social associations are wonderful because the things that connect us are wonderful and mysterious". He uses very many graphic and painting techniques to achieve this, including decalomania. The colour range of his work is defined by the Bauhaus colour theory. Uhlig's colourism and structurelism emerged on the basis of a classical training in art and architecture, moving through the stages of stonemason, Dipl.-Ing., Master of Arts, government building officer and Dr.-Ing. His professors in Weimar included Otto Herbig, who was close to Die Brücke, in Berlin the architect Hans Scharoun and the sculptor Erich F Reuter, and at Harvard University Le Corbusier when present at seminars. Here Uhlig also met Walter Gropius and Ludwig Mies van der Rohe. After teaching at the Hochschule für Bildende Künste in Hamburg, Uhlig worked as a town planner in various German cities. He devised zoning maps for Göttingen, Heidelberg and finally for Cologne, where he worked as Stadtbaudirektor for many years. Uhlig lives in Cologne as a free-lance artist. Solo exhibitions have been devoted to his work in Europe and China, in cities including Berlin, Bologna, Brussels, Dresden, Hangshou, Leipzig, Cologne, Paris and Weimar. His work is to be found in state museum, public buildings and in institutional and private collections.

Read more less

Posth arrived in China with a vision. He navigated a steep learning curve, achieved his goals and now shares an insightful, first-hand account of an intriguing journey that included bumps and highlights. 1,000 Days in Shanghai is a breathtaking manual for anyone contemplating a business career in the increasingly vibrant arena of today's China. It is also a personal account, done with great sensitivity, revealing between the lines a deep respect for the spirit that propels China's social and industrial revolution today. —Hans Michael Jebsen, Chairman, Jebsen and Co., Ltd. To really understand China's economic development, one needs to look at the history of individual projects. This applies in particular to those who are considering a venture on site. This book by Martin Posth is a unique document on the subject: evidence of profound knowledge, didactically sound, with comprehensible conclusions--simply readable! —Prof. Heinrich v. Pierer, Former Chairman of the Supervisory Board, Siemens AG, Former Chairman of the German Asian-Pacific Business Commission, Co-Chairman of the German-Chinese Dialog Forum This book is a must-read for anyone seeking to work in or via China. The personal experiences of a pioneering manager can also help management to see the transformation of China in a new light. Anybody wanting to be successful in China should heed the practical lessons that Martin Posth draws. —Prof. Dr. Eberhard Sandschneider, Otto-Wolff-Director, Research Institute, Executive Officer, German Council on Foreign Relations (DGAP) In establishing the Volkswagen works in Shanghai at the beginning of Deng Xiaoping's reform era, Martin Posth made a breach in the wall behind which the People's Republic of China had dug its trenches up until then. His experiences are useful for anyone wanting to work the Chinese market with any degree of success. The fascinating reading that his report makes, and heeding his lessons, can help any entrepreneur to avoid costly mistakes. —Dr. Theo Sommer, DIE ZEIT, Editor-at-Large For the Chinese, this book by Martin Posth is a historic document on the Open Door Policy for foreign investors. It is a must-read. —Prof. Xu Kuangdi, Mayor of Shanghai 1995-2001; Chairman, China Federation of Industrial Economics (CFIE); Co-Chairman of the German-Chinese Dialog Forum

Read more less

This is the first English translation of the main contemporary accounts of the Crusade and death of the German Frederick I Barbarossa (ruled 1152-90). The most important of these, the 'History of the Expedition of the Emperor Frederick' was written soon after the events described, and is a crucial, and under-used source for the Third Crusade (at least in the Anglophone world). The account begins with two letters describing the disaster of Hattin and Saladin's subsequent conquest of most of the Holy Land (the second of these is addressed to the duke of Austria). It goes on to describe how the emperor took the Cross, the preparations and recruitment for the Crusade, the diplomatic contacts of Barbarossa with the Byzantine Emperor and the Sultan of Iconium in an attempt to secure a peaceful passage for the expedition, and the Crusade itself: the journey through the Balkans and the gruelling march through Asia Minor, beset by Turkish attack, until its arrival at Antioch on 21st July 1190, eleven days after the emperor had drowned while crossing a river in Cilician Armenia. The 'History' gives a vivid account of the sufferings of the German army as it traversed Asia Minor. The account of the expedition itself appears to be, or to be based upon an eyewitness record, cast in the form of (often) a daily memoir. However, it concludes with an account of the captivity and release of Richard I in Germany, Henry VI's conquest of the kingdom of Sicily, and of the preparations for a new Crusade under his leadership. In addition, a number of further accounts related to, and expanding, the 'History of the Expedition' have also been translated, including a contemporary newsletter about the death of the emperor, as well as the narrative of Otto of St Blasien, placing the Crusade into context twenty years later, and a contemporary account of the capture of Silves in Portugal by German crusaders on their way to the Holy Land in 1189. This collection is a valuable companion volume to the three other volumes relating to the Third Crusade in this series: The Conquest of Jerusalem and the Third Crusade, trans. Edbury, the Itinerarium Peregrinorum et Gesta Regis Ricardi, trans. Nicholson, and The Rare and Excellent History of Saladin, trans. Richards.

Read more less

The New Aviation began with a hang-gliding meeting on a sand-dune in southern California on 23 May 1971. The longest flight that day was 196 feet, the longest time in the air just 11 seconds. But it was a start – the start of a movement that has grown exponentially world-wide with every passing year. The essence of the New Aviation is to stand on a hill, spread your wings, and climb into the sky by your own skill. It is the fundamentals of flight as it is meant to be, and this is the story of the development of this exhilarating sport, and of its largely unknown pioneers. The first of these was German pioneer aviator, Otto Lilienthal. Despite dozens of deaths before him, Lilienthal was the first to establish that manned flight was actually possible; before him, flight was just a dream. His tragic death in 1896 inspired the American Wright Brothers, Orville and Wilbur, to their own experiments on a wind-swept beach in Kittyhawk, North Carolina, where the first powered flight there on 17 December 1903. The book begins and ends with two significant tales, opening with the life and death of Englishman Alvin Russell, and ending with the fabled Swiss flyer Didier Favre, who traversed the length of the Alps ‘by foot or by flight’. It is full of terrific stories, often repeating exploits of the mainstream aviators but flying just a kite and a trapeze bar, flying with eagles and teaching orphaned geese to migrate. It has exclusive accounts of record-breaking distances, on adding engines to ‘rag wings’, on how women broke into the machismo world and an English girl led a team in which every other competitor was a man, and beat them all. A History of the New Aviation is the first in-depth ‘narrative’ to stitch together the history and evolution of a pastime which is enjoyed by hundreds of thousands around the world. It is told by Brian Milton, the man who formed the British Hang Gliding League and led the first two British teams to beat the mighty Americans, for which he won the Prince of Wales Cup from Prince Charles, now King Charles III. Brian went on to make the first flight around the world by a powered hang glider. Two men set off on this flight; Brian returned alone.

Read more less

Text in English and German. The church rises to the challenge of providing a spiritual centre for Donau City, the new residential and commercial centre on the opposite bank of the Danube -- not as an act of coronation for the city in the sense of Taut's urban crown, as a temple or cathedral, but as miniature, as a demonstration of the power of the quiet as opposed to the loud, as an 'oasis in the diaspora', to use Karl Rahner's formulation about the parishes of the future. The building gives an impression of starkness: a hard cube, cut off at the corners, clad with sheets of black chromium steel. But it is only stark at first glance. A second glance shows that the hardness is a friendly hardness: because of the reflections that the material admits; because of the grid of the large-format sheets, to which the brightly gleaming drill-holes that cover the walls like fine gossamer respond; because of circular apertures that allow light to shine outwards after dark; because of large, rectangular windows in the receding corners that create a contrast with the closed quality of the building. Inside the starkness gives way altogether: a light space, which one comes into through an art-fully designed entrance. Originally a sparse covering for the space, which thrives mainly because of the light material -- birch wood -, because of the arrangement of the pews, which is as lively as it is peaceful -- segments of circles of different sizes, surrounding the dark syenite altar block in the form of an open circle -- and especially because of the wide range of circular light sources that render the introverted interior transparent, the large windows that create islands of light, the free-form aperture in the ceiling, which sends light gliding down on to the altar. Heinz Tesar's church continues a tradition of forward-looking modern church building, from Rudolf Schwarz's Fronleichnamskirche in Aachen via Egon Eiermann's Kaiser-Wilhelm-Gedachtniskirche in Berlin, Franz Fueg's Piuskirche in Meggen on Lake Lucerne to the new Herz-Jesu-Kirche in Munich by Allmann, Sattler and Wappner; and alongside all this there is also the tradition of a genuinely Viennese development of this theme, from Otto Wagner's Kirche am Steinhof to Ottokar Uhl's parish church Katharina von Siena.

Read more less

“This book will certainly prove to be a useful resource and reference point … a good addition to anyone’s bookshelf.” Network"This is a superb collection, expertly presented. The overall conception seems splendid, giving an excellent sense of the issues... The selection and length of the readings is admirably judged, with both the classic texts and the few unpublished pieces making just the right points." William Outhwaite, Professor of Sociology, University of Sussex "... an indispensable book for all of us in philosophy and the social sciences who teach and care about the shape of social knowledge in the future." Steven Seidman, Professor of Sociology, State University of New York Albany "For a comprehensive account of the ways in which world transformations affect claims to social scientific knowledge, one need look no further than Gerard Delanty and Piet Strydom's Philosophies of Social Science. ...this collection captures nicely the increasingly engaged political nature of the philosophy of social science. Debates about pragmatism, feminism and postmodernism are particularly well represented" The Australian What is social science? How does it differ from the other sciences? What is the meaning of method in social science? What is the nature and limits of scientific knowledge? This collection of over sixty extracts from classic works on the philosophy of social science provides an essential textbook and a landmark reference in the field. It highlights the work of some of the most influential authors who have shaped social science.The texts explore the question of truth, the meaning of scientific knowledge, the nature of methodology and the relation of science to society, including edited extracts from both classic and contemporary works by authors such as Emile Durkheim, Georg Simmel, Max Weber, Alfred Schutz, Max Horkheimer, Jurgen Habermas, Alvin Gouldner, Karl-Otto Apel, Michel Foucault, Pierre Bourdieu, Anthony Giddens, Dorothy Smith, Donna Haraway, Sigmund Freud, Jacques Derrida and Claude Levi-Strauss.The readings are representative of the major schools of thought, including European and American trends in particular as well as approaches that are often excluded from mainstream traditions. From a teaching and learning perspective the volume is strengthened by extensive introductions to each of the six sections, as well as a general introduction to the reader as a whole. These introductions contextualise the readings and offer succinct summaries of them.This volume is the definitive companion to the study of the philosophy of social science, taught within undergraduate or postgraduate courses in sociology and the social sciences.

Read more less

“A poignant, tender story of families and sisters divided by the cruelty of political chance–my heart ached for them on every page." Kate Quinn, New York Times bestselling author of The Alice Network A city divided.When the Berlin Wall goes up, Karin is on the wrong side of the city. Overnight, she’s trapped under Soviet rule in unforgiving East Berlin and separated from her twin sister, Jutta.Two sisters torn apart.Karin and Jutta lead parallel lives for years, cut off by the Wall. But Karin finds one reason to keep going: Otto, the man who gives her hope, even amidst the brutal East German regime.One impossible choice…When Jutta finds a hidden way through the wall, the twins are reunited. But the Stasi have eyes everywhere, and soon Karin is faced with a terrible decision: to flee to the West and be with her sister, or sacrifice it all to follow her heart? From the USA Today and internationally bestselling WWII novelist of The German Midwife, The Secret Messenger and The Berlin Girl comes a story set at the dawn of the Cold War in Berlin. Why readers love The Girl Behind the Wall: ‘I was captivated from the very first chapter. It was so well written, I felt like I was really there… A must read.’ NetGalley Reviewer ‘Oh my goodness, what a page-turner. My heart was in my mouth for most of this book.’ NetGalley Reviewer ‘Such a fast-paced read! Historical fiction at its best! Highly, highly recommend.’ NetGalley Reviewer ‘Another fabulous read from the super talented Mandy Robotham who never fails to give us a satisfying story… she has the ability to mix a damn good story with historical facts… you want to read and read… I raced through this one.’ NetGalley Reviewer ‘What a truly gripping read! I didn't want to stop reading, I was mesmerised…’ NetGalley Reviewer ‘I couldn’t put this book down… well-researched and a heartbreakingly accurate portrayal of the families separated by the wall. Keep the tissues handy because you might need them.’ NetGalley Reviewer ‘What a read. I found myself thinking of the family in the book as real people I loved. If you read only one book this year, make sure it’s this one!’ NetGalley Reviewer ‘Mandy Robotham has a gift for making history come alive. Amazing read. I simply could not put it down.’ NetGalley Reviewer ‘Beautifully written and heartfelt… I loved it… A story that will stay with you. Well worth a read.’ NetGalley Reviewer ‘Another winner from Mandy Robotham!’ NetGalley Reviewer

Read more less

“A poignant, tender story of families and sisters divided by the cruelty of political chance–my heart ached for them on every page." Kate Quinn, New York Times bestselling author of The Alice Network A city divided.When the Berlin Wall goes up, Karin is on the wrong side of the city. Overnight, she’s trapped under Soviet rule in unforgiving East Berlin and separated from her twin sister, Jutta.Two sisters torn apart.Karin and Jutta lead parallel lives for years, cut off by the Wall. But Karin finds one reason to keep going: Otto, the man who gives her hope, even amidst the brutal East German regime.One impossible choice…When Jutta finds a hidden way through the wall, the twins are reunited. But the Stasi have eyes everywhere, and soon Karin is faced with a terrible decision: to flee to the West and be with her sister, or sacrifice it all to follow her heart? From the USA Today and internationally bestselling WWII novelist of The German Midwife, The Secret Messenger and The Berlin Girl comes a story set at the dawn of the Cold War in Berlin. Why readers love The Girl Behind the Wall: ‘I was captivated from the very first chapter. It was so well written, I felt like I was really there… A must read.’ NetGalley Reviewer ‘Oh my goodness, what a page-turner. My heart was in my mouth for most of this book.’ NetGalley Reviewer ‘Such a fast-paced read! Historical fiction at its best! Highly, highly recommend.’ NetGalley Reviewer ‘Another fabulous read from the super talented Mandy Robotham who never fails to give us a satisfying story… she has the ability to mix a damn good story with historical facts… you want to read and read… I raced through this one.’ NetGalley Reviewer ‘What a truly gripping read! I didn't want to stop reading, I was mesmerised…’ NetGalley Reviewer ‘I couldn’t put this book down… well-researched and a heartbreakingly accurate portrayal of the families separated by the wall. Keep the tissues handy because you might need them.’ NetGalley Reviewer ‘What a read. I found myself thinking of the family in the book as real people I loved. If you read only one book this year, make sure it’s this one!’ NetGalley Reviewer ‘Mandy Robotham has a gift for making history come alive. Amazing read. I simply could not put it down.’ NetGalley Reviewer ‘Beautifully written and heartfelt… I loved it… A story that will stay with you. Well worth a read.’ NetGalley Reviewer ‘Another winner from Mandy Robotham!’ NetGalley Reviewer

Read more less

On 19 December 1938, Otto Hahn, working at the Kaiser Wilhelm Institute for Chemistry in Berlin, conducted an experiment the results of which baffled him. It took his migr collaborator Lise Meitner to explain that he had split an atom of uranium, which at the time seemed to defy all known laws of physics. When Neils Bohr took this news to the United States it became clear to scientists there that these results opened a completely new and, for some, horrifying possibility of energy production that could be used for both peaceful and military purposes. Scientists in Germany, France, Britain and the US began to delve deeper into the implications. But it was the British government that was the first to explicitly describe how the splitting of the atom might be utilised to create a practical weapon of fearsome power. France, by then, had been occupied by the Germans and most of their nuclear scientists had fled to Britain. For their part, the Germans, who for a time were at the very forefront of nuclear research, had weakened their own scientific ranks by hounding many of their best scientists who had fled persecution under the draconian Nazi racial laws. They still retained, however, possibly the ablest nuclear scientist of them all in Werner Heisenberg who set about developing his own programme for nuclear power. British scientists made extensive progress before realising that translating their laboratory results into the vast industrial enterprise required to build a bomb was way beyond the nation's stretched resources. The government agreed to hand over all the UK's research findings to America in return for a share of the spoils. The United States, for its part, was impressed with British results and invested enormous sums of money and resources into what became known as the Manhattan Project in a concerted effort to build a bomb before the end of the war. For much of the war the Soviets showed little enthusiasm for the sort of investment required to build their own bomb. However, with an eye to the future they established an extensive espionage network both in Britain and America. Following the German surrender there was still the problem of Japan, and the race continued to develop a working bomb to accelerate the end of the war, both to save Allied lives and to prevent Soviet expansion into northern China and the Japanese mainland. It was a race that the Unites States won. It was also a race that ushered in a new Cold War.

Read more less

A thought-provoking combination of visually powerful imagery and comment *Includes 260 stunning photographs by more than 50 international contributors *Keynote essay by Patricia Macdonald *Features an interview with Dan Bailey and George Monbiot *Includes essays by Robert Macfarlane, Owen Logan, Kate Brown, Siobhan Lyons, Andrew Simms, Natasha Myers, Ayelen Liberona, Jared Diamond, Leslie Hook, Adam Nicolson Surveying the Anthropocene presents a range of approaches to image-making concerning the environment by some of the best artist-photographers working worldwide, alongside texts by some of the most illuminating writers on environmental questions, at a pivotal moment in the human relationship with the planet. Photographic approaches to environmental imagery have altered fundamentally in recent decades, largely as a result of increasing socio-ecological awareness. This insightful international survey, with a strong representation from Scotland, considers the varied range of current working practices of a representative selection of artist-photographers, both renowned and emerging, whose image-making explores human-caused environmental change. It concentrates particularly on work which relates to the types of impact, on climate and the web of life, that are sufficiently significant and globally widespread to appear in the future record of the rocks as a new geological epoch - the Anthropocene. The concept of the Anthropocene has engaged the attention and imagination of a wide range of commentators from very different backgrounds and walks of life. It therefore provides an excellent context in which to discuss, in an open and cross-disciplinary way, the range of responses of artist-photographers and cultural writers to our present global situation of multiple, interconnected environmental and social crises - and the options for human ingenuity in addressing these. Contributing photographers Jack Aeby, Antoine d'Agata, Benoit Aquin, Mandy Barker, Olaf Otto Becker, Daniel Beltra , Alex Boyd, Marilyn Bridges, Alicia Bruce, David Buckland, Edward Burtynsky, Anne Campbell, Thomas Joshua Cooper, Cortis & Sonderegger, Dalziel + Scullion, Pedro David de Oliveira Castello Branco, Bryan Debus, Susan Derges, Terry Evans, Tim Flach, Hamish Fulton, Sophie Gerrard, Lorne Gill, Emmet Gowin, Alexander Hamilton, J.J. Harrison, Louis Helbig, Zig Jackson/Rising Buffalo, Chris Jordan, Aleksandr Kupny, Chrystel Lebas, Ayelen Liberona, Timo Lieber, Owen Logan, Patricia & Angus Macdonald, Pradip Malde, Katie Blair Matthews, Meryl McMaster, Gideon Mendel, Richard Misrach, Fabrice Monteiro, Simon Norfolk, Susanne Ramsenthaler, Paul Souders, Jamey Stillings, Thomas Struth, Timm Suess, Klaus Thymann, Chris Wainwright, Greg White, Pinar Yoldas Scientists and photographers, some unnamed, from: Federal government of the United States; United States Department of Energy;, Centers for Disease Control and Prevention, USA: Hannah A. Bullock; Azaibi Tamin;, NASA: including Jeff Schmalz (MODIS) Contributing writers Dan Bailey, Tobia Bezzola, Barbara Bloemink, Kate Brown, Jared Diamond, William A. Ewing, Jared Farmer, Willis E. Hartshorn, Leslie Hook, Siobhan Lyons, Robert Macfarlane, Bill McKibben, George Monbiot, Pete Moore, Jason Arunn Murugesu, Natasha Myers, Adam Nicolson, Andrew Simms

Read more less

The story of 144 Brigade's defence of Wormhoudt and Bambecque must rank in importance alongside the defence of Cassel and Hazebrouck by 145 Brigade; however, what is often forgotten in the uncertainty that surrounded Wormhoudt and Bambeque is the heroic defence of West Cappel and Vwyfeg (les Cinq Chemins today) by the Welsh Guards and the 1/Fife and Forfar Yeomanry (1/F&F Yeomanry). Brigadier Norman's composite brigade was the final piece in the jigsaw of defence on the western flank of the Dunkerque Corridor and, after the last stand of the 2/Royal Warwicks and the 8/Worcesters, Norman's Brigade, held the line south of Bergues, containing the attacking German units at great cost, until the perimeter at Dunkerque had been established. He and the remnants of his brigade left Yvfweg just as the Germans were entering it from the south. The full story of the evacuation of the BEF from Dunkerque can be read in Battleground Europe: The Dunkerque Perimeter and Evacuation 1940. The defence of Wormhoudt in 1940 has long been associated with the massacre of British servicemen after they had surrendered and been taken prisoner. The events in the barn at La Plaine au Bois will always be considered one of the most appalling acts of the Second World War, carried out by elements of the Liebstandarte Regiment, in what looked very much like revenge; a massacre that was almost second nature to this group of fanatical followers of Adolf Hitler. Up against the regular troops of the 2/Warwicks and their supporting units, the Liebstandarte found no easy victory at Wormhoudt in an encounter that saw their regimental commander, Gruppenfuhrer Otto Sepp' Dietrich, having to take shelter in a roadside ditch away from the fury of the Cheshire machine gunners. Then again, what is often overshadowed by the events in the barn is the series of other murders of civilians and British soldiers that took place as the Liebstandarte overwhelmed the fragile defence of the Warwicks. Captain Tony' Crook, the Warwicks' Medical Officer, draws attention to just one of these incidents as he was marched into captivity past the bodies of A Company men, who he felt sure had been murdered in cold blood. Another incident involving the Worcesters at Bambecque is related by Lieutenant Roger Cleverley of C Company, who writes in his diary that all the wounded were shot by a commander of the Liebstandarte. Apart from hearsay and diary entries, there is little other evidence to support the deaths of these men but, in the opinion of the author, there is no doubt whatever that many British soldiers met a premature end after they had surrendered in the fields and on the pavements of Wormhoudt and Bambecque.

Read more less

Harmonious flowers, balanced colours and highly precise details create the eye-catching, high-impact effect of this Japanese kimono design.Originally designed as a costume for the theatrical style known as Noh, our Kara-ori pattern leaves little doubt why Noh is derived from the words for “skill” and “talent.” With silk and gold lacquered stripes, this is one of the best examples of Japanese textile design we have found. It comes from the Edo period (1615–1868) when Noh theatre, known for the sumptuousness of its costumes, was at its height.Noh theatre is one of the world’s oldest performing arts and has been handed down through generations of Japanese composers and performers. The plots draw from legend, history and contemporary events and are structured around song and dance. Though the thematic tone is often poetic yet monotonous, the costumes are anything but. In fact, Noh is often referred to as “mask drama” due to the importance placed on masks and costumes within the form.The term karaori, for which this design is named, refers specifically to the exquisitely embroidered traditional woman’s kimono like the one reproduced here. Karaori are regarded as some of the most beautiful theatrical costumes in the world, thanks in part to the Japanese aristocracy’s embrace of the theatre style – as both viewers and performers.Though Noh is a Japanese art, karaori means “Chinese weave,” as the fabric has its roots in China. And like the costume reproduced in our Peking Opera Embroidery series, this too would have been crafted for a male performer playing a female role. Both the material itself and the pattern shown would have helped tell the story of the character. In this case, the stiff brocade technique created a thick, glossed fabric that would not drape easily – this was used to create an angular effect evoking the spirit of a noblewoman. The flowering grasses depicted served to emphasize the woman’s femininity.By the Meiji period (1868–1912) Noh had reached such heights that it was introduced overseas, influencing artists far and wide. William Butler Yeats, for example, wrote an essay on Noh in 1916 that he titled “Certain Noble Plays of Japan.” And even more contemporarily, David Byrne of the Talking Heads discovered Noh while touring Japan and, according to American music critic Josh Kun, was inspired by the highly stylized, stiff costumes to “design the oversize business suit that became a visual staple of Talking Heads live shows.”Today there are more than 70 Noh theatres throughout Japan and it has been deigned an Intangible Cultural Heritage by UNESCO. This beautiful example of karaori costuming can be found at the Art Institute of Chicago as part of the Otto C. Deering gift. It is our great pleasure to work with such a gorgeous and culturally important piece of history to craft this Paperblanks design.

Read more less

"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York." —Lemeau, Decorator's Insider "This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history." — Timothy Brittain-Catlin, World of Interiors "New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy."— The Critic The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the centre of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue—collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age—often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognisable and accessible to all, others are obscure buildings that history has forgotten. Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York’s most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day—Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White—and some of the most prominent millionaires in American history—Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that—as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword—“still reek of money.” Excerpt from the Introduction

Read more less