Search results for ""Author David"

Lee Johnson was a man with simple dreams. All he wanted was a steady job and a nice home for his wife and children, something better than the hard life he knew growing up. He never imagined that he would become the face of a David-and-Goliath showdown against one of the world’s most powerful corporate giants. But a workplace accident left Lee doused in a toxic chemical and facing a deadly cancer that turned his life upside down. In 2018, the world watched as Lee was thrust to the forefront of one the most dramatic legal battles in recent history. The Monsanto Papers is the inside story of Lee Johnson’s landmark lawsuit against Monsanto. For Lee, the case was a race against the clock, with doctors predicting he wouldn’t survive long enough to take the witness stand. For the eclectic band of young, ambitious lawyers representing him, it was a matter of professional pride and personal risk, with millions of dollars and hard-earned reputations on the line. For the public at large, the lawsuit presented a question of corporate accountability. With enough money and influence, could a company endanger its customers, hide evidence, manipulate regulators, and get away with it all, for decades? Readers will be astounded by the depth of corruption uncovered, captivated by the shocking twists, and moved by Lee’s quiet determination to see justice served. With gripping narrative force that reads like fiction, The Monsanto Papers takes readers behind the scenes of a gruelling legal battle, pulling back the curtain on the frailties of the American court system and the lengths to which lawyers will go to fight corporate wrongdoing.

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A Murderer. A Leader. The Scandal of an Era.'Reads like a thriller but is sadly all too true ... a brilliant account of shocking crimes and the dramatic political crisis they caused' David McCullaghThe summer of 1982 was long-seared into the Irish public imagination for more than just its record high temperatures. That July, an aristocrat named Malcolm Macarthur went on a brutal killing spree, taking the lives of two innocent young people - Bridie Gargan and Dónal Dunne - in a doomed plan to remedy his financial woes.A massive manhunt was launched and, in a sensational turn of events, Macarthur was captured in the home of the State's top law officer, Attorney General Patrick Connolly.The scandal attracted worldwide headlines and resulted in untold damage to Taoiseach Charles Haughey. The words he used to describe the dark events - grotesque, unbelievable, bizarre and unprecedented - coined the era-defining phrase GUBU.Here, award-winning political journalist and GUBU podcast-maker Harry McGee retraces the happenings of that long hot summer and beyond. From the cat-and-mouse game to track down an unpredictable killer to Macarthur's extraordinary capture, he considers both the life and psyche of a murderer, and that of the leading political figure of the time - a man similarly driven by greed, status and a sense of himself as existing above the law.Including previously unknown aspects of the trial and interaction with Malcolm Macarthur himself, The Murderer and the Taoiseach is a compulsive journey through tragedy and scandal.'Brisk, illuminating, crackling with detail' Tony Connelly'An incredible and compelling story' Matt Cooper

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What qualities made the Duke of Wellington a strategic genius? How did Oliver Cromwell, a gentleman farmer create an army that overthrew a king and changed the course of British history? Why was Simon Bolivar able to overcome early reverses to become the greatest figure in the Latin American struggle against Spanish colonialism? The answers to these and a myriad other fascinating questions can be found in Great Commanders of the Early Modern World, a sumptuous chronological survey of the 25 greatest commanders of the early modern world. Compiled by an distinguished team of historians (including such names as Antonia Fraser, Saul David and Stephen Brumwell) working under the general editorship of Andrew Roberts, Great Commanders of the Early Modern World is an authoritative and beautifully illustrated account of the lives and careers of the 25 greatest military commanders of the period, from the Duke of Marlborough to Napoleon Bonaparte, from Robert Clive to Carl von Clausewitz, and from Frederick the Great to Shaka Zulu. Every commander is profiled in a concise and informative 3000-word article which not only brings its subject vividly to life via a lively, fact-driven narrative, but also analyses and assesses his tactical and strategic gifts. As accessible and informative as it is rigorous and scholarly, Great Commanders of the Early Modern World is the perfect introduction to its subject for the layperson - but also a stimulating and thought-provoking read for those with greater knowledge of military history. With its companion volumes, focusing on the great commanders of the ancient, medieval and modern eras, it forms an indispensable guide to the greatest generals the world has seen.

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What does it mean to think beyond humanism? Is it possible to craft a mode of philosophy, ethics, and interpretation that rejects the classic humanist divisions of self and other, mind and body, society and nature, human and animal, organic and technological? Can a new kind of humanities-posthumanities-respond to the redefinition of humanity's place in the world by both the technological and the biological or "green" continuum in which the "human" is but one life form among many? Exploring how both critical thought along with cultural practice have reacted to this radical repositioning, Cary Wolfe-one of the founding figures in the field of animal studies and posthumanist theory-ranges across bioethics, cognitive science, animal ethics, gender, and disability to develop a theoretical and philosophical approach responsive to our changing understanding of ourselves and our world. Then, in performing posthumanist readings of such diverse works as Temple Grandin's writings, Wallace Stevens's poetry, Lars von Trier's Dancer in the Dark, the architecture of Diller+Scofidio, and David Byrne and Brian Eno's My Life in the Bush of Ghosts, he shows how this philosophical sensibility can transform art and culture. For Wolfe, a vibrant, rigorous posthumanism is vital for addressing questions of ethics and justice, language and trans-species communication, social systems and their inclusions and exclusions, and the intellectual aspirations of interdisciplinarity. In What Is Posthumanism? he carefully distinguishes posthumanism from transhumanism (the biotechnological enhancement of human beings) and narrow definitions of the posthuman as the hoped-for transcendence of materiality. In doing so, Wolfe reveals that it is humanism, not the human in all its embodied and prosthetic complexity, that is left behind in posthumanist thought.

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A New York Times Book Review Editors’ Choice“Everyone worried about the state of contemporary politics should read this book.”—Anne-Marie Slaughter“A trenchant survey from 1989, with its democratic euphoria, to the current map of autocratic striving.”—David Remnick, New YorkerThe world is in turmoil. From Russia and Turkey across Europe to the United States, authoritarian populists have seized power as two core components of liberal democracy—individual rights and the popular will—are increasingly at war. As the role of money in politics has soared, a system of “rights without democracy” has taken hold. Populists who rail against this say they want to return power to the people. But in practice they create something just as bad: a system of “democracy without rights.” Yascha Mounk offers a clear and trenchant analysis of what ails our democracy and what it will take to get it back on track.“Democracy is going through its worst crisis since the 1930s… But what exactly is the nature of this crisis? And what is driving it? The People vs. Democracy stands out in a crowded field for the quality of its answers to these questions.”—The Economist“Brilliant… As this superb book makes clear, we need both the liberal framework and the democracy, and bringing them back together is the greatest challenge of our time.”—Los Angeles Times“Extraordinary…provides a clear, concise, persuasive, and insightful account of the conditions that made liberal democracy work—and how the breakdown in those conditions is the source of the current crisis of democracy around the world.”—The Guardian

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A sweeping new history that reveals how British, African, and American merchants developed the transatlantic slave trade “This is a landmark study given its clear status as easily the best researched and most comprehensive book on the British slave trade to date.”—David Eltis, coauthor of Atlas of the Transatlantic Slave Trade “A masterful account of one of the most brutal moments in the history of capitalist modernity. Radburn brilliantly details all aspects of the process of commodification of human beings in the Liverpool slave trade, vividly depicting the long journeys endured by Africans in Africa, across the Atlantic, and in the Americas.”—Leonardo Marques, Universidade Federal Fluminense During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into a transatlantic system through which fifty thousand men, women, and children were enslaved every year. In this wide-ranging history, Nicholas Radburn explains how thousands of merchants collectively transformed the slave trade by devising highly efficient but violent new business methods. African brokers developed commercial infrastructure that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade dragged millions of people into its terrible vortex and became one of the most important phenomena in world history.

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The three sequences of Groundwork comprise a sophisticated reworking of European myth on the order of Yeats's The Tower. The first is situated by an archaeological dig in modern-day Tunisia, the second by the Garden of Eden, the third by the waters and islands of Homer's Odyssey. Together they form a devastating critique of contemporary aesthetics. Few poets today are versed in the archetypes that inform the European tradition, and even fewer can manipulate them with the grace of Amanda Jernigan. With rivers of exquisite prosody and a panoramic intellectual scope, her Groundwork has recharted the poetic landscape -- and by doing so, has changed it forever. PRAISE FOR AMANDA JERNIGAN "Amanda Jernigan possesses daunting formal skill ...her lines have an emotional intensity that is no less memorable for being understated. And she has a light, perfecting touch." - David Orr, NPR.org "For years now, Amanda Jernigan's name has been traded between poets like stories of mythical beast sightings; whispers of a poet who could arrive on the scene any day to shame us all with her preternatural craft, heart, and mind. With Groundwork, Jernigan arrives not as a wide-eyed first-timer, but as a wide-eyed master. You hold in your hands a collector's item of the future. Mark my words: you'll say, I was there when." -- George Murray "What a delight to read such superbly crafted poems which at the same time transcend their craft so decisively. They are light and song-like but they are also profound. She has the lovely singing line, though the poems bite too; that strengthens the melody." - Eric Ormsby

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Trapped in the DarkWhen the heroes seek an expert to translate an ancient, eldritch tablet, a sinister cult strikes from out of the shadows, intent on destroying the relic and all who know of its existence. After facing off against these zealots and deciphering the tablet, the heroes learn of another deep-sun locale called Ezorod-and the evil elder entity that has focused its attention there. The heroes quickly discover that the tablet is both a map and a key to Ezorod, allowing them to enter and explore this weird and lightless oubliette. There they will encounter ghastly creatures and uncover sophisticated technology that could advance sun-diving by light-years. But even if the PCs manage to escape the deadly solar dungeon, they'll be forced to wonder about the malevolent being they have unleashed upon the galaxy-even as they receive a mysterious message heralding a future confrontation!This volume of Starfinder Adventure Path continues the Dawn of Flame Adventure Path and includes:• “The Blind City,” a Starfinder adventure for 7th-level characters, by Ron Lundeen.• A peek into several cults of the galaxy, along with a cult hunter character theme, by Lyz Liddell.• A catalog of strange gear from across known space, including bizarre artifacts, by Leo Glass.• An archive of fiery threats-some of which burn both the body and the soul-from cruel dimensional shamblers to the mischievous magmins, by David Gregoire, Violet Hargrave, and Ron Lundeen.• Deck plans and statistics for an efreeti warship and a survey of a world in the Vast that shines its own light into the void, both by Ron Lundeen.

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The story of Thermopylae, the battle that helped define the identity of the ancient Greeks: how it was fought, how it has been remembered, and what it means for us today. During the Battle of Thermopylae in 480 BC, a Greek force of approximately 7,000 faced the biggest army ever seen in the Greek peninsula. For three days, the Persians—the greatest military force in the world—were stopped in their tracks by a vastly inferior force, before the bulk of the Greek army was forced to retreat with their rear guard wiped out in one of history's most famous last stands. In strict military terms it was a defeat for the Greeks. But like the British retreat from Dunkirk or the massacre at the Alamo, this David and Goliath story has taken on the aura of success. Thermopylae has acquired a glamour exceeding the other battles of the Persian Wars, passing from history into myth, and lost none of that appeal in the modern era. In Thermopylae, Chris Carey analyses the origins and course of this pivotal battle, as well as the challenges facing the historians who attempt to separate fact from myth and make sense of an event with an absence of hard evidence. Carey also considers Thermopylae's cultural legacy, from its absorbtion into Greek and Roman oratorical traditions, to its influence over modern literature, poetry, public monuments, and mainstream Hollywood movies. This new volume in the Great Battles series offers an innovative view of a battle whose legacy has overtaken its real life practical outcomes, but which showed that a seemingly unstoppable force could be resisted.

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It is a privilege to know her - Jordan HendersonPathos-laced memoires on every page - Steve RotheramA truly absorbing and moving read - Sue Johnston----On the morning of Saturday 15 April 1989, Jenni Hicks, her husband, and their two teenage daughters, Sarah and Vicki, went to watch a football match. That was to be their last day as a family. Sarah and Vicki didn't come home, and Jenni's world was changed forever.Since that fateful day, Jenni has tirelessly campaigned for justice for her own and others' families. But this is not the story of the Hillsborough tragedy. This is a story of what came before and after that day: of a mother's love, her unimaginable bravery, a flame of hope that never died, and a quest for justice that has lasted three decades. It is a journey that has taken her from Allerton Cemetery to the Courts of Appeal, from the depths of despair to meetings with Prime Ministers and royalty.With the final court cases coming to a conclusion in spring 2021, Jenni's role as the longest-serving committee member of the Hillsborough Family Support Group is coming to an end - and she can finally give herself permission to grieve solely as a mother, rather than as a campaigner.One Day In April is the first time that Jenni has spoken about her story in full, and is a unique and poignant tribute to the lives that Sarah and Vicki lost, and the final word from the extraordinary mother they left behind.----Her tenacity and courage is astonishing - Prof Phil ScratonUtterly gripping - Jimmy McGovernHer strength is inspiring - Simon RimmerQuite remarkable - David Dein

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First 30 Days of Walking with Jesus is exactly what it sounds like - a simple and accessible guide that offers 30 days of Bible readings and devotions, along with practical advice, motivation, and additional guides, for anyone starting or restarting their Christian walk. Featuring Bible verses for many of life’s questions, it will guide you through various Christian living from worship and loving your neighbour to fear and vulnerability. Drawing on their own experience of the Christian life, well-known TV personalities, Church leaders, and mentors David and Carrie Grant offer compassionate insight and wisdom, alongside contributions from other trusted Church leaders and writers, for anyone seeking to follow Jesus and be His disciple but unsure where to start. The daily devotions are easy to dip and out of, and will encourage and inspire you to live each day with faith and joy in Jesus Christ. The devotions are also undated, so they can be used throughout the year. First 30 Days of Walking with Jesus is an ideal guide to give to new Christian believers, especially as a follow up to Christian courses such as the Alpha Course and Christianity Explored. It’s perfect for giving as a confirmation or baptism gift for teens and adults, to help them as they start on their Christian life. This guide will also help those who have drifted from the church but want to reaffirm and refresh their faith. The daily Bible readings and practical advice will help you get back in touch with your spirituality so that you can walk and grow as a Christian alongside Jesus. Whether you are a new disciple or a returning one, anyone who has asked how to be a Christian will find guidance and encouragement in First 30 Days of Walking with Jesus that will help them start their journey to become faithful, spiritually fulfilled disciples.

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A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

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Deindustrialization is not simply an economic process, but a social and cultural one as well. The rusting detritus of our industrial past—the wrecked hulks of factories, abandoned machinery too large to remove, and now-useless infrastructures—has for decades been a part of the North American landscape. In recent years, however, these modern ruins have become cultural attractions, drawing increasing numbers of adventurers, artists, and those curious about a forgotten heritage.Through a unique blend of oral history, photographs, and interpretive essays, Corporate Wasteland investigates this fascinating terrain and the phenomenon of its loss and rediscovery. Steven High and David W. Lewis begin by exploring an emerging aesthetic they term the deindustrial sublime, explaining how the ritualized demolition of landmark industrial structures served as dramatic punctuations between changing eras. They then follow the narrative path blazed by urban spelunkers, explorers who infiltrate former industrial sites and then share accounts and images of their exploits in a vibrant online community. And to understand the ways in which geographic and emotional proximity affects how deindustrialization is remembered and represented, High and Lewis focus on Youngstown, Ohio, where residents and former steelworkers still live amid the reminders of more prosperous times. Corporate Wasteland concludes with photo essays of sites in Michigan, Ontario, West Virginia, and Pennsylvania that pair haunting images with the poignant testimonies of those who remember industrial sites as workplaces rather than monuments. Forcing readers to look beyond nostalgia, High and Lewis reinterpret our deindustrialized landscape as a historical and imaginative challenge to the ways in which we comprehend and respond to the profound disruptions wrought by globalization.

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A classic guide to expanding perception and consciousness development. In this highly acclaimed classic, psychedelic elder Ralph Metzner presents a guide to six ancient systems, once known only to the initiated few, to expand awareness and free your consciousness from exterior limitations and cultural conditioning. Metzner begins with the I Ching, revered by the Chinese as the oldest and wisest book in the world. He explains how it reveals change as the evolutionary constant and offers a hands-on method of divination and guidance. He explores the Hindu and Buddhist Tantras of medieval India, ancient practices celebrating the union of male and female energies that transmute ordinary sense experience into ecstatic ritual worship. He examines the Tarot, revealing how the cards act as culture-transcending mirrors, bringing us through worlds of darkness and light in a complex journey. He looks at the practice of alchemy, explaining how it is a “psychic chemistry” of inner union through which we can transform planetary and cosmic energies. He explores the esoteric aspects of astrology, revealing the rhythmic cycles of the planets and how their phases may be experienced in terms of motion and emotion. He then examines in depth the yoga philosophy of Actualism, centered on the techniques of Agni Yoga, which allow you to use your living “inner fire” to illuminate the shadow parts of consciousness and burn out that which obstructs the free flow of energy. With a new foreword by UC Berkeley professor of neurobiology David E. Presti and featuring all of the original diagrams, this edition of Metzner’s classic text shows how each of these disciplines can help the modern individual become a fully aware and conscious participant in their own spiritual evolution.

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This is a cultural history of mathematics and art, from antiquity to the present. Mathematicians and artists have long been on a quest to understand the physical world they see before them and the abstract objects they know by thought alone. Taking readers on a tour of the practice of mathematics and the philosophical ideas that drive the discipline, Lynn Gamwell points out the important ways mathematical concepts have been expressed by artists. Sumptuous illustrations of artworks and cogent math diagrams are featured in Gamwell's comprehensive exploration. Gamwell begins by describing mathematics from antiquity to the Enlightenment, including Greek, Islamic, and Asian mathematics. Then focusing on modern culture, Gamwell traces mathematicians' search for the foundations of their science, such as David Hilbert's conception of mathematics as an arrangement of meaning-free signs, as well as artists' search for the essence of their craft, such as Aleksandr Rodchenko's monochrome paintings. She shows that self-reflection is inherent to the practice of both modern mathematics and art, and that this introspection points to a deep resonance between the two fields: Kurt Godel posed questions about the nature of mathematics in the language of mathematics and Jasper Johns asked "What is art?" in the vocabulary of art. Throughout, Gamwell describes the personalities and cultural environments of a multitude of mathematicians and artists, from Gottlob Frege and Benoit Mandelbrot to Max Bill and Xu Bing. Mathematics and Art demonstrates how mathematical ideas are embodied in the visual arts and will enlighten all who are interested in the complex intellectual pursuits, personalities, and cultural settings that connect these vast disciplines.

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Examines the achievements and legacy of the Scottish Enlightenment, drawing inspiration from the work of Christopher Berry Focuses on key Scottish Enlightenment ideas: political economy, the science of human nature, self-interest, commerce, politics and luxury Surveys the achievements of recent literature on the Scottish Enlightenment and identifies areas for future research Draws on a range of disciplines: philosophy, economics, history and politics Contributors include Ana Marta Gonzalez (University of Navarra), Ryan Patrick Hanley (Boston College), Naohito Mori (Kochi University) and Spyridon Tegos (University of Crete) Adds to the history of social and political philosophy This collection of 11 specially commissioned essays examines the transformative contribution of the Scottish Enlightenment to modernity by examining three central themes: the Scots' pioneering conception of commercial society, the equally pioneering development of the Scots 'science of human nature' and the emergence of the modern political economy. An international group of Scottish Enlightenment scholars, from a variety of disciplines, explore these themes with a special focus on Adam Smith and David Hume. They take their launching point from the work of Professor Christopher J. Berry, who is internationally known and respected for his work to establish the coherence and significance of the Scottish Enlightenment. The Scottish Enlightenment has been one of the growth fields in scholarship on 18th-century intellectual history. The era is renowned for its contributions to understanding the emergence of the human sciences, its framing of modern political economy and its pioneering study of commercial society.

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Prominent Dante scholars from the United States, Italy, and the United Kingdom contribute original essays to the first critical companion in English to Dante’s “other works.” Rather than speak of Dante’s “minor works,” according to a tradition of Dante scholarship going back at least to the eighteenth century, this volume puts forward the designation “other works” both in light of their enhanced status and as part of a general effort to reaffirm their value as autonomous works. Indeed, had Dante never written the Commedia, he would still be considered the most important writer of the late Middle Ages for the originality and inventiveness of the other works he wrote besides his monumental poem, including the Rime, the Fiore, the Detto d’amore, the Vita nova, the Epistles, the Convivio, the De vulgari eloquentia, the Monarchia, the Egloge, and the Questio de aqua et terra. Each contributor to this volume addresses one of the “other works” by presenting the principal interpretative trends and questions relating to the text, and by focusing on aspects of particular interest. Two essays on the relationship between the “other works” and the issues of philosophy and theology are included. Dante’s “Other Works” will interest Dantisti, medievalists, and literary scholars at every stage of their career. Contributors: Manuele Gragnolati, Christopher Kleinhenz, Zygmunt G. Barański, Claire E. Honess, Simon Gilson, Mirko Tavoni, Paola Nasti, Theodore J. Cachey, Jr., David G. Lummus, Luca Bianchi, and Vittorio Montemaggi.

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A tortured genius and one of most influential designers of the twentieth century, Yves Saint Laurent was responsible for revolutionising the way women dressed and viewed themselves.During a wildly creative career stretching from 1958 to 2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes. He became an overnight sensation in 1958, aged 21, when he showed his 'Trapeze' collection, his first for the House of Christian Dior, following the master's death.Four years later, Saint Laurent opened his own couture house and within a few seasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'. Viewed as a master colourist and admired for his choice of sultry fabrics, his great gift was creating lasting styles - described by Vogue as 'stockpiles of essentials in times of famine' - that flattered all shapes and sizes. As well as designing wardrobe classics like the 'Le Smoking' tuxedo for women, the Safari jacket, the trench and the pea coat, and introducing trousers into haute couture, he also dressed international style icons such as Catherine Deneuve, Marella Agnelli and Lauren Bacall.With his nose for the zeitgeist, Saint Laurent recognised the global power of street fashion and launched Rive Gauche, his ready-to-wear boutique line in 1966. Christened 'The Saint' by Vogue, every element of his fashion empire, which included exhilarating couture collections, exquisite accessories and sought-after perfumes, was captured by Vogue's writers and leading photographers like Richard Avedon, David Bailey and Norman Parkinson.

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Winner, David Easton Award for Political Theory, 2023 In Resounding Events, one of the world’s preeminent political theorists reflects on a career as an academic hailing from the working class. From youthful experiences of McCarthyism, to the resurgence of white evangelicalism, to the advent of aspirational fascism and the acceleration of the Anthropocene, Connolly traces a career spent passionately engaged in making a more just, diverse, and equitable world. He surveys the shifting ground upon which politics can be pursued; and he discloses how to be an intellectual in universities that today do not encourage that practice. Far more than a memoir, Resounding Events probes the concerns that have animated Connolly’s work across more than a dozen books by tracing the bumpy imbrications of event, memory and thinking in intellectual life. Connolly experiments with ways to capture various voices that mark a self at any time. An event, as he elaborates it, is what disturbs or inspires thinking as it activates layered sheets of memory. A memory sheet itself assembles recollections, dispositions organized from the past, and vague remains that carry efficacies. Resounding Events shows how resonances between event and memory can help forge new concepts better adjusted to an emergent situation. Addressing tensions between working class experience and norms of the academy, his father’s coma, antiwar protests, the growing disaffection of the white working class, the neoliberalization of the university, climate denialism, and his sister’s experience with workers shifting to Trump, Connolly shows how engaged intellectuals become worthy of the events they encounter.

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Winner, David Easton Award for Political Theory, 2023 In Resounding Events, one of the world’s preeminent political theorists reflects on a career as an academic hailing from the working class. From youthful experiences of McCarthyism, to the resurgence of white evangelicalism, to the advent of aspirational fascism and the acceleration of the Anthropocene, Connolly traces a career spent passionately engaged in making a more just, diverse, and equitable world. He surveys the shifting ground upon which politics can be pursued; and he discloses how to be an intellectual in universities that today do not encourage that practice. Far more than a memoir, Resounding Events probes the concerns that have animated Connolly’s work across more than a dozen books by tracing the bumpy imbrications of event, memory and thinking in intellectual life. Connolly experiments with ways to capture various voices that mark a self at any time. An event, as he elaborates it, is what disturbs or inspires thinking as it activates layered sheets of memory. A memory sheet itself assembles recollections, dispositions organized from the past, and vague remains that carry efficacies. Resounding Events shows how resonances between event and memory can help forge new concepts better adjusted to an emergent situation. Addressing tensions between working class experience and norms of the academy, his father’s coma, antiwar protests, the growing disaffection of the white working class, the neoliberalization of the university, climate denialism, and his sister’s experience with workers shifting to Trump, Connolly shows how engaged intellectuals become worthy of the events they encounter.

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The complete story of Jewish Harlem and its significance in American Jewish history New York Times columnist David W. Dunlap wrote a decade ago that “on the map of the Jewish Diaspora, Harlem Is Atlantis. . . . A vibrant hub of industry, artistry and wealth is all but forgotten. It is as if Jewish Harlem sank 70 years ago beneath waves of memory beyond recall.” During World War I, Harlem was the home of the second largest Jewish community in America. But in the 1920s Jewish residents began to scatter to other parts of Manhattan, to the outer boroughs, and to other cities. Now nearly a century later, Jews are returning uptown to a gentrified Harlem. The Jews of Harlem follows Jews into, out of, and back into this renowned metropolitan neighborhood over the course of a century and a half. It analyzes the complex set of forces that brought several generations of central European, East European, and Sephardic Jews to settle there. It explains the dynamics that led Jews to exit this part of Gotham as well as exploring the enduring Jewish presence uptown after it became overwhelmingly black and decidedly poor. And it looks at the beginnings of Jewish return as part of the transformation of New York City in our present era. The Jews of Harlem contributes much to our understanding of Jewish and African American history in the metropolis as it highlights the ever-changing story of America’s largest city. With The Jews of Harlem, the beginning of Dunlap’s hoped-for resurfacing of this neighborhood’s history is underway. Its contemporary story merits telling even as the memories of what Jewish Harlem once was warrants recall.

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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Millions of dollars are spent every year by companies and special interest groups attempting to influence government policy. They work behind the scenes, lobbying politicians to represent their interests. From tobacco companies, to energy companies, from anti-abortion campaigners to civil rights campaigners, the list is vast. And nowhere is their influence more keenly felt than on the issue of the Middle East. Israel is America's key ally in the Middle East, and helps maintain US dominance in the region. This book shows how pro-Israeli lobbyists and domestic interest groups have been hugely successful in creating government and financial support for Israel. By contrast, Arab-American groups and Arab governments have had less success putting forward their agendas. Janice J. Terry shows how special interest groups work, and why certain lobbying techniques are more effective than others. She sets this within the wider cultural context, showing how the US media -- and the general public -- view the Middle East. To explain how lobbies work, Terry draws on case studies including the Sinai accords and Camp David under Presidents Ford and Carter, the Conflict between Greek and Turkish lobbies over Cyprus, and the major campaign against the Arab boycott. Making use of primary sources, and unpublished material from various presidential libraries, this is a fascinating expose of the role that lobby groups really play in determining US foreign policy in the Middle East. It will be of interest to students of American politics, and Middle East studies.

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How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany’s fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany’s national Holocaust memorial and his own role in it.In exploring Germany’s memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe—including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread—all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin’s newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany’s soon-to-be-built national Holocaust memorial, designed by Peter Eisenman.Illustrated with striking images in color and black-and-white, At Memory’s Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.

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Once in a lifetime an astonishing true story comes along that not only captivates but also makes you re-evaluate your beliefs. Red Amaryllis is one of those stories. So, get ready for a thought- provoking and remarkable true story of a naive couple pitted against one of the world's financial giants in a decade- long legal battle which will evoke amazement and horror at the lengths corporate avarice will go to. David Vs Goliath is nothing on the even more amazing fight-back from Denise and Michael, two determined and relentless individuals. However, there is much more to this story than meets the eye. Denise's desperation transforms her into a survivor...a bona fide juggernaut and force of nature who refuses to take 'no' for an answer. In a story which smartly mixes unflagging inspiration with humour, it slowly becomes clear that in her drive to win her case, her uncanny ability to uncover hidden evidence has far greater implications. Denise's life journey will demonstrate her extraordinary and proven ability to unlock the past, expose the present, and see the future when, in a dramatic twist, the story showcases a terrifying warning to us all. For the past 36 years Denise has foreseen an atomic WWIII looming, and now it is just a few short years away - unless we all make our voices heard and demand that those with power turn back from the brink. The future of the planet is in our hands and time is running out.

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A must-read epic fantasy for fans of Steven Erikson, David Gemmell and Brandon Sanderson, Stonewielder capitalises further on Esslemont's mastery of world-building and fantasy storytelling.'Epic fiction at its finest' - SEATTLE POST INTELLIGENCER'A gripping, bloat-free military fantasy which further illuminates and explores this intriguing world, and one of the strongest books in the series' -- ***** Reader review'Words can not express how these books are!' -- ***** Reader review'Simply you just will not want to put this one down. It builds and builds to a brilliant ending. Superb. -- ***** Reader review********************************************************Greymane believed he'd outrun his past. He was adjusting well to life outside the mercenary company, the Crimson Guard. However, it it is not so easy for an ex-Fist of the Malazan Empire to disappear, especially one under sentence of death from that same Empire.For there is a new Emperor on the throne of Malaz and he is dwelling on the Empire's failed invasion of Korel. In the vaults beneath Unta, the Imperial capital, lie the answers to that disaster; out of this buried history surfaces the name Stonewielder.In Korel, Lord Protector Hiam, commander of the Stormguard, faces the potential annihilation of all that he holds dear. With few remaining men and a crumbling stone wall that has seen better days, he confronts an ancient enemy: the sea-borne Stormriders have returned.Stonewielder is an enthralling new chapter in the epic story of a brilliantly imagined world.The Malazan Empire series continues in Orb Sceptre Throne...

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What is "the artist type"? How is an artist's mind structured? What are the links between creativity and mental health? Are there particular personality traits and psychological experiences that great artists have in common? Are most artists really mad? What defines the artist's personality? This book answers these questions by way of a deep, multi-angled, psychological analysis of the personality-based roots of creativity and the creative process. It draws on decades of scientific research focused on the central, mysterious trait of Openness, the true unifying glue behind everything creative. Featuring dozens of notable creators such as John Coltrane, Diane Arbus, Francesca Woodman, David Bowie, Frida Kahlo, Jack Kerouac, John Lennon, and others, this book showcases the nuances of an artist's mind beyond oversimplified formulas that falsely connect art to mental illness, painting a more authentic picture of the structure of the artist's psychology. Ultimately, this book reveals that the "torture" in an artist's perceived image has more to do with personality, creative processes, states of mind, and a need to express trauma symbolically, repeating it in the form of art. As an eminent psychobiographer with an award-winning career as a personality and creativity psychologist, Dr. William Todd Schultz yet again offers his unique perspective on a fascinating topic that is both engaging and insightful. In exploring the precise nature of inner chaos in a wide range of renowned artists, this book takes an enchanting dive into the artistic abyss for all those interested in creativity, personality, and psychology, including both general and academic readers.

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This book has it all - written by national and international experts and edited by world authorities, it is the first book on sport psychiatry in over a decade. Dealing with psychopathology, mental health problems and clinical management, it differs markedly from sports psychology books that focus on performance issues. Eating disorders, exercise addiction, drug abuse are all problems that are seen in 'everyday' athletes, not just elite performers. This book shows how to help. This text covers the most important topics in contemporary sports psychiatry/psychology from an international perspective. Chapter authors are experts in the field and global leaders in the related professional organizations, including current and past Presidents/Chairs of the International Society for Sports Psychiatry and of the World Psychiatric Association Section on Exercise and Sports Psychiatry. Authors are mainly psychiatrists: the rest are PhD sport psychologists. The book comprises representative chapter authors from around the world, to an extent unprecedented in this topic. The authors and editors are well-informed in global perspectives, e.g., having served as consultants to numerous Olympic teams, in addition to service on the International Society for Sports Psychiatry's Board of Directors. Specifically, this book covers four main categories of topics: 1) mental health challenges faced by athletes (including substance use disorders, exercise addiction, eating disorders, depression, suicide, and concussion), 2) treatment approaches and therapeutic issues with athletes (including different types of psychotherapy for psychiatric disorders, psychotherapeutic performance enhancement approaches, transference and countertransference issues, achievement by proxy, psychotherapeutic issues as applied to a couple of sports that are played around the world, and use of psychiatric medications in athletes), 3) psychosocial issues affecting athletes (including sexual harassment and abuse, cultural issues, and ethics issues), and 4) the field of sports psychiatry (including work within one common sports psychiatry practice setting, and current status of and challenges in the field of sports psychiatry). There is a growing need for this book. Performance-enhancing drugs, use of psychotropics in impaired athletes, head trauma, sexual abuse, eating disorders, ethics, and depression and suicide in athletes, are just a few of the timely subjects addressed in this text. This is the only comprehensive reference available for those working in the field (or merely interested in it) to consult for current information on these topics. The existing sports psychology texts all focus on performance issues, with little, if any, attention paid to these areas of clinical significance. The book addresses the core differences between sports psychiatry and sports psychology, as well as the areas of overlap. Emphasis is placed on how the disciplines should work together in diagnosing and treating athletes dealing with emotional stress and psychopathology. Chapters include case examples and specific goals listed at the beginning, along with tables and graphs to highlight key concepts.

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Articles showcasing the fruits of the most recent scholarship in the field of fourteenth-century studies. The wide-ranging studies collected here reflect the latest concerns of and trends in fourteenth-century research, including work on politics, the law, religion, and chronicle writing. The lively (and controversial) debate around the death of Edward II, and the brief but eventful career of John of Eltham, earl of Cornwall, receive detailed treatment, as does the theory and implementation of both the law of treason in England and high status execution in Ireland. There is an investigation of the often overlooked, yet ever present, lesser parish clergy of pre-Black Death England, along with the notable connections between Roman remains and craft guild piety in fourteenth-century York.There are also chapters shedding new light on fourteenth-century chronicles: one examines the St Albans chronicle through the prism of chivalric culture, another analyses the importance of the Chester Annals of 1385-8 in the writing culture of the Midlands. Introduced with this volume is a new section on "Notes and Documents"; re-examined here is an often-cited letter from the reign of Richard II and the problematic, yet crucial, issue of its authorship and dating. James Bothwell is Lecturer in Later Medieval History at the University of Leicester; Gwilym Dodd is Associate Professor of Medieval History at the University of Nottingham Contributors: Paul Dryburgh, Áine Foley, Christopher Guyol, Andy King, Jessica Knowles, E. Amanda McVitty, D.A.L. Morgan, Philip Morgan, David Robinson.

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In 1984, a time when the publishing landscape was becoming increasingly corporate, Nigel Newton decided to start a new independent literary publishing company. The following year, over early mornings and late nights, he and publisher David Reynolds came up with their plan. In 1986 Bloomsbury Publishing began its life in a small office above a Chinese restaurant in Putney. For all its early ambition, no-one could have envisaged the 35 years that would follow. As the offices shifted first to Soho Square and then to Bedford Square, with branches opening in New York, Sydney, Oxford and New Delhi, its list took shape. There were to be books from all over the world, some becoming Nobel, Booker and Women’s Prize winners, some to be million copy bestsellers, and some to become modern classics. In Bloomsbury 35 its editors-in-chief Liz Calder and Alexandra Pringle have made selections from novels they have published on Bloomsbury’s adult list, from each year of Bloomsbury’s life, forming an anthology that represents the creative heart of Bloomsbury. This anthology does not draw works from Bloomsbury’s equally sparkling children’s, academic or special interest lists. Featuring work from Margaret Atwood, Susanna Clarke, Jeffrey Eugenides, Richard Ford, Abdulrazak Gurnah, Khaled Hosseini, Jhumpa Lahiri, Colum McCann, Madeline Miller, Michael Ondaatje, Caryl Phillips, George Saunders, Will Self, Kamila Shamsie, Ahdaf Soueif, Jeanette Winterson, and many more, it is a celebration of Bloomsbury’s first 35 years

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Times have changed. A choice was made and the universe diverged. And now all of history is at war. One man stands at the centre of it all. But whose side is he one? Is he with the angels? Or the demons? And does anyone even know which is which? He was a Doctor once, but now he is Doctor no more, He is the Warrior. The Doctor of War. 1.1 Dust Devil by John Dorney. The TARDIS crew are on the run, pursued by an unstoppable force. But who is hunting them? And why? Will they find the answers on Aridius? Or just more questions? 1.2 Aftershocks by Lou Morgan. The ripples are spreading out. The Warrior is on trial. Or is he? No-one's willing to tell him his crime so how can he know if he's guilty? And who is trying him anyway? 1.3 The Difference Office by James Kettle. The Warrior is President of the Time Lords... and suffering from visions. Is he the right man to combat an invasion? Because there's someone out there in the wilderness of Gallifrey. Someone with the Warrior's face. And he's heading for the Capitol. CAST: Colin Baker (The Doctor/The Warrior), Tom Baker (The Doctor), Nicola Bryant (Peri), Geoffrey Beevers (The Master), Nicholas Briggs (The Daleks), Rebecca Night (Romana), Seán Carlsen (Narvin), David Holt (Chooban/Bullet 1/Driver), Sasha Behar (Talarn/Bullet 2/Thayla), Christopher Naylor (Harry Sullivan), Sadie Miller (Sarah Jane Smith), Karen Bryson (Command Esk), Sanjeev Bhaskar (Borusa), Georgia Mackenzie (Zorcha/Jobba), Rick Warden (Styggron/Sonk). Other parts played by members of the cast.

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The hit BBC series is back! Big Finish bring immortal Time Agent Captain Jack Harkness and colleagues back to audio life for a fresh series of six new audio dramas. "It stalks you. It whispers. It wants you to turn around. It wants you to look. But if you do...If you see it..." Talmouth is a lonely seaside town. No-one has heard from it for days. No-one who goes in comes out. Something has happened to Talmouth. Has it been taken over by aliens? Or is it something far, far worse? Gwen Cooper's come to Talmouth to find out. What's happened has to be seen to be believed. But by the time you've seen it, you're already dead. This second series - of which this is the final story - was greenlit even as the later releases of the first popular series were being recorded! The huge, and long-running public interest in new Torchwood adventures resulted in a server melt-down when its return on audio was announced by star John Barrowman on his Sunday night radio slot. John Barrowman, Eve Myles, Kai Owen and Gareth David-Lloyd reprise the characters who starred in four years of hit Doctor Who spin-off Torchwood, screened around the world, Eve Myles has one the leading roles in ITV's impending Victoria series. CAST: Eve Myles (Gwen Cooper), Matthew Gravelle (Darkness), Marilyn Le Conte (Mrs Rhodes), Ross Ford (James). Torchwood contains adult material and may not be suitable for younger listeners.

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A comprehensive analysis of how the large corporation has impacted national and global governance. Wilks has made an important contribution to the literature on the changing political and social role of business in contemporary capitalist polities.'- David Vogel, University of California, US'Observers are increasingly realizing that that the large corporation has become one of the main institutions that govern our lives; the market economy, which in principle prevents corporations from possessing political power, today endows them with that power. Stephen Wilks here traces the extraordinarily important implications of this fact, and makes some sober proposals for tackling the problems it creates for democracy. Others have noted this phenomenon; here at last is a thorough study of it - detailed enough to satisfy the standards of social science; worrying enough to command the concern of policy makers; and written in an approachable style to attract the general reader.'- Colin Crouch, University of Warwick, UK'This is a book that needed to be written and Stephen Wilks has the academic understanding and breadth of practical experience to accomplish the task with authority and conviction. This is an important book, not only because it helps to fill a gap in a still under developed literature on the political role of the modern corporation, but because it raises important and disturbing questions about contemporary democracy.'- Wyn Grant, University of Warwick, UKThe large business corporation has become a governing institution in national and global politics. This trail-blazing book offers a critical account of its political dominance and lack of democratic legitimacy.Thanks to successful wealth generation and ideological victories the large business corporation has become an effective political actor and has entered into partnership with government in the design of public policy and delivery of public services. Stephen Wilks argues that governmental and corporate elites have transformed British politics to create a 'new corporate state' with similar patterns in the USA, in competitor economies - including China - and in global governance. The argument embraces multinational corporations, corporate social responsibility, corporate governance and the inequality generated by corporate dominance.The crucial analysis presented in this ground-breaking book will prove invaluable for academics, researchers and both under- and postgraduate students with an interest in the role of the corporation in politics and society across a wide range of fields including business and management (business ethics), politics, political economy, sociology, corporate governance and strategy.Contents: Preface 1. The Genesis of a Governing Institution 2. The Corporation as a Political Actor 3. Globalisation and the Enhanced Power of Multinational Corporations 4. Corporate Power in the UK: The Rise of the Corporate Elite 5. The Politics of the New Corporate State 6. Partnership and Policy in Britain s New Corporate State 7. Multinational Corporations as Partners in Global Governance 8. Corporations, Culture and Accountability 9. How Persuasive is Corporate Social Responsibility? 10. The Explosion of Interest in Corporate Governance 11. Conclusion: Fairy-tales, Facts, Foci and Futures Bibliography Index

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The originators of classical political economy—Adam Smith, David Ricardo, James Steuart, and others—created a discourse that explained the logic, the origin, and, in many respects, the essential rightness of capitalism. But, in the great texts of that discourse, these writers downplayed a crucial requirement for capitalism’s creation: For it to succeed, peasants would have to abandon their self-sufficient lifestyle and go to work for wages in a factory. Why would they willingly do this?Clearly, they did not go willingly. As Michael Perelman shows, they were forced into the factories with the active support of the same economists who were making theoretical claims for capitalism as a self-correcting mechanism that thrived without needing government intervention. Directly contradicting the laissez-faire principles they claimed to espouse, these men advocated government policies that deprived the peasantry of the means for self-provision in order to coerce these small farmers into wage labor. To show how Adam Smith and the other classical economists appear to have deliberately obscured the nature of the control of labor and how policies attacking the economic independence of the rural peasantry were essentially conceived to foster primitive accumulation, Perelman examines diaries, letters, and the more practical writings of the classical economists. He argues that these private and practical writings reveal the real intentions and goals of classical political economy—to separate a rural peasantry from their access to land.This rereading of the history of classical political economy sheds important light on the rise of capitalism to its present state of world dominance. Historians of political economy and Marxist thought will find that this book broadens their understanding of how capitalism took hold in the industrial age.

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In the 1980s—at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities—the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement—particularly given that “black” in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today’s artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson

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This is the story of John Draper, Andrew White, and the conflict thesis: a centuries-old misconception that religion and science are at odds with one another. Renowned scientist John William Draper (1811-1882) and celebrated historian-politician Andrew Dickson White (1832-1918) were certain that Enlightened Science and Dogmatic Christianity were mortal enemies--and they said as much to anyone who would listen. More than a century later, their grand and sweeping version of history dominates our landscape; Draper and White's "conflict thesis" is still found in countless textbooks, lecture series, movies, novels, and more. Yet, as it would later be discovered, they were mistaken. Their work has been torn to shreds by the experts, who have declared it totally at odds with reality. So how, if this is the case, does their wrongheaded narrative still live on? Who were these two men, and what, exactly, did they say? What is it about their God-versus-Science "conflict thesis" that convinced so many? And what--since both claimed to love Science and love Christ--were they actually trying to achieve in the first place? In this book, physicist David Hutchings and historian of science and religion James C. Ungureanu dissect the work of Draper and White. They take readers on a journey through time, diving into the formation and fallacy of the conflict thesis and its polarizing impact on society. The result is a tale of Flat Earths, of anesthetic, and of autopsies; of Creation and Evolution; of laser-eyed lizards and infinite worlds. It is a story of miracles and mathematicians; souls and Great Libraries; the Greeks, the scientific method, the Not-So-Dark-After-All Ages... and, of course, of popes and unicorns.

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This important Handbook is the first comprehensive account that brings together recent developments in the three related fields of environmental technology, environmental management and technology management. With contributions from more than 55 outstanding authors representing ten countries and five continents, the reader is provided with a vast range of insightful perspectives on the latest industry and policy issues. With the aid of numerous case studies, leading experts reflect on significant changes in the use of technology and management practices witnessed in the last decade. Within this Handbook, the authors discuss, in detail: eco-modernization and technology transformation environmental technology management in business practices measuring environmental technology management case studies in new technologies for the environment environmental technology management and the future. The International Handbook on Environmental Technology Management has a broad audience including researchers, practitioners, policymakers and students in the fields of sustainability and environmental science.

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Taking Stock of Homicide provides a critical look at homicide, offering a comprehensive review of the major areas of homicide research, including topics largely unexplored in the literature, such as qualitative and historical accounts. Featuring leading scholars, this volume is organized around key themes and areas that reflect major contemporary trends and patterns in criminological literature. Chapters consider fundamentals such as data collection, sources, and histories; structural dynamics, including methodologies and fieldwork plus factors involving race and public health; the circumstances, types, and variations in homicide, from intimate partner violence to gangs, drugs, and firearms; as well as the prevention of and responses to homicide. An essential state-of-the-discipline examination, Taking Stock of Homicide expands our knowledge while offering a toolkit for how to conduct future research on this serious, violent crime. Contributors: Mark Berg, Laura Boisten, Anthony Braga, Fiona Brookman, Shytierra Gaston, Veronica Valencia Gonzalez, Elizabeth Griffiths, Chris Guerra, John Hipp, John Jarvis, Helen Jones, Sharon Jones-Eversley, Jungmyung Kim, Kenneth Land, Marieke Liem, Michael Light, Xiaoshuang Iris Luo, Amy Magnus, Patricia McCall, Erin Orrick, Alex Piquero, William Pridemore, David Pyrooz, Arnaldo Rabolini, Kasey Ragan, Wendy Regoeczi, Johnny Rice II, Jacqueline Rhoden-Trader, Ethan Rogers, Meghan Rodgers, Randolph Roth, Jose Antonio Sanchez, Daniel Semenza, James Tuttle, Jolien van Breen, Kirk Williams, and the editors

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Taking Stock of Homicide provides a critical look at homicide, offering a comprehensive review of the major areas of homicide research, including topics largely unexplored in the literature, such as qualitative and historical accounts. Featuring leading scholars, this volume is organized around key themes and areas that reflect major contemporary trends and patterns in criminological literature. Chapters consider fundamentals such as data collection, sources, and histories; structural dynamics, including methodologies and fieldwork plus factors involving race and public health; the circumstances, types, and variations in homicide, from intimate partner violence to gangs, drugs, and firearms; as well as the prevention of and responses to homicide. An essential state-of-the-discipline examination, Taking Stock of Homicide expands our knowledge while offering a toolkit for how to conduct future research on this serious, violent crime. Contributors: Mark Berg, Laura Boisten, Anthony Braga, Fiona Brookman, Shytierra Gaston, Veronica Valencia Gonzalez, Elizabeth Griffiths, Chris Guerra, John Hipp, John Jarvis, Helen Jones, Sharon Jones-Eversley, Jungmyung Kim, Kenneth Land, Marieke Liem, Michael Light, Xiaoshuang Iris Luo, Amy Magnus, Patricia McCall, Erin Orrick, Alex Piquero, William Pridemore, David Pyrooz, Arnaldo Rabolini, Kasey Ragan, Wendy Regoeczi, Johnny Rice II, Jacqueline Rhoden-Trader, Ethan Rogers, Meghan Rodgers, Randolph Roth, Jose Antonio Sanchez, Daniel Semenza, James Tuttle, Jolien van Breen, Kirk Williams, and the editors

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From Margaret Mead and Zora Neale Hurston to Lionel Trilling and Lou Gehrig, Columbia University has been home to some of the most important historians, scientists, critics, artists, physicians, and social scientists of the twentieth century. (It can also boast a hall-of-fame athlete.) In Living Legacies at Columbia, contributors with close personal ties to their subjects capture Columbia's rich intellectual history. Essays span the birth of genetics and modern anthropology, constitutionalism from John Jay to Ruth Bader Ginsberg, Virginia Apgar's test, Lou Gehrig's swing, journalism education, black power, public health, the development of Asian studies, the Great Books Movement, gender studies, human rights, and numerous other realms of teaching and discovery. They include Eric Foner on historian Richard Hoftstader, Isaac Levi and Sidney Hook on John Dewey, David Rosand on art historian Meyer Schapiro, John Hollander on critic Mark Van Doren, Donald Keene on Asian studies, Jacques Barzun on history, Eric Kandel on geneticist Thomas Hunt Morgan, and Rosalind Rosenberg on Franz Boas and his three most famous pupils: Ruth Benedict, Margaret Mead, and Zora Neale Hurston. Much more than an institutional history, Living Legacies captures the spirit of a great university through the stories of gifted men and women who have worked, taught, and studied at Columbia. It includes stories of struggle and breakthrough, searching and discovery, tradition and transformation.

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When Lyndon Baines Johnson wanted to go somewhere, there was no stopping him. This dynamic president called for Air Force One as others summon a taxi—at a moment's notice, whatever the hour or the weather. And the man who made sure that LBJ got his ride was General James U. Cross, the president's hand-picked pilot, top military assistant, and personal confidante. One of the few Air Force One pilots to have a position, simultaneously, in the White House, General Cross is also the only member of LBJ's inner circle who has not publicly offered his recollections of the president. In this book, he goes on the record, creating a fascinating, behind-the-scenes portrait of America's complex, often contradictory, always larger-than-life thirty-sixth president.General Cross tells an engrossing story. In addition to piloting Air Force One around the globe, he served President Johnson in multiple capacities, including directing the Military Office in the White House; managing a secret two-million-dollar presidential emergency fund; supervising the presidential retreat at Camp David, the president's entire transportation fleet, and the presidential bomb shelters; running the White House Mess; hiring White House social aides, including the president's future son-in-law, Charles Robb; and writing condolence letters to the families of soldiers killed in Vietnam. This wide-ranging, around-the-clock access to President Johnson allowed Cross to witness events and share moments that add color and depth to our understanding of America's arguably most demanding and unpredictable president.

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Technology-driven disruption and entrepreneurial response have become profound drivers of change in modern culture. Wholly new organisations have rapidly emerged in many fields including retail, print media and transportation, often dramatically altering both the products and processes that define these industries. Architecture has until now been minimally impacted by this technologically driven upheaval. But there are many signs that this period of tranquillity is ending. Startups are proliferating, targeting diverse innovations from environmental performance to large-scale 3D printing. Traditional architecture and engineering firms are creating incubators and spin-offs to capitalise on their innovations. Large and innovative organisations from outside the professions are becoming interested in the built environment as the next platform for technological and economic disruption. These new directions for the discipline will potentially create radically new types of practice, new building typologies, and new ways for both design professionals and societies to engage with the built environment. It is crucial that architectural discourse addresses these possibilities, and begins to embrace technology-driven entrepreneurship as a central theme for the future of architectural practice. Contributors: Sandeep Ahuja, Ben van Berkel, Phil Bernstein, Helen Castle, James Cramer and Scott Simpson, Craig Curtis, David Fano and Daniel Davis, Greg Lynn, Jessica Rosenkrantz and Jesse Louis-Rosenberg, Brad Samuels, Marc Simmons, Jared Della Valle, and Philip F Yuan and Chao Yan. Featured architects: Archi-Union, Ayre Chamberlain Gaunt, Bryden Wood, Gehry Partners, Front, Greg Lynn FORM, Millar Howard Workshop, Nervous System, SITU, and UNStudio.

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This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century—and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity. Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume. Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality. Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought. Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.

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A clear understanding of what we know, don't know, and can't know should guide any reasonable approach to managing financial risk, yet the most widely used measure in finance today--Value at Risk, or VaR--reduces these risks to a single number, creating a false sense of security among risk managers, executives, and regulators. This book introduces a more realistic and holistic framework called KuU --the K nown, the u nknown, and the U nknowable--that enables one to conceptualize the different kinds of financial risks and design effective strategies for managing them. Bringing together contributions by leaders in finance and economics, this book pushes toward robustifying policies, portfolios, contracts, and organizations to a wide variety of KuU risks. Along the way, the strengths and limitations of "quantitative" risk management are revealed. In addition to the editors, the contributors are Ashok Bardhan, Dan Borge, Charles N. Bralver, Riccardo Colacito, Robert H. Edelstein, Robert F. Engle, Charles A. E. Goodhart, Clive W. J. Granger, Paul R. Kleindorfer, Donald L. Kohn, Howard Kunreuther, Andrew Kuritzkes, Robert H. Litzenberger, Benoit B. Mandelbrot, David M. Modest, Alex Muermann, Mark V. Pauly, Til Schuermann, Kenneth E. Scott, Nassim Nicholas Taleb, and Richard J. Zeckhauser. * Introduces a new risk-management paradigm * Features contributions by leaders in finance and economics * Demonstrates how "killer risks" are often more economic than statistical, and crucially linked to incentives * Shows how to invest and design policies amid financial uncertainty

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A fresh, original history of America’s national narratives, told through the loss, recovery, and rise of one influential Puritan sermon from 1630 to the present day “Americans are transiting to a new political chapter. They may want their city to shine again. How can they reconnect to their historical vision of their country’s special mission? Thankfully, a fascinating guide for that task is right at hand, an elegant piece of historical detective work by . . . Abram Van Engen.”—David Frum, The Atlantic “[An] important book. . . . We can be grateful that Van Engen has taught us so much about the misuses—and the possible appropriate uses—of John Winthrop’s vision.”—Richard Mouw, Comment In this illuminating book, Abram C. Van Engen shows how the phrase “city on a hill,” from a 1630 sermon by Massachusetts Bay governor John Winthrop, shaped the story of American exceptionalism in the twentieth century. By tracing the history of Winthrop’s speech, its changing status through time, and its use in modern politics, Van Engen asks us to reevaluate our national narratives. He tells the story of curators, librarians, collectors, archivists, antiquarians, and other often anonymous figures who emphasized the role of the Pilgrims and Puritans in American history, paving the way for the saving and sanctifying of a single sermon and its eventual transformation into an American tale. This sermon’s rags-to-riches rise reveals the way national stories take shape and shows us how they continue to influence competing visions of the country—the many different meanings of America that emerge from its literary past.

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What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the ‘War on Terror’. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to ‘culture’ wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of ‘official’ war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.

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This book analyzes the institutional underpinnings of East Asia's dynamic growth by exploring the interplay between governance and flexibility. As the challenges of promoting and sustaining economic growth become ever more complex, firms in both advanced and industrializing countries face constant pressures for change from markets and technology. Globalization, heightened competition, and shorter product cycles mean that markets are increasingly volatile and fragmented. To contend with demands for higher quality, quicker delivery, and cost efficiencies, firms must enhance their capability to innovate and diversify. Achieving this flexibility, in turn, often requires new forms of governance—arrangements that facilitate the exchange of resources among diverse yet interdependent economic actors. Moving beyond the literature's emphasis on developed economies, this volume emphasizes the relevance of the links between governance and flexibility for understanding East Asia's explosive economic growth over the past quarter century. In case studies that encompass a variety of key industrial sectors and countries, the contributors emphasize the importance of network patterns of governance for facilitating flexibility in firms throughout the region. Their analyses illuminate both the strengths and limitations of recent growth strategies and offer insights into prospects for continued expansion in the wake of the East Asian economic crisis of the late 1990s. Contributions by: Richard P. Appelbaum, Lu-lin Cheng, Stephen W. K. Chiu, Frederic C. Deyo, Richard F. Doner, Dieter Ernst, Eric Hershberg, Tai Lok Lui, Rajah Rasiah, David A. Smith, and Poh-Kam Wong.

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Invasion ecology is the study of the causes and consequences of the introduction of organisms to areas outside their native range. Interest in this field has exploded in the past few decades. Explaining why and how organisms are moved around the world, how and why some become established and invade, and how best to manage invasive species in the face of global change are all crucial issues that interest biogeographers, ecologists and environmental managers in all parts of the world. This book brings together the insights of more than 50 authors to examine the origins, foundations, current dimensions and potential trajectories of invasion ecology. It revisits key tenets of the foundations of invasion ecology, including contributions of pioneering naturalists of the 19th century, including Charles Darwin and British ecologist Charles Elton, whose 1958 monograph on invasive species is widely acknowledged as having focussed scientific attention on biological invasions.

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