Search results for ""author jack"

How do students develop a personal style from their instruction in a visual arts program? Women Artists on the Leading Edge explores this question as it describes the emergence of an important group of young women artists from an innovative post-war visual arts program at Douglass College.The women who studied with avant-garde artists at Douglas were among the first students in the nation to be introduced to performance art, conceptual art, Fluxus, and Pop Art. These young artists were among the first to experience new approaches to artmaking that rejected the predominant style of the 1950s: Abstract Expressionism. The New Art espoused by faculty including Robert Watts, Allan Kaprow, Roy Lichtenstein, Geoffrey Hendricks, and others advocated that art should be based on everyday life. The phrase “anything can be art” was frequently repeated in the creation of Happenings, multi-media installations, and video art. Experimental approaches to methods of creation using a remarkable range of materials were investigated by these young women. Interdisciplinary aspects of the Douglass curriculum became the basis for performances, videos, photography, and constructions. Sculpture was created using new technologies and industrial materials. The Douglass women artists included in this book were among the first to implement the message and direction of their instructors.Ultimately, the artistic careers of these young women have reflected the successful interaction of students with a cutting-edge faculty. From this BA and MFA program in the Visual Arts emerged women such as Alice Aycock. Rita Myers, Joan Snyder, Mimi Smith, and Jackie Winsor, who went on to become lifelong innovators. Camaraderie was important among the Douglass art students, and many continue to be instructors within a close circle of associates from their college years. Even before the inception of the women’s art movement of the 1970s, these women students were encouraged to pursue professional careers, and to remain independent in their approach to making art. The message of the New Art was to relate one’s art production to life itself and to personal experiences. From these directions emerged a “proto-feminist” art of great originality identified with women’s issues. The legacy of these artists can be found in radical changes in art instruction since the 1950s, the promotion of non-hierarchical approaches to media, and acceptance of conceptual art as a viable art form.

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"The World needs Chad Prather more than ever. He's a throwback to a saner and more fun-loving America. His rants are OUR rants." — Charlie KirkChad Prather — “a modern-day Will Rogers” — is just your friendly neighborhood cowboy philosopher, gazing into the sweet tea leaves at the bottom of his cowboy hat, pondering a most fundamental question: “Am I crazy? Or is the world crazy…?” Chad finds life amusing, baffling, sometimes heartwarming, and downright interesting, and wants to share personal stories and witty observations on the hasty growth of insanity within the folds of society, and inspire critical thinking about the state of our modern culture.In this series of humorous essays — reminiscent of the rants he is famous for doing from his truck in Texas — Chad takes on all the problems he has with the modern age, and also talks about some of the problems that we have with each other. Problems with kids, problems with spouses, problems with our bosses at work, and of course problems with all those other jackwagons we work with. What are some of the basic things you need to know if you’re going to survive marriage and parenthood? Whatever happened to decency, hard work, and a sharing of the basic values that made us great in the first place? When did it become unfashionable to believe in God, to go to church on Sunday, or to send our “thoughts and prayers” toward those having a difficult time? When did it become child abuse to spank your kids, instead of child abuse to avoid it? Why do we have such visceral reactions to politics when — by and large — we know so little about how it actually works? When is social media going to finally stop messing around and just bring the full-on possession? And why is it that, as we march further and further along the road of progress — growing our collective knowledge and technological means of dealing with life along the way — we seem to be regressing socially at an equally break-neck pace? AM I CRAZY?: An Unapologetic Patriot Takes on the Insanity of Today’s Woke World explores human misbehavior and stupidity in all its naked splendor with laugh-out-loud humor.JOIN THE CHAD PRATHER POSSE!

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When Harry Truman was rescued from political obscurity to become Franklin Roosevelt’s running mate, black Americans were deeply troubled. Many believed that Truman, born and raised in former slave-holding Missouri, was a step back on civil rights from Henry Wallace, the liberal incumbent vice president. But by the end of his own presidency, black newspaper publishers cited Truman for having “awakened the conscience of America and given new strength to our democracy by his courageous efforts on behalf of freedom and equality.”In this first full-scale account of Truman’s evolving views on civil rights, Robert Shogan recounts how Truman outgrew the bigotry of his Jackson County upbringing to become the first president since Lincoln to attempt to redress the nation’s long history of injustice toward its black citizens—and in the process transformed the course of race relations in America. Shogan vividly demonstrates the full significance of the 33rd president’s contributions to that transformation. He ordered the integration of the armed forces and threw the weight of the Justice Department behind the long struggle against segregation in housing and education. And he used the platform of his presidency to relentlessly trumpet the cause of equal rights for those least favoured Americans, even making an unprecedented address to the NAACP. Going beyond other accounts of Truman, Shogan points out the political and personal factors that motivated the president and weighs the potential political costs and benefits of his civil rights actions. Shogan also explains Truman’s shift away from his formative racial prejudices by shedding light on the forces that shaped his character and leadership qualities. These included his political tutelage under “Boss Tom” Pendergast, which taught him the value of black voters, and the influence of populism, which fostered his support for underdogs such as black Americans. Illuminating how Truman became the first president to make racial injustice a political priority—and the first to denounce segregation as well as discrimination—Shogan’s book opens a new and provocative window on the struggle for civil rights in America.

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Bar Yarns and Manic Depressive Mix Tapes distills thirty delirious, jam-packed years of some of the best music writing ever to come out of the Twin Cities. As a writer and musician, the ever-curious Jim Walsh has lived a life immersed in music, and it all makes its way into his columns and feature articles, interviews and reviews, including personal essays on life, love, music, family, death, and, yes, the manic-depressive highs and lows that come with being an obsessive music lover and listener. From Minneapolis’s own Prince to such far-flung acts as David Bowie, the Waterboys, Lucinda Williams, Parliament-Funkadelic, L7, the Rolling Stones, the Ramones, U2, Hank Williams, Britney Spears, Elvis Presley and Nirvana, Walsh’s work treats us to a chorus of the voices and sounds that have made the music scene over the past three decades. The big names are here, from Rosanne Cash to Bruce Springsteen to Bob Marley and Jackson Browne, but so are those a little shy of superstardom, like the Tin Star Sisters and Uncle Tupelo, Son Volt, the Gear Daddies, Semisonic, and The Belfast Cowboys. The book is also a tour (de force) of the Twin Cities' most celebrated music venues past and present, from the Prom Ballroom to Paisley Park to Duffy's. When Walsh isn't celebrating the sheer magic of live music or dreaming to tunes blasting from the car console, he might be surveying the scene with the Hamm's Bear at Grumpy's or the Double Deuce or singing the last night at the Uptown Bar blues. Whether he's dishing dirt with Yoko Ono or digging the Replacements' roots, giving an old rocker a spin or offering a mic to the latest upstart, Jim Walsh reminds us that in the land of a thousand lakes there are a thousand dances, and the music never dies.Capturing the pure notes and character of the sound of the Twin Cities and beyond, with a keen eye for trends and the telling detail, his book truly is a mix tape of thirty years of unforgettable music.

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If you love Helen Hoang, Abby Jimenez and Talia Hibbert, you'll LOVE Farrah Rochon!One of Cosmopolitan's '12 Books You'll Be Desperate to Read This Summer' and one of Oprah Magazine's Best Romances of 2020!'A prime example of how complex and insightful romances can be' Jasmine Guillory'Relatable and real... I smiled the whole time I was reading' Andie J. Christopher'The free-spirited, tell-it-like-it-is page-turner you've been looking for!' Kwana JacksonWhat happens when three women discover, thanks to the live tweeting of a disastrous date, that they've all been duped by the same man? They become friends of course!Three friends. One pact. And a temptation to break the rules... Samiah Brooks never thought she would be 'that' girl. But a live tweet of a horrific date reveals the painful truth: she's been catfished by her three-timing jerk of a boyfriend. Suddenly Samiah - along with the two other 'girlfriends', London and Taylor - have gone viral. Now the three new besties are making a six-month pact: no men, no dating, just time to focus on themselves. This means Samiah can finally focus on her exciting career in app development - so having the deliciously sexy and distracting Daniel Collins walk into her office definitely isn't part of her plan... But is Daniel really boyfriend material - or is he simply too good to be true?'A multilayered story about friendship, love, and following your dreams - all of it told with heart and emotion' Nalini Singh'Funny, fresh, sexy, and heartfelt. This is my new favorite romance series' Suzanne Brockmann'A smart, funny digital-age romance about real women living in the real world. Couldn't put it down!' Abby Jimenez'A masterpiece of modern-day Jane Austen with effortless, razor-sharp social commentary, romance, and humor. Farrah Rochon is one of the absolute best romance writers today. Period' Kristan Higgins'Swoon-worthy romance, the power of true friendship, and a grand gesture that makes your heart sigh with pure satisfaction. Absolutely a must-read summer romance!' Priscilla Oliveras'Rochon is a romance master who adeptly writes interesting and dynamic characters... A richly layered conflict adds depth and complexity to this charming workplace romance' Kirkus

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On Sunday 10 June 2018, tens of thousands of women wearing scarves of green, white and violet took to the streets in Belfast, Cardiff, Edinburgh and London as part of PROCESSIONS, a mass artwork to mark 100 years since the first women were allowed to vote in the UK. Produced by arts charity Artichoke and commissioned by 14-18 NOW, the UK's arts programme for the First World War centenary, PROCESSIONS was a moment for celebration and reflection on what it means to be a woman today. In the months leading up to 10 June, 100 artists were commissioned to work with arts and community organisations across the country to make banners: original artworks inspired by the banners made by the suffragists and suffragettes who had campaigned for votes for women a century before. These twenty-first-century banners were powerful statements made in text and textile, referencing the earlier struggles for equality and reflecting the modern-day concerns of women and those identifying as women. Women Making History is the first opportunity to see each of these banners up close in all their glorious detail and to observe a historic moment, when a mass artwork made by women in all their diversity transformed the central streets of our four capital cities. With contributions from Dame Helen Pankhurst, June Sarpong and Saoirse Monica Jackson, and many other collaborators, artists and participants from across the country, this fully illustrated book shows how art can both make and bring history alive.

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This title presents the story of the pioneering troops, in their own words. With an executive order from President Franklin Roosevelt in 1941, the United States Marine Corps - the last all-white branch of the U.S. military - was forced to begin recruiting and enlisting African Americans. The first black recruits received basic training at the segregated Camp Montford Point, adjacent to Camp Lejeune, near Jacksonville, North Carolina. This book, in conjunction with the documentary film of the same name, tells the story of these pioneering African American Marines. Drawing from interviews with 60 veterans, Melton McLaurin relates in the Marines' own words their reasons for enlisting; their arrival at Montford Point and the training they received there; their lives in a segregated military and in the Jim Crow South; their experiences of combat and service in World War II, Korea, and Vietnam; and, their legacy. This book serves to recognize and to honor the men who desegregated the Marine Corps and loyally served their country in three major wars.

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In this poignant new poetry collection, one of New Zealand’s most significant voices reflects on home, on away, and on friends living and dead. ‘I lead a life of quiet medication’, the poet claims, ‘longing for foreign shores, adventure and death.’ But whether swimming to the yellow buoy or remembering an encounter in Belsize Park, in the thick of it or asking, ‘what next?’, Stead’s voice is intimate, amusing and always compelling. "This Side of Silence resounds with intimations of mortality, compounded with reactions to a contemporary world of pandemic, climate change and war, but this collection is not in the least morose. Rather, the poetry is enlivening – concrete, particular, detailed and often playful. There is a wealth of sensory content, and each poem has its own satisfying shape, with easy idiomatic speech forming its special kind of rhythm. In this book a major modern poet continues to “live and sing”." - MacDonald P. Jackson "Stead has his usual quick wit and steely eye for his world and, at 90, has the linguistic dexterity that many thousands of aspiring writers can only dream about." - Chris Reed, NZ Booklovers

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‘Retire’ means to ‘withdraw’, to ‘retreat’, to ‘give ground’, to ‘cease to compete’. In one sense that is true: retirement does involve a leaving of office or employment. Yet retirement is also about new beginnings and new opportunities. In this helpful book, grounded both in personal experience and in extensive research among retired ministers, and rich in quotations from an eclectic range of writers, Paul Beasley-Murray explores how retirement is part of God’s rhythm for our lives and provides encouragement and insights for this next stage of the journey. A must-read for lay and ordained Christians alike. 'Like all the writings of Paul Beasley-Murray, this refreshing book is thoroughly researched and generously illustrated from personal experience, and never shrinks from reflecting on the shadow side of this period of life.' David Coffey OBE, Global Ambassador for BMS World Mission and past President of the Baptist World Alliance 'An invaluable aid for ministers of religion, in particular, and other people, generally, as they prepare for retirement.' Revd Dr Richard Jackson, Methodist minister and pioneer (in retirement) of the Cliff College International Training Centre

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Sought-after, sophisticated and versatile, the Hermès carré is wearable art that never goes out of fashion. Unveiling the history and artistry of the brand's silk accessory from the first designs in the early twentieth century to today, this fashion story includes a detailed behind-the-scenes look at the artisanship involved at the company's ateliers in France, as well as reviews on different scarf designs, colour palettes, dates of issue and rarity (the 'Grail' scarves).The book includes the collaborators who have helped in the creation of over 2,000 designs, including limited editions, anniversary and tribute scarves, with highlights from renown artists and illustrators such as Hugo Grygkar, Philippe Ledoux, Kermit Oliver and Annie Faivre (who hides a monkey in her designs). Here you will discover the fashion of scarf styles throughout the decades, how to wear and tie a scarf, and the scarf in film and popular culture, along with those who made the Hermès carré a hallmark of their own – such as Queen Elizabeth II, Grace Kelly and Jackie Kennedy Onassis.

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IPPY 2012 Gold Award in the Fine Arts category (Independent Publisher Book Awards)ForeWord Reviews 2012 Book of the Year Award FinalistFor centuries, great artists have been drawn together in friendship and in love. In Artists in Love, curator and writer Veronica Kavass delves into the passionate and creative underpinnings of the art world's most provocative romances. From Picasso and Francoise Gilot to Lee Miler and Man Ray to Saul Steinberg and Hedda Sterne, Kavass' graceful and daring text provides a generous glimpse into the inspiring and sometimes tempestuous relationships between celebrated artists throughout the 20th and 21st centuries. From poetic beginnings to shocking endings (and vice-versa), the various dimensions of the artist couple archetypes are ceaselessly explored. Some are enduring and collaborative, yielding astonishing parallel bodies of work, as with Robert and Sonia Delaunay and Christo and Jeanne-Claude. Others are adoring and explosive, such as Frida Kahlo and Diego Rivera and Robert Rauschenberg and Jasper Johns. Essays revealing what compelled these dynamic artists to partner, how their pairing influenced their work, and why their love may have faltered, are accompanied by lush illustrations of their art and documentary photographs of the couple. The first visual book to explore this subject in such epic scope, Artists in Love is a revelatory and riveting journey into the hearts and minds of artists in love. Artists featured include:Wassily Kandinsky & Gabriele MünterRobert & Sonia DelaunayAlfred Stieglitz & Georgia O’KeeffeJean Arp & Sophie Taeuber-ArpAnni & Josef AlbersFrida Kahlo & Diego RiveraLee Miller & Man RayJacob Lawrence and Gwendolyn KnightBarbara Hepworth & Ben NicholsonElaine & Willem de KooningPablo Picasso & Françoise GilotJackson Pollock & Lee KrasnerDorothea Tanning & Max ErnstNancy Spero & Leon GolubJasper Johns & Robert RauschenbergRobert Motherwell & Helen FrankenthalerChristo & Jeanne-ClaudeBernd & Hilla BecherEva Hesse & Tom DoyleCharles and Ray Eames Kay Sage and Yves TanguySaul Steinberg and Hedda SterneRobert Smithson & Nancy HoltNiki de Saint Phalle & Jean TinguelyMarina Abramović & UlayClaes Oldenburg & Coosje van BruggenBruce Nauman & Susan RothenbergDavid McDermott and Peter McGough

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Hailed by some as the Eighth Wonder of the World when it opened in 1883, the Brooklyn Bridge is one of the world’s most recognizable and beloved icons. For over one hundred years it has excited and fascinated with stories of ingenuity and heroism, and it has been endorsed as a flawless symbol of municipal improvement and a prime emblem of American technological progress. Despite its impressive physical presence, however, Brooklyn’s grand old bridge is much more than a testament of engineering and architectural achievement. As Richard Haw shows in this first of its kind cultural history, the Brooklyn Bridge owes as much to the imagination of the public as it does to the historical events and technical prowess that were integral to its construction. Bringing together more than sixty images of the bridge that, over the years, have graced postcards, magazine covers, and book jackets and appeared in advertisements, cartoons, films, and photographs, Haw traces the diverse and sometimes jarring ways in which this majestic structure has been received, adopted, and interpreted as an American idea. Haw’s account is not a history of how the bridge was made, but rather of what people have made of the Brooklyn Bridge—in film, music, literature, art, and politics—from its opening ceremonies to the blackout of 2003. Classic accounts from such writers and artists as H. G. Wells, Charles Reznikoff, Hart Crane, Lewis Mumford, Joseph Pennell, Walker Evans, and Georgia O’Keeffe, among many others, present the bridge as a deserted, purely aestheticized romantic ideal, while others, including Henry James, Joseph Stella, Yun Gee, Ernest Poole, Alfred Kazin, Paul Auster, and Don DeLillo, offer a counter-narrative as they question not only the role of the bridge in American society, but its function as a profoundly public, communal place. Also included are never-before-published photographs by William Gedney and a discussion of Alexis Rockman’s provocative new mural Manifest Destiny. Drawing on hundreds of cultural artifacts, from the poignant, to the intellectual, to the downright quirky, The Brooklyn Bridge sheds new light on topics such as ethnic and foreign responses to America, nationalism, memory, parade culture, commemoration, popular culture, and post-9/11 America icons. In the end, we realize that this impressive span is as culturally remarkable today as it was technologically and physically astounding in the nineteenth century.

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Lavishly illustrated with over 80 full-color images, this book includes original art and artifacts from the distant past as well as modern work by Native American artists from a vast array of tribes — including Cherokee, Delaware, Iroquois, Mohawk, Cheyenne, Lakota, Zuni, Pueblo, Yup’ik, Huron, Ojibwa, Arapaho, and Nez Perce. Works included are clothing (such as robes, shoes, and hats), everyday items (such as blankets, pots, jugs, and baskets) and artwork (such as paintings on animal hide and colorful figurines). This publication, the first ever to document the Newark Museum’s important Native American holdings in a significant way, is the result of more than one hundred years of collecting and an ambitious amount of new research and interpretation. John Cotton Dana, the museum’s founding director, refused established museum hierarchies of art, believing that such stratification was used to privilege painting and sculpture over other media and to marginalize artistic traditions that were not necessarily old or European. Dana’s drive to collect art globally and across media, underscoring the role art plays in the daily lives of real people, was all part of the same refrain: art is everything; art is everywhere; art is for everyone. The works here highlight the vitality and persistence of Indigenous people over time and across experiences, and the tenacity with which cultural knowledge and the mastery of skill are passed on from one generation to the next. They also reflect how Native American artists and communities have been and continue to be engaged in broader historical, artistic, and economic exchanges with outsiders. They demonstrate the originality, vision, and care with which artists from different tribal nations across the continent, each with their own history and artistic traditions, express both individual ideas and shared cultural principles.Native Artists of North America draws on the expertise of an outstanding group of internationally recognized scholars and artists. Expert commentary from Ulysses Grant Dietz, Adriana Greci Green, Tricia Laughlin Bloom, Adriana Greci Green, Susan Sekaquaptewa, Emil Her Many Horses, Wendy Red Star, Nadia Jackinsky-Sethi, D. Y. Begay, Mique’l Dangeli, and Sherrie Smith-Ferri provides important insights to help readers understand the nature and significance of the objects and artwork.Published by Newark Museum. Distributed worldwide by Rutgers University Press.

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Music is the great equalizer around the world. No matter where it originates or what form it takes, it has had a profound role in shaping the human experience and preserving the history of that experience for centuries. African American music originated out of a heritage shaped by the Transatlantic Slave Trade and forced enslavement. The music born out of this shared identity was a means of survival, a treatise on the struggle for freedom, and an agent of social change, and generated a vast array of musical styles and performance traditions that have defined American music. Musical Crossroads explores how objects can expand our understanding of the ways African American music-making continues to shape and influence society. Five thematic chapters are introduced with an essay by Dwandalyn R. Reece, and accompanied by shorter features written by museum staff. Striking images include Johnny Mathis on stage; Bo Diddley’s Gretsch Guitar; Nina Simone recording "Don't Let Me Be Misunderstood" to name just a few. Featured objects include Radio Raheem’s original boombox used in Spike Lee’s 1989 film, Do the Right Thing; the original Public Enemy logo necklace alongside a story from rapper Chuck D about where the group’s name comes from; and photos of Queen Latifah taken by Hip-hop photographer Al Pereira while she was filming the music video for “Fly Girl”. Numerous illustrated profiles and stories relating to a host of DJs, producers, Black-owned record labels, Black music press, and artists, include magazines like Defender, Blacks Stars, and Vibe; record labels like Vee-Jay, Stax, Motown and Sussex Records; promoters and producers including Berry Gordy Jr, Isaac Hayes, and Ernie Freeman; as well as artists Otis Redding, Nina Simone, Luther Vandross, Little Richard, Bill Withers, Billie Holiday, Whitney Houston, and Janet Jackson, to name a few – they’re all here.

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The first patient-to-patient guide for people living with Long COVID - with expert advice and an afterword by the leading research scientist. For people living with Long COVID, navigating the uncharted territory of this new chronic illness can be challenging. With over two hundred unique symptoms, and with doctors continuing to work toward a cure, people experiencing Long COVID are often left with more questions than answers. A support group in book form, The Long COVID Survival Guide is here to help. Twenty contributors - from award-winning journalists, neuroscientists, and patient-researchers to corporate strategists, activists, and artists - share their stories and insight on topics including: getting diagnosed, finding a caregiver, confronting medical racism and gaslighting, navigating employment issues, dealing with fatigue and brain fog, caring for your mental health, and more. This vital resource provides the answers and reassurance you need, to live with and heal from Long COVID. Contributors: Karyn Bishof, JD Davids, Pato Hebert, Heather Hogan, Monique Jackson, Naina Khanna, Lisa McCorkell, Karla Monterroso, Dona Kim Murphey, Padma Priya, David Putrino, Yochai Re’em, Rachel Robles, Alison Sbrana, Chimére L. Smith, Letícia Soares, Morgan Stephens, and Terri L. Wilder

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The instant New York Times bestseller'An unbelievable debut' New York TimesRacism, but "managed" through virtual reality Black Friday, except you die in a bargain-crazed throng Happiness, but pharmacological Love, despite everythingA Publisher's Weekly Most Anticipated Book for Fall 2018 Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of racism as sport. And Friday Black and How to Sell a Jacket as Told by Ice King show the horrors of consumerism and the toll it takes on us all.Fresh, exciting, vital and contemporary, Friday Black will appeal to people who love Colson Whitehead's Underground Railroad, the TV show Black Mirror, the work of Kurt Vonnegut and George Saunders, and anyone looking for stories that speak to the world we live in now.'An excitement and a wonder' George Saunders'The writing in this outstanding collection will make you hurt and demand your hope' Roxane Gay'The fiction debut of the year. Bravo young man. We await your encore' Mary Karr

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Politics. It’s a word that carries a great deal of weight, and there have been many words spoken about it ever since human beings decided it might be a good idea to come down from the trees and form some kind of government. The Little Black Book of Political Wisdom is an engaging collection of the wisest, funniest, and most insightful words ever said about the world of politics. Gathered here are hundreds of quotations from statesmen and stateswomen, philosophers, foreign leaders, journalists, and other politically astute observers from ancient times to present day.Here are some examples:“Politics, as a practice, whatever its professions, has always been the systematic organization of hatreds.” —Henry Adams“I have learned that one of the most important rules of politics is poise—which means looking like an owl after behaving like a jackass.” —Ronald Reagan“Politics are almost as exciting as war, and quite as dangerous. In war you can be killed once, but in politics many times.” —Sir Winston Churchill“We hang the petty thieves and appoint the great ones to public office.” —Aesop“Giving money and power to government is like giving whiskey and car keys to teenage boys.” —P. J. O’Rourke

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The story of Jackie Robinson valiantly breaking baseball’s color barrier in 1947 is one most Americans know. But less recognized is the fact that some seventy years earlier, following the Civil War, baseball was tenuously biracial and had the potential for a truly open game. How, then, did the game become so firmly segregated that it required a trailblazer like Robinson? The answer, Ryan A. Swanson suggests, has everything to do with the politics of “reconciliation” and a wish to avoid the issues of race that an integrated game necessarily raised. The history of baseball during Reconstruction, as Swanson tells it, is a story of lost opportunities. Thomas Fitzgerald and Octavius Catto (a Philadelphia baseball tandem), for example, were poised to emerge as pioneers of integration in the 1860s. Instead, the desire to create a “national game”—professional and appealing to white northerners and southerners alike—trumped any movement toward civil rights. Focusing on Philadelphia, Washington DC, and Richmond—three cities with large Black populations and thriving baseball clubs—Swanson uncovers the origins of baseball’s segregation and the mechanics of its implementation. An important piece of sports history, his work also offers a better understanding of Reconstruction, race, and segregation in America.

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*As seen on The Long Shadow (ITV) The Ripper (Netflix) and Surviving a Serial Killer (More4)*Criminologist Jane Carter Woodrow has spent many years working with both offenders and victims of violent crime, but it wasn't until she met Neil, whose mother was one of the Yorkshire Ripper's first victims, that she realised quite how devastating the aftermath of a murder can be. Everything seemed perfect in Neil Jackson's childhood until one day, on a cold January morning in 1976. He was awoken by the police knocking on the door to break the shocking news that his mother had become the second victim of a serial killer - soon to become known as the 'Yorkshire Ripper'. This evil act exposed a web of secrets and lies that was to devastate Neil and change his life forever. In After Evil, criminologist Jane Carter Woodrow reveals what happens when the camera and the lurid headlines fade away. Neil's riveting story captures the real nature of the tragedy that murder can visit on a family and shows how incredibly he pieced his life back together after becoming one of the forgotten victims of Britain's most notorious serial killer.

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A driving ambition linked Oakland and Kansas City in the 1960s. Each city sought the national attention and civic glory that came with being home to professional sports teams. Their successful campaigns to lure pro franchises ignited mutual rivalries in football and baseball that thrilled hometown fans. But even Super Bowl victories and World Series triumphs proved to be no defense against urban problems in the tumultuous 1960s and 1970s. Matthew C. Ehrlich tells the fascinating history of these iconic sports towns. From early American Football League battles to Oakland's deft poaching of baseball's Kansas City Athletics, the cities emerged as fierce opponents from Day One. Ehrlich weaves a saga of athletic stars and folk heroes like Len Dawson, Al Davis, George Brett, and Reggie Jackson with a chronicle of two cities forced to confront the wrenching racial turmoil, labor conflict, and economic crises that arise when soaring aspirations collide with harsh realities.Colorful and thought-provoking, Kansas City vs. Oakland breaks down who won and who lost when big-time sports came to town.

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To celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium, from America’s most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.

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Sex and Privacy in American Law presents empirical analyses of civil and criminal state court decisions applying the U.S. Supreme Court's landmark decision in Lawrence v. Texas. After tracing key historical and legal developments leading up to the Lawrence decision's decriminalization of sodomy on substantive due process grounds in 2003, the study employs both quantitative and qualitative content analyses of 307 cases citing Lawrence over the two decades since it was decided. Results indicate that judicial decisions rarely embraced broad readings of Lawrence in criminal cases. In fact, Lawrence's long-term impact on criminal law has largely remained as limited as some commentators predicted shortly after the case was decided. In civil cases, courts tended not to rely on Lawrence significantly in most business and employment law cases. Courts that applied Lawrence in family law disputes – especially those involving same-sex couples – often construed the case narrowly at first, but broadened their interpretations after Obergefell v. Hodges brought marriage equality to the United States. Lawrence also impacted LGBTQ+ civil rights claims. Statistically significant geographic differences were found relating to how courts used Lawrence in those cases, with judges in Northeastern and Pacific coastal states having applied the precedent broadly, while judges in Southern and Midwestern states tending to have applied the case more narrowly. The implications are explored generally and within the specific context of the constriction of substantive due process rights in the wake Dobbs v. Jackson Women's Health Organization.

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The dramatic story of the United States’ destruction of a free and independent community of fugitive slaves in Spanish Florida In the aftermath of the War of 1812, Major General Andrew Jackson ordered a joint United States army-navy expedition into Spanish Florida to destroy a free and independent community of fugitive slaves. The result was the Battle of Negro Fort, a brutal conflict among hundreds of American troops, Indian warriors, and black rebels that culminated in the death or re-enslavement of nearly all of the fort’s inhabitants. By eliminating this refuge for fugitive slaves, the United States government closed an escape valve that African Americans had utilized for generations. At the same time, it intensified the subjugation of southern Native Americans, including the Creeks, Choctaws, and Seminoles. Still, the battle was significant for another reason as well. During its existence, Negro Fort was a powerful symbol of black freedom that subverted the racist foundations of an expanding American slave society. Its destruction reinforced the nation’s growing commitment to slavery, while illuminating the extent to which ambivalence over the institution had disappeared since the nation’s founding. Indeed, four decades after declaring that all men were created equal, the United States destroyed a fugitive slave community in a foreign territory for the first and only time in its history, which accelerated America’s transformation into a white republic. The Battle of Negro Fort places the violent expansion of slavery where it belongs, at the center of the history of the early American republic.

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Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer’s monumental stitched paintings to Twomey’s large, ceramics-based installations. Despite the amount of attention that curators and gallery owners have paid to these and many other conceptual artists who incorporate craft into their work, few art critics or scholars have explored the historical or conceptual significance of craft in contemporary art. Extra/Ordinary takes up that task. Reflecting on what craft has come to mean in recent decades, artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine-art institutions understand and exhibit craft media, and offer accounts of activist crafting, or craftivism. Some contributors describe generational and institutional changes under way, while others signal new directions for scholarship, considering craft in relation to queer theory, masculinity, and science. Encompassing quilts, ceramics, letterpress books, wallpaper, and textiles, and moving from well-known museums to home workshops and political protests, Extra/Ordinary is an eclectic introduction to the “craft culture” referenced and celebrated by artists promoting new ways of thinking about the role of craft in contemporary art. Contributors. Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, Margaret Wertheim

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The Tales of Beedle the Bard has been favourite bedtime reading in wizarding households for centuries. Full of magic and trickery, these classic tales both entertain and instruct, and remain as captivating to young wizards today as they were when Beedle first put quill to parchment in the 15th century. There are five tales in all: ‘The Tale of the Three Brothers’ Harry Potter fans will know from Harry Potter and the Deathly Hallows; ‘The Fountain of Fair Fortune’, ‘The Warlock's Hairy Heart’, ‘The Wizard and the Hopping Pot’ and ‘Babbitty Rabbitty and her Cackling Stump’ complete the collection. These narrative gems are accompanied by explanatory notes by Professor Albus Dumbledore (included by kind permission of the Hogwarts Headmaster’s archive). His illuminating thoughts reveal the stories to be much more than just simple moral tales, and are sure to make Babbitty Rabbitty and the slug-belching Hopping Pot as familiar to Muggles as Snow White and Cinderella. This large print, dyslexia-friendly edition of these much loved fairytales pairs J.K. Rowling’s original text with gorgeous jacket art by Jonny Duddle and line illustrations throughout by Tomislav Tomic. Features to aid accessibility include RNIB-approved and dyslexia-friendly fonts and font sizes, tinted paper for glare reduction and maximum contrast, captions and detailed descriptions to accompany each illustration and themed navigational aids to assist the reader. A contribution from the sale of each book will go to Lumos.

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Journalism in the South is journalism of the possible. An independent newspaper in the South must balance its investigative reporting and thought-provoking commentary with advertising revenue, the paper’s sole income source. For the past decade, Walker Holmes has published the Pensacola Insider, a free alt-weekly that struggles to stay solvent while reporting on corruption, racism, poverty and injustice in a Florida Gulf Coast town that is probably too small to support more than one voice. Situated on the Florida Panhandle on the Florida-Alabama border, Pensacola was Spain’s first attempt to settle land that would pass through the hands of the Spanish, French, and British before it became a U.S. territory under General Andrew Jackson. For over 450 years, the coastal town has struggled to reach its potential, but progress has always been held back by grudges, many of which have spanned generations. Holmes is the paper. As publisher, he is the one that holds it all together. But when he publishes an article revealing that Bo Hines, his friend and one of Pensacola’s most beloved leaders, has stolen funds from an arts council he might have gone too far. When the police arrest Hines, the town attacks the publisher for “falsely” accusing Hines, costing the newspaper ad sales and possibly his control of the Insider. The trial is Holmes’ only chance at redemption, and that is a month away. It doesn’t help when Hines’ wife is found dead, and the corrupt sheriff, daily newspaper, and a wealth of enemies blame Holmes. With his young staff, a few loyal friends, and his chocolate lab-mix, Big Boy, Holmes fights back, uncovering secrets and grudges that may cost him much more than his reputation.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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The Seneca Falls Convention is typically seen as the beginning of the first women's rights movement in the United States. Revolutionary Backlash argues otherwise. According to Rosemarie Zagarri, the debate over women's rights began not in the decades prior to 1848 but during the American Revolution itself. Integrating the approaches of women's historians and political historians, this book explores changes in women's status that occurred from the time of the American Revolution until the election of Andrew Jackson. Although the period after the Revolution produced no collective movement for women's rights, women built on precedents established during the Revolution and gained an informal foothold in party politics and male electoral activities. Federalists and Jeffersonians vied for women's allegiance and sought their support in times of national crisis. Women, in turn, attended rallies, organized political activities, and voiced their opinions on the issues of the day. After the publication of Mary Wollstonecraft's A Vindication of the Rights of Woman, a widespread debate about the nature of women's rights ensued. The state of New Jersey attempted a bold experiment: for a brief time, women there voted on the same terms as men. Yet as Rosemarie Zagarri argues in Revolutionary Backlash, this opening for women soon closed. By 1828, women's politicization was seen more as a liability than as a strength, contributing to a divisive political climate that repeatedly brought the country to the brink of civil war. The increasing sophistication of party organizations and triumph of universal suffrage for white males marginalized those who could not vote, especially women. Yet all was not lost. Women had already begun to participate in charitable movements, benevolent societies, and social reform organizations. Through these organizations, women found another way to practice politics.

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A few generations ago, college students showed their romantic commitments by exchanging special objects: rings, pins, varsity letter jackets. Pins and rings were handy, telling everyone in local communities that you were spoken for, and when you broke up, the absence of a ring let everyone know you were available again. Is being Facebook official really more complicated, or are status updates just a new version of these old tokens? Many people are now fascinated by how new media has affected the intricacies of relationships and their dissolution. People often talk about Facebook and Twitter as platforms that have led to a seismic shift in transparency and (over)sharing. What are the new rules for breaking up? These rules are argued over and mocked in venues from the New York Times to lamebook.com, but well-thought-out and informed considerations of the topic are rare. Ilana Gershon was intrigued by the degree to which her students used new media to communicate important romantic information—such as "it's over." She decided to get to the bottom of the matter by interviewing seventy-two people about how they use Skype, texting, voice mail, instant messaging, Facebook, and cream stationery to end relationships. She opens up the world of romance as it is conducted in a digital milieu, offering insights into the ways in which different media influence behavior, beliefs, and social mores. Above all, this full-fledged ethnography of Facebook and other new tools is about technology and communication, but it also tells the reader a great deal about what college students expect from each other when breaking up—and from their friends who are the spectators or witnesses to the ebb and flow of their relationships. The Breakup 2.0 is accessible and riveting.

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Over six thousand players have proudly worn the colours of Coventry City since the club was first formed as Singers FC back in 1883. Many have made only fleeting contributions, whilst others have become City heroes and carved their names forever in the annals of Coventry's footballing history. This volume offers a retrospectvice look at 100 of the finest players to have represented the club, with a detailed examination of their time at Coventry and their careers in football. From early heroes of the Victorian era, such as Frank Mobley and Nat Robinson, the book follows the club through its days in the Birmingham and Southern Leagues, introducing players such as the club's first-ever international Bob Evans, and the prolific striker Harry Buckle. The period between admission to the Football League in 1919 and the Second World War is represented by the likes of Frank Herbert and Jackie Randle, along with greats of the 'Old Five' era including record goalscorer Clarrie Bourton and City stalwart George Mason. The post war years of the late 1940s adn 1950s bring George Lowrie, Reg Matthews adn their compatriots of the 1960s, during which numerous City greats came to prominence under 1960s, during which numerous City greats came to prominence under the leadership of the 'Ironman', George Curtis. highlighted players from the latter decades of the twentieth century include Ian Wallace, Dennis Mortimer, Danny Thomas, Dion Dublin and of course heroes of the cup-wining side of 1987, including Regis, Bennett, Peake and Kilcline. As a biographical and statistical reference guide to Coventry's greatest players, this volume it second to none. As an enjoyable wander down memory lane, it is a must for all followers of the Sky Blues.

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For decades the high walls of Manchester's Strangeways Prison have contained some of England's most infamous criminals. Until hanging was abolished in the 1960s it was also the main centre of execution for convicted murderers from all parts of the north west. The history of execution at Manchester began with the hanging of a young Salford man, convicted of murdering a barman on Boxing Day 1868: he was the first of 100 murderers to pay the ultimate penalty here.Over the next ninety-five years many infamous criminals took the short walk to the gallows. They included Dr Buck Ruxton, who butchered his wife and maid; John Jackson, who escaped from Strangeways after murdering a prison warder; Walter Rowland, hanged for the murder of a prostitute and the only man to occupy the condemned cell at Strangeways twice; Chung Yi Miao, who strangled his wife on their honeymoon; and Oldham teenager Ernie Kelly, whose execution almost caused a riot outside the prison. Also included are the stories behind scores of lesser-known criminals: poisoners, spurned lovers, cut-throat killers, and many more.Steve Fielding has fully researched all these cases, and they are collected together here in one volume for the first time. Infamous executioners also played their part in the gaol's history: Calcraft, Marwood, Binns and Berry all officiated here, as did many local men: Bolton hangman James Billington and his sons, Rochdale barber John Ellis, and Manchester publicans Albert Pierrepoint and Harry Allen. Fully illustrated with rare photographs, documents and news-cuttings, Hanged at Manchester is bound to appeal to anyone interested in the darker side of the north west of England's history.

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Winner of the Frederick Jackson Turner AwardWinner of the John Hope Franklin PrizeWinner of the Avery O. Craven AwardSoul by Soul tells the story of slavery in antebellum America by moving away from the cotton plantations and into the slave market itself, the heart of the domestic slave trade. Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved.Using recently discovered court records, slaveholders’ letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market’s slave coffles and showrooms. Traders packaged their slaves by “feeding them up,” dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage.Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the “peculiar institution” in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.

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Baseball has had its fair share of one-and-out champions, but few clubs have dominated the sport for any great length of time. Given the level of competition and the expansive length of the season, it is a remarkable accomplishment for a team to make multiple World Series appearances in a short timespan. From the Baltimore Orioles of the 1800s who would go to any length to win—including physically accosting opponents—to the 1934 Cardinals known as the “Gashouse Gang” for their rough tactics and determination, and on to George Steinbrenner’s dominant Yankees of the late twentieth century, baseball’s greatest teams somehow found a way to win year after year. Spanning three centuries of the game, Baseball’s Dynasties and the Players Who Built Them examines twenty-two of baseball’s most iconic teams. Each chapter not only chronicles the club’s era of supremacy, but also provides an in-depth look at the players who helped make their teams great. Nearly two hundred player profiles are included, featuring such well-known stars as Joe DiMaggio, Jackie Robinson, Sandy Koufax, and Pete Rose, as well as players who were perhaps overshadowed by their teammates but were nonetheless vital to their team’s reign, such as Pepper Martin, Allie Reynolds, and George Foster. With a concluding chapter that profiles the clubs that were on the cusp of greatness, Baseball’s Dynasties and the Players Who Built Them is a fascinating survey of what makes some teams dominate year after year while others get only a small taste of glory before falling to the wayside. Written in a lively style with amusing anecdotes and colorful quotes, this comprehensive book will be of interest to all fans and historians of baseball.

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Sunday Times Art Book of the Year 2018'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.

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Critical Heuristics of Social Planning has been recognised as the seminal work on critical systems thinking. Ulrich offers a new approach both to practical philosophy (which has until now remained rather unpractical) and to systems thinking (which has reduced the systems idea to a tool of merely instrumental, rather than practical, reason). Critical systems heuristics (CSH), as the approach is now generally called, provides planners, practitioners and policy makers with a conceptual tool for practising practical reason. It will enable them to identify and discuss systematically the value implications of policies, plans, problem definitions, or program evaluations. In addition, the book offers the most thorough-going introduction available today to the espistemological foundations of critical systems thinking, including a practicable model of cogent argumentation on disputed value implications of designs. A must for practitioners and scholars who are interested in a self-critical and practicable understanding of the widespread call for holistic or systems thinking! "Critical Heuristics will be recognised as a very important book in the emerging systems discipline and will hold a significant position for many years to come". Peter B. Checkland, University of Lancaster, England. "An outstanding contribution to an adequate philosophical and heuristic framework for critical social inquiry and design". C. West Churchman, University of California, Berkeley, USA. "The book fills a major gap in the literature on the systems tradition". Michael C. Jackson, University of Hull, England. "Drawing on a profound knowledge of both Anglo?American systems theory and German practical philosophy, this book belongs to the best studies I have seen on the normative foundations of planning and systems design." Horst Steinmann, University of Erlangen-Nuremberg, Germany. "Mandatory for libraries in the field of planning". John Friedmann, University of California, Los Angeles, USA.

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The Civil War fascinates Americans like no other war in their history. Many Americans are still fighting some of the war's issues in an Odyssey that stretches back to the first settlement and will persist until the end of time. The war itself was an Iliad of brilliant generals like Grant, Sherman, and Sheridan for the Union, or Lee, Jackson, and Forrest for the Confederacy; epic battles like Gettysburg and Chickamauga; epic sieges like Vicksburg and Petersburg; and epic naval combats such as Monitor versus Merrimack, or Kearsarge versus Alabama. It was America's most horrific war, with more dead than all others combined. Around 625,000 soldiers and 125,000 civilians died from various causes, bringing the total to 750,000 people. Of 31 million Americans, 2.1 million northerners and 880,000 southerners donned uniforms. Why did eleven states eventually ban together to rebel against the United States? President Jefferson Davis began an answer when he said: If the Confederacy falls, there should be written on its tombstone, Died of a Theory.' That theory justified the enslavement of blacks by whites as a natural right and duty of a superior race over an inferior race; a theory, it was believed, that morally and economically elevated both races. Although slavery was the Civil War's core cause, there were related chronic conflicts over the nature of government, citizenship, liberty, property, equality, wealth, race, identity, justice, crime, voting, power, and history - some of which issues have never entirely gone away. America's Unending Civil War is unique among thousands of books on the subject. None before has explored the Civil War's related and enduring conflicts of ideas and principles through four centuries of a nation's history.

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Create a healthy, happy home with 100 design ideas to support your physical and mental well-being.Using the latest evidence and research in well-being and Biophilic Design, learn how to transform every space in your home to create a restorative and nurturing environment. Discover the many benefits of connecting to nature, maximising natural light, improving air quality, and the right way to add colour, texture, and pattern to create spaces that improve relaxation, recuperation, social connections, and sleep.Together with the research team at Oliver Heath Design, including sustainability expert Victoria Jackson, psychologist Eden Goode, and designer Jo Baston, Oliver has devised each solution with easy implementation in mind. Whatever your budget and whether you rent or own your property you can use these stylish fun and affordable ideas to make your home a sanctuary.Inside the pages of this home decor book, you'll discover how to detoxify your home by making small changes. It includes: - 100 tried-and-tested practical solutions for improving your living space - even if you are on a budget or renting!- Stylish, fun and affordable interior design tips based on the latest research in sustainable, biophilic design- Introducing colour, pattern and texture to your home, adapting and creating zones, as well as bringing the outdoors in and maintaining your houseplants- Clear chapters organised by solution including Light, Sleep, Sound, Warmth and Air The ideas and solutions included in this book have been devised with easy implementation in mind. Optimise lighting in your home by using reflective surfaces for a brighter space, follow a ventilation checklist to replenish the air in your home and remove pollutants, or unlock the powers of a tech-free bedroom for a better night's sleep.

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Reveal the stories behind your favourite creatures with this awe-inspiring animal book for curious kids aged 6-8.The animal kingdom is so much bigger than young minds can fathom and there is always more to learn. An Anthology of Intriguing Animals is a stunning animal encyclopedia for young readers to explore, with reference pages packed with fascinating information, little learners will be captivated as they discover the facts, stories and myths behind their favourite animals. Whether it’s where the slow-motion sloth lives, how the plodding pangolin protects itself from predators, or which animal the Ancient Egyptians thought rolled the Sun across the sky, children can learn all sorts of fun animal facts from the storybook descriptions.This beautiful modern bestiary lets you find the animals that interest you and uncover new favourites along the way. From tigers and chameleons to wolves and owls there’s an animal for everyone in this compendium of creatures. Each type of animal is shown both photographically and illustrated, and children will love poring over the detailed close-up images. The engaging storybook-style descriptions and simple text shed a light on the wonders of wildlife and array of animals, perfect for children aged 6-8 to love and explore for hours on end. Celebrate your child’s curiosity as they:- Explore detailed photographs and striking illustrations of animals around the world - Reveal fun facts and myths about a wide range of animals - Uncover more than 100 animals, each with stunning images and captivating information.This animal encyclopedia for children is the perfect blend of storybook style text with out of this world illustrations which makes it a fantastic animal book for children who are obsessed with the animal kingdom. Encourage young readers to go on a journey to explore a world of information, making this the ideal first reference book for kids aged 6-8 to enjoy for hours on end, whether reading with the family or reading alone, this fun fact book also doubles up as the perfect gift for curious kids who love to learn. Explore the diversity of the animal kingdom whilst uncovering: -Stunning Jacket Detail: gold foil, holographic foil & metallic gold edges-Stunning photography & illustrations inside-A beautiful book for the whole family to treasure -A quality gift to be passed down through the generationsMore in the SeriesAn Anthology of Intriguing Animals is part of the beautiful and informative Anthology series. Complete the series and nurture your child's curiosity as they explore the natural world with The Wonders of Nature or let them walk with the dinosaurs who ruled the earth before them in Dinosaurs and other Prehistoric Life.

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#1 Wall Street Journal bestseller!Flight of the Rondone is a true rags to riches tale the New York Times stated is “meant for television.” The protagonist, a high school dropout, is nicknamed in Italian U Carneveil (Walking Circus) for his entertaining and eccentric nature. Patrick Girondi starts his career shining shoes, stealing car parts, and escaping life-threatening situations while outwitting the Chicago police. He claws up to being a famous success story on the Oprah Show. His fortunes quickly change when his eldest son, Santino, is diagnosed with a fatal blood disease. Girondi hunts for a cure in a drama that has boundless implications in the world of gene therapy. As Girondi writes, “I’d been strangled, shot at, skated more than twenty arrests, made it through 3 FBI witch-hunts and went from the docks to trading and big money. I would see my son cured. How hard could it be?” After decades of struggle, he delivered the world’s first commercial batch of vector with the potential to cure Sickle Cell Disease and Thalassemia. But again, the success of the cure—and the fate of his son—is imperiled, in a world of lab jackets, mysterious deaths, and cut-throat Wall Street banksters.This is a story of love, beating the odds, or as Girondi calls it, pure luck. It is a gritty and realistic tale told with little regard for empire or etiquette.

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How is The Colour Code different to other books on colour? Well, the short answer is that it is a whole lot more fun - not least because it is extensively illustrated. We don't just get a story about Mummy Brown (the pigment made from Egyptian mummies), we see a painting created with pigments from the remains of French kings. We are reminded of the blue/gold dress that swept Twitter, view paintings by Mondrian (red ones sell for higher prices) and Van Eyck (he invented an enduring green), and inspect the red soles of Louboutin shoes. We see what lumps of Indian yellow look like, while reading what they are made of (strained cow's urine). We get to see the latest most vibrant pigment - YinMn Blue - and have a real estate agent's tour of Frank Sinatra's ranch (he was obsessed by orange). We see William Morris's arsenic-inflected wallpapers and hear about whether wallpaper killed Napoleon. We encounter the pink pussy hats worn on the Women's March and Elvis's pink jackets from Lansky's in Memphis, take in a history of the black dress from Audrey Hepburn to Princess Diana and a rare black chicken (even its eggs are black) from Indonesia. Featuring a cast of actors, artists, chemists, composers, dentists, dictators, fashion designers, film-makers, gods, musicians, mystics, physicists, poets, quacks, tigers and tycoons, The Colour Code will change the way we all perceive the spectrum - and see the world.

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Rocky Mountain Modern is a collection of the most inspiring modern residences in the Rockies, a region with a surprising but deep history of modernist design. Rocky Mountain Modern presents the most inspiring modern residences set within the stunning landscapes of the Rockies. Perched on cliffsides or nestled into verdant valleys, with expansive picture windows framing breathtaking vistas and natural materials such as wood and stone interpreted in new ways, these striking homes reveal modern living at its best in the mountains. Indeed, modern design has a deep connection to the region: in 1945, Aspen, a former mining town in the Colorado Rockies, became an unlikely bastion of modernism, hosting some of the world’s leading designers, including Herbert Bayer, Eero Saarinen, Buckminster Fuller, and Victor Lundy. Over the ensuing decades, a regional modernism developed that blended the International Style’s clean lines, open volumes, and curtain walls, and Wrightian organicism that incorporated the natural features of the rocky landscape with a vernacular that had adapted to the extreme environmental conditions. Rocky Mountain Modern celebrates this enduring tradition of modernism through the most remarkable residences in the region, designed by such architecture studios as Selldorf Architects, Olson Kundig, and Allied Works in Aspen, Vail, Sundance, Sun Valley, Telluride, Jackson, and other picturesque locales across the Rocky Mountains.

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Originally published in 1968. Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his ability to expose the reader to truth while simultaneously protecting him from it or, in other words, to enable the reader to experience reality indirectly and, therefore, safely. In Melville's own writing, however, this function became more difficult as his nihilism deepened. He became increasingly sensitive to his own involvement in the world of lies, and when he could no longer protect himself from the truth, he could no longer transform it into fiction. Melville's struggle to maintain the distinction between art and truth was reflected in the changing forms of his novels.Dryden traces Melville's evolving metaphysical views and studies their impact on the craftsmanship of this acutely self-conscious artist from his early novels—Typee, Redburn, and White Jacket—through Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to the posthumously published Billy Budd and the closely related Benito Cereno, and he concludes that "all of Melville's narrators are in some way portraits of the artist at work." Dryden's study is a unique contribution to Melville scholarship and an important journey through the world of the novelist's vision. As such, it has significant implications for the novel as a genre and for understanding its development in America.

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It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the attention of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N' Roses. Their albums "Use Your Illusion I & II", released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow-up in fifteen years. It signalled the end of "Guns N' Roses", of heavy metal on the Sunset Strip and the entire 1980s model of blockbuster pop/rock promotion. "Use Your Illusion" marked the end of rock as mass culture. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.

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A breakthrough paper-folding book for kids—paper airplanes meet Origami meets Pokemon. Papertoys, the Internet phenomenon that’s hot among graphic designers and illustrators around the world, now comes to kids in the coolest new book. Created and curated by Brian Castleforte, a graphic designer and papertoy pioneer who rounded up 25 of the hottest papertoy designers from around the world (Indonesia, Japan, Australia, Italy, Croatia, Chile, even Jackson, Tennessee), Papertoy Monsters offers 50 fiendishly original die-cut designs that are ready to pop out, fold, and glue. The book interleaves card stock with paper stock for a unique craft package; the graphics are colorful and hip, combining the edginess of anime with the goofy fun of Uglydolls and other collectibles. Plus each character comes with its own back-story.And the results are delicious: meet Pharaoh Thoth Amon, who once ruled Egypt but is now a mummy who practices dark magic in his sarcophagus. Or Zumbie the Zombie, who loves nothing more than a nice plate of brains and yams. NotSoScary, a little monster so useless at frightening people that he has to wear a scary mask. Yucky Chuck, the lunchbox creature born in the deepest depths of your school bag. Plus Zeke, the monster under your bed, Nom Nom, eater of cities, and Grumpy Gramps, the hairy grandpa monster with his very own moustache collection.

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Why do so many gamblers risk it all when they know the odds of winning are against them? Why do they believe dice are "hot" in a winning streak? Why do we expect heads on a coin toss after several flips have turned up tails? What's Luck Got to Do with It? takes a lively and eye-opening look at the mathematics, history, and psychology of gambling to reveal the most widely held misconceptions about luck. It exposes the hazards of feeling lucky, and uses the mathematics of predictable outcomes to show when our chances of winning are actually good. Mathematician Joseph Mazur traces the history of gambling from the earliest known archaeological evidence of dice playing among Neolithic peoples to the first systematic mathematical studies of games of chance during the Renaissance, from government-administered lotteries to the glittering seductions of grand casinos, and on to the global economic crisis brought on by financiers' trillion-dollar bets. Using plenty of engaging anecdotes, Mazur explains the mathematics behind gambling--including the laws of probability, statistics, betting against expectations, and the law of large numbers--and describes the psychological and emotional factors that entice people to put their faith in winning that ever-elusive jackpot despite its mathematical improbability. As entertaining as it is informative, What's Luck Got to Do with It? demonstrates the pervasive nature of our belief in luck and the deceptive psychology of winning and losing.

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In this concise yet thorough history of America in the 1980s, Doug Rossinow takes the full measure of Ronald Reagan's presidency and the ideology of Reaganism. Believers in libertarian economics and a muscular foreign policy, Reaganite conservatives in the 1980s achieved impressive success in their efforts to transform American government, politics, and society, ushering in the political and social system Americans inhabit today. Rossinow links current trends in economic inequality to the policies and social developments of the Reagan era. He reckons with the racial politics of Reaganism and its debt to the backlash generated by the civil rights movement, as well as Reaganism's entanglement with the politics of crime and the rise of mass incarceration. Rossinow narrates the conflicts that rocked U.S. foreign policy toward Central America, and he explains the role of the recession during the early 1980s in the decline of manufacturing and the growth of a service economy. From the widening gender gap to the triumph of yuppies and rap music, from Reagan's tax cuts and military buildup to the celebrity of Michael Jackson and Madonna, from the era's Wall Street scandals to the successes of Bill Gates and Sam Walton, from the first "war on terror" to the end of the Cold War and the brink of America's first war with Iraq, this history, lively and readable yet sober and unsparing, gives readers vital perspective on a decade that dramatically altered the American landscape.

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In this concise yet thorough history of America in the 1980s, Doug Rossinow takes the full measure of Ronald Reagan's presidency and the ideology of Reaganism. Believers in libertarian economics and a muscular foreign policy, Reaganite conservatives in the 1980s achieved impressive success in their efforts to transform American government, politics, and society, ushering in the political and social system Americans inhabit today. Rossinow links current trends in economic inequality to the policies and social developments of the Reagan era. He reckons with the racial politics of Reaganism and its debt to the backlash generated by the civil rights movement, as well as Reaganism's entanglement with the politics of crime and the rise of mass incarceration. Rossinow narrates the conflicts that rocked U.S. foreign policy toward Central America, and he explains the role of the recession during the early 1980s in the decline of manufacturing and the growth of a service economy. From the widening gender gap to the triumph of yuppies and rap music, from Reagan's tax cuts and military buildup to the celebrity of Michael Jackson and Madonna, from the era's Wall Street scandals to the successes of Bill Gates and Sam Walton, from the first "war on terror" to the end of the Cold War and the brink of America's first war with Iraq, this history, lively and readable yet sober and unsparing, gives readers vital perspective on a decade that dramatically altered the American landscape.

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Every day in the United States, people test their luck in numerous lotteries, from state-run games to massive programs like Powerball and Mega Millions. Yet few are aware that the origins of today’s lotteries can be found in an African American gambling economy that flourished in urban communities in the mid-twentieth century. In Running the Numbers, Matthew Vaz reveals how the politics of gambling became enmeshed in disputes over racial justice and police legitimacy. As Vaz highlights, early urban gamblers favored low-stakes games built around combinations of winning numbers. When these games became one of the largest economic engines in nonwhite areas like Harlem and Chicago’s south side, police took notice of the illegal business—and took advantage of new opportunities to benefit from graft and other corrupt practices. Eventually, governments found an unusual solution to the problems of illicit gambling and abusive police tactics: coopting the market through legal state-run lotteries, which could offer larger jackpots than any underground game. By tracing this process and the tensions and conflicts that propelled it, Vaz brilliantly calls attention to the fact that, much like education and housing in twentieth-century America, the gambling economy has also been a form of disputed terrain upon which racial power has been expressed, resisted, and reworked.

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