Search results for ""author jack"

Creative Machine Knitting is simply a treasure trove for machine knitters; overflowing with design ideas and stitch patterns to inspire you to explore different styles and to make wonderful new projects. Knit with an open mind and be prepared to have a go, make changes and look to improvise – push yourself out of your comfort zone. Topics covered include; how to design – from where to source inspiration, consideration of materials and adoption of sustainable practices; painting with yarn – the process of translating a pattern or colour scheme into a knitted fabric; designing with panels and borders, and adding embellishments; Fairisle – advice on colour selection and pattern placement, including a ‘sketchbook’ of over fifty stitch patterns to try and finally, there is an inspiring stitch pattern directory of even more examples, illustrating the endless possibilities available to the machine knitter. The book features over 100 patterns, all of which can be adapted and form the basis of new designs, covering: jackets, cardigans and kimonos; sweaters; Fairisle designs; waistcoats; children’s knitwear; accessories and homewares.

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Samuel Smiles' groundbreaking work "Self-Help" published in 1859 encouraged people to believe that they could do anything that they determined to do. But living in the modern world is sometimes not that easy. "Self-Help for the 21st Century" updates the concepts revealed in "Self-Help" making them relevant for our lives today. Aware of the cliche of self-improvement guides "Self-Help for the 21st Century" avoids doctrine or arbitrary rules. Instead editor Malcolm Good has garnered the opinions of leading figures, particularly Scots or those with a strong Scottish association, from all walks of life. From racing driver Jackie Stewart, artist Calum Colvin and maverick yachtsman Chay Blyth to lawyers, politicians, mathematicians, engineers, historians and philosophers their contributions describe what worked for them and provide their insight. Topics discussed include nature and nurture, ambition, knowledge and values. More than a self-help book "Self-Help for the 21st Century" offers opinion, social commentary and biography.

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The most substantive monograph yet published on the work of German-born, New York based multimedia artist Andrea Geyer (born 1971), Dance in a Future with All Present focuses on her recent explorations of the marginalized yet pivotal role that women have played in the formulation of American modernism, tracing and honoring the ephemeral acts, initiatives and stories that shaped it. Featuring full-color images of Geyer's artworks and research materials, including documents, found photographs and previously unpublished photographs by the artist, Dance in a Future with All Present offers insight into Geyer's art and the multiple histories of modernism. Contributors to this volume include Thomas J. Lax, Andre Lepecki, Soyoung Yoon, Andrianna Campbell, Alhena Katsof, Matthew Jeffrey, Juli Carson, Lynne Cooke, Barbara Clausen, Dean Daderko, Saisha Grayson, Sharon Hayes, Megan Heuer, Danielle Jackson, Kristan Kennedy, Ralph Lemon, Renate Lorenz, Josiah McElheny, Fred Moten, Kristin Poor, Yvonne Rainer, Gabriela Rangel and Jeannine Tang.

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Richard Pousette-Dart (1916–92), working in New York in the 1940s, created beautiful, layered paintings as well as experimenting with drawing, photography and sculpture. This publication, produced to coincide with the 2018 exhibition Richard Pousette-Dart: Beginnings reflects new research into the life and work of Richard Pousette-Dart and his significant contribution to American art in the 20th Century. Playing a key role in the genesis of Abstract Expressionism and the New York School, which transformed American art in the post-war years, Pousette-Dart’s contemporaries included Jackson Pollock, Mark Rothko, Barnett Newman and Willem de Kooning. Jim Ede, creator of Kettle’s Yard, first met Pousette-Dart in New York in 1940. Research exploring their transatlantic correspondence over subsequent decades was a catalyst for the first solo exhibition of the work of Pousette-Dart in the UK, held at Kettle's Yard in 2018. The majority of works on display were borrowed from US museums and collections, and had not previously been seen in this country.

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The 23rd Horrid Henry storybook containing four brand new stories - including Horrid Henry''s Ketchup, Horrid Henry''s Chicken, The Revenge of the Bogey Babysitter and Horrid Henry Tells It Like It Is.Discover the one thing Horrid Henry is scared of, watch out for the return of Rabid Rebecca, find out what happens when Henry makes a film about his family and lots more in the most hilarious and horrid storybook yet. Horrid Henry is illustrated by Tony Ross, who also illustrates David Walliams'' children''s books, as well as his own picture books.Read by Miranda Richardson. Miranda Richardson has appeared in films such as THE HOURS, SLEEPY HOLLOW, THE CRYING GAME, EMPIRE OF THE SUN and HARRY POTTER AND THE GOBLET OF FIRE. TV work includes A DANCE TO THE MUSIC OF TIME, JACKANORY, Queen Elizabeth in BLACKADDER and Queen Mary in THE LOST PRINCE. She has won two Spoken Word awards for her inspired readings of HORRID HENRY AND THE SECRET CLUB and HORRID HENRY''S STI

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*SHARPE’S COMMAND, the brand new novel in the global bestselling series, is available to pre-order now* Richard Sharpe, asked to help an old friend, meets, at last, the greatest enemy. Five years after the Battle of Waterloo, Sharpe’s peaceful retirement in Normandy is shattered. An old friend, Don Blas Vivar, is missing in Chile, reported dead at rebel hands – a report his wife refuses to believe. She appeals to Sharpe to find out the truth. Sharpe, along with Patrick Harper, find themselves bound for Chile via St. Helena, where they have a fateful meeting with the fallen Emperor Napoleon. Convinced that they are on their way to collect a corpse, neither man can imagine that dangers that await them in Chile… Soldier, hero, rogue – Sharpe is the man you always want on your side. Born in poverty, he joined the army to escape jail and climbed the ranks by sheer brutal courage. He knows no other family than the regiment of the 95th Rifles whose green jacket he proudly wears.

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Originally one of the paramilitary groups that arose in Germany's turbulent 1920s , the SS grew from its original protection activities into the"Death's Head" troops and the Verfugungstruppe, and later during WWII, the Waffen-SS. During its evolution, the SS changed from its black uniform into a variety of uniforms that eventually resembled those of the German army, in various types of fabric, and predominately field-gray, so often seen in period photographs and movies. In volume 2, Lorenzo Silvestri presents many different Waffen-SS uniforms with numerous full-color photos to display how the clothing appeared. In addition, numerous detail images are used to clearly expose key features of the uniforms and equipment. The text explains important details about the creation, manufacturing, and wear of each item. Period photos illustrate the wear of each item presented in the books. The two volumes present the various helmets, caps, trousers, tunics and jackets in nearly 900 pages with over 1,400 color, pre-WWII and WWII images.

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Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks.

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A 2023 NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES, WASHINGTON POST, TIME AND NEW YORKER BOOK OF THE YEAR ‘Meticulously written and deeply moving . . . A triumph’ JACKIE KAY ‘Absorbing and poetic’ ECONOMIST ‘Full of tenderness and beauty’ MARIANA ENRIQUEZ From one of Mexico’s greatest contemporary writers, an astonishing work of non-fiction that illuminates an epidemic of femicide in Mexico through the death of one woman. I seek justice, I finally said. I seek justice for my sister . . . Sometimes it takes twenty-nine years to say it out loud, to say it out loud on a phone call with a lawyer at the General Attorney’s office: I seek justice. On the dawn of 16 July 1990, Liliana Rivera Garza, Cristina Rivera Garza’s sister, was murdered by her ex-boyfriend and subsumed into Mexico's dark and relentless history of femicide. She was a twenty-year-old architecture student who had been trying for years to end her relationship with a high school boyfriend who insisted on not letting her go. A few weeks before the tragedy, Liliana made a definitive decision: at the height of her winter she had discovered that, as Albert Camus had said, there was an invincible summer in her. She would leave him behind. She would start a new life. She would do a master's degree and a doctorate; she would travel to London. But his decision was that she would not have a life without him. Returning to Mexico after decades of living in the United States, Cristina Rivera Garza collects and curates evidence – handwritten letters, police reports, school notebooks, voice recordings and architectural blueprints – to defy a pattern of increasingly normalised, gendered violence and understand the life lost. What she finds is Liliana: her sister’s voice crossing time and, like that of so many disappeared and outraged women in Mexico, demanding justice.

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Pieces of paper that claimed to be good for two dollars upon redemption at a distant bank. Foreign coins that fluctuated in value from town to town. Stock certificates issued by turnpike or canal companies-worth something...or perhaps nothing. IOUs from farmers or tradesmen, passed around by people who could not know the person who first issued them. Money and banking in antebellum America offered a glaring example of free-market capitalism run amok-unregulated, exuberant, and heading pell-mell toward the next "panic" of burst bubbles and hard times. In Other People's Money, Sharon Ann Murphy explains how banking and money worked before the federal government, spurred by the chaos of the Civil War, created the national system of US paper currency. Murphy traces the evolution of banking in America from the founding of the nation, when politicians debated the constitutionality of chartering a national bank, to Andrew Jackson's role in the Bank War of the early 1830s, to the problems of financing a large-scale war. She reveals how, ultimately, the monetary and banking structures that emerged from the Civil War also provided the basis for our modern financial system, from its formation under the Federal Reserve in 1913 to the present. Touching on the significant role that numerous historical figures played in shaping American banking-including Alexander Hamilton, James Madison, Benjamin Franklin, Henry Clay, Daniel Webster, and Louis Brandeis- Other People's Money is an engaging guide to the heated political fights that surrounded banking in early America as well as to the economic causes and consequences of the financial system that emerged from the turmoil. By helping readers understand the financial history of this period and the way banking shaped the society in which ordinary Americans lived and worked, this book broadens and deepens our knowledge of the Early American Republic.

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Soon to be a major motion picture starring Golden Globe--winner Taraji P. Henson and Academy Award--winners Octavia Spencer and Kevin Costner Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA's African-American female mathematicians who played a crucial role in America's space program--and whose contributions have been unheralded, until now. Before John Glenn orbited the Earth or Neil Armstrong walked on the moon, a group of professionals worked as "Human Computers," calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American women. Segregated from their white counterparts by Jim Crow laws, these "colored computers," as they were known, used slide rules, adding machines, and pencil and paper to support America's fledgling aeronautics industry, and helped write the equations that would launch rockets, and astronauts, into space. Drawing on the oral histories of scores of these "computers," personal recollections, interviews with NASA executives and engineers, archival documents, correspondence, and reporting from the era, Hidden Figures recalls America's greatest adventure and NASA's groundbreaking successes through the experiences of five spunky, courageous, intelligent, determined, and patriotic women: Dorothy Vaughan, Mary Jackson, Katherine Johnson, Christine Darden, and Gloria Champine. Moving from World War II through NASA's golden age, touching on the civil rights era, the Space Race, the Cold War, and the women's rights movement, Hidden Figures interweaves a rich history of scientific achievement and technological innovation with the intimate stories of five women whose work forever changed the world--and whose lives show how out of one of America's most painful histories came one of its proudest moments.

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The page-turning, never-before-told story of Kim Campbell's roller-coaster thirty-four-year marriage to music legend Glen Campbell, including how Kim helped Glen finally conquer his addictions only to face their greatest challenge when he was diagnosed with Alzheimer's disease.Kim Campbell was a fresh-faced twenty-two-year-old dancer at Radio City Music Hall when a friend introduced her to Glen Campbell, the chart-topping, Grammy-winning, Oscar-nominated entertainer. The two performers from small Southern towns quickly fell in love, a bond that produced a thirty-four-year marriage and three children.In Gentle on My Mind, Kim tells the complete, no-holds-barred story of their relationship, recounting the highest of highs—award shows, acclaimed performances, the birth of their children, encounters with Mick Fleetwood, Waylon Jennings, Alan Jackson, Alice Cooper, Jane Seymour, and others—and the lowest of lows, including battles with alcohol and drug addiction and, finally, Glen’s diagnosis, decline, and death from Alzheimer's. With extraordinary candor, astonishing bravery, and a lively sense of humor, Kim reveals the whole truth of life with an entertainment giant and of caring for and loving him amid the extraordinary challenge of Alzheimer's disease. This is a remarkable account of enduring love, quiet strength, and never-faltering faith.

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Louisiana's unique multicultural history has led to the development of more styles of American music than anywhere else in the country. Encyclopedia of Louisiana Musicians compiles over 1,600 native creators, performers, and recorders of the state's indigenous musical genres. The culmination of years of exhaustive research, Gene Tomko's comprehensive volume not only reviews major and influential artists but also documents for the first time hundreds of lesser- ­known notable musicians. Arranged in accessible A- Z format- from Fernest ""Man"" Abshire to Zydeco Ray- Tomko's concise entries detail each musician's life and career, reflecting exciting new discoveries about many enigmatic and early artists: Country Jim, Henry Zeno, Douglas Bellard, Good Rockin' Bob, Blind Uncle Gaspard, Emma L. Jackson, and Rocket Morgan, to name just a few. A separate section features musicians from elsewhere who made an impact in Louisiana, such as Mississippi ­-born blues singer ­-songwriter- ­guitarist Eddie ""Guitar Slim"" Jones and celebrated jazz pianist Billie Pierce, a native of Florida. The final section highlights key regional record producers and studio and label owners, like J. D. Miller, Stan Lewis, and Cosimo Matassa, who have enabled future generations to enjoy music of the Bayou State. Written with both the casual fan and the scholar in mind, Encyclopedia of Louisiana Musicians is the definitive reference on Louisiana's rich musical legacy and the numerous important musicians it has produced.

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This standalone adventure set in the world of the New York Times bestselling Jackaby series brims with humor, heart, and-of course-a hefty dose of supernatural mayhem.Abigail Rook never intended to be the mortal bridge between the human and supernatural world. But now, the power of the Sight--and all the chaos that comes with seeing the essential truth of everything, every human, fairy, werewolf, enchanted slip of paper, and municipal building, at all times--is hers alone. With this overwhelming new gift, she should be able to solve crimes and help New Fiddleham, New England find calm in its supernatural chaos. The only problem? She has no idea what she's doing. And New Fiddleham isn't waiting for Abigail to be ready. Local witches and other magical beings are going missing, as tensions between human and supernatural residents curdle into a hatred that could tear the city apart. Abigail's fiancé, Charlie, works alongside her to unravel the magical disappearances, but as a shapeshifter, he's under threat as well. Then Abigail's parents appear, ready to take her back to England and marry her off to someone she's never met. Abigail has no choice but to follow her Sight, her instincts, and any clues she can find to track a culprit who is trying destroy everything she holds dear.

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Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In The Ethics of Earth Art, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works’ relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work—film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows—earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.

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Runner-up for the 2015 Science Fiction and Technoculture Studies Book Prize The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.

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Sempre Avanti. Ever Forward. That’s the motto on the Gelardi family shield and it’s a philosophy that has directed the lives and careers of four generations of hoteliers – Giuseppe, Giulio, Bertie and Geoffrey. Giuseppe managed hotels in his native Italy in the nineteenth century but his son Giulio was more ambitious and came to London, working first at Walsingham House – which was to later to become the Ritz – and managing the Savoy and Claridges in London and the Waldorf Astoria in New York. His son Bertie worked alongside Lord Forte to create the international Trust Houses Forte empire and acquiring, amongst others, the George V and Plaza Athenée in Paris, Sandy Lane in Barbados and the Pierre in New York. Geoffrey, Bertie’s son and the fourth generation Gelardi to make his mark in the luxury hotel business, spent years in the USA at the Bel Air in Los Angeles and the Sorrento in Seattle before returning to the UK to open the Lanesborough in 1991 – then, and still, London’s leading luxury hotel. Interweaved into this fascinating history we encounter royalty, celebrities, politicians and film stars – Mussolini, King Edward VII, Lilly Langtry, Ronald Reagan, various Atlantic City mafia figures, Frank Sinatra, Arnold Swartzenegger, Sophia Loren, Madonna, Michael Jackson, HRH The Queen, Princess Diana and many, many more.

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Annie Rigg’s fuss-free cooking is all about maximizing flavours and creating healthy meals that are packed with protein and proudly plant-based. Her tempting dishes take inspiration from all over the globe, and are perfect for anyone wanting great food, whether dining solo or catering for a crowd. Mains include curries, stews, Insta-friendly sushi sandwiches and tasty tacos; Quick Suppers take you from speedy courgette spaghetti with pea ‘pesto’ to Singapore noodles and dhal; inventive Salads include black rice with chargrilled sweet potatoes, Brussels sprout slaw and freekeh tabbouleh; Sides and Seasonings include moreish shoestring potatoes with chat masala, braised Little Gems and plenty of dips and sprinkles; Soups and Light Bites range from classic pumpkin soup to ingenious spring onion pancakes and quick potstickers; and finally, magnificent Feasts include jackfruit bao buns for a party and a traditional pastry-topped pie. Chapters:QUICK SUPPERSMAINSFEASTSSOUPS & LIGHT BITESSALADSSIDES & SEASONINGS 'I’ve worked with Annie many times over the years and this beautiful cookbook does not disappoint. It’s jam-packed with exciting and delicious recipes, tips and ideas that will have you racing into the kitchen.' Rachel Allen

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Gretchen "Gertie" Hirsch is a passionate home seamstress, an in demand sewing teacher and creator/writer of one of the web's most popular sewing blogs: Gertie's New Blog for Better Sewing. The blog began as a way for readers to follow Gretchen's progress as she made her way through all fourteen fashions from her favourite 1950s sewing book, Vogue's New Book for Better Sewing (a "Julie and Julia esque" experiment for the modern seamstress). It quickly became a place for Gretchen to share detailed sewing tutorials and spirited posts about sewing as it relates to fashion history, pop culture, body image and gender. An extension of the blog, Gertie's New Book for Better Sewing: A Modern Guide to Couture Style Sewing Using Basic Vintage Techniques is a hardworking reference book, packed with techniques our greatgrandmothers could have done in their sleep but have been forgotten over the decades, all shown in step by step photographed and illustrated tutorials. It is also a stylish, spirited pattern book featuring 14 customisable wardrobe essentials inspired by Vogue's New Book for Better Sewing, many shown in several different variations, for a total of 25 projects. Projects range from a pencil skirt and portrait blouse to a wiggle dress and suit jacket. All of the projects are modelled by charming Gertie, who has the proportions and curves of a typical modern woman, not a super model.

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This richly illustrated book celebrates in words and pictures the beautiful work that award-winning artist Alan Lee produced for J.R.R. Tolkien’s The Hobbit, and includes dozens of brand-new paintings and pencil drawings exploring the world of Bilbo Baggins. Since The Hobbit was first published in 1937, generations of readers have fallen under its spell. That magic was reignited sixty years later, when Alan Lee was commissioned to produce a special illustrated edition, and his delicate pencil drawings and beautiful watercolour paintings have become for many the definitive vision of J.R.R. Tolkien’s Middle-earth. In this sumptuous, large-format hardback Alan Lee reveals in pictures and in words how he created these images, which would prove so powerful, matching perfectly with Tolkien’s own vision, that they would eventually define the look of Peter Jackson’s film adaptations and earn Alan a coveted Academy Award. The Hobbit Sketchbook is filled with more than 100 of his sketches and early conceptual pieces that reveal how the project progressed from idea to finished art. It also contains a wealth of brand-new full-colour paintings and sketches drawn specially for this book, which unlock the secrets of how Alan creates his own magic and provide a fascinating insight into the imagination of the man who breathed new life into Tolkien’s vision.

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Legendary music producer, Gordon Raphael has spent four decades working with musicians, performers and songwriters to create unique genre-defining sounds. His work with THE STROKES, REGINA SPEKTOR and THE LIBERTINES has made him one of the world’s most sought-after music producers. What’s his secret? This book gives an insider’s view into how music is created and recorded, sharing insights into the artistic discoveries that happen when a group of talented musicians find the right studio, the right producer and the right sound. Like sitting on the purple velvet couch at New York’s fabled Transporterraum Studio, this rock ‘n’ roll memoir gives an All Access Pass to the processes and techniques, the people and the performances. It’s the early 2000s and, for the first time, young people who’ve grown up hating their parent's rock music, have found a reason in the songs of NYC newcomers THE STROKES to drop their electronica, house and techno for guitars, Converse, leather jackets—to form their own bands.Focussing on the eight-year period from the demise of the Seattle grunge scene to the rebirth of a thrilling cultural shift in New York and London that reimagined rock 'n’ roll. Gordon Raphael shares his tales of musical glory and loss, creative triumphs and breakups.It’s a bumpy ride with a killer soundtrack.

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Who was Jacques Derrida, and why does he have such a towering, and foreboding reputation across modern philosophy? For some he is the source of the crisis of alternative facts. For far right terrorist Anders Brievik, 'Derridian deconstruction' was the cause for the end of truth. In 1992, 18 philosophers wrote an open letter to the Times to complain when he was awarded an honorary degree by Cambridge University. For others, he is a film star thinker who covered every possible subject from literature, politics, and language.Born in Algiers, the young Jackie, named after a character in a Chaplin movie, only to change to Jacques once he moved to Paris, was always an outsider. Here, despite an obvious genius, he found it difficult to find himself. However, in 1967, he changed the whole course of philosophy in one go: with the development of the ideas of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida's influence across late 20th century thought is unquestionable. And here Peter Salmon introduces the key concepts, showing that, despite the impression of being eclectic, Derrida was a writer who spent his life on a series of interlinked themes: ethics, friendship, language.Accessible, provocative and beautifully written, An Event, Perhaps introduces to a new readership the life and thinking of a philosopher whose influence over the 21st century is likely to be as important as it was on the previous century.

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_________‘Hepworth’s knowledge and understanding of rock history is prodigious … [a] hugely entertaining study of the LP’s golden age’ The Times_________The era of the LP began in 1967, with ‘Sgt Pepper’; The Beatles didn’t just collect together a bunch of songs, they Made An Album. Henceforth, everybody else wanted to Make An Album. The end came only fifteen years later, coinciding with the release of Michael Jackson’s ‘Thriller’. By then the Walkman had taken music out of the home and into the streets and the record business had begun trying to reverse-engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again.It was a short but transformative time. Musicians became ‘artists’ and we, the people, patrons of the arts. The LP itself had been a mark of sophistication, a measure of wealth, an instrument of education, a poster saying things you dare not say yourself, a means of attracting the opposite sex, and, for many, the single most desirable object in their lives.This is the story of that time; it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power. This is the story of how LPs saved our lives.

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When British and American intelligence catch wind of a major Al Qaeda operation in the works, they are primed for action - but what can they do? They know nothing about the attack: the what, where or when. They have no sources in Al Qaeda, and it's impossible to plant someone. Impossible, unless . . . The Afghan is Izmat Khan, a five-year prisoner of Guantanamo Bay and a former senior commander of the Taliban. The Afghan is also Colonel Mike Martin, a 25-year veteran of war zones around the world, a dark, lean man born and raised in Iraq. In an attempt to stave off disaster, the intelligence agencies will try to do what no one has ever done before - pass off a Westerner as an Arab among Arabs - pass off Martin as the trusted Khan.It will require extraordinary preparation, and then extraordinary luck, for nothing can truly prepare Martin for the dark and shifting world he is about to enter. Or for the terrible things he will find there . . .The Day of the Jackal, The Dogs of War, The Odessa File - the books of Frederick Forsyth have helped define the international thriller as we know it today. Combining meticulous research with crisp narratives and plots as current as the headlines, Forsyth shows us the world as it is, in a way that few have ever been able to equal.And the world as it is today is a very scary place . . .

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Let the adventure begin with this straightforward guide to GURPS!This is it—the key that unlocks the riches of GURPS (Generic Universal Role Playing System) and gives you a wealth of information on how to create your character and fine-tune your play. Produced in partnership with Steve Jackson Games, the game's creator, GURPS For Dummies is the ideal companion to GURPS Basic Set, 4th Edition that explains the rules. It gives you insight into the choices you’ll make in everything from creating a fun, dynamic character using the allotted number of points, to playing in an adventure, to becoming a GM. Whether you want to be an Amazon princess or a stalwart warrior, an old-fashioned swashbuckler or a modern investigator, a tough cop or a cat burglar, a sorcerer casting spells or a cosmic ranger, fighting lawlessness in the asteroids, this guide will help you: Determine your character’s basic attributes: IQ, DX (dexterity), ST (strength) and HT (health) Figure out your character’s secondary characteristics Choose advantages (including powers and perks) and disadvantages (including quirks and disadvantages with a self-control roll modifier) Optimize your points by using talents Select your skills based on functional area or the campaign setting Enhance your character with spells, magic items, magic staves, and powerstones Strategically purchase equipment for different characters, tech levels, and campaign types Create and manage a character sheet, write a character background, keep a character log, and more—all with samples Choose good combat techniques and play with your character If you want to become a GM, this guide gets you going with advice on creating the adventure, managing the character creation process, managing combat, and interpreting the rules. There’s even a handy Cheat Sheet tear-out GM screen in the front of the book. There are tips throughout, plus advice on how to: Create your very own GURPS universe for your campaign, whether it’s dungeon-crawl, high-adventure, combat-focused, puzzle-focused, or masquerade-type Provide a basic write-up of the world for your players, including technology level, supernatural and supernormal abilities and powers, races, setting, character templates, cultural and social information, and limitations Create an electronic combat grid, a battle log, a tactical map, and more—with samples Do mapping, planning, and plotting Create memorable NPC (nonplayer characters), both good guys and bad guys GURPS For Dummies helps you create more detailed, exciting, and interesting characters and take your game to the next level. That’s important whether you’re saving a princess or saving the planet…searching for hidden treasure or for secrets to eliminate disease… fighting crime or combating armies of evil robots…casting spells in medieval castles or destroying terrorist cells in modern day milieus. With GURPS, the only limitation is your imagination.

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After the global success of Yes is More, one of the best-selling architecture books of its generation, BIG – Bjarke Ingels Group presents Hot to Cold, an Odyssey of Architectural Adaptation. The book presents sixty case studies in harsh climate conditions in order to examine where and how we live on our planet. As we travel from one end of the spectrum to its opposite we will see that the more harsh the climate gets, the more intense its impact on the architecture. The central challenge is to mitigate the climatic extremes for hospitable human life, while finding solutions that can be both economically and environmentally profitable. Architecture is the art and science of accommodating the lives we want to live. Our cities and buildings aren't givens; they are the way they are because that is as far as we have gotten to date. They are the best efforts of our ancestors and fellow planetizens, and if they have shortcomings, it is up to us to continue that effort, pick up where they left off. Hot to Cold stays true to BIG – Bjarke Ingels Group's grand mission to find a pragmatic utopia, shaping not only a particular structural entity, but the kind of world we wish to inhabit. The book features: Design from award-winning artists Sagmeister & Walsh Previously unpublished essays by Bjarke Ingels. A convertible dust jacket-poster.

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The musical and cultural impact of the Fab Four in FloridaIn 1964, Beatlemania flooded the United States. The Beatles appeared live on the Ed Sullivan Show and embarked on their first tour of North America—and they spent more time in Florida than anywhere else. Good Day Sunshine State dives into this momentous time and place, exploring the band’s seismic influence on the people and culture of the state.Bob Kealing sets the historical stage for the band’s arrival—a nation dazed after the assassination of John F. Kennedy and on the precipice of the Vietnam War; a heavily segregated, conservative South; and in Florida, recent events that included the Cuban Missile Crisis and the arrest and imprisonment of Martin Luther King Jr. in St. Augustine. Kealing documents the culture clashes and unexpected affinities that emerged as the British rockers drew crowds, grew from fluff story to the subject of continual news coverage, and basked in the devotion of a young and idealistic generation.Through an abundance of letters, memorabilia, and interviews with journalists, fellow musicians, and fans, Kealing takes readers behind the scenes into the Beatles’ time in locations such as Miami Beach, where they wrote new songs and met Muhammad Ali. In the tropical environs of Key West, John Lennon and Paul McCartney experienced milestone moments in their friendship. And the band dodged the path of Hurricane Dora to play at the Gator Bowl in Jacksonville, where they famously refused to perform until the city agreed to integrate the audience.Kealing highlights the hopeful futures that the Beatles helped inspire, including stories of iconic rock-and-rollers such as Tom Petty who followed the band’s lead in their own paths to stardom. This book offers a close look at an important part of the musical and cultural revolution that helped make the Fab Four a worldwide phenomenon.

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From 13th century Franciscan monks to Beyoncé in Black is King, Making a Spectacle charts the fascinating ascension of eyeglasses, from an unsightly but useful tool to fashion's must-have accessory.The power of glasses to convey a range of vivid messages about their wearers have made them into a billion-dollar business that appeals to cool kids and rock stars and those who want to be like them, but the fashionable history of eyeglasses was fraught with anxiety and drama. At the beginning of the 20th century, the assessment in Vogue and Harper's Bazaar was that spectacles were "invariably disfiguring." Invisibility was the best option, and glasses were only to be put on once the lights at the opera went dark.While variations of that glasses-shaming sentiment appeared at regular intervals over the next 100 years or so, eyeglasses continued to evolve into an endless array of shapes, colors, purposes, and personalities. Once sunglasses took off in the 1930s, the magazine editorial made glasses a conspicuous part of the fashion narrative. Eyeglasses went to the ski slopes, the stables, the beach, the Havana hotel. Plastic innovations made a candy-colored rainbow of cat-eyes and "starlet" styles possible. Suddenly, everyone had the opportunity to look like Jackie O on vacation in Capri.Making a Spectacle traces contemporary high fashion frames back to their origins: the military aviator, the glam cat eye, the nerdly Oxford, the high-tech shield, the fanciful butterfly, the lowly rimless, and other styles all make an appearance. Featuring interviews with influential designers, makers, and purveyors of glasses including Adam Selman, Kerin Rose Gold, and l.a. Eyeworks, Making a Spectacle also takes a look at today's most cutting edge eyewear, showing the reader the latest and most innovative ways to see and be seen.

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In 1989 the Supreme Court ruled that the State of Wisconsin was not liable for the brutal beating of a young boy by his father, who had been investigated by the Department of Social Services. In DeShaney v. Winnebago County Department of Social Services, Chief Justice William Rehnquist's majority opinion rejected the claim of the boy's mother that her son had been deprived of his constitutional "right to life." Taking the DeShaney case as her point of departure, Elizabeth Bussiere observes that the idea of a constitutional right to life was first rejected not by the conservative Rehnquist Court but by the liberal Warren Court twenty years earlier. She investigates why the Warren Court, despite its many rulings "entitling" the poor to constitutional protections, refused to identify welfare benefits (or subsistence) as a constitutional right.Although focused on the Warren Court, the book explores Western political thought from the seventeenth through late twentieth centuries, draws on American social history from the Age of Jackson through the civil rights era of the 1960s, and utilizes current analytic methods, particularly the "new institutionalism." Finding cultural arguments regarding the absence of constitutional welfare rights inadequate, she illuminates two long-standing traditions—natural law and maternalism—that tended to support the poor's subsistence needs. The key to the failure of constitutional welfare rights, Bussiere argues, lay in an ironic turn in the development of legal doctrines. It was the fidelity of the liberal Warren Court to judicial doctrines that had been formulated in the late 1930s to prevent a conservative Court from defeating social-welfare programs that ultimately led the Warren Court to decline to "constitutionalize" a right to welfare. Her book is particularly timely given President Clinton's approval of a Republican-crafted law in 1996 ending public assistance as a statutory "entitlement''—a decision that might have been thwarted had the Warren Court ruled differently.

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Who was the greatest of all American guitarists? You probably didn’t name Gary Davis, but many of his musical contemporaries considered him without peer. Bob Dylan called Davis “one of the wizards of modern music.” Bob Weir of the Grateful Dead—who took lessons with Davis—claimed his musical ability “transcended any common notion of a bluesman.” And the folklorist Alan Lomax called him “one of the really great geniuses of American instrumental music.” But you won’t find Davis alongside blues legends Robert Johnson and Muddy Waters in the Rock and Roll Hall of Fame. Despite almost universal renown among his contemporaries, Davis lives today not so much in his own work but through covers of his songs by Dylan, Jackson Browne, and many others, as well as in the untold number of students whose lives he influenced. The first biography of Davis, Say No to the Devil restores “the Rev’s” remarkable story. Drawing on extensive research and interviews with many of Davis’s former students, Ian Zack takes readers through Davis’s difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk. But in spite of his tremendous musical achievements, Davis never gained broad recognition from an American public that wasn’t sure what to make of his trademark blend of gospel, ragtime, street preaching, and the blues. His personal life was also fraught, troubled by struggles with alcohol, women, and deteriorating health. Zack chronicles this remarkable figure in American music, helping us to understand how he taught and influenced a generation of musicians.

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A core philosophical project is the attempt to uncover the fundamental nature of reality, the limited set of facts upon which all other facts depend. Perhaps the most popular theory of fundamental reality in contemporary analytic philosophy is physicalism, the view that the world is fundamentally physical in nature. The first half of this book argues that physicalist views cannot account for the evident reality of conscious experience, and hence that physicalism cannot be true. Unusually for an opponent of physicalism, Goff argues that there are big problems with the most well-known arguments against physicalism—Chalmers' zombie conceivability argument and Jackson's knowledge argument—and proposes significant modifications. The second half of the book explores and defends a recently rediscovered theory of fundamental reality—or perhaps rather a grouping of such theories—known as 'Russellian monism.' Russellian monists draw inspiration from a couple of theses defended by Bertrand Russell in The Analysis of Matter in 1927. Russell argued that physics, for all its virtues, gives us a radically incomplete picture of the world. It tells us only about the extrinsic, mathematical features of material entities, and leaves us in the dark about their intrinsic nature, about how they are in and of themselves. Following Russell, Russellian monists suppose that it is this 'hidden' intrinsic nature of matter that explains human and animal consciousness. Some Russellian monists adopt panpsychism, the view that the intrinsic natures of basic material entities involve consciousness; others hold that basic material entities are proto-conscious rather than conscious. Throughout the second half of the book various forms of Russellian monism are surveyed, and the key challenges facing it are discussed. The penultimate chapter defends a cosmopsychist form of Russellian monism, according to which all facts are grounded in facts about the conscious universe.

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A gripping and unputdownable read that will make you question just how far you would go to protect your family. Perfect for fans of Liane Moriarty and Clare Mackintosh . . . 'An emotional read' BELLA MAGAZINE, MUST READS'A thrilling twist' PEOPLE'S FRIEND'A moving story and an excellent read' WOMAN'S WAY A MOTHER'S LOVE. A DEVASTATING SECRET. Samantha Jackson has been missing for eighteen years. Then, out of nowhere, she gets back in touch with her sister.Sam needs Freya - now a grown woman with a family of her own - to take in her son.But Dino is not a happy child, despite the warmth of Freya's family he cannot settle. He startles at loud noises and he's prone to angry, violent outbursts. He's one of the family, Freya knows he is, but why doesn't it feel like that?In order to keep her daughters safe, Freya is forced to go in search of the truth. What is going on with Dino, and what really happened to her sister the night she left? Real readers love ONE OF THE FAMILY: 'A very emotional read that would be a sure fire hit for book clubs . . .the book stays with you long after you read it''An uputdownable book . . . definitely one to suggest in my book club''A thought-provoking read with many high and low moments along the way . . . a great read''It plays with your emotions, lingers in your mind, an exhilarating and thought-provoking read''A beautiful story talking about real life issues. A truly sensitive and gripping novel . . . Sadie Pearse does this with such great storytelling''Very well written and the characters were believable. Highly recommended' PRAISE FOR SADIE PEARSE: 'Excellent read, perfect for book clubs . . . An important and moving story' CLARE MACKINTOSH'Both thought-provoking and emotional' THE SUN'An incredibly accomplished novel' CATHY BRAMLEY

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From the deathbed to the commuter railway station, from the marriage market to the fish market, from the baseball field to the grave, this volume explores the diversity of contemporary Japanese society by studying how people "compose" their families, their communities, and their own identities. Challenging fixed boundaries characteristic of institutional analysis, these essays comprise an anthropology of real people who age, who play, and whose lives speak to ours even over chasms of cultural differences and misunderstandings. The contributors are historians, sociologists, and anthropologists of Japan who engage these ideas in their research and who have been inspired over the years by the spirit of David Plath's anthropology of self. Part I includes essays by Susan Long, Kamiko Takeji, and Scott Clark which explore how the meaning of self is created through long-term engagement with convoys, those with whom one coauthors biographies. The second set of chapters investigates the process of creating circles of interaction, identity, and meaning beyond that inner circle. Keiko Ikeda considers the cocreation of individual and collective meanings among consociates of locality. The chapters by Paul Noguchi and by David McConnell and Jackson Bailey describe negotiations of identity among consociates within the workplace, while Theodore Bestor and William Kelly focus on constructions of regional and national identity. In Part III, chapters by Christie Kiefer, John Grossberg, Morioka Kiyomi, and Robert J. Smith bring us full circle to reconsideration of composing the self, but within the widest possible social universe that includes the aging, the dying, and the spirits of the dead.

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Winner of the J. B. Jackson Prize from the Association of American GeographersOriginally published in 1998. "The plantation," writes Charles Aiken, "is among the most misunderstood institutions of American history. The demise of the plantation has been pronounced many times, but the large industrial farms survive as significant parts of, not just the South's, but the nation's agriculture."In this sweeping historical and geographical account, Aiken traces the development of the Southern cotton plantation since the Civil War—from the emergence of tenancy after 1865, through its decline during the Depression, to the post-World War Two development of the large industrial farm.Tracing the geographical changes in plantation agriculture and the plantation regions after 1865, Aiken shows how the altered landscape of the South has led many to the false conclusion that the plantation has vanished. In fact, he explains, while certain regions of the South have reverted to other uses, the cotton plantation survives in a form that is, in many ways, remarkably similar to that of its antebellum predecessors.Aiken also describes the evolving relationship of African-Americans to the cotton plantation during the thirteen decades of economic, social, and political changes from Reconstruction through the War on Poverty—including the impact of alterations in plantation agriculture and the mass migration of Southern blacks to the urban North during the twentieth century.Richly illustrated with more than 130 maps and photographs (many original and many from FSA photographers), The Cotton Plantation South is a vivid and colorful account of landscape, geography, race, politics, and civil rights as they relate to one of America's most enduring and familiar institutions.

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This collection of thirteen original essays by Orestes Augustus Brownson (1803–1876), a major political and philosophical figure in the American Catholic intellectual tradition, presents his developed political theory in which he devotes central attention to connecting Catholicism to American politics. These writings, which date from 1856 to 1874, cover not only his conversion to Catholicism after experimenting with a variety of religious and political beliefs but also slavery, the Civil War, Reconstruction, the era of Jacksonian democracy, and a host of social, political, and economic issues. During this time, Brownson became one of the nation’s leading thinkers and critics. Although faced with a dominant Protestant culture, Brownson argued for a political and social culture influenced by his deeply held Catholic faith. He defended Catholicism from the common charge that it was incompatible with American constitutionalism and, in fact, argued that it was the only spiritually viable foundation for American politics. He defended the political theory and institutions of the American framers, applauding their realistic view of human nature and the importance of both virtue in political leaders and checks and restraints in their constitutional structures. He opposed the rising influence of populist democracy by explaining its flawed assumptions about human nature and the possibilities of politics. Michael P. Federici's well-written introduction situates these essays within a coherent theme and explains how these essays are especially relevant to contemporary debates about populism, race, American exceptionalism, and the relationship between religion and politics. The book will interest students and scholars of American political thought, as well as those with an interest in religion and politics.

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I Know What You Did Last Summer meets One of Us is Lying in this fast-paced suspense thriller following five teens who must cover up the suspicious death of their teacher. Nothing ruins summer vacation like a secret . . . especially when that secret is a dead teacher.Ivy used to be on top of the social ladder, until her ex made that all go away. She has the chance to be Queen Bee again, but only if the rest of the group can keep quiet.Tyler has always been a bad boy, but lately he’s been running low on second chances. There’s no way he’s going to lose everything because someone couldn’t keep their mouth shut.Kinley wouldn’t describe herself as perfect, though everyone else would. But perfection comes at a price, and there is nothing she wouldn’t do to keep her perfect record – one that doesn’t include murder charges.Mattie is only in town for the summer. He wasn’t looking to make friends, and he definitely wasn’t looking to be involved in a murder. He’s also not looking to be riddled with guilt for the rest of his life . . . but to prevent that he’ll have to turn them all in.Cade couldn’t care less about the body, or about the pact to keep the secret. The only way to be innocent is for someone else to be found guilty. Now he just has to decide who that someone will be. With the police hot on the case, they don’t have much time to figure out how to trust each other. But in order to take the lead, you have to be first in line . . . and that’s the quickest way to get stabbed in the back.Perfect for fans of Chelsea Pitcher, Karen M. McManus and Holly Jackson!

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What was served at President James K. Polk’s White House dinners? What foods graced the table of John Sevier, Tennessee’s First Governor? In Taproots of Tennessee, Lynne Drysdale Patterson answers these questions and more, exploring nearly two centuries of Tennessee foodways. Readers will discover that Tennessee taste encompasses the exquisite, such as President Polk’s French-inspired Croquettes Poulet with Bechamel Sauce and General James Winchester’s spoils-of-the-hunt Roast Goode with Wild Rice and Wild Fox Grape Stuffing, to simpler fair, including Dr. Humphrey Howell Bate’s fried pies and Alex Haley’s boyhood menu of sweet tea and Southern staples.Patterson takes readers on a historical and culinary tour of the Tennessee Historical Commission’s seventeen state historic sites with a collection of period foods from each site and menus with updated recipes for the twenty-first century food enthusiast. Patterson’s site histories provide readers with a journey through the accounts of Tennessee’s early settlers, their homesteads, cookery, schoolhouses, stage coach stops, and religious life. Her site recipes range from historic offerings, such as peaches from General Daniel Smith’s Rock Castle State Historic Site orchard fashioned into a delectable peach pound cake-potentially shared with neighbors Andrew and Rachel Donelson Jackson-to more modern representations of historic foodways, such as Scottish-influenced Scotch Barley Soup and Scotch Egg likely eaten by Sam Houston.From homes of Tennessee’s first families to stagecoach stops in the 1830s, from Civil War command posts to rural schoolhouses, foodies and academics alike will delight in this compendium of Southern recipes, served with a generous helping of history.

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In a feudal, futuristic Japan, samurai battle to become No.1 and rule the world, but when his father, who holds the coveted position, is challenged and killed, the young Afro Samurai vows vengeance. Relentlessly pursued by murderous assassins, will he stay alive long enough to keep his promise? This new creator-approved "director's cut" edition of the out-of-print cult classic book features specially commissioned custom covers and a brand-new foreword by Takashi Okazaki. Japan has become a land of warriors, warlords and assassins, where the technology of the future exits alongside the brutal traditions of the past. This world is ruled by whoever possesses the legendary No.1 headband, which many believe bestows god-like powers on the wearer, but to attain this headband, a warrior must first become No.2, and only then can they challenge for the right to become No.1. But who can challenge the No.2? Everyone! So to be the world's second greatest warrior is to be in a constant fight for survival. When the boy Afro Samurai's father, Rokutaro, is challenged as No.1 and killed by the No.2, a lethal outlaw known as Justice, he swears revenge, starting on a bloody path of retribution that will make him the No.2 warrior and allow him to challenge Justice. In the first of two volumes, we see the beginnings of young Afro's quest, his battles with an array of assassins and warlords, that climaxes in the epic confrontation with the powerful Empty Seven Clan and a showdown with an old enemy... Taking his inspiration from US soul and hip-hop cultures, Okazaki-san originally published Afro Samurai as a serialised, self-published (doujinshi) manga in Nou Nou Hau magazine from November 1998 to September 2002. It was picked up by Funimation and developed as an anime, airing five episodes in 2007, with Afro voiced by Samuel L Jackson and a soundtrack by RZA of the Wu-Tang Clan. Okazaki-san then created these two manga volumes for the US market, which were published in 2008 and 2009. Both original English language volumes have been out of print since 2013 and 2016, respectively, and are highly sought after by collectors, selling for $100+. Afro Samurai's lasting impact can be seen in today's appetite for all things manga and anime, as it was one of the first cross-cultural collaborations that celebrated Asian pop culture and Afro American hip hop, to create an entirely new hybridised visual and musical language.

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James Sperling's new book is a key reference point for anybody working on international security and governance. Handbook of Governance and Security takes stock of a decade of research and pushes the analysis of security governance into new fields. Covering regional security governance from the Arctic to South America, new threats from counter-terrorism to cyberspace, and governance institutions from the United Nations to the League of Arab States, the book provides a comprehensive understanding of security governance in theory and practice.'- Elke Krahmann, Brunel University, UK'This up-to-date book provides IR scholars with a compelling and rigorous understanding of security governance. The contributions draw our attention to the conceptual, theoretical, and empirical underpinnings of this topic. Leading experts in the field thereby provide illuminating perspectives covering most of the world's regions, institutions, and dimensions of security. This makes it a wonderfully comprehensive treatment of a crucial paradigm in the study of International Relations that has not received enough attention so far.'- Stephanie C. Hofmann, Associate Professor of Political Science, Deputy Director, Centre on Conflict, Development and Peacebuilding, Graduate Institute of International and Development Studies, SwitzerlandThe Handbook of Governance and Security examines the conceptual evolution of security governance and the different manifestations of regional security governance. In particular, James Sperling brings together unique contributions from leading scholars to explore the role of institutions that have emerged as critical suppliers of security governance, and the ever-widening set of security issues that can be viewed profitably through a governance lens.The Handbook is divided into four sections which examine, in turn: the emergence, evolution, and forms of security governance, as well as the theoretical orientations that have so far dominated the literature (networks, multilateralism, regimes, and systems); the varieties and nature of security governance in eight discrete geostrategic regions; nine dimensions of governance that have been securitized in the post-Cold War period; and lastly the role of specific institutions in their regional context.This comprehensive Handbook will be of interest to both academics and postgraduates as well as practitioners and specialists in security, foreign policy, and governance.Contributors: S. Aris, G. Bahgat, M. Beeson, S. Blavoukos, A. Boin, D. Bourantonis, P.D. Bujun, A. Chater, A. Cooley, A. Cottey, S.E. Davies, S. Dutt, M. Eilstrup-Sangiovanni, M. Ekengren, L. Fawcett, M. Foucault, D.J. Galbreath, W. Greaves, S. Harnisch, Y.K. Heng, A. Holmberg, P. Jackson, S. Jasper, S. Kay, N. Klein, T. Le, K. Lee, S. Lucarelli, K. McDonagh, F. Merand, J.D. Occhipinti, W. Rees, M. Rhinard, S. Sauerteig, A. Seidyusif, C.M. Shaw, J. Sperling, R. Tavares, P. Taylor, R.M. Uriu, T. Van de Graaf, C. Wagnsson, M. Webber

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In a feudal, futuristic Japan, samurai battle to become No.1 and rule the world, but when his father, who holds the coveted position, is challenged and killed, the young Afro Samurai vows vengeance. Relentlessly pursued by murderous assassins, will he stay alive long enough to keep his promise? Volume 2 of the new creator-approved "director's cut" edition of the out-of-print cult classic book features a brand-new foreword by Takashi Okazaki. Japan has become a land of warriors, warlords and assassins, where the technology of the future exits alongside the brutal traditions of the past. This world is ruled by whoever possesses the legendary No.1 headband, which many believe bestows god-like powers on the wearer, but to attain this headband, a warrior must first become No.2, and only then can they challenge for the right to become No.1. But who can challenge the No.2? Everyone! So to be the world's second greatest warrior is to be in a constant fight for survival. When the boy Afro Samurai's father, Rokutaro, is challenged as No.1 and killed by the No.2, a lethal outlaw known as Justice, he swears revenge, starting on a bloody path of retribution that will make him the No.2 warrior and allow him to challenge Justice. In the first of two volumes, we see the beginnings of young Afro's quest, his battles with an array of assassins and warlords, that climaxes in the epic confrontation with the powerful Empty Seven Clan and a showdown with an old enemy... Taking his inspiration from US soul and hip-hop cultures, Okazaki-san originally published Afro Samurai as a serialised, self-published (doujinshi) manga in Nou Nou Hau magazine from November 1998 to September 2002. It was picked up by Funimation and developed as an anime, airing five episodes in 2007, with Afro voiced by Samuel L Jackson and a soundtrack by RZA of the Wu-Tang Clan. Okazaki-san then created these two manga volumes for the US market, which were published in 2008 and 2009. Both original English language volumes have been out of print since 2013 and 2016, respectively, and are highly sought after by collectors, selling for $100+. Afro Samurai's lasting impact can be seen in today's appetite for all things manga and anime, as it was one of the first cross-cultural collaborations that celebrated Asian pop culture and US hip hop, to create an entirely new hybridised visual and musical language.

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Journey with your favourite characters from Middle-earth in this official colouring book based on the epic film trilogy The Hobbit, directed by Peter Jackson.The Hobbit film trilogy brought J.R.R. Tolkien's incredible world of Middle-earth to life for millions of people. Now you can add your own artistic touches and explore this enchanted universe as never before.Bilbo Baggins' unexpected journey from Hobbiton to the lair of the fearsome Smaug in Erebor brought him into contact with colourful wizards, Dwarves, Elves and Men and into conflict with deadly Trolls, Goblins, Orcs and Wargs.From Gandalf, Thorin and Tauriel to the revolting Great Goblin, vicious Azog and slimy Gollum, this official colouring book depicts The Hobbit movie trilogy's heroes and villains drawn from all corners of Middle-earth, with informative descriptions of every character and accurate pictures to colour.First published in 2017, this reissue of the only authorised Hobbit colouring book heralds the coming of a b

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Experience your favourite characters and enchanting scenes from one of the most famous fantasy worlds ever created Middle-earth in a brilliant new way with this official colouring book based on the epic The Lord of the Rings film trilogy directed by Peter Jackson.The Lord of the Rings film trilogy brought J.R.R. Tolkien's incredible world of Middle-earth to life for millions of people. Now you can add your own artistic touches and explore this enchanted universe as never before.Embark on your own colouring adventure through Middle-earth, from the peaceful Hobbit holes of the Shire to the majestic realms of Rivendell and Minas Tirith, and join in the Fellowship's terrifying journey through the mines of Moria to the unforgettable landscape of Mount Doom.As well as breathtaking scenes from the Lord of the Rings movie trilogy, you can colour your favourite heroes, including Gandalf, Aragorn, Legolas, Frodo and Sam, the majestic Galadriel and the pitiful Gollum, and iconic creatures such

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Discover the history of computers and coding. From Ada Lovelace's initial idea of computer programming to today's coding languages like Scratch, Python, Javascript, and more.This reading book for kids explores the world of coding while building reading skills and teaching exciting vocabulary. Packed with photographs, diagrams, fun facts, and strong visual clues to keep your little ones engaged.What exactly is a computer? How do they work? What is a code? What are the different coding languages? This beginner's reader explores it all and more! Young children will find out what coding is, how it developed, and how modern codes are used for everyday purposes.It's the perfect reading book for ages 5-7 who are starting to read fluently with support. Level 2 titles contain carefully selected photographic images to complement the text, providing strong visual clues to build vocabulary and confidence. Additional information spreads are full of extra fun facts, developing the topics through a range of nonfiction presentation styles such as diagrams and activities.Explore, Engage, And Learn!There's a message for readers to decode, plus tips for writing their own code with child-friendly Scratch programming. This kid's educational book explores the world of coding and is full of facts kids will love reading.While learning to read, kids will also: - Learn about what coding is - Explore the world of early computers- Discover coding languages and coding today- Enjoy cool coding tips and test their knowledgeTrusted by parents, teachers, and librarians, and loved by kids, DK's leveled series of kids reading books is now revised and updated. With shiny new jackets and brand-new nonfiction narrative content on the topics kids love, each book is written and reviewed by literacy experts and contains a glossary and index, making them the perfect choice for helping develop strong reading habits for kids ages 3-11. Add other Level 2 titles to your collection covering a range of topics like LEGO City: Heroes to the Rescue: Find Out How They Keep the City Safe, What Is An Election?, Hello Hedgehog, Amazing Bees, Life In The Stone Age, many Star Wars titles and more.

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In this book, one of our country’s most distinguished scholar-judges shares with us his vision of the law. For the past two thousand years, the philosophy of law has been dominated by two rival doctrines. One contends that law is more than politics and yields, in the hands of skillful judges, correct answers to even the most difficult legal questions; the other contends that law is politics through and through and that judges wield essentially arbitrary powers. Rejecting these doctrines as too metaphysical in the first instance and too nihilistic in the second, Richard Posner argues for a pragmatic jurisprudence, one that eschews formalism in favor of the factual and the empirical. Laws, he argues, are not abstract, sacred entities, but socially determined goads for shaping behavior to conform with society’s values.Examining how judges go about making difficult decisions, Posner argues that they cannot rely on either logic or science, but must fall back on a grab bag of informal methods of reasoning that owe less than one might think to legal training and experience. Indeed, he reminds us, the greatest figures in American law have transcended the traditional conceptions of the lawyer’s craft. Robert Jackson did not attend law school and Benjamin Cardozo left before getting a degree. Holmes was neither the most successful of lawyers nor the most lawyerly of judges. Citing these examples, Posner makes a plea for a law that frees itself from excessive insularity and takes all knowledge, practical and theoretical, as grist for its mill.The pragmatism that Posner espouses implies looking at problems concretely, experimentally, without illusions, with an emphasis on keeping diverse paths of inquiry open, and, above all, with the insistence that social thought and action be evaluated as instruments to desired human goals rather than as ends in themselves. In making his arguments, he discusses notable figures in jurisprudence from Antigone to Ronald Dworkin as well as recent movements ranging from law and economics to civic republicanism, and feminism to libertarianism. All are subjected to Posner’s stringent analysis in a fresh and candid examination of some of the deepest problems presented by the enterprise of law.

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Can we still watch Woody Allen's movies? Can we still laugh at Bill Cosby's jokes? Woody Allen, Kevin Spacey, Dave Chappelle, Louis C. K., J.K. Rowling, Michael Jackson, Roseanne Barr. Recent years have proven rife with revelations about the misdeeds, objectional views, and, in some instances, crimes of popular artists. Spurred in part by the #metoo movement, and given more access than ever thanks to social media and the internet in general, the public has turned an alert and critical eye upon the once-hidden lives of previously cherished entertainers. But what should we members of the public do, think, and feel in response to these artists' actions or statements? It's a predicament that many of us face: whether it's possible to disentangle the deeply unsettled feelings we have toward an artist from how we respond to the art they produced. As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? Is it morally permissible for us to engage with or enjoy that work? Should immoral artists and their work be "canceled"? Most of all, can we separate an artist from their art? In Drawing the Line, Erich Hatala Matthes employs the tools of philosophy to offer insight and clarity to the ethical questions that dog us. He argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. While some dismiss the lives of artists as if they are irrelevant to the artist's work, and others instrumentalize artwork, treating it as nothing more than a political tool, Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators. Rather than shunning art made by those who have been canceled, shamed, called out, or even arrested, we should engage with it all the more thoughtfully and learn from the complexity it forces us to confront. Recognizing the moral and aesthetic relationships between art and artist is crucial to determining when and where we should draw the line when good artists do bad things.

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Nothing could hold back the Mississippi that summer. Jackson Island, which jutted up out of the river as an overgrown sand bar, was completely submerged. The island, immortalized by Mark Twain, wasn't very big to begin with, though Huckleberry Finn and Jim found it to be plenty. Water was what people talked about, worried over, and watched. Upstream and downstream, levees busted by force and sabotage. The river's to blame. When you grow up on the banks in Hannibal, Missouri, you need an escape route. You never know when the water is going to rise and you have to run.Laura Brooks has come home to Hannibal: a place that ten years ago she couldn't wait to leave. Growing up she felt stifled in this town ruled by its past, its hokey devotion to everything Twain, the small-mindedness of its inhabitants, and the rich/poor divide that runs as deep as the Mississippi River. What really drove her away, though, was the complicated demise of her love affair with Sammy, that fateful 4th of July when the levees broke. Laura hasn't kept much in touch with Hannibal since she fled, and her family - her lottery-playing, chicken-keeping Mama, her sweet deadbeat brother Trey, and no-nonsense Aunt Betty, hairdresser and cookie-baker extraordinaire - don't know what to make of it when Laura turns up all but unannounced. Things haven't been going so well for Laura in her grown-up life in Florida, and while she claims she's just home for a brief trip to take in Hannibal's high school reunion, she's carrying way too much luggage for that: literal and metaphorical. As Laura gets embroiled in small-town goings-on once more - such as her godson's campaign to be crowned this year's Tom Sawyer- Laura starts to heal from recent wounds. But when Sammy reappears on the scene, a deeper wound threatens to reopen. Now, with the Mississippi rising, her high school reunion looming, and a second chance at love, Laura wonders if running away again might be the only answer.

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Following the 1957 season, two of baseball’s most famous teams, the Brooklyn Dodgers and the New York Giants, left the city they had called home since the 19th century and headed west. The Dodgers went to Los Angeles and the Giants to San Francisco. Those events have entered baseball lore, and indeed the larger culture, as acts of betrayal committed by greedy owners Walter O’Malley of the Dodgers and Horace Stoneham of the Giants. The departure of these two teams, but especially the Dodgers, has not been forgotten by those communities. Even six decades later, it is not hard to find older Brooklynites who are still angry about losing the Dodgers. This is one side of the story. Baseball Goes West seeks to tell another side. Lincoln A. Mitchell argues that the moves to California, second only to Jackie Robinson’s debut in 1947, forged Major League Baseball (MLB) as we know it today. By moving two famous teams with national reputations and many well-known players, MLB benefited tremendously, increasing its national profile and broadening its fan base. This was particularly important following a decade that, despite often being described as baseball’s golden age, was plagued with moribund franchises, low wages for many players, and a difficult dismantling of the apartheid system that had been part of big league baseball since its inception.In the years immediately following the moves, the two most iconic players of the 1960s, Sandy Koufax and Willie Mays, had their best years, bringing even greater status and fame to their respective ball clubs. The Giants played an instrumental role in the first phase of baseball’s globalization by leading the effort to bring players from Latin America to the big leagues, while the Dodgers set attendance records and pioneered new ways to market the game. Sports historians, baseball fans, and historians of American culture on a broader scale will appreciate Mitchell’s reframing of baseball’s move west and his insights into the impacts felt throughout baseball and beyond.

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This full-color facsimile reprint of the actual JOLLY ROGERS war book appears here in a new quality edition. (The following is from the original dust jacket). No group of fliers since the Flying Tigers of China has ever emerged from the war with greater glory than the world famous Liberator unit . . . the JOLLY ROGERS. Month after month, since September, 1942, American newspapers and magazines have brimmed over with colorful stories about this most colorful of all B-24 outfits. Less celebrated Liberator units have complained that all these laurels fell to the JOLLY ROGERS because of their fascinating name and twin-tail insignia - a huge skull surmounting two crossed bombs. But the history of the JOLLY ROGERS tells its own story. No single heavy bomber unit in the Air Corps has ever claimed to beat the record of the JOLLY ROGERS in the number of enemy attackers shot out of the skies. Their bombing record has been acclaimed by the Men who ought to know . . . the men with stars on their shoulders in the Southwest Pacific. In this book you will find the faces of the men who were and still are the JOLLY ROGERS. Many of these have left the unit to return to the United States. Many have left, never to return. But all - cooks and clerks, fliers and ground crews - have earned their right to the page of American history which the JOLLY ROGERS have written with bombs and bullets. But more - the Editors of this book have tried to capture the flavor of life in the Southwest Pacific. No book about any Air Corps unit could ever be complete without the laughter, the irritation, the discomfort, the natives . . . the backdrop against which the greatest of all human dramas was played. It is with a sense of deep reverence and humility that this book is dedicated to the men whom no book could ever honor sufficiently . . . the men of the JOLLY ROGERS who died for their country.

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