Search results for ""Author Simon"

Precious snippets of ancient song.The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss. Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

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More than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves. Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since their first encounter in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer Non-Referential Architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images, and their historical connotations. For more than a decade, Olgiati and Breitschmid's thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic. The book's first edition, published in May 2018 by Simonett & Baer, was sold-out within months. This revised and slightly redesigned new edition makes this key text available again. Text in Italian.

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This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory. Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century-liberal, organized, and neoliberal capitalism-to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact upon western race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science-a critique of capitalism's impact upon popular music in historical and world perspective. This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.

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The importance of administration in the EU has been growing progressively together with the development of EU competences and tasks in the internal market. From the original model of a Community leaving enforcement with the Member States, the EU has become a complex legal order where administrative tasks are spread among different actors, including EU institutions, EU agencies and national administrations. Within this complex administrative law landscape, agencies and their powers have been essentially ‘upgraded’. This volume asks whether any such ‘upgrade’ is compatible with EU law and its principles. Exploring both the case law of the CJEU and the regulation relating to EU agencies, the volume asks a crucial question about the legitimacy of the ever-increasing role of agencies in the enforcement of EU law.

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Contains hundreds of photos of the Mosquito production line and design concepts. Appendices include first hand pilot accounts, details of the unique variants put into production, and information relating to the Mosquito's deployment in a civilian context with BOAC.

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This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

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A witty, sexy, intelligent and moving novel set against the foreground of a short-listed writer's bizarre dash across London to attend a literary prize-giving ceremony. Taking place across decades, across London and across America, this novel asks the question - are we forever responsible for those we have tamed?

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THE SECOND SEX is a hymn to human freedom and a classic of the existentialist movement. It also has claims to be the most important s ingle book in the history of feminism. In the forty years since its publication De Beauvoir's then revolutionary thesis - that the subordination of women is not a fact of nature but the product of social conditioning has become part of our everyday thinking.

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‘The writing glows with emotional intelligence. This atmospheric debut…had me sniffing copiously’ Daily Mail IN WARTIME, SURVIVAL IS AS MUCH ABOUT FRIENDSHIP AS IT IS ABOUT COURAGE… Kent, 1940. In the idyllic village of Chilbury change is afoot. Hearts are breaking as sons and husbands leave to fight, and when the Vicar decides to close the choir until the men return, all seems lost. But coming together in song is just what the women of Chilbury need in these dark hours, and they are ready to sing. With a little fighting spirit and the arrival of a new musical resident, the charismatic Miss Primrose Trent, the choir is reborn. Some see the choir as a chance to forget their troubles, others the chance to shine. Though for one villager, the choir is the perfect cover to destroy Chilbury’s new-found harmony… An uplifting and heart-warming novel perfect for fans of Helen Simonson’s The Summer before the War and The Guernsey Literary and Potato Peel Pie Society.

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In 1758 Diderot's friend the Marquis de Croismare became interested in the cause célèbre of a nun who was appealing to be allowed to leave a Paris convent. Less than a year later, in an affectionate attempt to trick his friend, Diderot created this masterpiece - a fictitious set of desperate and pleading letters to the Marquis from a teenage girl forced into the nunnery because she is illegitimate. In these letters, the impressionable and innocent Suzanne Simonin describes the cruelty and abuse she has suffered in an institution poisoned by vicious gossip, intrigues, persecutions and deviance. Considered too subversive during Diderot's lifetime, The Nun first appeared in print in 1796 following the Revolution. Part gripping novel, part licentious portrayal of sexual fervour and part damning attack on oppressive religious institutions, it remains one of the most utterly original works of the many eighteenth-century.

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Although deeply contested in many ways, the concept of human dignity has emerged as a key idea in fields such as bioethics and human rights. It has been largely absent, however, from literature on development studies. The essays contained in The Practice of Human Development and Dignity fill this gap by showing the implications of human dignity for international development theory, policy, and practice. Pushing against ideas of development that privilege the efficiency of systems that accelerate economic growth at the expense of human persons and their agency, the essays in this volume show how development work that lacks sensitivity to human dignity is blind. Instead, genuine development must advance human flourishing and not merely promote economic betterment. At the same time, the essays in this book also demonstrate that human dignity must be assessed in the context of real human experiences and practices. This volume therefore considers the meaning of human dignity inductively in light of development practice, rather than simply providing a theory or philosophy of human dignity in the abstract. It asks not only “what is dignity” but also “how can dignity be done?” Through a unique multidisciplinary dialogue, The Practice of Human Development and Dignity offers a dialectical and systematic examination of human dignity that moves beyond the current impasse in thinking about the theory and practice of human dignity. It will appeal to scholars in the social sciences, philosophy, and legal and development theory, and also to those who work in development around the globe. Contributors: Paolo G. Carozza, Clemens Sedmak, Séverine Deneulin, Simona Beretta, Dominic Burbidge, Matt Bloom, Deirdre Guthrie, Robert A. Dowd, Bruce Wydick, Travis J. Lybbert, Paul Perrin, Martin Schlag, Luigino Bruni, Lorenza Violini, Giada Ragone, Steve Reifenberg, Elizabeth Hlabse, Catherine E. Bolten, Ilaria Schnyder von Wartensee, Tania Groppi, Maria Sophia Aguirre, and Martha Cruz-Zuniga

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For the first time in English, the introductory volume in a major French philosopher’s groundbreaking series of poetic transdisciplinary works Michel Serres is recognized as one of the giants of postwar French philosophy of knowledge, along with Gilles Deleuze, Jacques Derrida, Michel Foucault, and Gilbert Simondon. His early five-volume series Hermes, which appeared in the 1960s and 1970s, was an intellectual supernova in its proposition that culture and science shared the same mythic and narrative structures. Hermes I: Communication marks the start of a major publishing endeavor to introduce this foundational series into English. Building on the figure of the Greek god Hermes, who presides over the realms of communication and interpretation, Hermes I embarks on a reflection concerning the history of mathematics via Descartes and Leibniz and culminates by way of a Bachelardian logoanalytic reading of Homer, Dumas, Molière, Verne, and the story of Cinderella. We observe a singular poetic philosopher seeking to bridge the gap between the liberal arts and the sciences through a profound mathematical and poetic fable regarding information theory, history, and art, establishing a new way to think about the production of knowledge during the late twentieth century. In these pages, students and scholars of philosophy will discover an extraordinary project of thought as vital to critical reflection today as it was fifty years ago.

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This volume celebrates one of the best known and most loved Italian directors in the world, one of the great masters of tension and horror: Dario Argento. Over the years his cinema has established itself - among cinephiles but not only - for its visionary power, for the search for an aesthetic dimension which is reached through excess. And this excess is not so much what materialises in the virtuosity of the staging of murder and death, as in treating such a brutal and disturbing material in such a way that it becomes something abstract, almost a baroque stylisation. The volume, full of critical essays that investigate the poetics and imagination of Dario Argento, retraces the director’s complete filmography. It also welcomes the testimonies of collaborators and the statements of great directors and actors who shared his long career. Biographies complete the volume. With texts by: Mick Garris, Domenico De Gaetano, Marcello Garofalo, Stefano Della Casa, Piera Detassis, Roberto Pugliese, Alan Jones, Domenico Monetti; testimonianze di: Stefania Casini, Franco Bellomo, Luigi Cozzi, Claudio Simonetti, Sergio Stivaletti, Luciano Tovoli, Antonello Geleng, Pupi Oggiano; fotogrammi tematici: Grazia Paganelli, Matteo Pollone, and Fabio Pezzetti Tonion. Text in English and Italian.

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In ancient Greece different city-states often fought one another in deadly battles. But every four years the Greeks set aside their differences to honor the gods and compete peacefully in the Olympic Games. Learn all about the athletes, competitions, and religious ceremonies of the ancient Olympics.

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Freshwater fishing is the perfect combination of relaxation and excitement. When you’re not peacefully looking out at the water, you’re reeling in the big one! Readers will learn all about the gear and skills they need to help them reel in the fish they’re hoping to hook!

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The mountain habitat can provide shelter and water for cunning predators, and the wolf and the golden eagle thrive there. The wolf can travel 50 miles a day to find prey. The striking force of a golden eagle’s talons can be compared to that of a bullet. But which animal is the fiercest of the ecosystem? Compare and contrast each animal’s features and skills before you declare the winning predator.

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The icy cold Arctic is home to both the powerful polar bear and intelligent orca, two mighty predators. But which animal is the fiercest of the ecosystem? Does the polar bear’s patience in stalking its prey and strength in attack put it on top? Or does the orca’s ability to work in a pod give it the edge? Compare and contrast each animal’s features and skills before you declare the winning predator.

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Animals are living things. They need certain things to grow and live. What are they? Let’s investigate what animals need to survive!

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Animals are living things. They need certain things to grow and live. What are they? Let’s investigate what animals need to survive!

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You push your friend while they swing. You pull open a door. What happens when you push or pull an object? Let’s investigate pushing and pulling forces!

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The icy cold Arctic is home to both the powerful polar bear and intelligent orca, two mighty predators. But which animal is the fiercest of the ecosystem? Does the polar bear’s patience in stalking its prey and strength in attack put it on top? Or does the orca’s ability to work in a pod give it the edge? Compare and contrast each animal’s features and skills before you declare the winning predator.

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Throughout the twentieth century housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation - from domestic space to urban visions - this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or governmental institutions from the interwar years to the Cold War. The book offers a first critical assessment of twentieth-century housing exhibits and explores the role of exhibitions in the codification of notions of domesticity, social models, policies, and architectural and urban discourse. At the intersection of housing studies and the history of exhibitions, The Housing Project not only offers a novel angle on architectural history but also enriches scholarly perspectives in urban studies, cultural and media history, design, and consumption studies. This publication is GPRC-labeled (Guaranteed Peer Review Content). Contributors: Tamara Bjazic Klarin (Institute of Art History, Zagreb), Gaia Caramellino (Politecnico di Milano), John Crosse (Independent Scholar), Stephanie Dadour (ENSA Grenoble, MHAevt/EA 7445, ACS/UMR AUSser), Rika Devos (Universite Libre de Bruxelles, BATir Department), Fredie Flore (KU Leuven), Johanna Hartmann (Institute for Art History-Film Studies-Art Education, University of Bremen), Erin McKellar (Royal Holloway, University of London), Laetitia Overney (ENSA Paris-Belleville, IPRAUS/UMR AUSser 3329), Jose Parra (University of Alicante), Mathilde Simonsen (Oslo School of Architecture and Design), Eva Storgaard (University of Antwerp), Ludovica Vacirca (Independent Scholar)

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Under neoliberalism the cult of individualism reigns supreme, forced upon us through culture, media and politics, it fatally limits our capacity to escape the current crisis of democratic politics. In Common Ground, Jeremy Gilbert asks us to reimagine the philosophical relationship between individuality, collectivity, affect and agency, proposing a radically non-individualist mode of imagining social life. The book considers how opponents of neoliberal hegemony, and of the individualist tradition in Western thought, might protect collective creativity and democratic possibility. Examination of the historical roots of individualism's 'Leviathan logic' and fresh readings of theorists such as Hobbes, Lazzarato, Simondon, Lyotard, Laclau and Deleuze and Guattari, force us to confront longstanding assumptions about the nature of the individual and of collectivity. Exploration of this fundamental faultline in contemporary politics is accompanied by analysis of the different ideas and practices of collectivity, from conservative notions of hierarchical and patriarchal communities to the politics of 'horizontality' and 'the commons' which lie at the heart of radical movements today. Through an understanding of the philosophy shaping contemporary relations and disrupting hegemonic values, we can re-imagine the present moment.

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Although little known today, Raymond Ruyer was a post–World War II French philosopher whose works and ideas were significant influences on major thinkers, including Deleuze, Guattari, and Simondon. With the publication of this translation of Neofinalism, considered by many to be Ruyer’s magnum opus, English-language readers can see at last how this seminal mind allied philosophy with science.Unfazed by the idea of philosophy ending where science began, Ruyer elaborated a singular, nearly unclassifiable metaphysics and reactivated philosophy’s capacity to reflect on its canonical questions: What exists? How are we to account for life? What is the status of subjectivity? And how is freedom possible? HaNeofinalism offers a systematic and lucidly argued treatise that deploys the innovative concepts of self-survey, form, and absolute surface to shape a theory of the virtual and the transspatial. It also makes a compelling plea for a renewed appreciation of the creative activity that organizes spatiotemporal structures and makes possible the emergence of real beings in a dynamic universe.

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In Always More Than One, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this to the concept of "autistic perception," described by autistics as the awareness of a relational field prior to the so-called neurotypical tendency to "chunk" experience into predetermined subjects and objects. Autistics explain that, rather than immediately distinguishing objects—such as chairs and tables and humans—from one another on entering a given environment, they experience the environment as gradually taking form. Manning maintains that this mode of awareness underlies all perception. What we perceive is never first a subject or an object, but an ecology. From this vantage point, she proposes that we consider an ecological politics where movement and relation take precedence over predefined categories, such as the neurotypical and the neurodiverse, or the human and the nonhuman. What would it mean to embrace an ecological politics of collective individuation?

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