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The Metropolitan Museum of Art celebrates 150 years by presenting its evolution into one of the world’s greatest museums and its vision for the future“'Making the Met'” is all about the ambitions and blind spots of an institution—and the changing schemes of meaning, value and interpretation that form an invisible frame around all the world’s beauty."--Jason Farago, The New York Times (exhibition review) Published to celebrate the Museum’s 150th anniversary, Making The Met examines the institution’s evolution from an idea—that art can elevate anyone who has access to it—to one of the most beloved encyclopedic collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into events that led The Met in new directions, broadened its audience, and expanded its collection. Eleven chapters illuminate topics such as the impact of momentous acquisitions, the global cooperation that resulted from international excavations, the Museum’s association with the “Monuments Men” and its role in preserving cultural heritage during and after the Second World War, and The Met’s interaction with modern and contemporary art and artists. Illustrations include rarely seen archival and behind-the-scenes images, in addition to more than 200 key works that changed the way we look at art. The final chapter considers contemporary philosophies for collecting art from around the globe, strategies for reaching new and diverse audiences, and the role of museums today.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 30–August 2, 2020)

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Biennial volume of new and innovative essays on German Jewish Studies, featuring forum sections on Heinrich Heine and Karl Kraus. Nexus is the official publication of the biennial German Jewish Studies Workshop, which was inaugurated at Duke University in 2009 and is now held at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing forum in North America for German Jewish Studies. Nexus publishes innovative research in German Jewish Studies, introducing new directions, analyzing the development and definition of the field, and considering its place vis-à-vis both German Studies and Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. Nexus 3 features special forum sections on Heinrich Heine and Karl Kraus. Renowned Heine scholar Jeffrey Sammons offers a magisterial critical retrospective on this towering "German Jewish" author, followed by a response from Ritchie Robertson, while the deanof Kraus scholarship, Edward Timms, reflects on the challenges and rewards of translating German Jewish dialect into English. Paul Reitter provides a thoughtful response. Contributors: Angela Botelho, Jay Geller, Abigail Gillman, Jeffrey A. Grossman, Leo Lensing, Georg Mein, Paul Reitter, Ritchie Robertson, Jeffrey L. Sammons, Egon Schwarz, Edward Timms, Liliane Weissberg, Emma Woelk. William Collins Donahue is the John J. CavanaughProfessor of the Humanities at the University of Notre Dame, where he chairs the Department of German and Russian. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, TheState University of New Jersey.

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The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands 'performance art' as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance and its methods of display, representation, and mediation in the wider cultural sphere, the book’s chapters identify a marked change in the economies and labor practices surrounding performance art and its institutional curating and presenting practices, reflective of an advanced stage of capitalism that approaches art production in tandem with event production. Embracing what we perceive to be the 'oxymoronic status' of performance art—where it is simultaneously precarious and highly profitable—the essays in this book map the myriad gestures and radical possibilities of this extreme contradiction. The Companion activates an interdisciplinary perspective to better attend to performance art’s legacies and its current practices. It brings together specially commissioned essays from leading innovative scholars from a wide range of approaches including art history, visual and performance studies, dance and theatre scholarship in order to provide a non-hierarchical merging of the disciplines within and between the humanities. It provides ten methodological directions that examine possibilities of transformative change—the core of performance art’s transgressive radical legacy. The book also includes a section on new directions and resources devoted to performance art. The chapters will thus provide multifocal perspectives on recent research trends to offer an array of intertwined methodologies.

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Explore the latest research avenues in the field of high-power microwave sources and metamaterials A stand-alone follow-up to the highly successful High Power Microwave Sources and Technologies, the new High Power Microwave Sources and Technologies Using Metamaterials, demonstrates how metamaterials have impacted the field of high-power microwave sources and the new directions revealed by the latest research. It’s written by a distinguished team of researchers in the area who explore a new paradigm within which to consider the interaction of microwaves with material media. Providing contributions from multiple institutions that discuss theoretical concepts as well as experimental results in slow wave structure design, this edited volume also discusses how traditional periodic structures used since the 1940s and 1950s can have properties that, until recently, were attributed to double negative metamaterial structures. The book also includes: A thorough introduction to high power microwave oscillators and amplifiers, as well as how metamaterials can be introduced as slow wave structures and other components Comprehensive explorations of theoretical concepts in dispersion engineering for slow wave structure design, including multi-transmission line models and particle-in-cell code virtual prototyping models Practical discussions of experimental measurements in dispersion engineering for slow wave structure design In-depth examinations of passive and active components, as well as the temporal evolution of electromagnetic fields High Power Microwave Sources and Technologies Using Metamaterials is a perfect resource for graduate students and researchers in the areas of nuclear and plasma sciences, microwaves, and antennas.

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Offers a diverse, interdisciplinary, and eye-opening view of the future direction of forensic science This one-of-a-kind book is a collection of content from the Past and Current Presidents of the American Academy of Forensic Sciences—providing readers with all of their forensic science experience, knowledge, insight, and wisdom. It envisions where forensic science will be a decade from now and the impact of these emerging advances on the law (along with our place in it), emphasizing theoretical advances, innovative leads from the laboratory, and emerging technologies. Filled with information from some of the greatest forensic minds of their generation, The Future of Forensic Science covers all of the eleven sections that comprise the AAFS. It discusses new directions in forensic anthropology, and looks at the future of such disciplines as criminalistics, forensic engineering science, forensic psychiatry and behavioral science, forensic toxicology, and forensic document examination. It also touches on the current and future state of digital and multimedia sciences. Contains contributions from an eminent group of forensic science experts Presents a valuable repository of forensic science experience, knowledge, insight, and wisdom Offers an insightful interdisciplinary look at the future of forensic science and how it is changing forensic science for the better Timed to coincide with the NIST forensic science initiative and the OSAC process The Future of Forensic Science is a must-have book for practicing forensic science professionals, academics, and advanced undergraduate and graduate students in forensic science. This book is published as part of the AAFS series ‘Forensic Science in Focus’.

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The creation of the Foreign Office under Adenauer tells us much about the possibilities and limits of professional diplomacy in the mid-twentieth century. It also demonstrates three themes central to the early history of the Federal Republic: the integration of the new state into the international community, the cooptation of German elites and traditions by the new political system, and the creation of government in a state under foreign occupation. In this important study, Thomas Maulucci argues that, despite an improvised start and a considerable continuity of practice and personnel with pre-1945 Germany, the changed international anddomestic situation proved decisive in creating a ministry that could help to implement new directions in German foreign policy. In addition, Maulucci explores the interactions between international, political, and social history, contributing to a literature that bridges the gap between the pre- and post-World War Two eras that characterized previous writing on German history. Based on extensive research in German, American, British, and French archives, Adenauer's Foreign Office is the only English-language book of its kind. The troubling question of personnel continuity in the German diplomatic service is of considerable importance today, especially because of the Foreign Office's previous attempts to portray its past in the best possible light. Of interest to scholars and students of German history and politics as well as non-specialists, this book provides new insights into post-war diplomacy, the sociology of German elites, and the problems involved in creating a new government after losing a major war.

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By 388 C.E., Augustine had broken with the Manichaeism of his early adulthood and wholeheartedly embraced Nicene Christianity as the tradition with which he would identify and within which he would find meaning. Yet conversion rarely, if ever, represents a clean and total break from the past. As Augustine defined and became a "Catholic" self, he also intently engaged with Manichaeism as a rival religious system. This second volume of Jason David BeDuhn's detailed reconsideration of Augustine's life and letters explores the significance of the fact that these two processes unfolded together. BeDuhn identifies the Manichaean subtext to be found in nearly every work written by Augustine between 388 and 401 and demonstrates Augustine's concern with refuting his former beliefs without alienating the Manichaeans he wished to win over. To achieve these ends, Augustine modified and developed his received Nicene Christian faith, strengthening it where it was vulnerable to Manichaean critique and taking it in new directions where he found room within an orthodox frame of reference to accommodate Manichaean perspectives and concerns. Against this background, BeDuhn is able to shed new light on the complex circumstances and purposes of Augustine's most famous work, The Confessions, as well as his distinctive reading of Paul and his revolutionary concept of grace. Augustine's Manichaean Dilemma, Volume 2 demonstrates the close interplay between Augustine's efforts to work out his own "Catholic" persona and the theological positions associated with his name, between the sometimes dramatic twists and turns of his own personal life and his theoretical thinking.

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Master cookie basics, then expand your repertoire with over 85 crave-worthy yet easy-to-prepare recipes for both classic and inventive sweet treats, each with its own mouthwatering photo. Author Dorothy Kern is one of the most trusted and widely read baking bloggers on Earth—and with good reason. Her tested-to-perfection recipes are simple to make, delectable, and full of creative new flavor ideas. In Crazy for Cookies, Brownies, and Bars, she shares her recipes and baking secrets so you, too, can make scrumptiously delicious cookies that everyone loves. Dorothy outlines the rules for successful cookie baking, provides an overview of key ingredients and tools, and offers expert tips on how to store baked things so they stay fresh for a long time. What’s more, she guides you in taking your cookie skills in new directions, into the delectable world of brownies (lots of different kinds of brownies!), blondies, shortbreads, shortcakes, cookie cakes, and more. The recipes, warmed with Dorothy’s personal stories and memories, include cookies that range from traditional favorites to all-new concepts: Seriously the Best Chocolate Chip Cookies Nana’s Drop Sugar Cookies Sprinkle Cookies Chocolate Candy Cane Cookies Chocolate Chip Snowball Cookies Salted Butterscotch Cookies Beyond the cookies, you’ll love the recipes for: Salted Caramel Ginger Sandwiches Cinnamon Blondies Bacon and Caramel Brownies Peanut Butter Magic Bars Fruit Tart Cookie Cups Birthday Cookie Cake …among tons of other delicious crowd-pleasers. Your family and friends will be thrilled with the results—and so will you.It’s the definitive book on cookies—and so much fun to use!

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This fresh and fascinating exploration of new directions in cancer research focuses on the important role of the immune system in combatting this dread disease. Integrating clues from the animal kingdom, the veterinary clinic, extraordinary human cases, and even embryology, the author-a cancer physician, biologist, and physicist-creates a novel and compelling account of tumor immunology and the promises of immunotherapy. As the author explains, animals offer us many tantalizing clues about the nature of cancer in humans. Tasmanian devils are on the verge of extinction due to a virulent form of contagious cancer; soft-shelled clams on the East coast of North America are vanishing due to another epidemic of contagious cancer; dogs also contract a contagious cancer but they spontaneously overcome it; and a type of mouse and the homely mole rat are not susceptible to the disease at all. In humans, there are rare instances of spontaneous cures of advanced cancers induced by radiation. An uncommon form of dwarfism called Laron syndrome confers total cancer immunity on the people who inherit the condition. And recent research suggests that cancer has stolen the secret that shields the embryo against hostile attacks from the mother's immune system. The author makes a convincing case that what all of these diverse examples have in common is the immune system and its ability or inability to respond to malignancies. He concludes with a review of the exciting research on the human immune system and the development of new treatments that are inducing the immune system to combat and conquer even the deadliest cancers.

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Over the years, cars have helped to define the experiences and self-perceptions of women in complex and sometimes unexpected ways. When women take the wheel, family structure and public space are reconfigured and re-gendered, creating a context for a literary tradition in which the car has served as a substitute for, an escape from, and an extension of the home, as well as a surrogate mother, a financial safeguard, and a means of self-expression. Driving Women examines the intersection of American fiction-primarily but not exclusively by women-and automobile culture. Deborah Clarke argues that issues critical to twentieth-century American society-technology, mobility, domesticity, and agency-are repeatedly articulated through women's relationships with cars. Women writers took surprisingly intense interest in car culture and its import for modern life, as the car, replete with material and symbolic meaning, recast literal and literary female power in the automotive age. Clarke draws on a wide range of literary works, both canonical and popular, to document women's fascination with cars from many perspectives: historical, psychological, economic, ethnic. Authors discussed include Wharton, Stein, Faulkner, O'Connor, Morrison, Erdrich, Mason, Kingsolver, Lopez, Kadohata, Smiley, Senna, Viramontes, Allison, and Silko. By investigating how cars can function as female space, reflect female identity, and reshape female agency, this engaging study opens up new angles from which to approach fiction by and about women and traces new directions in the intersection of literature, technology, and gender.

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.A Research Agenda for Entrepreneurial Cognition and Intention suggests new directions and approaches to study the internal thought processes of entrepreneurs by examining areas that have been under-researched, ignored or overlooked.Proposing new views on the idea of an entrepreneurial personality, new methodologies and theories of cognition and influence of personality, the contributors go beyond the study of individual intentions to evaluate group intentions. Furthermore, the book proposes that current research methods limit our understanding of entrepreneurial processes by not connecting to the wider entrepreneurial audience. With this in mind, key chapters focus on the role and relevance of language and gender in entrepreneurship.Academic researchers and advanced students looking to explore the latest research methods and statistical approaches will find this Research Agenda extremely useful for creating new research pathways. The case studies will also be exceptionally useful for those with a wider interest in entrepreneurship and those who wish to have a greater understanding of entrepreneurial intention.Contributors include: G.A. Alsos, G. Bertrand, M. Brännback, C.G. Brush, A.L. Carsrud, R. Germon, P.G. Greene, D.M. Hechavarria, A. Ingram, I. Jaén, F. Kropp, N. Krueger, F. Liñán, A. Maalaoui, J. Mezei, S. Nikou, T.F. Nogueira, C. Perez, M. Razgallah, L. Schjoedt, K.G. Shaver, R. Yitshaki

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How the prized matsutake mushroom is remaking human communities in China—and providing new ways to understand human and more-than-human worldsWhat a Mushroom Lives For pushes today’s mushroom renaissance in compelling new directions. For centuries, Western science has promoted a human- and animal-centric framework of what counts as action, agency, movement, and behavior. But, as Michael Hathaway shows, the world-making capacities of mushrooms radically challenge this orthodoxy by revealing the lively dynamism of all forms of life.The book tells the fascinating story of one particularly prized species, the matsutake, and the astonishing ways it is silently yet powerfully shaping worlds, from the Tibetan plateau to the mushrooms’ final destination in Japan. Many Tibetan and Yi people have dedicated their lives to picking and selling this mushroom—a delicacy that drives a multibillion-dollar global trade network and that still grows only in the wild, despite scientists’ intensive efforts to cultivate it in urban labs. But this is far from a simple story of humans exploiting a passive, edible commodity. Rather, the book reveals the complex, symbiotic ways that mushrooms, plants, humans, and other animals interact. It explores how the world looks to the mushrooms, as well as to the people who have grown rich harvesting them.A surprise-filled journey into science and human culture, this exciting and provocative book shows how fungi shape our planet and our lives in strange, diverse, and often unimaginable ways.

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New perspectives on early globalisms from objects and imagesTales Things Tell offers new perspectives on histories of connectivity between Africa, Asia, and Europe in the period before the Mongol conquests of the thirteenth century. Reflected in objects and materials whose circulation and reception defined aesthetic, economic, and technological networks that existed outside established political and sectarian boundaries, many of these histories are not documented in the written sources on which historians usually rely. Tales Things Tell charts bold new directions in art history, making a compelling case for the archival value of mobile artifacts and images in reconstructing the past.In this beautifully illustrated book, Finbarr Barry Flood and Beate Fricke present six illuminating case studies from the sixth to the thirteenth centuries to show how portable objects mediated the mobility of concepts, iconographies, and techniques. The case studies range from metalwork to stone reliefs, manuscript paintings, and objects using natural materials such as coconut and rock crystal. Whether as booty, commodities, gifts, or souvenirs, many of the objects discussed in Tales Things Tell functioned as sources of aesthetic, iconographic, or technical knowledge in the lands in which they came to rest. Remapping the histories of exchange between medieval Islam and Christendom, from Europe to the Indian Ocean, Tales Things Tell ventures beyond standard narratives drawn from written archival records to demonstrate the value of objects and images as documents of early globalisms.

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More than 40 percent of the world’s estimated 7,100+ languages are in danger of disappearing by the end of this century. As with the decline of biodiversity, language loss has been attributed to environmental degradation, developmentalism, and the destruction of Indigenous communities. This book brings together leading experts and younger scholars across the humanities and social sciences to investigate what global language justice looks like in a time of climate crisis. Examining the worldwide loss of linguistic diversity, they develop a new conception of justice to safeguard marginalized languages.Global Language Justice explores the socioeconomic transformations that both accelerate the decline of minoritized languages and give rise to new possibilities through population movement, unexpected encounters, and technological change. It also critically examines the concepts that are typically deployed to defend linguistic diversity, including human rights, inclusiveness, and equality. Contributors take up topics such as mapping language communities in New York City or how Indigenous innovation challenges notions of linguistic purity. They demonstrate the need to reckon with linguistic diversity in order to achieve a sustainable global economic system and show how the concept of digital vitality can push language justice in new directions. Interspersed with their essays are multilingual works by world-renowned poets and artists that engage with and deepen the book’s themes. Integrating ambitious theoretical exploration with concrete solutions, Global Language Justice offers vital new perspectives on the place of linguistic diversity in ongoing ecological crises.

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F. Scott Fitzgerald and Ernest Hemingway might have been contemporaries, but our understanding of their work often rests on simple differences. Hemingway wrestled with war, fraternity, and the violence of nature. Fitzgerald satirized money and class and the never-ending pursuit of a material tomorrow. Through the provocative arguments of Scott Donaldson, however, the affinities between these two authors become brilliantly clear. The result is a reorientation of how we read twentieth-century American literature. Known for his penetrating studies of Fitzgerald and Hemingway, Donaldson traces the creative genius of these authors and the surprising overlaps among their works. Fitzgerald and Hemingway both wrote fiction out of their experiences rather than about them. Therefore Donaldson pursues both biography and criticism in these essays, with a deep commitment to close reading. He traces the influence of celebrity culture on the legacies of both writers, matches an analysis of Hemingway's Spanish Civil War writings to a treatment of Fitzgerald's left-leaning tendencies, and contrasts the averted gaze in Hemingway's fiction with the role of possessions in The Great Gatsby. He devotes several essays to four novels, Gatsby, Tender Is the Night, The Sun Also Rises, and A Farewell to Arms, and others to lesser-known short stories. Based on years of research in the Fitzgerald and Hemingway archives and brimming with Donaldson's trademark wit and insight, this irresistible anthology moves the study of American literature in bold new directions.

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F. Scott Fitzgerald and Ernest Hemingway might have been contemporaries, but our understanding of their work often rests on simple differences. Hemingway wrestled with war, fraternity, and the violence of nature. Fitzgerald satirized money and class and the never-ending pursuit of a material tomorrow. Through the provocative arguments of Scott Donaldson, however, the affinities between these two authors become brilliantly clear. The result is a reorientation of how we read twentieth-century American literature. Known for his penetrating studies of Fitzgerald and Hemingway, Donaldson traces the creative genius of these authors and the surprising overlaps among their works. Fitzgerald and Hemingway both wrote fiction out of their experiences rather than about them. Therefore Donaldson pursues both biography and criticism in these essays, with a deep commitment to close reading. He traces the influence of celebrity culture on the legacies of both writers, matches an analysis of Hemingway's Spanish Civil War writings to a treatment of Fitzgerald's left-leaning tendencies, and contrasts the averted gaze in Hemingway's fiction with the role of possessions in The Great Gatsby. He devotes several essays to four novels, Gatsby, Tender Is the Night, The Sun Also Rises, and A Farewell to Arms, and others to lesser-known short stories. Based on years of research in the Fitzgerald and Hemingway archives and brimming with Donaldson's trademark wit and insight, this irresistible anthology moves the study of American literature in bold new directions.

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Allison Davis (1902–83), a preeminent black scholar and social science pioneer, is perhaps best known for his groundbreaking investigations into inequality, Jim Crow America, and the cultural biases of intelligence testing. Davis, one of America’s first black anthropologists and the first tenured African American professor at a predominantly white university, produced work that had tangible and lasting effects on public policy, including contributions to Brown v. Board of Education, the federal Head Start program, and school testing practices. Yet Davis remains largely absent from the historical record. For someone who generated such an extensive body of work this marginalization is particularly surprising. But it is also revelatory. In The Lost Black Scholar, David A. Varel tells Davis’s compelling story, showing how a combination of institutional racism, disciplinary eclecticism, and iconoclastic thinking effectively sidelined him as an intellectual. A close look at Davis’s career sheds light not only on the racial politics of the academy but also the costs of being an innovator outside of the mainstream. Equally important, Varel argues that Davis exemplifies how black scholars led the way in advancing American social thought. Even though he was rarely acknowledged for it, Davis refuted scientific racism and laid bare the environmental roots of human difference more deftly than most of his white peers, by pushing social science in bold new directions. Varel shows how Davis effectively helped to lay the groundwork for the civil rights movement.

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An unconventional take on the corpse challenges traditional conceptions of who—and what—counts as human, while offering bold insights into the modernist project Too often regarded as the macabre endpoint of life, the corpse is rarely discussed and largely kept out of the public eye. In The Modernist Corpse, Erin E. Edwards unearths the critically important but previously buried life of the corpse, which occupies a unique place between biology and technology, the living and the dead. Exploring the posthumous as the posthuman, Edwards argues that the corpse is central to understanding relations between the human and its “others,” including the animal, the machine, and the thing.From photographs of lynchings to documentation of World War I casualties, the corpse is also central to the modernist project. Edwards turns critical attention to the corpse through innovative, posthumanist readings of canonical thinkers such as William Faulkner, Jean Toomer, W. E. B. Du Bois, Mina Loy, Djuna Barnes, and Gertrude Stein, offering new insights into the intersections among race, gender, technical media, and matter presumed to be dead. Edwards’s expansive approach to modernism includes diverse materials such as Hollywood film, experimental photography, autopsy discourses, and the comic strip Krazy Kat, producing a provocatively broad understanding of the modernist corpse and its various “lives.”The Modernist Corpse both establishes important new directions for modernist inquiry and overturns common thought about the relationship between living and dead matter.

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In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius’ ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years. It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to human life, that pleasure and virtue are not opposites but intertwined, and that matter is made up of very small material particles in eternal motion, randomly colliding and swerving in new directions. Its return to circulation changed the course of history. The poem’s vision would shape the thought of Galileo and Freud, Darwin and Einstein, and—in the hands of Thomas Jefferson—leave its trace on the Declaration of Independence. From the gardens of the ancient philosophers to the dark chambers of monastic scriptoria during the Middle Ages to the cynical, competitive court of a corrupt and dangerous pope, Greenblatt brings Poggio’s search and discovery to life in a way that deepens our understanding of the world we live in now. “An intellectually invigorating, nonfiction version of a Dan Brown–like mystery-in-the-archives thriller.” —Boston Globe

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This fresh look at artist Takashi Murakami takes on the “monstrous” themes of rampant consumerism, human fallibility, and the perils of life in the digital fast lane, in works from the past decade One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga. But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil. Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects. The book features lavish color illustrations, a plastic jacket, dyed edges, and four gatefolds. Published in association with the Asian Art Museum of San Francisco Exhibition Schedule: Asian Art Museum of San Francisco (September 15, 2023–February 12, 2024)

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Samir Chopra is an immigrant, a “voluntary exile,” who discovers he can tell the story of his life through cricket, a game that has long been an influence—really, an obsession—for him. In so doing, he reveals how his changing views on the sport mirror his journey of self-discovery. In The Evolution of a Cricket Fan, Chopra is thus able to reflect on his changing perceptions of self, and of the nations and cultures that have shaped his identity, politics, displacement, and fandom. Chopra’s passion for the sport began as a child, when he rooted for Pakistan and against his native India. When he migrated, he became a fan of the Indian team that gave him a sense of home among the various cultures he encountered in North America and Australia. This “shapeshifting” exposes the rift between the Old and the New world, which Chopra acknowledges is “cricket’s greatest modern crisis.” But it also illuminates the identity dilemmas of post-colonial immigrants in the Indian diaspora.Chopra’s thoughts about the sport and its global influence are not those of a player. He provides access to the inner world of the global cricket fan navigating the world that colonial empire wrought and that cricket continues to connect and animate. He observes that the Indian cricket team carries many burdens—not only must they win cricket matches, but their style of play must generate a pride that assuages generations of wounds inflicted by history. And Chopra must navigate where he stands in that history.The Evolution of a Cricket Fan shows Chopra’s own wins and losses as his life takes new directions and his fandom changes allegiances.

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Honorable Mention for the 2014 MLA Alan Bray Memorial Award Finalist for the 2013 LAMBDA LGBT Studies Book Award In nineteenth-century America—before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality—what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality? Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable—from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith—Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures—futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America.

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Sets the stage for large-scale production of biofuels and bio-based chemicals In response to diminishing supplies as well as the environmental hazards posed by fossil fuels and petrochemicals, interest and demand for green, sustainable biofuels and bio-based chemicals are soaring. Biomass may be the solution. It is an abundant carbon-neutral renewable feedstock that can be used for the production of fuels and chemicals. Currently, biorefineries use corn, soybeans, and sugarcane for bioethanol and biodiesel production; however, there are many challenges facing biorefineries, preventing biomass from reaching its full potential. This book provides a comprehensive review of bioprocessing technologies that use lignocellulosic biomass for the production of biofuels, biochemicals, and biopolymers. It begins with an overview of integrated biorefineries. Next, it covers: Biomass feedstocks, including sugar, starch, oil, and energy crops as well as microalgae Pretreatment technologies for lignocellulosic biomass Hydrolytic enzymes used in biorefineries for the hydrolysis of starch and lignocelluloses Bioconversion technologies for current and future biofuels such as ethanol, biodiesel, butanol, hydrogen, and biogas Specialty chemicals, building block chemicals, and biopolymers produced via fermentation Phytochemicals and functional food ingredients extracted from plant materials All the chapters have been written and edited by leading experts in bioprocessing and biorefining technologies. Contributions are based on a thorough review of the literature as well as the authors' firsthand experience developing and working with bioprocessing technologies. By setting forth the current state of the technology and pointing to promising new directions in research, Bioprocessing Technologies in Biorefinery for Sustainable Production of Fuels, Chemicals, and Polymers will enable readers to move towards large-scale, sustainable, and economical production of biofuels and bio-based chemicals.

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Distinguished theologians and literary scholars explore the workings of the sacred and the sacramental in language and literature. What does a sacramental poetics offer that secular cultural theory, for all of its advances, may have missed? How does a sacred understanding of the world differ from a strictly secular one? This volume develops the theory of “sacramental poetics” advanced by Regina Schwartz in her 2008 book on English Reformation writers, taking the theory in new directions while demonstrating how enduring and widespread this poetics is. Toward a Sacramental Poetics addresses two urgent questions we have inherited from a half century of secular critical thought. First, how do we understand the relationship between word and thing, sign and signified, other than as some naive direct representation or as a completely arbitrary language game? And, second, how can the subject experience the world beyond instrumentalizing it? The contributors conclude that a sacramental poetics responds to both questions, offering an understanding of the sign that, by pointing beyond itself, suggests wonder. The contributors explore a variety of topics in relation to sacramental poetics, including political theology, miracles, modernity, translation and transformation, and the metaphysics of love. They draw from diverse resources, from Dante to Hopkins, from Richard Hooker to Stoker's Dracula, from the King James Bible to Wallace Stevens. Toward a Sacramental Poetics is an important contribution to studies of religion and literature, the sacred and the secular, literary theory, and theologies of aesthetics. Contributors: Regina M. Schwartz, Patrick J. McGrath, Rowan Williams, Subha Mukherji, Stephen Little, Kevin Hart, John Milbank, Hent de Vries, Jean-Luc Marion, Ingolf U. Dalferth, Lori Branch, and Paul Mariani.

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This collection of essays is a compilation of the thought and work of W. Norris Clarke, S.J., a philosopher inspired by the Thomistic tradition, who in 45 years of teaching and writing has delved into many of the central problems of perennial philosophy and made a significant contribution to the ongoing history of American Thomism. The essays presented here reflect an internal unity-each essay deliberately building on the positions put forth in the preceding ones-as they progress systematically through the themes of metaphysics and philosophy of God. Clarke begins with an overall survey of what in Aquinas's metaphysics is most relevant for today, and then suggests the most fruitful starting point for a contemporary presentation of such a metaphysics. The next five essays discuss key positions in metaphysics and are followed by two essays on the philosophy of God. The final essay illuminates key themes in Clarke's most recent work on the human person. Clarke's examination of topics in all these areas is especially concerned with the notions of action and participation in existence as being central to the metaphysical study of reality. This then leads to a close study of the often misunderstood Thomistic doctrine of analogy and how it functions in the construction of a viable philosophy of God. The overall spirit that permeates the volume is Clarke's firm conviction that the philosophical thought of St. Thomas Aquinas is an inexhaustibly rich and profound resource, and his purpose is to share this conviction with contemporary philosophers. In so doing Clarke both reflects and triggers significant new directions in contemporary Thomistic thought.

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An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room In Rachel Kushner’s latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne—where she contemplates German guilt and art-world grifters, and Leipzig—where she encounters live “adult entertainment” in a business hotel. The narrator gossips about everyone, including the author. “Taking a time out from what happened to me in Cologne and in Leipzig,” Kushner writes, “I want to let you in on a secret: I personally know the author of this story you’re reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it’s not like someone held a gun to my head and said, Be an artist. I chose it, but I still can’t imagine having anything to do with the art world if you don’t have to. Also, people who don’t make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both.” Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper’s and the Paris Review.

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In just eight years, The Dramatic Writer's Companion has become a classic among playwrights and screenwriters. Thousands have used its self-contained character, scene, and story exercises to spark creativity, hone their writing, and improve their scripts. Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne's in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories. The exercises can be used by those just starting the writing process and by those who have scripts already in development. With each exercise rooted in real-life issues from Dunne's workshops, readers of this companion will find the combined experiences of more than fifteen hundred workshops in a single guide. This second edition is fully aligned with a brand-new companion book, Character, Scene, and Story, which offers forty-two additional activities to help writers more fully develop their scripts. The two books include cross-references between related exercises, though each volume can also stand alone. No ordinary guide to plotting, this handbook centers on the principle that character is key. "The character is not something added to the scene or to the story," writes Dunne. "Rather, the character is the scene. The character is the story." With this new edition, Dunne's remarkable creative method will continue to be the go-to source for anyone hoping to take their story to the stage.

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“Beatrix uses words like she uses paint. . .with brush strokes so vivid and rich I feel as if I’m there watching as her story unfolds. I love this book!” –Sissy SpacekBeatrix Ost’s memoir of her artistic awakening and early marriage opens on the heels of Germany’s recovery from the self-imposed disasters of World War II. She is part of the new generation that dances disobediently in the bombed-out villas and underground jazz caverns of Munich. Beatrix rides the dynamic decade up through the world of art, fashion, and cinema into the revolution of politics and consciousness.Marriage to the self-made prodigy and archaeologist, Ferdinand, impresario of the Hot Club, draws her into the mystical realm of the ancient Mexican gods. Soon, two sons are born. They make an odyssey through Mexico where, under the wing of the artistic elite, their homes full of Riveras and Kahlos, the initial impression is intoxicating. But the further they press inland, the more Ferdinand loses himself in his obsession and addictions.Ost draws us into the vortex of human craving to portray the complexities of her early marriage to a man scarred by the war, climbing the magical mountain of his own desires.Accompanied by the author’s artwork and photographs from her private collection, Ost “…shakes free of an impossibly dark life as the wife of an alcoholic…brushes off the stardust of romance and, stepping back in the light, comes into her own.” (Barbara Epler, President, New Directions Publishing)

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When the United States entered World War I, President Woodrow Wilson declared to Congress that the objective was not merely to bring "a new balance of power," but rather to bring a "just and secure peace" to the world by the end of the conflict. In this famous speech, known as "The Fourteen Points," Wilson offered the world a road map toward a more equitable international system in the midst of unprecedented global conflict, including ideas on the interconnectedness of democracy, trade, and the concept of a forum for peaceably resolving international disputes. Even decades after the end of the First World War, Wilson's ideas remained important and influenced many of his successors. But now, in the twenty-first century, there are forces at work in the world that Wilson could never have imagined, and those forces call for a new plan toward peace.In Fourteen Points for the Twenty-First Century: A Renewed Appeal for Cooperative Internationalism, Richard H. Immerman and Jeffrey A. Engel bring together a diverse group of thinkers who take up Wilson's call for a new world order by exploring fourteen new directions for the twenty-first century. The contributors -- scholars, policymakers, entrepreneurs, poets, doctors, and scientists -- propose solutions to contemporary challenges such as migration, global warming, health care, food security, and privacy in the digital age. Taken together, these points challenge American leaders and policymakers to champion an international effort, not to make America great again, but to work cooperatively with other nations on the basis of mutual respect.

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The pivotal text that bridges the gap between fundamentals and applications of soft matter in organic electronics Covering an expanding and highly coveted subject area, Supramolecular Soft Matter enlists the services of leading researchers to help readers understand and manipulate the electronic properties of supramolecular soft materials for use in organic opto-electronic devices, such as photovoltaics and field effect transistors, some of the most desired materials for energy conservation. Rather than offering a compilation of current trends in supramolecular soft matter, this book bridges the gap between fundamentals and applications of soft matter in organic electronics in an effort to open new directions in research for applying supramolecular assembly into organic materials while also focusing on the morphological functions originating from the materials' self-assembled architectures. This unique approach distinguishes Supramolecular Soft Matter as a valuable resource for learning to identify concepts that hold promise for the successful development of organic/polymeric electronics for use in real-world applications. Supramolecular Soft Matter: Combines important topics to help supramolecular chemists and organic electronics researchers work together Covers an interdisciplinary field of prime importance to government-supported R&D research Discusses the concepts and perspectives in a dynamic field to aid in the successful development of organic electronics Includes applications for energy conservation like photovoltaics and field effect transistors Teeming with applicable information on both molecular design and synthesis, as well as the development of smart molecular assemblies for organic electronic systems, Supramolecular Soft Matter provides more practical in-depth coverage of this rapidly evolving technology than any other book in its field.

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How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare’s England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.

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Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field:• Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images.• Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics.• Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law.• Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved.• Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field.This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

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This is an account of the Neolithic period in Scotland from its earliest traces around 4000 BC to the transformation of Neolithic society in the Early Bronze Age fifteen hundred years later. Gordon Noble inteprets Scottish material in the context of debates and issues in European archaeology, comparing sites and practices identified in Scotland to those found elsewhere in Britain and beyond. He considers the nature and effects of memory, sea and land travel, ritualisation, island identities, mortuary practice, symbolism and environmental impact. He synthesises excavations and research conducted over the last century and more, bringing together the evidence for understanding what happened in Scotland during this long period. His long-term and regionally based analysis suggests new directions for the interpretation of the Neolithic more generally. After outlining the chronology of the Neolithic in Europe Dr Noble considers its origins in Scotland. He investigates why the Earlier Neolithic in Scotland is characterised by regionally-distinct monumental traditions and asks if these reflect different conceptions of the world. He uses a long-term perspective to explain the nature of monumental landscapes in the Later Neolithic and considers whether Neolithic society as a whole might have been created and maintained through interactions at places where large-scale monuments were built. He ends by considering how the Neolithic was transformed in the Early Bronze Age through the manipulation of the material remains of the past. Neolithic Scotland provides a comprehensive, approachable and up-to-date account of the Scottish Neolithic. Such a book has not been available for many years. It will be widely welcomed.

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A richly illustrated exploration of Mina Loy’s art and writingsMina Loy (1882–1966) was one of the most iconoclastic figures in modernism. A groundbreaking poet, she also left an indelible mark in painting, drawing, prose, art criticism, and fashion. Mina Loy: Strangeness Is Inevitable is the first book to examine the full scope of her extraordinary career, demonstrating Loy’s transformative impact on the visual arts as well as the literary avant-garde of the twentieth century.Presenting dozens of Loy’s paintings, drawings, and constructions alongside selections of her poems and writings, this book gives a comprehensive overview of the complex images and objects Loy created and situates them in the larger context of her life and work. It explores Loy’s pursuit of truth and beauty, arguing that her engagement with the emphatically “unbeautiful” materials of the Bowery—such as rags and bottle caps—reflects her questioning of truth. The book positions Loy within the broader context of surrealist art; sheds light on her relationships with influential figures such as Gertrude Stein, Marcel Duchamp, and Wyndham Lewis; and addresses Loy’s enduring relevance today.Featuring rare and previously unpublished artworks, Mina Loy: Strangeness Is Inevitable reveals this visionary artist’s extraordinary contributions as an image-maker, writer, and cultural arbiter, introducing her work to a new generation of readers and charting new directions in art history, women’s studies, poetry, and modernist studies.Published in association with the Bowdoin College Museum of ArtExhibition ScheduleBowdoin College Museum of Art, Brunswick, MaineApril 6–September 17, 2023

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For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power.In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.

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The best minds in positive psychology survey the state of the field Positive Psychology in Practice, Second Edition moves beyond the theoretical to show how positive psychology is being used in real-world settings, and the new directions emerging in the field. An international team of contributors representing the best and brightest in the discipline review the latest research, discuss how the findings are being used in practice, explore new ideas for application, and discuss focus points for future research. This updated edition contains new chapters that explore the intersection between positive psychology and humanistic psychology, salugenesis, hedonism, and eudaimonism, and more, with deep discussion of how the field is integrating with the new areas of self-help, life coaching, social work, rehabilitation psychology, and recovery-oriented service systems. This book explores the challenges and opportunities in the field, providing readers with the latest research and consensus on practical application. Get up to date on the latest research and practice findings Integrate positive psychology into assessments, life coaching, and other therapies Learn how positive psychology is being used in schools Explore possible directions for new research to push the field forward Positive psychology is being used in areas as diverse as clinical, counseling, forensic, health, educational, and industrial/organizational settings, in a wide variety of interventions and applications. Psychologists and other mental health professionals who want to promote human flourishing and well-being will find the second edition of Positive Psychology in Practice to be an informative, comprehensive guide.

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This beautiful book brings you the very best of art throughout history – using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over – from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique – such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalized society, and it traces how certain artists, genres or movements informed the works of others – showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomized each artistic movement are identified and explained, against a backdrop of influences – the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.

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Non-market environmental valuation (NMEV) is undergoing a period of increased growth in both application and development as a result of increasing recognition of the role of economics in environmental policy issues. Against this backdrop, The International Handbook on Non-Market Environmental Valuation brings together world leaders in the field to advance the development and application of NMEV as a tool for policy-making. The expert contributors provide insights into the state of the art across the spectrum of both revealed and stated preference methods and highlight new directions being taken. A sequence of topical applications demonstrate various techniques and illustrate what can be achieved using NMEV: deliberately diverse case studies are drawn from Europe, North America, Asia and Australia with valuation targets ranging across use and non-use values of the environment. A number of reviews of cutting-edge issues are also presented. This outstanding resource will enable those interested in environmental valuation from theoretical, practical or policy perspectives to bring themselves to the forefront of developments and practice. As such, this Handbook will prove invaluable to a wide-ranging audience encompassing academics, researchers, students, practitioners and consultants involved in environmental economics and NMEV.Contributors: S. Bain, I.J. Bateman, J. Bennett, E.Y. Besedin, M.C.J. Bliemer, R. Brouwer, R.T. Carson, J. Champ, J. Cheesman, S. Colombo, J. Downing, J. Englin, S. Garcia, M. Giergiczny, A. González-Cabán, T. Groves, N. Hanley, J.A. Herriges, S. Hess, T. Holmes, Y. Jeon, R.J. Johnston, H.A. Klaiber, C.L. Kling, Y. Liu, J. Loomis, P.-A. Mahieu, K.E. McConnell, S. Navrud, A. Pang, G.L. Poe, P. Riera, J. Rolfe, J.M. Rose, E.T. Schultz, K. Segerson, V.K. Smith, J. Strand, P.J. Thomassin, D. Tinch, P. van Beukering, C.A. Vossler, X. Wang

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This book explores the disciplinary interfaces and practical implications of working across the two disciplines of industrial ecology (IE) and innovation studies (IS). Both disciplines have something to say about instigating environmental improvement and more sustainable futures. IE is predicated on the idea that social and economic systems mirror, or should be made to mirror, natural ecological systems. Proponents of IE devise models and techniques to trace material and energy resource flows as they move through social and economic systems. They propose policy and management improvements to increase the resource efficiency of such systems. By contrast, IS researchers work with the idea that innovation is a dynamic activity, vital to social and economic change and is shaped by a range of actors in industry, in government and in households.The authors illustrate the conceptual and practical problems and opportunities of working across this bi-disciplinary interface, with case studies presented from each and from hybrid perspectives that draw on both. These include applied examples from IE such as an evaluation of industrial symbiosis in the UK and from working projects in industrialising countries. Cases that originate with IS cover the areas of food, construction and waste incineration. New directions for conceptual development and further research are also offered. Conceptual blindspots and research gaps are identified at the interface of the two disciplines.Industrial Ecology and Spaces of Innovation will appeal to a wide and interdisciplinary audience including academics and researchers of environmental innovation, management and economics, industrial ecology and schools of environmental engineering. Business environmental practitioners, consultants and managers working with techniques such as life-cycle analysis, environmental impact assessment and collaborative industrial symbiosis initiatives will also find much to engage them within this book.

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War of the Beasts and the Animals is Russian poet Maria Stepanova’s first full English-language collection. Stepanova is one of Russia’s most innovative and exciting poets and thinkers, and founding editor of Colta.ru, an online independent site which has been compared to Huffington Post in its status and importance. IImmensely high-profile in Russia for many years, recognition in the West has followed the publication of her documentary novel In Memory of Memory, first in German translation in 2018 and now with Sasha Dugdale's English translation – published by Fitzcarraldo in the UK and by New Directions in the US – longlisted for the International Booker Prize in 2021. War of the Beasts and the Animals includes her recent long poems of conflict ‘Spolia’ and ‘War of the Beasts and Animals’, written during the Donbas conflict, as well as a third long poem ‘The Body Returns’, commissioned by Hay International Festival in 2018 to commemorate the Centenary of the First World War. In all three long poems Stepanova’s assured and experimental use of form, her modernist appropriation of poetic texts from around the world and her constant consideration of the way that culture, memory and contemporary life are interwoven make her work both pleasurable and deeply necessary. This collection also includes two sequences of poems from her 2015 collection Kireevsky: sequences of ‘weird’ ballads and songs, subtly changed folk and popular songs and poems which combine historical lyricism and a contemporary understanding of the effects of conflict and trauma. Stepanova uses the ready forms of ballads and songs, but alters them, so they almost appear to be refracted in moonlit water. The forms seem recognisable, but the words are oddly fragmented and suggestive, they weave together well-known refrains of songs, apparently familiar images, subtle half-nods to films and music.

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Discover new approaches to promote a viable forest industry while protecting non-timber values!Frontiers of Forest Biology: Proceedings of the 1998 Joint Meeting of the North American Forest Biology Workshop and the Western Forest Genetics Association gives you significant new insights on current initiatives in forest biology. Because the field is changing rapidly, you need to keep aware of current trends, as the emphasis in forest research shifts from productivity-based goals to sustainable development of forest resources. In this volume, you will find a comprehensive summary of the state of the art of forest science in North America. Whether your focus is on genetics or on the environmental aspects of forest science, plant physiology, or silviculture, you will find helpful chapters by practitioners as well as cutting-edge research by scientists. This integrated approach is unique in the field. Based on the 1998 Joint Meeting of the North American Forest Biology Workshop and the Western Forest Genetics Association, Frontiers of Forest Biology addresses changing priorities in forest resource management. This important book contains fascinating research studies, complete with tables and diagrams, on topics such as biodiversity research, the productivity of commercial species, conserving adaptive variation in forest ecosystems, and the effect of harvesting trees on nutrient leaching.The book maps the frontiers of this fast-changing science with chapters on: the social, biological, and industrial context of forest biology new directions for research into genetics, physiology, plant silviculture, and conservation the impact of genetics on sustainable forestry the effects of cold and disease on plant physiology regeneration of various species after logging new species adapted for agroforestry the impact and management of exotic weeds Frontiers of Forest Biology offers solid information on a broad spectrum of topics and suggests fresh avenues for your investigations in all aspects of forest biology.

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Two decades after the American Civil War, no name was more closely associated with the nation's inventive and entrepreneurial spirit than that of Thomas Edison. The restless changes of those years were reflected in the life of America's foremost inventor. Having cemented his reputation with his electric lighting system, Edison had decided to withdraw partially from that field. At the start of 1885, newly widowed at mid-life with three young children, he launched into a series of personal and professional migrations, setting in motion chains of events that would influence his work and fundamentally reshape his life. Edison's inventive activities took off in new directions, flowing between practical projects (such as wireless and high-capacity telegraph systems) and futuristic ones (exploring forms of electromagnetic energy and the convertibility of one to another). Inside of two years, he would travel widely, marry the daughter of a prominent industrialist and religious educator, leave New York City for a grand home in a sylvan suburb, and construct a winter laboratory and second home in Florida. Edison's family and interior life are remarkably visible at this moment; his papers include the only known diary in which he recorded personal thoughts and events. By 1887, the familiar rhythms of his life began to reassert themselves in his new settings; the family faded from view as he planned, built, and occupied a New Jersey laboratory complex befitting his status. The eighth volume of the series, New Beginnings includes 358 documents (chosen from among thousands) that are the most revealing and representative of Edison's work, life, and place in American culture in these years. Illustrated with hundreds of Edison's drawings, these documents are further illuminated by meticulous research on a wide range of sources, including the most recently digitized newspapers and journals of the day.

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What new directions in China's digital economy mean for us all China is the largest homogenous digital market on Earth: unified by language, culture, and mobile payments. Not only a consumer market of unrivaled size, it's also a vast and hyperactive innovation ecosystem for new technologies. And as China's digital economy moves from a consumer-focused phase to an enterprise-oriented one, Chinese companies are rushing to capitalize on ways the newer wave of tech—the Internet of Things, AI, blockchain, cloud computing, and data analytics (iABCD)—can unlock value for their businesses from non-traditional angles. In The Digital War, Winston Ma—investment professional, capital markets attorney, adjunct professor of digital economy, and bestselling author—details the profound global implications of this new direction, including how Chinese apps for services such as food delivery expand so quickly they surpass their U.S. models within a couple of years, and how the sheer scale and pace of Chinese innovation might lead to an AI arms race in which China and the U.S. vie aggressively for leadership. How China's younger netizens participate in their evolving digital economy as consumers, creators, and entrepreneurs Why Online/Office (OMO, Online-merge-with-Offline) integration is viewed as the natural next step on from the O2O (Online-to-Offline) model used in the rest of the world The ways in which traditional Chinese industries such as retail, banking, and insurance are innovating to stay in the game What emerging markets can learn from China as they leapfrog past the personal computer age altogether, diving straight into the mobile-first economy Anyone interested in what's next for Chinese digital powerhouses—investors, governments, entrepreneurs, international business players—will find this an essential guide to what lies ahead as China's flexes new digital muscles to create new forms of value and challenge established tech giants across the world.

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In this compact volume two of anthropology’s most influential theorists, Paul Rabinow and George E. Marcus, engage in a series of conversations about the past, present, and future of anthropological knowledge, pedagogy, and practice. James D. Faubion joins in several exchanges to facilitate and elaborate the dialogue, and Tobias Rees moderates the discussions and contributes an introduction and an afterword to the volume. Most of the conversations are focused on contemporary challenges to how anthropology understands its subject and how ethnographic research projects are designed and carried out. Rabinow and Marcus reflect on what remains distinctly anthropological about the study of contemporary events and processes, and they contemplate productive new directions for the field. The two converge in Marcus’s emphasis on the need to redesign pedagogical practices for training anthropological researchers and in Rabinow’s proposal of collaborative initiatives in which ethnographic research designs could be analyzed, experimented with, and transformed.Both Rabinow and Marcus participated in the milestone collection Writing Culture: The Poetics and Politics of Ethnography. Published in 1986, Writing Culture catalyzed a reassessment of how ethnographers encountered, studied, and wrote about their subjects. In the opening conversations of Designs for an Anthropology of the Contemporary, Rabinow and Marcus take stock of anthropology’s recent past by discussing the intellectual scene in which Writing Culture intervened, the book’s contributions, and its conceptual limitations. Considering how the field has developed since the publication of that volume, they address topics including ethnography’s self-reflexive turn, scholars’ increased focus on questions of identity, the Public Culture project, science and technology studies, and the changing interests and goals of students. Designs for an Anthropology of the Contemporary allows readers to eavesdrop on lively conversations between anthropologists who have helped to shape their field’s recent past and are deeply invested in its future.

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Hailed by the Washington Post as “a sure-footed and witty guide to slippery ethical terrain,” a philosophical exploration of AI and the future of the mind that Astronomer Royal Martin Rees calls “profound and entertaining”Humans may not be Earth’s most intelligent beings for much longer: the world champions of chess, Go, and Jeopardy! are now all AIs. Given the rapid pace of progress in AI, many predict that it could advance to human-level intelligence within the next several decades. From there, it could quickly outpace human intelligence. What do these developments mean for the future of the mind?In Artificial You, Susan Schneider says that it is inevitable that AI will take intelligence in new directions, but urges that it is up to us to carve out a sensible path forward. As AI technology turns inward, reshaping the brain, as well as outward, potentially creating machine minds, it is crucial to beware. Homo sapiens, as mind designers, will be playing with "tools" they do not understand how to use: the self, the mind, and consciousness. Schneider argues that an insufficient grasp of the nature of these entities could undermine the use of AI and brain enhancement technology, bringing about the demise or suffering of conscious beings. To flourish, we must grasp the philosophical issues lying beneath the algorithms.At the heart of her exploration is a sober-minded discussion of what AI can truly achieve: Can robots really be conscious? Can we merge with AI, as tech leaders like Elon Musk and Ray Kurzweil suggest? Is the mind just a program? Examining these thorny issues, Schneider proposes ways we can test for machine consciousness, questions whether consciousness is an unavoidable byproduct of sophisticated intelligence, and considers the overall dangers of creating machine minds.

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'Direction and Destiny in the Birth Chart' returns due to popular demand! When Howard Sasportas died in 1992, the astrological community recognised that it had lost one of its best-loved and most original thinkers. His lectures made him a highly respected figure in the international astrological world. At Howard's seminars the participants could enjoy his unique combination of intuitive insight, humour, warmth, inspired interpretation, and profound grasp of human nature. It is his rare blend of spirituality and down-to-earth, trenchant observations of human psychological dynamics which makes his work so unusual and memorable. The three seminars included in this reprint of the original volume all deal with the themes of direction and destiny in the birth chart. In personal consultation work Howard had the gift of inspiring his clients and highlighting potentials which gave them renewed hope and new directions to pursue in life. These seminars convey the same optimism and positive vision of human possibilities. The first seminar, on the theme of vocation, deals practically, psychologically and philosophically with that most difficult of questions: How can we discover the "right" path in life? The second seminar, on those mysterious points in the horoscope known as the Moon's Nodes, explores the distinction between fate and destiny, and the ways in which, as Jung once put it, we can learn to "do what we must do gladly". The third seminar, on the psychology of the "helper", examines the astrological signatures of the aptitudes and psychological patterns of those who are called to work in the helping professions. This volume is accessible, profound and revealing, and is essential reading for any astrological student seeking to understand the mystery and creative challenge of what impels us to move forward in life.

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The story of Earth’s last war starts with Hope’s sticky fingers...The multiple award-winning Batwoman team, J. H. WILLIAMS III (Promethea, The Sandman: Overture, Batman) and W. HADEN BLACKMAN (Star Wars, Elektra), reunites for an all-new ongoing series! They’re joined once again by colorist supreme DAVE STEWART and master letterer TODD KLEIN.In a bizarre future world that has forgotten its history, a reckless thief, Hope Redhood, holds the key to excavating its dark, strange past—if only she and her crew can escape a tyrannical wizard and his unstoppable daughter. But fate will send them all on a path leading to a war between worlds. ECHOLANDS is a landscape format, mythic-fiction epic where anything is possible—a fast-paced genre mashup adventure that combines everything from horror movie vampires to classic mobsters and cyborg elves, to Roman demigods and retro rocket ships. It’s going to be a helluva ride! Early praise for ECHOLANDS:“It's every fictional world, each with its own artistic style, intersecting and exploding with JHW3 magic and crackle. I can't wait to see where he and Haden Blackman are taking us—into a world in which anything can happen, and undoubtedly will.” —Neil Gaiman"So complex and unique and expertly executed it pushes the medium forward in new directions and leads to invigorated interest in the medium of comics itself." —Robert Kirkman"A dazzling, kinetic ride through an exquisitely realized fantasy world, bursting with graphic energy and excitement." —Dave Gibbons“Echolands’ fallen fantasy San Francisco is painted as a monstrous blend of magic and technology, and reads like a blockbuster car chase.” —Kyle Shutt (The Sword)“Getting an eyeful is a massive understatement. I love looking at the drawings as they expand with more details emerging every time I look.” —Debbie Harry (Blondie, Face It: A Memoir)

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Aviation remains one of the most active and challenging domains for human factors and applied psychology. Since 1981, the biennial International Symposium on Aviation Psychology (ISAP) has been convened for the purposes of (a) presenting the latest research on human performance problems and opportunities within aviation systems, (b) envisioning design solutions that best utilize human capabilities for creating safe and efficient aviation systems, and (c) bringing together scientists, research sponsors, and operators in an effort to bridge the gap between research and application. Though rooted in the presentations of the 17th ISAP, held in 2013 in Dayton, Ohio, Advances in Aviation Psychology is not simply a collection of selected proceeding papers. Based upon the potential impact on emerging trends, current debates or enduring issues present in their work, select authors were invited to expand on their work following the benefit of interactions at the symposium. The invited authors include the featured keynote and plenary speakers who are all leading scientists and prominent researchers that were selected to participate at the symposium. These contributions are supplemented by additional contributors whose work best reflects significant developments in aviation psychology. Consequently the volume includes visions for the next generation of air management and air traffic control, the integration of unmanned (i.e. remotely piloted vehicles) into operational air spaces, and the use of advanced information technologies (e.g. synthetic task environments) for research and training. This book is the first in a series of volumes to be published in conjunction with each subsequent ISAP. The aim of each volume is not only to report the latest findings in aviation psychology but also to suggest new directions for advancing the field.

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