Search results for ""author roy"

Margaret Cavendish, Duchess of Newcastle, led a remarkable-and controversial-life, writing poetry and prose and philosophizing on the natural world at a time when women were denied any means of a formal education. Lisa T. Sarasohn acutely examines the brilliant work of this untrained mind and explores the unorthodox development of her natural philosophy. Cavendish wrote copiously on such wide-ranging topics as gender, power, manners, scientific method, and animal rationality. The first woman to publish her own natural philosophy, Cavendish was not afraid to challenge the new science and even ridiculed the mission of the Royal Society. Her philosophy reflected popular culture and engaged with the most radical philosophies of her age. To understand Cavendish's scientific thought, Sarasohn explains, is to understand the reception of new knowledge through both insider and outsider perspectives in early modern England. In close readings of Cavendish's writings-poetry, treatises, stories, plays, romances, and letters-Sarasohn explores the fantastic and gendered elements of her natural philosophy. Cavendish saw knowledge as a continuum between reason and fancy, and her work integrated imaginative speculation and physical science. Because she was denied the university education available to her male counterparts, she embraced an epistemology that favored contemplation and intuition over logic and empiricism. The Natural Philosophy of Margaret Cavendish serves as a guide to the unusual and complex philosophy of one of the seventeenth century's most intriguing minds. It not only celebrates Cavendish as a true figure of the scientific age but also contributes to a broader understanding of the contested nature of the scientific revolution.

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Since its purchase in 1604 by Thomas Sackville, 1st Earl of Dorset, the house at Knole, Kent, has been inhabited by thirteen generations of a single aristocratic family, the Sackvilles. Here, drawing on a wealth of unpublished letters, archives and images, the current incumbent of the seat, Robert Sackville-West, paints a vivid and intimate portrait of the vast, labyrinthine house and the close relationships his colourful ancestors formed with it.Inheritance is the story of a house and its inhabitants, a family described by Vita Sackville-West as ‘a race too prodigal, too amorous, too weak, too indolent and too melancholy; a rotten lot, and nearly all stark staring mad'. Where some revelled in the hedonism of aristocratic life, others rebelled against a house which, in time, would disinherit them, shutting its doors to them forever. It's a drama in which the house itself is a principal character, it's fortunes often mirroring those of the family. Every detail holds a story: the portraits, and and all the junk which the subjects of those portraits left behind, point to pivotal moments in history; all the rooms, and the objects that fill them, are freighted with an emotional significance that has been handed down from generation to generation. Now owned by the National Trust, Knole is today one of the largest houses in England, visited by thousands annually and housing one of the country's finest collections of second-hand Royal furniture. It's a pleasure to follow Robert Sackville-West, as he unravels the private life of a public place on a fascinating, masterful, four-hundred-year tour through the memories and memorabilia, political, financial and domestic, of his extraordinary family.

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A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples.Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.”These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.

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Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions.Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.

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Peter of Blois pursued the life of a twelfth-century intellectual with vigor and passion tinged with anxiety. After a thorough education in the arts, theology, and law at some of medieval Europe's finest schools - including those at Chartres, Paris, and Bologna - he served in the courts of royalty and archbishops alike. He attended diplomatic embassies, advised princes, argued legal cases at the papal court in Rome, and may well have gone on crusade to the Holy Land. All the while, along with several treatises, he wrote, compiled, issued, and re-issued a collection of letters to the intellectual elite of Europe. These letters detail the spiritual and professional anxieties of an educated professional always looking for employment and in considerable despair over the fate of his soul. Peter's dilemma, essentially insoluble, was how to carve out a place in a rapidly changing intellectual and political landscape. ""The Clerical Dilemma"" is the first book-length study of Peter of Blois' life, thought, and writings in any language. John D. Cotts uses Peter's letters and treatises to recreate the thought of the twelfth-century literati, illuminating the ambiguities, contradictions, and fundamental dynamism of that world. Paying careful attention to the difficult manuscript tradition of the letter collection, Cotts explores how Peter brought classical, patristic, monastic, and scholastic traditions into an uneasy synthesis, and deployed them in letters whose recipients represent a cross-section of contemporary intellectuals - from cathedral canons, to prominent scholars, to cardinals and popes. The book will be of interest to all those interested in the religious, political, and intellectual history of the twelfth century, providing new avenues for studying the ways in which medieval writers composed and revised their texts.

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Who are the English? And what images spring to mind when you think of the English and England? Ask a tourist and they would probably say Big Ben, English 'bobbies', black taxi cabs and the late Queen and royal family. Ask a Scot, Welshmen or Irishman and you may get a different answer. However, ask an Englishman (or woman) and you will probably get more intimate answers... mowing the lawn, going down the pub or maybe braving the beach on a frigid summer's day. Ask Chris Steele-Perkins, an internationally acclaimed and award-winning Magnum photographer of over 50 years, and he'll have a multitude of answers all captured through his lens. In this new edition of his wonderful photobook, Chris presents a sweeping, unique record of what he thinks makes England truly English. From Sunday cricket matches to snoozes in a deckchair, intimate family portraits to carefree children at play, circus shows with performing bears to the wilder performers of a street carnival, and from Saturday night dancing to race riots. Each picture tells a story of time and place and many of the images in this collection will strike a chord or a memory in the viewer. These natural and authentic photographs are a personal selection of the best and most important of Chris' photographs that he has taken over 40 years of photographing in England. Some are drawn from books he has made on English themes, others from stories he has worked on, others from pictures of family and friends, from random events encountered. This book is an honest testament to this odd but magnificent country that is England, the England of the people.

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Artist and designer Luke Edward Hall, based in London, has taken the design world by storm with his playful, nostalgic, charming, and sophisticated interiors, fabrics, ceramics, furniture, stationery, prints, drawings, and paintings. With a strong belief that his artwork, décor, and interior design convey “happiness and optimism,” whimsical and romantic themes and a bright coluor palette are purposeful hallmarks of the wunderkind’s aesthetic. Before the age of 30, Luke has already collaborated with some of the world’s most prestigious creative brands and garnered acclaim from The New York Times, Vogue, and many of the most influential arts, design, and fashion publications. teNeues is proud to debut the exciting, beautiful, and exuberant first monograph of the brilliant Luke Edward Hall. After graduating from the esteemed Central Saint Martins, Luke Edward Hall began his career in interior design before establishing his own studio in 2015, and has since worked across a broad range of art and design commissions and interior design projects. He has expanded his portfolio to design collections of housewares, table linens, ceramics, stationery, embroidered slippers, clothing, and jewellery, and more. Burberry, Liberty London, Svenskt Tenn, Rowing Blazers, Christie’s, and the Royal Academy of London are among his notable clientele. Luke has exhibited his artwork in London and Stockholm and contributed art pieces and his writings to such lauded culture magazines as Cabana, House & Garden, and Pleasure Garden. He is currently a regular columnist for the House & Home section of the Financial Times. www.lukeedwardhall.com

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In late 1971, the People's Army of Vietnam launched Campaign 'Z' into northern Laos, escalating the war in Laos with the aim of defeating the last Royal Lao Army troops. The NVA troops numbered 27,000 and brought with them 130mm field guns and T-34 tanks, while the North Vietnamese air force launched MiG-21s into Lao air space. General Giap's specific orders to this task force were to kill the CIA army under command of the Hmong war lord Vang Pao and occupy its field headquarters in the Long Tieng valley of northeast Laos.They faced the rag-tag army of Vang Pao, fewer than 6,000 strong and mostly Thai irregulars, recruited by the Thai army to fight for the CIA in Laos. By the time the NVA launched their first attack, 4,000 Tahan Sua Pran had been recruited, armed, trained and rushed in position in Laos to defend against the impending NVA invasion. They reinforced Vang Pao's indigenous army of 1,800 Lao hillstribe guerrillas.Despite the odds being overwhelmingly in the NVA's favour, the battle did not go to plan. It raged for more than 100 days, the longest in the Vietnam War, and it all came down to Skyline Ridge. As at Dien Bien Phu, whoever won Skyline, won Laos. Against all odds, against all WDC expectations, the NVA lost, their 27,000-man invasion force decimated.James Parker served in Laos. Over many years he pieced together his own knowledge with CIA files and North Vietnamese after-action reports in order to tell the full story of the battle of Skyline Ridge.

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This book--at once simple and powerful--stands as a monument to the lifelong spiritual struggles of Edward Salim Michael, struggles that he heroically surmounted on his path to enlightenment. Due to the circumstances of his birth, Michael had no education, no mother tongue, and no book learning when he was drafted at the age of 19 into the British Royal Air Force during World War II. After learning to read and write he became an accomplished classical composer in France. In 1949, after seeing a statue of a Buddha for the first time, he experienced a powerful awakening of his innate Buddha Nature, which inspired him to begin a sustained and extremely disciplined meditation practice. Michael abandoned his career as a composer and went to India, the home of his maternal grandmother, where he lived for seven years fully focused on his spiritual awakening. Michael’s spiritual teachings reveal techniques of yoga and meditation that can open the door to one’s higher nature and to directly experience the after-death state. Nada yoga (meditation on the inner sound) is one of the core techniques for this realization. There is a vast luminous consciousness already within us, but it is obscured by the clouds of our incessant thoughts. With sincerity, moral integrity, and inner vigilance, which, when embodied, implies that we have internalized the basic tenets of the law of attention, we can move beyond the promptings of our lower nature and break through the clouds of our ordinary mind to realize our own divine nature. Emphasizing inner attention and an awareness of attitude, Michael’s practices can help aspirants make direct contact with the divine source each of us unknowingly carries deep within.

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Krithia was a key objective in the land offensives; a killing ground greater than Anzac or Suvla. This book adds to the Gallipoli story and the preceding Battleground books on that campaign by recounting not only the landings at Helles of 25 April 1915, but also the subsequent bitter battles that followed in an attempt to capture the village and the vital high ground of Achi Baba. General Hunter-Weston's weakened 29th Division achieved little during the first two bloody battles of Krithia, even when reinforced by the Anzacs, 42nd Division, Royal Naval Division and the French. The allies had little to show from their costly daylight frontal attacks, apart from a slightly firmer footing ashore and a growing casualty list. As the military situation looked to degenerate into a Western Front style stalemate, General Sir Ian Hamilton pushed for a final battle of Krithia. Using Hunter-Weston's newly formed VIII Corps, and General Gouraud's French Corps Expeditionnaire d'Orient, the Third Battle of Krithia launched on 6 June 1915. Despite a promising start, the attack soon collapsed against a stubborn Turkish defence, and although some lessons had been learnt from earlier failures; underestimation of the enemy was not one of them. This is the true story, told using a rich mix of letters, diaries, photographs and maps, of Gallipoli's most costly battles. Gallipoli today is an exquisitely beautiful and tranquil place, with its turquoise waters, stretches of sandy beaches, wild flower covered meadows and pine forested heights, such a contrast to what occurred here over a hundred years ago.

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Social Change in India shows the shift of focus that occurred during Florence Nightingale's more than forty years of work on public health in India. While the focus in the preceding volume, Health in India, was top-down reform, notably in the Royal Commission on the Sanitary State of the Army in India, this book documents concrete proposals for self-government, especially at the municipal level, and the encouragement of leading Indian nationals themselves. Famine and related epidemics continue to be issues, demonstrating the need for public works like irrigation and for greater self-help measures like ""health missioners"" and self-government. The book includes sections on village and town sanitation, the condition and status of women, land tenure, rent reform, and education and political evolution toward self-rule. Nightingale's publications on these subjects appeared increasingly in Indian journals. Correspondence shows Nightingale continuing to work behind the scenes, pressing viceroys, governors, and Cabinet ministers to take up the cause of sanitary reform. Her collaboration with Lord Ripon, viceroy 1880-84, was crucial, for he was a great promoter of Indian self-government. Social Change in India features much new material, including a substantial number of long-missing letters to Lady Dufferin, wife of the viceroy 1884-88, on the provision of medical care for women in India, health education, and the promotion of women doctors. Biographical sketches of major collaborators, a glossary of Indian terms, and a list of Indian place names are also provided. Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

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For anyone who ever wanted to be an archaeologist, Ian Graham could be a hero. This lively memoir chronicles Graham's career as the ""last explorer"" and a fierce advocate for the protection and preservation of Maya sites and monuments across Mexico, Guatemala, and Belize. It is also full of adventure and high society, for the self-deprecating Graham traveled to remote lands such as Afghanistan in wonderful company. He tells entertaining stories about his encounters with a host of notables beginning with Rudyard Kipling, a family friend from Graham's childhood.Born in 1923 into an aristocratic family descended from Oliver Cromwell, Ian Graham was educated at Winchester, Cambridge, and Trinity College, Dublin. His career in Mesoamerican archaeology can be said to have begun in 1959 when he turned south in his Rolls Royce and began traveling through the Maya lowlands photographing ruins. He has worked as an artist, cartographer, and photographer, and has mapped and documented inscriptions at hundreds of Maya sites, persevering under rugged field conditions. Graham is best known as the founding director of the Corpus of Maya Hieroglyphic Inscriptions Program at the Peabody Museum of Archaeology and Ethnology, Harvard University. He was awarded a MacArthur Foundation ""genius grant"" in 1981, and he remained the Maya Corpus program director until his retirement in 2004.Graham's careful recordings of Maya inscriptions are often credited with making the deciphering of Maya hieroglyphics possible. But it is the romance of his work and the graceful conversational style of his writing that make this autobiography must reading not just for Mayanists but for anyone with a taste for the adventure of archaeology.

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In 1730 Stephen Duck became the most famous agricultural labourer in the Hanoverian England when his writing won him the patronage of Queen Caroline. Duck and his writing intrigued his contemporaries. How was it possible for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck's remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. Class, Patronage, and Poetry in Hanoverian England: Stephen Duck, The Famous Threshing Poet explores these complex and contested relationships through Duck's life and work. It sheds new light on the poet's early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, 'The Thresher's Labour'; how his public identity as the 'famous Threshing Poet' took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. Finally, it reveals how, after Duck's death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.

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Madeleine's Children uncovers a multigenerational saga of an enslaved family in India and two islands, Réunion and Mauritius, in the eastern empires of France and Britain during the eighteenth and nineteenth centuries. A tale of legal intrigue, it reveals the lives and secret relationships between slaves and free people that have remained obscure for two centuries. As a child, Madeleine was pawned by her impoverished family and became the slave of a French woman in Bengal. She accompanied her mistress to France as a teenager, but she did not challenge her enslavement there on the basis of France's Free Soil principle, a consideration that did not come to light until future lawyers investigated her story. In France, a new master and mistress purchased her, despite laws prohibiting the sale of slaves within the kingdom. The couple transported Madeleine across the ocean to their plantation in the Indian Ocean colonies, where she eventually gave birth to three children: Maurice, Constance, and Furcy. One died a slave and two eventually became free, but under very different circumstances. On 21 November 1817, Furcy exited the gates of his master's mansion and declared himself a free man. The lawsuit waged by Furcy to challenge his wrongful enslavement ultimately brought him before the Royal Court of Paris, despite the extreme measures that his putative master, Joseph Lory, deployed to retain him as his slave. A meticulous work of archival detection, Madeleine's Children investigates the cunning, clandestine, and brutal strategies that masters devised to keep slaves under their control-and paints a vivid picture of the unique and evolving meanings of slavery and freedom in the Indian Ocean world.

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Alasdair Forbes has been developing his innovative and beautiful garden, Plaz Metaxu, in Devon, for the past thirty years. The thirty-two acre garden has been internationally acclaimed both as an unusually ambitious contemporary example of the making of place and for its poetic and psychological insights. Trained as an art historian, Alasdair always wanted his garden to be open to the worlds of myth, literature and the other arts, while remaining keenly aware of the strengths, vulnerabilities and delights a garden has to offer in its own right. He has been the only full-time gardener at Plaz Metaxu from its beginning until the present day, though invaluable part-time assistance has been provided by Cyril Harris (who is not a professional gardener either). The whole garden, with its lawns and fritillary meadows and hedges, its bowers, groves and woods, its lake and its courtyards, its ‘carousel beds’, and its landscaped walks to far horizons, is entirely the creation of these two men. This beautiful, richly illustrated book is Alasdair’s own account of how and why the garden was made. He writes of its many inspirations, from Psyche herself to poets, painters and the mysterious paredros . . . not forgetting the valley landscape, with its noble precedent at Studley Royal, and its wise mentors from the Far East. In everything he has done, Alasdair has been the pupil of the spaces that surround him; his rare gift has been to become their ventriloquist, in finding out how they themselves want to ‘speak’.

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A fascinating study of midshipmen and other "young gentlemen", outlining their social background, career paths and what life was like for them. Officer recruits - "young gentlemen" - entered the Royal Navy with dreams of fame, fortune and glory, but many found promotion difficult, with a large number unable to progress beyond lieutenant. Recent scholarship has argued thatduring the wars of 1793-1815 there was greater social diversity among naval officers, with promotion increasingly related to professional competence. This book, based on extensive original research, examines the social backgroundof around 4,000 "young gentlemen" a term which includes midshipmen and various other categories, including captains' servants, volunteers and masters' mates. It concludes that in fact high birth became an increasingly important factor in the selection of officer candidates, and that as the Admiralty grip on the appointment and management of officer aspirants increased, especially after 1815, aristocratic presence in the ranks of young officers increased significantly as a result of deliberate Admiralty policy. The book also discusses the assertion that the increase in elite sons led to a dramatic increase in cases of indiscipline and insubordination, concluding that although therewas a marked increase in courts martial for insubordination during and after the French Wars there is no evidence that such cases related more to the elites than to young aspirants in general". The book includes many case study examples of midshipmen and other "young gentlemen", illustrating what life was like for them and how they themselves viewed their situation. S.A. CAVELL is a graduate of the Queensland University of Technology and Louisiana State University and completed her doctorate at the University of Exeter.

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An overview of the history of yachting in its social, cultural, political and economic contexts. Shortlisted for the Maritime Foundation's Mountbatten Award 2018 This book, by a leading expert in the field, is the first major history of yachting for over a quarter of a century. Setting developments within political,social and economic changes, the book tells the story of yachting from Elizabethan times to the present day: the first uses of yachts, by monarchs, especially Charles II; yacht clubs and yacht racing in the eighteenth century; the early years of the Royal Yacht Squadron at Cowes and an analysis of the America Cup challenges; the pioneering developments in Ireland and the exporting of yachting to the colonies and trading outposts of the Empire; the expansion of yachting in Victorian times; the Golden Age of Yachting in the years before the First World War, when it was the sport of the crowned heads of Europe; the invention of the dinghy and the keelboat classes and, after the Second World War, the massive numbers of home-built dinghies; the breaking of new boundaries by risk-taking single-handers from the mid-1960s; the expansion of leisure sailing that came in the 1980s with the use of moulded plastic yachts; and current trends and pressures within the sport. Well-referenced yet highly readable, this book will be of interest both to the scholar and the sailing enthusiast. MIKE BENDER is an experienced yachtsman and qualified Ocean Yachtmaster, with some forty thousand miles, mostly singlehanded, under the keel. He is an Honorary Research Fellow in History at the University of Exeter.

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We all hear voices. Ordinary thinking is often a kind of conversation, filling our heads with speech: the voices of reason, of memory, of self-encouragement and rebuke, the inner dialogue that helps us with tough decisions or complicated problems. For others - voice-hearers, trauma-sufferers and prophets - the voices seem to come from outside: friendly voices, malicious ones, the voice of God or the Devil, the muses of art and literature. In The Voices Within, Royal Society Prize shortlisted psychologist Charles Fernyhough draws on extensive original research and a wealth of cultural touchpoints to reveal the workings of our inner voices, and how those voices link to creativity and development. From Virginia Woolf to the modern Hearing Voices Movement, Fernyhough also transforms our understanding of voice-hearers past and present. Building on the latest theories, including the new 'dialogic thinking' model, and employing state-of-the-art neuroimaging and other ground-breaking research techniques, Fernyhough has written an authoritative and engaging guide to the voices in our heads. WELLCOME COLLECTION Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death. Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries. wellcomecollection.org

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WINNER OF THE TIMES BIOGRAPHY OF THE YEAR PRIZE AT THE CROSS BRITISH SPORTS BOOK AWARDS 2017In the spring of 1901 a teenager stood on top of a hill, gazed out in wonderment at the Australian landscape and decided he wanted to be a mountaineer. Two decades later, the same man stood in a blizzard beneath the summit of Mount Everest, within sight of his goal to be the first to stand on the roof of the world. George Finch was at the highest point ever reached by a human being and only his decision to save the life of his stricken companion stopped him from reaching the summit.George Finch was a rebel of the first order, a man who dared to challenge the British establishment who disliked his independence, background, long hair and lack of an Oxbridge education. Despite this, he not only became one of the world's greatest alpinists, earning the grudging respect of his rival George Mallory, but pioneered the use of the artificial oxygen that enabled Everest to finally be conquered thirty years after his own attempt. A renowned scientist, a World War I hero and a Fellow of the Royal Society, involved in the development of some of the twentieth century's most important inventions, his skills helped save London from burning to the ground during the Blitz. Finch's public accomplishments, however, were shadowed by his complicated private life and his fraught relationship with his son, the actor Peter Finch.Acclaimed biographer Robert Wainwright restores George Finch to his rightful place in history with this remarkable tribute to one of the twentieth century's most eccentric anti-heroes.'One of the two best Alpinists of his time - Mallory was the other.' The Times

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"Bradshaw was a famously charming man, and his lounge-lizard urbanity fully suffuses his prose. This new anthology is a necessary book for all men and women of letters." -Martin Amis A collection of magazine writer Jon Bradshaw's essential writings, The Ocean is Closed rediscovers a memorable talent, and offers us a shadow reality to the established literary canon of the mid-century. With droll wit and keen intelligence, Bradshaw's cinematic prose brings the '70s to vibrant life-from the lurid pick-up scenes at hotspots like Maxwell's Plum in New York, and the Beverly Hills Hotel in L.A., to full-bodied portraits of literary figures such as W.H. Auden and Tom Stoppard; affectionate profiles of hustlers and con men such as Bobby Riggs and Minnesota Fats, to chilling reportage about street gangs in the Bronx, terrorism in Germany, and mercenary freedom fighters in India. Jon Bradshaw, a man of tremendous personal charm, good humor and rugged beauty, was a literary concoction of his own devising: the magazine writer as world-weary traveler and man about town. Adored by British royalty, magazine editors, movie executives, and professional mercenaries, alike, Bradshaw first made a splash in London during the Swinging Sixties. Pals with the likes of Anna Wintour, Timothy Leary, Gore Vidal, and Martin Amis, his career flourished at a time when magazines were at the center of the cultural conversation, delivering stories that were talked about for weeks. For twenty years, he cut a distinct figure in this world, before his untimely death. A forgotten master of longform magazine writing, Bradshaw is ripe for rediscovery as one of the sharpest chroniclers of his age.

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Whether you're rambling down Las Ramblas or making your way down the Gran Via, take your time getting to know Spain's top cities with Moon Barcelona & Madrid. Inside you'll find:*Flexible itineraries for up to a week in Barcelona or Madrid that can be combined into a 2-week trip, including day trips to Montserrat, the Penedès wine region, Toledo, and more*Strategic advice for foodies, art lovers, history buffs, and more*Must-see highlights and unique experiences: Marvel at Gaudi's architectural masterpiece Sagrada Familia, stroll through the baroque Royal Palace, or contemplate Picasso's Guernica and Velázquez's Las Meninas. Cheer for the home team at a fútbol match, people-watch from a sunny café terrace, or climb to the top of Mount Tibidabo and explore the lush surrounding park*Savour the flavours of Barcelona and Madrid: Sample mouthwatering jamon or zumo at a sprawling market or snag a table at a Michelin-starred restaurant. Post up with the locals at a no-frills tapas joint, sip authentic vermouth, or snack on the catch of the day at a beach-front bar*Honest suggestions from Madrid local Jessica Jones*Full-colour photos and detailed maps throughout *Background information on the landscape, history, and cultural customs of each city*Handy tools such as visa information, Spanish and Catalan phrasebooks, and local insight for solo travelers, visitors with disabilities, seniors, LGBTQ travelers, travelers of colour, and families with childrenWith Moon's practical tips and local insight, you can enjoy Barcelona and Madrid at your own pace.For more of Europe's best cities, try Moon Rome, Florence & Venice.

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In the last two decades there has been positive change in how the Canadian legal system defines Aboriginal and treaty rights. Yet even after the recognition of those rights in the Constitution Act of 1982, the legacy of British values and institutions as well as colonial doctrine still shape how the legal system identifies and interprets Aboriginal and treaty rights. What results is a systematic bias in the legal system that places Indigenous peoples at a distinct disadvantage.The eight essays in Aboriginal and Treaty Rights in Canada focus on redressing this bias. All of them apply contemporary knowledge of historical events as well as current legal and cultural theory in an attempt to level the playing field. The book highlights rich historical information that previous scholars may have overlooked. Of particular note are data relevant to better understanding the political and legal relations established by treaty and the Royal Proclamation of 1763. Other essays include discussion of such legal matters as the definition of Aboriginal rights and the privileging of written over oral testimony in litigation. The collection also includes an essay that, by means of ethnographic and historical data, raises concerns respecting how the law might be distorted even further if we are not careful in assuring that what is defined as Indigenous today is detached from its own traditions and divorced from contemporary issues.In sum, Aboriginal and Treaty Rights in Canada shows that changes in the way in which these rights are conceptualized and interpreted are urgently needed. This book then offers concrete proposals regarding substantive, processual, and conceptual matters that together provide the means to put change into practice.

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Bears, Bulls, Cubs, Sox, Blackhawks - there's no city like Chicago when it comes to sports. Generation after generation, Chicagoans pass down their almost religious allegiances to teams, stadiums, and players and their never-say-die attitude, along with the stories of the city's best (and worst) sports moments. And every one of those moments - every come-from-behind victory or crushing defeat - has been chronicled by Chicago's unparalleled sportswriters. In From Black Sox to Three-Peats, veteran Chicago sports columnist Ron Rapoport assembles one hundred of the best pieces from the Tribune, Sun-Times, Daily News, Defender, and other papers to tell the unforgettable story of a century of Chicago sports. From Ring Lardner to Rick Telander, Westbrook Pegler to Bob Verdi, Mike Royko to Wendell Smith, Melissa Isaacson to Brent Musburger, and on, this collection reminds us that Chicago sports fans have enjoyed a wealth of talent not just on the field, but in the press box as well. Through their stories we relive the betrayal of the Black Sox, the cocksure power of the '85 Bears, the assassin's efficiency of Jordan's Bulls, the Blackhawks' stunning reclamation of the Stanley Cup, and the Cubs' century of futility. Sports are the most ephemeral of news events: once you know the outcome, the drama is gone. But every once in a while, there are those games, those teams, those players that make it into something more-and great writers can transform those fleeting moments into lasting stories that become part of the very identity of a city. From Black Sox to Three-Peats is Chicago history at its most exciting and celebratory. No sports fan should be without it.

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THE VOLUME relates the history of the 15 parishes in Kinwardstone hundred in east Wiltshire. The hundred lay between two medieval royal forests, Savernake and Chute. It is generally fertile and was devoted to sheep-and-corn husbandry. Each of c. 45 villages and hamlets in it had its own set of open fields and its own common pasture, and there is evidence of colonization from some of the larger villages. Much of the common pasture was inclosed in the 17th century, most of the open fields were inclosed in the 18th. Outside the villages new farmsteads were built on downland in the 19th century, and in many of the villages in the later 10th century the sites of farmsteads were used fornew housing. The largest villages are Great Bedwyn, which was an early borough and retains a small market square, Pewsey, which had a market in the 19th century and became a local shopping centre in the 20th, and Burbage. Only 12parish churches stood in the hundred in the Middle Ages, when most of their revenues were taken by religious houses and prebendaries of Salisbury cathedral; their parishes were large and most villages lacked a church. Five new churches were built in the 19th century. A great estate in the hundred was accumulated by Protector Somerset, whose descendants built Tottenham House in parkland on the edge of Savernake forest. Notable among other secular buildingsin the hundred is the red-brick almshouse for 50 widows which was built at Froxfield in the 1690s.PARISHES: GREAT BEDWYN (INCLUDING GRAFTON), LITTLE BEDWYN, BURBAGE, BUTTERMERE, CHILTON FOLIAT, CHUTE, CHUTE FOREST, COLLINGBOURNE KINGSTON, EASTON, FROXFIELD, MILTON LILBOURNE, PEWSEY, SAVERNAKE, TIDCOMBE (AND FOSBURY), WOOTTON RIVERS.

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In celebration of the 500th anniversary of the Reformation, an enthralling and original novel that brings to life one of Christianity's most significant figures, Martin Luther, and the tumultuous world of late medieval Germany that shaped—and was reshaped by—him, told through the fictional letters and diary entries of his youngest son, Paul.Growing up in the shadow of his strict and pious father, Paul Luther rejected Martin’s singular devotion. Unwilling to join his father's fanatical disciples, Paul became critical of his famous father's critiques, and instead turned his interest and intellect to science and medicine. Yet Martin Luther remained a presence that haunted Paul’s life and transformed his world.Shadows of My Father paints a vivid and atmospheric picture of Martin Luther, including his day-to-day life, his break with the Catholic Church, and his singular dedication in sustaining the Reformation. It is also a portrait of a rebellious son raised in a harsh religious household who turns his faith to saving lives instead of souls, eventually becoming a royal doctor. Christoph Werner vividly recreates the world of sixteenth-century Germany, a time of wars and famines when a Kaiser battles to keep an empire together, and faith and tradition clash with education and reason—giving birth to superstition and shaking the foundations of a Catholic Church already riven by internal conflict. A thoughtful, insightful lens into one of the most famous figures, one of the most profound historical events, and one of the most turbulent periods in our past, Shadows of My Father reveals an intriguing, historically accurate, and all-too-human side of Martin Luther and his lasting legacy.

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This is the indispensable cook's guide to potatoes, featuring a variety list and over 150 delicious recipes. It is a feast of over 150 recipes including traditional, classic and popular potato dishes from around the world. It includes an extensive introduction that covers potato preparation and cooking techniques - from golden potato chips and dreamy piles of fluffy mashed potato to hasselbacks and fanned potatoes. A comprehensive directory contains photographs of the world's most popular potato varieties with information on appearance, taste, texture and cooking methods. It is beautifully photographed, with 800 pictures in total, including step-by-step sequences for all the recipes. It shows you how to create the best-ever fish pie, crispy hash browns, perfect creamed potatoes and wonderful potato bread. This definitive guide covers everything the cook needs to know about this universally loved vegetable, from selecting the right potato to enjoying the perfect dish. There is a directory of the best potatoes around the world, from the nutty little Anya to Jersey Royal and Kerr's Pink. The heart of the book is a recipe section with 150 ideas for adding vibrant taste to this simple vegetable. Potatoes make an excellent base for soups, appetizers and snacks, salads, side dishes, scones, breads and wonderful main dishes from Irish stew to turkey croquettes. Leek and potato soup, potato latkes, roast potatoes and classic fish pie are just a few of the great dishes the book has to offer. This indispensable reference and source of culinary inspiration celebrates the amazing versatility of the potato.

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For fans of The Crown and The Thursday Murder Club by Richard Osman. On a perfect Spring morning at Windsor Castle, Queen Elizabeth II will enjoy a cup of tea, carry out all her royal duties . . . and solve a murder.'Like an episode of The Crown - but with a spicy dish of murder on the side' (DAILY MAIL) ______________________The morning after a dinner party at Windsor Castle, eighty-nine-year-old Queen Elizabeth is shocked to discover that one of her guests has been found murdered in his room, with a rope around his neck.When the police begin to suspect her loyal servants, Her Majesty knows they are looking in the wrong place.For the Queen has been living an extraordinary double life ever since her coronation. Away from the public eye, she has a brilliant knack for solving crimes.With her household's happiness on the line, her secret must not get out. Can the Queen and her trusted secretary Rozie catch the killer, without getting caught themselves?Miss Marple meets The Crown in The Windsor Knot, the first book in the 'Her Majesty The Queen Investigates' mystery series by SJ Bennett - for fans of The Thursday Murder Club by Richard Osman, Agatha Christie and M.C. Beaton's Agatha Raisin. ______________________ PRAISE FOR THE WINDSOR KNOT:'Hilarious, affectionate, and so well observed . . . I loved it' - JOANNE HARRIS'A total joy' - NINA STIBBE'A highly original and delightfully charming crime series' - ADELE PARKS'Possibly the most adorable crime novel out this year' - RUTH WARE'Charming, cosy and respectful' - GUARDIAN'Gently hilarious and utterly charming' - AMANDA CRAIG

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Antwerp artist Eugeen Van Mieghem (1875-1930) documents the pulsating life around the port of Antwerp at the turn of the twentieth century. Dockers, sack sewers, passengers, local communities and general labourers are the subjects of his lifelong fascination with Antwerp port. His affinity with his subjects makes his work direct and sincere and is unique in the genre of social realism. The port is one of the great gateways to the city, facilitating the constant movement of goods and people - migrations that are essential for the economy as well as for the evolution of people and society. Ports also are scenes of human tragedy, witnessing the forced emigration of families and communities fleeing persecution and poverty, as immortalised in the paintings and drawings of Eugeen Van Mieghem. Antwerp does have strong associations with Irish artists in the late nineteenth century, many of whom, attracted by the pioneering developments in art practice on the Continent, travelled to Antwerp to study at the Royal Academy of Fine Arts artists, including Roderic O'Conor, Walter Osborne and Norman Garstin. The result was light-filled fleeting images painted out of doors, en plein air, a radical departure from the official teachings of the established art academies. It is not known if Van Mieghem and any of those Irish artists ever came in contact with each other, but this exhibition shows for the first time Van Mieghem's oeuvre alongside that of his Irish peers, proving yet again how vital are ongoing migrations of culture and people in illuminating and understanding our contemporary society.

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The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things – whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance.Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre’s own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under ‘ideas for the future’. All reflect an approach which could be described as designing with people as opposed to designing for people.

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A Sunday Times fiction book of the year A Times Book of the Year A Daily Mail Historical Book of the Year 'An extraordinary, quite brilliant book' - C. J. Sansom 'Original and gripping' - The Times 'Powerful and unsettling' - Andrew Taylor 'Engrossing ... compelling' - The Sunday Times 'Powerful, imaginative' - Literary Review What kind of person keeps a man underground for seven years? And who would agree to be part of such an experiment? Herbert Powyss lives on a small estate in the Welsh Marches, with enough time and income to pursue a gentleman's fashionable cultivation of exotic plants and trees. But he longs to make his mark in the field of science - something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: for seven years a subject will inhabit three rooms in the cellar of the manor house, fitted out with books, paintings and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact; the subject will keep a diary of his daily thoughts and actions. The pay? Fifty pounds per annum, for life. Only one man is desperate enough to apply for the job: John Warlow, a semi-literate labourer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included. In this seductive tale of self-delusion and obsession, Alix Nathan has created an utterly transporting historical novel which is both elegant and unforgettably sinister. BBC History Magazine Best Historical Fiction of 2019

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YouTube sensation Andrew Huang offers practical tips and hard-won advice for creatives seeking financial stability while staying authentic.How does a musician with acute hearing loss, a refusal to perform live, and no industry connections carve a path to millions of followers and lucrative royalty checks? In Make Your Own Rules, Andrew Huang shares stories from his two decades as a music industry misfit and offers advice on both the artistic and business sides of working as a creator in our digital era. Beginning with auctioning his songwriting skills on eBay as a teenager, Andrew continuously found new ways to thrive in a music career over the last twenty-plus years. His storied career and hard-won wisdom can help aspiring digital creatives find success as well. Organized by sections on building your creative foundations, growing an audience in the digital age, making money, and staying true to yourself, Make Your Own Rules pairs personal anecdotes with concrete advice applicable to any freelance digital creator. You’ll learn how Andrew became an early adopter of sharing music online—for free!—and how he leveraged social media to grow an organic following and amass millions of song streams and video views. Additional chapters provide insight into his designing an online course and music production tools that have been used by tens of thousands of people, and how he created revenue streams for himself that didn’t exist previously. With open-minded perseverance, Andrew made up his own rules for life. His unlikely journey will inspire creators to find opportunity, financial stability, and fun in their pursuits.

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From woolly mammoths and eight-foot beavers on the River Thames to plagues and civil wars, from tea to castles and cathedrals, and everything in between, The Big Book of Britain is a compendium of the major people and events in British history.Dive in and discover this island nation’s unique charm and fascinating story. More than 200 stories are sure to delight Anglophiles, British readers, the curious, and history buffs alike. Whether you’re interested in mythology, famous historical figures, ancient and medieval history, or how this tiny nation came to rule and influence so much of the world for a while, this accessible, illustrated volume has something for everyone. The Big Book of Britain covers the common and the obscure over thousands of years, including: The Celts and Romans Food, drink, and feasts Wars and politics, and all the skulduggery that go with them Music and literature, and the amazing creators behind the masterpieces Britain during and between the two World Wars Inventors and engineers The truth about the Vikings The rise and fall of the British Empire Tabloids and the modern royal family Brexit And much more! Each entry has a fun or weird fact that adds more to the whole picture. Celebrate the triumphs of Britain’s people, its rich history, its influence around the world, and its major achievements, as well as some of its major stumbles, outrages, and mistakes. The Big Book of Britain will have you buzzing about what makes Britain, well, Britain, from the earliest times to the modern age.

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When Alexander McQueen committed suicide in February 2010, aged just 40, a shocked world mourned the loss of its most visionary fashion designer. McQueen had risen from humble beginnings as the youngest child of an East London taxi driver to scale the heights of fame, fortune and glamour. He designed clothes for the world's most beautiful women including Kate Moss and Naomi Campbell. In business he created a multi-million pound luxury brand that became a favourite with both celebrities and royalty, most famously the Duchess of Cambridge who wore a McQueen dress on her wedding day. But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, so McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, in his private life, his failure to find lasting love with a string of boyfriends only added to his despair. And then there were the dark secrets that haunted his sleep… A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen: Blood Beneath the Skin is soon to be adapted for film, directed by Andrew Haigh (45 Years). This book tells the sensational story of McQueen's rise from his hard East London upbringing to the hedonistic world of fashion. Those closest to the designer - his family, friends and lovers - have spoken for the first time about the man they knew, a fragmented and insecure individual, a lost boy who battled to gain entry into a world that ultimately destroyed him.

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An "effervescent" (Rachel Lynn Solomon) Christmas LGBTQIA+ New Adult RomCom, perfect for fans of Schitt's Creek and Red White & Royal Blue.Bring a little joy to the world?Not today, Santa.Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He's on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents' charming small town hellscape. Population: who cares?It's bad enough he's stuck in some festive winter wonderland-it's even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who's unimpressed with anything and everything Matthew does.Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior...with Hector as his maddening plus-one. But even a Grinch can't resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince's heart grow three sizes this year.People Are Raving About Timothy Janovsky:"This book made my queer heart so very full and deeply happy."-Anita Kelly"A cinematic daydream guaranteed to steal your heart."-Julian Winters"Wonderfully upbeat and sweet."-Suzanne Park"Full of hope and heart."-Alexandria Bellefleur"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."-Alison Cochrun

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Roger Keyes was the archetype of 19th to 20th century Royal Navy officers. A superb seaman, inspiring leader and fearless fighter he immediately caught the eye of senior figures in the naval establishment as well as the up and coming politician, Winston Churchill. The relationship between these two brave men survived disappointment, disagreement and eventually disillusion. Unlike some of his contemporaries Keyes was unable to make the transition from sailor to politician and was inclined to embarrass his friends and allies by his intemperate language and total lack of political acumen. Always eager to lead from the front and hurl himself at the enemy his mind set tended to be that of a junior officer trying to prove himself, not that of a senior Admiral. Trained in some of the last of Britain's sailing warships, Keyes served in submarines in the North Sea, destroyers in China and as a senior staff officer in the disastrous Gallipoli campaign. As commander of the Dover Patrol he planned and led the highly controversial Zeebrugge Raid and successfully combated U-boats passing along the English Channel. In World War II he begged to be given a combat command but, in spite of their close personal friendship, Churchill realised that he was too old to be suitable for a front line role and his undisguised contempt for many senior Naval and Airforce officers made him extremely unpopular in official circles. To his credit, Churchill did not let his personal friendship and admiration of Keyes blind him to his temperamental and intellectual limitations. Both men were big enough not to let professional conflict destroy mutual personal admiration and friendship.

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"A sequel that builds in both thrills and enchantment." —Kirkus ReviewsIn The Bone Witch, Tea mastered resurrection—now she's after revenge...No one knows death like Tea. A bone witch who can resurrect the dead, she has the power to take life…and return it. And she is done with her self-imposed exile. Her heart is set on vengeance, and she now possesses all she needs to command the mighty daeva. With the help of these terrifying beasts, she can finally enact revenge against the royals who wronged her—and took the life of her one true love. But there are those who plot against her, those who would use Tea's dark power for their own nefarious ends. Because you can't kill someone who can never die… War is brewing among the kingdoms, and when dark magic is at play, no one is safe.Thrilling and atmospheric, this bestselling series is perfect for readers looking for teen fiction bestsellers dark fantasy young adult series stories with diverse representation and multicultural influences original worldbuilding and captivating writing books about witches Praise for The Heart Forger:"Rin's beautifully crafted world from The Bone Witch (2017) expands in this sequel, which joins dark asha Tea on her crusade of revenge...Dark and entrancing with a third volume to come." —Booklist, STARRED review"A wonderfully original tale — even better than the first...." —RT Book Reviews"A dark, engaging fantasy series." —School Library JournalThe Bone Witch Trilogy: The Bone Witch (Book 1) The Heart Forger (Book 2) The Shadowglass (Book 3)

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Roger Keyes was the archetype of 19th to 20th century Royal Navy officers. A superb seaman, inspiring leader and fearless fighter he immediately caught the eye of senior figures in the naval establishment as well as the up and coming politician, Winston Churchill. The relationship between these two brave men survived disappointment, disagreement and eventually disillusion. Unlike some of his contemporaries Keyes was unable to make the transition from sailor to politician and was inclined to embarrass his friends and allies by his intemperate language and total lack of political acumen. Always eager to lead from the front and hurl himself at the enemy his mind set tended to be that of a junior officer trying to prove himself, not that of a senior Admiral. Trained in some of the last of Britain's sailing warships, Keyes served in submarines in the North Sea, destroyers in China and as a senior staff officer in the disastrous Gallipoli campaign. As commander of the Dover Patrol he planned and led the highly controversial Zeebrugge Raid and successfully combated U-boats passing along the English Channel. In World War II he begged to be given a combat command but, in spite of their close personal friendship, Churchill realised that he was too old to be suitable for a front line role and his undisguised contempt for many senior Naval and Airforce officers made him extremely unpopular in official circles. To his credit, Churchill did not let his personal friendship and admiration of Keyes blind him to his temperamental and intellectual limitations. Both men were big enough not to let professional conflict destroy mutual personal admiration and friendship.

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The definitive biography of the eldest son of Emperor Shah Jahan, whose death at the hands of his younger brother Aurangzeb changed the course of South Asian history.Dara Shukoh was the eldest son of Shah Jahan, the fifth Mughal emperor, best known for commissioning the Taj Mahal as a mausoleum for his beloved wife Mumtaz Mahal. Although the Mughals did not practice primogeniture, Dara, a Sufi who studied Hindu thought, was the presumed heir to the throne and prepared himself to be India’s next ruler. In this exquisite narrative biography, the most comprehensive ever written, Supriya Gandhi draws on archival sources to tell the story of the four brothers—Dara, Shuja, Murad, and Aurangzeb—who with their older sister Jahanara Begum clashed during a war of succession. Emerging victorious, Aurangzeb executed his brothers, jailed his father, and became the sixth and last great Mughal. After Aurangzeb’s reign, the Mughal Empire began to disintegrate. Endless battles with rival rulers depleted the royal coffers, until by the end of the seventeenth century Europeans would start gaining a foothold along the edges of the subcontinent.Historians have long wondered whether the Mughal Empire would have crumbled when it did, allowing European traders to seize control of India, if Dara Shukoh had ascended the throne. To many in South Asia, Aurangzeb is the scholastic bigot who imposed a strict form of Islam and alienated his non-Muslim subjects. Dara, by contrast, is mythologized as a poet and mystic. Gandhi’s nuanced biography gives us a more complex and revealing portrait of this Mughal prince than we have ever had.

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Let multi-million copy seller Alexander Kent transport you right to the heart of the action in this high-octane, pacy and gripping naval adventure. Fans of Patrick O'Brian and C. S. Forester will not be disappointed.'One of our foremost writers of naval fiction' - Sunday Times'As a former naval officer, Alexander Kent knows what it is like to be at sea' -- The Times'Engrossing' -- ***** Reader review'Great action, great characters, great adventure' -- ***** Reader review'Unexpected twists and turns, fascinating plot lines and gripping descriptions of naval battles' -- ***** Reader review'A difficult book to put down!' -- ***** Reader review*****************************************************************************************1792: A troubled peace with France means that the English royal fleet has been left to rot.Even a frigate captain as famous as Richard Bolitho is forced to swallow his pride and visit the Admiralty daily to plead for a ship. As the clouds of war begin to rise once more over the Channel, he has no choice but to accept an appointment to the Nore.With his small flotilla of three topsail cutters, Bolitho sets out to search the coast for seamen who have fled the harsh discipline of His Majesty's Navy for the more tempting rewards of smuggling. But the 'Brotherhood' he comes up against are brutal and dangerous with a secret, sinister trade in human misery.So when a King's ransom is in peril and Bolitho is ordered to proceed 'with all despatch' to recover it, he has no choice but to rely on the loyalty and courage of his three gallant cutters.If anyone fulfil this mission, it's Bolitho - but he'll need all his wits, wisdom, might and mettle to succeed...Bolitho's adventures continue in Form Line of Battle.

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Multi-million copy seller Alexander Kent, brings us another all-action Bolitho adventure. If you're a fan of Patrick O'Brian and C. S. Forester, then this is the book for you!'Alexander Kent is certainly as good as Forester was in action, and in the wheeling movement of sails.' -- Sunday Times'A salty testament to the mystique and the brutality of the square-rigger.' -- New York Times Book Review'Alexander Kent...is, above all, a superb story-teller.' -- Manchester Evening News'This is a classic story of triumph over adversity and I thoroughly enjoyed re-reading it' -- ***** Reader review'Couldn't put it down' -- ***** Reader review'It's action from start to finish with twists and turns to keep the reader guessing and wanting more' -- ***** Reader review'A brilliant, exciting read'-- ***** Reader review************************************************************************************1782: British Captain Richard Bolitho is ordered to take the frigate Phalarope to the Caribbean, where the hard-pressed royal squadrons are fighting for their lives against the combined fleets of France and Spain and the upstart American privateers. It should have been a proud moment for so young and junior a captain - but the Phalarope has already been driven to near mutiny and she is regarded with shame and suspicion.But Bolitho is no ordinary man and his efforts to give the ship back her pride mark him apart from his contemporaries. As the little frigate sails under the blazing sun and battles enemies within and without, Bolitho spares neither himself nor his men - and in the final great battle of the Saintes, the chance comes to prove what both he and the Phalarope can achieve.Bolitho's adventures continue in Command a King's Ship.

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Lying at the very heart of Libby Clegg's life and achievements is the relationship with her Labrador Retriever cross guide dog, Hatti. A relationship primarily based on trust, with a healthy dose of respect and adoration.Libby Clegg is one of the UK's most popular, recognisable and respected Paralympic athletes, having won ten major gold medals, including two at the 2016 Rio Paralympic Games. As a sprinter who has only peripheral vision in her left eye, Libby runs with a guide runner while wearing a blindfold and, in 2021, she will defend her 100m and 200m titles at the Tokyo Paralympics.Libby is also well-known to the public from her ground-breaking appearance in Dancing on Ice where, in addition to her being the first registered blind person ever appear on the show, she managed to reach the final, winning her millions of new fans and making her a national hero all over again.From the moment Libby wakes up until the moment she goes to bed, Hatti will either be lying at her feet, sitting by her side or guiding Libby to wherever she needs to be. Hatti is there for Libby through both the highs and the lows and they have shared countless adventures together, from spending the day in the Royal Box at Wimbledon where Hatti overdid it on strawberries and cream to Libby trying to overcome a severe bout depression after the Rio Paralympic Games.Theirs is a partnership that works on every single level and, while its circumstances may be unique, its story will be reassuring and familiar to any dog lover. Libby and Hatti are a devoted couple helping each other through life.

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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In this heart-pounding tale of deception, a young P.I. must unravel the secrets behind the murders of a Los Angeles heiress's parents. Four years ago, a beautiful young heiress survived an attack that claimed the lives of both of her parents. The crime made headlines all over Los Angeles, both for the vicious nature of the killings and the seemingly random nature of the attack: nothing was stolen, and the van Aust family had no obvious enemies. Melia van Aust fled the city soon after the murders – which were never solved – but her brother Jasper has not been seen since. After a childhood spent in the shadow of her famous parents, Rainey Hall understands the dynamics of a dysfunctional family. She still hasn’t recovered from a tragedy that tore her own family apart six years before. It's part of the reason why she started her own private investigation agency—to aid victims of crimes that might otherwise go unsolved. When Melia returns to Los Angeles and moves back into her family home, someone begins sending her increasingly violent messages that allude to the killing of her parents. She hires Rainey to track down the culprit and find her missing brother. Touched by the similarities between their lives, Rainey feels compelled to protect Melia, even when it becomes clear that their relationship has become more than professional. Soon, Rainey finds herself falling down the rabbit hole of Melia’s life. Her quest to find Melia’s stalker will bring her in contact with disgraced royals, seedy neighbours, violent ex-boyfriends and former staff, each one with their own set of secrets. As the threats against Melia escalate and the two women are drawn together, it’s only a matter of time before another victim turns up.

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For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.

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Awarded honorable mention for the 2007 Wallace K. Ferguson Prize sponsored by the Canadian Historical Association How were marital and sexual relationships woven into the fabric of late medieval society, and what form did these relationships take? Using extensive documentary evidence from both the ecclesiastical court system and the records of city and royal government, as well as advice manuals, chronicles, moral tales, and liturgical texts, Shannon McSheffrey focuses her study on England's largest city in the second half of the fifteenth century. Marriage was a religious union—one of the seven sacraments of the Catholic Church and imbued with deep spiritual significance—but the marital unit of husband and wife was also the fundamental domestic, social, political, and economic unit of medieval society. As such, marriage created political alliances at all levels, from the arena of international politics to local neighborhoods. Sexual relationships outside marriage were even more complicated. McSheffrey notes that medieval Londoners saw them as variously attributable to female seduction or to male lustfulness, as irrelevant or deeply damaging to society and to the body politic, as economically productive or wasteful of resources. Yet, like marriage, sexual relationships were also subject to control and influence from parents, relatives, neighbors, civic officials, parish priests, and ecclesiastical judges. Although by medieval canon law a marriage was irrevocable from the moment a man and a woman exchanged vows of consent before two witnesses, in practice marriage was usually a socially complicated process involving many people. McSheffrey looks more broadly at sex, governance, and civic morality to show how medieval patriarchy extended a far wider reach than a father's governance over his biological offspring. By focusing on a particular time and place, she not only elucidates the culture of England's metropolitan center but also contributes generally to our understanding of the social mechanisms through which premodern European people negotiated their lives.

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In a wide-ranging interpretation of French thought in the years 1670-1789, Daniel Gordon takes us through the literature of manners and moral philosophy, theology and political theory, universal history and economics to show how French thinkers sustained a sense of liberty and dignity within an authoritarian regime. A penetrating critique of those who exaggerate either the radicalism of the Enlightenment or the hegemony of the absolutist state, his book documents the invention of an ethos that was neither democratic nor absolutist, an ethos that idealized communication and private life. The key to this ethos was "sociability," and Gordon offers the first detailed study of the language and ideas that gave this concept its meaning in the Old Regime. Citizens without Sovereignty provides a wealth of information about the origins and usage of key words, such as societe and sociabilite, in French thought. From semantic fields of meaning, Gordon goes on to consider institutional fields of action. Focusing on the ubiquitous idea of "society" as a depoliticized sphere of equality, virtue, and aesthetic cultivation, he marks out the philosophical space that lies between the idea of democracy and the idea of the royal police state. Within this space, Gordon reveals the channels of creative action that are open to citizens without sovereignty--citizens who have no right to self-government. His work is thus a contribution to general historical sociology as well as French intellectual history. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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We live in a world made by science. How and when did this happen? This book tells the story of the extraordinary intellectual and cultural revolution that gave birth to modern science, and mounts a major challenge to the prevailing orthodoxy of its history.Before 1492 it was assumed that all significant knowledge was already available; there was no concept of progress; people looked for understanding to the past not the future. This book argues that the discovery of America demonstrated that new knowledge was possible: indeed it introduced the very concept of 'discovery', and opened the way to the invention of science.The first crucial discovery was Tycho Brahe's nova of 1572: proof that there could be change in the heavens. The telescope (1610) rendered the old astronomy obsolete. Torricelli's experiment with the vacuum (1643) led directly to the triumph of the experimental method in the Royal Society of Boyle and Newton. By 1750 Newtonianism was being celebrated throughout Europe.The new science did not consist simply of new discoveries, or new methods. It relied on a new understanding of what knowledge might be, and with this came a new language: discovery, progress, facts, experiments, hypotheses, theories, laws of nature - almost all these terms existed before 1492, but their meanings were radically transformed so they became tools with which to think scientifically. We all now speak this language of science, which was invented during the Scientific Revolution.The new culture had its martyrs (Bruno, Galileo), its heroes (Kepler, Boyle), its propagandists (Voltaire, Diderot), and its patient labourers (Gilbert, Hooke). It led to a new rationalism, killing off alchemy, astrology, and belief in witchcraft. It led to the invention of the steam engine and to the first Industrial Revolution. David Wootton's landmark book changes our understanding of how this great transformation came about, and of what science is.

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This title focuses on the work, well-being and lives of doctors during a period of constant change and crisis in the National Health Service and of growing anxiety about levels of clinical competence and accountability. The alarming number of well-publicized "failures" by medics - at the Royal Bristol Children's Hospital, the Kent and Canterbury Hospital, for instance, and the appalling breach of trust by Dr Harold Shipman -the Manchester General Practitioner found guilty of murdering 15 patients - has led to a Government enquiry into the accountability of the profession. All, it seems, is far from well among medics. The text shows how GPs are responding to their changing roles in a changing society; and how such responses may be understood in a context of whole life histories as well as within the norms of medical culture. Doctors, as a profession, have tended, for many reasons, to hide behind a professional curtain in what can be a very "male" world. Some matters - surrounding the emotional well-being of doctors - are hard for doctors to talk about in this world where, too often, they have been taught to cope, like "good men should". The book reveals the emotional problems doctors face and, unlikely, provides space for them to tell their stories of struggles to become more authentic, and reflective as well as "effective" practitioners. We are presented with insights into what is a deeply gendered world in which many women doctors feel torn between caring at work and for their families, and where men can be absent from "women's work", at home and in the surgery; a culture too where racism still pervades attitudes towards "minority" doctors. This is also an environment in which cultural and emotional understandings have tended to be disparaged as "soft" in the name of a harder science. The book provides heroic tales of GPs transcending the shortcomings of training, and the misogyny and racism pervading their profession.

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