Search results for ""arcadia""

Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, Jaroslav Stetkevych attempts in this book to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre. Stetkevych concentrates on the "places of lost bliss" that furnish the dominant motif in the lyric-elegiac opening section (nasib) of the classical Arabic ode, or qasidah. In defining the Arabic lyrical genre, he shows how pre-Islamic lamentations over abandoned campsites evolved, in Arabo-Islamic mystical poetry, into expressions of spiritual nostalgia. Stetkevych also draws intriguing parallels between the highlands of Najd in Arabic poetry and Arcadia in the European tradition. He concludes by exploring the degree to which the pastoral-paradisiacal archetype of the nasib pervades Arabic literary perception, from the pre-Islamic ode through the "Thousand and One Nights" and later texts.

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''A fine and deeply affecting work of history and memoir'' Philippe SandsDecades ago, the historian Bernard Wasserstein set out to uncover the hidden past of the town forty miles west of Lviv where his family originated: Krakowiec (Krah-KOV-yets). In this book he recounts its dramatic and traumatic history. ''I want to observe and understand how some of the great forces that determined the shape of our times affected ordinary people.'' The result is an exceptional, often moving book.Wasserstein traces the arc of history across centuries of religious and political conflict, as armies of Cossacks, Turks, Swedes and Muscovites rampaged through the region. In the Age of Enlightenment, the Polish magnate Ignacy Cetner built his palace at Krakowiec and, with his vivacious daughter, Princess Anna, created an arcadia of refinement and serenity. Under the Habsburg emperors after 1772, Krakowiec developed into a typical shtetl, with a jostling population

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This book brings together scientific evidence and experience relevant to the practical conservation of wild birds. The authors worked with an international group of bird experts and conservationists to develop a global list of interventions that could benefit wild birds. For each intervention, the book summarises studies captured by the Conservation Evidence project, where that intervention has been tested and its effects on birds quantified. The result is a thorough guide to what is known, or not known, about the effectiveness of bird conservation actions throughout the world. The preparation of this synopsis was funded by the Natural Environment Research Council and Arcadia.

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Esta es la historia de algunos atípicos viajeros ?Sterling Hayden, Josep Maria de Sagarra, Zane Grey, Friedrich W. Murnau, Victor Segalen, Rupert Brooke, Robert Gibbings o Henri Matisse? a quienes el azar o el sueño llevó a los Mares del Sur, a la Polinesia, como en busca de una Arcadia mítica. Hermanados por el espejismo tahitiano, todos ellos tuvieron algo de beachcombers ?mito complementario al de la vahiné tahitiana?: especie de vagabundos de las islas, disolutos, para quienes Tahití era un irrefrenable anhelo y el viaje a aquellas latitudes una verdadera peregrinación. Mientras tanto, algunas escritoras expatriadas a estas islas, como Aurora Bertrana o Elsa Triolet, redefinirán lo exótico como cotidiano

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Darcy Coates brings you a brand-new horror novel that'll take your breath away... From Below is: Perfect for fans of Jennifer McMahon and Wendy Webb For lovers of ghost stories and anyone mesmerized by the depths of the ocean-and what hides in the darknessNo light. No air. No escape.Hundreds of feet beneath the ocean's surface, a graveyard waits...Years ago, the SS Arcadia vanished without a trace during a routine voyage. Though a strange, garbled emergency message was broadcast, neither the ship nor any of its crew could be found. Sixty years later, its wreck has finally been discovered more than three hundred miles from its intended course...a silent graveyard deep beneath the ocean's surface, eagerly waiting for the first sign of life.Cove and her dive team have been granted permission to explore the Arcadia's rusting hull. Their purpose is straightforward: examine the wreck, film everything, and, if possible, uncover how and why the supposedly unsinkable ship vanished.But the Arcadia has not yet had its fill of death, and something dark and hungry watches from below. With limited oxygen and the ship slowly closing in around them, Cove and her team will have to fight their way free of the unspeakable horror now desperate to claim them.Because once they're trapped beneath the ocean's waves, there's no going back.Also By Darcy Coates:The Haunting of Leigh HarkerThe Haunting of Ashburn HouseThe Haunting of Blackwood HouseCraven ManorThe House Next DoorVoices in the Snow

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Debe la humanidad regresar a la naturaleza, a fin de no ser exterminada por ella? Esta es la pregunta que sacude cada vez más insistentemente la conciencia contemporánea. En efecto, extendida la creencia de que padecemos una crisis ecológica global que nos sitúa al borde mismo del precipicio, es necesario plantear qué tipo de sociedad queremos, si queremos que la sociedad "simplemente" sea todavía. Y es que el cambio cultural iniciado por el movimiento verde hace cuatro décadas parece haber triunfado: todos somos, al fin, verdes. Nadie discute la necesidad de construir una sociedad sostenible.Sin embargo, el debate público sobre el medio ambiente, teñido a partes iguales de exageración y sentimentalismo, está lejos de desarrollarse en los términos correctos. Porque no podemos regresar a una Arcadia que nunca existió. La naturaleza se ha convertido en medio ambiente humano; no podía ser de otra forma.Esta premisa debe ser el fundamento de la política verde del futuro: una política

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Broaden your horizons! Peril lurks in every corner of Golarion, and where danger and darkness fall, exceptional adventurers rise up in response. From the familiar vistas of Avistan to the Crown of the World, to the lands of Osirion and the jungles of the Mwangi Expanse, every land and nation has its own legends and their own unique twist on what they consider a hero. Find champions from the island of Iblydos or from far-off Arcadia, discover elemental secrets from the lands of Tian Xia, or learn the secrets of speaking with the monsters of the deserts of Garund in Pathfinder Player Companion: Heroes of Golarion!

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This book is the first complete study of the painter Nicolai Abildgaard's oeuvre. Abildgaard (1743-1809) is the only Danish artist of the 18th century to obtain a position in the European art history of the period. His works range from the Pre-Romantic sublime to Enlightenment history painting, anonymous satire and Neo-Classical allegory. 1789 radicalised his views and estranged him from his royal patrons. The imagery of his final, isolated years playfully evokes an erotic Neo-Classical Arcadia. Among his friends were the Swedish sculptor Tobias Sergel and the German sculptor Gottfried Schadow; and among his pupils were Asmus Carstens, Caspar David Friedrich, Phillipp Otto Runge and Bertel Thorvaldsen.

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How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.

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Los hermanos Grimm ampararon sus cuentos bajo el lema: Entonces, cuando desear todavía era útil. Hubo una remota arcadia en la que las hadas recompensaban la esperanza. Novelista, dramaturgo, autor de cuentos infantiles, Juan Villoro entiende la lectura como un regreso al momento esquivo y meritorio en que el placer tiene su oportunidad. La utilidad del deseo prosigue la aventura iniciada en los libros de ensayos Efectos personales y De eso se trata, también en Anagrama. En esta nueva escala, Villoro se ocupa, entre otros temas, de la inagotable isla de Daniel Defoe, la celeridad y la culpa en Nikolái Gógol, el arte de condenar de Karl Kraus, la empatía de la pluma con el bisturí, la fábula de la conciencia de Peter Handke, las insólitas semejanzas entre los incomparables Ramón López Velarde y James Joyce, los enigmas de la traducción, la tensión entre verdad y mentira en Gabriel García Márquez y las cartas privadas de Julio Cortázar, Juan Carlos Onetti y Manuel Puig; lo hace con un ri

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The buildings and artefacts uncovered by Canadian excavations at Stymphalos (1994-2001) shed light on the history and cult of a small sanctuary on the acropolis of the ancient city. The thirteen detailed studies collected in Stymphalos: The Acropolis Sanctuary illuminate a variety of aspects of the site. Epigraphical evidence confirms that both Athena and Eileithyia, goddess of childbirth, were worshipped in the sanctuary between the fourth and second centuries BCE. The temple and service buildings are modest in size and materials, but the temple floor and pillar shrine suggest that certain stones and bedrock outcrops were held as sacred objects. Earrings, finger rings, and other jewelry, along with almost 100 loomweights, indicate that women were prominent in cult observances. Many iron projectile points (arrowheads and catapult bolts) suggest that the sanctuary was destroyed in a violent attack around the mid-second century, possibly by the Romans. A modest sanctuary in a modest Arcadian city-state, the acropolis sanctuary at Stymphalos will be a major point of reference for all archaeologists and historians studying ancient Arcadia and all southern Greece in the future.

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The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.

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The Smell of Summer Grass is the story of the years spent in finding and building a personal idyll, sometimes a dream, sometimes a nightmare, by writer Adam Nicolson and his wife, cook and gardener, Sarah Raven. Without knowing one end of a hay baler from the other, Adam Nicolson and Sarah Raven, fed up with London and with life, escaped with his family to a run-down farm in the Sussex Weald. Looking for Arcadia, they found a mixture of intense beauty and profound chaos. Over three years they struggled with dock leaves, spring flowers, bloody-minded sheep and neighbours before eventually arriving at some kind of equilibrium. Funny, poetic, ironic and wise, ‘The Smell of Summer Grass’ is based partly on the long out of print 'Perch Hill'. It traces the growing intimacy between man and his chosen place, his love affair with it and his frustrations with its intractable realities. As an attempt to live out the pastoral vision, it makes one heartfelt plea: we should never abandon our dreams.

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From Booker Prize-Winner Ben Okri. A group of world-weary travellers discover the meaning of life in a mysterious mountain village. Eight film-makers arrive at a small Swiss hotel on the shores of a luminous lake. Above them, strewn with lights that twinkle in the darkness, looms the towering Rigi mountain. Over the course of three days and two nights, the travellers will find themselves drawn in to the mystery of the mountain reflected in the lake. One by one, they will be disturbed, enlightened, and transformed, each in a different way. The Age of Magic has begun. Unveil your eyes. ALSO BY BEN OKRI: Astonishing the Gods, In Arcadia, A Way of Being Free, Dangerous Love.

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This book is the outcome of EPARC supported three year research project involving seven major high-street retailing clients: Arcadia Group, Boots, Borders(UK), Halifax plc, Nationwid, Rubicon Retail Ltd, Pizza Express: and their supply chains. The book comprises two complementary parts. The first, the Good Practice Framework, is the 'what to do' for effective refurbishment involving the closer integration of 'supply' and 'value' chains in construction. The second, the 'why do it this way', comprises research evidence from a wide range of construction and business management sources: including process maps, management models and outcomes from fieldwork with the retail clients and their supply chains: that provided the basis for the framework..

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The heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021).'A brilliant read' Women & Home | 'A spirited retelling' Times | 'Beautiful and absorbing' Fabulous | 'A vivid reimagining of Greek mythology' Harper's Bazaar | 'Jennifer Saint has done an incredible job' RedWhen a daughter is born to the King of Arcadia, she brings only disappointment.Left exposed on a mountainside, the defenceless infant Atalanta is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis.Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men?Praise for Jennifer Saint's books:'A lyrical, insightful re-telling' Daily Mail'Relevant and revelatory' Stylist'Energetic and compelling' Times'An illuminating read' Woman & Home'A story that's impossible to forget' Culturefly

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The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.

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The heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021).'A brilliant read' Women & Home | 'A spirited retelling' Times | 'Beautiful and absorbing' Fabulous | 'A vivid reimagining of Greek mythology' Harper's Bazaar | 'Jennifer Saint has done an incredible job' RedWhen a daughter is born to the King of Arcadia, she brings only disappointment.Left exposed on a mountainside, the defenceless infant Atalanta is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis.Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men?Praise for Jennifer Saint's books:'A lyrical, insightful re-telling' Daily Mail'Relevant and revelatory' Stylist'Energetic and compelling' Times'An illuminating read' Woman & Home'A story that's impossible to forget' Culturefly

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“Deeply moving” - Booktrust “A gripping story of love, courage and triumph over evil” - The Bookseller “Can, and should, be read by an audience of any age.” - Jewish News A story of survival, of love between mother and son and of enduring hope in the face of unspeakable hardship. An important read. The Boy Who Didn't Want to Die describes an extraordinary journey, made by Peter, a boy of five, through war-torn Europe in 1944 and 1945. Peter and his parents set out from a small Hungarian town, travelling through Austria and then Germany together. Along the way, unforgettable images of adventure flash one after another: sleeping in a tent and then under the sky, discovering a disused brick factory, catching butterflies in the meadows - and as Peter realises that this adventure is really a nightmare - watching bombs falling from the blue sky outside Vienna, learning maths from his mother in Belsen. All this is drawn against a background of terror, starvation, infection and, inevitably, death, before Peter and his mother can return home. Author Professor Peter Lantos is a Fellow of the Academy of Medical Sciences and in his previous life was an internationally renowned clinical neuroscientist. His memoir, Parallel Lines (Arcadia Books, 2006) was translated into Hungarian, German and Italian. Closed Horizon (Arcadia, 2012) was his first novel. Peter was awarded the British Empire Medal in 2020 for ‘services to Holocaust education and awareness’. He is one of the last of the generation of survivors and this – his first book for children – will serve as a testimony to his experience. Peter lives in London. MORE REVIEWS OF THE BOY WHO DIDN'T WANT TO DIE "the book [is] absolutely compelling, partly because it is a true story of extraordinary resilience and survival in unimaginable circumstances, but also because Lantos' stark recollections make very powerful reading." Gaby Wine, The Jewish Chronicle

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Comedia de fingimientos, disfraces, versos galantes, canciones pastoriles y juegos de promiscuidad ?tal como la describe en su prólogo Vicente Molina Foix?, A VUESTRO GUSTO pone broche final a un pequeño ciclo de cómico de gran brillantez en la obra de William Shakespeare (1574-1616) precedido por Las alegres casadas de Windsor (BA 0928) y Mucho ruido y pocas nueces (BA 0927). Situados la acción y sus enredos en el idílico bosque de Arden, especie de Arcadia sobre la que no parece pesar el mal, sobresalen en esta entretenida comedia el personaje de la astuta y ambigua Rosalinda, que nos recuerda a la Porcia de El mercader de Venecia (L 5681), así como el del singular, marginal y melancólico Jaques.

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Borġ in-Nadur, on the south-east coast of the island of Malta, is a major multi-period site, with archaeological remains that span several thousand years. In the course of the Late Neolithic, the steep-sided ridge was occupied by a large megalithic temple complex that was re-occupied in the succeeding Bronze Age. In the course of the second millennium BC, the ridge was heavily fortified by a massive wall to protect a settlement of huts. Excavations were carried out here in 1881 and again in 1959. This volume brings together a number of contributions that report on those excavations, providing an exhaustive account of the stratigraphy, the pottery, the lithic assemblages, the bones, and the molluscs. Additional studies look at other sites in Malta and in neighbouring Sicily in an effort to throw light on the late prehistory of the south-central Mediterranean at a period when connections with regions near and far were increasing. The volume forms a companion to another monograph which concentrated on the temple remains at Borġ in-Nadur (D. Tanasi and N. C. Vella (eds), Site, artefacts and landscape: prehistoric Borġ in-Nadur, Malta. Praehistorica Mediterranea 3. Monza: Polimetrica, 2011). About the Editors: Davide Tanasi (Ph.D.) is Professor of Archaeology at Arcadia University, The College of Global Studies - Arcadia Sicily Center. His research interests include Mediterranean prehistory, island archaeology, archaeometry of ancient ceramics, computer graphics in archaeology, and digital communication of cultural heritage. He has authored a hundred scientific papers in these fields and produced 3D documentaries about Sicilian archaeology and cultural heritage. His publications include La Sicilia e l’arcipelago maltese nell’eta del Bronzo Medio (Palermo, 2008) and Site, Artefacts and Landscape: Prehistoric Borġ in-Nadur, Malta with Nicholas C. Vella (Monza, 2011). He is editor of the international scientific journal Open Archaeology (De Gruyter) and since 2012, he has been directing the Field School in Archaeology of Arcadia University in Sicily. Nicholas C. Vella is Senior Lecturer and Head of the Department of Classics and Archaeology at the University of Malta, and works on Mediterranean history and archaeology. He has co-edited another volume of essays on Malta’s late prehistory called Site, Artefacts and Landscape: Prehistoric Borġ in- Nadur, Malta with Davide Tanasi (Monza, 2011) and contributed, with him, to the Cambridge Prehistory of the Bronze and Iron Age Mediterranean edited by P. van Dommelen and B. Knapp (Cambridge, 2014). He edits the Malta Archaeological Review, and co-directs excavations at the Żejtun Roman Villa (Malta). He is also co-investigator of the FRAGSUS project, funded by the European Research Council, that is examining the environmental and cultural background of prehistoric Malta.

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Electric Light travels widely in time and space, visiting the sites of the classical world, revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least the origins of words) and oracles: the places where things start from, the ground of understanding - whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry.Electric Light ranges from short takes ('glosses') to conversation poems whose cunning passagework gives rein to 'the must and drift of talk'; other poems are arranged in sections, their separate cargoes docked alongside each other to reveal a hidden and curative connection. The presocratic wisdom that everything flows is held in tension with the fixities of remembrance: elegising friends and fellow poets, naming 'the real names' of contemporaries behind the Shakespearean roles they played at school. These gifts of recollection renew the poet's calling to assign to things their proper names. The resulting poems are full of delicately prescriptive tonalities, where Heaney can be heard extending his word-hoard and rollcall in this, his eleventh collection.

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Saucer Country is a dark thriller that blends UFO lore and alien abduction with political intrigue, all set in the hauntingly beautiful Southwest, now collected in one volume!Presidential candidate Arcadia Alvarado has a terrible secret: she’s been abducted by aliens. To discover what that means, for her and for America, she picks a team of eccentric helpers and with them goes on a journey through UFO mythology, political intrigue... and Saucer Country. Paul Cornell (I Walk With Monsters) and Ryan Kelly (Stranger Things: Into the Fire) present the complete collection of their Hugo Award-nominated UFO conspiracy thriller. This special collection compiles the 12-issue Saucer Country, its 6-issue follow-up, Saucer State, and the newly created concluding chapter, Saucer Country: The Finale in this deluxe edition.

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Italian writer and horticulturist Umberto Pasti s world-famous garden, Rohuna, is set on a stony hillside high above the ocean south of Tangier. Pasti s passion for the wild flora of Tangier and its surrounding region led him to create Rohuna, where he has transplanted thousands of plants rescued from construction sites with the aid of men from the village. After decades of painstaking work, Rohuna has become a living museum. Planted between two small houses is the Garden of Consolation: a series of rooms and terraces with lush vegetation, some rendering homage to the paintings of Rousseau le Douanier, others inspired by invented characters. Surrounding the Garden of Consolation are the Wild Garden and a hillside devoted to the wild flowering bulbs of northern Morocco, where indigenous species of narcissus, iris, crocus, scilla, gladiolus, and others bloom. With its stunning vistas and verdant fields, Rohuna is a true arcadia, a garden of incomparable beauty with the mission to preserve the botanical richness of the region. Captured here in detail by celebrated photographer Ngoc Minh Ngo, the poetic beauty of this special and unique place is lovingly rendered for all the world to see and share.

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In Untold Futures, J. K. Barret locates models for recovering the variety of futures imagined within some of our most foundational literature. These poems, plays, and prose fictions reveal how Renaissance writers embraced uncertain potential to think about their own present moment and their own place in time. The history of the future that Barret reconstructs looks beyond futures implicitly dismissed as impossible or aftertimes defined by inevitability and fixed perspective. Chapters on Philip Sidney’s Old Arcadia, Edmund Spenser’s The Faerie Queene, William Shakespeare’s Titus Andronicus, Antony and Cleopatra, and Cymbeline, and John Milton’s Paradise Lost trace instead a persistent interest in an indeterminate, earthly future evident in literary constructions that foreground anticipation and expectation. Barret argues that the temporal perspectives embedded in these literary texts unsettle some of our most familiar points of reference for the period by highlighting an emerging cultural self-consciousness capable of registering earthly futures predicated on the continued sameness of time rather than radical ruptures in it. Rather than mapping a particular future, these writers generate imaginative access to a range of futures. Barret makes a strong case for the role of language itself in emerging conceptualizations of temporality.

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The heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ATALANTA (UK, Sunday Times, April 2023) ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021).'Brilliantly evocative' Women & Home | 'A spirited retelling' Times | 'Beautiful and absorbing' Fabulous | 'A vivid reimagining of Greek mythology' Harper's Bazaar | 'Jennifer Saint has done it again' Red | 'Jennifer Saint can do no wrong' GlamourWhen a daughter is born to the King of Arcadia, she brings only disappointment.Left exposed on a mountainside, the defenceless infant Atalanta, is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis.Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men?Praise for Jennifer Saint's books:'A lyrical, insightful re-telling' Daily Mail'Relevant and revelatory' Stylist'Energetic and compelling' Times'An illuminating read' Woman & Home'A story that's impossible to forget' Culturefly

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Ghost River invites readers to stare down blue-mouthed crevasses, venture into old growth forests, and peer beneath the floorboards of ancestral homesteads. In this lyrical and intimate portrait of America’s Pacific Northwest, wilderness and home are interwoven. But this is not Arcadia. Deep time is punctured by strip malls and freeways, wildfires and dams. Questioning the influence of the past on the present, the central sequence reimagines this landscape from the perspective of the British explorer, George Vancouver, who charted its waterways on an expedition to locate the illusive Northwest Passage. In their passage between America and England and the terrain of early motherhood, these poems of loss and renewal explore what it is to be home. Born and raised in America’s Washington state, Kris Johnson moved to the UK in 2007. Ghost River is her first book-length collection.

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Durante una gira literaria por Hispanoamérica, don Félix Arcadia, escritor y diplomático español, es secuestrado en Morelia por una facción de republicanos exiliados. El capitán Arturo Andrade y su camarada Manolete, encargados de su seguridad, comienzan una búsqueda desesperada por todo México. En su transcurso, se moverán entre un complejo juego de geopolítica, el exilio republicano, la intelectualidad mexicana, viejos caciques revolucionarios, mercenarios y asesinos de la Legión del Caribe, espías soviéticos, traficantes de armas... Y recorrerán un México repleto de mitos y poesía que, como se lee en la novela, no es un país, sino una forma de locura....La novela recorre la segunda mitad del siglo XX, tratando un episodio tan esencial como poco conocido de la historia de España. Siempre en clave de thriller, el suspense se mezcla con la pasión y el rigor documental.

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A careful re-evaluation of pastoral poetics in the early modern Hispanic literature of Spain and Latin America. In her analysis of the verse of representative poets of the Hispanic Baroque, Holloway demonstrates how these writers occupy an Arcadia which is de-familiarised and yet remains connected to the classical origins of the mode. Herstudy includes recent manuscript discoveries from the Spanish Baroque (Fábula de Alfeo y Aretusa, now attributed to the Gongorist poet Pedro Soto de Rojas), the poetry of Luisa de Carvajal y Mendoza and Francisco de Quevedo. The study considers pastoral as a global cultural phenomenon of the Early Modern period, its reverberations reaching as far as Viceregal Peru. The tradition of the pastoral as a site for the discussion of 'great matters in theforest' has deep roots, and re-emerges to praise the urban hearts of empire. Furthermore, it proves to be a site of spiritual encounter--a poetic space that frames the staging of indigenous conversion in the poetry of Diego Mexiaand Fernando de Valverde. Within the intricacies of this literary construct, surface artistry sustains an effect of artless innocence that is vibrantly contested across the secular, sacred, parodic and colonial text. Anne Holloway is a Lecturer in Spanish, Queen's University Belfast.

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Longford Castle is a fine Elizabethan country house, home to a world-class collection of art built up in the eighteenth and nineteenth centuries by the Bouverie family and still owned today by their descendants. Until now, it has been relatively little known amongst the pantheon of English country houses. This book, richly illustrated and based on extensive scholarly research into the family archive, tells a comprehensive story of the collectors who amassed these treasures. It explores the acquisition and commission of works of art from Holbein’s Erasmus and The Ambassadors, to exquisite landscapes by Claude and Poussin, and family portraits by Thomas Gainsborough and Sir Joshua Reynolds. It explores how Longford, an unusual triangular-shaped castle that inspired Sir Philip Sidney’s Arcadia and Disney’s The Princess Diaries, was decorated and furnished to house these works of fine art, and how the Bouverie family patronised the best craftsmen and furniture makers of the day. The book brings the story up to the present day, with an introduction and conclusion by the current owner, the 9th Earl of Radnor, himself a keen collector of art, to celebrate this remarkable house and collection in the tercentenary year of its purchase by the Bouverie family.

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El periodismo de largo aliento no es un fenómeno nuevo. Este tipo de periodismo que prioriza la calidad frente a la cantidad y busca profundizar en los temas tiene unas raíces muy profundas en la historia de la comunicación. Sin embargo, en el contexto de la era digital y de la hegemonía de la inmediatez y la brevedad, se ha dado un resurgir de esta tendencia slow que merece ser estudiada. En estas últimas décadas han surgido o se han afianzado medios que apuestan por el periodismo narrativo y de formato largo. Entre estos medios se encuentran las revistas Anfibia, Arcadia, Ctxt, Gatopardo, Jot Down, La Silla Vacía, Letras Libres, Panenka, Yorokobu y Revista 5W, cuyos casos se han estudiado en el marco del proyecto de investigación sobre slow journalism llevado a cabo por el grupo de investigación HGH de la Universidad del País Vasco (UPV/EHU).

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Drawing from medieval chivalric culture, the prose romance was a popular early modern genre featuring stories of courtship, combat, and travel. Flourishing at the same moment as the growing English trade with the Eastern Mediterranean, prose romances adopted both Eastern settings and new conceptions of masculinity - commercial rather than chivalric, erotic rather than militant. Knights in Arms moves beyond the best-known examples of the genre, such as Philip Sidney's Arcadia, to consider the broad range of texts which featured the Eastern Mediterranean in this era. Goran Stanivukovic highlights how eroticism within prose romances, particularly homoerotic desire, facilitated commercial, cross-ethnic, and cross-cultural interactions, shaping European knowledge and conceptions of the Mediterranean and the Ottoman Empire. Through his careful examination of these lesser known works, Stanivukovic sheds important light on early modern trade, Mediterranean politics, and the changing meaning of masculinity in an age of commercial expansion.

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Comfort Me With Apples is a terrifying new thriller from bestseller Catherynne M. Valente, for fans of Gone Girl and Spinning Silver Sophia was made for him. Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect. It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect. But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze.... But everything is perfect. Isn't it?

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Trust no one.It is six months since the Arcadia set sail for the first time in forty years. But this wasn't the freedom the inhabitants were hoping for. Esther Crossland did what she had to do, but it has left a trail of destruction in her wake. Now the wrecked ship is abandoned. Its inhabitants are in exile, trapped in sprawling make-shift shelters made up of warehouse, tents, shipping containers. Esther and Nik, architects of the rebellion, are on the run. Esther is in hiding, desperate to do something to help her people, and Nik seems to have abandoned all hope, on a journey taking him further and further from home. And neither of them want to face up to their true feelings about one another . . .Not only that, there is a new villain in town. With the fall of Commander Hadley, it's left to the ruthless Admiral Janek to deal with the traitors, and her own past is beginning to catch-up with her.Then the shaky ceasefire negotiated by General Lall, Nik's mum, falls apart. Nik and Esther find themselves in a world of betrayals and double crossings - a game of power, with no one to trust but themselves.It's time for the final showdown.

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The pulldogs, a group of people at the twilight of Western civilisation, undergo an anthropological transformation caused by the dissemination of nanites (nanorobots capable of assembling molecules to create matter). This technology changes the way they eat and gives rise to a culture which, while reminiscent of an ancient nomadic society, is creative and new. Liberation from the imperative of food, combined with the ability to 3D print objects and use cloud computing, makes it possible for the pulldogs to make a choice that seems impossible and anachronistic – a new life, but is it really an Arcadia? FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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The second book in this environmental epic fantasy series delves into the mysteries of a world where ships kept afloat by magical hearthfires sail an endless grass sea.After setting fire to the Forever Sea and leaving the surface world behind, Kindred Greyreach dives below to find a Seafloor populated by roving bands of scavengers. Among them, Kindred discovers a familiar face working to save the Sea from the continued spread of the Greys and the ravages of the world above. But when Kindred finds herself at odds with a faction below the Sea, she and her friends will have to use every power available to them—including their link to the surface world—to forestall disaster.Meanwhile, above, a boy named Flitch, son of the Baron of the Borders, finds himself caught in a dangerous political crisis as survivors from Arcadia and the Once-City arrive on the Mainland. As monsters from the depths of the Sea begin to surface near the Mainland’s shores, Flitch must also navigate a crisis closer to home. As Flitch, his family, and their allies search for solutions, the truth they seek may lay hidden in old stories and long-held family secrets.Above and below, Flitch and Kindred must work together to save themselves, their loved ones, and the Forever Sea itself.

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A vivid cast of characters throng these poems. There is Mother Jackson, the ole hige who lays out her thoughts like a mortician, who is both creator and destroyer. There are the players of the Rootsman Theatre of the Absurd, such as fallen politician Julian Lapith, who knows too well the power of incantation; Dub Deacon Lapith with his Sankey soul; poor Bedward Lapith with his millenarian dreams of flight; Busha Godhead self swoopsing down to intervene in human affairs and - the heroine of the cast - Aliveyah, to whom nature speaks direct by the nudge of a beak.And there is, of course, their creator, Miss G.E., who shares with us the 'rockstone passion of a Jamaican country bumpkin born and nurtured in Arcadia'. Whether in her celebrations of domestic happiness in a house where even the chairs talk, or in her satires on Jamaican life, Gloria Escoffery writes with a visionary intensity and fantastical imagination which is all her own. And though she feels it is no joke to be three people - old woman, young girl and child - who don't quite understand one another, Miss G.E. cannot but write her love letter to the world.[b]Gloria Escoffery[/b] was born in 1923. She has worked as a teacher, written extensively on Jamaican art and is one of her country's finest painters.

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In the twentieth century, the pioneering work of such art historians as Erwin Panofsky and Edgar Wind heightened our awareness of the relationship between Renaissance literature and the visual arts. By focusing on that relationship in the work of such poets as Sir Philip Sidney, John Donne, Richard Crashaw, Edmund Waller, and Robert Herrick, Norman K. Farmer, Jr., convincingly shows that they and other writers of the late sixteenth and early seventeenth centuries in England wrote with a lively and creative sense of the visual—a sense richly informed by the theory and practice of Renaissance art. Farmer begins by describing the powerful visual matrix that underlies the narrative structure of Sidney's New Arcadia. He compares the role of the visual in the poetry of Donne and Ben Jonson, and demonstrates how works by both Thomas Carew and Lord Herbert exhibit poetic invention according to familiar Renaissance pictorial themes. Herrick's Hesperides is shown to be the major seventeenth-century poetic application of the Horatian idea ut pictura poesis. A special feature of this gracefully written and enlightening volume is Farmer's discussion of Lady Drury's oratory at Hawstead Hall. Published here for the first time are photographs of this uniquely decorated oratory, in which themes from a variety of English and Continental emblem books were painted on the walls of a room apparently designed for private meditation.

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The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the 'Second' Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Ante el cotidiano ajetreo del mundo, mientras a nuestro lado pasan, entregados a la angustia, gritos, nubes, gentes, los instantes azules, cada fugaz acontecimiento cotidiano alivian el desamparo del mundo, la íntima soledad del hombre, su doloroso sentimiento de vacío.La poesía de Józef Baran nos agarra con fuerza a la tierra, convencida de la necesidad de la benevolencia, de la templanza ante el dolor, de la dignidad ante el mal, de la consolidación de la libertad interior, con la estoica certidumbre de que esto es todo lo que somos: un poco de carne, un breve hálito de vida, un guía interior, firme y sereno.Desde sus primeras composiciones, impregnadas del melancólico recuerdo de una inalterada e imaginada arcadia, hasta las más recientes, teñidas de una cómplice sonrisa ante la perplejidad humana frente al sinsentido de la vida, esta antología traza un recorrido por el sugestivo, auténtico y personal mundo poético de uno de los autores polacos más prestigiosos y reconocidos

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The pulldogs, a group of people at the twilight of Western civilisation, undergo an anthropological transformation caused by the dissemination of nanites (nanorobots capable of assembling molecules to create matter). This technology changes the way they eat and gives rise to a culture which, while reminiscent of an ancient nomadic society, is creative and new. Liberation from the imperative of food, combined with the ability to 3D print objects and use cloud computing, makes it possible for the pulldogs to make a choice that seems impossible and anachronistic – a new life, but is it really an Arcadia? FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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Classical and Hellenistic cemeteries can give us more than descriptions and styles of pottery, art and burial architecture; they can speak of people, societies, social conventions as well as of social distinctions. This book aims to employ and illustrate the unique strengths of burial evidence and its contribution to the understanding of social identity and status in the Classical and Hellenistic Northern Peloponnese. By thoroughly reviewing published burials from the regions of Achaia, Arcadia, the Argolid and Cynouria, Corinthia, Elis and Triphylia, spatial and temporal variations which led to a change in definitions of ‘society’ and perceptions of ‘community’ on the basis of shifting reactions to death and the dead are demonstrated. Social roles of men, women, children, elite and non-elite individuals as expressed or negotiated in the mortuary record are explored. Preconceived ideas and stereotypes within and about the Classical and Hellenistic burials are challenged. In spite of the many constraints imposed by the limited previous research, what clearly emerges from this study is the wide degree of variation in what are often loosely termed ‘customary’ or unappealing Classical and Hellenistic burial practices in the Northern Peloponnese. If death was indeed an occasion or ‘opportunity’, then the meaning of this opportunity varied along the shifting dimensions, in time and space, of identity and status.

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The Name of the Wind meets Pirates of the Caribbean in this eco-epic fantasy, where ships kept afloat by magical hearthfires sail an endless grass sea. After setting fire to the Forever Sea and leaving the surface world behind, Kindred Greyreach dives below to find a Seafloor populated by roving bands of scavengers. Among them, Kindred discovers a familiar face working to save the Sea from the continued spread of the Greys and the ravages of the world above. But when Kindred finds herself at odds with them, she and her friends will have to use every power available to them-including their link to the surface world-to forestall disaster. Meanwhile, above, a boy named Flitch, son of the Baron of the Borders, finds himself caught in a dangerous political crisis as survivors from Arcadia and the Once-City arrive on the Mainland. When Flitch begins to receive messages from someone below the Sea, the denizens of the Mainland see it as a sign that ancient enemies from across the Forever Sea are returning. The resulting crisis forces Flitch and his siblings to flee, as they seek out the truth hidden in old stories. Above and below, Flitch and Kindred will have to work together to save themselves, their loved ones, and the Forever Sea itself.

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Glamorgan's long and varied history has left layer upon layer of visible remains. Castles range from remarkable earthworks to magnificent structures such as Cardiff and Caerphilly. Impressive remains of three little known abbeys, at Ewenny, Margam and Neath, together with Llandaff Cathedral, testify to the wealth of the church in the twelfth and thirteenth centuries. The landscaped setting of Penrice Castle preserves a complete Georgian arcadia while Cardiff Castle is the supreme example of an exotic Victorian fantasy. Other major country houses, such as Ruperra and Wenvoe are now evocative ruins. In dramatic contrast are the chapels and workmen's institutes of the Valleys settlements and the landscape of heavy industry. Pride of place is given to Swansea, once a Regency resort, and Cardiff, coal metropolis. Their many fine public buildings are covered, as are their array of churches, chapels, arcades and solid suburban streets. A comprehensive gazetteer of places, in which buildings are described with lively and informed comment, is complemented by a detailed introduction which explains the broader context and builds a complete picture of the area's architectural identity. Glamorgan is the third volume in the Pevsner Buildings of Wales series. Each work is illustrated with numerous maps, plans and photographs, and concludes with Welsh language and architectural glossaries and indexes of artists and places.

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With a thirty-year run of award-winning, critically acclaimed, and commercially successful plays, from Rosencrantz and Guildenstern Are Dead (1967) to The Invention of Love (1997), Tom Stoppard is arguably the preeminent playwright in Britain today. His popularity also extends to the United States, where his plays have won three Tony awards and his screenplay for Shakespeare in Love won the 1998 Academy Award for Best Original Screenplay. John Fleming offers the first book-length assessment of Stoppard's work in nearly a decade. He takes an in-depth look at the three newest plays (Arcadia,Indian Ink, and The Invention of Love) and the recently revised versions of Travesties and Hapgood, as well as at four other major plays (Rosencrantz,Jumpers,Night and Day, and The Real Thing). Drawing on Stoppard's personal papers at the University of Texas Harry Ransom Humanities Research Center (HRHRC), Fleming also examines Stoppard's previously unknown play Galileo, as well as numerous unpublished scripts and variant texts of his published plays. Fleming also mines Stoppard's papers for a fuller, more detailed overview of the evolution of his plays. By considering Stoppard's personal views (from both his correspondence and interviews) and by examining his career from his earliest scripts and productions through his most recent, this book provides all that is essential for understanding and appreciating one of the most complex and distinctive playwrights of our time.

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Now in paperback, the second book in this environmental epic fantasy duology explores a world where ships kept afloat by magical hearthfires sail an endless grass sea.After setting fire to the Forever Sea and leaving the surface world behind, Kindred Greyreach dives below to find a Seafloor populated by roving bands of scavengers. Among them, Kindred discovers a familiar face working to save the Sea from the continued spread of the Greys and the ravages of the world above. But when Kindred finds herself at odds with a faction below the Sea, she and her friends will have to use every power available to them—including their link to the surface world—to forestall disaster.Meanwhile, above, a boy named Flitch, son of the Baron of the Borders, finds himself caught in a dangerous political crisis as survivors from Arcadia and the Once-City arrive on the Mainland. As monsters from the depths of the Sea begin to surface near the Mainland’s shores, Flitch must also navigate a crisis closer to home. As Flitch, his family, and their allies search for solutions, the truth they seek may lay hidden in old stories and long-held family secrets.Above and below, Flitch and Kindred must work together to save themselves, their loved ones, and the Forever Sea itself.Adventure and innovation abound in this remarkable environmental fantasy duology that explores humanity's relationship to nature against a backdrop of unique fauna and flora and nautical exploration.

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* The Whitbread-shortlisted novel from the bestselling author of THE PROMISE OF HAPPINESS *'Brilliant, dazzling, unsettling; subtle and haunting; complex and multi-layered; deeply moving' - Independent on Sunday'Cartwright is a brilliant observer and writes extremely well . . . [he] has produced an X-ray of modern man's soul' - Evening StandardA motorcycle messenger goes into a small park in London to paint the words 'White Lightning' on the tank of his bike. This is the beginning of an extraordinary novel. It is told over the space of a few months, and in these few months one man's whole life - his failures, his successes, his longing for peace and fulfilment, his loves and his tragedies - are recounted. These memories include his film Suzi Crispin, Night Nurse, and - the darkest moment - the death of his son, which has haunted him.He inherits a small amount of money and buys a rundown farm in South Africa, where he dreams of creating an Arcadia. On the farm is a captive baboon, Piet, who becomes startlingly involved in his new life. He also has a love affair with a local woman, and becomes hauntingly involved with an African family of squatters. All the while the narrator contemplates his own life back in England and so the novel is also a sharp commentary on what Englishness means. This is a novel about the human enterprise. It is surprising, tender, funny and utterly original.

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In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves.Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form.Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.

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