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full of wisdom and entertaining anecdotes' The Economist'fascinating' Financial TimesSocial Chemistry will utterly transform the way you think about 'networking.' Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . .One of 2021's Most Highly Anticipated New Books--NewsweekOne of The 20 New Leadership Books--Adam GrantOne The Best New Wellness Books Hitting Shelves In January--Shape.comA Next Big Idea Club Nominee__________Conventional wisdom would have us believe that it is the size of your network that matters: how many people do you know? We're told to mix, mingle, and connect.But social science research suggests otherwise.The quality and structure of our relationships have far greater impact on our personal and professional lives. our relationships with friends, family, co-workers, neighbours, and collaborators are by far our greatest asset. Yet, most people leave them to chance.In this ground-breaking study, Marissa King, Professor of Organizational Behavior at the Yale, argues that there are strategic ways in which we can alter our relationships for a happier and more fulfilling life. With new understanding, this book can help readers to see how they can harness the power of their networks in their personal relationships, at work, and to create a better world.

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A TELEGRAPH BEST BOOK OF THE YEAR 2023'One of the most erudite and inventive poets of our time' GuardianShane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career; in addition to introducing his readers to 'the thin king / who eats the world,' McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. 'O reader, listener, stay,' McCrae writes. 'You are now evidence.'In The Many Hundreds of the Scent, Homeric figures mingle with those that populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises - the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in the Guardian, 'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through.'

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In his bestselling book The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that, contrary to the assumptions of many Americans, most lesbians appeared indistinguishable from other women. They could mingle “congenially in conventional society.” Some were popular sex symbols; some were married to unsuspecting husbands. Robert J. Corber contends that The Grapevine exemplified a homophobic Cold War discourse that portrayed the femme as an invisible threat to the nation. Underlying this panic was the widespread fear that college-educated women would reject marriage and motherhood as aspirations, weakening the American family and compromising the nation’s ability to defeat totalitarianism. Corber argues that Cold War homophobia transformed ideas about lesbianism in the United States. In the early twentieth century, homophobic discourse had focused on gender identity: the lesbian was a masculine woman. During the Cold War, the lesbian was reconceived as a woman attracted to other women. Corber develops his argument by analyzing representations of lesbianism in Hollywood movies of the 1950s and 1960s, and in the careers of some of the era’s biggest female stars. He examines treatments of the femme in All About Eve, The Children’s Hour, and Marnie, and he explores the impact of Cold War homophobia on the careers of Joan Crawford, Bette Davis, and Doris Day.

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In a purgatory at the banks of the Hiwasee River in southeastern Tennessee, two teenagers -- the garrulous John Stone and the young Jenny Evenene -- barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

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Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire.Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.

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"All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death."In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life.Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home.The story of the de La Cruzes is the quintessential American story. This indelible portrait of a complex family reminds us of what it means to be the first generation and to live two lives across one border. It takes us into a world we have not known, while reflecting back the hopes and dreams of our own families. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank.

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‘Gripping and profoundly moving’ DAMON GALGUT ‘Deft and operatic’ OBSERVER A TIMES BEST BIOGRAPHY OF 2023 From one of South Africa’s foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela’s relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband ’ s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – turning the course of South African history into a page-turning political biography. Winnie & Nelson is a modern epic in which trauma doesn’t just affect the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Told with power and tender emotional insight, Steinberg reveals how far these forever entwined leaders would go for one another, and also, where they drew the line. For in the end both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

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‘A gripping new collection from Max Hastings that puts you at the heart of the battle … Compelling’ Daily Mail ‘An unmissable read’ Sunday Times Soldiers is a very personal gathering of sparkling, gripping tales by many writers, about men and women who have borne arms, reflecting bestselling historian Max Hastings’s lifetime of studying war. It rings the changes through the centuries, between the heroic, tragic and comic; the famous and the humble. The nearly 350 stories illustrate vividly what it is like to fight in wars, to live and die as a warrior, from Greek and Roman times through to recent conflicts in Iraq and Afghanistan. Here you will meet Jewish heroes of the Bible, Rome’s captain of the gate, Queen Boudicca, Joan of Arc, Cromwell, Wellington, Napoleon’s marshals, Ulysses S. Grant, George S. Patton and the modern SAS. There are tales of great writers who served in uniform including Cobbett and Tolstoy, Edward Gibbon and Siegfried Sassoon, Marcel Proust and Evelyn Waugh, George Orwell and George MacDonald Fraser. Here are also stories of the female ‘abosi’ fighters of Dahomey and heroic ambulance drivers of World War I, together with the new-age women soldiers who have served in Iraq and Afghanistan. The stories reflect a change of mood towards warfare through the ages: though nations and movements continue to inflict terrible violence upon each other, most of humankind has retreated from the old notion of war as a sport or pastime, to acknowledge it as the supreme tragedy. This is a book to inspire in turn fascination, excitement, horror, amazement, occasionally laughter. Max Hastings mingles respect for the courage of those who fight with compassion for those who become their victims, above all civilians, and especially in the twenty-first century, which some are already calling ‘the Post-Heroic Age’.

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'I see my story as a suite of songs that have a magical connection. I never understood that connection until I sat down to write. It was then that the magic started to flow.'Let Love Rule is a work of deep reflection. Lenny Kravitz looks back at his life with candor, self-scrutiny, and humour. 'My life is all about opposites,' he writes. 'Black and white. Jewish and Christian. The Jackson 5 and Led Zeppelin. I accepted my Gemini soul. I owned it. I adored it. Yins and yangs mingled in various parts of my heart and mind, giving me balance and fueling my curiosity and comfort.'Let Love Rule covers a vast canvas stretching from Manhattan's Upper East Side, Brooklyn's Bedford-Stuyvesant, Los Angeles's Baldwin Hills, Beverly Hills, and finally to France, England and Germany. It's the story of a wildly creative kid who, despite tough struggles at school and extreme tension at home, finds salvation in music. We see him grow as a musician and ultimately a master songwriter, producer, and performer. We also see Lenny's spiritual growth-and the powerful way in which spirit informs his music. The cast of characters surrounding Lenny is extraordinary: his father, Sy, a high-powered news executive; his mother, Roxie Roker, a television star; and Lisa Bonet, the young actress who becomes his muse.The central character, of course, is Lenny, who, despite his great aspirational energy, turns down record deal after record deal until he finds his true voice.The creation of that voice, the same voice that is able to declare 'Let Love Rule' to an international audience, is the very heart of this story.'Whether recording, performing, or writing a book,' says Lenny, 'my art is about listening to the inspiration inside and then sharing it with people. Art must bring the world closer together.'

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Widely regarded as the greatest footballer of all time, seven-time Ballon d’Or and six-time Golden Shoe winner, Lionel Messi, enjoyed a record-breaking 17-year career at FC Barcelona during which time he scored more goals, played more games, won more titles and provided more assists than any other player in the Catalan club’s history. Adored by Barça fans, Messi reigned supreme until August 2021, when he made a tearful farewell to a stunned global audience. Messi: The King of Camp Nou is the definitive story of Lionel Messi’s entire Barça career, written by Jason Pettigrove, a football journalist who worked for FC Barcelona during Messi’s final years in Catalonia. Charting Messi’s rise as a hopeful 13-year-old Argentinian boy from Rosario to becoming the best footballer in the world, Pettigrove’s comprehensively researched book features exclusive interviews with key individuals in Messi’s story - team-mates, opponents, managers, agents and fellow journalists - including: Joan Laporta, Lionel Scaloni, Victor Font, Sir Kenny Dalglish, Jamie Carragher, Mike Phelan, Josep Maria Minguella, Horacio Gaggioli, Tony Watt, Santi Padro and Jorge Barraza. From being signed by Barça on a napkin to Champions League glory and becoming FC Barcelona captain, Messi: The King of Camp Nou reveals the inside story of Leo’s remarkable reign at Barça including breaking Pelé's incredible record for most goals scored at one club, how the longed for Copa América title was won and how he, season-on-season, mesmerised the football world.

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Five years since his daughter's death. Now it's happening again.**A Sunday Times pick of the week**'The Next to Die is a remarkably assured debut. It oozes the sour tang of authenticity, mingling psychiatry and crime with the mean streets of London.' Andrew Taylor'Pitch-perfect tone and quality, a terrific debut.' Amer Anwar'A superb, heart-thumping thriller. Without doubt my favourite read of the year.' Carol Wyer'Hooked me immediately with its formidable pace and fluid style.' James Oswald'Outstanding. Gritty and compelling with a cast of richly-drawn characters, this is an exceptional book. That ending - wow!' D. S. ButlerDylan Kasper is stuck. Living in self-imposed reclusion from his former life in the police, he's been in a downward spiral since his daughter's death five years ago.All that changes when the son of an esteemed professor jumps under an inner-city train. His former colleagues call it suicide, but Kasper knows different. This has all happened before - to him, and his dead daughter.Taking on the investigation himself, Kasper soon realises the terrible trouble young Tommy had found himself in. With nowhere to run, he thought suicide was the only way to keep his family safe.But before long, Kasper's investigation makes him target number one. Can he keep his demons in check and stay alive long enough to bring those responsible to justice?

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Candace Slater takes us on a journey into the Amazon that will forever change our ideas about one of the most written-about, filmed, and fought-over areas in the world. In this book she deftly traces a rich and marvelous legacy of stories and images of the Amazon that reflects the influence of widely different groups of people--conquistadors, corporate executives, subsistence farmers --over the centuries. A careful, passionate consideration of one of the most powerful environmental icons of our time, Entangled Edens makes clear that we cannot defend the Amazon's dazzling array of plants and animals without comprehending its equally astonishing human and cultural diversity. Early explorers describe encounters with fearsome warrior women and tell of golden cities complete with twenty-four-carat kings. Contemporary miners talk about a living, breathing gold. TV documentaries decry deforestation and mercury poisoning. How do these disparate visions of the Amazon relate to one another? As she fits the pieces of the puzzle together, Slater shows how today's widespread portrayal of the region as a fragile rain forest on the brink of annihilation is every bit as likely as earlier depictions to obscure important aspects of this immense and complicated region. In this book, Slater draws on her fifteen years of experience collecting stories and oral histories among many different groups of people in the Amazon. Throughout Entangled Edens, the voices of contemporary Amazonians mingle with the analyses of such writers as Claude Levi-Strauss, Theodore Roosevelt, and nineteenth-century naturalist Henry Walter Bates. Slater convinces us that these stories and ideas, together with an understanding of their origins and ongoing impact, are as critical as scientific analyses in the fight to preserve the rain forest.

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"Sphinxes are legion in Egypt—what is so special about this one?... We shall take a stroll around the monument itself, scrutinizing its special features and analyzing the changes it experienced throughout its history. The evidence linked to the statue will enable us to trace its evolution... down to the worship it received in the first centuries of our own era, when Egyptians, Greeks, and Romans mingled together in devotion to this colossus, illustrious witness to a past that was already more than two millennia old."—from the IntroductionThe Great Sphinx of Giza is one of the few monuments from ancient Egypt familiar to nearly everyone. In a land where the colossal is part of the landscape, it still stands out, the largest known statue in Egypt. Originally constructed as the image of King Chephren, builder of the second of the Great Pyramids, the Sphinx later acquired new fame in the guise of the sun god Harmakhis. Major construction efforts in the New Kingdom and Roman Period transformed the monument and its environs into an impressive place of pilgrimage, visited until the end of pagan antiquity.Christiane Zivie-Coche, a distinguished Egyptologist, surveys the long history of the Great Sphinx and discusses its original appearance, its functions and religious significance, its relation to the many other Egyptian sphinxes, and the various discoveries connected with it. From votive objects deposited by the faithful and inscriptions that testify to details of worship, she reconstructs the cult of Harmakhis (in Egyptian, Har-em-akhet, or "Horus-in-the-horizon"), which arose around the monument in the second millennium. "We are faced," she writes, "with a religious phenomenon that is entirely original, though not unique: a theological reinterpretation turned an existing statue into the image of the god who had been invented on its basis."The coming of Christianity ended the Great Sphinx's religious role. The ever-present sand buried it, thus sparing it the fate that overtook the nearby pyramids, which were stripped of their stone by medieval builders. The monument remained untouched, covered by its desert blanket, until the first excavations. Zivie-Coche details the archaeological activity aimed at clearing the Sphinx and, later, at preserving it from the corrosive effects of a rising water table.

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Host any size event with ease, whether it’s a big holiday gathering or a picnic for two, with this fun, flexible cookbook featuring 100 recipes from charcuterie board guru Sandy Coughlin (@reluctantentertainer). As the original Big Board influencer, Sandy Coughlin reimagined the charcuterie board as a stunning surface for special occasion spreads, family get-togethers, delicious desserts, and more. Now, she expands her repertoire with individual recipes for any occasion, large or small, indoors or out.Organized by season and size of gathering and including gluten-free, dairy-free, and plant-based options for customizable convenience, Reluctant Entertainer’s Big Boards and More will spark your culinary imagination with the endless possibilities of boards. Elements include: Seasonal celebrations and special days: For holidays, weddings, or just a birthday bash, try Winter Solstice Charcuterie Board, Baked Brie Dinner Board, Broiled Al Pastor Tacos, Tiramisu French Toast, Fudgy Brownie Ice Cream Sandwiches, and more. International inspiration for the curious cook: Regional recipes from around the world to light your travel fuse, including Baba Ghanoush with Poblano Chilies, Tikka Masala Tender Bowls, Miso Parmesan Udon Noodles, and Caffe Mingo’s Sugo di Carne. Just close friends: Smaller boards for 2–4 people, whether it’s date night or game night, such as Roasted Apple Crispy Prosciutto Crostini, Oven-Roasted Caramelized Onions and Chicken Thighs, Corn Bacon and Cheddar Waffles, and Pear Puff Pastry Tart. The great outdoors: Portable, sustainable recipes for camping, road trips, and outdoor entertaining all year round, including Warming Hut Brothy Quinoa Bowls Board, Hot Chocolate Firepit Board with Buttermilk Rough Puff Pastry Ribbons, and Poolside Pina Colada Poptail Board. Whether you’re a board enthusiast already or a first-time host, Reluctant Entertainer’s Big Boards and More has everything you need to make a serious splash—all year round.

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The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. The Winter 2022 Bulletin magazine is as thought-provoking as ever with poems and commentaries from emerging and established poets. The PBS Winter Choice Safiya Kamaria Kinshasa re-examines the slave trade and interprets the voice of her Barbadian ancestors through innovative dance notation and movement across the page. Nina Mingya Powles reviews the "gorgeously sticky" Pamphlet Choice Mother of Flip Flops by Mukahang Limbu who takes us from Cowley Road, Oxford, to Nepal. The Translation Choice Laura Doyle Pean delves into mental health in Yo-Yo Heart (87 Press) translated by Stuart Bell. A E Stallings takes us back to ancient Greece via modern motherhood. Arji Manuelpillai confronts Sri Lanka's traumatic past in Improvised Explosive Device (Penned in the Margins) and Selina Nwulu examines Black British experience, migration and grief in her formidable debut A Little Resurrection (Bloomsbury). Fran Lock channels "queer working class rage" in her astonishing White/Other (87 Press) and Philip Gross takes us to a celestial plane with The Thirteenth Angel (Bloodaxe). You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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INSTANT NEW YORK TIMES, WALL STREET JOURNAL, AND USA TODAY BESTSELLER “As exciting as any spy novel” (Daily News, New York), The Princess Spy follows the hidden history of an ordinary American girl who became one of the OSS’s most daring World War II spies before marrying into European nobility. Perfect for fans of A Woman of No Importance and Code Girls.When Aline Griffith was born in a quiet suburban New York hamlet, no one had any idea that she would go on to live “a life of glamour and danger that Ingrid Bergman only played at in Notorious” (Time). As the United States enters the Second World War, the young college graduate is desperate to aid in the war effort, but no one is interested in a bright-eyed young woman whose only career experience is modeling clothes. Aline’s life changes when, at a dinner party, she meets a man named Frank Ryan and reveals how desperately she wants to do her part for her country. Within a few weeks, he helps her join the Office of Strategic Services—forerunner of the CIA. With a code name and expert training under her belt, she is sent to Spain to be a coder, but is soon given the additional assignment of infiltrating the upper echelons of society, mingling with high-ranking officials, diplomats, and titled Europeans. Against this glamorous backdrop of galas and dinner parties, she recruits sub-agents and engages in deep-cover espionage. Even after marrying the Count of Romanones, one of the wealthiest men in Spain, Aline secretly continues her covert activities, being given special assignments when abroad that would benefit from her impeccable pedigree and social connections. “[A] meticulously researched, beautifully crafted work of nonfiction that reads like a James Bond thriller” (Bookreporter), The Princess Spy brings to vivid life the dazzling adventures of a spirited American woman who risked everything to serve her country.

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The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems and exclusive interviews with all the selected poets, insightful reviews by our Book Selectors Jo Clement, Roy Mcfarlane, Shivanee Ramlochan, Arji Manuelpillai and Nina Mingya Powles. Plus micro reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter. The Winter 2023 Bulletin magazine is full of crossings and re-connections. It features poems, reviews and commentary from the PBS Winter Choice Kwame Dawes whose new collection Sturge Town (Peepal Tree) journeys through memory and geography from Ghana to Jamaica and Nebraska. The Translation Choice, Sea in My Bones (the87press) by Juana Goergen, translated by Silvia Tandeciarz crosses between Spanish, Taino, and Yoruba in a multilingual celebration of indigenous Caribbean peoples. Marjorie Lotfi reveals her refugee experience fleeing Iran as a child in her debut The Wrong Person to Ask (Bloodaxe). Fahad Al-Amoudi uncovers the tale of an exiled Ethiopian prince in his astonishing debut pamphlet When The Flies Come (ignition press). Jasmine Cooray's Inheritance (Bad Betty Press) bequeaths us hopeful and resilient poems for when life and love are unexpectedly cut short. "America's favourite poet" Billy Collins brings some much needed humour to the table and celebrates the short poem in his new collection Musical Tables (Picador). David Wheatley sings of mushrooms, ancient forests and curious toddlers in Child Ballad (Carcanet) and Kostya Tsolakis re-examines Greekness and queer identity in his innovative debut Greekling (Nine Arches Press). You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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‘Gripping and profoundly moving’ DAMON GALGUT ‘Deft and operatic’ OBSERVER A TIMES BEST BIOGRAPHY OF 2023 From one of South Africa’s foremost nonfiction writers, a deeply researched, shattering new account of Nelson Mandela’s relationship with Winnie Madikizela-Mandela. Drawing on never-before-seen material, Steinberg reveals the fractures and stubborn bonds at the heart of a volatile and groundbreaking union, a very modern political marriage that played out on the world stage. One of the most celebrated political leaders of the twentieth century, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie. During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband ’ s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless civil war. Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – turning the course of South African history into a page-turning political biography. Winnie & Nelson is a modern epic in which trauma doesn’t just affect the couple at its centre, but an entire nation. It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Told with power and tender emotional insight, Steinberg reveals how far these forever entwined leaders would go for one another, and also, where they drew the line. For in the end both knew theirs was not simply a marriage, but a contest to decide how apartheid should be fought.

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WHAT HAPPENS WHEN ASSIMILATION FAILS? The war with the Arduans—profoundly alien invaders who originally arrived in STL ships—is over. Most of those attackers are now probationary (and very productive) citizens of the Rim Federation. However, many among the Arduans’ warrior caste have accepted neither defeat nor the personhood of any of the other intelligence races. Their leader, the ruthless admiral of the second Arduan exodus— Amunsit—is in firm control of the Zarzuela system. Along with a fifth column among the peaceable Arduans, she hopes to find allies in subsequent refugee fleets that abandoned their race's now-dead home system long ago. But as the victors’ diplomats attempt to soothe tensions with these warlike neighbors, two heroes of the last war—veteran Admiral Ian Trevayne and young trouble-shooter Ossian Wethermere--suspect they have stumbled upon a deeper Arduan plot: one which could shatter the Pan-Sentient Union, and perhaps interstellar civilization itself. About Extremis: “Vivid. . .Battle sequences mingle with thought-provoking exegesis . . .”–Publishers Weekly About Steve White and David Weber’s The Shiva Option: “[Leaves] the reader both exhilarated and enriched.” –Publishers Weekly About Steve White: “White offers fast action and historically informed world-building.”–Publishers Weekly About Steve White’s Forge of the Titans: “. . . recalls the best of the John Campbell era of SF. White's core audience of hard SF fans will be pleased . . .”–Publishers Weekly

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The status of women in the ancient Judaism of the Hebrew Bible and Rabbinic texts has long been a contested issue. What does being a Jewess entail in antiquity? Men in ancient Jewish culture are defined primarily by what duties they are expected to perform, the course of action that they take. The Jewess, in contrast, is bound by stricture. Writing on the formation and transformation of the ideology of female Jewishness in the ancient world, Zlotnick places her treatment in a broad, comparative, Mediterranean context, bringing in parallels from Greek and Roman sources. Drawing on episodes from the Hebrew Bible and on Midrashic, Mishnaic, and Talmudic texts, she pays particular attention to the ways in which they attempt to determine the boundaries of communal affiliation through real and perceived differences between Israelites, or Jews, on one hand and non-Israelites, or Gentiles, on the other. Women are often associated in the sources with the forbidden, and foreign women are endowed with a curious freedom of action and choice that is hardly ever shared by their Jewish counterparts. Delilah, for instance, is one of the most autonomous women in the Bible, appearing without patronymic or family ties. She also brings disaster. Dinah, the Jewess, by contrast, becomes an agent of self-destruction when she goes out to mingle with gentile female friends. In ancient Judaism the lessons of such tales were applied as rules to sustain membership in the family, the clan, and the community. While Zlotnick's central project is to untangle the challenges of sex, gender, and the formation of national identity in antiquity, her book is also a remarkable study of intertextual relations within the Jewish literary tradition.

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Examines legal and literary narratives of personhood in the 19th century Traces the concept of character through related areas of law, cultural discourses of character and the formal structures of the novel Offers new readings of works by Nathaniel Hawthorne, George Eliot, Anne Bronte, Elizabeth Gaskell, Anthony Trollope, Robert Louis Stevenson, Oscar Wilde and Arthur Conan Doyle Analyses literary constructions of character in relation to specific legal cases and doctrines, including the right to silence, libel and privacy Includes new work on Anthony Trollope's topical and editorial interest in libel Covers the relationship between libel, the development of privacy rights and emerging modernist aesthetics Presents a transatlantic approach to select works and issues, including the right to silence and privacy Why would Hawthorne and Eliot grant their fallen women an anachronistic right to silence that could only worsen their punishment? Why did Bronte and Gaskell find gossip such a useful source of information when lawyers excluded it as hearsay? How did Trollope's work as an editor influence his preoccupation throughout his novels with libel? Drawing on a range of primary sources including novels, Victorian periodical literature, legislative debate, case law, and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession. She explores how key categories and representational strategies for imagining individual personhood also defined communities and mediated relations within them, in life and in fiction.

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Ghulam Bombaywala sells bagels in Houston. Demetrios dishes up pizza in Connecticut. The Wangs serve tacos in Los Angeles. How ethnicity has influenced American eating habits—and thus, the make-up and direction of the American cultural mainstream—is the story told in We Are What We Eat. It is a complex tale of ethnic mingling and borrowing, of entrepreneurship and connoisseurship, of food as a social and political symbol and weapon—and a thoroughly entertaining history of our culinary tradition of multiculturalism.The story of successive generations of Americans experimenting with their new neighbors’ foods highlights the marketplace as an important arena for defining and expressing ethnic identities and relationships. We Are What We Eat follows the fortunes of dozens of enterprising immigrant cooks and grocers, street hawkers and restaurateurs who have cultivated and changed the tastes of native-born Americans from the seventeenth century to the present. It also tells of the mass corporate production of foods like spaghetti, bagels, corn chips, and salsa, obliterating their ethnic identities. The book draws a surprisingly peaceful picture of American ethnic relations, in which “Americanized” foods like Spaghetti-Os happily coexist with painstakingly pure ethnic dishes and creative hybrids.Donna Gabaccia invites us to consider: If we are what we eat, who are we? Americans’ multi-ethnic eating is a constant reminder of how widespread, and mutually enjoyable, ethnic interaction has sometimes been in the United States. Amid our wrangling over immigration and tribal differences, it reveals that on a basic level, in the way we sustain life and seek pleasure, we are all multicultural.

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In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." Field Notes from Elsewhere is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you."

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“A compilation of leading Dada-influenced artists from around the world." ―TRIBE LA Magazine The 2022 edition of the world’s premiere journal of contemporary dada writing and art continues a revolutionary approach to creation, inspired by the Dada movement. These days you hear a lot about NET ZERO, in reference to steps being taken to combat climate change. NET ZERO refers to the balance between the amount of greenhouse gas produced and the amount removed from the atmosphere. At this time, NET ZERO is an ambition lacking absolute definition as corporate energy titans pledge distant adherence without clear or immediate commitments to act. In fact, these so-called “innovative” scions of wealth seem to not even be able to remove the layer of hot air greenhouse gases spewing from the mouths of the pundits and politicos pushing the affirmation of their endlessly pernicious promises. Enter NYET ZERO. With NYET ZERO, MAINTENANT 16 makes an artistic power grab using DADA—in the form of original art, poetry, and writing aimed at exposing the hypocrisy of the engine-idle rich on recycled paper. We can change the now with art and thought. Otherwise, the future has NOTENTIAL. When the corporate powers that be control all of the energy resources, Art Becomes A Necessity!!! Or as Tristen Tzara put it in his Dada Manifesto, “Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE!” For the first time since debuting in 2008, MAINTENANT 16 includes work from all seven continents on the planet, with more than 250 creators from 35 countries. The MAINTENANT series gathers the work of internationally-renowned contemporary Dada artists and writers. MAINTENANT 16 offers compelling proof that concepts of Dada continue to serve as a catalyst to creators more than a century later. Contributors to Maintenant 16 include: Derek Adams • Susan Shoshannah Adler • Jamika Ajalon • Ina Al-soqi • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Avelino de Araujo • Wayne Atherton • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Brent Bechtel • Peter Beda • Regina Lafay Bellamy • C. Mehrl Bennett • Carla Bertola • Volodymyr Bilyk • József Bíró • Lucy Jane Bledsoe • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • Bob Branaman • Kathy Bruce • Michael Lane Bruner • Imanol Buisan • Fork Burke • Billy Cancel • Angela Caporaso • Peter Carlaftes • Mutes César • Peter Ciccariello • Hal Citron • Lynette Clennell • Andrei Codrescu • Terese Coe • Roger Conover • Anthony Cox • Lars Crosby • Malik Ameer Crumpler • Tchello d’Barros • Wer Da • Steve Dalachinsky • Allison A. Davis • Heather Dawish • Holly Day • Quỳnh Iris de Prelle • Laylah DeLautréamont • Lily Despic • Sam Dodson • Bruce Louis Dodson • Gabriel Don • Carol Dorf • Robert Duncan • Malcolm Easton • Salvatore Esposito • Jeff Farr • Becky Fawcett • Federico Federici • Rich Ferguson • Cheryl J. Fish • Kathleen Florence • Giovanni Fontana • Robert C. Ford • Kofi Fosu Forson • Patrick Forsythe • Abigail Frankfurt • Dorothy Friedman • Thomas Fucaloro • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Anthony Gibbons • Mark Glista • Gemma Goette • Gustavo Gómez-Mejía • S.A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • Ana-Maria Guta • Janet Hamill • Bibbe Hansen • Jesper Hasseltoft • Heide Hatry • Erica ESH Henry • Aimee Herman • Jan Herman • Karen Hildebrand • Mark Hoefer • Lawrence Holzworth • Richard Humann • Matthew Hupert • Frie J. Jacobs • Ayushi Jain • Annaliese Jakimides • Mathias Jansson • Jerry T. Johnson • Boni Joi • Milana Juventa • Marina Kazakova • Anthony D. Kelly • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Hope Kroll • Paweł Kuczyński • Zygimantas Kudirka • Bénédicte Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Sarah Legow • Patricia Leonard • Linda Lerner • Martin H. Levinson • Alexander Limarev • Richard Loranger • Ruggero Maggi • Sara Maino • Gerard Malanga • Jaan Malin • Sophie Malleret • Mary Rose Manspeaker • Philippe Marcade • Fred Marchant • Eliette Markhbein • Bronwyn Mauldin • Jesse McCloskey • Philip Meersman • Lois Kagan Mingus • Charles Mingus III • Julian Mithra • Richard Modiano • Mike M. Mollett • Thurston Moore • Luiz Morgadinho • Alexander Nderitu • Dustin Nelson • J. D. Nelson • Karen Neuberg • Gerald Nicosia • Lance Nizami • Harry E. Northup • Anna Gabrielle O’Meara • Ruth Oisteanu • Valery Oisteanu • Suzi Kaplan Olmsted • Marc Olmsted • John Olson • Jane Ormerod • Yuko Otomo • Bibiana Padilla Maltos • Csaba Pal • Lisa Panepinto • Pamela Papino-Wood • Gay Pasley • John S. Paul • Oladipo Kehinde Paul • Giorgia Pavlidou • Puma Perl • Raymond Pettibon • Charles Plymell • Renaat Ramon • Nicca Ray • Mado Reznik • Travis Richardson • Wes Rickert • Benjamin Robinson • Radoslav Rochallyi • L. Rose • Alison Ross • Martina Salisbury • William Seaton • Jack Seiei • Silvio Severino • Susan Shup • Bertholdus Sibum • Paul Siegell • Denise Silk-Martelli • Zoltan Simon • Lily Simonson • Neal Skooter Taylor (LA Dada) • Angela Sloan • Valerie Sofranko • Paul Sohar • Pere Sousa • Orchid Spangiafora • Dd. Spungin • Marilyn Stablein • Laurie Steelink • J. J. Steinfeld • Christine Sloan Stoddard • Thomas Stolmar • Rich Stone • W. K. Stratton • Belinda Subraman • Kelly Talbot • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Anoek van Praag • Lynnea Villanova • Barbara Vos • Matina Vossou • Silvia Wagensberg • George Wallace • Scott Wannberg • Mike Watt • Poul R. Weile • Syporca Whandal • Brenda Whiteway • Maw Shein Win • A. D. Winans • Tracy Witt • Francine Witte • Jeffrey Cyphers Wright • Yaryan • Gerald Yelle • Karen Romano Young • Andrena Zawinski • Larry Zdeb • Nina Živančević • Joanie HF Zosike

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In the nineteenth century, the phenomenon of 'going abroad' was born. Beautiful Mediterranean towns, the luxurious spas of Mittel-Europe and the golf courses of France became the playground of the idle wealthy. Until foreign travel became more accessible, the picturesque towns and smart hotels catered only to an elite mix of royalty, celebrities and high society. This was where the great and glamorous could relax, mingle, see and be seen – where rules could be broken and routines forgotten. Drawing on the Mary Evans Picture Library's archives and contributions from Galleria L’IMAGE, Lucinda Gosling traces the growth of some of Europe’s most exclusive and desirable holiday destinations – from Monte Carlo and Maidenhead, to Biarritz and St Moritz – and explores the lives of the privileged holidaymakers who travelled there. Revealing a world of gossip and glamour, Holidays and High Society tells the story of travel in a golden age through its fashions, faces and places, using evocative vintage travel posters, brochures, fashion spreads and more. The ultimate form of escapism for anyone with a passion for the past.

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Rosamund Lupton meets Lupin in this accomplished debut from an eclectic, cut-throat new voice in thriller writing.**DON'T MISS MEGAN DAVIS' NEXT THRILLER, BAY OF THIEVES. AVAILABLE TO PRE-ORDER NOW**'A sleek, sinister debut' WOMAN'S OWN'A strong, twisting, literary journey of revelation and redemption. Five stars' JANICE HALLETT'An intelligent, gripping and stylish literary thriller - I couldn't put it down. Megan Davis is a major new talent' SOPHIE HANNAH'A sharply written, clever and classy thrill-ride through the streets of Paris' CHRIS WHITAKER A crime he didn't commit. A truth he must deliver.Wealthy and privileged, Alex has an easy path to success in the Parisian elite his father mingles with. But the two have never seen eye to eye. Desperate to escape the increasingly suffocating atmosphere of their apartment, Alex seeks freedom on the streets of Paris where his new-found friend Sami teaches him how to survive. But everything has a price - and one night of rebellion changes their lives forever.A simple plan to steal money takes a sinister turn when Alex's father is found dead. Despite protesting their innocence, both boys are imprisoned for murder. Seven years later Alex is released from prison with a single purpose: to discover who really killed his father. Yet as he searches for answers and atones for the sins of his past, Alex uncovers a disturbing truth with far-reaching consequences.Playing out against a backdrop of corruption, fake news and civil unrest, The Messenger exposes the gritty reality of a changing city through one son's journey to redemption and the truth.'Megan Davis's electric, suspenseful and stunning evocation of contemporary Paris is unforgettable' ELIZABETH MACNEAL'A well-written, intriguing novel with an excellent sense of place' KAMILA SHAMSIE 'Compelling ... A deft blend of murder mystery, political intrigue and family secrets' DOMINIC NOLAN

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‘If you’re a fan of The Crown, Bridgerton and Downton Abbey that this book will not disappoint. This book will have you gasp, laugh and cry. Not one to be missed!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ A young Queen. Two sisters. A voyage that will change their fates forever. Nineteen-year-old identical twins Violet and Daisie Chettle can hardly believe their luck when they are recruited as maids on newly crowned Queen Elizabeth II’s royal ship. It’s just the ticket they need away from cold, grey London and the tension that’s been brewing at home since the tragic loss of their parents. But the 1954 royal tour to Australia, is a far cry from the glitz and glamour they had imagined. Life below deck is hard-work, and whilst Violet is prepared to keep her head down and be seen and not heard, Daisie has her sights on doing everything she can to hang up her apron and mingle above deck – even if it means leaving Violet behind. But as Daisie begins to win royal favour, she receives a letter from London. The sisters can’t outrun their past any longer… Violet has committed an unspeakable act of betrayal that will change their relationship forever. With their positions on the tour hanging in the balance, have the sisters ventured too far from home to ever find their way back? Set against the stunning backdrop of Queen Elizabeth’s first royal tour with Prince Phillip prepare to be swept away with this upstairs-downstairs drama, perfect for fans of The Crown and Downton Abbey Readers Love The Journey After the Crown! ‘This book was perfect… I absolutely enjoyed it. A must read for those that have enjoyed watching the Crown!’ NetGalley Reviewer ⭐⭐⭐⭐⭐ ‘I loved this book… It was well written with a captivating storyline and well-developed characters that merged real life figures with the fictional. I really enjoyed it.!’ NetGalley Reviewer ⭐⭐⭐⭐⭐ ‘A remarkable historical novel telling the story of sisters aboard the royal ship sailing towards Australia. Loved it!’ NetGalley Reviewer ⭐⭐⭐⭐⭐

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'John Harvey is one of the all-time greats and remains one of my favourite writers.' IAN RANKIN_____________________Frank Elder's last case could be the one that breaks him for good.The heavy manacles around the girl's wrists, perhaps not surprisingly, looked very much like the ones that had been found on the studio floor. For a moment, she had a vision of the chain to which they were attached being swung through the air, taking on force and speed before striking home. Then swung again.When his estranged daughter Katherine appears on his doorstep, ex-Detective Frank Elder knows that something is wrong.Katherine has long been troubled, and Elder has always felt powerless to help her. But now Katherine has begun to self-destruct; the breakdown of her affair with a controversial artist, known for his pornographic paintings, has sent her into a tailspin.But when the artist is found murdered in his studio, suspicion falls on Katherine. The vultures are circling.And as Elder struggles to protect his daughter and prove her innocence, the terrors of the past threaten them both once more...Daily Telegraph Book of the Year_____________________'A masterpiece from a master of the genre.' MARK BILLINGHAM'An expertly plotted and moving final act for an old-school investigator of the best sort, from a true master of the genre' GUARDIAN Books of the Month'This is wonderfully atmospheric crime writing - a tribute to Harvey's exceptional talent' MAIL'The 79-year-old Harvey has made it clear that Body & Soul is his last novel, and what an excellent farewell it is .... Elder and Resnick are both greats of British crime fiction.' THE TIMES Book of the Month'Few writers have even approached Harvey's grasp of atmosphere which, mingled with some sharpish social comment and utterly believable characters, makes them a must read' CRIME REVIEW'Sadly, this is Harvey's last book after a 40-year crime writing masterclass.' PETERBOROUGH TELEGRAPH

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In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

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A comprehensive history of the Sino-Russian border, one of the longest and most important land borders in the worldThe Sino-Russian border, once the world’s longest land border, has received scant attention in histories about the margins of empires. Beyond the Steppe Frontier rectifies this by exploring the demarcation’s remarkable transformation—from a vaguely marked frontier in the seventeenth century to its twentieth-century incarnation as a tightly patrolled barrier girded by watchtowers, barbed wire, and border guards. Through the perspectives of locals, including railroad employees, herdsmen, and smugglers from both sides, Sören Urbansky explores the daily life of communities and their entanglements with transnational and global flows of people, commodities, and ideas. Urbansky challenges top-down interpretations by stressing the significance of the local population in supporting, and undermining, border making.Because Russian, Chinese, and native worlds are intricately interwoven, national separations largely remained invisible at the border between the two largest Eurasian empires. This overlapping and mingling came to an end only when the border gained geopolitical significance during the twentieth century. Relying on a wealth of sources culled from little-known archives from across Eurasia, Urbansky demonstrates how states succeeded in suppressing traditional borderland cultures by cutting kin, cultural, economic, and religious connections across the state perimeter, through laws, physical force, deportation, reeducation, forced assimilation, and propaganda.Beyond the Steppe Frontier sheds critical new light on a pivotal geographical periphery and expands our understanding of how borders are determined.

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Giovanni Morelli changed the way we look at art. Before Morelli (1816-1891), the attribution of a painting to a particular artist or school was often based on overall impression, hearsay, even gut feeling. But Morelli, having trained as a medical doctor to look closely at anatomical detail, applied scientific rigor to understanding the works of masters such as Titian, Leonardo, and Raphael, and of other Renaissance and Baroque painters. By closely scrutinising, analysing and comparing details overlooked by most other collectors, critics, and curators, his radical 'Morellian method' became the basis of modern art connoisseurship. A proud Italian of Swiss Protestant heritage, Morelli was also a staunch patriot. He risked his life in the Italian Wars of Independence, and was elected four times to the parliament of the newly unified nation. In 1873 he was nominated senator for life. As a statesman he fought for his homeland's cultural patrimony: at a time when many of Italy's great art collections were being snapped up by foreign collectors and museums, he introduced some of the world's first legislation to prevent their loss to the nation. The Life of Giovanni Morelli in Risorgimento Italy is the first full biography of this important figure, including his romantic friendships with remarkable women such as Clementina Frizzoni, Laura Acton Minghetti (wife of the Italian prime minister), and Princess Victoria (daughter of Queen Victoria and subsequently empress of Germany). At his death he bequeathed his art collection to the Accademia Carrara in Bergamo, the birthplace of his mother, a city he loved.

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A polyphonic new entry in Multiverse—a literary series written and curated by the neurodivergent—JJJJJerome Ellis’s Aster of Ceremonies beautifully extends the vision of his debut book and album, The Clearing, a “lyrical celebration of and inquiry into the intersections of blackness, music, and disabled speech” (Claudia Rankine).Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along. What is the relationship between fleeing and feeling? How can the voices of those who came before—and the stutters that leaven those voices—carry into our present moment, mingling with our own? When Ellis writes, “Bring me the stolen will / Bring me the stolen well,” his voice is a conduit, his “me” is many. Through the grateful invocations of ancestors—Hannah, Mariah, Kit, Jan, and others—and their songs, he rewrites history, creating a world that blooms backward, reimagining what it means for Black and disabled people to have taken, and to continue to take, their freedom. By weaving a chorus of voices past and present, Ellis counters the attack of “all masters of all vessels” and replaces it with a family of flowers. He models how—as with his brilliant transduction of escaped slave advertisements—we might proclaim lost ownership over literature and history. “Bring me to the well,” he chants, implores, channels. “Bring me to me.” In this bringing, in this singing, he proclaims our collective belonging to shared worlds where we can gather and heal.The Aster of Ceremonies audiobook read and performed by JJJJJerome Ellis is available everywhere you listen to audiobooks.

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Japan in the early seventeenth century was a wild place. Serial killers stalked the streets of Kyoto at night, while noblemen and women mingled freely at the imperial palace, drinking sake and watching kabuki dancing in the presence of the emperor's principal consort. Among these noblewomen was an imperial concubine named Nakanoin Nakako, who in 1609 became embroiled in a sex scandal involving both courtiers and young women in the emperor's service. As punishment, Nakako was banished to an island in the Pacific Ocean, but she never reached her destination. Instead, she was shipwrecked and spent fourteen years in a remote village on the Izu Peninsula before she was finally allowed to return to Kyoto. In 1641, Nakako began a new adventure: she entered a convent and became a Buddhist nun. Recounting the remarkable story of this resilient woman and her war-torn world, G. G. Rowley investigates aristocratic family archives, village storehouses, and the records of imperial convents. She follows the banished concubine as she endures rural exile, receives an unexpected reprieve, and rediscovers herself as the abbess of a nunnery. While unraveling Nakako's unusual tale, Rowley also reveals the little-known lives of samurai women who sacrificed themselves on the fringes of the great battles that brought an end to more than a century of civil war. Written with keen insight and genuine affection, An Imperial Concubine's Tale tells the true story of a woman's extraordinary life in seventeenth-century Japan.

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Poetry Projects to Make and Do, edited by Deborah Alma, The Emergency Poet, is a ‘how to’ handbook of essays, prompts, advice, and ideas designed to help both aspiring and established poets find new ways not only to create new poetry, but to share and take it out into the world through collaboration, projects, performances – and more. With an array of real-life examples from experienced poets, Poetry Projects to Make and Do provides imaginative case-studies and inspiration for readers to roll up their sleeves and get stuck in. Each essay encourages experimentation alongside plenty of practical tips and guidance. From projects which poets can try out at home, to ones which take poetry out into the streets; from having a go at making poetry films or podcasts, to hand-crafting a poetry residency; from how to apply for funding, to working in collaboration and involving music, art or photography in your poetry. This indispensable book covers a broad range of topics to empower and encourage poetry as part of everyday creativity. Poetry Projects to Make and Do follows previous popular creative writing handbook titles for Nine Arches Press – including The Craft, Why I Write Poetry and How to be a Poet – and is edited by Deborah Alma, aka The Emergency Poet and founder of the world’s first walk-in Poetry Pharmacy, based in Bishops Castle, Shropshire. Includes 20+ essays by: Deborah Alma; Jean Atkin; Casey Bailey; Roshni Beeharry; Julia Bird; Jo Bell; Jane Burn; Lewis Buxton; Jane Commane; Jonathan Davidson; Helen Dewbery; Pat Edwards; Jasmine Gardosi; Roz Goddard; Daisy Henwood; Sophie Herxheimer; Helen Ivory; Gregory Leadbetter; Arji Manuelpillai; Caleb Parkin; Nina Mingya Powles; Jacqueline Saphra; Clare Shaw; Degna Stone and Tamar Yoseloff.

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A dynamic and fresh exploration of the naturalist Mark Catesby—who predated John James Audubon by nearly a century— and his influence on how we understand American wildlife.In 1722, Mark Catesby stepped ashore in Charles Town in the Carolina colony. Over the next four years, this young naturalist made history as he explored deep into America’s natural wonders, collecting and drawing plants and animals which had never been seen back in the Old World. Nine years later Catesby produced his magnificent and groundbreaking book, The Natural History of Carolina, the first-ever illustrated account of American flora and fauna. In Nature’s Messenger, acclaimed writer Patrick Dean follows Catesby from his youth as a landed gentleman in rural England to his early work as a naturalist and his adventurous travels. A pioneer in many ways, Catesby’s careful attention to the knowledge of non-Europeans in America—the enslaved Africans and Native Americans who had their own sources of food and medicine from nature—set him apart from others of his time. Nature’s Messenger takes us from the rice plantations of the Carolina Lowcountry to the bustling coffeehouses of 18th-century England, from the sun-drenched islands of the Bahamas to the austere meeting-rooms of London’s Royal Society, then presided over by Isaac Newton. It was a time of discovery, of intellectual ferment, and of the rise of the British Empire. And there on history’s leading edge, recording the extraordinary and often violent mingling of cultures as well as of nature, was Mark Catesby. Intensively researched and thrillingly told, Nature’s Messenger will thrill fans of exploration and early American history as well as appealing to birdwatchers, botanists, and anyone fascinated by the natural world.

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Architecture, as a discipline and a profession, is facing several crises, which, as yet, it has by no means successfully overcome. The basic hypothesis of the Cosmowomen project is that fully incorporating women into the professional and academic field of architecture would generate new places for thought and attention on the part of professionals or consolidate and expand those that exist, while also intensifying the relationships between those ‘places of thought’, producing a kind of constellation. The exhibition incorporates the work of 65 women architects who have taken the master’s degree programme at the Bartlett School of Architecture in the past ten years, showing a total of 71 projects and including 283 images. The architects are of more than 20 different nationalities and have been tutored by 22 tutors, 50% of them women, who also come from a wide variety of backgrounds in cultural terms and professional experience. The exhibition catalogue includes texts by 20 women architects or professionals in related fields, all with outstanding academic records. Architects: Ana Alonso, Anna Andronova, Christia Angelidou, Felicity Barbur, Justine Bell, Paddi Alice Benson, Christine Bjerke, Romina Canna, Emma Louise Carter, Nicola Chan, Doville Ciapaite, Freya Cobbin, Charlotte Cole, Emma Colthurst, Malina Dabrowska, Naomi De Barr, Emily Doll, Sarah Earney, Sara Firth, Karen A. Frank, Maria Auxiliadora Galvez, Masha Gerzon, Naomi Gibson, Cristina Goberna Pesudo, Faye Greenwood, Lola Haines, Penelope Haralambidou, Bijou Harding, Alice Hardy, Janis Ho, Helena Howard, Sarah Izod, Niki-Marie Jansson, Johanna Just, Gintare Kapociute, Minghui Ke, Fanny Kostorou, Le (Lulu) Li, Ifigeneia Liangi, Ting Jui (Brook) Lin, Marjut Lisco, Shi Yin Ling, Emily Martin, Sara Martinez Zamora, Lauren McNicoll, Heba Mohsen, Alex Mok, Ness Lafoy, Hoy Lei (Kerri) Ngan, Charlotte Page, Jiao Peng, Barbara Penner, Sylwia Poltorak, Sophia Psarra, Katherine Ramchand, Ellie Sampson, Julia Schuetz, Katt Scoot, Maïté Seimetz, Tania Sengupta, Rose Shaw, Faustyna Smolilo, Elin Soderberg, Catrina Stewart, Paula Strunden, Yan Ting (Lorraine), Stefania Tsigkouni, Yinghao Wang, Angeline Wee, Izabela Wieckzorek, Kate Woodcock Fowles, Feng Yang, Siyuan (Amy) Yao, Venessa Yau, See (Phyllis) Yu, Mika Zacarias. Text in English and Italian.

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Throughout the twentieth century, African Americans challenged segregation at amusement parks, swimming pools, and skating rinks not only in pursuit of pleasure but as part of a wider struggle for racial equality. Well before the Montgomery bus boycott, mothers led their children into segregated amusement parks, teenagers congregated at forbidden swimming pools, and church groups picnicked at white-only parks. But too often white mobs attacked those who dared to transgress racial norms. In Race, Riots, and Roller Coasters, Victoria W. Wolcott tells the story of this battle for access to leisure space in cities all over the United States. Contradicting the nostalgic image of urban leisure venues as democratic spaces, Wolcott reveals that racial segregation was crucial to their appeal. Parks, pools, and playgrounds offered city dwellers room to exercise, relax, and escape urban cares. These gathering spots also gave young people the opportunity to mingle, flirt, and dance. As cities grew more diverse, these social forms of fun prompted white insistence on racially exclusive recreation. Wolcott shows how black activists and ordinary people fought such infringements on their right to access public leisure. In the face of violence and intimidation, they swam at white-only beaches, boycotted discriminatory roller rinks, and picketed Jim Crow amusement parks. When African Americans demanded inclusive public recreational facilities, white consumers abandoned those places. Many parks closed or privatized within a decade of desegregation. Wolcott's book tracks the decline of the urban amusement park and the simultaneous rise of the suburban theme park, reframing these shifts within the civil rights context. Filled with detailed accounts and powerful insights, Race, Riots, and Roller Coasters brings to light overlooked aspects of conflicts over public accommodations. This eloquent history demonstrates the significance of leisure in American race relations.

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By the age of nine, I will have lived in more than a dozen countries, on five continents, under six assumed identities. I’ll know how a document is forged, how to withstand an interrogation, and most important, how to disappear . . . To the young Cheryl Diamond, life felt like one big adventure, whether she was hurtling down the Himalayas in a rickety car or mingling with underworld fixers. Her family appeared to be an unbreakable gang of five. One day they were in Australia, the next in South Africa, the pattern repeating as they crossed continents, changed identities, and erased their pasts. What Diamond didn’t yet know was that she was born into a family of outlaws fleeing from the highest international law enforcement agencies, a family with secrets that would eventually catch up to all of them. By the time she was in her teens, Diamond had lived dozens of lives and lies, but as she grew older, love and trust turned to fear and violence, and her family—the only people she had in the world—began to unravel. She started to realize that her life itself might be a big con, and the people she loved, the most dangerous of all. With no way out and her identity burned so often that she had no proof she even existed, all that was left was a girl from nowhere. Surviving would require her to escape, and to do so Diamond would have to unlearn all the rules she grew up with. Wild, heartbreaking, and often unexpectedly funny, Nowhere Girl is an impossible-to-believe true story of self-discovery and triumph.

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In the immediate aftermath of World War II, more than a quarter million Jewish survivors of the Holocaust lived among their defeated persecutors in the chaotic society of Allied-occupied Germany. Jews, Germans, and Allies draws upon the wealth of diary and memoir literature by the people who lived through postwar reconstruction to trace the conflicting ways Jews and Germans defined their own victimization and survival, comprehended the trauma of war and genocide, and struggled to rebuild their lives. In gripping and unforgettable detail, Atina Grossmann describes Berlin in the days following Germany's surrender--the mass rape of German women by the Red Army, the liberated slave laborers and homecoming soldiers, returning political exiles, Jews emerging from hiding, and ethnic German refugees fleeing the East. She chronicles the hunger, disease, and homelessness, the fraternization with Allied occupiers, and the complexities of navigating a world where the commonplace mingled with the horrific. Grossmann untangles the stories of Jewish survivors inside and outside the displaced-persons camps of the American zone as they built families and reconstructed identities while awaiting emigration to Palestine or the United States. She examines how Germans and Jews interacted and competed for Allied favor, benefits, and victim status, and how they sought to restore normality--in work, in their relationships, and in their everyday encounters. Jews, Germans, and Allies shows how Jews were integral participants in postwar Germany and bridges the divide that still exists today between German history and Jewish studies.

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Set off on the eternal trail of the Beat experience in the city that inspired many of Jack Kerouac's best-loved novels including On the Road, Vanity of Duluoz, The Town and the City, and Desolation Angels. This is the ultimate guide to Kerouac's New York, packed with photos of the Beat Generation and filled with undercover information and little-known anecdotes. Eight easy-to-follow walking tours guide you to: Greenwich Village bars and cafes where Kerouac and his friends Allen Ginsberg, Neal Cassady, William Burroughs, Diane di Prima, Gregory Corso, Hettie and LeRoi Jones, John Clellon Holmes, Joyce Johnson, and others read poetry, drank, turned-on, and talked all night long. The Chelsea-district apartment where Jack wrote On the Road. Midtown clubs where Beat poets mingled with artists Jackson Pollock and Willem de Kooning and listened to jazz and blues greats Charlie Parker, Miles Davis, and Billie Holiday. Times Square, a magnet for Kerouac and the Beats. Columbia University, where the original Beats first met and began a revolution in American literature and culture. Each tour includes a map of the neighborhood, subway and bus information, and an insider's angle on Jack Kerouac's life in New York. A must for Beat enthusiasts and critics. Bill Morgan is a painter and archival consultant working in New York City. His previous publications include The Works of Allen Ginsberg 1941-1994: A Descriptive Bibliography and Lawrence Ferlinghetti: A Comprehensive Bibliography. He has worked as an archivist for Allen Ginsberg, Abbie Hoffman, and Timothy Leary.

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In the years after World War II, the airline stewardess became one of the most celebrated symbols of American womanhood. Stewardesses appeared on magazine covers, on lecture circuits, and in ad campaigns for everything from milk to cigarettes. Airlines enlisted them to pose for publicity shots, mingle with international dignitaries, and even serve (in sequined minidresses) as the official hostesses at Richard Nixon's inaugural ball. Embodying mainstream America's perfect woman, the stewardess was an ambassador of femininity and the American way both at home and abroad. Young, beautiful, unmarried, intelligent, charming, and nurturing, she inspired young girls everywhere to set their sights on the sky. In The Jet Sex, Victoria Vantoch explores in rich detail how multiple forces—business strategy, advertising, race, sexuality, and Cold War politics—cultivated an image of the stewardess that reflected America's vision of itself, from the wholesome girl-next-door of the 1940s to the cosmopolitan glamour girl of the Jet Age to the sexy playmate of the 1960s. Though airlines marketed her as the consummate hostess—an expert at pampering her mostly male passengers, while mixing martinis and allaying their fears of flying—she bridged the gap between the idealized 1950s housewife and the emerging "working woman." On the international stage, this select cadre of women served as ambassadors of their nation in the propaganda clashes of the Cold War. The stylish Pucci-clad American stewardess represented the United States as middle class and consumer oriented—hallmarks of capitalism's success and a stark contrast to her counterpart at Aeroflot, the Soviet national airline. As the apotheosis of feminine charm and American careerism, the stewardess subtly bucked traditional gender roles and paved the way for the women's movement. Drawing on industry archives and hundreds of interviews, this vibrant cultural history offers a fresh perspective on the sweeping changes in twentieth-century American life.

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“Here, Mr. Split-Foot, do as I do!” exclaimed the child, and the spirits obeyed her command. Thus, in 1848, thirteen-year-old Margaret Fox inaugurated the age of spiritualism. Those early spirit manifestations in a humble New York farmhouse were “but the beginning of a grand seance which for the next half century was to see persons returned from the dead walking upon the earth, mingling freely with mortal Americans. Ceremonies were performed which united in wedlock the living and the dead; ghostly schoolboys returned from the land of the spirits to revisit their old schoolhouses, upsetting the dignity of earthly classrooms . . . Drivers of owl horsecars . . . were intrigued by beautiful female spirits who rode their cars at night and promptly vanished if approached for a fare.” The colorful career of Margaret Fox, the most famous medium of the era and the “fountainhead” of the cult of spiritualism, attracted the attention of the most prominent public figures of the day. For P. T. Barnum, this phenomenon was another novelty to present to the American public. Horace Greeley took a personal interest in Margaret and her sister; he gave the movement extensive publicity. Lincoln often invited Margaret Fox and other mediums to the White House for seances, during which attempts were made to invoke the spirit of the Lincolns’ dead son. Members of Congress, judges, and intellectuals of the day were well acquainted with her and with the spiritualist movement. The course of this spirit invasion and the many and varied means by which men communicated with dwellers of the other world are the subjects of this volume. With Margaret Fox the spirits spoke by rapping on floor and furniture. With others they communicated by writing on slates, by touching with ghostly hands, by moving furniture (one medium was so popular that his furniture followed him about like a pack of dogs). Some spirits spoke directly through the mouths of entranced mediums. And some were so bold—or so talented—that they were able to materialize in the flesh before properly receptive groups of people—and happy indeed was the devotee who received a warm embrace from a lovely young spirit lady or a handsome ghostly gentleman during such a materialization. The spirits who thus displayed their interest in this mortal world soon came to have a considerable influence over whole segments of the American population. For some, spiritualism was a comforting means of maintaining contact with loved ones now departed. For others it was a religion, a blessed aid on the road to salvation. For still others it provided practical assistance with more earthly problems. Many found in it intriguing puzzles for scientific investigation. And for the whole country it provided a constant source of excitement, interest, and entertainment. Written in spritely prose and permeated with a grave humor, this account of nineteenth-century spiritualism will be equally satisfying to the casual reader interested in a good story, and to the scholar seeking serious social history.

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In the 18th century the idea of the landscape garden, which had originated in England, spread all over Europe. The geometry of the Baroque park was abandoned in favour of a 'natural' design. At the same time the garden became "The land of illusion": Chinese pagodas, Egyptian tombs, and Turkish mosques, along with Gothic stables and Greek and Roman temples, formed a miniature world in which distance mingled with the past. The keen interest in a fairy-tale China, which was manifested not only in the gardens but also in the chinoiseries of the Rococo, abated in the 19th century. The increasing expansion of the European colonial powers was reflected in new exotic fashions. While in England it was primarily the conquest of the Indian subcontinent that captured the imagination, for France the occupation of Algiers triggered an Orient-inspired fashion that spread from Paris to encompass the entire Continent, and found its expression in paintings, novels, operas, and buildings. This 'Orient', which could not be clearly defined geographically, was characterised by Islamic culture: It extended around the Mediterranean Sea from Constantinople to Granada. There, it was the Alhambra that fascinated writers and architects. The Islamic styles seemed especially appropriate for "buildings of a secular and cheerful character". In contrast to ancient Egyptian building forms, which, being severe and monumental, were preferably used for cemetery buildings, prisons or libraries, they promised earthly sensuous pleasures. The promise of happiness associated with an Orient staged by architectural means was intended to guarantee the commercial success of coffee houses and music halls, amusement parks, and steam baths. But even extravagant summer residences and middle-class villas were often built in faux-Oriental styles: In Brighton, the Prince Regent George (George IV after 1820) built himself an Indian palace; in Bad Cannstatt near Stuttgart, a 'Moorish' refuge was erected for Württemberg's King Wilhelm I; and the French town of Tourcoing was the site of the Palais du Congo, a bombastic villa in the Indian Moghul style that belonged to a wealthy perfume and soap manufacturer.

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“The Southern Ocean is a wild and elusive place, an ocean like no other. With its waters lying between the Antarctic continent and the southern coastlines of Australia, New Zealand, South America, and South Africa, it is the most remote and inaccessible part of the planetary ocean, the only part that flows around Earth unimpeded by any landmass. It is notorious amongst sailors for its tempestuous winds and hazardous fog and ice. Yet it is a difficult ocean to pin down. Its southern boundary, defined by the icy continent of Antarctica, is constantly moving in a seasonal dance of freeze and thaw. To the north, its waters meet and mingle with those of the Atlantic, Indian, and Pacific oceans along a fluid boundary that defies the neat lines of a cartographer.” So begins Joy McCann’s Wild Sea, the remarkable story of the world’s remote Southern, or Antarctic, Ocean. Unlike the Pacific, Atlantic, Indian, and Arctic Oceans with their long maritime histories, little is known about the Southern Ocean. This book takes readers beyond the familiar heroic narratives of polar exploration to explore the nature of this stormy circumpolar ocean and its place in Western and Indigenous histories. Drawing from a vast archive of charts and maps, sea captains’ journals, whalers’ log books, missionaries’ correspondence, voyagers’ letters, scientific reports, stories, myths, and her own experiences, McCann embarks on a voyage of discovery across its surfaces and into its depths, revealing its distinctive physical and biological processes as well as the people, species, events, and ideas that have shaped our perceptions of it. The result is both a global story of changing scientific knowledge about oceans and their vulnerability to human actions and a local one, showing how the Southern Ocean has defined and sustained southern environments and people over time. Beautifully and powerfully written, Wild Sea will raise a broader awareness and appreciation of the natural and cultural history of this little-known ocean and its emerging importance as a barometer of planetary climate change.

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This book considers the history of the Prester John legend and its impact on the Crusades, investigating its entangled mythical history between East and West during the twelfth and thirteenth centuries. The present study thus responds to the still pressing need for a comprehensive historical investigation of the twelfth and thirteenth crusading history of the legend and its impact on the Muslim-Crusader encounters, examining various Latin, Arabic, Syriac, and Coptic accounts. It further reflects on new eastern aspects of the legend, presenting a new Arab scholarly view. This book first charts a pre-history of the legend in the late ancient Christian prophecy of the Last Emperor down to the emergence of the legend in the mid-twelfth century. Second, the work presents a historical discussion of the legend and its association with actual occurrences in the Far East and the Levant, analysing the legend history under the crusading crisis and the imperial papal schism in Europe. Meanwhile, the work considers the vague Prester John Letter addressed to Manuel I Komnenus, Byzantine Emperor, and its elaborate conception of a mythical eastern kingdom, revealing imaginative parallels on the wondrous East and legendary Eastern Christian kings in Arabic Muslim and Christian accounts of the Muslim geographer and cartographer al-Idr?s?, the Coptic ?b? al-Mak?rim and the Syriac Ibn al-?Ibr? (Bar Hebraeus), among others. Moreover, the book examines how the legend impacted war and peace processes between the Ayyubids and the Crusaders during the Fifth Crusade against Egypt (1217-1221), revealing how it was mingled with Arabic and Eastern Christian prophecies at the time. The study concludes by investigating the perception of Prester John by the papal and European envoys to the Mongols in the thirteenth century, revealing how the legend was instrumentalised (and even weaponised) to establish a Latin-Mongol crusade through a parallel exploration of relevant Latin, Arabic and Syriac sources.

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Text in English and German. Albrecht Ade's 'photages', created with special light techniques, have nothing in common with the 'photocollages' or 'photomontages' of the 20th century. When artists as different as El Lissitzky, John Heartfield, Laszlo Moholy-Nagy, Raoul Hausmann or Hannah Höch constructed futuristically bold, surreal or satirical images from photographic materials as a response to quotations from reality cut out and then stuck into Cubist 'papiers collés' by Georges Braque and Pablo Picasso, they worked mainly with someone else's material, with trouvailles. In contrast, Ade uses only his own material for his combination images, and his method for mounting images, for 'editing them into each other', does not need of scissors and paste either. He cultivates the usually involuntary effect of double exposure, a hazard from the days of analogue photography. He controls the chances of pictorial superimposition and confusion, artfully and purposefully arranging his own, deliberately positioned images among and on top of each other, using a technically elaborate matching and omission process. Ade, as well as teaching at the Stuttgart Akademie der Bildenden Künste, has intensively promoted cinematic animation techniques in his years as director of the Stuttgart Festival of Animated Film, and since 1990, as founder-director of the Filmakademie in Ludwigsburg, has allowed animated film and camera arts to develop in the greatest possible breadth, in fact has helped to win the Ludwigsburg model the highest artistic respect in the film world. This all suggests how inventively and ingeniously his creative output mingles artistically creative and elaborately echnical ideas and fascinations. Photography as a creative method for fine art -- something the pioneers of photography dreamed of in the 19th century -- becomes reality in Albrecht Ade's 'photages'.

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A glimpse into the markets, crafts, and signage of early modern Japan Kanban are the traditional signs Japanese merchants displayed on the street to advertise their presence, represent the products and services to be found inside their shops, and lend a sense of individuality to the shops themselves. Created from wood, bamboo, iron, paper, fabric, gold leaf, and lacquer, these unique objects evoke the frenetic market scenes of nineteenth- and twentieth-century Japan, where merchants created a multifaceted world of symbol and meaning designed to engage the viewer and entice the customer. Kanban provides a tantalizing look at this distinctive fusion of art and commerce. This beautifully illustrated book traces the history of shop signs in Japan, examines how they were created, and explores some of the businesses and trades they advertised. Some kanban are elongated panels of lacquered wood painted with elegant calligraphy and striking images, while others are ornately carved representative sculptures of munificent deities or carp climbing waterfalls. There are oversized functional Buddhist prayer beads, and everyday objects such as tobacco pipes, shoes, combs, and writing brushes. The book also includes archival photographs of market life in "old Japan," woodblock prints of bustling marketplaces, and images of the goods advertised with these intricate and beguiling objects. Providing a look into a unique, handmade world, Kanban offers new insights into Japan's commercial and artistic roots, the evolution of trade, the links between commerce and entertainment, and the emergence of mass consumer culture. Exhibition schedule: Mingei International Museum, San Diego April 15-October 15, 2017

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New York Times BestsellerNew York Times reporter and “Corner Office” columnist David Gelles reveals legendary GE CEO Jack Welch to be the root of all that’s wrong with capitalism today and offers advice on how we might right those wrongs. In 1981, Jack Welch took over General Electric and quickly rose to fame as the first celebrity CEO. He golfed with presidents, mingled with movie stars, and was idolized for growing GE into the most valuable company in the world. But Welch’s achievements didn’t stem from some greater intelligence or business prowess. Rather, they were the result of a sustained effort to push GE’s stock price ever higher, often at the expense of workers, consumers, and innovation. In this captivating, revelatory book, David Gelles argues that Welch single-handedly ushered in a new, cutthroat era of American capitalism that continues to this day. Gelles chronicles Welch’s campaign to vaporize hundreds of thousands of jobs in a bid to boost profits, eviscerating the country’s manufacturing base, and destabilizing the middle class. Welch’s obsession with downsizing—he eliminated 10% of employees every year—fundamentally altered GE and inspired generations of imitators who have employed his strategies at other companies around the globe. In his day, Welch was corporate America’s leading proponent of mergers and acquisitions, using deals to gobble up competitors and giving rise to an economy that is more concentrated and less dynamic. And Welch pioneered the dark arts of “financialization,” transforming GE from an admired industrial manufacturer into what was effectively an unregulated bank. The finance business was hugely profitable in the short term and helped Welch keep GE’s stock price ticking up. But ultimately, financialization undermined GE and dozens of other Fortune 500 companies. Gelles shows how Welch’s celebrated emphasis on increasing shareholder value by any means necessary (layoffs, outsourcing, offshoring, acquisitions, and buybacks, to name but a few tactics) became the norm in American business generally. He demonstrates how that approach has led to the greatest socioeconomic inequality since the Great Depression and harmed many of the very companies that have embraced it. And he shows how a generation of Welch acolytes radically transformed companies like Boeing, Home Depot, Kraft Heinz, and more. Finally, Gelles chronicles the change that is now afoot in corporate America, highlighting companies and leaders who have abandoned Welchism and are proving that it is still possible to excel in the business world without destroying livelihoods, gutting communities, and spurning regulation.

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