Search results for ""Author Joyce"

Enchanting memoir of a struggling writer living and working in the eccentric Parisian bookshop, 'Shakespeare and Company''Completely riveting ...a vivid picture of modern Paris' OBSERVER'Shakespeare and Company' in Paris is one of the world's most famous bookshops. The original store opened in 1921 and became known as the haunt of literary greats, such as Ernest Hemingway, F. Scott Fitzgerald, George Bernard Shaw, Ezra Pound, Gertrude Stein and James Joyce.Sadly the shop was forced to close in 1941, but that was not the end of 'Shakespeare and Company'... In 1951 another bookshop, with a similar free-thinking ethos, opened on the Left Bank. Called 'Le Mistral', it had beds for those of a literary mindset who found themselves down on their luck and, in 1964, it resurrected the name 'Shakespeare and Company' and became the principal meeting place for Beatnik poets, such as Allen Ginsberg and William S. Burroughs, through to Henry Miller and Lawrence Durrell.Today the tradition continues and writers still find their way to this bizarre establishment, one of them being Jeremy Mercer. With no friends, no job, no money and no prospects, the thrill of escape from his life in Canada soon palls but, by chance, he happens upon the fairytale world of 'Shakespeare and Co' and is taken in.What follows is his tale of his time there, the curious people who came and went, the realities of being down and out in the 'city of light' and, in particular, his relationship with the beguiling octogenarian owner, George.

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In Rome's Christian Empress, Joyce E. Salisbury brings the captivating story of Rome's Christian empress to life. The daughter of Roman emperor Theodosius I, Galla Placidia lived at the center of imperial Roman power during the first half of the fifth century. Taken hostage after the fall of Rome to the Goths, she was married to the king and, upon his death, to a Roman general. The rare woman who traveled throughout Italy, Gaul, and Spain, she eventually returned to Rome, where her young son was crowned as the emperor of the western Roman provinces. Placidia served as his regent, ruling the Roman Empire and the provinces for twenty years. Salisbury restores this influential, too-often forgotten woman to the center stage of this crucial period. Describing Galla Placidia's life from childhood to death while detailing the political and military developments that influenced her-and that she influenced in turn-the book relies on religious and political sources to weave together a narrative that combines social, cultural, political, and theological history. The Roman world changed dramatically during Placidia's rule: the Empire became Christian, barbarian tribes settled throughout the West, and Rome began its unmistakable decline. But during her long reign, Placidia wielded formidable power. She fended off violent invaders and usurpers who challenged her Theodosian dynasty; presided over the dawn of the Catholic Church as theological controversies split the faithful and church practices and holidays were established; and spent fortunes building churches and mosaics that incorporated prominent images of herself and her family. Compulsively readable, Rome's Christian Empress is the first full-length work to give this fascinating and complex ruler her due.

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This book brings together a group of leading economic historians to examine how institutions, innovation, and industrialization have determined the development of nations. Presented in honor of Joel Mokyr--arguably the preeminent economic historian of his generation--these wide-ranging essays address a host of core economic questions. What are the origins of markets? How do governments shape our economic fortunes? What role has entrepreneurship played in the rise and success of capitalism? Tackling these and other issues, the book looks at coercion and exchange in the markets of twelfth-century China, sovereign debt in the age of Philip II of Spain, the regulation of child labor in nineteenth-century Europe, meat provisioning in pre-Civil War New York, aircraft manufacturing before World War I, and more. The book also features an essay that surveys Mokyr's important contributions to the field of economic history, and an essay by Mokyr himself on the origins of the Industrial Revolution. In addition to the editors, the contributors are Gergely Baics, Hoyt Bleakley, Fabio Braggion, Joyce Burnette, Louis Cain, Mauricio Drelichman, Narly Dwarkasing, Joseph Ferrie, Noel Johnson, Eric Jones, Mark Koyama, Ralf Meisenzahl, Peter Meyer, Joel Mokyr, Lyndon Moore, Cormac O Grada, Rick Szostak, Carolyn Tuttle, Karine van der Beek, Hans-Joachim Voth, and Simone Wegge.

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The planet Dashrah is a world of exceptional beauty. Historical ruins; colourful skies; swirling sunsets. Unsurprisingly, it's a major tourist trap. So if you want to visit Dashrah, first you'll have to visit Parking, the artificial planetoid that Galactic Heritage built next door. Parking, as its name implies, is a spaceship park. A huge spaceship park. A huge, enormous spaceship park. When the TARDIS materialises in Parking's Northern Hemisphere, the Doctor, Ace and Mel envisage a quick shuttle trip to the surface of Dashrah. But they've reckoned without the superzealous Wardens, and their robotic servitors...the sect of the Free Parkers, who wage war against the Wardens...the spontaneously combusting spaceships...and the terrifying secret that lies at the lowest of Parking's lower levels. The High Price of Parking is written by John Dorney, who wrote Doctor Who - Absent Friends for Big Finish, which won the 2017 BBC Drama Awards prize - and which was directed by Ken Bentley. Star Sylvester McCoy played the Doctor on television between 1987 and 1996, but is also recognised from such works as Peter Jackson's The Hobbit films. CAST: Sylvester McCoy (The Doctor), Sophie Aldred(Ace), Bonnie Langford (Mel Bush), Gabrielle Glaister (Cowley), Hywel Morgan (Kempton/ Tribesman), Kate Duchene (Regina/ Seraphim), Leighton Pugh (Fulton), Jack Monaghan (Dunne/ Selfdrive), James Joyce (Robowardens).

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Without environmental justice, there can be no social justice. The critical symptoms of human suffering, climate collapse and animal maltreatment are now global and far-reaching. Despite their interdependence, the treatment of these afflictions remains disconnected. What follows is policy and design decisions that fail to tackle the problems collectively. Exposing the narrow perspectives that dominate architectural discourse and practice, this volume sets the table for inclusive architectural engagement during a time circumscribed by pandemic, climate change and inequality. An respected group of international voices amplifies interactions relating to sexism, racism, classism, homophobia, transphobia and environmental catastrophe, exploring how they are inextricably linked. Without acknowledging the interconnectedness of these injustices, we will not find effective ways to halt the deepening crisis. Or be able to experience an architecture that addresses the effects of the human-centred Anthropocene age. Readers are invited to imagine, rage, rail, protest, contest, channel, dream and envision from a position of humility, equity, and in some instances, experiential fury. The future of architecture is contingent on working at the intersection. Features: Marcos Cruz, Casper Laing Ebbensgaard, Antón García-Abril, Alexandra Daisy Ginsburg, Ariane Lourie Harrison, Kerry Holden, Walter Hood, Joyce Hwang, Kabage Karanja, V. Mitch McEwen, Débora Mesa, Timothy Morton, Stella Mutegi, Brenda Parker, Carolyn Steel, McKenzie Wark, Kathryn Yusoff and Joanna Zylinska.

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Un diario para sus pensamientos íntimos, un adorno de porcelana, un billete de diez chelines y un retazo de tela de seda roja para su primer vestido de noche. Éstos son los regalos que Olivia recibe al cumplir diecisiete años. Comienza entonces a soñar con su primer baile, a prepararse para él, a anticiparlo: será un acontecimiento maravilloso, el más importante hasta ahora de su limitada vida social, se dice. Y, sin embargo, también siente algo de miedo: se encuentra, pues, entre la expectación y la incertidumbre. Para su encantadora hermana mayor Kate, ese esperado baile será, sin duda alguna, un triunfo, pero cómo lo vivirá la tímida y algo torpe Olivia?Como en los mejores cuentos de Katherine Mansfield, en los relatos dublineses de Joyce, en las novelas de Virginia Woolf. hay algo de atemporal (esa cualidad eterna y que convierte en sublimes los más pequeños detalles) en el mundo descrito por Rosamond Lehmann en esta novela. Al hablarnos de Olivia, que fantasea, teme y sueña a

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Perteneciente a una etapa de cambio que marcó de forma definitiva el rumbo artístico de la obra de Ramón del Valle-Inclán (1866-1936), ?La Media Noche. Visión estelar de un momento de guerra? (1917) es un relato inspirado en su experiencia real cuando en 1916, en plena Primera Guerra Mundial y a raíz de sus abiertas simpatías aliadófilas, fue invitado durante dos meses por el Gobierno francés a visitar el frente, con el compromiso de publicar un libro sobre la guerra. Muy a menudo relegado dentro de su obra y mal estudiado, en este texto de gran valía literaria Valle da una visión total, innovadora de la guerra en una novela radicalmente moderna, que representa a su vez un punto de inflexión en su trayectoria que viene a situarlo en la senda de la renovación del género en el siglo XX, junto con autores contemporáneos como James Joyce, Jules Romains o William Faulkner.Edición de Margarita Santos Zas

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V. Gordon Childe was the first scholar to attempt a broad and sustained socioeconomic analysis of the archaeology of the ancient world in terms that, today, could be called explanatory. To most, he was remembered only as a diligent synthesizer whose whole interpretation collapsed when its chronology was demolished. There was little recognition of his insistence that the emergence of craft specialists, and their very variable roles in the relations of production, were crucial to an understanding of social evolution. The interrelationship between sociopolitical complexity and craft production is a critical one, so critical that one might ask, just how complex would any society have become without craft specialization. This volume derives from the papers presented at a symposium at the American Anthropological Association meetings on the centenary of Childe's birth. Contributors to the volume include David W. Anthony, Philip J. Arnold III, Bennet Bronson, Robert Chapman, John E. Clark, Cathy L. Costin, Pam J. Crabtree, Philip L. Kohl, D. Blair Gibson, Antonio Gilman, Vincent C. Piggott, Jeremy A. Sabloff, Gil J. Stein, Ruth Tringham, Anne P. Underhill, Bernard Wailes, Peter S. Wells, Joyce C. White, Rita P. Wright, and Richard L. Zettler. Symposium Series Volume VI University Museum Monograph, 93

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Pulitzer Prize–winning author of The Sympathizer Viet Thanh Nguyen called on 17 fellow refugee writers from across the globe to shed light on their experiences, and the result is The Displaced, a powerful dispatch from the individual lives behind current headlines, with proceeds to support the International Rescue Committee (IRC). Today the world faces an enormous refugee crisis: 68.5 million people fleeing persecution and conflict from Myanmar to South Sudan and Syria, a figure worse than flight of Jewish and other Europeans during World War II and beyond anything the world has seen in this generation. Yet in the United States, United Kingdom, and other countries with the means to welcome refugees, anti-immigration politics and fear seem poised to shut the door. Even for readers seeking to help, the sheer scale of the problem renders the experience of refugees hard to comprehend. Viet Nguyen, called “one of our great chroniclers of displacement” (Joyce Carol Oates, The New Yorker), brings together writers originally from Mexico, Bosnia, Iran, Afghanistan, Soviet Ukraine, Hungary, Chile, Ethiopia, and others to make their stories heard. They are formidable in their own right—MacArthur Genius grant recipients, National Book Award and National Book Critics Circle Award finalists, filmmakers, speakers, lawyers, professors, and New Yorker contributors—and they are all refugees, many as children arriving in London and Toronto, Oklahoma and Minnesota, South Africa and Germany. Their 17 contributions are as diverse as their own lives have been, and yet hold just as many themes in common. Reyna Grande questions the line between “official” refugee and “illegal” immigrant, chronicling the disintegration of the family forced to leave her behind; Fatima Bhutto visits Alejandro Iñárritu’s virtual reality border crossing installation “Flesh and Sand”; Aleksandar Hemon recounts a gay Bosnian’s answer to his question, “How did you get here?”; Thi Bui offers two uniquely striking graphic panels; David Bezmozgis writes about uncovering new details about his past and attending a hearing for a new refugee; and Hmong writer Kao Kalia Yang recalls the courage of children in a camp in Thailand. These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. The Displaced is also a commitment: ABRAMS will donate 10 percent of the cover price of this book, a minimum of $25,000 annually, to the International Rescue Committee, a not-for-profit organization dedicated to providing humanitarian aid, relief, and resettlement to refugees and other victims of oppression or violent conflict. List of Contributors: Joseph Azam David Bezmozgis Fatima Bhutto Thi Bui Ariel Dorfman Lev Golinkin Reyna Grande Meron Hadero Aleksandar Hemon Joseph Kertes Porochista Khakpour Marina Lewycka Maaza Mengiste Dina Nayeri Vu Tran Novuyo Rosa Tshuma Kao Kalia Yang

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'A modern classic.' Guardian'A near-perfect work of art.' Joyce Carol OatesSylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.I was supposed to be having the time of my life . . . Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . . The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD''As clear and readable as it is witty and disturbing.' New York Times Book ReviewReader responses:'Very readable, often darkly funny, and feels fresh.' 'Plath's masterpiece . . . It's amazing how relevant this book still is.' 'So enthralling . . . So thought provoking, so vivid, that it's thoroughly engrossing.' 'I just couldn't put it down.' 'Ever better than I expected.''Plath's underrated humour shines through this startling account of 1950s 'normality'.'

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MashUp: The Birth of Modern Culture traces the inexorable rise of collage, montage, sampling and the cut-up. Tracing its roots from the multiple-perspectives, montages and readymades of Marcel Duchamp, Kurt Schwitters and Hannah Hoch, to the present - with its postmodern network culture, where remixing and co-production are the norm and the New Aesthetic seeks to harmonise the now-everyday crossover of the digital and the actual. The book addresses the development of detournement and deconstruction in art, architecture, music and society. Each chapter is a detailed, inclusive look at a cross-section of the main artists and thinkers that have embraced and developed all forms of 'mashup' culture, since its inception in the late nineteenth century with Braque and Picasso's experiments into perspective. MashUp: The Birth of Modern Culture finds parallels between the works of luminaries such as Jean-Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting impact of such seemingly disparate cultural phenomena as voguing, hacking and the use of audio and film as a kind of a globally available, open source language in vidding, hip hop and dub, and in art that deals with the mass proliferation and dissemination of images and knowledge brought on by digital technologies. MashUp: The Birth of Modern Culture situates the work of Andy Warhol, Richard Hamilton and Guy Debord alongside the likes of Rem Koolhaas and Bruce Mau, Superstudio, Brian Eno and Cory Arcangel, and more generally within a culture where the new is necessarily re-made and re-modelled, and quotation and re-appropriation are an integral part of the way we talk about it. Published in collaboration with the Vancouver Art Gallery.

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A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890–1976)—the pseudonym of Emmanuel Radnitzky—embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation. Distributed for the Virginia Museum of Fine ArtsExhibition Schedule:Virginia Museum of Fine Arts, Richmond (October 30, 2021–February 21, 2022)

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The K-Effect shows how the roman alphabet has functioned as a standardizing global model for modern print culture. Investigating the history and ongoing effects of romanization, Christopher GoGwilt reads modernism in a global and comparative perspective, through the works of Joseph Conrad and others. The book explores the ambiguous effect of romanized transliteration both in the service of colonization and as an instrument of decolonization. This simultaneously standardizing and destabilizing effect is abbreviated in the way the letter K indexes changing hierarchies in the relation between languages and scripts. The book traces this K-effect through the linguistic work of transliteration and its aesthetic organization in transnational modernism. The book examines a variety of different cases of romanization: the historical shift from Arabic script to romanized print form in writing Malay; the politicization of language and script reforms across Russia and Central Europe; the role of Chinese debates about romanization in shaping global transformations in print media; and the place of romanization between ancient Sanskrit models of language and script and contemporary digital forms of coding. Each case study develops an analysis of Conrad’s fiction read in comparison with such other writers as James Joyce, Lu Xun, Franz Kafka, and Pramoedya Ananta Toer. The first sustained cultural study of romanization, The K-Effect proposes an important new way to assess the multi-lingual and multi-script coordinates of modern print culture.

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When Oscar Wilde said he had "seen wallpaper which must lead a boy brought up under its influence to a life of crime," his joke played on an idea that has often been taken quite seriously--both in Wilde's day and in our own. In Fateful Beauty, Douglas Mao recovers the lost intellectual, social, and literary history of the belief that the beauty--or ugliness--of the environment in which one is raised influences or even determines one's fate. Weaving together readings in literature, psychology, biology, philosophy, education, child-rearing advice, and interior design, he shows how this idea abetted a dramatic rise in attention to environment in many discourses and in many practices affecting the lives of the young between the late nineteenth century and the middle of the twentieth. Through original and detailed analyses of Wilde, Walter Pater, James Joyce, Theodore Dreiser, Rebecca West, and W. H. Auden, Mao shows that English-language writing of the period was informed in crucial but previously unrecognized ways by the possibility that beautiful environments might produce better people. He also reveals how these writers shared concerns about environment, evolution, determinism, freedom, and beauty with scientists and social theorists such as Herbert Spencer, Hermann von Helmholtz, Ivan Petrovich Pavlov, and W.H.R. Rivers. In so doing, Mao challenges conventional views of the roles of beauty and the aesthetic in art and life during this time.

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One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham's work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham's career, Carrie Noland brings new insight to this transformative artist's philosophy and career, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham's influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham's written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than "movement in itself," and that his work in fact enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer's work and legacy.

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Igor Stravinsky lived the life of a celebrity composer in an increasingly celebrity-obsessed age. He was a true modern, a man of his time. In Paris he dined with Joyce, Picasso and Proust, and by the end of his life was being feted by both the White House and the Kremlin as a prime piece of Cold War capital. But his colourful life would be mean little to us were it not for the brilliant and original music he produced, music that reflected and shaped his own times, and which continues to speak today.Born in Russia, Stravinsky spent most of his long life in exile. While he swiftly became a cosmopolitan composer, speaking the international language of modernist 'Western' music, the sting of his estrangement never left him. The sense of distance, loss and nostalgia, the wistful looking back evident in so much of Stravinsky's music, is not only a response to personal tragedy, but also a powerful expression of the deep anxiety and alienation of his age. Igor Stravinsky offers an in-depth critical overview of the life and work of this extraordinary citizen of the 20th Century. Jonathan Cross's accessible and engaging biography offers a new understanding of how Stravinsky's life lived in exile can be understood through his creative work, and gives a fresh portrait of a milieu stretching from St Petersburg, to Paris and Los Angeles, all seen through the eyes of this fascinating composer.

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**Don't miss Jenny Holmes's latest wartime series, The Air Raid Girls. Part 3 - The Air Raid Girls: Wartime Brides - is available now!**---------------------------------------------A heart-warming, romantic story of friendship, camaraderie and triumph over adversity that fans of Donna Douglas, Daisy Styles and Call the Midwife will adore.Winter, 1942. Brenda and Joyce are just two of the girls who have joined the Women's Land Army and are doing their bit for the war effort. But after months working on farms in the Yorkshire Dales, they're looking for a fresh challenge. Despite the bitter cold of their new billets high in the remote fells, their fear for those away fighting, and concern for family and friends, there is warmth to be found in faces old and new, and plans for a jolly Christmas are afoot.But when a child evacuee goes missing in the snow and tragedy strikes close to home, can their dearest wish - that all their loved ones stay safe this Christmas - possibly come true?---------------------------------------------Readers love Jenny Holmes:'There wasn't anything I didn't like about this book' 5 star review'I couldn't put this book down' 5 star review'Loved the whole story' 5 star review'This is a totally absorbing book' 5 star review'An excellent read put together in fine style' 5 star review

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A story of hope, love and life in the face of cancer, and the miracle of second chances.Soon to be a major movie!When Delia's beloved first husband Jerry died of cancer in 2015, after thirty-three years of marriage, she struggled without him. Floored by grief, it never occurred to her she would find love again. But fate had other ideas. An article she published about the pain of shutting down Jerry's landline sparked a series of emails with a widower she'd dated in college fifty years ago, and they fell deeply in love.Delia and Peter found themselves soul mates in their seventies, but as their whirlwind romance came into bloom, Delia was diagnosed with leukaemia - the same that had claimed the life of her sister Nora.See-sawing between tears and laughter, Left on Tenth is the spirited story of Delia's second chance at love, and a heartfelt and inspirational account of life after cancer.'A tale of brilliant hope, of heartache and uplift, so refreshing - it is a wonderful read.' Mariella Frostrup'Illuminating, generous, sparkling with wit, wisdom, humanity and wonder' Rachel Joyce'I absolutely loved this book. All of life and death and everything in between is in the pages' Clover Stroud'Tender, witty and romantic ... makes you immediately want to get cosy, slow down and shut off the world for a moment.' Emma Gannon'If it's possible to fall in love with someone by reading their story, I just have.' Sam Baker

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What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

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If poets are "liars by profession," Sharmel Iris was truly professional. Poet, plagiarist, imposter, and forger, Iris engaged in a lifelong campaign of self-promotion that linked him to a constellation of leading writers and public figures, among them T.S. Eliot, Robert Frost, Joyce Kilmer, Ezra Pound, Dame Edith Sitwell, Diego Rivera, Pablo Picasso, Salvador Dali, Winston Churchill, Theodore Roosevelt, Eleanor Roosevelt, William Wrigley, and Woodrow Wilson. "Of poets writing today, there is no greater," states a preface, signed by W. B. Yeats, to one of Iris's volumes of poetry—although at the time of publication Yeats had been dead for several years. Examining Iris' grandiose fantasy, Craig Abbott exposes his forgery, plagiarism, and imposture. As a child, Iris had emigrated from Italy with his mother, who arrived in Chicago in pursuit of the American dream. Driven by ambition and narcissism, he began publishing poetry in 1905, participated in the Chicago Renaissance, and continued publishing until two years before his death in 1967. With energy and persistance, the minor Chicago poet insinuated himself among the great and famous and simulated a life of literary stardom. Iris's self-projection as a neglected poetic genius often was designed to translate into monetary value, while confirming his role behind the scenes of twentieth-century literary history. Granting Iris the attention he haplessly courted all his life, Abbott discovers a forger of fame whose story provides a commentary, often parodic, on the place of poetry in his time.

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Life is not what it used to be. In the final years of the twentieth century, emigres from engineering and computer science devoted themselves to biology and made a resolution: that if the aim of biology is to understand life, then making life would yield better theories than experimentation. Armed with the latest biotechnology techniques, these scientists treated biological media as elements for design and manufacture: viruses named for computers, bacterial genomes encoding passages from James Joyce, chimeric yeast buckling under the metabolic strain of genes harvested from wormwood, petunias, and microbes from Icelandic thermal pools. In Synthetic: How Life Got Made, cultural anthropologist Sophia Roosth reveals how synthetic biologists make new living things in order to understand better how life works. The first book-length ethnographic study of this discipline, Synthetic documents the social, cultural, rhetorical, economic, and imaginative transformations biology has undergone in the post-genomic age. Roosth traces this new science from its origins at MIT to start-ups, laboratories, conferences, and hackers' garages across the United States even to contemporary efforts to resurrect extinct species. Her careful research reveals that rather than opening up a limitless new field, these biologists' own experimental tactics circularly determine the biological features, theories, and limits they fasten upon. Exploring the life sciences emblematic of our time, Synthetic tells the origin story of the astonishing claim that biological making fosters biological knowing.

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**Winner of the 2020 PARLIAMENTARY BOOK AWARDS for Best Political Book by a Non-Parliamentarian**A Times Political Book of the Year'An entertaining, thorough and informative canter through the characters and stories of prime ministers past.' - New Statesman 'A wealth of enjoyable insights into three centuries of Westminster politics... It is a most elegant hardback volume, with a gilded cover that looks a little like the famous front door of No. 10 itself; the ideal Christmas gift.' - Joyce McMillan, The Scotsman'This is a timely study of UK Prime Ministers and Iain Dale has done the subject a great service with this measured and thoughtful labour of love which offers a fascinating set of insights into the history of Britain, politics, the role of Prime Minister, and elite and establishment power... a superb guide to the times we have lived through and are living in.' - Gerry Hassan, Scottish ReviewIt has almost been 300 years since Sir Robert Walpole arguably became the first holder of the office of Prime Minister in 1721 - an office which today is under scrutiny like never before. The Prime Ministers, edited by leading political commentator Iain Dale, brings to life all 55 of Britain's 'First Among Equals' with an essay for each office holder, written by key figures in British politics. From the obscure 18th-century figures like the Earl of Shelburne to 20th-century titans like Churchill and Thatcher, this book provides a much-needed reminder about their motivations, failures and achievements.

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The Children Of Dynmouth - a classic prize-winning novel by William TrevorWilliam Trevor's The Children of Dynmouth (Winner of the Whitbread Award and shortlisted for the Booker Prize) was first published in 1976 and is a classic account of evil lurking in the most unlikely places. In it we follow awkward, lonely, curious teenager Timothy Gedge as he wanders around the bland seaside town of Dynmouth. Timothy takes a prurient interest in the lives of the adults there, who only realise the sinister purpose to which he seeks to put his knowledge too late.'A small masterpiece of understatement ... a work of rare compassion' Joyce Carol Oates, New York TimesIf you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

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"We used to canonize our heroes," Oscar Wilde wrote. "The modern method is to vulgarize them. Cheap editions of great books may be delightful, but cheap editions of great men are absolutely detestable." Since Wilde's condemnation of modern biography, the genre would appear to have accelerated its descent into bad taste. As Carl Rollyson points out, writers as various as Rebecca West, Ted Hughes, and Joyce Carol Oates have deplored biographers' tendency to cut up lives and render the bloody data so as to make their subjects seem unhealthy, unwholesome, and unsound. Janet Malcolm has compared biographers to burglars; modern novels feature the biographer as grave robber and victimizer. Exactly when did biography take this turn for the worse? Inquiring into the history of the art, and examining his own practices as well as those of biographers from Samuel Johnson to Richard Ellmann, Jeffrey Meyers, and many others, Mr. Rollyson casts considerable doubt on the indictments handed down by Oates, Malcolm and Co. By its very nature, Mr. Rollyson argues, biography is a problematic and controversial genre. That contemporary critics believe it has gone astray only reveals their ignorance of history and their hostility to the biographical enterprise itself—an animosity born of a misguided modernism and a rejection of Enlightenment values. A Higher Form of Cannibalism? explores the nexus between scholarship and biography, and demonstrates how the similarities of method between Leon Edel and Kitty Kelley outweigh the differences. Viewed through the prism of biography, the scholarly and the popular may not be as clearly separated as people suppose.

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Lose yourself in the tortured love lives of expats in 1920s Paris in this iconic cult classic.'Nightwood is itself. It is its own created world, exotic and strange, and reading it is like drinking wine with a pearl dissolving in the glass ... From now on, a part of you is pearl-lined.' Jeanette Winterson'Like a dark lesbian genius rolling in a giant heap of damp, dead leaves. What a great, shaking, grieving party this book is - the best.' Eileen Myles'I read with the aching intensity of a person possessed ... The story of passion and grief, of exile and loneliness, spoke directly to me, a young woman who [never] felt she quite belonged ... A hymn to the dispossessed, the misbegotten and those who love too much.' Siri HustvedtNightwood tells the stories of the love-lives of a group of American expats and Europeans in Paris in the 1920s - an exotic, night-time underworld, eccentric, seedy and beautiful. A modernist masterpiece, and one of the earliest novels to explicitly portray homosexuality, the influence of Djuna Barnes's novel remains exceptional.'A bold, exceptionally well-written modernist prose poem ... The closest thing to James Joyce.' Andre Aciman'The great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.' T.S. Eliot'One of the greatest books of the twentieth century.' William S. Burroughs'A writer of wild and original gifts . To her name there is always to be attached the splendor of Nightwood, a lasting achievement of her great gifts and eccentricities - her passionate prose and, in this case, a genuineness of human passions.' Elizabeth Hardwick

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The modern Italian classic discovered and championed by James Joyce, ZENO'S CONSCIENCE is a marvel of psychological insight, published here in a fine new translation by William Weaver - the first in more than seventy years.Italo Svevo's masterpiece tells the story of a hapless, doubting, guilt-ridden man paralyzed by fits of ecstasy and despair and tickled by his own cleverness. His doctor advises him, as a form of therapy, to write his memoirs; in doing so, Zeno reconstructs and ultimately reshapes the events of his life into a palatable reality for himself - a reality, however, founded on compromise, delusion, and rationalization.With cigarette in hand, Zeno sets out in search of health and happiness, hoping along the way to free himself from countless vices, not least of which is his accursed "last cigarette!" (Zeno's famously ineffectual refrain is inevitably followed by a lapse in resolve.) His amorous wanderings win him the shrill affections of an aspiring coloratura, and his confidence in his financial savoir-faire involves him in a hopeless speculative enterprise. Meanwhile, his trusting wife reliably awaits his return at appointed mealtimes. Zeno's adventures rise to antic heights in this pioneering psychoanalytic novel, as his restlessly self-preserving commentary inevitably embroiders the truth. Absorbing and devilishly entertaining, ZENO'S CONSCIENCE is at once a comedy of errors, a sly testimonial to he joys of procrastination, and a surpassingly lucid vision of human nature by one of the most important Italian literary figures of the twentieth century.

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For most sociologists, their life's work does not end with retirement. Many professors and practitioners continue to teach, publish, or explore related activities after leaving academia. They also connect with others in the field to lessen the isolation they sometimes feel outside the ivory tower or an applied work setting. The editors and twenty contributors to the essential anthology Journeys in Sociology use a life-course perspective to address the role of sociology in their lives. The power of their personal experiences-during the Great Depression, World War II, or the student protests and social movements in the 1960s and '70s-magnify how and why social change prompted these men and women to study sociology. Moreover, all of the contributors include a discussion of their activities in retirement. From Bob Perrucci, Tuck Green, and Wendell Bell, who write about issues of class, to Debra Kaufman and Elinore Lurie, who explain how gender played a role in their careers, the diverse entries in Journeys in Sociology provide a fascinating look at both the influence of their lives on the discipline and the discipline on these sociologists' lives. Contributors include: David J. Armor, Wendell Bell, Glen H. Elder, Jr., Henry W. Fischer, Janet Zollinger Giele, Charles S. (Tuck) Green, Peter Mandel Hall, Elizabeth Higginbotham, Debra Renee Kaufman, Corinne Kirchner, Elinore E. Lurie, Gary T. Marx, Robert Perrucci, Fred Pincus, Thomas Scheff, Arthur Shostak, David Simon, Natalie J. Sokoloff, Edward Tiryakian, Joyce E. Williams, and the editors Published in collaboration with the American Sociological Association Opportunities in Retirement Network.

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‘Perfect for fans of Eleanor Oliphant is Completely Fine’ Hello! ‘Extremely charming’ Marian Keyes Not every journey takes you far from home… Mr Doubler is an expert in many things. He can bake the fluffiest lemon drizzle cake, distil divine gin, and grow perfect potatoes. But when it comes to company, he’s not so confident. Since he lost his wife, he’s been living on his own on top of a hill, with just one regular visitor: his housekeeper, Mrs Millwood, who visits every day. Until the day she doesn’t. With Mrs Millwood missing, Doubler’s routine is thrown into chaos – and he begins to worry that he might have lost his way. But could the kindness of strangers bring him down from the hill? Mr Doubler Begins Again is a nostalgic celebration of food, friendship, kindness, and second chances, perfect for fans of Rachel Joyce and Joanna Cannon. Readers love Mr Doubler Begins Again: ‘Poignant and thought-provoking’ Bee ‘Wise, clever and beautifully written’ MoziDogReads ‘An adorable, heart-warming and amusing story… A breath of fresh air’ Cheryl ‘Seni Glaister’s writing is beautiful, so lyrical, so thoughtful and so deep… I feel like every single word matters in this book’ Nicola ‘Uplifting, amusing and engaging… A treat to read’ Jenny H ‘A brilliant read. Did not wish it to end’ Biren ‘This book was a sheer delight to read’ Whispering Stories Blog ‘A wonderfully touching, funny and inspiring book’ Karen

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Paris on the Brink vividly portrays the City of Light during the tumultuous 1930s, from the Wall Street Crash of 1929 to war and German Occupation. This was a dangerous and turbulent decade, during which workers flexed their economic muscle and their opponents struck back with increasing violence. As the divide between haves and have-nots widened, so did the political split between left and right, with animosities exploding into brutal clashes, intensified by the paramilitary leagues of the extreme right. Hitler, Stalin, and Mussolini escalated the increasingly hazardous international environment, while the civil war in Spain added to the instability of the times. Yet throughout the decade, Paris remained at the center of cultural creativity. Major figures on the Paris scene, such as Gertrude Stein, Ernest Hemingway, André Gide, Marie Curie, Picasso, Stravinsky, and Coco Chanel, continued to hold sway, in addition to Josephine Baker, Sylvia Beach, James Joyce, Man Ray, and Le Corbusier. Simone de Beauvoir and Jean-Paul Sartre could now be seen at their favorite cafés, while Jean Renoir, Salvador Dalí, and Elsa Schiaparelli came to prominence, along with France’s first Socialist prime minister, Léon Blum. Despite the decade’s creativity and glamour, it remained a difficult and dangerous time, and Parisians responded with growing nativism and anti-Semitism, while relying on their Maginot Line to protect them from external harm. Through rich illustrations and evocative narrative, Mary McAuliffe brings this extraordinary era to life.

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In Derrida on Formal Logic¸ David A. White presents a critical analysis of Jacques Derrida's thinking on formal logic derived from Derrida's seminal article on James Joyce's Ulysses. For Derrida, it is incumbent on contemporary philosophical activity to remedy the effects of the unconsidered hegemony of basic logical principles. To assist in accomplishing this deconstructive end, Derrida suggested close reflection on the function of the imagination. This kind of analysis would contribute to greater appreciation and understanding of what the western metaphysical tradition had progressively concealed, especially within its reliance on the formal structures of logical concepts and principles. White attempts to fulfill Derrida's suggestion by tracking the principles of identity and contradiction through major commentators on Derrida, as well as Derrida himself, specifically exploring the apparent formal necessity these two principles exhibit with respect to the practice of rationality. He presents a critical analysis developing implications resident in this thematically connected body of thought and a provisional account describing the imagination-as generated from the text of Ulysses but based on approaches not considered by Derrida-and applied to identity and contradiction. The purpose of this imaginative variation is to determine to what extent it is possible to reconfigure the conceptual foundations of these logical principles without sacrificing the formal correctness in thinking and reasoning which, according to the western tradition, these principles provide. White presents formal logic as a liberating rather than stultifying element in philosophy's ongoing quest to confront the world and its problems. This treatment is appropriate for scholars of contemporary continental philosophy and comparative literature who are familiar with deconstruction.

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Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.

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Sigfried Giedion (1888-1968) and Carola Giedion-Welcker (1893-1979) were among the most distinguished and influential scholars of art and architectural history during the 20th century's earlier dacades. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, Laszlo Moholy-Nagy, Piet Mondrian, or Sophie Taeuber-Arp. The discourses they initiated, for example on the New Vision in photography or a 'Synthesis of Arts', have lost nothing of their relevance and provide new starting points through to the present day. The estate of Sigfried and Carola Giedion-Welcker is today kept in Zurich at ETH Zurich's Institute for the History and Theory of Architecture, the Swiss Institute for Art Research, the University of Zurich's Institute of Romance Studies, and the James Joyce Foundation. It comprises some 16,000 letters, 10,000 photographic prints and negatives, a wealth of other papers, and a vast library. This new book offers a re-evaluation of Sigfried and Carola Giedion-Welcker's work, impact, and lasting significance. The editor and contributors were the first to draw fully on the estate, which has been opened entirely to researchers only recently. Featuring a vast number of previously unpublished documents and other images alongside excerpts from the extensive correspondence the two maintained with their artist friends and colleagues in academia, it provides a unique and manifold insight into the 'Giedion universe'.

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This is an inspirational collection of masterpieces from the world's greatest poets. Poetry has the power to give us strength, inspiration, and hope, helping us to make meaning from our hectic lives and giving us the opportunity to appreciate new ways of thinking about universal themes and observations. Whether you are a newcomer to poetry or a lifelong lover of verse, in this indispensable compilation you will find the greatest poems of all time, powerful words that have delighted and inspired generations of readers - words that are sure to inspire you today. In this portable volume, William Wordsworth wanders "lonely as a cloud" to gaze blissfully at a crowd of daffodils, Percy Bysshe Shelley pronounces his profound "Ode to the West Wind," Edgar Allan Poe quotes the raven, "Nevermore," and William Shakespeare is consumed by love in "That Time of Year."Replete with timeless masterpieces, this keepsake includes such American classics as "Paul Revere's Ride" and "Hiawatha's Childhood" by Henry Wadsworth Longfellow; "Concord Hymn" by Ralph Waldo Emerson, and "God Save the Flag" by Oliver Wendell Holmes. For nature lovers (and city dwellers longing for an escape), there is Shelley's blithe skylark, Robert Frost's mending wall, and Joyce Kilmer's unforgettably lovely trees. In addition to the poems, the collection also contains a special selection of popular prose, including the Gettysburg Address, the Ten Commandments, the Declaration of Independence, and the full text of Patrick Henry's famous "give me liberty or give me death" speech. The pleasures of poetry are many, and the masterpieces in this volume are sure to enrich and encourage.So take a break from the rush and noise of life, find a quiet spot, and lose yourself between these pages. Poetry has long been called upon to enrich and inspire our lives, especially in moments of stress. If you are one of those souls in these noise-tired times who longs for a little peace and quiet, a stolen moment of contemplation, this volume is sure to offer you respite. Whether you are on the subway, in the grocery line, or on the elevator, this portable collection is your perfect companion. Whether you're an avid consumer or a newcomer to poetry, you're sure to discover verses to cherish among these unforgettable works that continue to inspire the lives of so many.The authors include: Alexander Anderson; Elizabeth Barret Browning; Robert Browning; Robert Burns; John Burroughs; Lord Byron; Edmund Vance Cooke; Emily Dickinson; George Eliot; Ralph Waldo Emerson; Eugene Field; Robert Frost; Thomas Gray; Patrick Henry; Oliver Wendell Holmes; John James Ingalls; King John; John Keats; Rudyard Kipling; Abraham Lincoln; Henry Wadsworth Longfellow; Edna St. Vincent Millay; John Milton; Alfred Noyes; Edgar Allan Poe; Carl Sandburg; Sir Walter Scott; William Shakespeare; Percy Bysshe Shelley; Frank L. Stanton; Robert Louis Stevenson; Alfred Tennyson; Walt Whitman; John Greenleaf Whittier; and, William Wordsworth.

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This novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days. Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him. Besserie delights in Beckett’s bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work. Yell, Sam, If You Still Can won the “Goncourt du premier roman”, the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world. Financial Times Book of the Year 2022

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Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.

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THE SECOND NOVEL IN THE RECORD-BREAKING, MILLION-COPY BESTSELLING THURSDAY MURDER CLUB SERIES.----------'Moving, hilarious, brilliantly suspenseful' Jeffery Deaver'A thing of joy' Kate Atkinson'The tonic we all need' Shari LapenaIt's the following Thursday.Elizabeth has received a letter from an old colleague, a man with whom she has a long history. He's made a big mistake, and he needs her help. His story involves stolen diamonds, a violent mobster, and a very real threat to his life.As bodies start piling up, Elizabeth enlists Joyce, Ibrahim and Ron in the hunt for a ruthless murderer. And if they find the diamonds too? Well, wouldn't that be a bonus?But this time they are up against an enemy who wouldn't bat an eyelid at knocking off four septuagenarians.Can the Thursday Murder Club find the killer (and the diamonds) before the killer finds them?----------'It's like reading ice cream... a pure pleasure' Linwood Barclay'A properly funny mystery steeped in Agatha Christie' Araminta Hall'Full of humour and heart. I loved it' Harlan Coben'He's not only done it again, but he's done it even better' Philippa Perry'They'll cradle you through any winter of discontent' Richard and Judy, Daily Express'Superbly entertaining' Guardian'As gripping as it is funny' Evening Standard'This slick sequel will leave you buzzing' The Times'Osman's world is a soothing place to be' Sunday Telegraph'Pure pleasure to read' Observer

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Finalist, 2019 PROSE Award in Biography, given by the Association of American Publishers Fifty years after the start of the women’s liberation movement, a book that at last illuminates the profound impact Jewishness and second-wave feminism had on each other Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity. Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism. Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

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Twenty-seven critics, as well as Updike himself, provide a kaleidoscopic view of the Rabbit Angstrom saga in 34 reviews and essays. There is dual purpose of this collection of critical responses: first, to provide a historical view of the critical reception of all of Updike's works about Harry Rabbit Angstrom—the four Rabbit novels and the novella Rabbit Remembered and second, to show how these reviews and articles can illuminate the reader with the range of approaches to the saga. These responses to the saga reveal the reception of each installment of the saga and how critical acclamation rose with each work. The first reviews of Rabbit, Run noted Updike's ability to redeem an ex-basketball player's ordinary life through brilliant, innovative style. Scholarly essays debated whether Rabbit was a satiric figure. Updike's sequel, Rabbit Redux, showed how, for reviewer Richard Locke the inner surface of banal experiences could be blended seamlessly to social unrest and war. A later critic, Irina Negrea adopted the Jean Baudrillard to critique Marshall McLuhan's optimistic vision of the global village. Reviewer Thomas R. Edwards found that Rabbit Is Rich is composed of meditations on religion, politics, and economics, with motifs intertwined. The saga, for critic Ralph Wood showed Updike as our finest literary celebrant both of human ambiguity and the human acceptance of it. Reviewing Rabbit at Rest, Joyce Carol Oates called it a hugely ambitious achievement and critic Thomas Disch proclaimed, it to be the best large-scale literary work by an American in this century, thus the Great American Novel.

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'Essential reading' Professor Kypros Nicolaides'Fills an important gap in understanding' Professor Robert WinstonHow well do you really know your body? How easy do you think it will be for you to get pregnant - or NOT to get pregnant? You've probably never really been educated about your reproductive years - perhaps you learnt everything you know from friends, or from the media, or online. You might be ready for a baby now; or, like so many other women, you might want to delay the birth of your first child while you establish your career. Perhaps you're thinking about freezing your eggs. Professor Joyce Harper is an internationally recognized expert on female fertility and fertility education, and in 12 chapters she covers the full scope of your reproductive years, from your first period to menopausal symptoms. Her straightforward, scientifically based advice will give you all the information you need to make informed decisions about your reproductive choices. Only when you really understand your menstrual cycle works can you optimise your lifestyle to get pregnant successfully - while being properly aware of how and when your fertility will decline. Your Fertile Years answers all your questions about things like egg freezing and IVF, and debunks not only the myths surrounding fertility treatment, but also the misinformation and scare stories that surround conception and pregnancy, including the bottom line on supplements, diet and holistic therapies. A shining beacon in the murky fertility landscape, this book will accompany you through your fertile years, giving you the guidance you need to make decisions that work for you, your family, your career and your body.

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Pulitzer Prize–winning author of The Sympathizer Viet Thanh Nguyen called on 17 fellow refugee writers from across the globe to shed light on their experiences, and the result is The Displaced, a powerful dispatch from the individual lives behind current headlines, with proceeds to support the International Rescue Committee (IRC). Today the world faces an enormous refugee crisis: 68.5 million people fleeing persecution and conflict from Myanmar to South Sudan and Syria, a figure worse than flight of Jewish and other Europeans during World War II and beyond anything the world has seen in this generation. Yet in the United States, United Kingdom, and other countries with the means to welcome refugees, anti-immigration politics and fear seem poised to shut the door. Even for readers seeking to help, the sheer scale of the problem renders the experience of refugees hard to comprehend. Viet Nguyen, called “one of our great chroniclers of displacement” (Joyce Carol Oates, The New Yorker), brings together writers originally from Mexico, Bosnia, Iran, Afghanistan, Soviet Ukraine, Hungary, Chile, Ethiopia, and others to make their stories heard. They are formidable in their own right—MacArthur Genius grant recipients, National Book Award and National Book Critics Circle Award finalists, filmmakers, speakers, lawyers, professors, and New Yorker contributors—and they are all refugees, many as children arriving in London and Toronto, Oklahoma and Minnesota, South Africa and Germany. Their 17 contributions are as diverse as their own lives have been, and yet hold just as many themes in common. Reyna Grande questions the line between “official” refugee and “illegal” immigrant, chronicling the disintegration of the family forced to leave her behind; Fatima Bhutto visits Alejandro Iñárritu’s virtual reality border crossing installation “Flesh and Sand”; Aleksandar Hemon recounts a gay Bosnian’s answer to his question, “How did you get here?”; Thi Bui offers two uniquely striking graphic panels; David Bezmozgis writes about uncovering new details about his past and attending a hearing for a new refugee; and Hmong writer Kao Kalia Yang recalls the courage of children in a camp in Thailand. These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. The Displaced is also a commitment: ABRAMS will donate 10 percent of the cover price of this book, a minimum of $25,000 annually, to the International Rescue Committee, a not-for-profit organization dedicated to providing humanitarian aid, relief, and resettlement to refugees and other victims of oppression or violent conflict. List of Contributors: Joseph Azam David Bezmozgis Fatima Bhutto Thi Bui Ariel Dorfman Lev Golinkin Reyna Grande Meron Hadero Aleksandar Hemon Joseph Kertes Porochista Khakpour Marina Lewycka Maaza Mengiste Dina Nayeri Vu Tran Novuyo Rosa Tshuma Kao Kalia Yang

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Finalist, 2019 PROSE Award in Biography, given by the Association of American Publishers Fifty years after the start of the women’s liberation movement, a book that at last illuminates the profound impact Jewishness and second-wave feminism had on each other Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity. Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism. Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

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The name W. Edwards Deming is synonymous with the most insightful views, ideas, and commentary on management and quality control. Referred to as "the high prophet of quality" by the New York Times, Deming was instrumental in the spectacular rise of Japanese industry after World War II and influenced many of the world's most innovative managers in the ensuing decades. His original ideas led directly to the creation of relationships with suppliers and a plethora of quality initiatives.Now, with The Essential Deming, FordhamUniversity professor and Deming expert Joyce Orsini draws on a wealth of previously unavailable material to present the legendary thinker's most important management principles in one indispensable volume.The book is filled with articles, papers, lectures, and notes touching on a wide range of topics, but which focus on Deming's overriding message: quality and operations are all about systems, not individual performance; the system has to be designed so that the worker can perform well.The Essential Deming reveals Deming's unique insight about: How poor management infects an entire organization The critical importance of management on producing quality products and services Improving management in any company The effective management of people--the manager's single most important task How to educate workers into critical thinkers Ways to preserve statistical integrity while dealing with real-world problems Fully authorized by the Deming estate and published in cooperation with The W. Edwards Deming Institute, The Essential Deming is the first book to distill Deming'slife's worth of thinking and writing into a single source. Orsini provides expert commentary throughout, delivering a powerful, practical guide to superior management. WithThe Essential Deming, you have the rationale, insight, and best practices you need to transform your organization."To move from the wilderness of news into the paths of history, we must distinguish true turning points from mistaken ones. W. Edwards Deming has seen the future and it works. He is a turning point of business history made flesh." -- U.S. NEWS & WORLD REPORT"I engaged Dr. Deming to assist Ford in planning, developing, and implementing the plans to accomplish major improvement in the way people worked together and in the quality of our products. . . . Ford achieved major success in this effort, and I consider Ed Deming to have been a key element in our progress." -- DONALD E. PETERSEN, former Chairman of the Board and Chief Executive Officer, Ford Motor Company"It can be said of very few that they changed the way the world thinks, but Dr. Deming is among them. . . . The legacy of Dr. Deming's genius, already immense, grows even larger with this new collection of his thoughts." -- DONALD M. BERWICK , Senior Fellow, Center for American Progress"Toyota Motor Corporation was awarded a Deming Prize in 1965. This laid the foundations for the present growth of our company. I do believe the ideas and theories of Dr. Deming emphasizing the importance of quality control are very useful for people of all ages." -- TATSURO TOYODA, Senior Advisor, Toyota Motor Corporation"Few rival W. Edwards Deming for impact on management in the twentieth century. Indeed, Deming and Drucker, to my mind, stand apart for the breadth and depth of their vision for management as a profession that truly might help realize the possibility of people workingtogether at their best. . . . The publication of this expansive edition of Deming in Deming's own words is a seminal event." -- PETER M. SENGE, MIT and the Society for Organizational Learning

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'Outstanding... An elegant masterpiece... Wry but also warm and generous' Roxane Gay'Funny, exciting, vulnerable - truly visionary' Alexander CheeTen days after calling off her wedding, CJ Hauser went on an expedition to study the whooping crane. After a week wading through the gulf, she realised she had almost signed up to live somebody else's life.In this intimate, frank and funny memoir in essays, CJ Hauser lets go of 'how life was supposed to be' and goes looking for more honest ways of living. She kisses internet strangers, officiates a wedding, visits a fertility clinic. She reads Rebecca in the house her new boyfriend shared with his ex-wife and rewinds Katharine Hepburn in The Philadelphia Story to learn how not to lose yourself in a relationship. She writes about friends and lovers, ghosts and robots, grief and heartbreak, blood family and chosen family, and asks what more expansive definitions of love might offer us all.The Crane Wife is a book for anyone whose life doesn't look the way they thought it would; for anyone trying, if sometimes failing, to find joy in the unexpected.'What a fantastic, original, funny and touching voice! C J Hauser is a wondrous writer. This book will give so much happiness.' CRESSIDA CONNOLLY, author of AFTER THE PARTY'Brilliant and beautiful... An absolute must-read' FRANCES CHA, author of IF I HAD YOUR FACE'Compassionate and funny and brave. CJ is a master story weaver. I was left wanting more, in the best way possible.' CHARLIE GILMOUR, author of FEATHERHOOD'A thrillingly original deconstruction of desire and its many configurations' Publishers Weekly'Bold and brilliant and psychologically exquisite, CJ Hauser is a deeply gifted and generous writer. THE CRANE WIFE is enthralling.' CHARLOTTE FOX WEBER, author of WHAT WE WANT'Intimate, witty and beautifully crafted' Elle

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'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike - and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936-2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

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In Walk Till the Dogs Get Mean, Adrian Blevins and Karen Salyer McElmurray collect essays from today’s finest established and emerging writers with roots in Appalachia. Together, these essays take the theme of silencing in Appalachian culture, whether the details of that theme revolve around faith, class, work, or family legacies. In essays that take wide-ranging forms—making this an ideal volume for creative nonfiction classes—contributors write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken. They consider the courage required for the inheritances they carry. Toughness and generosity alike characterize works by Dorothy Allison, bell hooks, Silas House, and others. These writers travel far away from the boundaries of a traditional Appalachia, and then circle back—always—to the mountains that made each of them the distinctive thinking and feeling people they ultimately became. The essays in Walk Till the Dogs Get Mean are an individual and collective act of courage. Contributors: Dorothy Allison, Rob Amberg, Pinckney Benedict, Kathryn Stripling Byer, Sheldon Lee Compton, Michael Croley, Richard Currey, Joyce Dyer, Sarah Einstein, Connie May Fowler, RJ Gibson, Mary Crockett Hill, bell hooks, Silas House, Jason Howard, David Huddle, Tennessee Jones, Lisa Lewis, Jeff Mann, Chris Offutt, Ann Pancake, Jayne Anne Phillips, Melissa Range, Carter Sickels, Aaron Smith, Jane Springer, Ida Stewart, Jacinda Townsend, Jessie van Eerden, Julia Watts, Charles Dodd White, and Crystal Wilkinson.

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Habrá un día en que los que ahora ven ir y venir por León al fiscal Avelino Fierro dando sus paseos diarios, tomando vinos y perfumados (gin tonics de baja graduación) en sus bares de costumbre o visitando barrios en los que nada se le perdió pero por los que siente una atracción especial desde muy pequeño sabrán que, además de con un paseante discreto, compartieron la vida con un escritor de enorme talento, tanto como su sabiduría, que se extendía a campos tan diferentes como el Derecho, la poesía, la música, la filosofía o el arte; un escritor de la estirpe de aquellos que, como Kafka o Joyce, hicieron de su ciudad el principal personaje de su escritura y a ellos mismos sus protagonistas. Un flâneur, en fin, a la vieja usanza baudeleriana, del estilo de Walter Benjamin o Robert Walser, pero actualizado por su circunstancia.Del prólogo de Julio LlamazaresHemos vuelto a este espacio cerrado con tapia de barro y bloques, en un costado del pueblo, en el camino que va a Fombuena y hacia l

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‘America’s preeminent fiction writer’ New Yorker ‘A raw, propulsive tale of love and grief’ Mail on Sunday A novel of love and loss from the bestselling and prizewinning author of Blonde. Michaela and her husband have moved to the starkly beautiful but uncanny landscape of New Mexico, to take up an academic residency. But when Gerard is struck by a fatal illness, their life begins to resemble a nightmare. At thirty-seven, Michaela must first face the terrifying prospect of widowhood, then the chaos of the days when Gerard is gone. Haunting and utterly heart-wrenching, Breathe explores the intense madness of grief and what happens when a love cannot be surrendered. ‘A fever dream of a novel’ New York Times ‘Simply the most consistently inventive, brilliant, curious and creative writer going, as far as I’m concerned’ Gillian Flynn, author of Gone Girl

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Anxious to write that Great American Novel but don't know where to begin? Help is on the way with our Writer's Block! This guide to beating writer's block comes packaged in the shape of an actual block: 3" x 3" x 3", with 672 pages and more than 200 photographs throughout. Next time you're stuck, just flip open The Writer's Block to any page to find an idea or exercise that will jump-start your imagination. Many of these assignments come straight from the creative writing classes of celebrated novelists like Ethan Canin, Richard Price, Toni Morrison, and Kurt Vonnegut: Joyce Carol Oates explains how she uses running to destroy writer's block. Elmore Leonard describes how he often finds ideas just by reading the newspaper. E. Annie Proulx discusses finding inspiration at garage sales. Isabel Allende tells why she always begins a new novel on January 8th. John Irving explains why he prefers to write the last sentence first. Fresh, fun, and irreverent, The Writer's Block also features advice from contemporary editors and literary agents, lessons from the awful novels of Joan Collins and Robert James Waller, a filmography of movies concerning writer's block (e.g., The Shining, Barton Fink), and countless other surprises. With this chunky little book at your side, you may never experience writer's block again!

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