Search results for ""author rose"

A critical history of the roots of Nazi occultism and its continuing influence• Explores the occult influences on various Nazi figures, including Adolf Hitler, Albert Speer, Rudolf Hess, Alfred Rosenberg, and Heinrich Himmler• Examines the foundations of the movement laid in the 19th century and continuing in the early 20th century• Explains the rites and runology of National Socialism, the occult dimensions of Nazi science, and how many of the sensationalist descriptions of Nazi “Satanic” practices were initiated by Church propaganda after the warIn this comprehensive examination of Nazi occultism, Stephen E. Flowers, Ph.D., offers a critical history and analysis of the occult and esoteric streams of thought active in the Third Reich and the growth of occult Nazism at work in movements today. Sharing the culmination of five decades of research into primary and secondary sources, many in the original German, Flowers looks at the symbolic, occult, scientific, and magical traditions that became the foundations from which the Nazi movement would grow. He details the influences of Theosophy, Volkism, and the work of the Brothers Grimm as well as the impact of scientific culture of the time. Looking at the early 20th century, he describes the impact of Guido von List, Lanz von Liebenfels, Rudolf von Sebottendorf, Friedrich Hielscher, and others. Examining the period after the Nazi Party was established in 1919, and more especially after it took power in 1933, Flowers explores the occult influences on key Nazi figures, including Adolf Hitler, Albert Speer, Rudolf Hess, and Heinrich Himmler. He analyzes Hitler’s usually missed references to magical techniques in Mein Kampf, revealing his adoption of occult methods for creating a large body of supporters and shaping the thoughts of the masses. Flowers also explains the rites and runology of National Socialism, the occult dimensions of Nazi science, and the blossoming of Nazi Christianity. Concluding with a look at the modern mythology of Nazi occultism, Flowers critiques postwar Nazi-related literature and unveils the presence of esoteric Nazi myths in modern occult and political circles.

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Ah, the wonders of a slow cooker. After a long, hard day you can walk in the door and the aroma of a hot, home-cooked meal fills the air. You don't have to do that fast tango from fridge to pantry to stove and back again. It's nearly as good as having a personal chef!But for the low-carb dieter, traditional slow cooker recipes can be a problem. Many of them depend on potatoes, noodles, rice, and starchy canned soups. And if you've tried to make up your own slow cooker recipes, you may have found the results less than compellingtoo often the food can be mushy, water-logged, and bland.Fortunately, with 200 Low-Carb Slow Cooker Recipes, you can use your slow cooker and follow your low-carb diet, too!Come home to: Tuscan Chicken * Kashmiri Lamb Shanks * Teriyaki-Tangerine Ribs * Chicken Minestrone * Orange Rosemary Pork * Chipotle Brisket * Firehouse Chili * Thai Chicken Bowls * Braised Pork with Fennel * Pizza Stew * Mortys Mixed Meat Loaf * Low-Carb Slow Cooker PaellaBut that's not all! The gentle, even heat of a slow cooker makes it the perfect way to cook many different kinds of foods. You'll make low-carb party treats like Hot Crab Dip and Glazed Chicken Wings, and snacks like Smokin' Chili Peanuts and Curried Pecans. It's the superior way to cook incredible sugar-free desserts like Mochaccino Cheesecake and Maple-Pumpkin Custard. And you've never had moister, more tender seafood than my Lime-Basted Scallops or Lemon-Mustard Salmon Steaks. Plus, every recipe lists the calories, protein, fiber, and usable carbs per serving, so you'll not only be in control of your life and your time, you'll be in control of your diet as well.So go ahead, plug in your slow cooker, and look forward to coming home to a fabulous low-carb supper tonight!

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In Shakespearean Issues, Richard Strier has written a set of linked essays bound by a learned view of how to think about Shakespeare’s plays and also how to write literary criticism on them. The essays vary in their foci—from dealing with passages and key lines to dealing with whole plays, and to dealing with multiple plays in thematic conversation with each other. Strier treats the political, social, and philosophical themes of Shakespeare’s plays through recursive and revisionary close reading, revisiting plays from different angles and often contravening prevailing views. Part I focuses on characters. Moments of bad faith, of unconscious self-revelation, and of semi-conscious self-revelation are analyzed, along with the problem of describing characters psychologically and ethically. In an essay on “Happy Hamlet,” the famous melancholy of the prince is questioned, as is the villainy of Rosencrantz and Guildenstern, while another essay asks the reader to reconsider moral judgments and negative assessments of characters who may be flawed but do not seem obviously wicked, such as Edgar and Gloucester in King Lear. Part II moves to systems, arguing that Henry IV, Measure for Measure, and The Merchant of Venice raise doubts about fundamental features of legal systems, such as impartiality, punishments, and respect for contracts. Strier reveals King Lear’s radicalism, analyzing its concentration on poverty and its insistence on the existence and legitimacy of a material substratum to human life. Essays on The Tempest offer original takes on the play’s presentation of coercive power, of civilization and its discontents, and of humanist ideals. Part III turns to religious and epistemological beliefs, with Strier challenging prevailing views of Shakespeare’s relation to both. A culminating reading sees The Winter’s Tale as ultimately affirming the mind’s capacities, and as finding a place for something like religion within the world. Anyone interested in Shakespeare’s plays will find Shakespearean Issues bracing and thought-provoking.

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The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

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The Red Pyramid: the first book in Rick Riordan's The Kane Chronicles.Percy Jackson fought Greek Gods. Now the Gods of Egypt are waking in the modern world...'I GUESS IT STARTED THE NIGHT OUR DAD BLEW UP THE BRITISH MUSEUM . . .'CARTER AND SADIE KANE'S dad is a brilliant Egyptologist with a secret plan that goes horribly wrong. An explosion shatters the ancient Rosetta stone and unleashes Set, the evil god of chaos . . .Set imprisons Dr Kane in a golden coffin and Carter and Sadie must run for their lives. To save their dad, they embark on a terrifying quest from Cairo to Paris to the American South-west and discover the truth about their family's connection to the House of Life: an Egyptian temple of magic that has existed for thousands of years.The pharaohs of ancient Egypt are far from dead and buried. And neither, unfortunately, are their gods . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. He lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief was the overall winner of the Red House Children's Book Award in 2006.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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Early espionage organisations like Walsingham's Elizabethan spy network were private enterprises, tasked with keeping the Tudor Queen and her government safe. Formal use of spies and counter spies only really began in the years after 1909, when the official British secret service was founded. Britain became the first major proponent of secret information gathering and other nations quickly followed. The outbreak of war in 1914 saw a sudden and dramatic increase in the use of spies as the military quickly began to realise the value of covert intelligence. Spying 'came of age' during the war on the Western Front and that value only increased in the run up to the Second World War, when the threat of the Soviet Union and Nazi Germany began to make themselves felt. The Cold War years, with the use of moles, defectors and double agents on both sides of the Iron Curtain saw the art of spying assume record proportions. The passing on of atom secrets, the truth about Russian missiles on Cuba, it was the age of the double agent, the activities of whom managed to keep away the looming threat of nuclear war. _A Hundred Years of Spying_ takes the reader through the murky world of espionage as it develops over the course of the twentieth century, where the lines of truth and reality blur, and where many real-life spies have always been accompanied, maybe even proceeded, by a plethora of spy literature. This book will look at the use of and development of spying as an accepted military practice. It will focus on individuals from Belgians like Gabrielle Petite to the infamous Mata Hari, from people like Reilly Ace of Spies to the British traitors such as Philby, Burgess and McClean. The activities of American atom spies like the Rosenbergs will also be covered as will Russian double agent Oleg Penkovsky and many others.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children’s writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century’s materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

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Whether your garden consists of large raised beds or a few pots on the patio, Kathryn K. Fontenot's The Louisiana Urban Gardener offers easy guidelines and useful tools to jump-start and maintain small yet bountiful gardens.Beginning and sustaining a successful home garden in an urban environment can be a daunting prospect, but Fontenot eliminates the guesswork with tips on testing and preparing soil, guidelines on what to purchase from local garden centers, and basic techniques, schedules, and strategies to produce a thriving crop. From where to plant for the best juicy home-grown tomatoes to how to organically protect against pests to when to grow fragrant oregano and rosemary, this resource offers definitive answers and ensures that novices have all the expertise they need to enjoy Louisiana's year-round growing climate.The Louisiana Urban Gardener includes: Guidance on choosing the best location for your garden Tips on garden design for containers, raised beds, and in-ground gardens Advice for preparing the best soil for your garden Strategies for managing insects, disease, and weeds Season-by-season instruction on what to plant and when to harvest An appendix on Louisiana gardens to visit for inspiration Tending to pots of young peas, sharing a fresh summer watermelon with friends, or bringing extra beets and kale to coworkers on a winter day are just a few of the rewards of gardening. The Louisiana Urban Gardener gives everyone, from young professionals to retirees, the knowledge they need to enjoy all the pleasures of homegrown food.

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Odd Tribes challenges theories of whiteness and critical race studies by examining the tangles of privilege, debasement, power, and stigma that constitute white identity. Considering the relation of phantasmatic cultural forms such as the racial stereotype “white trash” to the actual social conditions of poor whites, John Hartigan Jr. generates new insights into the ways that race, class, and gender are fundamentally interconnected. By tracing the historical interplay of stereotypes, popular cultural representations, and the social sciences’ objectifications of poverty, Hartigan demonstrates how constructions of whiteness continually depend on the vigilant maintenance of class and gender decorums. Odd Tribes engages debates in history, anthropology, sociology, and cultural studies over how race matters. Hartigan tracks the spread of “white trash” from an epithet used only in the South prior to the Civil War to one invoked throughout the country by the early twentieth century. He also recounts how the cultural figure of “white trash” influenced academic and popular writings on the urban poor from the 1880s through the 1990s. Hartigan’s critical reading of the historical uses of degrading images of poor whites to ratify lines of color in this country culminates in an analysis of how contemporary performers such as Eminem and Roseanne Barr challenge stereotypical representations of “white trash” by claiming the identity as their own. Odd Tribes presents a compelling vision of what cultural studies can be when diverse research methodologies and conceptual frameworks are brought to bear on pressing social issues.

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WHARTON on DYNAMIC COMPETITIVE STRATEGY "A valuable contribution, this insightful book makes it clear that strategy is not a one-time search for a sustainable competitive advantage, but a continuous monitoring of the environment, consumers, and competitors with the object of making the right moves in a dynamically changing competitive landscape." -Philip Kotler S.C. Johnson & Sons Distinguished Professor of International Marketing J. L. Kellogg Graduate School of Management Northwestern University. "An ambitious and welcomed effort at addressing strategy from an interdisciplinary perspective." -Professor Don Lehmann Columbia University Graduate School of Business. "Wharton on Dynamic Competitive Strategy weaves together an unprecedented interdisciplinary analysis of competitive strategies that any global manager should consider indispensable reading...An impressive book." -Jon M. Huntsman, Sr. Chairman and CEO Huntsman Corporation. "Provocative and meaningful . . . Provides an excellent framework for formulating strategy." -Sam Morasca Vice President, Marketing Shell Oil Products Company. "A Rosetta stone for strategy. Read it and keep it by your side!" -Dale Moss Executive Vice President, Sales and Marketing USA British Airways, New York The competitive challenges facing you are more complex and fast-moving than ever. This environment demands dynamic competitive strategies-strategies that anticipate and adjust to competitors' countermoves, shifting customer demands, and changes in the business world. Wharton on Dynamic Competitive Strategy offers new perspectives on competitive strategy from a distinguished group of faculty at Wharton and other leading business schools around the world. This book presents the best insights from decades of research in key areas such as competitive strategy, simulations, game theory, scenario planning, public policy, and market-driven strategy. It represents the most cohesive collection of insights on strategy ever assembled by a leading school of business. Developed for the thinking manager, Wharton on Dynamic Competitive Strategy provides deep insights into the true dynamics of competition. In contrast to popular, quick-fix formulas for strategic success, this book provides perspectives that will help you better understand the underlying dynamics of competitive interactions and make better strategic decisions in a rapidly changing and uncertain world. The insights and approaches presented here are illustrated with real-world examples which demonstrate how these approaches can be applied to your strategic challenges. These chapters will help you better address key strategic issues such as: * Anticipating competitors' responses using game theory, simulations, scenario planning, conjoint analysis, and other tools-and designing the best strategy in light of these expected responses * Planning for multiple rounds of competition in the way that chess players think through multiple moves * Understanding how changes in technology and public policy or moves by competitors can undermine your current advantages or neutralize future advantages * Broadening your range of options for reacting to moves by competitors * Signaling and preempting rivals. This groundbreaking new book will change your view of strategy and give you the tools you need to succeed in a dynamic and intensely challenging world.

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Winner of the Fletcher Pratt Award and McLemore PrizeIn the spring of 1862, there was no more important place in the western Confederacy-perhaps in all the South-than the tiny town of Corinth, Mississippi.Major General Henry W. Halleck, commander of Union forces in the Western Theater, reported to Washington that ""Richmond and Corinth are now the great strategical points of war, and our success at these points should be insured at all hazards."" In the same vein, Confederate General P. G. T. Beauregard declared to Richmond that ""If defeated at Corinth, we lose the Mississippi Valley and probably our cause."" Those were odd sentiments concerning a town scarcely a decade old. By this time, however, it sat at the junction of the South's two most important rail lines and had become a major strategic locale. Despite its significance, Corinth has received comparatively little attention from Civil War historians and has been largely overshadowed by events at Shiloh, Antietam, and Perryville. Timothy Smith's panoramic and vividly detailed new look at Corinth corrects that neglect, focusing on the nearly year-long campaign that opened the way to Vicksburg and presaged the Confederacy's defeat in the West.Combining big-picture strategic and operational analysis with ground-level views, Smith covers the spring siege, the vicious attacks and counterattacks of the October battle, and the subsequent occupation. He has drawn extensively on hundreds of eyewitness accounts to capture the sights, sounds, and smells of battle and highlight the command decisions of Halleck, Beauregard, Ulysses S. Grant, Sterling Price, William S. Rosecrans, and Earl Van Dorn.This is also the first in-depth examination of Corinth following the creation of a new National Park Service center located at the site. Weaving together an immensely compelling tale that places the reader in the midst of war's maelstrom, it substantially revises and enlarges our understanding of Corinth and its crucial importance in the Civil War.

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This book is for everyone who needs to test the web. As a tester, you'll automate your tests. As a developer, you'll build more robust solutions. And as a team, you'll gain a vocabulary and a means to coordinate how to write and organize automated tests for the web. Follow the testing pyramid and level up your skills in user interface testing, integration testing, and unit testing. Your new skills will free you up to do other, more important things while letting the computer do the one thing it's really good at: quickly running thousands of repetitive tasks. This book shows you how to do three things: * How to write really good automated tests for the web. * How to pick and choose the right ones. * How to explain, coordinate, and share your efforts with others. If you're a traditional software tester who has never written an automated test before, this is the perfect book for getting started. Together, we'll go through everything you'll need to start writing your own tests. If you're a developer, but haven't thought much about testing, this book will show you how to move fast without breaking stuff. You'll test RESTful web services and legacy systems, and see how to organize your tests. And if you're a team lead, this is the Rosetta Stone you've been looking for. This book will help you bridge that testing gap between your developers and your testers by giving your team a model to discuss automated testing, and most importantly, to coordinate their efforts.The Way of the Web Tester is packed with cartoons, graphics, best practices, war stories, plenty of humor, and hands-on tutorial exercises that will get you doing the right things, the right way.

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Winner, 2021 AERA Outstanding Book Award Winner, 2021 AERA Division F New Scholar's Book Award Winner, 2020 Mary Kelley Book Prize, given by the Society for Historians of the Early American Republic Winner, 2020 Outstanding Book Award, given by the History of Education Society Uncovers the hidden role of girls and women in the desegregation of American education The story of school desegregation in the United States often begins in the mid-twentieth-century South. Drawing on archival sources and genealogical records, Kabria Baumgartner uncovers the story’s origins in the nineteenth-century Northeast and identifies a previously overlooked group of activists: African American girls and women. In their quest for education, African American girls and women faced numerous obstacles—from threats and harassment to violence. For them, education was a daring undertaking that put them in harm’s way. Yet bold and brave young women such as Sarah Harris, Sarah Parker Remond, Rosetta Morrison, Susan Paul, and Sarah Mapps Douglass persisted. In Pursuit of Knowledge argues that African American girls and women strategized, organized, wrote, and protested for equal school rights—not just for themselves, but for all. Their activism gave rise to a new vision of womanhood: the purposeful woman, who was learned, active, resilient, and forward-thinking. Moreover, these young women set in motion equal-school-rights victories at the local and state level, and laid the groundwork for further action to democratize schools in twentieth-century America. In this thought-provoking book, Baumgartner demonstrates that the confluence of race and gender has shaped the long history of school desegregation in the United States right up to the present.

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Her first major literary success, Ayn Rand's The Fountainhead is an exalted view of her Objectivist philosophy, portraying a visionary artist struggling against the dull, conformist dogma of his peers; a book of ambition, power, gold and love, published in Penguin Modern Classics.Architect Howard Roark is as unyielding as the granite he blasts to build with. Defying the conventions of the world around him, he embraces a battle over two decades against a double-dealing crew of rivals who will stop at nothing to bring him down. These include, perhaps most troublesome of all, the ambitious Dominique Francon, who may just prove to be Roarke's equal. This epic story of money, power and a man's struggle to succeed on his own terms is a paean to individualism and humanity's creative potential. First published in 1943, The Fountainhead introduced millions to Rand's philosophy of Objectivism: an uncompromising defence of self-interest as the engine of progress, and a jubilant celebration of man's creative potential.Ayn Rand (1905-1982), born Alisa Rosenbaum in St. Petersburg, Russia, emigrated to America with her family in January 1926, never to return to her native land. Her novel The Fountainhead was published in 1943 and eventually became a bestseller. Still occasionally working as a screenwriter, Rand moved to New York City in 1951 and published Atlas Shrugged in 1957. Her novels espoused what came to be called Objectivism, a philosophy that champions capitalism and the pre-eminence of the individual. If you enjoued The Fountainhead, you might like Rand's Atlas Shrugged, also available in Penguin Modern Classics.'In The Fountainhead power, greed, life's grandeur flow hot and red in thrilling descriptions'London Review of Books'Ayn Rand is a writer of great power... she writes brilliantly, beautifully, bitterly' The New York Times

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'Essential...A complex blend of overexcited Adrian Mole-like anecdotes mixed with shocking moments of racism and insights into Muslim religious practices' Sunday TimesThe hilarious and pubescent debut book from your favourite British Muslim comedian (that's Tez Ilyas, by the way) is coming to a shop near you. You may know and love Tez from his stand-up comedy, his role as Eight in Man Like Mobeen, his Radio 4 series TEZ Talks, or panel shows such as Mock the Week and The Last Leg. Where you won't know him from is 1997 when he was 13 ¾. (But now you will - because that's what the book is about.) In this suitably dramatic rollercoaster of a teenage memoir, Tez takes us back to where it all began: a working class, insular British Asian Muslim community in his hometown of post-Thatcher Blackburn. Meet Ammi (Mum), Baji Rosey (the older sister), Shibz (the fashionable cousin), Was (the cool cousin), Shiry (the cleverest cousin) and a community with the most creative nicknames this side of Top Gun.Running away from shotgun-wielding farmers, successfully dodging arranged marriages, getting mugged, having front row seats to race riots and achieving formative sexual experiences doing stomach crunches in a gym, you could say life was fairly run of the mill. But with a GCSE pass rate of 30% at his school, his own fair share of family tragedy around the corner and 9/11 on the horizon, Tez's experiences of growing up as a British Muslim wasn't the fun, Jihad-pursuing affair the media wants you to believe. Well ... not always.At times shalwar-wettingly hilarious and at others searingly sad, The Secret Diary of a British Muslim Aged 13¾ shows 90s Britain at its best, and its worst.

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CRT Awards: Bible of the year winner British Book Design and Production Awards: Shortlisted in the Scholarly, Academic and Reference books category Listen to God speaking life by the Spirit for the world The most popular modern English translation with study notes drawn from the million-selling Bible Speaks Today commentary series from IVP, and application questions for personal or group use. If you’re new to the Bible, the clear and helpful explanations will help draw you in to God’s word. If you are a Christian, you will find the NIV Bible Speaks Today useful for devotional reading and as a study Bible. It’s also great for helping small group leaders, teachers and preachers in preparing to explain and apply the Bible for others. Be equipped to apply the Bible to your life and to today’s world. Features include: · Complete text of the New International Version (British text) · Over 2,300 notes extracted from the Bible Speaks Today series to explain and apply the Bible text · Questions at the end of every note for personal or group use to help you understand and apply Biblical truths · Outlines that give a brief overview of each Bible book · Background and setting to provide the context to understand each book · Themes and relevance to apply the Bible to the contemporary world · Maps showing the locations of key Bible events · Parallel passages cross-referenced to identical or similar passages The Bible Speaks Today series was edited by Alec Moyter (Old Testament), John Stott (New Testament) and Derek Tidball (Bible themes), with contributors including Michael Green, Mary J Evans, Derek Kidner, Dick Lucas, Rosemary Nixon and many more.

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Minding the Social Brain—Virtual Foundation Stone; for the initiative to fund a decade-long BRAIN ACTIVITY MAP—BAM as in OBAMA. A generation of social neuroscientists uses acronyms to identify the structural neural networks revealed in the NIH Human Connectome Project. They know that a medial brain hub of nodal networks, the Default Mode (DM), uses most of the brain’s activation energy. Responding to the unexpected, it adapts the brain’s predictive capacity by learning—modifying its own synaptic structure. During syndrome formation in brain damage, depression, traumatic anxiety, or psychosis, the DM maintains familiar mental fantasy and reverie—even when its core networks should be processing new data for adaptive problem-solving. Alzheimer’s disease decimates all the nodes of this hub. Just as industry alongside government generated our genome code, researchers worldwide in the private sector and government are already exploring how a brain’s emergent property unifies its mind. Alert to perspectives that determine their future, workers in the social field have to develop their own emergent learning. Dr. Harris here provides a Rosetta Stone for exploring neural networks, mental hubs, mind/brain synthesis—and institutions that externalize these structures. Extending Freud’s discovery of a person’s dynamic unconscious, he depicts a dynamic social unconscious mediating social, economic, and political policy. From this perspective he presents contemporary and historical social syndromes. Collective PTSD, for instance, manifests in global criminal economies, widespread poverty, media escapism, and political denial. International Psychoanalytic Books (IPBooks.net) and distributor Jason Aronson, Inc. are happy to present this compelling analysis of individual and collective syndromes that have their own emergent sources in both social process and brain process.

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Wroxeter: Ashes under Uricon offers a perspective on how people over time have viewed the abandoned Roman city of Wroxeter in Shropshire. It responds to three main artistic outputs relating to the site: poetry, images and texts. The poets include Wilfred Owen, A.E. Housman and Mary Webb. The writers cover a range of interests relating to the site but include Darwin, Dickens, Rosemary Sutcliff and John Buchan. The artists are perhaps less well-known but include watercolours by Thomas Girtin, archaeological reconstructions by Alan Sorrell and Amedée Forrestier, and paintings by Wroxeter’s own resident artist, Thomas Prytherch. Photographs are represented by the work of Francis Bedford and others more closely associated with aerial archaeology such as J.K. St Joseph and Arnold Baker. While the famous names have their value, The book also investigates what locals and visitors thought of the site over time – how they perceived it and have responded to it. It reflects in particular upon how the public and locals responded to the archaeological discoveries on the site and perceived the narratives that were created by the archaeologists working on it. It contends that archaeologists are just as much story-tellers as the writers, poets or artists, although their work is more filtered or controlled, and through these narratives, they inspire others. A further strand to the book is to explore the increasing focus over the past century on the democratisation of access to and understanding of the site, alongside increasing state intervention in its running. This too has had its impact on who visits and what is understood about the site. A short concluding section offers a vision of how the site might develop in the near-future, and how its cultural side might flourish once again.

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A revealing genealogy of image-recognition techniques and technologies Today’s most advanced neural networks and sophisticated image-analysis methods come from 1950s and ’60s Cold War culture—and many biases and ways of understanding the world from that era persist along with them. Aerial surveillance and reconnaissance shaped all of the technologies that we now refer to as computer vision, including facial recognition. The Birth of Computer Vision uncovers these histories and finds connections between the algorithms, people, and politics at the core of automating perception today.James E. Dobson reveals how new forms of computerized surveillance systems, high-tech policing, and automated decision-making systems have become entangled, functioning together as a new technological apparatus of social control. Tracing the development of a series of important computer-vision algorithms, he uncovers the ideas, worrisome military origins, and lingering goals reproduced within the code and the products based on it, examining how they became linked to one another and repurposed for domestic and commercial uses. Dobson includes analysis of the Shakey Project, which produced the first semi-autonomous robot, and the impact of student protest in the early 1970s at Stanford University, as well as recovering the computer vision–related aspects of Frank Rosenblatt’s Perceptron as the crucial link between machine learning and computer vision.Motivated by the ongoing use of these major algorithms and methods, The Birth of Computer Vision chronicles the foundations of computer vision and artificial intelligence, its major transformations, and the questionable legacy of its origins. Cover alt text: Two overlapping circles in cream and violet, with black background. Top is a printed circuit with camera eye; below a person at a 1977 computer.

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Want to cook more veg for your family, but have no idea where to start? Hugh Fearnley-Whittingstall is here to help, with a whole host of veg-centric recipes that are easy, foolproof and delicious. Let’s ‘Eat Them To Defeat Them’! Hugh’s River Cottage Veg Every Day! became the UK’s best-selling vegetable cookbook, persuading us through sheer temptation to make vegetables the mainstay of our daily cooking. In this much-anticipated follow-up, Hugh delivers more irresistible recipes, and this time, takes things one step further. Fuelled by his passionate belief that plant foods should be the dominant force in our kitchens, Hugh has put cheese, butter, cream, eggs, and refined flour and sugar firmly to one side. Instead, he uses veg, fruit, wholegrains, nuts, seeds, spices and cold-pressed oils to explore the length and breadth of what can be achieved with natural, unprocessed plant foods. River Cottage Much More Veg! makes it clear that unadulterated ingredients are the very best building blocks for delicious and healthy meals. In typical Hugh style, the recipes are easy, utterly foolproof,delicious, and full of plenty of swap-out suggestions. All but a handful are gluten-free, and at least half the dishes require 20 minutes (or less) hands-on work time. With recipes such as Roast squash and chickpeas with spicy apricot sauce, Blackened cauliflower with pecans and tahini, Spiced beetroot, radicchio and orange traybake, Celeriac and seaweed miso broth, Seared summer cabbage with rosemary, chilli and capers, and Baked celery agrodolce, River Cottage Much More Veg! demonstrates how easy it is to make versatile, plentiful and delicious vegetables the bedrock of your diet.

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_______________ THE SUNDAY TIMES BESTSELLER THE NEW YORK TIMES BESTSELLER _______________ 'A powerful love story spanning generations… Full of ambition and humanity' - Sunday Times 'One of the strongest and most affecting works in Allende's long career' - New York Times Book Review _______________ On September 3, 1939, the day of the Spanish exiles’ splendid arrival in Chile, the Second World War broke out in Europe. Victor Dalmau is a young doctor when he is caught up in the Spanish Civil War, a tragedy that leaves his life – and the fate of his country – forever changed. Together with his sister-in-law, the pianist Roser, he is forced out of his beloved Barcelona and into exile. When opportunity to seek refuge arises, they board a ship chartered by the poet Pablo Neruda to Chile, the promised ‘long petal of sea and wine and snow’. There, they find themselves enmeshed in a rich web of characters who come together in love and tragedy over the course of four generations, destined to witness the battle between freedom and repression as it plays out across the world. A masterful work of historical fiction that soars from the Spanish Civil War to the rise and fall of Pinochet, A Long Petal of the Sea is Isabel Allende at the height of her powers. _______________ 'A masterful work of historical fiction about hope, exile and belonging' - Independent Online 'A defiantly warm and funny novel, by somebody who has earned the right to argue that love and optimism can survive whatever history might throw at us' - Daily Telegraph 'A grand storyteller who writes with surpassing compassion and insight. Her place as an icon of world literature was secured long ago' - Khaled Hosseini 'A novel not just for those of us who have been Allende fans for decades, but also for those who are brand new to her work: what a joy it must be to come upon Allende for the first time' - Colum McCann 'Allende's style is impressively Olympian and the payoff is remarkable' - Guardian ‘Epic in scope, yet intimate in execution’ - i

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Join Allie D’Andrea (Outdoors Allie) to learn how to break down chicken, pork, and venison—then cook your way through recipes featuring your fresh cuts.​ If you’ve been wondering which knives to buy, started to break down an animal but wanted more guidance, or are looking for recipes where meat is the star of the show, you’ll find it in The Butcher’s Table. After a review of basics such as butchering tools and meat preparation, explore chapters organized by meat type: chicken, pork, and venison. Each chapter begins with an illustrated step-by-step tutorial on breaking down the animal, followed by recipes for both the star and showstopper cuts as well as recipes for making the most of bones, fat, and ground meat: Chicken: Oven-Baked Garlic Parmesan Chicken Wings, Cherry Almond Chicken Salad, Oven-Roasted Mango Drumsticks, Fresh English Pea and Chicken Thigh Soup, Pan-Seared Chicken Breast with Peanut Sauce and Bright Slaw, Spicy Chicken Meatballs in Marinara Sauce, All-Purpose Chicken Stock Pork: Bone-In Smoked and Shredded Boston Butt, Reverse Seared Pork Chops with Apple Relish, Picnic Carnitas, Soy-Glazed Country-Style Ribs with Fresh Ginger, Fresh Shank-End Ham with Molasses Glaze, Pork Hock Barbecue Beans, Blanched Bone Pork Stock, Rendered Leaf Lard Venison: Coffee-Rubbed Venison Loin Chops, Reverse-Seared Rosemary Loin Chops with Red Wine Reduction, Wild Mushroom-Stuffed Butterflied Venison Loin, Roasted Eye of Round with Peppercorn Sauce, Sirloin Butt Stir-Fry, Braised Venison Shanks, Maple Venison Breakfast Sausage Patties, Root Beer Venison Jerky And plenty more! Stunning hunt photography and mouthwatering recipe photos provide ample inspiration as you go. Whether you have a half hog from your local farmer or you're bringing home a deer fresh from the hunt, everyone’s welcome at the butcher's table.

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Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity. Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films. In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Fans of HBO's Succession and Gillian Flynn's Gone Girl will love this "clever thriller" (Publisher's Weekly). "Dani Lamia explores the dark side of the human experiment in this fast-paced page-turner with an ending that I never saw coming. Worth reading!" —D.R. Rosentsteel, Amazon reviewer Winning the game could change your life. But losing the game could end it. Caitlin Nylo gave up everything to turn her father's game company into a worldwide success. Along the way, she lost her mother, her marriage, and she barely sees her children. She's rich, driven, and brilliant. But she's also alone. After her eccentric father passes away, Caitlin is furious when she learns that instead of leaving the company and its fortunes to her, he has chosen to make his heirs compete in one last game: a scavenger hunt with a multi-billion dollar inheritance waiting at the end. But old secrets and sibling rivalry soon take a dark turn, as Caitlin and the others confront the demons of their past in their search for clues. And when a live video reveals the brutal murder of her greedy brother, the surviving heirs discover the terrifying truth. Someone else is playing the game with them. Someone who will do anything to protect one final secret. What began as a scavenger hunt has been twisted into a maniacal deathtrap, from which there is no escape. And when the game is over, only one of them will remain alive. "A very contemporary twist on Agatha Christie's 'And Then There Were None . '" —Pradapoet, Amazon reviewer "This punchy and often witty novel will appeal to the game-player in everyone." — Publishers Weekly "And the end game contains twist after twist that will leave you reeling -- and so happy not to be a Nylo!" —Shari Held, Amazon reviewer For more from Dani Lamia, check out 666 Gable Way.

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Following on from the huge success of her previous titles, Wilderness Weekends (2015) and Britain's Best Small Hills (2016), outdoor guru Phoebe Smith returns with her top tips about wilderness cooking on a single stove, including fifty recipes for breakfast, lunch, dinner, dessert and snacks. She also adds that secret extra ingredient to each recipe - an incredible sense of place - from moorland to coast, woodland, mountains or riverside. This innovative title is packed with advice on how to get the most out of walking in wild places, wild camping and wild cooking. Heading out into the wilds is incredible, but the food you eat when you go wild can be unimaginative - all pre-packed, dehydrated camping meals crammed with salt and colouring. This book, the first written specifically for wild campers, teaches you the tricks to make the tastiest food with limited ingredients and all at the lightest weight so that you can be assured of good food that won't break your back. Bradt's Wilderness Cookbook also includes countryside safety tips, information about understanding the countryside and suggestions and instructions for things to make on the fly, be it an item of cutlery or a driftwood den. The basics of foraging are also covered, from using sphagnum moss to clean your pots to finding cockles to add to your stew or bilberries to mix into your porridge. No matter where you are, what type of terrain you're covering or what season it is, this inspirational new title will have a recipe to fit the moment, from Turmeric Pitta Eggs or Cinnamon Lemon Muffins for breakfast to Brunch Burritos or Super Couscous for lunch, Campfire Rosemary and Nettle Mushrooms for dinner and, to round off, Real Ale Pancakes or Campfire Tarts for dessert. With Bradt's Wilderness Cookbook, you can ensure the wild food you prepare offers maximum taste and energy for minimum kit, weight and hassle.

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_______________ THE SUNDAY TIMES BESTSELLER THE NEW YORK TIMES BESTSELLER _______________ 'A powerful love story spanning generations… Full of ambition and humanity' - Sunday Times 'One of the strongest and most affecting works in Allende's long career' - New York Times Book Review _______________ On September 3, 1939, the day of the Spanish exiles’ splendid arrival in Chile, the Second World War broke out in Europe. Victor Dalmau is a young doctor when he is caught up in the Spanish Civil War, a tragedy that leaves his life – and the fate of his country – forever changed. Together with his sister-in-law, the pianist Roser, he is forced out of his beloved Barcelona and into exile. When opportunity to seek refuge arises, they board a ship chartered by the poet Pablo Neruda to Chile, the promised ‘long petal of sea and wine and snow’. There, they find themselves enmeshed in a rich web of characters who come together in love and tragedy over the course of four generations, destined to witness the battle between freedom and repression as it plays out across the world. A masterful work of historical fiction that soars from the Spanish Civil War to the rise and fall of Pinochet, A Long Petal of the Sea is Isabel Allende at the height of her powers. _______________ 'A masterful work of historical fiction about hope, exile and belonging' - Independent Online 'A defiantly warm and funny novel, by somebody who has earned the right to argue that love and optimism can survive whatever history might throw at us' - Daily Telegraph 'A grand storyteller who writes with surpassing compassion and insight. Her place as an icon of world literature was secured long ago' - Khaled Hosseini 'A novel not just for those of us who have been Allende fans for decades, but also for those who are brand new to her work: what a joy it must be to come upon Allende for the first time' - Colum McCann 'Allende's style is impressively Olympian and the payoff is remarkable' - Guardian ‘Epic in scope, yet intimate in execution’ - i

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'Satisfyingly dark, cleverly plotted and pleasingly Donna Tarttish' Emma Flint, Little Deaths'Seamlessly blends Gone Girl and Promising Young Woman. Smart, sophisticated, seductive' S J Watson, Before I Go To Sleep'A deeply compelling story of friendships turned rotten' Rosemary Hennigan, The Truth Will Out*Sunday Times Bestseller**Shortlisted for the Bloody Scotland Crime Debut of the Year 2023**Longlisted for the McIlvanney Prize**Top Ten eBook bestseller**One of Cosmopolitan's Best Books for 2023**One of Apple's Best of the Month**One of FT's Best New Debut Fiction**Heat Book of the Week*------Clare arrives at the University of Edinburgh with a secret. This is her chance for a blank slate: to find the right people and reinvent herself.And then she meets Tabitha.Tabitha is charismatic, beautiful and intimidatingly wealthy. Soon Clare is sucked into her enigmatic circle of friends and their dizzying world of champagne on rooftops and summers in France.Her new life has begun.Then Tabitha reveals the little project they're working on, a project they need Clare's help with. It's reckless, possibly perilous and might finally allow Clare to become who she was meant to be...But how much is an extraordinary life worth if others have to pay?An intoxicating feminist page-turner with shades of The Secret History and Promising Young Woman, this novel will take youon a journey from Edinburgh's dazzling spires to the dripping staircases and dark alleyways of its underbelly.------'Startlingly lovely, like a fine, dark silk shivering on your skin' Julia Heaberlin, We Are All the Same in the Dark'Perfect for fans of dark academia stories like The Secret History and If We Were Villains' Cosmopolitan'Darwent has a great career as a thriller writer ahead of her' Sunday Times'Dark academia and twisted friendships in gothic Edinburgh - what more could you want?' Cailean Steed, Home'Creepy yet compulsive, this impressive novel will stay with you long after reading' Heat'Dark and compulsive, this will have you turning the pages late into the night' Sarah Bonner, Her Perfect Twin'Themes of obsession, revenge and desire collide in a twisty, dark and delicious feminist thriller' Big Issue'An intriguing and complex heroine' Phoebe Wynne, Madam'Darwent keeps the reader guessing. Any time the balance of power appears to settle, the plot takes another twist' Scotland on Sunday'Such an immersive, surprising, impressive debut' Niamh Hargan, Twelve Days In May'Power, privilege and the most toxic of friendships. All set against the stunning backdrop of Edinburgh' Carys Jones, The List

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Why have generations of philosophers failed or refused to articulate a rigorous challenge to the death penalty, when literature has been rife with death penalty abolitionism for centuries? In this book, Peggy Kamuf explores why any properly philosophical critique of capital punishment in the West must confront the literary as that which exceeds the logical demands of philosophy. Jacques Derrida has written that “the modern history of the institution named literature in Europe over the last three or four centuries is contemporary with and indissociable from a contestation of the death penalty.” How, Kamuf asks, does literature contest the death penalty today, particularly in the United States where it remains the last of its kind in a Western nation that professes to be a democracy? What resources do fiction, narrative, and poetic language supply in the age of the remains of the death penalty? Following a lucid account of Derrida’s approach to the death penalty, Kamuf pursues this question across several literary texts. In reading Orwell’s story “A Hanging,” Kamuf explores the relation between literary narration and the role of the witness, concluding that such a witness needs the seal of literary language in order to account for the secret of the death penalty. The next chapter turns to the American scene with Robert Coover’s 1977 novel The Public Burning, which restages the executions of Julius and Ethel Rosenberg as an outlandish public spectacle in Times Square. Because this fictional device reverses the drive toward secrecy that, beginning in the mid-nineteenth century, put an end to public executions in the West, Kamuf reads the novel in a tension with the current tendency in the U.S. to shore up and protect remaining death penalty practices through increasingly pervasive secrecy measures. A reading of Norman Mailer’s 1979 novel The Executioner’s Song, shows the breakdown of any firm distinction between suicide and capital execution and explores the essential affinity between traditional narrative structure, which is plotted from the end, and the “plot” of a death penalty. Final readings of Kafka, Derrida, and Baudelaire consider the relation between literature and law, showing how performative literary language can “play the law. “A brief conclusion, titled “Postmortem,” reflects on the condition of literature as that which survives the death penalty. A major contribution to the field of law and society, this book makes the case for literature as a space for contesting the death penalty, a case that scholars and activists working across a range of traditions will need to confront.

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'Satisfyingly dark, cleverly plotted and pleasingly Donna Tarttish' Emma Flint, Little Deaths'Seamlessly blends Gone Girl and Promising Young Woman. Smart, sophisticated, seductive' S J Watson, Before I Go To SleepSunday Times BestsellerShortlisted for the Bloody Scotland Crime Debut of the Year 2023Longlisted for the McIlvanney PrizeOne of Cosmopolitan's Best Books for 2023------In there, them, us, it’s everything you’ve ever wanted, and you’re going to love it.I promise. I’ll look after you.All her life Clare has never fit in.So when she arrives at Edinburgh University, she seizes the chance to reinvent herself.Then she meets Tabitha who is everything she’s not: charismatic, dazzling and intimidatingly wealthy.Soon Clare is sucked into Tabitha’s enigmatic circle of friends, and it’s all she hoped it would be. Until it’s not.Because they are not all they seem.And they’ve been waiting for Clare.With friends like these, who needs enemies?An intoxicating feminist page-turner with shades of The Secret History and Promising Young Woman, this novel will take youon a journey from Edinburgh's dazzling spires to the dripping staircases and dark alleyways of its underbelly.------'Startlingly lovely, like a fine, dark silk shivering on your skin' Julia Heaberlin, We Are All the Same in the Dark'Perfect for fans of dark academia stories like The Secret History and If We Were Villains' Cosmopolitan'A deeply compelling story of friendships turned rotten' Rosemary Hennigan, The Truth Will Out'Darwent has a great career as a thriller writer ahead of her' Sunday Times'Dark academia and twisted friendships in gothic Edinburgh - what more could you want?' Cailean Steed, Home'Creepy yet compulsive, this impressive novel will stay with you long after reading' Heat'Dark and compulsive, this will have you turning the pages late into the night' Sarah Bonner, Her Perfect Twin'Themes of obsession, revenge and desire collide in a twisty, dark and delicious feminist thriller' Big Issue'An intriguing and complex heroine' Phoebe Wynne, Madam'Darwent keeps the reader guessing. Any time the balance of power appears to settle, the plot takes another twist' Scotland on Sunday'Such an immersive, surprising, impressive debut' Niamh Hargan, Twelve Days In May'Power, privilege and the most toxic of friendships. All set against the stunning backdrop of Edinburgh' Carys Jones, The ListSunday Times bestseller, January 2023

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Surfactants and Interfacial Phenomena Milton J. Rosen Bridging the gap between purely theoretical aspects of surface chemistry and the purely empirical experience of the industrial technologist, this book applies theoretical surface chemistry to understanding the action of surfactants in modifying interfacial phenomena. It surveys the structural types of commercially available surfactants and discusses interfacial phenomena, the physicochemical principles underlying the action of surfactants in each phenomenon, and the effect of structural changes in the surfactants and environmental changes on their action. Tables of data on various interfacial properties of surfactants, compiled and calculated from the latest scientific literature, are included. 1978 304 pp. An Introduction to Clay Colloid Chemistry, 2nd Ed. H. van Olphen This book provides valuable guidance in research and design efforts by giving a clear understanding of principles and concepts of colloid chemistry as applied to clay systems. Updated and enlarged, this edition includes new information on surface characterization and adsorption mechanisms; recent results in the area of clay-organic interaction--the intercalation and intersalation of kaolinite minerals; and increased attention to the possible role of clays in biological evolution. 1977 318 pp. Physicochemical Processes for Water Quality Control Walter J. Weber, Jr. Focusing on physicochemical rather than biological processes, this book presents a comprehensive treatise on the treatment of municipal and industrial water and wastewater. All of the physicochemical processes important to municipal and industrial water and wastewater treatment--coagulation, filtration, membrane processes, chemical oxidation, and others--are included and each is covered thoroughly from principle through application. To maintain a high level of expertise, contributions have been incorporated from specialists actively involved in research or engineering applications in each area considered. 1972 640 pp.

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Can we still watch Woody Allen's movies? Can we still laugh at Bill Cosby's jokes? Woody Allen, Kevin Spacey, Dave Chappelle, Louis C. K., J.K. Rowling, Michael Jackson, Roseanne Barr. Recent years have proven rife with revelations about the misdeeds, objectional views, and, in some instances, crimes of popular artists. Spurred in part by the #metoo movement, and given more access than ever thanks to social media and the internet in general, the public has turned an alert and critical eye upon the once-hidden lives of previously cherished entertainers. But what should we members of the public do, think, and feel in response to these artists' actions or statements? It's a predicament that many of us face: whether it's possible to disentangle the deeply unsettled feelings we have toward an artist from how we respond to the art they produced. As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? Is it morally permissible for us to engage with or enjoy that work? Should immoral artists and their work be "canceled"? Most of all, can we separate an artist from their art? In Drawing the Line, Erich Hatala Matthes employs the tools of philosophy to offer insight and clarity to the ethical questions that dog us. He argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. While some dismiss the lives of artists as if they are irrelevant to the artist's work, and others instrumentalize artwork, treating it as nothing more than a political tool, Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators. Rather than shunning art made by those who have been canceled, shamed, called out, or even arrested, we should engage with it all the more thoughtfully and learn from the complexity it forces us to confront. Recognizing the moral and aesthetic relationships between art and artist is crucial to determining when and where we should draw the line when good artists do bad things.

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2018 Morris Rosenberg Award, DC Sociological Society In recent years, questions such as “what are kids eating?” and “who’s feeding our kids?” have sparked a torrent of public and policy debates as we increasingly focus our attention on the issue of childhood obesity. The Centers for Disease Control and Prevention estimates that while 1 in 3 American children are either overweight or obese, that number is higher for children living in concentrated poverty. Enduring inequalities in communities, schools, and homes affect young people’s access to different types of food, with real consequences in life choices and health outcomes. Fast-Food Kids sheds light on the social contexts in which kids eat, and the broader backdrop of social change in American life, demonstrating why attention to food’s social meaning is important to effective public health policy, particularly actions that focus on behavioral change and school food reforms. Through in-depth interviews and observation with high school and college students, Amy L. Best provides rich narratives of the everyday life of youth, highlighting young people’s voices and perspectives and the places where they eat. The book provides a thorough account of the role that food plays in the lives of today’s youth, teasing out the many contradictions of food as a cultural object—fast food portrayed as a necessity for the poor and yet, reviled by upper-middle class parents; fast food restaurants as one of the few spaces that kids can claim and effectively ‘take over’ for several hours each day; food corporations spending millions each year to market their food to kids and to lobby Congress against regulations; schools struggling to deliver healthy food young people will actually eat, and the difficulty of arranging family dinners, which are known to promote family cohesion and stability. A conceptually-driven, ethnographic account of youth and the places where they eat, Fast-Food Kids examines the complex relationship between youth identity and food consumption, offering answers to those straightforward questions that require crucial and comprehensive solutions.

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From contributors to The Conversation, a look at gender diversity in the twenty-first century and the intricate and intersecting challenges faced by trans and nonbinary people.With media amplifying the voices of anti-trans legislators and critics, it is important to turn to the stories, research, and expertise of trans and nonbinary people in order to understand the reality of their experiences. In The Conversation on Gender Diversity, editor Jules Gill-Peterson assembles essential essays from The Conversation U.S. by experts on gender diversity. The essays guide readers through seldom-covered aspects of transgender history and present an overview of the social and political barriers that disenfranchise trans people and attempt to remove them from public life. As these essays collectively show, trans and nonbinary people may be forced to be the face of gender and its diversity, but the cultural, political, and social realities of gender connect—and subject—everyone. Despite these challenges, there is an immense culture of love and support across the queer community that is bolstered by activists and allies working against transphobic attacks. Trans and gender-diverse youth are growing up in a world filled with ever-increasing hurdles and rising danger, even with the contemporary public recognition of trans life in culture and media. But they are not facing these challenges alone.The Critical Conversations series collects relevant essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S. Contributors: Robert L. Abreu, Catherine Armstrong, Stacy Branham, Christopher Carpenter, L. F. Carver, Mandy Coles, Arin Collin, George B. Cunningham, Avery Dame-Griff, Jules Gill-Peterson, Abbie Goldberg, Gilbert Gonzales, Frances Grimstad, Foad Hamidi, Elizabeth Heineman, Glen Hosking, Bethany Grace Howe, Jay A. Irwin, Shanna K. Kattari, Kacie Kidd, Terry Kogan, Vanessa LoBue, Gabriel Lockett, Megan K. Maas, Julie Manning Magid, Em Matsuno, Tey Meadow, Kyl Myers, Madeleine Pape, Ruth Pearce, Jae A. Puckett, Samantha G. Rosenthal, Morgan Klaus Scheuerman, Elizabeth A. Sharrow, Carl Sheperis, Donna Sheperis, stef m. shuster, Jules Sostre, Ryan Storr, Carl Streed, Diana M. Tordoff, Travers

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In a secluded valley high in the Andes Mountains, long before thetime of the Incas and the Aztecs, the empire of the Aymara rosefrom the shores of Lake Titicaca and flourished for nearly athousand years. The secrets of the Aymara civilization, one of thefirst great empires of the Americas, have only recently beendeciphered from the haunting ruins of their splendid temples, amongwhich their contemporary descendants still live and worktoday. In Valley of the Spirits, Alan Kolata takes us deep into themystical world of the Aymara, where past and present come togetherand the spirits of ancient ancestors still speak to shamans in thevoices of mountain springs. Kolata's unique knowledge of the Aymarais based on 17 years of research at the site of the ancientempire. Its crown jewel was the dazzling ancient capital of Tiahuanaco,whose gold and silver-appointed temples and "monumental stonesculptures intensified the mythic aura of the city, imbuing it witha quality of the supernatural." From A.D. 400-1100, it was thespiritual center of the Andean world. According to Aymara myth, thecreator god Viracocha brought man to life from the springs androcks of Tiahuanaco's sacred landscape. The city's rich symbolism linked man inextricably to the majesticplan--and the cyclical fates--of nature. Royal priests performedelaborate animal and human sacrifices and buried human trophy headsand the mummified remains of Aymara kings in lavish religiouspageants. So impressive was the legacy of Tiahuanaco that the Incarulers claimed descent from the Aymara kings more than 500 yearsafter the empire's mysterious catastrophic demise. Kolata deciphers the mysteries of the ancient monuments, from themassive Akapana pyramid, the symbol of sacred mountains, and offertility and abundance, to the imposing archway known as theGateway of the Sun, among the most exquisite artistic monuments ofthe ancient Americas. And he takes us into the contemporary worldof the Aymara as well, where shamans recite the names of ancestralspirits in a hypnotic protocol of remembrance and homage to LadyEarth and Lord Sky. "To anyone fascinated by the total experience of humans, to anyonewho wishes to go beyond the familiar world, to anyone wanting topush the envelope of their own perceptions, a sojourn into the mindand history of the Aymara is disturbing, exhilarating, andultimately unforgettable."--Alan Kolata, in his Introduction toValley of the Spirits

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This book describes Trumpism: the strong allegiance to former President Donald Trump that is in evidence among a sizable portion of the US population. How did Trump come to be elected in 2016, and who supported him during his presidential tenure – and why? How is it that he continues to hold cult-like status, exerting a strong influence not only on many individuals but also on numerous elected officials, despite his defeat in 2020? Why does his character continue to be an object of fascination even among anti-Trumpists, and why will Trumpism continue to play a major role in the American sociopolitical landscape even now he has left the presidential stage? Michael J. Diamond ponders these questions through the lenses of American history and culture, political theory, social phenomena, group dynamics, and psychoanalysis. In exploring the relationship between large-group regression, cultism, destructive populism, delusional thinking, conspiratorial beliefs, authoritarianism, and leadership characterised by narcissism and paranoia, psychoanalytic ideas pertaining to group dynamics, malignant regression, and leadership are brought into play. Prominent psychoanalytic thinkers who have addressed these topics and whose work usefully contributes to the discussion include Bion, Freud, Fromm, Bollas, Kernberg, Lifton, Rosenfeld, and Volkan, as well as Bleger, Jaques, and several more recent Kleinian/Bionian-influenced analysts. Most important, the book makes use of these understandings to reestablish a sufficiently containing frame that strengthens the body politics’ nonpathological elements in order to come to grips with these disturbing factors. Whatever their political beliefs, psychoanalysts in the US and worldwide will find much to think about in reading this book’s application of their discipline to today’s sociopolitical environment. In addition, the book’s insights extend beyond arguments targeting a strictly psychoanalytic audience in order to reach social and political thinkers, as well as activists, who are deeply concerned about dangers threatening the very foundations of democracy in the US and worldwide. And finally, the thoughtful lay person will appreciate the accessibility to all these fields that the book provides, and will come away with a much deeper understanding of just what motivates us to take a stand for or against a given political figure. In short, conceptual tools are provided that lead to greater understanding as well as effective strategies and tactics for containment of destructive forces – largely unconscious ones – that imperil our society.

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The saga of the flags on Iwo Jima has fascinated America for decades. Hammel himself grew up in the company of WWII veterans and has always been intrigued by ‘The Photo’ of the flag, which became a powerful symbol of patriotism and national pride. But the story of how the flag got there, and even the identity of the soldiers in the photo, has been muddied by history. Eric Hammel here sets the record straight, viewing complex events through the lens of the story of the infantry company in which all the flag raisers served.Joe Rosenthal’s “Raising the Flag on Iwo Jima” photo is one of the best-known images of US war history. The photo captures the moment that the first American flag flew over the core of Imperial Japanese territory on the top of Mount Suribachi. The focus of this book lies on the 28th Marine Regiment’s self-contained battle in February 1945 for Mount Suribachi, the 556-foot-high volcano on Iwo Jima. It was here that this one regiment defeated more than 1500 heavily armed Japanese combatants who were determined to hold the highest vantage point on the island.Two Flags over Iwo Jima reveals the all-but-forgotten first-flag raising, and the aftermath of the popularization campaign undertaken by the post-WWII Marine Corps and national press. Hammel attempts to untangle the various battles which led up to the first and second flag raisings, as well as following the men of the 28th Marine Regiment in the events which took place after. Not only is the full story behind one of the most iconic photographs ever taken revealed, but also the real heroism and stories of the men behind this most fervent expression of American patriotism.

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Franklin Roosevelt was the first great hero of American Jews. FDR's promise of economic and social justice was consonant with the mainstays of Jewish culture and with the ethos of the Old Testament and the prophets. And of course these themes were especially resonant during the desperate days of the Great Depression. The Jews who so deeply admired Roosevelt made up the richest, most influential Jewish community in the world, leaders in government, commerce, and the arts. Yet by the time Franklin Roosevelt died in office, six million European Jews had been murdered by the Nazis while neither FDR nor American Jews lifted much more than a finger to help them. How did the president, the nation he led, and American Jewry allow this to happen? There is no simple answer, but Robert Shogan seeks a partial explanation by examining the behavior of a handful of Jews, so close to Roosevelt and supposedly so influential that they could be considered "the president's Jews." Most prestigious was Supreme Court justice Louis D. Brandeis. Next was Felix Frankfurter, Harvard law professor and later Supreme Court justice. Sam Rosenman, FDR's chief speechwriter from the time he was governor of New York. Treasury Secretary Henry Morgenthau was an old Dutchess County neighbor of Roosevelt's. Benjamin V. Cohen crafted the major financial reforms of the early New Deal. Their actions, and often inaction, illuminate the strengths and limits of interest-group politics, the system invented by FDR that dominated American politics for the remainder of the century. Taken broadly, the response of the president's Jews to the Nazi threat illustrates with heartbreaking intensity the dilemma of politics—the conflict between conscience and self-interest, between principle and expediency. With 8 pages of black-and-white photographs.

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Today's investor faces a much larger challenge than those of just ten years ago. The size and complexities of the financial marketplace create confusion. The Dow Jones industrial average has doubled in the past two and a half years, and 10,000 on the Dow is no longer a fantasy. Money keeps flooding into the market. The New York Stock Exchange daily trading volume is four times that of 1990.Financial Success in the Year 2000 and Beyond covers financial planning and asset management, the fastest growing segments of the financial services industry. In the old days, highly commissioned salesmen would simply tell their clients what products to buy. Today, there are infinitely more choices and investments options to sort through and be concerned about. Technology has put complex investing tools into the hands of ordinary people, without good advice on how to use them. Never have so many people experienced so much control over their financial futures, yet felt a need for so much help. Applying lessons learned from past mistakes is hard and discouraging. Most people become investors without the wisdom of experience, getting the tests without first getting the lessons.Financial Success in the Year 2000 and Beyond explores virtually every aspect of financial planning and dispels many of the myths and mysteries surrounding investing and investments.The Experts include: Dennis R. Fletcher, CLU, ChFC, Oshkosh, WI , Joseph D. Longo, CLU, CFP, LUTCF, LIC, Troy, MI, Tom Nohr, CFP, RFC, Castro Valley, CA, Floyd L. Shilanski, Anchorage, AK, Robert Lyndon Taylor, LUTCF, Oklahoma City, OK, Michael P. Eischen, Columbus, OH, Lance A. Pelky, San Diego, CA, David W. Shepherd, RHU, ChFC , Tucson, AZ, Terry A. Vrieze, Des Moines, Iowa, Larry Rosenthal, RFC, LUTCF, Manassas, VA, William J. (Bill) Nelson, RFC, Cayton, OH, David S. White, Durham, NC, Mark Young, St Lewis, MO

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The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

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A magical life begins at home with this warm and lively introduction to the traditions and practice of kitchen witchcraft. As spiritualists, healers, and herbalists, witches throughout history have developed various methods of healing through potions, spells, and remedies worldwide. Despite their efforts for good, many have suffered from years of persecution, which has led to a general misunderstanding of their craft. The Kitchen Witch Handbook combats that, providing an assortment of magical traditions from a fresh, modern perspective. If you are interested in Wicca and traditional kitchen potions, spells, and rituals, The Kitchen Witch Handbook is the perfect magical reference. This hands-on guide introduces the home-based folk witchcraft that has been practiced for countless generations. Learn to weave your magical intentions into food and cooking and use everyday ingredients for mystical purposes.Brimming with beautiful photography and illustrations, this intriguing and accessible volume offers: Guidance on creating a magical kitchen and kitchen altar 100 Recipes and kitchen spells, including a candied lime money spell, rosemary protection cookies, and a lavender simple syrup for clarity and calm Tips on how to incorporate magic and intention into cooking A glossary of correspondences and magical properties for fruits, vegetables, and other ingredients A framework for creating your own unique spells at home using the ingredients you have on hand Enjoy bringing a new magical dimension to your kitchen with The Kitchen Witch’s Handbook, a delicious introduction to the long tradition of creating magicin the heart of your home.The Mystical Handbook series from Wellfleet takes you on a magical journey through the wonderful world of spellcraft and spellcasting. Explore a new practice with each volume and learn how to incorporate spells, rituals, blessings, and cleansings into your daily routine. These portable companions feature beautiful foil-detail covers and color-saturated interiors on a premium paper blend.Other books in the series include: Witchcraft, Love Spells, Knot Magic, Superstitions, House Magic, Herbal Magic, Goddess Magic, and Moon Magic.

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The Sunday Times #1 bestseller Discover the debut novel from the iconic Richard & Judy book club champion***Don't miss Judy Finnigan's heartrending new novel. ROSELAND is out in November 2023 and is available to pre-order now***'Romantic and rain-lashed. . . a stirring and intriguing read' Louise Candlish ___________'Gripping . . . captures the mystery and menace of Cornwall in glorious gothic style' Liz Fenwick 'Highly readable, incredibly moving . . . Eloise had me turning pages late into the night' Dorothy Koomson ___________What secrets did she take to her grave?Eloise and Cathy have been best friends since childhood, growing up together against the idyllic backdrop of Eloise's family home on the Cornish coast. When Eloise dies after a long battle with breast cancer, Cathy is devastated.Cathy returns to Cornwall for the funeral, but soon begins to have disturbing dreams, implying that Eloise's death was not all it seems. With a history of depression, Cathy is only just recovering from a nervous breakdown and her husband Chris, a psychiatrist, is concerned that she is losing her grip on reality once again. Stung by her husband's scepticism, Cathy decides to explore Eloise's mysterious past. But as she is drawn ever deeper into her friend's great - and tragic - secret, Cathy soon finds herself in unimaginable danger. ___________WHAT EVERYONE IS SAYING ABOUT ELOISE AND JUDY FINNIGAN'A moving meditation on grief, family bonds, motherhood and female friendship.' Sunday Express'A haunting, pacy page-turner, with a real ghostly feel - a must read.' Fabulous Magazine 'Impressive debut.' Woman & Home 'A great first book from the Queen of the Book Club.' Essentials 'A warm and promising debut.' Daily Mail 'Judy deserves to be taken seriously as a writer of thoughtful, descriptive fiction.' Choice 'The kind of book you shouldn't start if you don't want to stay up all night.' Western Daily Press 'Haunting thriller.' Cornwall Today'Atmospheric, creepy and original, Judy has written a blinder of a first novel.' Sun 'An assured first novel.' Choice magazine 'Keeps you guessing.' Sidmouth Herald 'Kept me glued to the pages until the very end.' Jersey Evening Post'An absorbing, thought-provoking tale of family skeletons, betrayal and the enduring spirit of friendship.' Good Book Guide

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Winner of the 2004 ARSC Award for Best Research in Recorded Rock, Rhythm & Blues or Soul, The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles such as the blues, rhythm and blues, soul, funk, and gangsta rap. She looks at Pentecostalism and black secular music, minstrelsy and its portrayal of black religion, the black church, "crossing over" from gospel to R&B, images of the black preacher, and the salience of God in the rap of Tupac Shakur.Traditionally, west European culture has drawn distinct divisions between the secular and the sacred in music. Liturgical music belongs in church, not on pop radio, and artists who fuse the two are guilty of sacrilege. In the West-African worldview, however, both music and the divine permeate every imaginable part of life -- so much so that concepts like sacred and secular were entirely foreign to African slaves arriving in the colonies. The Western influence on African Americans eventually resulted in more polarization between these two musical forms, and black musicians who grew up singing in church were often lamented as hellbound once they found popular success. Even these artists, however, never completely left behind their West-African musical ancestry. Reed's exploration of this trend in African American music connects the work of today's artists to their West-African ancestry -- a tradition that over two-hundred years of Western influence could not completely stamp out.

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Robert Graves: From Great War Poet to Good-bye to All That casts new light on the life, prose and poetry of Graves, without which the story of Great War poetry is incomplete. The writer and poet Robert Graves suppressed virtually all of the poems he had published during and just after the First World War. Until his son, William Graves, reprinted almost all the Poems About War in 1988, Graves’s status as a ‘war poet’ seems to have depended mainly on his prose memoir (and bestseller), Good-bye to All That. None of the previous biographies written on Graves, however excellent, attempt to deal with this paradox in any depth. Robert Graves the war poet and the suppressed poems themselves have been largely neglected – until now. Jean Moorcroft Wilson, celebrated biographer of poets Siegfried Sassoon, Isaac Rosenberg and Edward Thomas, relates Graves’s fascinating life during this period, his experiences in the war, his being left for dead at the Battle of the Somme, his leap from a third-storey window after his lover Laura Riding’s even more dramatic jump from the fourth storey, his move to Spain and his final ‘goodbye’ to ‘all that’. In this deeply-researched new book, containing startling material never before brought to light, Dr Moorcroft Wilson traces not only Graves’s compelling life, but also the development of his poetry during the First World War, his thinking about the conflict and his shifting attitude towards it.

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A revealing genealogy of image-recognition techniques and technologies Today’s most advanced neural networks and sophisticated image-analysis methods come from 1950s and ’60s Cold War culture—and many biases and ways of understanding the world from that era persist along with them. Aerial surveillance and reconnaissance shaped all of the technologies that we now refer to as computer vision, including facial recognition. The Birth of Computer Vision uncovers these histories and finds connections between the algorithms, people, and politics at the core of automating perception today.James E. Dobson reveals how new forms of computerized surveillance systems, high-tech policing, and automated decision-making systems have become entangled, functioning together as a new technological apparatus of social control. Tracing the development of a series of important computer-vision algorithms, he uncovers the ideas, worrisome military origins, and lingering goals reproduced within the code and the products based on it, examining how they became linked to one another and repurposed for domestic and commercial uses. Dobson includes analysis of the Shakey Project, which produced the first semi-autonomous robot, and the impact of student protest in the early 1970s at Stanford University, as well as recovering the computer vision–related aspects of Frank Rosenblatt’s Perceptron as the crucial link between machine learning and computer vision.Motivated by the ongoing use of these major algorithms and methods, The Birth of Computer Vision chronicles the foundations of computer vision and artificial intelligence, its major transformations, and the questionable legacy of its origins. Cover alt text: Two overlapping circles in cream and violet, with black background. Top is a printed circuit with camera eye; below a person at a 1977 computer.

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An encyclopedia of more than 100 guitars and the musicians who have mastered them. Guitars & Heroes is organized by era, from the rockabilly pioneers to the guitar heroes of the future. Each chapter contains portraits of guitarists (past and present) and their favourite instruments. The authoritative text describes the musician’s favoured guitar or guitars and why they are preferred, often revealing a hidden facet of the musician’s artistic approach. Special photo spreads include The Beatles, The Rolling Stones, Van Halen, Prince, Billie Joe Armstrong, AC/DC, Les Paul, anatomy of a Stratocaster, 5 Replica Guitars; Burst, the world’s most expensive guitar; 5 Most Desirable Amplifiers, 5 Pedals That Changed the World, 5 Groundbreaking Sounds, The Chicago Blues in 5 Albums, 5 Essential Hard Rock Albums and 5 Design Gibson Mistakes. The book is organized into three sections (Birth of an Art, The Golden Age, Modern Times) and nine chapters, each with a selection of artists and their guitars, including these: Delta Blues & Rockabilly Robert Johnson, Jimmie Rogers, Johnny Cash, Willie Nelson, Buddy Holly; Chicago Blues & Jazz Muddy Waters, Chuck Berry, Sister Rosetta Tharpe, Trini Lopez, George Benson; British Blues Boom Dave Davies, Pete Townshend, Jimmy Page, Eric Clapton, Peter Green; Surf, Garage Rock & Psychedelic Jimi Hendrix, Frank Zappa, Santana, Ry Cooder, Duane Allman; Birth of Hard Rock Ritchie Blackmore, Neil Young, Brian May, Peter Frampton, Joan Jett; Arena Rock, Shred & New Wave Bruce Springsteen, Stevie Ray Vaughan, The Edge, Joe Satriani, Slash; Grunge & Alternative Rock Kurt Cobain, Buzz Osborne, Sonic Youth, Rivers Cuomo, John 5; Metal to Djent Dimebag Darrell, John 5, Buckethead, Meshuggah, Tosin Abasi; Guitar Heroes of the Future St. Vincent, Joe Bonamassa, Jack White, Ron Thal, Matthew Bellamy. Guitars & Heroes is a sensational encyclopedia for all guitarists, guitar geeks, collectors and avid listeners, and an essential purchase for all collections.

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A milestone in U.S. historiography, Haunted by Empire brings postcolonial critiques to bear on North American history and draws on that history to question the analytic conventions of postcolonial studies. The contributors to this innovative collection examine the critical role of “domains of the intimate” in the consolidation of colonial power. They demonstrate how the categories of difference underlying colonialism—the distinctions advanced as the justification for the colonizer’s rule of the colonized—were enacted and reinforced in intimate realms from the bedroom to the classroom to the medical examining room. Together the essays focus attention on the politics of comparison—on how colonizers differentiated one group or set of behaviors from another—and on the circulation of knowledge and ideologies within and between imperial projects. Ultimately, this collection forces a rethinking of what historians choose to compare and of the epistemological grounds on which those choices are based.Haunted by Empire includes Ann Laura Stoler’s seminal essay “Tense and Tender Ties” as well as her bold introduction, which carves out the exciting new analytic and methodological ground animated by this comparative venture. The contributors engage in a lively cross-disciplinary conversation, drawing on history, anthropology, literature, philosophy, and public health. They address such topics as the regulation of Hindu marriages and gay sexuality in the early-twentieth-century United States; the framing of multiple-choice intelligence tests; the deeply entangled histories of Asian, African, and native peoples in the Americas; the racial categorizations used in the 1890 U.S. census; and the politics of race and space in French colonial New Orleans. Linda Gordon, Catherine Hall, and Nancy F. Cott each provide a concluding essay reflecting on the innovations and implications of the arguments advanced in Haunted by Empire.Contributors. Warwick Anderson, Laura Briggs, Kathleen Brown, Nancy F. Cott, Shannon Lee Dawdy, Linda Gordon, Catherine Hall, Martha Hodes, Paul A. Kramer, Lisa Lowe, Tiya Miles, Gwenn A. Miller, Emily S. Rosenberg, Damon Salesa, Nayan Shah, Alexandra Minna Stern, Ann Laura Stoler, Laura Wexler

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Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social and political categories: not theatre, not dance, not visual art... and often wilfully anti-mainstream and anti-establishment. But as it has become an increasingly prevalent category in international festivals, major art galleries, diverse publications and higher education streams, it is time for a reassessment. This collection of essays, conversations, provocations and archival images takes the twentieth anniversary of the founding of one of the sector’s most committed champions, the Live Art Development Agency (LADA) in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Rather than defining the practices in oppositional terms – what they might be seeking to critique, reject or disrupt – this collection reframes these practices in terms of the relations and commitments they might be used to model or advocate. What kinds of care and recovery do they enable? What do they connect as well as reject? What do they make possible as they test the impossible? What ideas of success do they stand for as they risk failure? In this way, the central theme of the collection, and to which all contributors were invited to respond, is the idea of agency: the capacity for new kinds of thoughts, actions and energies as enacted by individual artists and groups. It seems appropriate that this question would be considered in relation to the history of one particular ‘agency’: LADA itself. These questions are explored in a unique conversational format, bringing together a diverse range of emerging and established practitioners, curators and leading figures in the field, each paired with another practitioner for a live conversation that has been sensitively edited for the page. Curated within a structure of five overlapping themes – Bodies, Spaces, Institutions, Communities and Actions – this format produces unexpected insights and accounts of the development of the field. Each theme also contains two provocative essays by leading scholars, thinkers and makers, exploring the conceptual frames in more detail. The result is a collection that is as heterogeneous, ambitious, contradictory and inspiring as the field of Live Art itself. Contributors: Aaron Williamson, Adrian Heathfield, Alan Read, Alastair MacLennan, Alexandrina Hemsley, Amelia Jones, Andrew Mottershead, Andy Field, Anne Bean, Barby Asante, Bryan Biggs, Cassils, Catherine Wood, David A. Bailey, Dominic Johnson, Gary Anderson, George Chakravarthi, Guillermo Gómez-Peña, Hayley Newman, Heike Roms, Helen Paris, James Leadbitter, Jamila Johnson-Small, Jane Trowell, Jen Harvie, Johanna Tuukkanen, John Jordan, John McGrath, Jordan McKenzie, Joshua Sofaer, Katherine Araniello, Kira O'Reilly, Lena Šimić, Leslie Hill, Lois Keidan, Lois Weaver, Manuel Vason, Martin O'Brien, Mary Paterson, Rajni Shah, Rebecca French, Richard Dedomenici, Ron Athey, RoseLee Goldberg, Selina Thompson, Simon Casson and Tim Etchells. Co-published with Live Art Development Agency. Winner of the 2021 TaPRA Edited Collection Prize

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"June is a time when the vineyardist thins and trains shoots, which seem to grow inches a day. During thinning and training one learns intimately about the personality of the grapevine. It is a strange creature, and one can see why in ancient Greece and Rome it represented the cycles of life. The bark on the main trunk tends to be cracked and crumpled, hanging in threads in some places, and reminiscent of a withered old man. It’s not pretty to look at. But the vine comes to life in the smooth brown canes that were young growth the year before, and then in the tender, rubbery green shoots of the current season." In 1998, Gary and Rosemary Barletta purchased seven acres of land on the eastern shore of Cayuga Lake. Descending to the west from the state route that runs along on the ridge overlooking the lake, the land was fertile, rich with shalestone and limestone bedrock, and exposed to moderating air currents from the lake. It was the perfect place to establish a vineyard, and the Barlettas immediately began to plant their vines and build the winery about which they had dreamed for years. The Barlettas’ story, as John C. Hartsock tells it, is a window onto the world of contemporary craft winemaking, from the harsh realities of business plans, vineyard pests, and brutal weather to the excitement of producing the first vintage, greeting enthusiastic visitors on a vineyard tour, and winning a gold medal from the American Wine Society for a Cabernet Franc. Above all, Seasons of a Finger Lakes Winery describes the connection forged among the vintner, the vine, and terroir. This ancient bond, when tended across the cycle of seasons, results in excellent wines and the satisfaction, on the part of the winemaker and the wine enthusiast, of tasting a perfect harvest in a single glass. Today, Long Point Winery sits on seventy-two acres (eight of which are under cultivation with vinifera grapes) and produces sixteen varieties of wine, a number of which are estate wines made from grapes grown on their property. With interest in winemaking continuing to grow, the Barlettas’ experience of making award-winning wines offers both practical advice for anyone running (or thinking of running) their own winery, whether in the Finger Lakes or elsewhere, as well as insights into the challenges and joys of pursuing a dream.

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