Search results for ""liverpool university press""

Cicero’s great polemic against Antony, a literary masterpiece, is here made available with full translation and notes. The introduction to this edition deals with the historical setting, Roman rhetoric and Cicero’s style while the notes are mainly literary, not historical. Attention is paid to Cicero’s use of the devices and techniques of rhetoric, and the variety of tones by which he sustains his attack on Antony without ever losing the reader’s interest. The notes also draw attention to the rhythms of the Latin and the clausulae. Latin text with facing-page English translation, introduction and commentary.

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Cicero’s first major triumph was the prosecution of Caius Verres for misgovernment in Sicily. This speech was given in the second part of the trial and shows the development of Cicero’s rhetoric. This edition communicates the literary flavour of the original and discusses the historical and political background to the trial, with examination of noteworthy textual cruces and problems of interpretation. [Latin text with facing-page English translation, introduction and commentary.]

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A second edition, with a completely new contextual introduction and other new material, of a superb selection (first published in 1973 and for long out of print) of some of the best science fiction from continental Europe. Included are stories by Stanislaw Lem (Poland), Vsevolod Ivanov (Russia), Eurocon-award winner Adrian Rogoz (Romania), Herbert W. Franke (Germany), Wolfgang Jeschke (Germany), Gerard Klein (France) and others.

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This volume contains six of Bede’s shorter biblical writings, most of which appear here in translation for the first time – On Tobias, On the Resting Places, Thirty Questions on the Book of Kings, On Eight Questions, On the Holy Places and the letter On What Isaiah Says. Taken together, they reveal his amazing versatility as a biblical exegete.

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This volume brings together many important historical texts, the majority of them (speeches of Themistius, the Passion of St Saba, and evidence relating to the life and work of Ulfila) not previously available in English translation.

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Female writers of the Gothic were hell-raisers in more than one sense: not only did they specialize in evoking scenes of horror, cruelty, and supernaturalism, but in doing so they exploded the literary conventions of the day, and laid claim to realms of the imagination hitherto reserved for men. They were rewarded with popular success, large profits, and even critical adulation. E.J. Clery’s acclaimed study tells the strange but true story of women’s gothic. She identifies contemporary fascination with the operation of the passions and the example of the great tragic actress Sarah Siddons as enabling factors, and then examines in depth the careers of two pioneers of the genre, Clara Reeve and Sophie Lee, its reigning queen, Ann Radcliffe, and the daring experimentalists Joanna Baillie and Charlotte Dacre. The account culminates with Mary Shelley, whose Frankenstein (1818) has attained mythical status. Students and scholars as well as general readers will find Women’s Gothic a stimulating introduction to an important literary mode.

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Professor Hammond's succinct yet wide-ranging account of the 'Golden Age' of satire, 1660-1750, critically explores its dominant literary forms and examines the work of its outstanding practitioners.

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Histoire des deux Indes, was arguably the first major example of a world history, exploring the ramifications of European colonialism from a global perspective. Frequently reprinted and translated into many languages, its readers included statesmen, historians, philosophers and writers throughout Europe and North America. Underpinning the encyclopedic scope of the work was an extensive transnational network of correspondents and informants assiduously cultivated by Raynal to obtain the latest expert knowledge. How these networks shaped Raynal’s writing and what they reveal about eighteenth-century intellectual sociability, trade and global interaction is the driving theme of this current volume.From text-based analyses of the anthropology that structures Raynal’s history of human society to articles that examine new archival material relating to his use of written and oral sources, contributors to this book explore among other topics: how the Histoire created a forum for intellectual interaction and collaboration; how Raynal created and manipulated his own image as a friend to humanity as a promotional strategy; Raynal’s intellectual debts to contemporary economic theorists; the transnational associations of booksellers involved in marketing the Histoire; the Histoire’s reception across Europe and North America and its long-lasting influence on colonial historiography and political debate well into the nineteenth century.

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Paris 1744: a royal official approaches a shopkeeper’s wife, proposing that she become an informant to the Crown and report on the conversations of foreign diplomats who take meals at her house. Her reports, housed today in the Bastille archives, are little more than a collection of wartime rumors gathered from clandestine, handwritten newspapers and everyday talk around the city, yet she comes to imagine herself a political agent on behalf of Louis XV. In this book Tabetha Ewing analyses different forms of everyday talk over the course of the War of Austrian Succession to explore how they led to new understandings of political identity.Royal policing and clandestine media shaped what Parisians knew and how they conceptualized events in a period of war. Responding to subversive political verses or to an official declaration hawked on the city streets, they experienced the pleasures and dangers of talking politics and exchanging opinions on matters of state, whether in the café or the wigmaker’s shop. Tabetha Ewing argues that this ephemeral expression of opinions on war and diplomacy, and its surveillance, transcription, and circulation shaped a distinctly early-modern form of political participation. Whilst the study of sedition has received much scholarly attention, Ewing explores the unexpectedly dynamic effect of loyalty to the French monarchy, spoken in the distinct voices of the common people and urban elites. One such effect was a sense of national identity, arising from the interplay of events, both everyday and extraordinary, and their representation in different media. Rumor, diplomacy and war in Enlightenment Paris rethinks the relationship of the oral and the written, the official and the unofficial, by revealing how gossip, fantasy, and uncertainty are deeply embedded in the emergent modern, public life of French society.

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The long eighteenth century was a period of major transformation for Europe and India as imperialism heralded a new global order. Eschewing the reductive perspectives of nation-state histories and postcolonial ‘east vs west’ oppositions, contributors to India and Europe in the global eighteenth century put forward a more nuanced and interdisciplinary analysis. Using eastern as well as western sources, authors present fresh insights into European and Indian relations and highlight: how anxieties over war and piracy shaped commercial activity; how French, British and Persian histories of India reveal the different geo-political issues at stake; the material legacy of India in European cultural life; how novels parodied popular views of the Orient and provided counter-narratives to images of India as the site of corruption; how social transformations, traditionally characterised as ‘Mughal decline’, in effect forged new global connections that informed political culture into the nineteenth century.

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The Fable of the bees and the Treatise of human nature were written to define and dissect the essential components of a ‘civil society’. How have early readings of the Fable skewed our understanding of the work and its author? To what extent did Mandeville’s celebrated work influence that of Hume? In this pioneering book, Mikko Tolonen extends current research at the intersection of philosophy and book history by analysing the two parts of the Fable in relation to the development of the Treatise.Focussing on the key themes of selfishness, pride, justice and politeness, Tolonen traces the evolution of Mandeville’s thinking on human nature and the origins of political society to explore the relationship between his Fable and Hume’s Treatise. Through a close examination of the publishing history of the Fable and F. B. Kaye’s seminal edition, Tolonen uncovers hitherto overlooked differences between Parts I and II to open up new approaches in Mandeville scholarship. As the question of social responsibility dominates the political agenda, the legacy of these key Enlightenment philosophers is as pertinent today as it was to our predecessors.

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The Encyclopaedia britannica is a familiar cultural icon, but what do we know about the early editions that helped shape it into the longest continuously published encyclopedia still in existence?This first examination of the three eighteenth-century editions traces the Britannica’s extraordinary development into a best seller and an exceptional book of knowledge, especially in biography and in the natural sciences. The combined expertise of the contributors to this volume allows an extensive exploration of each edition, covering its publication history and evolving editorial practices, its commentary on subjects that came in and out of fashion and its contemporary reception. The contributors also examine the cultural and intellectual milieu in which the Britannica flourished, discussing its role in the Scottish Enlightenment and comparing its pressrun, contents, reputation, and influence with those of the much more reform-minded Encyclopédie.

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Vikings plagued the coasts of Ireland and Britain in the 790s. By the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named Ivarr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. This book provides a political analysis of the deeds of Ivarr's family from their first appearance in Insular records down to the year 1014. Such an account is necessary in light of the flurry of new work that has been done in other areas of Viking Studies. In line with these developments Clare Downham provides a reconsideration of events based on contemporary written accounts.

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No complete translation of the Latin text of the Book of Pontiffs—the Liber Pontificalis of the Roman Church—exists in any language, though the work is indispensable to students of late antiquity and the early middle ages; this book provides an english version of the first ninety papal biographies, from St Peter down to AD 715. These lives were first compiled in the sixth century and then regularly brought up to date. In them the reader will find the curious mixture of fact and legend which had come by the Ostrogothic period to be accepted as history by the Church in Rome, and also the subsequent records maintained through to the early eighth century while Rome was under Byzantine sovereignty. In no sense was the Liber Pontificalis an ‘official’ chronicle of these centuries, and there emerge throughout the interests and prejudices of compilers who belonged, it seems, to the lower levels of the papal administration. For this new edition the translation has been carefully emended, and in places the underlying text has been reconsidered. Vignoli section numbers have been added, as in the translator’s later volumes of the Liber Pontificalis (ttH 13 and 20). The translation has been reset to distinguish more clearly the status and value of additions to the standard Liber Pontificalis text by the use of different type. there have been revisions and extensions to both the glossary and the bibliography, and material has been added to Appendix 3.

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This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-civil war period through to its complete abolition. Using original archival material, this book sheds light on the various social, legal and political contexts in which the death penalty operated and was discussed.In Ireland the death penalty served a dual function: as an instrument of punishment in the civilian criminal justice system, and as a weapon to combat periodic threats to the security of the state posed by the Irish Republican Army (IRA). Through close examination of cases dealt with in the ordinary criminal courts, this study elucidates ideas of class, gender, community and sanity and explores their impact on the administration of justice. The application of the death penalty also had a strong political dimension, most evident in the enactment of emergency legislation and the setting up of military courts specifically aimed at the IRA. As the book demonstrates, the civilian and the political strands converged in the story of the abolition of the death penalty in Ireland. Long after decision-makers accepted that the death penalty was no longer an acceptable punishment for ‘ordinary’ cases of murder, lingering anxieties about the threat of subversives dictated the pace of abolition and the scope of the relevant legislation.

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This book examines the role of the United States of America in the Northern Ireland conflict and peace process. It begins by looking at how US figures engaged with Northern Ireland, as well as the wider issue of Irish partition, in the years before the outbreak of what became known as the ‘Troubles’. From there, it considers early interventions on the part of Congressional figures such as Senator Edward Kennedy and the Congressional hearings on Northern Ireland that took place in the aftermath of Bloody Sunday, 1972. The author then analyses the causes and consequences of the State Department decision to ban the sale of weapons to the Royal Ulster Constabulary, before considering the development of the US role in Northern Ireland through the Reagan administration and the onset of US financial support for conflict resolution in the form of the International Fund for Ireland. The study concludes by assessing the dynamics behind the role that President Clinton assumed following his election in 1992 and examining how Presidents Bush and Obama attempted to capitalize on the momentum of the 1998 Good Friday Agreement.

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Winner of the 2021 National University of Ireland’s Publication Prize in Irish History.Highly Commended, 2020 British Association for Irish Studies Book prize.This book provides the first detailed analysis of the influence of former Irish Parliamentary Party members and methods in independent Ireland and the place of the party’s leaders in public memory. Previous studies of the party have concluded with its dramatic fall in 1918 and shown little interest in the fate of its members thereafter. This study adopts a new approach, using biographical data to provide the first statistical analysis of the Irish Party heritage within each political party in the independent Irish state established in 1922. Utilising a wealth of archival material, as well as contemporary and critical writings, it explores how former Irish Party followers reacted to the changed circumstances of independent Ireland. One chapter undertakes a case study of the Irish National League, arguing that this organisation, founded and led by former MPs, effectively constituted a ‘legacy party’.Analysis of party politics is complemented by scrutiny of the practice of commemoration to ask how the Irish Party was remembered in a state founded on the sacrifice of the Easter Rising. This detailed study of the evolution of the party’s public memory sheds new and significant light on the way that figures such as Charles Stewart Parnell, John Redmond and Michael Davitt were remembered.

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William Klein’s Mr. Freedom (1969) is one of the most important American satirical films ever produced, the tale of an American superhero with disastrously misguided priorities. Although it was made in France and with a largely French cast, Klein was an American expatriate, and the film’s primary topic is American culture. That it is still so largely unseen seems to have something to do with a view of it as being, in the words of critic Jonathan Rosenbaum, “conceivably the most anti-American movie ever made”.In his contribution to the Constellations series, Tyler Sage argues that to call Mr. Freedom “anti-American” is to misunderstand not only the film but the satirical tradition of American arts and letters from which it descends. The film is challenging, Sage asserts, not because it is unpatriotic but because it lays bare the ideological nature of American films themselves. By interweaving a startling range of topics, including the cultural conditions surrounding the Vietnam War, the foundations of the American obsessions with race and violence, and our contemporary superhero film cycle, Sage explores the ways Mr. Freedom compels the viewer to come to terms with the fact that the stories we tell ourselves can never be separated from the larger forces of history, culture and film tradition.

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This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude.Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.

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This collection of essays addresses a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” Transgression bears relevance to Hoffmann’s life and professions in three ways. First, his official career path was that of jurisprudence; he was active as a lawyer, a judge and eventually as one of the most important magistrates in Berlin. Second, his personal life was marked by numerous conflicts with political and social authorities. Seemingly no matter where he went, he experienced much chaos, grief and impoverishment in leading his always precarious existence. Third, his works explore characters and concepts beyond the boundaries of what was considered aesthetically acceptable. “Normal” bourgeois existence was often juxtaposed to the lives of criminals, sinners, and other deviants, both within the spaces of the known world as well as in supernatural realms. He, perhaps more than any other author of the German Romantic movement, regularly portrayed the dark side of existence in his works, including unconscious psychological phenomena, nightmares, somnambulism, vampirism, mesmerism, Doppelgänger, and other forms of transgressive behavior. It is the intention of this volume to provide a new look at Hoffmann’s very diverse body of work from numerous perspectives, stimulating interest in Hoffmann in English language audiences.

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This is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.

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The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

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Celebrating its eightieth birthday since being rebuilt in 1938, Liverpool’s Royal Court Theatre is a vital part of the city’s cultural identity. There has been a theatre on the site for nearly two hundred years, since Cooke’s New Circus started life as the result of an argument about a broken sewer in 1826. Quickly renamed the Royal Amphitheatre (and affectionately known as the Amphi), the theatre went on to serve the city in a number of guises. From an establishment where horses were the entertainers, to the home of ‘Scouse’ comedy, by way of a music venue, the Royal Court has become a popular, people’s theatre. Over the years, it has hosted its share of world-class actors including the debut stage appearances of both Judi Dench and Richard Burton. Wonderfully illustrated, this fascinating book is the first to tell the story of the oldest surviving theatre in the city. The 1938 prospectus declared it to be “a brave venture” and courage has characterised its history. Full of surprises, this book challenges perceptions of the Royal Court celebrating and commemorating an institution that has endured, flourished and re-shaped itself, on its own terms.

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Spatial Ecologies takes a new look at the “spatial turn” in French cultural and critical theory since 1968. Verena Andermatt Conley examines how Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Augé, Paul Virilio, Bruno Latour and Etienne Balibar reconsider the experience of space in the midst of considerable political and economic turmoil. The book considers why French critical theorists turned away from questions of time and looked instead toward questions of space. It asks what writing about space can tell us about life in late capitalism. Conley links this question to the problematic of habitality, taking us back to Heidegger and showing how it informs much of French theory. Building on the author's acclaimed earlier study Ecopolitics, Spatial Ecologies argues, through the voices of the authors taken up the eight chapters, for recognition of the virtue of spatial theory and its pragmatic applications in the global milieu. It will be required reading for scholars of literary and cultural theory, and twentieth- and twenty-first century French culture.

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The first 2,500 million years of the geological history of Britain are stored in the gneisses of the Lewisian Complex of North West Scotland. This book explores the long journey of discovery in which this history has been gradually deciphered since the end of the 19th Century when these rocks were first investigated in detail. The usual tools of stratigraphic investigation were of no value in dealing with such a complex assemblage of highly deformed and metamorphosed rocks; there was no fossil evidence and few signs of recognisable sedimentary strata.This book charts the increasing sophistication of the geochronological and geochemical techniques used to decipher the complex. The first important breakthrough was the recognition that a set of intrusive metamorphosed dykes could be used, perhaps, to separate episodes of deformation and metamorphism that occurred before the dykes were intruded, from those that occurred subsequently.Geochronological dating methods evolved from the first relatively crude potassium-argon and uranium-lead dates in the 1950s to the present amazingly accurate lead isotope dates. Geochemical techniques have also advanced to the point when mafic igneous assemblages can be identified as having oceanic volcanic arc signatures or were the products of intra-continental magmatism. Thus, from a stratigraphy composed of three events, Scourian, dyke intrusion and Laxfordian, has grown a complex history covering many separate events of igneous, metamorphic and tectonic activity spanning 2,500 million years of Precambrian time.Much of the extensive literature on the Lewisian is highly specialised and not easily accessible to the general reader; this book is an attempt to distil the most important results of this research into a more user-friendly form. It will appeal to many geologists including students, geological visitors to the North West of Scotland and academics seeking a readable account of remarkable and significant advances in earth science.

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Volcanoes have an endless fascination. Their eruptions are a regular reminder of the power of nature and our vulnerability to this raw geological phenomenon, however volcanic activity, and its plumbing from beneath, is an essential element of the forces that shaped and constantly reshape our planet. Dougal Jerram answers the questions: What are volcanoes? What other volcanic activity is there? How do volcanoes relate to plate tectonics and the movement of continents? What are eruptions and why do they occur? How have volcanoes affected the earth's climate? Can we predict eruptions? He also describes the most notable eruptions in history and their effect. Copiously illustrated throughout Introducing Volcanology is a concise and accessible introduction to the science of hot rocks for those with an adult curiosity and for those contemplating a course of formal study. As with sister volumes, technical terms are kept to a minimum and a glossary is provided covering the whole subject from ash to zeolites.

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The island of Robert Graves, Joan Miro and Archduke Ludwig Salvador has become the most popular holiday destination in the Mediterranean with nearly 10 million visitors a year. Few, however, are aware of the 5000 year history of Mallorca and its resulting landscape featuring late Bronze Age navetes and talayots, Roman cities, and a major medieval trading port with one of Europe's largest cathedrals. Mallorca's landscape has been formed with a pattern of important country houses and enclosed fields, and the relics of major nineteenth century industries including textiles and shoe-making workshops. One hundred and twenty years of tourism, latterly on a massive scale, endangers much of what has gone before. Professor Buswell's pioneering work, based on more than ten years of local research, describes and analyses all these elements that together form the contemporary landscape. Written in an accessible style and well-illustrated with maps and photographs, this book will appeal to student and concerned reader alike and should be read by all who are inquisitive about what they see around them when they visit the island.

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Wace's "Brut" is an 1155 French verse rendering of Geoffrey of Monmouth's earlier Latin "history" of Britain, from the time of Brutus, the eponymous founder, to the 7th century. Wace uses Geoffrey's stories, such as those of King Lear and King Arthur, with a lively inventiveness and originality, drawing on oral sources and his own knowledge of parts of Britain, imaginatively re-interpreting the material. This is the first complete English translation and is presented in parallel with the French text, enabling those who wish to have access to the original to do so easily. This new reprint has been revised by Judith Weiss, taking account of comments in reviews, and includes a full introduction, footnotes and bibliography.

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Rational persuasion and appeal to an audience's emotions are elements of most literature, but they are found in their purest form in oratory. The speeches written by the Greek Orators for delivery in law-courts, deliberative councils and assemblies enjoyed an honoured literary status, and rightly so, for the best of them have great vitality. There is no crude, primitive stage of development: the earliest speeches are perfect in form and highly sophisticated in technique. They inform the reader about aspects of Greek society and about their moral values, in a direct and illuminating way not paralleled in other literature.This edition offers a contrasting pair of early orators. In his speech The Murder of Herodes, edited by Michael Edwards, Antiphon relies on a varied and resourceful use of probability argument, presented with great force and gravity. Motivation of both defendant and prosecutor is also explored thoroughly, as are the religious aspects of homicide. The five speeches by Lysias, edited by Stephen Usher, illustrate that orator's skill in using narrative to portray character and his talent for creating and dispelling personal and political prejudice in difficult cases. The Commentary seeks to call attention to the orators' rhetorical and stylistic skills to a degree not previously attempted in editions of the orators, to elucidate historical and legal matters and to explain textual and grammatical difficulties. The notes are keyed to the translation, rendering the speeches accessible to the reader with little or no Greek.Greek text with translation, commentary and notes.

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Kenneth Parker gives a historical and critical exposition of commentaries of the play. These are traced back to firmly held assumptions, about theories of literary production and consumption as well as political relations, not yet wholly shed in the present. Dominant traditions (of Cleopatra as ‘whore’ and ‘gypsy’; of Antony as ‘deserter’; of ‘Rome’ as the measure by which it, as well as ‘Egypt’ should be read) are not simply questioned, but instead, close reading of the text of the play provides a comprehensive set of alternative readings based upon mostly postcolonial and feminist theories. From this there emerges the concluding argument that, of all Shakespeare’s plays, Antony and Cleopatra is the text for our times; one that is ‘past the size of dreaming’.

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Most famous for his much-filmed novel Dracula, Bram Stoker was nonetheless a prolific writer. This accessible book offers an introduction to a range of his work – novels, short stories, biography, and criticism. It provides a discussion of recent scholarship on Stoker including the many attempts to write his life and find the ‘real’ Bram Stoker, and the lurid speculation this provokes. Moving beyond this, the author focuses on Stoker’s career as a late-Victorian and Edwardian novelist in the commercial marketplace, looking at the fictional trends – horror, romance, adventure, crime – which his work encompasses. The study discusses Stoker’s bid for fame as a writer, how his novels were received, and their engagement with contemporary anxieties about gender and nationhood.

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This is the first monograph of George Edmund Street, a prolific High Victorian architect of churches and other buildings, the best known of which is the Royal Courts of Justice (the Law Courts).

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This is the seventeenth volume in the series the Public Sculpture of Britain, part of the PMSA National Recording Project, which will eventually cover the whole of the country. The introduction considers the ways in which the rural and urban landscapes of Sussex, from market town, rural village and country estate, to city, major seaside resort and new town development, are reflected in the county’s public sculptures. The historical period covered ranges from the allegedly pre-historic (the Long Man of Wilmington) to the present day (the most recent entry is Maggi Hambling’s The Resurrection Spirit, 2013). There is a high proportion of nineteenth- century sculptures, including significant works by John Flaxman, Michael Rysbrack, Frances Chantrey and John Edward Carew; the ‘statuemania’ that characterised the last part of this century is well illustrated by Thomas Brock’s imposing statue celebrating Queen Victoria’s Diamond Jubilee on Hove seafront. The achievements of major twentieth and twenty-first century sculptors are represented by Elisabeth Frink and William Pye among others. Many works from this period are the result of public art initiatives by local councils, often as part of more wide-ranging regeneration schemes for Sussex towns. The patronage of health authorities, influenced by new thinking about the calming and healing qualities of art in public places has also benefitted both local sculptors and those based elsewhere in the country. Each individual work is catalogued, with precise details of location, condition and history, including commissioning, opening ceremonies and re-siting. Most are individually illustrated in black and white. Biographies of local and less well-known sculptors, together with a selected bibliography are included at the end of the volume.

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This book explores the diversity of Hindu goddesses and the variety of ways in which they are worshiped. Although they undoubtedly have ancient origins, Hindu goddesses and their worship is still very much a part of the fabric of religious engagement in India today. The book offers an introduction to a complex and often baffling field of study. Part I, "Beliefs" provides a series of encounters with a range of Hindu goddesses starting with the idea of 'Goddess' as a philosophical concept. Topics include textual evidence for belief structures, goddess mythology, and the importance of 'the Goddess' in Tantrism. Part II, "Practices" leads the reader through the tangled web of goddess worship, pausing along the way to examine the contrast between temple and local worship, the splendour of festivals and the importance of pilgrimage to those places in India where goddesses are considered to reside. A Conclusion provides details of contemporary developments in goddess worship, such as the appearance of new deities who supply the needs of worshipers in the twenty-first century. No prior knowledge is necessary as the book is aimed at undergraduate students and anyone interested in the religions and philosophy of India.

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Toward the end of his administration (2010-2015), then Uruguayan President Jose 'Pepe' Mujica made headlines across the world with a couple of unusual speeches at United Nations assemblies in Rio de Janeiro and New York that were heatedly anti-capitalist, anti-consumerist, anti-globalisation and anti-climate change all fuelled by a libertarian socialist concept of freedom. This Sancho Panza-like figure was not only one of the few presidents of developing countries not to have somehow got personally rich while in government, but was known to live modestly as a practicing farmer and gave away two-thirds of his salary to his left-wing political organisation and to social housing projects. Even more bizarre was the fact that he had become president of the country whose government he had tried to overthrow forty years earlier in a revolutionary guerrilla war, an exploit for which he spent over a decade in military jails after being shot, severely wounded and tortured. This book is an introduction to the politics and philosophy of an unrepentant permanent militant whose evolution took him from defeated guerrilla warrior to successful presidential candidate without inconsistencies or betrayals, whatever his adversaries from right and left may claim. The study sets Mujica not only in his Uruguayan and Latin American context but also within an International Left that is coming out of mourning for the loss of so-called existing socialism as they search for solutions to lessen the damage done by rampant neoliberal economics and to find creative alternatives. Stephen Gregory's polemic is essential reading for all those interested in discovering Uruguay's unique position in a Latin America where the political right is in decline and leftist governments are moving to the middle ground.

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Don Paterson is one of Britain’s leading contemporary poets. A popular writer as well as a formidably intelligent one, he has won both a dedicated readership and most of Britain's major poetry prizes, including the T. S. Eliot Prize on two occasions, the Forward Prize in every category, and the Queen’s Gold Medal for Poetry. In this first comprehensive study of Paterson’s poetry, Ben Wilkinson presents him as a modern-day metaphysical, whose work is characterised by guileful use of form, musicality, colloquial diction and playful wit, in pursuit of poetry as a moral and philosophical project. Drawing on a wide range of commentators, Wilkinson traces Paterson’s development from collection to collection, providing detailed close readings of the poems framed by theoretical and literary contexts. An essential guide for students, specialists, and the general reader of contemporary poetry, it presents Paterson as a major lyric poet.

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Shortlisted for the Forward Prize for Best First Collection 2021Shortlisted for the John Pollard Foundation International Poetry Prize 2022PBS Special Commendation Summer 2021Alice Hiller’s debut performs an act of witness and restitution. Working with her childhood and adolescent medical notes, bird of winter creates a redemptive language to speak the darkness of being sexually abused by a family member. Through the excavated histories of Pompeii and Herculaneum, these poems additionally document the grooming that prepares a child for sexual abuse, and the vulnerability which remains afterwards. Calling up the landscapes and relationships which sustained her, as well as the injury she experienced, Hiller reflects the nature and impact of a crime to which millions around the world are subjected – and asks how we may find our ways towards healing.

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In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.

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The rapidity of postwar globalization and the structural changes it has brought to both social and spatial aspects of everyday life has meant, in France as elsewhere, the destabilizing of senses of place, identity, and belonging, as once familiar, local environments are increasingly de-localized and made porous to global trends and planetary preoccupations. Maps and Territories identifies such preoccupations as a fundamental underlying impetus for the contemporary French novel. Indeed, like France itself, the protagonists of its best fiction are constantly called upon to renegotiate their identity in order to maintain any sense of belonging within the troubled territories they call home. Maps and Territories reads today’s French novel for how it re-maps such territories, and for how it positions its protagonists vis-à-vis the pressures of globalization, uncovering previously unseen affinities amongst, and offering fresh readings of—and offering exciting new perspectives on—a diverse set of authors: namely, Michel Houellebecq, Chloé Delaume, Lydie Salvayre, Jean-Philippe Toussaint, Virginie Despentes, Philippe Vasset, Jean Rolin, and Marie Darrieussecq. In the process, it sets the literary works into dialogue with a range of today’s most influential theorists of postmodernity and globalization, including Paul Virilio, Marc Augé, Peter Sloterdijk, Bruno Latour, Fredric Jameson, Edward Casey, David Harvey, and Ursula K. Heise.

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Home/Land: Women, Citizenship, Photographies is an extensive compendium of texts and images, combining scholarly, creative and critical writing on photography with new work in photography. The contributions to the compendium range from academic essays on fine art and documentary photographies to photo-essays, community-based and pedagogical photographic projects, personal testimonies, creative writing, activist interventions and accounts of participatory action research using photography. Home/Land is global in its reach, exploring women’s lives in Britain and other European nations, the United States, Canada, the Middle East, South Africa, Asia and Australia. Bringing together texts and images produced by an international group of feminist scholars, activists, artists and educators, the book demonstrates how women have used photographic practices to find places for themselves as citizens, denizens, exiles or guests, within or beyond the nation as currently conceived, and, in so doing, how they actively produce new and different forms of identity, community and belonging.

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Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

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The extraordinary and beautiful scenery of the Northern Scottish Highlands has been created by a geological history lasting over three billion years. The new and thoroughly up-dated edition of this popular book takes its readers through those three billion years, shows the rocks, visits the places, introduces some famous researchers and presents the geological theories that have been inspired by the Highlands. Even though the influence of this magnificent place can be overwhelming, the book is about geology and the modern science involved. It is written for all to understand. It is a book for non-specialists interested in modern science, scientists and all lovers of the Northern Scottish Highlands.The text is sometimes light-hearted, but the science is serious. The subjects covered are as wide as he the splitting open of the North Atlantic Ocean: a time when the Earth resembled modern Mars; early continent formation; billion year old bacteria; the very beginnings of human evolution; Snowball Earth; and, inevitably, climate change. This is modern science wrapped up in good writing and humour: a rare combination.

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