Search results for ""Forge""

The very first Drawn and Quarterly Kitaro collection, now back in print with a lush new cover. Kitaro seems just like any other boy. Of course, he isn t what with his one eye and jet-powered geta sandals, and the fact that he can shape shift like a chameleon. It s all a part of being a 350 year-old yokai, a Japanese spirit monster. Against a backdrop of photorealistic landscapes, Kitaro and his otherworldly cartoon friends plunge into the depths of the Pacific Ocean and forge the oft-unseen wilds of Japan s countryside. The twelve stories in this special collection include more works published in the golden age of GeGeGe no Kitaro between 1967 and 1969. It is a must-have for Kitaro s most devoted fans and features one of the earliest battles of monster versus giant robot battles seen in print. In another very special episode, our titular good guy even battles vampires, werewolves, and witches alongside creepy compatriots and occasional foes. Kitaro, as seen on TV and played in video games, is now a cultural touchstone for several generations. This updated and newly released edition is a wonderful companion to the classic all-ages Kitaro series that blends the eerie with the comic. The Eisner-Award winner Shigeru Mizuki s offbeat sense of humor and genius for the macabre make for a delightful, lighthearted romp where bad guys always get what s coming to them.

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'This is a wise, lucid, beautiful book that will help you be less afraid and more alive. Read it as soon as you can; it will change you.' Dr Lucy KalanithiDeath is not waiting for us at the end of a long road. Death is always with us, in the marrow of every passing moment, a secret teacher hiding in plain sight, helping us to discover what matters most in life. So begins Frank Ostaseski's stirring book, The Five Invitations, an exhilarating meditation on the meaning of life and how maintaining an ever-present awareness of death can bring us closer to our truest selves. In his thirty-plus years as a companion to the dying, Frank Ostaseski has sat on the precipice of death with more than a thousand people. A renowned teacher of compassionate care-giving, Ostaseski has distilled the lessons gleaned over the course of his career into a powerful and inspiring exploration of the essential wisdom dying has to impart to all of us about how to forge rich and meaningful lives. The 'Five Invitations' - Welcome Everything, Push Away Nothing; Bring Your Whole Self to the Experience; Don't Wait; Find a Place of Rest in the Middle of Things; and Cultivate a Don't Know Mind - show how death can be the guide we need to wake up fully to our lives. This stunning, unforgettable book offers a radical path to transformation.

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In 2007, Ivan Orkin, a middle-aged Jewish guy from Long Island, did something crazy. In the food-zealous, insular megalopolis of Tokyo, Ivan opened a ramen shop. He was a gaijin (foreigner), trying to make his name in a place that is fiercely opinionated about ramen. At first, customers came because they were curious, but word spread quickly about Ivan’s handmade noodles, clean and complex broth, and thoughtfully prepared toppings. Soon enough, Ivan became a celebrity – a fixture of Japanese TV programmes and the face of his own best-selling brand of instant ramen. Ivan opened a second location in Tokyo and has returned to New York City to open two US branches. Ivan Ramen is essentially two books in one: a memoir and a cookbook. In these pages, Ivan tells the story of his ascent from wayward youth to a star of the Tokyo restaurant scene. He also shares more than forty recipes, including the complete, detailed recipe for his signature Shio Ramen; creative ways to use extra ramen components; and some of his most popular ramen variations. Written with equal parts candour, humour, gratitude and irreverence, Ivan Ramen is the only English-language book that offers a look inside the cultish world of ramen making in Japan. It will inspire you to forge your own path, give you insight into Japanese culture, and leave you with a deep appreciation for what goes into a seemingly simple bowl of noodles.

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An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930–1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano’s production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract “Wave Paintings” at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her “dropout” and “boycott of women” lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history—and especially to feminist art history—attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the “right way” to live and work.

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The first novel in the wonderful Factory Girls series. Perfect for fans of Nancy Revell and Ellie Dean.'A brilliantly written and uplifting WWII story' Nancy Revell, author of the Shipyard Girls series‘A delightful authentic-feeling saga’ Peterborough Telegraph‘Highlights the strength of women during the toughest of times…Clarke’s love and respect for her family’s roots really shines through’ Culture Fly'Beautifully written, the warmth shines from every page and the layers are as deep and rich as the coal seams the men work upon.' Frost Magazine_________________________________________August 1941: As war sweeps across Britain and millions of men enlist to serve their country, it’s up to the women to fight the battle on the home front.Fran always thought she would marry her childhood sweetheart and lead a simple life in Massingham, the beloved pit village she has always called home. But with war taking so many men to the front line, the opening of a new factory in the north-east of England presents an opportunity for Fran to forge a new path.Against her father’s wishes and with best friends Sarah and Beth by her side, Fran signs up to join the ranks of women at the factory. It’s dangerous work but as the three friends risk life and limb for their country, they will discover that their lives are only just beginning…___________________________________________Look out for the next book in the series, Heroes on the Home Front, available now!

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A moving reflection on motherhood, friendship, and women making their mark on the world of food from the author of Feast. Food writer Hannah Howard is at a pivotal moment in her life when she begins searching out her fellow food people—women who’ve carved a place for themselves in a punishing, male-dominated industry. Women whose journeys have inspired and informed Hannah’s own foodie quests. On trips that take her from Milan to Bordeaux to Oslo and then always back again to her home in New York City, Hannah spends time with these influential women, learning about the intimate paths that led them each toward fulfilling careers. Each chef, entrepreneur, barista, cheesemaker, barge captain, and culinary instructor expands our long-held beliefs about how the worldwide network of food professionals and enthusiasts works. But amid her travels, Hannah finds herself on a heart-wrenching private path. Her plans to embark on motherhood bring her through devastating lows and unimaginable highs. Hannah grapples with personal joy, loss, and a lifelong obsession with food that is laced with insecurity and darker compulsions. Looking to her food heroes for solace, companionship, and inspiration, she discovers new ways to appreciate her body and nourish her life. At its heart, this lovely and candid memoir explores food as a point of passion and connection and as a powerful way to create community, forge friendships, and make a family.

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Bestselling author Walter Mosley has proven himself a master of narrative tension, both with his extraordinary fiction and gripping writing for television. The Awkward Black Man collects seventeen of Mosley's most accomplished short stories to showcase the full range of his remarkable talent.Mosley presents distinct characters as they struggle to move through the world in each of these stories?heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In "The Good News Is," a man's insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. "Pet Fly," previously published in the New Yorker, follows a man working as a mailroom clerk for a big company?a solitary job for which he is overqualified?and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And "Almost Alyce" chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective.Touching and contemplative, each of these unexpected stories offers the best of one of our most gifted writers.

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A gritty and epic adventure to appeal to fans of Mark Lawrence, Andrzej Sapkowski's The Witcher and Joe Abercrombie - The Winter Road is a fantasy novel which remembers that battles leave all kinds of scars.'A bold, assured storyteller' PETER NEWMAN author of The VagrantThe greatest empire of them all began with a road.The Circle - a thousand miles of perilous forests and warring clans. No one has ever tamed such treacherous territory before, but ex-soldier Teyr Amondsen, veteran of a hundred battles, is determined to try. With a merchant caravan protected by a crew of skilled mercenaries, Amondsen embarks on a dangerous mission to forge a road across the untamed wilderness that was once her home. But a warlord rises in the wilds of the Circle, uniting its clans and terrorising its people. Teyr's battles may not be over yet . . .All roads lead back to war.Praise for Adrian Selby:'This book took me on an emotional rollercoaster . . . Highly recommended' JOHN GWYNNE'Perfect for fans of Joe Abercrombie' RT BOOK REVIEWS'A lot to enjoy, especially if you are a fan of dark, gritty, old-soldier stories' FANTASY FACTION'Wears its grimdark on its sleeve . . . a thrilling tale of adventure, betrayal, triumph and loss' INTERZONE 'I give it nothing but the highest recommendation' GRIMDARK MAGAZINE For more epic fantasy action from Adrian Selby, check out SNAKEWOOD or follow him on twitter at @adrianlselby for updates.

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"Chomsky is a global phenomenon . . . perhaps the most widely read voice on foreign policy on the planet."—New York Times Book Review"Unwavering political contrarian Noam Chomsky smart-bombs the US military's global Interventions. Shock and awe!"—Vanity FairBecause We Say So presents more than thirty concise, forceful commentaries on US politics and global power. Written between 2011 and 2015, Noam Chomsky's arguments forge a persuasive counter-narrative to official accounts of US politics and policies during global crisis. Find here classic Chomsky on the increasing urgency of climate change, the ongoing impact of Edward Snowden's whistleblowing, nuclear politics, cyberwar, terrorism, Iraq, Afghanistan, Iran, Israel, and the Middle East, security and state power, as well as deeper reflections on the Obama doctrine, political philosophy, the Magna Carta, and the importance of a commons to democracy.Because We Say So is the third in a series of books by Chomsky published by City Lights Publishers that includes Making the Future (2012) and Interventions (2007), a book banned by US military censors. Taken together, the three books present a complete collection of the articles Chomsky writes regularly for the New York Times Syndicate, and are largely ignored by newspapers in the United States. Because We Say So offers fierce, accessible, timely, gloves-off political writing by America's foremost public intellectual and political dissident.Noam Chomsky is one of the world's most well-known critics of US policy. He has published numerous groundbreaking and best-selling books on global politics, history, and linguistics.

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The long-awaited memoir of Booker T. Jones, leader of the famed Stax Records house band, architect of the Memphis soul sound, and one of the most legendary figures in music. From Booker T. Jones's earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons and support his family, Jones, on the side, was also recording sessions in what became the famous Stax Studios-all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone's list of top 500 songs of all time, and help forge collaborations with some of the era's most influential artists, including Otis Redding, Wilson Pickett, and Sam & Dave. Nearly five decades later, Jones's influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca. Culminating with a definitive account into the inner workings of the Stax label, as well as a fascinating portrait of working with many of the era's most legendary performers-Bob Dylan, Willie Nelson, and Tom Jones, among them-this extraordinary memoir promises to become a landmark moment in the history of Southern Soul.

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The true antidote to loneliness, this book will teach you the secret to building meaningful relationships and the importance of authentic connections in a lonely world. Is it possible to have hundreds of followers on social media but still feel isolated? To live in a city of millions of people but find yourself alone? No one really wants to admit it, but the answer is certainly 'yes'. So, let's talk about loneliness. Human connection specialist Simone Heng knows a lot about being lonely. She left an enviable career and social life to move back to her family home to care for her mother. All alone in a house filled with memories but devoid of people, she was faced with the realization that human connection is one of our most essential needs. There's a global loneliness epidemic. Every one of us has experienced feeling lonely, even if we don't realize it. The modern world has changed how we live and the 'village' environment with spontaneous connection has been replaced by remote work and contrived relationships. Most importantly, the old stereotypes of what loneliness looks like no longer hold true — in a world where technology has made us more 'connected' than ever before, people of all ages are feeling alone.Simone shares her journey to understanding the value of human connection and explains how to distinguish authentic relationships from fake substitutes. This definitive book on loneliness shows us how to build meaningful relationships with those that matter the most, forge new friendships, and create the genuine connections we all crave.

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A boy named Kaboku sees a girl named Wanda dance, and suddenly burns with a need to join in. With its thrilling scenes of Japanese hip-hop dance and quirky, charming characters, this is a new, inspirational manga for fans of coming-of-age stories like Blue Period and Your Lie in April. Get up and join the Wandance! Kabo dreams of making it big with Wanda, but he’s convinced that the two of them are on different paths in their dancing lives. Will dancing to the beat of their own songs be the key to keeping them in step with one another, or will the duo have to dance their separate ways? While Wanda pursues a part in Assay’s dance showcase, Kabo will have to decide whether he wants to forge ahead with hip-hop, or if the siren call of breakdancing will make him part of Kabe’s circle. He’d better choose fast though, because there’s an all-B-Boy competition coming up, and Kabe wants Kabo to partner with him—but only if he can polish his breakdancing basics before the battle! Meanwhile, Kabo isn’t the only one facing his own insecurities—On-chan reveals she has her own bouts of self-doubt and shows Kabo her secret to dealing with them. Meanwhile, Wanda throws herself into the showcase, but will she be able to prove herself among Assay’s handpicked dancers, or will she discover that the big star of a backwaters high school is just another face in the crowd when it comes to the wider world of dance?

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A comparative history of cross-cultural encounters and the critical role of cannibalism in the early modern period Cannibalism, for medieval and early modern Europeans, was synonymous with savagery. Humans who ate other humans, they believed, were little better than animals. The European colonizers who encountered Native Americans described them as cannibals as a matter of course, and they wrote extensively about the lurid cannibal rituals they claim to have witnessed. In this definitive analysis, Kelly L. Watson argues that the persistent rumors of cannibalism surrounding Native Americans served a specific and practical purpose for European settlers. These colonizers had to forge new identities for themselves in the Americas and find ways to not only subdue but also co-exist with native peoples. They established hierarchical categories of European superiority and Indian inferiority upon which imperial power in the Americas was predicated. In her close read of letters, travel accounts, artistic renderings, and other descriptions of cannibals and cannibalism, Watson focuses on how gender, race, and imperial power intersect within the figure of the cannibal. Watson reads cannibalism as a part of a dominant European binary in which civilization is rendered as male and savagery is seen as female, and she argues that as Europeans came to dominate the New World, they continually rewrote the cannibal narrative to allow for a story in which the savage, effeminate, cannibalistic natives were overwhelmed by the force of virile European masculinity. Original and historically grounded, Insatiable Appetites uses the discourse of cannibalism to uncover the ways in which difference is understood in the West.

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Winner, Outstanding Scholarly Contribution Award of the Section on Children and Youth, given by the American Sociological Association Finalist for the 2021 C. Wright Mills Award, given by the Society for the Study of Social Problems Latinx children navigating identity, citizenship, and belonging in a divided America An estimated sixty million people in the United States are of Latinx descent, with youth under the age of eighteen making up two-thirds of this swiftly growing demographic. In Growing Up Latinx, Jesica Siham Fernández explores the lives of Latinx youth as they grapple with their social and political identities from an early age, and pursue a sense of belonging in their schools and communities as they face an increasingly hostile political climate. Drawing on interviews with nine-to-twelve-year-olds, Fernández gives us rare insight into how Latinx youth understand their own citizenship and bravely forge opportunities to be seen, to be heard, and to belong. With a compassionate eye, she shows us how they strive to identify, and ultimately redefine, what it means to come of age—and fight for their rights—in a country that does not always recognize them. Fernández follows Latinx youth as they navigate family, school, community, and country ties, richly detailing their hopes and dreams as they begin to advocate for their right to be treated as citizens in full. Growing Up Latinx invites us to witness the inspiring power of young people as they develop and make heard their political voices, broadening our understanding of citizenship.

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Mott KTA Journalism and Mass Communication Research Award, Kappa Tau AlphaTankard Book Award, Association for Education in Journalism and Mass Communication (AEJMC) Knudson Latin America Prize, Association for Education in Journalism and Mass Communication (AEJMC) Since 2000, more than 150 journalists have been killed in Mexico. Today the country is one of the most dangerous in the world in which to be a reporter. In Surviving Mexico, Celeste González de Bustamante and Jeannine E. Relly examine the networks of political power, business interests, and organized crime that threaten and attack Mexican journalists, who forge ahead despite the risks. Amid the crackdown on drug cartels, overall violence in Mexico has increased, and journalists covering the conflict have grown more vulnerable. But it is not just criminal groups that want reporters out of the way. Government forces also attack journalists in order to shield corrupt authorities and the very criminals they are supposed to be fighting. Meanwhile some news organizations, enriched by their ties to corrupt government officials and criminal groups, fail to support their employees. In some cases, journalists must wait for a “green light” to publish not from their editors but from organized crime groups. Despite seemingly insurmountable constraints, journalists have turned to one another and to their communities to resist pressures and create their own networks of resilience. Drawing on a decade of rigorous research in Mexico, González de Bustamante and Relly explain how journalists have become their own activists and how they hold those in power accountable.

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A comparative history of cross-cultural encounters and the critical role of cannibalism in the early modern period Cannibalism, for medieval and early modern Europeans, was synonymous with savagery. Humans who ate other humans, they believed, were little better than animals. The European colonizers who encountered Native Americans described them as cannibals as a matter of course, and they wrote extensively about the lurid cannibal rituals they claim to have witnessed. In this definitive analysis, Kelly L. Watson argues that the persistent rumors of cannibalism surrounding Native Americans served a specific and practical purpose for European settlers. These colonizers had to forge new identities for themselves in the Americas and find ways to not only subdue but also co-exist with native peoples. They established hierarchical categories of European superiority and Indian inferiority upon which imperial power in the Americas was predicated. In her close read of letters, travel accounts, artistic renderings, and other descriptions of cannibals and cannibalism, Watson focuses on how gender, race, and imperial power intersect within the figure of the cannibal. Watson reads cannibalism as a part of a dominant European binary in which civilization is rendered as male and savagery is seen as female, and she argues that as Europeans came to dominate the New World, they continually rewrote the cannibal narrative to allow for a story in which the savage, effeminate, cannibalistic natives were overwhelmed by the force of virile European masculinity. Original and historically grounded, Insatiable Appetites uses the discourse of cannibalism to uncover the ways in which difference is understood in the West.

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Amid the mass protests of the 1960s, another, less heralded political force arose: public interest progressivism. Led by activists like Ralph Nader, organizations of lawyers and experts worked "inside the system." They confronted corporate power and helped win major consumer and environmental protections. By the late 1970s, some public interest groups moved beyond U.S. borders to challenge multinational corporations. This happened at the same time that neoliberalism, a politics of empowerment for big business, gained strength in the U.S. and around the world. No Globalization Without Representation is the story of how consumer and environmental activists became significant players in U.S. and world politics at the twentieth century's close. NGOs like Friends of the Earth and Public Citizen helped forge a progressive coalition that lobbied against the emerging neoliberal world order and in favor of what they called "fair globalization." From boycotting Nestlé in the 1970s to lobbying against NAFTA to the "Battle of Seattle" protests against the World Trade Organization in the 1990s, these groups have made a profound mark. This book tells their stories while showing how public interest groups helped ensure that a version of liberalism willing to challenge corporate power did not vanish from U.S. politics. Public interest groups believed that preserving liberalism at home meant confronting attempts to perpetuate conservative policies through global economic rules. No Globalization Without Representation also illuminates how professionalized organizations became such a critical part of liberal activism—and how that has affected the course of U.S. politics to the present day.

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This book explores the wide range of Dante's reading and the extent to which he transformed what he read, whether in the biblical canon, in the ancient Latin poets, in such Christian authorities as Augustine or Benedict, or in the "book of the world"—the globe traversed by pilgrims and navigators. The author argues that the exceptional independence and strength of Dante's forceful stance vis-à-vis other authors, amply on display in both the Commedia and so-called minor works, is informed by a deep knowledge of the Christian Scriptures. The Bible in question is not only the canonical text and its authoritative commentaries but also the Bible as experienced in sermon and liturgy, hymn and song, fresco and illumination, or even in the aphorisms of everyday speech. The Commedia took shape against the panorama of this divine narrative. In chapters devoted to Virgil and Ovid, the author explores strategies of allusion and citation, showing how Dante reinterprets these authors in the light of biblical revelation, correcting their vision and reorienting their understanding of history or human love. Dante finds his authority for making these interpretive moves in a "scriptural self" that is constructed over the course of the Commedia. That biblical selfhood enables him to choose among various classical and Christian traditions, to manipulate arguments and time lines, and to forge imaginary links between the ancient world and his own "modern uso." He rewrites Scripture by reactivating it, by writing it again. To the inspired parchments of the Old and New Testaments he boldly adds his own "testamental" postscript.

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This book analyses how independent documentaries are forging a new public sphere in today's China. Since the turn of the twenty first century there has been an explosion in Chinese independent documentary filmmaking. But how are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence, or are they part of a broader, more complex push to expand the terms of public discourse in the People's Republic? Considering the relationship between independent documentaries and China's official film and television sectors, this timely study explores the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state sanctioned public sphere. Based on detailed interviews with Chinese documentary filmmakers that are rarely available in English, the author draws on his own insights as a journalist working in Beijing to provide a detailed analysis of key contemporary documentaries. This groundbreaking book reveals a sustained attempt to forge an alternative public sphere, where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao's repression can be publicly aired for a small but steadily growing public. Offers a detailed account of one of the world's most active, vibrant and challenging contemporary documentary sectors; It draws extensively on first hand interviews with filmmakers; offers in depth, critical analyses of China's most challenging contemporary independent documentaries and discusses China's state sanctioned film and television sectors to cast new light on how the official public sphere is shaped and guided by the state.

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An incisive portrait of how the new Black politics can forge a future centered on collective action, community, and careWhen #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture—responsive to pain, suffused with joy, and premised on care—emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave.Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world.Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.

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A sweeping narrative history of Eastern Europe from the late eighteenth century to todayIn the 1780s, the Habsburg monarch Joseph II decreed that henceforth German would be the language of his realm. His intention was to forge a unified state from his vast and disparate possessions, but his action had the opposite effect, catalyzing the emergence of competing nationalisms among his Hungarian, Czech, and other subjects, who feared that their languages and cultures would be lost. In this sweeping narrative history of Eastern Europe since the late eighteenth century, John Connelly connects the stories of the region's diverse peoples, telling how, at a profound level, they have a shared understanding of the past.An ancient history of invasion and migration made the region into a cultural landscape of extraordinary variety, a patchwork in which Slovaks, Bosnians, and countless others live shoulder to shoulder and where calls for national autonomy often have had bloody effects among the interwoven ethnicities. Connelly traces the rise of nationalism in Polish, Austro-Hungarian, and Ottoman lands; the creation of new states after the First World War and their later absorption by the Nazi Reich and the Soviet Bloc; the reemergence of democracy and separatist movements after the collapse of communism; and the recent surge of populist politics throughout the region.Because of this common experience of upheaval, East Europeans are people with an acute feeling for the precariousness of history: they know that nations are not eternal, but come and go; sometimes they disappear. From Peoples into Nations tells their story.

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As the birthplace of the Black Panthers and a nationwide tax revolt, California embodied a crucial motif of the postwar United States: the rise of suburbs and the decline of cities, a process in which black and white histories inextricably joined. American Babylon tells this story through Oakland and its nearby suburbs, tracing both the history of civil rights and black power politics as well as the history of suburbanization and home-owner politics. Robert Self shows that racial inequities in both New Deal and Great Society liberalism precipitated local struggles over land, jobs, taxes, and race within postwar metropolitan development. Black power and the tax revolt evolved together, in tension. American Babylon demonstrates that the history of civil rights and black liberation politics in California did not follow a southern model, but represented a long-term struggle for economic rights that began during the World War II years and continued through the rise of the Black Panthers in the late 1960s. This struggle yielded a wide-ranging and profound critique of postwar metropolitan development and its foundation of class and racial segregation. Self traces the roots of the 1978 tax revolt to the 1940s, when home owners, real estate brokers, and the federal government used racial segregation and industrial property taxes to forge a middle-class lifestyle centered on property ownership. Using the East Bay as a starting point, Robert Self gives us a richly detailed, engaging narrative that uniquely integrates the most important racial liberation struggles and class politics of postwar America.

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A small group founded Amnesty International in 1961 to translate human rights principles into action. Diplomacy of Conscience provides a rich account of how the organization pioneered a combination of popular pressure and expert knowledge to advance global human rights. To an extent unmatched by predecessors and copied by successors, Amnesty International has employed worldwide publicity campaigns based on fact-finding and moral pressure to urge governments to improve human rights practices. Less well known is Amnesty International's significant impact on international law. It has helped forge the international community's repertoire of official responses to the most severe human rights violations, supplementing moral concern with expertise and conceptual vision. Diplomacy of Conscience traces Amnesty International's efforts to strengthen both popular human rights awareness and international law against torture, disappearances, and political killings. Drawing on primary interviews and archival research, Ann Marie Clark posits that Amnesty International's strenuously cultivated objectivity gave the group political independence and allowed it to be critical of all governments violating human rights. Its capacity to investigate abuses and interpret them according to international standards helped it foster consistency and coherence in new human rights law. Generalizing from this study, Clark builds a theory of the autonomous role of nongovernmental actors in the emergence of international norms pitting moral imperatives against state sovereignty. Her work is of substantial historical and theoretical relevance to those interested in how norms take shape in international society, as well as anyone studying the increasing visibility of nongovernmental organizations on the international scene.

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What do modern multiverse theories and spiritualist séances have in common? Not much, it would seem. One is an elaborate scientific theory developed by the world’s most talented physicists. The other is a spiritual practice widely thought of as backward, the product of a mystical world view fading under the modern scientific gaze.But Christopher G. White sees striking similarities. He does not claim that séances or other spiritual practices are science. Yet he points to ways that both spiritual practices and scientific speculation about multiverses and invisible dimensions are efforts to peer into the hidden elements and even the existential meaning of the universe. Other Worlds examines how the idea that the universe has multiple, invisible dimensions has inspired science fiction, fantasy novels, films, modern art, and all manner of spiritual thought reaching well beyond the realm of formal religion. Drawing on a range of international archives, White analyzes how writers, artists, filmmakers, televangelists, and others have used the scientific idea of invisible dimensions to make supernatural phenomena such as ghosts and miracles seem more reasonable and make spiritual beliefs possible again for themselves and others.Many regard scientific ideas as disenchanting and secularizing, but Other Worlds shows that these ideas—creatively appropriated in such popular forms as C. S. Lewis’s Chronicles of Narnia, the art of Salvador Dalí, or the books of the counterculture physicist “Dr. Quantum”—restore a sense that the world is greater than anything our eyes can see, helping to forge an unexpected kind of spirituality.

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From Val Emmich, the bestselling author of Dear Evan Hansen: The Novel, comes a deeply affecting story of two teens who find themselves thrown together overnight during a snowstorm and discover a surprising connection—perfect for fans of Nina LaCour, David Arnold, and Robin Benway.Tegan Everly is quiet. Known around school simply as the girl with the hand, she's usually only her most outspoken self with her friend Neel, and right now they're not exactly talking. When Tegan is ambushed by her mom with a truth she can't face, she flees home in a snowstorm, finding refuge at a forgotten local attraction—the tiny Thomas Edison museum.She's not alone for long. In walks Mac Durant. Striking, magnetic, a gifted athlete, Mac Durant is the classmate adored by all. Tegan can't stand him. Even his name sounds fake. Except the Mac Durant she thinks she knows isn't the one before her now—this Mac is rattled and asking her for help.Over one unforgettable night spent consuming antique records and corner-shop provisions, Tegan and Mac cast aside their public personas and family pressures long enough to forge an unexpectedly charged bond and—in the very spot in New Jersey that inspired Edison's boldest creations—totally reinvent themselves. But could Tegan's most shameful secret destroy what they've built?Emotionally vivid and endlessly charming, Maybe We're Electric is an artfully woven meditation on how pain can connect us—we can carry it alone in darkness or share the burden and watch the world light up again.

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From Val Emmich, the bestselling author of Dear Evan Hansen: The Novel, comes a deeply affecting story of two teens who find themselves thrown together overnight during a snowstorm and discover a surprising connection -- perfect for fans of Nina LaCour, David Arnold, and Robin Benway.Tegan Everly is painfully shy. Known around school simply as the girl with the weird hand, she's only her true outspoken self with her friend Neel, and right now they're not exactly talking. When Tegan is ambushed by her mom with a truth she can't face, she flees home in a snowstorm, finding refuge at a forgotten local attraction -- the tiny Thomas Edison museum.She's not alone for long. In walks Mac Durant. Striking, magnetic, a gifted athlete, Mac Durant is the classmate adored by all. Tegan can't stand him. Even his name sounds fake. Except the Mac Durant she thinks she knows isn't the one before her now -- this Mac is rattled and asking her for help.Over one unforgettable night spent consuming antique records and corner-shop provisions, Tegan and Mac cast aside their public personas and family pressures long enough to forge an unexpectedly charged bond and -- in the very spot in New Jersey that inspired Edison's boldest creations -- totally reinvent themselves. But could Tegan's most shameful secret destroy what they've built?Emotionally vivid and endlessly charming, Maybe We're Electric is an artfully woven meditation on how pain can connect us -- we can carry it alone in darkness or share the burden and watch the world light up again.

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The ideas at the root of quantum theory remain stubbornly, famously bizarre: a solid world reduced to puffs of probability; particles that tunnel through walls; cats suspended in zombielike states, neither alive nor dead; and twinned particles that share entangled fates. For more than a century, physicists have grappled with these conceptual uncertainties while enmeshed in the larger uncertainties of the social and political worlds around them, a time pocked by the rise of fascism, cataclysmic world wars, and a new nuclear age. In Quantum Legacies, David Kaiser introduces readers to iconic episodes in physicists’ still-unfolding quest to understand space, time, and matter at their most fundamental. In a series of vibrant essays, Kaiser takes us inside moments of discovery and debate among the great minds of the era—Albert Einstein, Erwin Schrödinger, Stephen Hawking, and many more who have indelibly shaped our understanding of nature—as they have tried to make sense of a messy world. Ranging across space and time, the episodes span the heady 1920s, the dark days of the 1930s, the turbulence of the Cold War, and the peculiar political realities that followed. In those eras as in our own, researchers’ ambition has often been to transcend the vagaries of here and now, to contribute lasting insights into how the world works that might reach beyond a given researcher’s limited view. In Quantum Legacies, Kaiser unveils the difficult and unsteady work required to forge some shared understanding between individuals and across generations, and in doing so, he illuminates the deep ties between scientific exploration and the human condition.

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Based on the all-new acclaimed Anime series: Black Lotus. This officially sanctioned graphic novel heralds an all-new saga in the Blade Runner franchise, one whose ramifications will ripple throughout the Blade Runner universe. It's 2032, just after the events seen in "Blade Runner: Black Lotus" and Elle, aka The Black Lotus Killer, is still wanted for murder by the LAPD, as well as even more powerful and dangerous interests in Los Angeles. Escaping Los Angeles on a homebuilt Spinner-bike, Elle heads out for parts unknown like a cyberpunk Easy Rider, hoping to forge a new life free of the cruelty, violence and false memories that have so far defined and guided her reality and find answers to her mysterious origin. After she is bushwacked by bandits, Elle finds herself waylaid in the desert settlement of Frack Town, her Spinner Bike seriously damaged and in desperate need of repair. Still trying to adjust to a world that feels alien and unreal to her and eager to turn her back on her own violent tendencies, Elle finds herself drawn into a deadly dispute between two warring factions who struggle to co-exist in the desolate industrial town. On one hand there's the Boss Barnes, the de facto mayor and leader of the Frackers, and on the others there's Miguel leader of a "restorationist" colony trying to turn its back on the evils that have brought the world to environmental. Their struggle will bring Elle face to face with the one person she is trying to escape from. Nia Wallace.

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Our current food system has decimated rural communities and confined the choices of urban consumers. Even while America continues to ramp up farm production to astounding levels, net farm income is now lower than at the onset of the Great Depression, and one out of every eight Americans faces hunger. But a healthier and more equitable food system is possible. In Building Community Food Webs, Ken Meter shows how grassroots food and farming leaders across the U.S. are tackling these challenges by constructing civic networks. Overturning extractive economic structures, these inspired leaders are engaging low-income residents, farmers, and local organisations in their quest to build stronger communities. Community food webs strive to build health, wealth, capacity, and connection. Their essential element is building greater respect and mutual trust, so community members can more effectively empower themselves and address local challenges. Farmers and researchers may convene to improve farming practices collaboratively. Health clinics help clients grow food for themselves and attain better health. Food banks engage their customers to challenge the root causes of poverty. Municipalities invest large sums to protect farmland from development. Developers forge links among local businesses to strengthen economic trade. Leaders in communities marginalised by our current food system are charting a new path forward. Building Community Food Webs captures the essence of these efforts, underway in diverse places including Montana, Hawai‘i, Vermont, Arizona, Colorado, Indiana, and Minnesota. Addressing challenges as well as opportunities, Meter offers pragmatic insights for community food leaders and other grassroots activists alike.

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The second book in The Sun Chronicles trilogy, a galactic-scale, gender-swapped space opera series inspired by the life of Alexander the Great. Shrewd, brutal, relentless and patient, Queen-Marshal Eirene has led the Republic of Chaonia from the brink of annihilation to the edge of victory. One by one, her enemies have fallen in defeat, and now she is ready to push her battle-hardened fleets into territories long controlled by the mighty Phene Empire. But her victories are not without cost. The Republic has endured decades of conflict, with factions simmering beneath the surface, waiting for their chance to boil. The Phene know this. While they might not be able to defeat the Queen-Marshal in open battle, there are other ways to strike back. And on the eve of Eirene’s attack on the rich and populous Karnos System, they will. In the aftermath, Eirene’s daughter, Princess Sun, will face her greatest challenge yet. Can she escape her mother’s shadow and forge her own legend, despite all that’s arrayed against her? Reviews for the Sun Chronicles: 'Epic starship battles, court intrigue and Machiavellian betrayals' Guardian 'Enthralling, edge-of-your-seat stuff hurtling along at warp speed' Kirkus 'Not only is this action-packed with fascinating women characters, there is very inventive world-building and twisty turny political scheming' Book Riot 'Non-stop action! Space battles! Intrigue! This is the kind of space opera that I love best – but Elliott does it even better' Ann Leckie 'Breathtaking and mindblowingly good' Aliette de Bodard

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When the Jedi Order falls, an Inquisitor Rises.Padawan Iskat Akaris has dedicated her life to traveling the galaxy alongside her master, learning the ways of the Force to become a good Jedi. Despite Iskat's dedication, peace and control have remained elusive, and with each setback, she feels her fellow Jedi grow more distrustful of her. Already uncertain about her future in the Jedi Order, Iskat faces tragedy when her master is killed and the Clone Wars engulf the galaxy in chaos.Now a general on the front lines contributing to that chaos, she is often reminded: Trust in your training. Trust in the wisdom of the Council. Trust in the Force. Yet as the shadows of doubt take hold, Iskat begins to ask questions that no Jedi is supposed to ask: Questions about her own unknown past. Questions the Jedi Masters would consider dangerous.As the years pass and the war endures, Iskat's faith in the Jedi wanes. If they would grant her more freedom, she is certain she could do more to protect the galaxy. If they would trust her with more knowledge, she could finally cast aside the shadows that have begun to consume her. When the Jedi Order finally falls, Iskat seizes the chance to forge a path of her own. She embraces the salvation of Order 66.As an Inquisitor, Iskat finds the freedom she has always craved: to question, to want. And with each strike of her red blade, Iskat moves closer to claiming her new destiny in the Force-whatever the cost.

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As more and more people join the do-it-yourself revolution, they are breathing new life into many time-honored skills and crafts. Blacksmithing is among the trades that are enjoying a resurgence for both practical and artistic uses, yet there is not an abundance of readily accessible information available to beginning blacksmiths to help them get started and understand the craft. Author Ryan Ridgway, a veterinarian and blacksmith with more than fifteen years of metalworking experience, hopes to fill that void with this comprehensive volume geared toward answering the many questions that new blacksmiths often have. By explaining the physics of moving metal, the different styles of anvils and forges, and alternative fuel sources, Ridgway sets his book apart from less detailed volumes. Forty practical, easy-to-follow projects are presented, showing aspiring blacksmiths how to make tools, such as hammers and chisels; farm implements, such as gate latches and hoof picks; and items for home use, including drawer pulls and candle holders. Inside The Home Blacksmith: The evolution of blacksmithing around the world and the differences between the tools specific to each region The behavior of heated metal and the science of metalworking Setting up a shop safely and economically The heart of your shop--the anvil and forge--and the other essential tools Working with different types of steel, including how to salvage steel for different uses Techniques from beginning to advanced Step-by-step instructions for forty blacksmithing projects: tools and other implements as well as decorative pieces for personal use or sale

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The New York Times bestselling series!Her world-altering secret can't be hidden much longer. Prepare to be spellbound by the third book in The Black Witch Chronicles by critically acclaimed fantasy author Laurie Forest.Elloren Gardner hides the most powerful secret in all Erthia—she is the Black Witch of Prophecy, and destined to triumph…or be used as the ultimate weapon of destruction.Separated from everyone she loves, isolated and hunted, Elloren must turn to the last person she can trust—her fastmate, Commander Lukas Grey. With the Mage forces of Gardneria poised to conquer all of Erthia, Elloren has no choice but to ally with Lukas and combine their power to keep herself out of the hands of Gardnerian leader Marcus Vogel…the holder of the all-consuming Shadow Wand.With just weeks to train to become a warrior, and no control over her magic, Elloren finds unexpected allies among those under orders to kill her. It’s time to step up. To fight back. And to forge onward through the most devastating loss yet.Critics are raving about Laurie Forest’s incredible debut, The Black Witch:“Forest uses a richly imagined magical world to offer an uncompromising condemnation of prejudice and injustice.” —Booklist, starred review“A noteworthy debut.” —Publishers Weekly, starred review“Briskly paced, tightly plotted.” —Kirkus Reviews, starred reviewBooks in The Black Witch Chronicles: The Black Witch The Iron Flower The Shadow Wand The Demon Tide The Dryad Storm Wandfasted (ebook novella)* Light Mage (ebook novella)* * Also available in print in The Rebel Mages anthology

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Discover the thrilling origin stories of the bard Edgin, the barbarian Holga, and their whole adventuring party in this official prequel to Dungeons & Dragons: Honor Among Thieves.Edgin Darvis' life is a mess. All that he has left are his lute, his dashing good looks, and...not much else. After a chance encounter with badass bruiser Holga, Edgin is forced to take a hard look at his bad choices. But the road to redemption is long, and paved with unforeseen expenses. Fortunately, the world is full of rich fools begging to be parted from their money.And so Edgin and Holga do what any sensible entrepreneurs would do - they form a crew.Joined by a charming rogue, Forge Fitzwilliam, and Simon, a sorcerer with an intense inferiority complex, the team sets out to line their pockets with both well-earned and ill-gotten gold. Together, Edgin's crew battles monsters across the realms: gnoll raiders, fey witches, and more fall beneath their sharp weapons and sharper wit. But when they encounter a new, more sophisticated villain, keen blades and piercing blue eyes may not be enough.Their target? Torlinn Shrake, a wealthy eccentric known for abusing his servants and hosting lavish parties.The plan? Play dress-up, sneak into the Shrake estate, and fill their pockets with as much loot as they can carry.The catch? Shrake is hiding a terrible secret: one that could endanger the lives of everyone Edgin has come to care for - even if the loot is too good to pass up.

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How can a traditional music with little apparent historical connection to Berlin become a way of hearing and making sense of the bustling German capital in the twenty-first century? In Sounding Jewish in Berlin, author Phil Alexander explores the dialogue between the city's contemporary klezmer scene and the street-level creativity that has become a hallmark of Berlin's decidedly modern urbanity and cosmopolitanism. By tracing how klezmer music engages with the spaces and symbolic meanings of the city, Alexander sheds light on how this Eastern European Jewish folk music has become not just a product but also a producer of Berlin. This engaging study of Berlin's dynamic Yiddish music scene brings together ethnomusicology, cultural studies, and urban geography to evoke the sounds, atmospheres, and performance spaces through which klezmer musicians have built a lively set of musical networks in the city. Transcending a restrictive framework that considers this music solely in the context of troubled German-Jewish history and notions of guilt and absence, Alexander shows how Berlin's current klezmer community—a diverse group of Jewish and non-Jewish performers—imaginatively blend the genre's traditional musical language with characteristically local tones to forge an adaptable and distinctively twenty-first-century version of klezmer. Ultimately, the music's vital presence in Berlin is powerful evidence that if traditional music is to remain audible amid the noise of the urban, it must become a meaningful part of that noise.

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Examining the expansive nature of Indigenous gender representations in history, literature, and film Within Native American and Indigenous studies, the rise of Indigenous masculinities has engendered both productive conversations and critiques. Lisa Tatonetti intervenes in this conversation with Written by the Body by centering how female, queer, and/or Two-Spirit Indigenous people take up or refute masculinity, and, in the process, offer more expansive understandings of gender. Written by the Body moves from the eighteenth- and nineteenth-century archive to turn-of-the-century and late-twentieth-century fiction to documentaries, HIV/AIDS activism, and, finally, recent experimental film and literature. Across it all, Tatonetti shows how Indigenous gender expansiveness, and particularly queer and non-cis gender articulations, moves between and among Native peoples to forge kinship, offer protection, and make change. She charts how the body functions as a somatic archive of Indigenous knowledge in Native histories, literatures, and activisms—exploring representations of Idle No More in the documentary Trick or Treaty, the all-female wildland firefighting crew depicted in Apache 8, Chief Theresa Spence, activist Carole laFavor, S. Alice Callahan, Thirza Cuthand, Joshua Whitehead, Carrie House, and more.In response to criticisms of Indigenous masculinity studies, Written by the Body de-sutures masculinity from the cis-gendered body and investigates the ways in which female, trans, and otherwise nonconforming masculinities carry the traces of Two-Spirit histories and exceed the limitations of settler colonial imaginings of gender.

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The start of a humorous and heartfelt new chapter book series about a second grade class where each kid turns into an animal for a day It's Tally Tuttle's first day of second grade, and she's so nervous that she feels like she ate butterflies for breakfast! On top of moving to a new town and new school where she doesn't know anyone, everyone starts teasing her when her full name, Tallulah, is revealed during roll call. She just wishes she could retreat into a shell . . . Then, all of a sudden, the desks and her classmates around her seem enormous, and Tally is shell-shocked to discover that she's actually turned into a turtle! She'd heard that Mrs. Norrell's class was special, but she hadn't expected this. Tally likes having a shell to hide in, but there are other parts of turtle life--like the fear of being stepped on--that aren't exactly ideal. And once she's tired of hiding, how can she change back into a girl? Tally will have to forge her own transformation back to herself and come out of her shell--both literally and figuratively! In this new chapter book series, Mrs. Norrell's second grade classroom has magic that allows kids to transform into animals to learn important life lessons. Each book will follow a different kid and their animal transformation, and will include fun natural science facts about the featured animal in the back matter.

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As a nineteenth-century think tank that sought answers to France’s pressing “social question,” the Musée Social reached across political lines to forge a reformist alliance founded on an optimistic faith in social science. In A Social Laboratory for Modern France Janet R. Horne presents the story of this institution, offering a nuanced explanation of how, despite centuries of deep ideological division, the French came to agree on the basic premises of their welfare state.Horne explains how Musée founders believed—and convinced others to believe—that the Third Republic would carry out the social mission of the French Revolution and create a new social contract for modern France, one based on the rights of citizenship and that assumed collective responsibility for the victims of social change. Challenging the persistent notion of the Third Republic as the stagnant backwater of European social reform, Horne instead depicts the intellectually sophisticated and progressive political culture of a generation that laid the groundwork for the rise of a hybrid welfare system, characterized by a partnership between private agencies and government. With a focus on the cultural origins of turn-of-the-century thought—including religion, republicanism, liberalism, solidarism, and early sociology—A Social Laboratory for Modern France demonstrates how French reformers grappled with social problems that are still of the utmost relevance today and how they initiated a process that gave the welfare state the task of achieving social cohesion within an industrializing republic.

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The world of young people in the United States today is exhilaratingly global, enriched by the influences of many various cultures. With that, however, comes the need for children to retain confidence in their own heritage while empathizing with people who might seem very different from them. The protagonists of these four plays—written for the world-renowned Children’s Theatre Company of Minneapolis—strive to achieve that balance with determination, love, and humor. The richness and relevance of these plays lie in their complex portraits of diversity and cultural collision. In Snapshot Silhouette, Somali-born Najma and African American Tay C share the same skin color but struggle to understand each other. The heroine of Brooklyn Bridge must forge new connections with her Puerto Rican and West Indian neighbors while maintaining her connection to her Russian mother. In Esperanza Rising, Mexican immigrant farmworkers navigate complicated relationships with other Mexicans who are in the United States illegally. And in Average Family, the character who knows the most about the Dakota way of life is not a Native American but the daughter of a white family. A culturally plural society can separate people by perceived chasms of unfamiliarity and difference. But as the characters in these plays learn, there can also be bridges built to span those chasms and connect the two sides. The plays in The Face of America will serve as cultural bridges for young people everywhere.

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In this book Alexia Bloch examines the experiences of a community of Evenki, an indigenous group in central Siberia, to consider the place of residential schooling inidentity politics in contemporary Russia. Residential schools established in the 1920s brought Siberians under the purview of the Soviet state, and Bloch demonstrates how in the post-Soviet era, a time of jarring social change, these schools continue to embody the salience of Soviet cultural practices and the spirit of belonging to a collective. She explores how Evenk intellectuals are endowing residential schools with new symbolic power and turning them into a locus for political mobilization. In contrast to the binary model of oppressed/oppressor underlying many accounts of state/indigenous relations, Bloch's work provides a complex picture of the experiences of Siberians in Soviet and post-Soviet society. Bloch's research, conducted in a central Siberian town during the 1990s, is ethnographically grounded in life stories recorded with Evenk women; surveys of households navigating histories of collectivization and recent, rampant privatization; and in residential schools and in museums, both central to Evenk identity politics. While considering how residential schools once targeted marginalized reindeer herders, especially young girls, for socialization and assimilation, Bloch reveals how class, region, and gendered experience currently influence perspectives on residential schooling. The analysis centers on the ways vehicles of the Soviet state have been reworked and still sometimes embraced by members of an indigenous community as they forge new identities and allegiances in the post-Soviet era.

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Over-consumption is one of the key issues of our time, especially in the Western world. Over the past decade, in the face of historically unprecedented levels of consumer spending in the West - and the more recent impact of recession - a vigorous politics of anti-consumerism has emerged in a range of wealthy nations. This timely and original new book provides a comprehensive overview and analysis of what has come to be called the 'new politics of consumption'; a politics embodied in movements such as culture jamming, simple living, slow food and fair trade. The book offers an examination of anti-consumerism at a time when the idea of 'consumer excess' is being re-framed by a global economic downturn, and crucially explores what this means for the future of political debate. Drawing on interviews with activists across three continents, and offering a refreshingly accessible discussion of contemporary commentary and theory, Kim Humphery sympathetically explores anti-consumerism as cultural interpretation, lifestyle change, and collective action. Whilst analysing the positive advances of the anti-consumerist movement, Excess also challenges contemporary critical thinking on consumption, taking issue with the return to theories of mass culture in contemporary anti-consumerist polemic. Alternatively, Humphery begins to forge a politics of anti-consumerism that addresses the complexity of material acquisition and which avoids treating consumers as mere dupes in the logic of capitalism, viewing them instead as active participants in a culture which is capable of transformation.

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The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be reconceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually rearticulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.Praxis and Revolution urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.

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In 2012, philosopher and public intellectual Slavoj Žižek published what arguably is his magnum opus, the one-thousand-page tome Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. A sizable sequel appeared in 2014, Absolute Recoil: Towards a New Foundation of Dialectical Materialism. In these two books, Žižek returns to the German idealist G. W. F. Hegel in order to forge a new materialism for the twenty-first century. Žižek’s reinvention of Hegelian dialectics explores perennial and contemporary concerns: humanity’s relations with nature, the place of human freedom, the limits of rationality, the roles of spirituality and religion, and the prospects for radical sociopolitical change.In A New German Idealism, Adrian Johnston offers a first-of-its-kind sustained critical response to Less Than Nothing and Absolute Recoil. Johnston, a leading authority on and interlocutor of Žižek, assesses the recent return to Hegel against the backdrop of Kantian and post-Kantian German idealism. He also presents alternate reconstructions of Hegel’s positions that differ in important respects from Žižek’s version of dialectical materialism. In particular, Johnston criticizes Žižek’s deviations from the secular naturalism and Enlightenment optimism of his chosen sources of inspiration: not only Hegel, but Karl Marx and Sigmund Freud too. In response, Johnston develops what he calls transcendental materialism, an antireductive and leftist materialism capable of preserving and advancing the core legacies of the Hegelian, Marxian, and Freudian traditions central to Žižek.

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When war breaks out, friendship will see them through ‘A heart-warming story perfect for saga lovers’, Nancy Revell,Sunday Times bestselling author of The Shipyard Girls series Sheffield, 1939. With war declared, these brave women will step up and do their bit for their country Housewife Nancy never dreamed that she’d end up in Vickers steelworks factory but when husband Bert is called up to serve, she needs to put food on the table for her two young children. Betty’s sweetheart William has joined the RAF Reserves so she can’t sit around and do nothing – even if it means giving up her ambitions to study law at night school. Young Patty is relishing the excitement the war brings. But this shop-girl is going to have to grow up quickly, especially now she’s undertaking such back-breaking and dangerous work in the factory. The Steel Girls start off as strangers but quickly forge an unbreakable bond of friendship as these feisty factory sisters vow to keep the foundry fires burning during wartime. ‘Hardship, courage and hope on the Home Front’ Kate Thompson, bestselling author of Secrets of the Lavender Girls ––––––––––––––––––––––––––––––– Readers LOVE The Steel Girls! ‘Enjoyed this lovely story from the first page’‘I’d love to read more about these inspirational ladies’‘A heartwarming story’‘The bravery of these women was deeply moving, I loved it!’‘I was so engrossed from the start’‘A really entertaining, feel-good and heartwarming read’

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As the story goes: Jeff Bezos left a lucrative job to start something new in Seattle only after a deeply affecting reading of Kazuo Ishiguro's Remains of the Day. But if a novel gave usAmazon.com, what has Amazon meant for the novel? In Everything and Less, acclaimed critic Mark McGurl discovers a dynamic scene of cultural experimentation in literature, with a confidence that rivals modernism. Its innovations have little to do with how the novel is written and more to do with how it's distributed online. On the internet, all fiction becomes genre fiction, which is simply another way to predict customer satisfaction. With an eye on the longer history of the novel, this witty, acerbic book tells a story that connects Henry James to E.L. James, Faulkner and Hemingway to contemporary romance, science fiction and fantasy writers. Reclaiming several works of self-published fiction from the gutter of complete critical disregard, it stages a copernican revolution in how we understand the world of letters: it's the stuff of high literature - Colson Whitehead, Don DeLillo, and Amitav Ghosh - that revolve around the star of countless unknown writers trying to forge a career by untraditional means, Adult Baby Diaper Lover erotica being just one fortuitous route. In opening the floodgates of popular literary expression as never before, the Age of Amazon shows a democratic promise, as well as what it means when literary culture becomes corporate culture in the broadbest but also deepest and most troubling sense.

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Imagining Afghanistan examines how Afghanistanhas been imagined in literary and visual texts that were published after the9/11 attacks and the subsequent U.S.-led invasion—the era that propelledAfghanistan into the center of global media visibility. Through an analysis offiction, graphic novels, memoirs, drama, and film, the book demonstrates thatwriting and screening "Afghanistan" has become a conduit for understanding ourshared post-9/11 condition. "Afghanistan" serves as a lens through whichcontemporary cultural producers contend with the moral ambiguities of twenty-first-centuryhumanitarianism, interpret the legacy of the Cold War, debate the role of theU.S. in the rise of transnational terror, and grapple with the long-term impactof war on both human and nonhuman ecologies.Post-9/11 global Afghanistan literary productionremains largely NATO-centric insofar as it is marked by an uncriticalinvestment in humanitarianism as an approach to Third World suffering and inanti-communism as an unquestioned premise. The book's first half exposes how persistinganti-socialist biases—including anti-statist bias—not only shaped recent literaryand visual texts on Afghanistan, resulting in a distorted portrayal of itstragic history, but also informed these texts' reception by critics. In thebook's second half, the author examines cultural texts that challenge thislimited horizon and forge alternative ways of representing traumatic histories.Captured by the author through the concepts of deep time, nonhuman witness, andwar as a multispecies ecology, these new aesthetics bring readers asophisticated portrait of Afghanistan as a rich multispecies habitat affectedin dramatic ways by decades of war but not annihilated.

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A Black-Jewish dialogue lifts a veil on these groups’ unspoken history, shedding light on the challenges and promises facing American democracy from its inception to the present In this uniquely structured conversational work, two scholars—one of African American politics and religion, and one of contemporary American Jewish culture—explore a mystery: Why aren't Blacks and Jews presently united in their efforts to combat white supremacy? As alt-right rhetoric becomes increasingly normalized in public life, the time seems right for these one-time allies to rekindle the fires of the civil rights movement. Blacks and Jews in America investigates why these two groups do not presently see each other as sharing a common enemy, let alone a political alliance. Authors Terrence L. Johnson and Jacques Berlinerblau consider a number of angles, including the disintegration of the “Grand Alliance” between Blacks and Jews during the civil rights era, the perspective of Black and Jewish millennials, the debate over Louis Farrakhan and the Nation of Islam, and the Israel-Palestine conflict. Ultimately, this book shows how the deep roots of the Black-Jewish relationship began long before the mid-twentieth century, changing a narrative dominated by the Grand Alliance and its subsequent fracturing. By engaging this history from our country’s origins to its present moment, this dialogue models the honest and searching conversation needed for Blacks and Jews to forge a new understanding.

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Across five decades and counting, New Zealand-born singer/songwriter and Crowded House founder Neil Finn has become one of the best-loved figures in popular music, crafting enough hits along the way -- Weather With You, Locked Out, I Got You, Fall At Your Feet, It s Only Natural, and of course Don t Dream It s Over -- to forge his very own one-man Great Antipodean Songbook. One fateful day in April 1977, teenage Neil received a transcontinental phone call that would change his life. It was his older brother, Tim, calling from London, England, with a simple question: Do you want to join the band? That band, the art-rock combo Split Enz, would provide the launchpad for a career that has taken in widespread international success with Crowded House, as a solo artist, back with Tim in The Finn Brothers, and as a touring member of Fleetwood Mac. There have been bumps along the road, including repeated clashes with Tim and the tragic death of original Crowded House drummer Paul Hester, but taken as a whole, Finn s story is one of the most inspiring musical sagas of modern times. Australian author and journalist Jeff Apter has observed Neil s career from close quarters since the late 70s, from frantic early Enz gigs to private listening parties to huge reunion shows and numerous points in between, giving him the perfect perspective to write this intimate, even-handed biography.

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