Search results for ""university press of kentucky""

Marlene Dietrich never threw away anything. She kept her good-luck rag doll (it appeared with her in The Blue Angel and followed her to dressing tables on every movie set). She kept the letters she received from her lovers and her husband of fifty-three years. She kept every article of clothing made for her by the great French couturiers and the legendary Hollywood costume designers. She kept everything.After Dietrich's death, all of the articles were collected face=Calibri>– 25,000 objects and 18,000 images. Here, her treasures are brought together in 289 photographs from her own collection, with extended captions by her daughter, Maria Riva. We see Dietrich across the years and roles of her life: a child, a young actress in Berlin, a newlywed, a devoted American, a mother, and of course, a glamorous Hollywood legend. An intimate look into the life of an unforgettable star, Marlene Dietrich: Photographs and Memories gifts fans with insights from Marlene herself.

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Agriculture is the most fundamental of all human activities. Today, those who till the soil or tend livestock feed a world population of approximately 6.5 billion. Fifty years ago, the planet could not have sustained such a large population, and according to present projections, farmers will have to feed nine billion people by 2050. The greatest agricultural revolution in history has occurred in the last fifty years, with farmers in the United States leading the way. America's declining number of farms, however, comes as a surprise to many and may have dramatic implications. Paul K. Conkin's A Revolution Down on the Farm: The Transformation of American Agriculture since 1929 charts the profound changes in farming that have occurred during his lifetime. Conkin's personal experience growing up on a small Tennessee farm complements compelling statistical data from the U.S. Department of Agriculture. Using economic and historical analysis, Conkin assesses the skills, new technologies, and government policies that helped transform American farming. He clarifies the present status of a subsidized, large-scale, mechanized, and chemically supported agriculture, evaluates its environmental and human costs, and surveys alternatives to a troubled, widely challenged system.

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The role of law in government has been increasingly scrutinized as courts struggle with controversial topics such as assisted suicide, euthanasia, abortion, capital punishment, and torture. Reflections on Life, Death, and the Constitution explores such issues by using classical standards of morality as a starting point for understanding them. Drawing on works of literature and philosophy, and on U.S. Supreme Court decisions, George Anastaplo examines the intimate relationship between human nature and constitutional law.

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Reconstructing American Historical Cinema explores Hollywood's pivotal interpretations of national history during the height of the studio system. In a radical departure from traditional studies of film and history, J. E. Smyth looks at rarely discussed production records and scripts from studio archives, arguing that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her unique approach unites the study of popular and academic historical writing, historical fiction, and screenwriting, providing a rich context for the industry's commitment to American history. Reconstructing American Historical Cinema uncovers Hollywood's diverse and conflicted attitudes toward American history in narratives including nineteenth-century frontier epics, gangster biopics, and histories of silent-era Hollywood.

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Noted historian Robert G. Kaufman contends that the terrorist attacks of September 11, 2001, shattered the optimism so prevalent in the United States during the tranquil and prosperous 1990s. President George W. Bush's controversial grand strategy for waging a preemptive Global War on Terror has ignited passionate debate about the purposes of American power and the nation's proper role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy of regime change in Iraq. Kaufman connects the Bush Doctrine and current issues in American foreign policy to the deeper tradition of American diplomacy, drawing from positive lessons as well as cautionary tales from the past. Two key premises shape Kaufman's case for the Bush Doctrine's conformity with moral democratic realism. The first premise is the fundamental purpose of American foreign policy since its inception: to ensure the integrity and vitality of a free society "founded upon the dignity and worth of the individual." The second premise is that the cardinal virtue of prudence (the right reason about things to be done) must be the standard for determining the best practicable American grand strategy. In Defense of the Bush Doctrine provides both scholars and lay readers a broader historical context for the post-September 11 American foreign policy that will transform world politics well into the future.In Defense of the Bush Doctrine provides both scholars and lay readers a broader historical context for the post-September 11 American foreign policy that will transform world politics well into the future.

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The present era of staggering scientific and technological innovations, with major changes in agriculture, manufacturing, commerce, and communications, seems to document unparalleled human achievement. Yet when we examine the long-term implications, it becomes clear that an ever-growing number of humans have threatened the delicate environmental balance that sustains life on this planet. The past century may be remembered not as a period of great progress but as one marked by unrestrained consumption and failure to come close to a sustainable use of the earth's limited natural resources. In The State of the Earth, noted historian Paul K. Conkin provides a comprehensive analysis of the many environmental hazards that humans must face in this still-young century. Our activities have threatened the survival of many plants and animals, created scarcities in cultivatable soils and water needed for irrigation, used up a large share of fossil fuels, polluted air and water, and most likely created the conditions that will lead to major climate changes. Conkin not only evaluates the challenges but recognizes the successes of concerned individuals and organizations in creating awareness and in supporting policies that will best preserve a healthy earth. The State of the Earth is an invaluable resource for those who desire a broad yet thorough and scientifically informed introduction to present environmental challenges. Even when humans possess the knowledge and the tools to cope with mounting environmental problems, they may not be willing to make the needed sacrifices. Conkin demonstrates that the issues are as much moral and political as technological.

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Winner of the 2004 ARSC Award for Best Research in Recorded Rock, Rhythm & Blues or Soul, The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical and religious culture and the way African Americans convey religious sentiment in styles such as the blues, rhythm and blues, soul, funk, and gangsta rap. She looks at Pentecostalism and black secular music, minstrelsy and its portrayal of black religion, the black church, "crossing over" from gospel to R&B, images of the black preacher, and the salience of God in the rap of Tupac Shakur.Traditionally, west European culture has drawn distinct divisions between the secular and the sacred in music. Liturgical music belongs in church, not on pop radio, and artists who fuse the two are guilty of sacrilege. In the West-African worldview, however, both music and the divine permeate every imaginable part of life -- so much so that concepts like sacred and secular were entirely foreign to African slaves arriving in the colonies. The Western influence on African Americans eventually resulted in more polarization between these two musical forms, and black musicians who grew up singing in church were often lamented as hellbound once they found popular success. Even these artists, however, never completely left behind their West-African musical ancestry. Reed's exploration of this trend in African American music connects the work of today's artists to their West-African ancestry -- a tradition that over two-hundred years of Western influence could not completely stamp out.

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When the first American tax on distilled spirits was established in 1791, violence broke out in Pennsylvania. The resulting Whiskey Rebellion sent hundreds of families down the Ohio River by flatboat, stills on board, to settle anew in the fertile bottomlands of Kentucky. Here they used cold limestone spring water to make bourbon and found that corn produced even better yields of whiskey than rye. Thus, the licit and illicit branches of the distilling industry grew up side-by-side in the state. This is the story of the illicit side -- the moonshiners' craft and craftsmanship, as practiced in Kentucky. A glossary of moonshiner argot sheds light on such colorful terms as "puker," "slop," and "weed-monkey."With a new foreword by author Wes Berry, David Maurer's classic history of this subject is tongue-in-cheek, but nevertheless a realistic look at the Kentucky moonshiner and the moonshining industry.

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Until I was nine or ten, everyone called me Joe or Joe Hall. Then one day, my grandmother, for reasons known only to her, pulled me aside, telling me my name was "too short and too plain." She said, "Let's add your middle initial to make it more interesting. From now on, you say your name is Joe B., not just Joe. It's Joe B. Hall."Joe B. Hall is one of only three men to both play on an NCAA championship team (1949, Kentucky) and coach an NCAA championship team (1978, Kentucky), and the only one to do so for the same school. In this riveting memoir, Hall presents intimate details about his remarkable life on and off the court. He reveals never-before-heard stories about memorable players, coaches, and friends and expresses the joys and fulfillments of his rewarding life and career. During his thirteen years as head coach at the University of Kentucky, from 1972 to 1985, Joe B. Hall led the team to 297 victories. The most memorable of these is the 1978 NCAA Men's Division Basketball Championship. This legendary coach followed in the colossal footsteps of Adolph Rupp to chart his own path to success and become one of college basketball's all-time greats and winningest coaches.

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Best known for her appearances in the six Technicolour 'Neverland' movies, Maria Montez is a film icon. Growing up as one of ten children in the Dominican Republic, her rise as a film star in the United States seemed unlikely. In 1939, Montez set off on her own to New York City to fulfill her aspirations of movie stardom. Despite having no substantial acting experience, Montez managed to sign with major agent Louis Schurr who helped her secure a contract with Universal Studios before she moved out to Hollywood.Following her arrival in Los Angeles, Montez began cultivating the larger-than-life persona for which she is known. Her beauty, personality, and series of publicity antics, including dramatic restaurant entrances, endeared her to the press. She even created her own fan club face=Calibri>– The Montez for Stardom Club. Her ambitious self-promotion bolstered the success she found with her first big lead in Arabian Nights, released in 1943. From then on, the studio referred to her as 'The Queen of Technicolour'.Author Tom Zimmerman puts Montez's life in historical context, including her role as a cultural icon and a living representation of the United States’ Good Neighbor Policy with Latin American countries. With her thick Dominican accent, Montez struggled to make herself intelligible to an American audience. However, unlike some of her Latin contemporaries, she did not present a caricature of her culture or use her accent for comedic purposes, giving her credibility with a Latin American audience. Zimmerman skillfully recounts the story of Montez’s fiery ambition and her ascent to Hollywood fame, giving her the opportunity to live on in public memory.

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Hundreds of World War II memoirs and accounts have been written and documented, but the stories about the bravery and valor of the women who also served are rarely told. In Lieutenant Sonia Vagliano: Inside the World War II Refugee Crisis, Vagliano provides a gripping and compelling account of how she and her team of four women were attached to a First Army unit that arrived in Normandy two weeks after D Day. From 1943 to 1945, Vagliano followed her unit from Normandy to Paris, through Belgium, and finally into Germany where they cared for 20,000 displaced persons and prisoners of war each day.Rich in detail, Vagliano not only describes her experiences - from caring for thousands of refugees in the worst possible conditions, to defusing landmines, and being kidnapped, shot at, torpedoed, and bombed - she also recounts the major events of the war in Europe including the liberation of Paris, the Battle of the Bulge, and, finally, the concentration camps. Spending five weeks at Buchenwald repatriating the 21,000 prisoners still there, she bared a unique witness to the transition period between the liberation of the camp and its turnover to the Russians in July 1945, and saw first-hand "to what extremes the human imagination can go in its search for the most cruel methods of torture."Striking a balance between daredevil-level escapades and the sobering reality of a war-time account, this book won the 1982 Saint Simon award for best memoir of the year under its original title Les Demoiselles de Gualle. Now translator and editor Martha Noel Evans brings the young French lieutenant's memoirs to English-speaking audiences for the first time.

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"The history of war teems with occasions where the interception of dispatches and orders written in plain language has resulted in defeat and disaster for the force whose intentions thus became known at once to the enemy." So begins Colonel Parker Hitt's 1916 Manual for the Solution of Military Ciphers, a foundational text in the history of cryptology. Due largely in part to this manual and Hitt's early cipher inventions, codes became the default communication method for the U.S. military in the twentieth century as codebreakers and cipher machines had proved their worth during World War I. A modified version of Hitt's invention, the M--94 cipher device, was used by the Army for three decades until the Germans decrypted the code during the middle of WWII. To this day, Hitt is known as the "father of American military cryptology."In the first biography of this American hero, historian Betsy Rohaly Smoot brings Hitt's legacy to the fore, chronicling his extraordinary military career and deviation from masculine tropes during the early twentieth century. Smoot reveals that Hitt was a champion for women in the workplace, giving his support to employment of the "Hello Girls," American female telephone operators for the First Army switchboard and working alongside his wife, Genevieve Young Hitt, the first woman to break ciphers for the United States government. Readers of Liza Mundy's Code Girls and David Kahn's The Codebreakers will find an insightful profile of not only an American hero in Parker Hitt's story, but of early military cryptology as well. Drawing from a never-before-seen cache of Hitt's letters, photographs, and diaries, Smoot introduces readers to this unique cryptanalyst's life.

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Bourbon Backroads can be read in the traditional way; simply retire to an armchair and read about how distillers made that bright amber liquid in the cut-glass tumbler standing on your side table. Or, one can use the book as a guide to visit and experience the places where bourbon's heritage was made.Kentucky is strewn with the landmarks of bourbon's long story: distilleries long-standing, relict, razed, and brand new, the grand homes of renowned distillers, villages and neighborhoods where laborers lived, Whiskey Row storage warehouses, river landings and railroad yards, and factories where copper distilling vessels and charred white oak barrels are made. Throughout the nineteenth century, distilling changed from an artisanal craft practiced by farmers and millers to a large-scale mechanized industry that practiced increasingly refined production techniques. Distillers often operated at comparatively remote sites - the "backroads" - to take advantage of water sources or transport access. As time went on, mechanization and the steam engine shrank the industry's reliance on water power and permitted relocation of distilleries to urban or rural rail-side sites. This shift changed not only our ability to consume bourbon but also how we engage with the industry and its history.Blending several topics - tax revenue, railroads, the mechanics of brewing, geography, landscapes, and architecture - this primer and geographical guide presents an accessible and detailed history of the development of Kentucky's distilling industry and explains how the industry continues to thrive.

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Acclaimed poet George Ella Lyon returns with a brilliant new collection that traces the course of a woman's life from girlhood to mature female wisdom. From the introductory poem, "Little Girl Who Knows Too Much," readers embark on a journey from youth, with its darker moments and denials of voice and story, to a place of strength and power with the poems themselves as a guide.The collection follows the narrator as she reconnects with her body and recovers memories of violence from early childhood as well as the wilderness of adolescence and of young wife- and motherhood. Gradually, a wider vision appears to her, and she turns to the Great Mother in all her manifestations -- writers, teachers, singers, Earth Herself--to reach new regions of self-knowledge and inner strength. In so doing, the narrator reaches beyond her personal experience and begins a healing process that situates her story within the larger human story.Alternately witty, charming, tender, thought-provoking, and bracing, Back to the Light expresses a vision of breathtaking breadth and depth. Following the arc of a woman's life, the collection traces the cycles of growth and change the narrator experiences in becoming more herself and finding the spirit to persevere while lyrically demonstrating the power of poetry to help and heal.

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In Head to Head, award-winning writer Lenny Shulman offers highlights from the best interviews he has conducted throughout his twenty-year career covering Thoroughbred horse racing. In that time, he has coaxed the innermost thoughts out of the sport's most notable headline-makers. It was to Shulman that Helen "Penny" Chenery, owner of Secretariat, publicly revealed for the first time the mistakes she made with her superstar colt. Arthur Hancock III shared with him his feelings of being banished from his family's Claiborne Farm, and his pride in succeeding on his own with the great Sunday Silence. Owner Paul Reddam poured out his hopes and fears to Shulman in the hour before realizing his dream of winning the Kentucky Derby with I'll Have Another. Head to Head offers insights from men and women who reached the top levels of success in all aspects of the sport of kings and documents the history of the Thoroughbred racing industry over a roughly fifty-year period. Shulman takes readers behind the scenes with industry legends (including Chenery, James E. "Ted" Bassett III, Bobby Frankel, Tony Leonard, Cot Campbell, Tom Durkin, and Bob Baffert), owners, trainers, veterinarians, and even celebrities such as Sam Shepard, Bo Derek, and Jenny Craig. A special section highlights the women of the Thoroughbred world and features interviews with Helen Alexander, Charlsie Cantey, Barbara Banke, Josephine Abercrombie, Maggi Moss, Charlotte Weber, and Marylou Whitney.Touching on some of the greatest horses and greatest races the sport has ever seen, this engaging book serves as an important oral history of the sport and the industry. At the same time, it will be a guide for new generations of enthusiasts who are interested in learning from some of horse racing's most successful luminaries.

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The first definitive biography of tragicomic sex symbol Jayne Mansfield, one of the most colorful and eccentric movie stars of the 1950s-60s. The book examines both her life and her career, detailing her movie, TV and stage work, as well as her drive to become an old-fashioned movie star at the end of the big-studio era.Jayne Mansfield: The Girl Couldn't Help It follows Jayne from her birth in 1933 through her early days as a starlet, her sudden fame as a Broadway star, and her too-brief years as 20th Century-Fox's threat to Marilyn Monroe. After three hit films, showing what a talented actress she was, Jayne found herself cut loose and floundering, in ever-cheaper and worse films.Jayne's private life will be examined as well: her expertise as a publicity magnet, her relationship with the press and her fans; her three marriages and many affairs, and her well-meaning but ill-equipped parenting skills. The rumors around her death will be addressed, via nearly 100 pages of police reports.Among the people interviewed for this book are her third husband, her lover shortly before Mariska Hargitay was born (the only interview he has ever given about Jayne), the man who published her 1963 memoirs, the inventor of the Jayne Mansfield Hot Water Bottle, and Loni Anderson, who portrayed Jayne in a 1980 TV-movie.Including 70 photos, The Girl Couldn't Help It will finally set straight many misconceptions about Jayne Mansfield, and will provide a fair and balanced, sympathetic but clear-eyed portrait of one of show business's most bizarre and endearing icons.

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Silas House is a beloved and celebrated Kentucky author, music journalist, and activist who has focused nearly all his work on Appalachia and its culture. His groundbreaking writings across genres have captured and catalogued Appalachian life while defying the harmful stereotypes which have labeled the region throughout American history. House's characters are diverse and complex in their racial and social backgrounds, their financial status, their religiosity, their sexuality, and other manners. Such characters represent the complex moral issues entangled throughout the history of this region, otherwise known as the "shimmering knot" before him.In Silas House and the "Shimmering Knot" Before Him, Shurbutt and the seven contributors will weave together a comprehensive analysis on House's work focused on Appalachia and demonstrate the different methods he has used to overcome the standard portrayals of Appalachian families and culture. Though nationally recognized, this collection will be the first instance of critical essays on House's work. The authors will explore and explain House's complex, often odic approach to his works of fiction and non-fiction. Contributors will interpret House's use of music, lyricism, and metaphor in his works and demonstrate the ever-present theme of breaking the adverse and often untrue stereotypes of Appalachians. The essays will focus on House's characters in his novels which are described by the dominate culture as "others."The collection reveals both the broadness of House's writing and the intersections of the fictional and nonfictional worlds House creates as he portrays the "shimmering knot before him," a vision of the complexity of the moral issues that thread throughout his writing and make the award-winning author one of the most comprehensive and engaging voices in Appalachian and American literature today. Silas House and the "Shimmering Knot" Before Him will provide insightful examinations of House's works and promote a deeper understanding and more accurate portrayal of the complexity of Appalachian people and places.

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The internationally acclaimed actress Patricia Neal has been a star on stage, film, and television for nearly sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, for which she won the very first Tony Award, and The Miracle Worker. In Hollywood she starred opposite the likes of Ronald Reagan, Gary Cooper, John Wayne, Paul Newman, Fred Astaire, and Tyrone Power in some thirty films. Neal anchored such classic pictures as The Day the Earth Stood Still, A Face in the Crowd, and Breakfast at Tiffany's, but she is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the Academy Award for Best Actress in 1963. But there has been much, much more to Neal's life. She was born Patsy Louise Neal on January 20, 1926, in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. Neal quickly gained attention for her acting abilities in high school, community, and college performances. Her early stage successes were overshadowed by the unexpected death of her father in 1944. Soon after she left New York for Hollywood in 1947, Neal became romantically involved with Gary Cooper, her married co-star in The Fountainhead, an attachment which brought them both a great deal of notoriety in the press and a great deal of heartache in their personal lives. In 1953, Neal married famed children's author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. In 1961, their son, Theo, was seriously injured in an automobile accident and required multiple neurosurgeries and years of rehabilitation; the following year their daughter, Olivia, died of measles. At the pinnacle of her screen career, Patricia Neal suffered a series of strokes which left her in a coma for twenty-one days. Variety even ran a headline erroneously stating that she had died. At the time, Neal was pregnant with her and Dahl's fifth child, Lucy, who was born healthy a few months later. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses. She appeared in a number of television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for her role in The Homecoming.Patricia Neal: An Unquiet Life is the first critical biography detailing the actress's impressive film career and remarkable personal life. Author Stephen Michael Shearer has conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress's personal papers. The result is an honest and comprehensive portrait of an accomplished woman who has lived her life with determination and bravado.

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"As with sailing, so with politics: make your cloth too taut and your ship will dip and heel, but slacken off and trim your sails, and things head up again." - Euripides, OrestesThe Great Depression of the 1930s and the global crisis of World War II created ripe conditions for change in both US and international politics, setting off many questions regarding America's role in the world. The power and influence held by the United States at this time informed Franklin Roosevelt's belief that the country was optimally positioned to become a world leader. As such, his decisions and actions preceding the war were a critical juncture in twentieth-century US foreign policy and responsible for the nation's eventual entrance into the war. Scholarship often presents the 32nd President as an isolationist with little continuity or initiative in his approach to world politics. Based on a new, interpretive framework, however, FDR's actions take on a more purposeful tack.The Sailor: Franklin D. Roosevelt and the Transformation of American Foreign Policy, 1933-1945 examines Roosevelt's worldview and political ideology throughout his career to understand how they shaped the policies he developed in response to the crises that arose during his presidency. Author David Schmitz explains why Roosevelt found the traditional foreign policy of neutrality inadequate and shows how the president spurred a new, internationalist approach in the United States' dealings with other actors on the global stage. Arguing against existing scholarship that suggests FDR rarely made informed foreign policy decisions, Schmitz claims that the president was consistent and calculating in his outlook and actions involving international affairs and the direction of American foreign policy. Guided by a vision of peace and American security, Schmitz argues that Roosevelt pursued a "Third Way" between imperialism and revolution: a pro-Western nationalism built upon organized, international collaboration with a focus toward promoting and protecting American values and institutions.Schmitz shows how Roosevelt intentionally carried out this vision in the hopes of bringing about "an end to the beginnings of all wars."The Sailor is an important interpretive analysis of the Roosevelt administration's foreign policy. By challenging previously held assumptions, Schmitz constructs a new narrative about FDR's overall attitude to the US and its role in a postwar world. He shows how FDR successfully transformed US neutrality into US internationalism, forever changing the direction of American foreign policy. This work will appeal to scholars and general readers alike, specifically, those interested in Franklin Roosevelt, World War II, and American foreign relations.

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Best known as one of the most important playwrights of the twentieth century, Harold Pinter has also written many highly regarded screenplays, including Academy Award-nominated screenplays for The French Lieutenant's Woman and Betrayal, collaborations with English director Joseph Losey, and an unproduced script for the remake of Stanley Kubrick's 1962 adaptation of Lolita. In this definitive study of Pinter's screenplays, Steven H. Gale compares the scripts with their sources and the resulting films, analyzes their stages of development, and shows how Pinter creates unique works of art by extracting the essence from his source and rendering it in cinematic terms. Gale introduces each film, traces the events that led to the script's writing, examines critical reaction to the film, and provides an extensive bibliography, appendices, and an index.

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Harlan Hubbard (1900-1988), Kentucky writer, environmentalist and artist, spent many years trying to rediscover and revive the vanishing language of landscape in his watercolor paintings. Known for their sense of drifting movement and their depiction of the simple way of life for which Hubbard was known, they inexplicably remain his least-studied artworks, despite being some of the best evidence of Hubbard's place in the history of landscape painting.The Watercolors of Harlan Hubbard not only argues Hubbard's place in the art historical canon, but also highlight and analyze the artist's own voice. In this unique collection, more than 200 watercolors are interspersed with anecdotes to present a personal meditation on the influence that Hubbard's work has had on the lives of those who knew him.

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American Datu: John J. Pershing and Counterinsurgency Warfare in the Muslim Philippines, 1899--1913 provides a play-by-play account of a crucial but often overlooked period in the development of American counterinsurgency strategy. Tracing Pershing's military campaigns in the Philippines, Ronald K. Edgerton examines how Progressive Counterinsurgency doctrine evolved in direct response to the first sustained military encounter between the United States and Muslim militants. Pershing de-emphasized so-called civilizing efforts and stressed the practicality of building relationships with local Moro leaders and immersing himself in Moro cultural practices. In turn, Moros elected him as a fellow datu, or chief, and Pershing came to realize a fundamental principle of counterinsurgency warfare: one size does not fit all, and tactics must be molded to fit the specific environment. In light of Pershing's military success, this study calls for a reevaluation of the more invasive counterinsurgency methods used by US officers against Muslim militants today, and it addresses the important role the Philippine-American War played in developing modern US military strategy.

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Throughout the Revolutionary War, Fort Boonesborough was one of the most important and defensively crucial sites on the western frontier. It served not only as a stronghold against the British but also as a sanctuary, land office, and a potential seat of government. Originally meant to be the capital of a new American colony, Fort Boonesborough was thrust into a defensive role by the onset of the Revolutionary War. Post-Revolutionary attempts to develop a town failed and the site was abandoned. Yet Fort Boonesborough lived on in local memory. Boonesborough Unearthed: Frontier Archaeology at a Revolutionary Fort is the result of more than thirty years of research by archaeologist Nancy O'Malley. This groundbreaking book presents new information and fresh insights about Fort Boonesborough and life in frontier Kentucky. O'Malley examines the story of this historical landmark from its founding during a time of war into the nineteenth century. O'Malley also delves into the lives of the settlers who lived there, and explores the Transylvania Company's dashed hopes of forming a fourteenth colony at the fort. This insightful and informative work is a fascinating exploration into Kentucky's frontier past.

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With celebrated works such as Alien, Blade Runner, Thelma & Louise, and Gladiator, Ridley Scott has secured his place in Hollywood. This legendary director and filmmaker has had an undeniable influence on art and the culture of filmmaking, but is also a respected media businessman.In Ridley Scott: A Biography, Vincent LoBrutto delves into Ridley Scott's oeuvre in a way that allows readers to understand the yin and yang of his exceptional career. Presented is a unique crosscut between the biographical facts of Ridley Scott's personal life -- his birth and early days in northeast England, his life in New York City -- and his career in Hollywood as a director and producer of television commercials, TV series, miniseries, and feature films. Every film is presented, analyzed, and probed for a greater understanding of the visionary, his personality, and his thought process, for a deeper perception of his astounding work and accomplishments. The voices of cast and crew who have worked with Ridley Scott, as well as the words of the man himself, are woven throughout this book for a fully realized, critical biography, revealing the depth of the artist and his achievements.

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Unlike the relative uniformity of conventional warfare, the peculiarities of small wars prevent a clear definition of rules and roles for military forces to follow. During the small wars era, aviation was still in its infancy, and the US military had only recently begun battling in the skies. The US Marine Corps recognized that flexibility and ingenuity would be critical to the successful conduct of small wars and thus employed the new technology of aviation. In Biplanes at War: US Marine Corps Aviation in the Small Wars Era, 1915--1934, author Wray R. Johnson provides a riveting history of the marines' use of aviation between the world wars, a time in which young soldiers were volunteering to fly in combat when flying itself was a dangerous feat. Starting with Haiti in 1915, Biplanes at War follows the marines' aviation experiences in Haiti, the Dominican Republic, China, and Nicaragua, chronicling how marines used aircraft to provide supporting fires (e.g., dive-bombing) to ground troops in close contact with irregular opponents, evacuate the sick and wounded, transport people and cargo (e.g., to assist humanitarian operations), and even support elections in furtherance of democracy. After years of expanding the capabilities of airplanes far beyond what was deemed possible, the small wars era ended, and the US Marines Corps transitioned into an amphibious assault force. The legacy of the marines' ability to adapt and innovate during the small wars era endures and provides a useful case study. Biplanes at War sheds light on how the marines pioneered roles and missions that have become commonplace for air forces today, an accomplishment that has largely gone unrecognized in mainstream histories of aviation and air power.

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General Maxwell Taylor served at the nerve centers of US military policy and Cold War strategy and experienced firsthand the wars in Korea and Vietnam, as well as crises in Berlin and Cuba. Along the way he became an adversary of President Dwight D. Eisenhower's nuclear deterrence strategy and a champion of President John F. Kennedy's shift toward Flexible Response. Taylor also remained a public critic of defense policy and civil-military relations into the 1980s and was one of the most influential American soldiers, strategists, and diplomats. However, many historians describe him as a politicized, dishonest manipulator whose actions deeply affected the national security establishment and had lasting effects on civil-military relations in the United States.In Maxwell Taylor's Cold War: From Berlin to Vietnam, author Ingo Trauschweizer traces the career of General Taylor, a Kennedy White House insider and architect of American strategy in Vietnam. Working with newly accessible and rarely used primary sources, including the Taylor Papers and government records from the Cold War crisis, Trauschweizer describes and analyzes this polarizing figure in American history. The major themes of Taylor's career, how to prepare the armed forces for global threats and localized conflicts and how to devise sound strategy and policy for a full spectrum of threats, remain timely and the concerns he raised about the nature of the national security apparatus have not been resolved.

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Before 1940, the Japanese empire stood as the greatest single threat to the American presence in the Pacific and East Asia. To a lesser degree, the formerly hegemonic colonial powers of Britain, France, and the Netherlands still controlled portions of the region. At the same time, subjugated peoples in East Asia and Southeast Asia struggled to throw off colonialism. By the late 1930s, the competition exploded into armed conflict. Japan looked like the early victor, but the United States eventually established itself as the hegemonic power in the Pacific Basin by 1945. Yet when it comes to the American movement out into the Pacific, there is more to the story that has yet to be revealed.In War in the American Pacific and East Asia, 1941--1972, editor Hal Friedman brings together nine essays that explore lesser known aspects and consequences of America's military expansion into the Pacific during and after World War II. This study explores how the United States won the Pacific War against Japan and how it sought to secure that victory in the decades that followed, ensure it never endured another Pearl Harbor--style defeat, and saw the Pacific fulfill a Manifest Destiny--like role as an American frontier projected toward East Asia.The collection explores the role of the US military in the Pacific Basin in different ways by presenting essays on interservice rivalry and military advising as well as unique topics that are new to military history, such as the investigations of strategic communications, military public relations, institutional cultures of elite forces, foodways, and the military's interaction with the press. Together, these essays provide a path for historians to pursue groundbreaking areas of research about the Pacific and establish the Pacific War as the pivotal point in the twentieth century in the Pacific Basin.

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In the past decade, states across the nation have cut higher education spending per student by more than 15 percent. Kentucky has experienced some of the largest cuts in the country, leading many to claim that higher education is in a state of crisis. In spite of this turmoil, however, Kentucky's remarkable institutions of higher education stand more capable than ever to prepare new generations for the challenges and opportunities of their time.College for the Commonwealth: A Case for Higher Education in American Democracy illustrates how colleges and universities are the sustaining lifeblood of civil society and that when these vital institutions are underfunded, both the community and economy suffer. Michael T. Benson and Hal R. Boyd examine the historical origins of higher education in America and analyze the benefits of postsecondary education through the lens of Kentucky. Presented as a practical yet persuasive look at why America needs thoughtful reinvestment in its colleges and universities, this study details how helping students can help sustain a healthy, democratic social fabric while bolstering the modern economy. Gathering examples and offering solutions for postsecondary institutions, this work serves as a call to action and a roadmap for educators, administrators, and government officials.

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Bright, vibrant, intriguing, and unique, chromatic homes are speckled across the world's landscape. These historic houses and buildings are saturated with colors -- often highlighting decorative woodwork and architecture -- to enhance, revive, and regenerate various neighborhoods and communities.John I. "Hans" Gilderbloom explores and celebrates the appeal of these captivating houses in Chromatic Homes: The Joy of Color in Historic Places. Highlighted in gorgeous detail are the relevance of the homes' styles and colors as well as their history -- many believed to have been around for decades in American cities such as Louisville, Cincinnati, San Francisco, New Orleans, and Miami, and around for centuries in far-flung places such as Havana, Cuba, Venice, Italy, and Moscow, Russia. Gilderbloom reveals how renewing and updating historic homes has the ability to transform and galvanize a community, and these houses serve as creative havens for artists, writers, and musicians: author Alice Walker wrote The Color Purple in one of the most famous chromatic homes in San Francisco, and Mark Twain wrote The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer in a spectacular "painted lady" in Hartford, Connecticut.Filled with 182 engaging and eye-catching photos of homes all across the nation and the world, Chromatic Homes perfectly illustrates how the simple act of painting an ornate structure in bright or bold colors can inspire, empower, sustain and enlighten an entire community.

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When originally published, A New History of Kentucky provided a comprehensive study of the Commonwealth, bringing it to life by revealing the many faces, deep traditions, and historical milestones of the state. With new discoveries and findings, the narrative continues to evolve, and so does the telling of Kentucky's rich history. In this second edition, authors James C. Klotter and Craig Thompson Friend provide significantly revised content with updated material on gender politics, African American history, and cultural history. This wide-ranging volume includes a full overview of the state and its economic, educational, environmental, racial, and religious histories.At its essence, Kentucky's story is about its people -- not just the notable and prominent figures but also lesser-known and sometimes overlooked personalities. The human spirit unfolds through the lives of individuals such as Shawnee peace chief Nonhelema Hokolesqua and suffrage leader Madge Breckinridge, early land promoter John Filson, author Wendell Berry, and Iwo Jima flag--raiser Private Franklin Sousley. They lived on a landscape defined by its topography as much as its political boundaries, from Appalachia in the east to the Jackson Purchase in the west, and from the Walker Line that forms the Commonwealth's southern boundary to the Ohio River that shapes its northern boundary. Along the journey are traces of Kentucky's past -- its literary and musical traditions, its state-level and national political leadership, and its basketball and bourbon. Yet this volume also faces forthrightly the Commonwealth's blemishes -- the displacement of Native Americans, African American enslavement, the legacy of violence, and failures to address poverty and poor health. A New History of Kentucky ranges throughout all parts of the Commonwealth to explore its special meaning to those who have called it home. It is a broadly interpretive, all-encompassing narrative that tells Kentucky's complex, extensive, and ever-changing story.

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Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen.In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.

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When four-star general John Rogers Galvin retired from the US Army after forty-four years of distinguished service in 1992, the Washington Post hailed him as a man "without peer among living generals." In Fighting the Cold War: A Soldier's Memoir, the celebrated soldier, scholar, and statesman recounts his active participation in more than sixty years of international history -- from the onset of World War II through the fall of the Berlin Wall and the post--Cold War era.Galvin's illustrious tenure included the rare opportunity to lead two different Department of Defense unified commands: United States Southern Command in Panama from 1985 to 1987 and United States European Command from 1987 to 1992. In his memoir, he recounts fascinating behind-the-scenes anecdotes about his interactions with world leaders, describing encounters such as his experience of watching President José Napoleón Duarte argue eloquently against US intervention in El Salvador; a private conversation with Pope John Paul II in which the pontiff spoke to him about what it means to be a man of peace; and his discussion with General William Westmoreland about soldiers' conduct in the jungles of Vietnam and Cambodia. In addition, Galvin recalls his complex negotiations with a number of often difficult foreign heads of state, including Manuel Noriega, Augusto Pinochet, Mikhail Gorbachev, and Ratko Mladić.As NATO Supreme Allied Commander in Europe during the tumultuous five years that ended the Cold War, Galvin played a key role in shaping a new era. Fighting the Cold War illuminates his leadership and service as one of America's premier soldier-statesmen, revealing him to be not only a brilliant strategist and consummate diplomat but also a gifted historian and writer who taught and mentored generations of students.

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The Appalachian region stretches from Mississippi to New York, encompassing rural areas as well as cities from Birmingham to Pittsburgh. Though Appalachia's people are as diverse as its terrain, few other regions in America are as burdened with stereotypes. Author Frank X Walker coined the term "Affrilachia" to give identity and voice to people of African descent from this region and to highlight Appalachia's multicultural identity. This act inspired a group of gifted artists, the Affrilachian Poets, to begin working together and using their writing to defy persistent stereotypes of Appalachia as a racially and culturally homogenized region.After years of growth, honors, and accomplishments, the group is acknowledging its silver anniversary with Black Bone. Edited by two newer members of the Affrilachian Poets, Bianca Lynne Spriggs and Jeremy Paden, Black Bone is a beautiful collection of both new and classic work and features submissions from Frank X Walker, Nikky Finney, Gerald Coleman, Crystal Wilkinson, Kelly Norman Ellis, and many others. This illuminating and powerful collection is a testament to a groundbreaking group and its enduring legacy.

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John R. Deane Jr. (1919--2013) was born with all the advantages a man needs to succeed in a career in the US Army, and he capitalized on his many opportunities in spectacular fashion. The son of one of George C. Marshall's closest assistants, Deane graduated from West Point with the first class of World War II and served in combat under the dynamic General Terry de la Mesa Allen Sr. After the war, he led a German espionage unit in operations against the Soviets, personally led the first foot patrol following the course of the Berlin Wall as it was being constructed, participated in the 1965 Dominican Republic intervention, and saw combat in Vietnam. In 1975, he received his fourth star and became commander of the US Army Materiel Development and Readiness Command.In Lessons in Leadership, this exceptional soldier not only discusses working with some of the army's most influential and colorful leaders -- including James M. Gavin, William E. DePuy, William Westmoreland, and Creighton Abrams Jr. -- but also the many junior officers who helped him develop the leadership skills for which he became well known. Throughout, he offers eyewitness accounts of key Cold War--era events as well as wise observations concerning the leadership and management challenges facing the Department of Defense. Ably edited and annotated by Jack C. Mason, Deane's illuminating memoir also features interviews with several of Deane's contemporaries, whose comments and recollections are interspersed to provide depth and context to the narrative.

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From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

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The ingredients are simple -- beer, cheese, and spices -- and the result is delicious. Still, beer cheese is a rarefied dish not common in cookbooks or on menus. Since the 1940s, this creamy appetizer with a kick, traditionally served with pretzels, has quietly found its way into pubs and restaurants throughout the South and Midwest. The original recipe is cloaked in a mystery nearly as deep as the JFK assassination. Ask most makers and they'll act demure about the contents of their dip. Some refuse to disclose what kind of beer or cheese they use or which extra spices they add. Others keep their preparation instructions secret.Garin Pirnia traces the history of beer cheese from its beginnings at the Driftwood Inn in Winchester, Kentucky, to today, situating it alongside other dishes such as the German cheese spread obatzda, queso dip, and pimento cheese. She surveys the restaurants that serve this distinctive dip, highlights points of interest along the Beer Cheese Trail, and includes dozens of recipes, from the classic original, to new twists like Pawpaw Beer Cheese, to dishes that incorporate the spread, such as Crab Broccoli, Beer Cheese Casserole, and Beer Cheese Buttermilk Biscuits.Packed full of interviews with restauranteurs who serve it, artisans who process it, and even home cooks who enter their special (and secret) recipes in contests, The Beer Cheese Book will entertain and educate, all while making your mouth water. Fortunately, it will also teach you how to whip up your own batch.

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In Integrated, James W. Miller explores an often ignored aspect of America's struggle for racial equality. He relates the story of the Lincoln Institute -- an all-black high school in Shelby County, Kentucky, where students prospered both in the classroom and on the court. In 1960, the Lincoln Tigers men's basketball team defeated three all-white schools to win the regional tournament and advance to one of Kentucky's most popular events, the state high school basketball tournament. This proud tradition of African American schools -- a celebration of their athletic achievements -- was ironically destroyed by integration.This evocative book is enriched by tales of individual courage from men who defied comfort and custom. Miller describes how one coach at a white high school convinced his administrators and fans that playing the black schools was not only the right thing to do, but that it was also necessary. He discusses John Norman "Slam Bam" Cunningham, the former Lincoln Institute standout who became an Armed Forces All-Star and later impressed University of Kentucky Coach Adolph Rupp on the Wildcats' home floor. Miller also tells the story of a young tennis prodigy whose dreams were denied because he could not play at the white country club, but who became the first African American to start for an integrated Kentucky high school basketball championship team.Featuring accounts from former Lincoln Institute players, students, and teachers, Integrated not only documents the story of a fractured sports tradition but also addresses the far-reaching impact of the civil rights movement in the South.

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Saving seeds to plant for next year's crop has been key to survival around the globe for millennia. However, the twentieth century witnessed a grand takeover of seed producers by multinational companies aiming to select varieties ideal for mechanical harvest, long-distance transportation, and long shelf life. With the rise of the Slow Food and farm-to-table movements in recent years, the farmers and home gardeners who have been quietly persisting in the age-old habit of conserving heirloom plants are finally receiving credit for their vital role in preserving both good taste and the world's rich food heritage.Kentucky Heirloom Seeds: Growing, Eating, Saving is an evocative exploration of the seed saver's art and the practice of sustainable agriculture. Bill Best and Dobree Adams begin by tracing the roots of the tradition in the state to a 700-year-old Native American farming village in north central Kentucky. Best shares tips for planting and growing beans and describes his family's favorite varieties for the table. Featuring interviews with many people who have worked to preserve heirloom varieties, this book vividly documents the social relevance of the rituals of sowing, cultivating, eating, saving, and sharing.

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Veit Harlan (1899--1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and beginning a promising career, he became one of Joseph Goebbels's leading filmmakers under the National Socialist regime. Harlan's Jud Süss ( Jew Suss, 1940), in particular, stands as one of the most artistically distinct and morally reprehensible films produced by the Third Reich. His involvement with this movie has led to many critical questions: Was the director truly forced to make the film under penalty of death? Is anti-Semitism a theme in his other productions? Can and should his work be studied in light of the horrors of Nazism and the Holocaust?The first English-language biography of the notorious director, Veit Harlan presents an in-depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan's life and work were marked by creative vision, startling ambiguities, and deep moral flaws. His meticulously detailed study explores the director's influence on German cinema and places his work within the contexts of World War II and film history as a whole.Rivaled only by Leni Riefenstahl, Veit Harlan remains one of Germany's most infamous filmmakers, and virtually every book on Nazi cinema contains at least one chapter about Harlan or an analysis of one of his movies. This biography -- supplemented by production histories and rare interviews with actors, actresses, and cameramen -- offers the first comprehensive analysis of the director and his work and adds new perspective to the growing body of scholarship on filmmaking under the Third Reich.

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During the first two years of World War I, Germany struggled to overcome a crippling British blockade of its mercantile shipping lanes. With only sixteen dreadnought-class battleships compared to the renowned British Royal Navy's twenty-eight, the German High Seas Fleet stood little chance of winning a direct fight. The Germans staged raids in the North Sea and bombarded English coasts in an attempt to lure small British squadrons into open water where they could be destroyed by submarines and surface boats. After months of skirmishes, conflict erupted on May 31, 1916, in the North Sea near Jutland, Denmark, in what would become the most formidable battle in the history of the Royal Navy.In Jutland, international scholars reassess the strategies and tactics employed by the combatants as well as the political and military consequences of their actions. Most previous English-language military analysis has focused on British admiral Sir John Jellicoe, who was widely criticized for excessive caution and for allowing German vice admiral Reinhard Scheer to escape; but the contributors to this volume engage the German perspective, evaluating Scheer's decisions and his skill in preserving his fleet and escaping Britain's superior force. Together, the contributors lucidly demonstrate how both sides suffered from leadership that failed to move beyond outdated strategies of limited war between navies and to embrace the total war approach that came to dominate the twentieth century. The contributors also examine the role of memory, comparing the way the battle has been portrayed in England and Germany. An authoritative collection of scholarship, Jutland serves as an essential reappraisal of this seminal event in twentieth-century naval history.

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The story of African Americans in Kentucky is as diverse and vibrant as the state's general history. The work of more than 150 writers, The Kentucky African American Encyclopedia is an essential guide to the black experience in the Commonwealth.The encyclopedia includes biographical sketches of politicians and community leaders as well as pioneers in art, science, and industry. Kentucky's impact on the national scene is registered in an array of notable figures, such as writers William Wells Brown and bell hooks, reformers Bessie Lucas Allen and Shelby Lanier Jr., sports icons Muhammad Ali and Isaac Murphy, civil rights leaders Whitney Young Jr. and Georgia Powers, and entertainers Ernest Hogan, Helen Humes, and the Nappy Roots. Featuring entries on the individuals, events, places, organizations, movements, and institutions that have shaped the state's history since its origins, the volume also includes topical essays on the civil rights movement, Eastern Kentucky coalfields, business, education, and women.For researchers, students, and all who cherish local history, The Kentucky African American Encyclopedia is an indispensable reference that highlights the diversity of the state's culture and history.

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Southern Voices: Biet Dong and the National Liberation Front presents oral histories from former members of an elite squad of Viet Cong operatives, focusing on their experiences during what is known, in Vietnam, as the American War. Author Michael Robert Dedrick conducted interviews with eight former Biet Dong (the equivalent of Ranger or Special Forces divisions in the US military) and sheds new light on this clandestine group.Best known for their role in the 1968 Tet Offensive, the Biet Dong in the south were organized units hiding in plain sight. Members included farmers, tradespeople, agents, spies, monks, students, intellectuals, and journalists - both young and old, men and women. They were highly patriotic, politically motivated, and very secretive, operating in three-person cells under aliases. Their voices and experiences emerge in this bilingual volume.In recent years, historians have made greater use of Vietnamese primary sources and transformed the study of one of the twentieth century's most controversial conflicts. Ably curated by Dedrick - who also offers his own perspectives as a veteran and peace activist - the firsthand accounts in Southern Voices add a new layer to the history of the Vietnam War and its aftermath.

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Characterised by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley's unique artistry is as recognizable and striking as ever. From his years on Broadway to the director's chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley's life remains a mystery.Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous "parade of faces" technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before.Jeffrey Spivak's meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley's private memoirs, Spivak unveils the colorful life of one of cinema's greatest artists.

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From the foreword:"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains even though I've been country all my life. The twang in my voice has moved downhill to the flat land a time or two."Perfect Black is a book of poems and legends about ancestry, culture, and the terrain of a Black girl becoming. It is a narrow and spacious terrain that enters the bloodstream of this black writing girl's body early. It is a country that she never truly exits even though different zip codes continue to fly through her wild, wondrous, winding life. We read and we hold on too.

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Frederick Law Olmsted, popularly known as the "Father of American Landscape Architecture," is famous for designing New York City's Central Park, the U.S. Capitol grounds, and the campuses of institutions such as Stanford University and the University of Chicago. His celebrated projects in Boston, Buffalo, Detroit, Milwaukee, and other cities led to a commission from the city of Louisville, Kentucky, in 1891. There, he partnered with community leaders to design a network of scenic parks, tree-lined parkways, elegant neighborhoods, and beautifully landscaped estate gardens that thousands of visitors still enjoy today.The Olmsted Parks of Louisville is the first authoritative manual on the 380 species of trees, herbaceous plants, shrubs, and vines populating the nearly 1,900 acres that comprise Cherokee, Seneca, Iroquois, Shawnee, and Chickasaw Parks. Designed for easy reference, this handy field guide includes detailed photos and maps as well as ecological and historical information about each park. Author Patricia Dalton Haragan also includes sections detailing the many species of invasive plants in the parks and discusses the native flora that they displaced.This guide provides readers with a key to Olmsted's vision, revealing how various plant species were arranged to emphasize the beauty and grandeur of nature. It will serve as an essential resource for students, nature enthusiasts, and the more than ten thousand visitors who use the parks.

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Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959--1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964--1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director.Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timely volume discuss a variety of topics. They explore Eastwood's arresting critique and revision of the traditional western in films such as Unforgiven (1992), as well as his attitudes toward violence and the associated concept of masculinity from the Dirty Harry movies (starting in 1971) to Gran Torino (2008). The essays also chart a shift in Eastwood's thinking about the value of so-called rugged individualism, an element of many of his early films, already questioned in Play Misty for Me (1971) and decisively rejected in Million Dollar Baby (2004).Clint Eastwood has proven to be a dynamic actor, a perceptive and daring director, as well as an intriguing public figure. Examining subjects such as the role of civil morality and community in his work, his use of themes of self-reliance and religious awareness, and his cinematic sensibility, The Philosophy of Clint Eastwood will provide readers with a deeper sense of Eastwood as an artist and illuminate the philosophical conflicts and resolutions that drive his films.

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