Search results for ""university of virginia press""

This text is a look at how the social welfare system in the United States developed, and with what results. It critically assesses how social workers invent themselves as they simultaneously invent their field of knowledge, and in so doing, upsets conventional understandings of social work.

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Forty million Americans indulged in a national obsession in 1930: they eagerly tuned in Amos 'n' Andy, the nightly radio comedy in which a pair of white actors portrayed the adventures of two black men making a new life in the big city. Meanwhile, some angry African Americans demanded that Amos 'n' Andy be banned, even as others gathered in the barbershops and radio stores of Harlem to chuckle over the adventures of Amos, Andy, and the Kingfish. Melvin Patrick Ely unveils a fascinating tale of America's shifting color line, in which two professional directors of blackface minstrel shows manage to produce a serives so rich and complex that it wins admirers ranging from ultra-racists to outspoken racial egalitarians. Eventually, the pair stir further controversy when they bring their show to television. In a preface written especially for this new edition of his acclaimed classic, Ely shows how white and black responses to his Adventures of Amos 'n' Andy since 1991 tell a revealing story of their own about racial hopes and fears at the turn of the twenty-first century.

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Entering its nineteenth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.

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From 1642 to 1660, live theater was banned in England. The market for printed books, however—including plays—flourished. How did this period, when plays could be read but not performed, affect the way drama was written thereafter? As Katherine Mannheimer demonstrates, the plays of the following decades exhibited a distinct self-consciousness of drama’s status as a singular art form that straddled both page and stage.Scholars have commented on how the ban on live performance changed the way consumers read plays, but no previous book has addressed how this upheaval changed the way dramatists wrote them. In Restoration Drama and the Idea of Literature, Mannheimer argues that Restoration playwrights recognized and exploited the tension between print and performance inherent to all drama. By repeatedly and systematically manipulating this tension, these authors’ works sought to court the reader while at the same time also challenging emergent concepts of "literature" that privileged textuality and print culture over the performing body and the live voice.

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What does it mean for a nation and its citizens to be virtuous? The term "virtue" is ubiquitous in eighteenth-century British literature, but its definition is more often assumed than explained. Bringing together two significant threads of eighteenth-century scholarship—one on republican civic identity and the mythic legacy of the freeborn Briton and the other on how England’s global encounters were shaped by orientalist fantasies— Orienting Virtue examines how England’s sense of collective virtue was inflected and informed by Eastern empires.Bethany Williamson shows how England’s struggle to define and practice national virtue hinged on the difficulty of articulating an absolute concept of moral value amid dynamic global trade networks. As writers framed England’s story of exceptional liberties outside the "rise and fall" narrative they ascribed to other empires, virtue claims encoded anxieties about England’s tenuous position on the global stage, especially in relation to the Ottoman, Mughal, and Far Eastern empires. Tracking valences of virtue across the century’s political crises and diverse literary genres, Williamson demonstrates how writers consistently deployed virtue claims to imagine a "middle way" between conserving ancient ideals and adapting to complex global realities. Orienting Virtue concludes by emphasizing the ongoing urgency, in our own moment, of balancing competing responsibilities and interests as citizens both of nations and of the world.

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Social design—the practice of designing for poverty relief—is one of the most popular fields in contemporary architecture. Its advocates, focusing on the architect’s creativity and good intentions, are overwhelmingly laudatory, while its detractors, concerned with the experience of its beneficiaries, have dismissed it as an expression of cultural imperialism. Placed midway between innocuous celebration and radical critique, Sustainability and Privilege highlights the lessons that can be learned from social design’s current limitations and proposes a feasible way to improve this practice.In this broad-ranging account, enlivened by fieldwork and case studies, Gabriel Arboleda contends that social design’s invocation of sustainability often serves to marginalize and displace vulnerable populations through projects that involve experimentation of faulty alternative technologies, or that result in so-called green gentrification, or that impose untoward economic and other burdens. Arboleda is fiercely critical of the way social design has been carried out in impoverished regions of the world, most notably in Africa and Latin America. In addressing the challenges posed by issues of privilege in social design’s use of sustainability, the book proposes a new interdisciplinary approach called ethnoarchitecture, arguing for a simpler, open-ended, and stakeholder-driven process that eliminates the casual imposition of the architect’s ideas on vulnerable populations, foregrounding the people’s voices, experience, and input in social design practice.

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To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly.Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

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A country bitterly divided between two political parties. Populist mobs rising in support of a reactionary rabble-rouser. Foreign interference in the political process. Strained relations between Britain and Europe. These are not recent headlines they are from the year 1710, when Queen Anne ruled Britain.In her engagingly written Backlash, Rachel Carnell tells the fascinating and entertaining account of the reign of Queen Anne and the true story behind the fall of the Whig government imaginatively depicted in the 2018 film The Favourite. As Carnell shows, the truth was significantly different and in many ways more interesting than what the film depicted.The backlash began in 1709 when the Whigs arrested a popular female Tory political satirist and then impeached a provocative High Church clergyman for preaching a sermon repudiating the ideals of parliamentary monarchy and religious tolerance. The impeachment trial backfired, and mobs surged in the streets supporting the Tory preacher and threatening religious minorities. With charges dropped against the satirist, by 1710 she had written a best-selling sequel.Queen Anne was careful and diligent in her monarchical duties. She tried to run a government balanced between the parties, but finally torn between the Whigs (including her longtime friends the Duke and Duchess of Marlborough) and the proto-Brexiteer Tories, she dissolved Parliament and called for elections. This brought in a majority for the Tories, who swiftly began passing reactionary legislation. While the Whigs would return to power after Anne's death in 1714 and reverse the Tory policies, this little-known era offers an important historical perspective on the populist backlashes in the United States and United Kingdom today.

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Eighteenth-century British culture was transfixed by the threat of contagion, believing that everyday elements of the surrounding world could transmit deadly maladies from one body to the next. Physicians and medical writers warned of noxious matter circulating through air, bodily fluids, paper, and other materials, while philosophers worried that agitating passions could spread via certain kinds of writing and expression. Eighteenth-century poets and novelists thus had to grapple with the disturbing idea that literary texts might be doubly infectious, communicating dangerous passions and matter both in and on their contaminated pages.Reading Contagion, Annika Mann argues that the fear of infected books energized aesthetic and political debates about the power of reading, which could alter individual and social bodies by connecting people of all sorts in dangerous ways through print. Daniel Defoe, Alexander Pope, Tobias Smollett, William Blake, and Mary Shelley ruminate on the potential of textual objects to absorb and transmit contagions with a combination of excitement and dread. This book vividly documents this cultural anxiety while explaining how writers at once reveled in the possibility that reading could transform the world while fearing its ability to infect and destroy.

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The stages of antebellum New Orleans did more than entertain. In the city's early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world.Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage.Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.

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This collection of papers chronicles George Washington's first winter at Morristown. Situated in the hills of north central New Jersey, Morristown offered protection against the British army headquartered in New York yet enabled Washington to annoy the principal enemy outposts.

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Beginning with Madison's return to Washington from Montpelier, this fourth volume in the ""Secretary of State"" series ends with the acquisition of Louisiana by the United States. The letters show Madison's response to the ""Louisiana Crisis"" as it happened and annotation aids understanding of events.

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The ""holy poor"" have long maintained an elite status within Christianity. Differing from the ""real"" poor, these clergymen, teachers, and ascetics have historically been viewed by their fellow Christians as persons who should receive material support in exchange for offering immeasurable immaterial benefits—teaching, preaching, and prayer. Supporting them—quite as much as supporting the real poor—has been a way to accumulate eventual treasure in heaven. Yet from the rise of Christian monasticism in Egypt and Syria to present day, Christians have argued fiercely about whether monks should work to support themselves.In Treasure in Heaven, renowned historian Peter Brown shifts attention from Western to Eastern Christianity, introducing us to this smoldering debate that took place across the entire Middle East from the Euphrates to the Nile. Seen against the backdrop of Asia, Christianity might have opted for a Buddhist model by which holy monks lived by begging alone. Instead, the monks of Egypt upheld an alternative model that linked the monk to humanity and the monastery to society through acceptance of the common, human bond of work. This model of Third World Christianity—a Christianity that we all too easily associate with the West—eventually became the basis for the monasticism of western Europe, as well as for modern Western attitudes to charity and labor. In Treasure in Heaven, Brown shows how and why we are still living—at times uncomfortably—with that choice.

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The pivotal figure in John Elder's latest book - itself a combination of environmental history, travel writing, literary criticism, and memoir - is the nineteenth-century diplomat and writer George Perkins Marsh, generally regarded now as Americais first environmentalist. Like Elder, Marsh was a Vermonter, and his diplomatic career took him for some years to Italy, where, witnessing the ecological devastation wrought upon the landscape by runaway deforestation and the plundering of other natural resources, he was moved to produce his famous manifesto, Man and Nature. Marsh drew parallels between the despoiled Italian environment and his home landscape of Vermont, warning that it was vulnerable to ecological woes of a similar magnitude if not carefully maintained and protected. In short, his was a prescient voice for stewardship. On a Fulbright year, Elder chooses to follow in Marsh's footsteps along a trajectory running from Vermont to Italy, and at length fetches up at the managed forest of Vallombrosa - which, as it happens, boasts a stand of sugar maples planted by Marsh. Punctuated throughout with learned and genial considerations of the poetry of Wordsworth, Basho, Dante, and Frost, Elderis narrative takes up issues of sustainability as practiced locally, reports on family doings (including his wife's reconnecting with Italian relatives), and returns finally - as did Marsh's - to Vermont, where he measures traditional stewardship values against more aggressive conservation-oriented measures such as the expansion of wilderness areas. Elder also extends the idea of sustainability from maintaining a healthy human-environmental balance to maintaining a strong web of social relationships within both the family and the larger community. Here is an exceptional reading experience, the chance to follow two of the finest chroniclers of our place in nature - separated by years, but by surprisingly little else.

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The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa.Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

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Entering its seventeenth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.

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How do we create the new from the old? The Architecture of Influence explores this fundamental question by analysing a broad swath of twentieth-century architectural works--including some of the best-known examples of the architectural canon, modern and postmodern--through the lens of influence. The book serves as both a critique of the discipline’s long-standing focus on "genius" and a celebration of the creative act of revisioning and reimagining the past. It argues that all works of architecture not only depend on the past but necessarily alter, rewrite, and reposition the traditions and ideas to which they refer. Organized into seven chapters--Replicas, Copies, Compilations, Generalizations, Revivals, Emulations, and Self-Repetitions--the book redefines influence as an active process through which the past is defined, recalled, and subsequently redefined within twentieth-century architecture.

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In 1799, at the behest of President George Washington, Patrick Henry came out of retirement to defend the Constitution that he had once opposed and to thwart Thomas Jefferson and James Madison, whom Washington accused of putting party over country and threatening the fragile union. For the People, For the Country tells the remarkable story of how the most eloquent public speaker of the American Revolutionary era and a leading antifederalist during debates over ratification of the Constitution reemerged on the side of the federalists and once again changed history.Much more than a fire-breathing demagogue, the Patrick Henry we encounter here comes to life as a principled leader of the young nation who believed above all in working with a government elected by the people, advocating for political change in "a constitutional way"--at the ballot box. A gripping narrative, this book will change long-held views of this great Founding Father.

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The first prose collection by the award-winning poet and educator Brenda Hillman. These short essays on six Ms of the art of poetry make the form accessible in a novel way, exploring words that might appear incompatible but become dancing partners in Hillman's artistic vision: metaphor and metonymy; meaning and mystery; magic and morality.

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Seven Virginians, the culmination of a lifetime of erudition by one of America’s leading historians, reveals the integral role played by seven major Virginians before, during, and after the American Revolution: George Washington, Thomas Jefferson, James Madison, James Monroe, George Mason, Patrick Henry, and John Marshall.Most accounts of the founding generation focus only on the activities of the "big three"—Washington, Jefferson, and Madison—but Boles incorporates the key contributions of these other four important figures to the political and legal structures that govern the United States to this day. At the same time, Boles is clear-eyed about the Revolutionary generation’s problems and their fading from the scene, inaugurating the beginnings of Virginia’s political decline in the early nineteenth century. In so doing, Boles provides the crucial Virginian piece to the ongoing reevaluation of the United States’ founding moment.

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What would it mean to reorient the study of Haitian literature toward ethics rather than the themes of politics, engagement, disaster, or catastrophe? Looking for Other Worlds engages with this question from a distinct feminist perspective and, in the process, discovers a revelatory lens through which we can productively read the work of contemporary Haitian writers.Régine Michelle Jean-Charles explores the "ethical imagination" of three contemporary Haitian authors—Yanick Lahens, Kettly Mars, and Evelyne Trouillot—contending that ethics and aesthetics operate in relation to each other through the writers’ respective novels and that the turn to ethics has proven essential in the twenty-first century. Jean-Charles presents a useful framework for analyzing contemporary literature that brings together Black feminism, literary ethics, and Haitian studies in a groundbreaking way.

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What would it mean to reorient the study of Haitian literature toward ethics rather than the themes of politics, engagement, disaster, or catastrophe? Looking for Other Worlds engages with this question from a distinct feminist perspective and, in the process, discovers a revelatory lens through which we can productively read the work of contemporary Haitian writers.Régine Michelle Jean-Charles explores the "ethical imagination" of three contemporary Haitian authors—Yanick Lahens, Kettly Mars, and Evelyne Trouillot—contending that ethics and aesthetics operate in relation to each other through the writers’ respective novels and that the turn to ethics has proven essential in the twenty-first century. Jean-Charles presents a useful framework for analyzing contemporary literature that brings together Black feminism, literary ethics, and Haitian studies in a groundbreaking way.

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At the turn of the twentieth century, Amélie Rives was one of the most famous women in America. A member of Virginia’s First Families—and granddaughter of a U.S. senator, she belonged to the southern aristocracy. Considered one of the great beauties of her time, Rives leveraged both her connections and her own considerable talent to become a best-selling author and then married into the wealthy Astor family. As Jane Turner Censer makes clear in this long overdue biography, Rives’s personal story—filled with enormous triumphs and calamities—was, if anything, as fascinating as her art.Rives’s most famous novel, The Quick or the Dead?, published when she was just twenty-four, was a sensation in its time, but soon she began to grapple with marital woes, an addiction to morphine and cocaine, and reams of unfavorable press coverage. Dramatically she took control of her celebrity: she divorced her husband and married a Russian prince, broke free of addiction, and changed her image to that of a European princess. Rives then regained her writing career, including plays produced on Broadway.Censer draws from Rives’s early diaries, correspondence, and publications as well as the massive newspaper coverage she received during her lifetime to provide insights into the limits imposed on and actions taken by ambitious, elite young women in the late nineteenth-century South. As a trailblazer, Rives used her beauty, brains, and wayward behavior to make a splash in a manner later adopted by southern women as disparate as Zelda Fitzgerald and Tallulah Bankhead.

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The Elections of 2020 is a timely, comprehensive, scholarly, and engagingly written account of the 2020 elections. It features essays by an all-star team of political scientists in the immediate aftermath of the 2020 general election, chronicling every stage of the presidential race as well as the coterminous congressional elections, paying additional attention to the role of the media and campaign finance in the process. Broad in coverage and bolstered by tables and figures presenting exit polls and voting results in the primaries, caucuses, and the general election, these essays discuss the consequences of these elections for the presidency, Congress, and the larger political system.

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The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation's landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.Essayists examine a variety of U.S. places - ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture where historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America's past and future cannot be understood.

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Jane Tompkins, a renowned literature professor and award-winning author, thought she knew what reading was until, struck by a debilitating illness, she finds herself reading day and night because it is all she can do. A lifelong lover of books, she realizes for the first time that if you pay close attention to your reactions as you read, literature can become a path of self-discovery. Tompkins's inner journey begins when she becomes captivated unexpectedly by an account of friendship between two writers to whom she'd given little thought, Paul Theroux and V. S. Naipaul. Theroux's memoir launches her on a path of introspection that stretches back to the first weeks of her life in a Bronx hospital, and forward to her relationship with her mother and the structure of her present marriage. Her reading experience, intensified by the feelings of powerlessness and loss of self that come with chronic illness, expands to include writers such as Henning Mankell and Ann Patchett, Alain de Botton, Elena Ferrante, and Anthony Trollope. As she makes her way through their books, she recognizes herself in them, stumbling across patterns of feeling and behavior that have ruled her without her knowing it—envy, a desire for fame, fear of confronting the people she loves, a longing for communion. The reader, along with Tompkins, comes to the realization that literature can be not only a source of information and entertainment, not only a balm and a refuge, but also a key to unlocking long-forgotten memories that lead to a new understanding of one's life.

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Following the defeat of Hillary Clinton in the presidential election of 2016, many prominent scholars and political pundits argued that a successful Democratic Party in the future must abandon identity politics. While these calls for Democrats to distance themselves from such strategies have received much attention, there is scant academic work that empirically tests whether nonracial campaigns provide an advantage to Democrats today. As Christopher Stout explains, those who argue for deracialized appeals to voters may not be considering how several high-profile police shootings and acquittals, increasing evidence of growing racial economic disparities, retrenchments on voting rights, and the growth of racial hate groups have made race a more salient issue now than in the recent past. Moreover, they fail to account for how demographic changes in the United States have made racial and ethnic minorities a more influential voting bloc.The Case for Identity Politics finds that racial appeals are an effective form of outreach for Democratic candidates and enhance, rather than detract from, their electability in our current political climate.

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Throughout volume 20 of the Presidential Series, George Washington looked forward to retirement from public life, preparing a farewell address to announce his intention and leave behind guiding principles for the nation. Relations with Great Britain and France dominated foreign policy, as the House of Representatives agreed to implement the provisions of the Jay Treaty and as the president responded to a looming diplomatic crisis by recalling James Monroe, U.S. minister to France. Washington also remained involved with his private affairs, taking pains to retrieve Martha Washington's runaway slave Ona (Oney) Judge, actions that did not square easily with aspirations expressed in his farewell address regarding "the happiness of the people of these States, under the auspices of liberty.

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Ralph Waldo Emerson is one of the most important figures in American nature writing, yet until now readers have had no book devoted to this central theme in his work. The Best Read Naturalist fills this lacuna, placing several of Emerson’s lesser-known pieces of nature writing in conversation with his canonical essays. Organized chronologically, the thirteen selections—made up of sermons, lectures, addresses, and essays—reveal an engagement with natural history that spanned Emerson’s career. As we watch him grapple with what he called the “book of nature,” a more environmentally connected thinker emerges—a “green” Emerson deeply concerned with the physical world and fascinated with the ability of science to reveal a correspondence between the order of nature and that of the mind. The Best Read Naturalist illuminates the vital influence that the study of natural history had on the development of Emerson’s mature philosophy.

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Guns had an enormous impact on the social, economic, cultural, and political lives of civilian men, women and children of all social strata in early modern England. In this study, Lois Schwoerer identifies and analyzes England’s domestic gun culture from 1500 to 1740, uncovering how guns became available, what effects they had on society, and how different sectors of the population contributed to gun culture.The rise of guns made for recreational use followed the development of a robust gun industry intended by King Henry VIII to produce artillery and military handguns for war. Located first in London, the gun industry brought the city new sounds, smells, street names, shops, sights, and communities of gun workers, many of whom were immigrants. Elite men used guns for hunting, target shooting, and protection. They collected beautifully decorated guns, gave them as gifts, and included them in portraits and coats-of-arms, regarding firearms as a mark of status, power, and sophistication. With statutes and proclamations, the government legally denied firearms to subjects with an annual income under £100?about 98 percent of the population?whose reactions ranged from grudging acceptance to willful disobedience.Schwoerer shows how this domestic gun culture influenced England’s Bill of Rights in 1689, a document often cited to support the claim that the Second Amendment to the United States Constitution conveys the right to have arms as an Anglo-American legacy. Schwoerer shows that the Bill of Rights did not grant a universal right to have arms, but rather a right restricted by religion, law, and economic standing, terms that reflected the nation's gun culture. Examining everything from gunmakers’ records to wills, and from period portraits to toy guns, Gun Culture in Early Modern England offers new data and fresh insights on the place of the gun in English society.

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Robert Riley has been a renowned figure in landscape studies for over fifty years, valued for his perceptive, learned, and highly entertaining articles, reviews, and essays. Much of Riley’s work originally ran in Landscape, the pioneering magazine at which Riley succeeded the great geographer J. B. Jackson as editor. The Camaro in the Pasture is the first book to collect this compelling author’s writing. With diverse topics ranging from science-fiction fantasies to problems of academic design research, the essays in this volume cover an entire half-century of Riley’s observations on the American landscape. The essays – several of which are new or previously unpublished – interpret changing rationales for urban beautification, the evolution and transformation of the strip, the development of a global landscape of golf and resorts replacing an older search for exoticism, and the vernacular landscape as wallpaper rather than quilt. Ultimately, Riley envisions our future landscape as a rapidly fluctuating electronic net draped over the more slowly changing and familiar land- and building-based system. Throughout, Riley emphasizes the vernacular landscape of contemporary America – how we have shaped and use it, what it is becoming, and, above all, how we experience it.

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In Intimate Reconstructions, Catherine Jones considers how children shaped, and were shaped by, Virginia’s Reconstruction. Jones argues that questions of how to define, treat, reform, or protect children were never far from the surface of public debate and private concern in post–Civil War Virginia. Through careful examination of governmental, institutional, and private records, the author traces the unpredictable paths black and white children traveled through this tumultuous period. Putting children at the center of the narrative reveals the unevenness of the transitions that defined Virginia in the wake of the Civil War: from slavery to freedom, from war to peace, and from secession to a restored but fractured union. While some children emerged from the war under the protection of families, others navigated treacherous circumstances on their own. The reconfiguration of postwar households, and disputes over children’s roles within them, fueled broader debates over public obligations to protect all children.The reorganization of domestic life was a critical proving ground for Reconstruction. Freedpeople’s efforts to recover children strained against white Virginians’ efforts to retain privileges formerly undergirded by slavery. At the same time, orphaned children, particularly those who populated the streets of Virginia’s cities, prompted contentious debate over who had responsibility for their care, as well as rights to their labor.By revisiting conflicts over the practices of orphan asylums, apprenticeship, and adoption, Intimate Reconstructions demonstrates that race continued to shape children’s postwar lives in decisive ways. In private and public, children were at the heart of Virginians’ struggles over the meanings of emancipation and Confederate defeat.

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Over the past three decades, American evangelical Christians have undergone unexpected, progressive shifts in the area of race relations, culminating in a national movement that advocates racial integration and equality in evangelical communities. The movement, which seeks to build cross-racial relationships among evangelicals, has meant challenging well-established paradigms of church growth that built many megachurch empires. While evangelical racial change (ERC) efforts have never been easy and their reception has been mixed, they have produced meaningful transformation in religious communities. Although the movement as a whole encompasses a broad range of political views, many participants are interested in addressing race-related political issues that impact their members, such as immigration, law enforcement, and public education policy. Ambivalent Miracles traces the rise and ongoing evolution of evangelical racial change efforts within the historical, political, and cultural contexts that have shaped them. Nancy D. Wadsworth argues that the stunning breakthroughs this movement has achieved, its curious political ambivalence, and its internal tensions are products of a complex cultural politics constructed at the intersection of U.S. racial and religious history and the meaning-making practices of conservative evangelicalism. Employing methods from the emerging field of political ethnography, Wadsworth draws from a decade’s worth of interviews and participant observation in ERC settings, textual analysis, and survey research, as well as a three-year case study, to provide the first exhaustive treatment of ERC efforts in political science.

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The New York Times–bestselling author Donald McCaig has established an expansive literary career, founded equally on books about working sheepdogs and the Civil War novels Jacob’s Ladder and Rhett Butler’s People, the official sequel to Gone with the Wind. In his new book, Mr. and Mrs. Dog, McCaig draws on twenty-five years of experience raising sheepdogs to vividly describe his—and his dogs June and Luke’s—unlikely progress toward and participation in the World Sheepdog Trials in Wales. McCaig engagingly chronicles the often gruelling experience—through rain, snow, ice storms, and brain-numbing heat—of preparing and trialling Mrs. Dog, June, ""a foxy lady in a slinky black-and-white peignoir,"" and Mr. Dog, Luke, ""a plain worker—no flash to him."" Along the way, he relays sage advice from his decades spent talking with America’s most renowned dog experts, from police-dog trainers to positive-training gurus. As readers of McCaig’s novels will expect, Mr. and Mrs. Dog delivers far more than straightforward dog-training tips. Revealing an abiding love and respect for his dogs, McCaig unveils the life experiences that set him on the long road to the Welsh trial fields. Starting with memories of his first dog, Rascal, and their Montana roadtrip in a ’48 Dodge, McCaig leads us into his thirties, when he abandons his New York advertising career to move to a run-down Appalachian sheep farm in the least populous county in Virginia. This 1960s agrarian adventure ultimately brings McCaig, Luke, and June to the Olympics of sheepdog trials. In his narration of one man’s love for his dogs, McCaig offers a powerful portrayal of the connection between humans and their animal companions.

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Nationalism in nineteenth-century America operated through a collection of symbols, signifiers citizens could invest with meaning and understanding. In Confederate Visions, Ian Binnington examines the roots of Confederate nationalism by analysing some of its most important symbols: Confederate constitutions, treasury notes, wartime literature, and the role of the military in symbolising the Confederate nation.Nationalisms tend to construct a glorified past, an idyllic picture of national strength, honor, and unity, with a past often based on a vision of what should be true rather than what actually was. Binnington considers here the ways in which the Confederacy was imagined by antebellum Southerners through a group of intertwined mythic concepts—the ""Worthy Southron,"" the ""Demon Yankee,"" the ""Silent Slave,"" and a sense of shared history deemed Confederate Americanism. These symbols were repeatedly invoked and entwined by the producers of Confederate nationalism. The Worthy Southron, the constructed Confederate self, was imagined as a champion of liberty, counterposed to the Demon Yankee other, a fanatical abolitionist and enemy of Liberty. The Silent Slave, meanwhile, was a companion to the vocal Confederate self, loyal and trusting, reliable and honest. The road to the creation of an American identity was fraught with struggle, political conflict, and ultimately bloody Civil War. Confederate Visions examines literature, newspapers and periodicals, visual imagery, and formal state documents to explore the origins and development of these symbols of wartime Confederate nationalism.

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In the nearly two centuries since the first building’s completion in Thomas Jefferson’s academical village, programs and facilities at the University of Virginia have been continually expanded and updated. This second edition of Susan Tyler Hitchcock’s The University of Virginia: A Pictorial History, first published in 1999 and updated in 2003, traces Mr. Jefferson’s favorite project through an appropriately rich pageant of images and text. The book’s main chapters, arranged chronologically, follow the rise of the university from its founding to the accomplishments of John T. Casteen III’s presidency and the appointment of Teresa A. Sullivan as the university’s eighth, and first female, president. In this second edition, Casteen’s legacy is considered, including AccessUVa, the university’s groundbreaking full-need financial aid program; initiatives to position the University of Virginia as a global leader; and major expansion of the physical facilities, including the Arts Precinct, the South Lawn Project, John Paul Jones Arena, the Harrison Institute and Small Special Collections Library, and groundbreaking for the Emily Couric Clinical Cancer Center. The final chapter includes an essay on the historic preservation of the Academical Village and looks forward with new president Teresa A. Sullivan as Mr. Jefferson’s university sits poised on the eve of its bicentennial celebration. Highlights include interviews with John T. Casteen III and Teresa A. Sullivan.

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This collection of essays on seventeenth-century Virginia, the first such collection on the Chesapeake in nearly twenty-five years, highlights emerging directions in scholarship and helps set a new agenda for research in the next decade and beyond. The contributors represent some of the best of a younger generation of scholars who are building on, but also criticizing and moving beyond, the work of the so-called Chesapeake School of social history that dominated the historiography of the region in the 1970s and 1980s. Employing a variety of methodologies, analytical strategies, and types of evidence, these essays explore a wide range of topics and offer a fresh look at the early religious, political, economic, social, and intellectual life of the colony.ContributorsDouglas Bradburn, Binghamton University, State University of New York * John C. Coombs, Hampden-Sydney College * Victor Enthoven, Netherlands Defense Academy * Alexander B. Haskell, University of California Riverside * Wim Klooster, Clark University * Philip Levy, University of South Florida * Philip D. Morgan, Johns Hopkins University * William A. Pettigrew, University of Kent * Edward DuBois Ragan, Valentine Richmond History Center * Terri L. Snyder, California State University, Fullerton * Camilla Townsend, Rutgers University * Lorena S. Walsh, Colonial Williamsburg Foundation

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This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary ‘Nanny of the maroons,’" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.This book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY.

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Women have practiced as landscape architects for over a century, since the founding of the practice as a profession in the United States in the 1890s. They came to landscape architecture as gardeners, garden designers, horticulturalists, and fine artists. They simultaneously shaped the profession while reflecting contemporary practice. It is all the more surprising, then, that the history of women in American landscape design has received relatively little attention. Thaisa Way corrects this oversight in ""Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century"". Describing design practice in landscape architecture during the first half of the twentieth century, the book serves as a narrative both of women - such as Beatrix Jones Farrand, Marian Cruger Coffin, Annette Hoyt Flanders, Ellen Biddle Shipman, Martha Brookes Hutcheson, and Marjorie Sewell Cautley - and of the practice as it became a profession.

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The twenty essays collected here explore the Virginia story throughout the Civil War era. Some contributors examine Robert E. Lee and the issues confronting his men, such as soldier morale and religious conversion. Others emphasize the wartime home front - in some cases reexamining its connection with the battlefront - or explore questions of gender, race, or religion. Several essays extend the story into the postwar years and consider various Virginia individuals or groups in the context of the conflict's aftermath. Building on current knowledge, but often contesting conventional thinking, the essays give the most comprehensive view yet of Civil War Virginia and suggest avenues of inquiry that remain to be explored.

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During the last four months of 1793, the period documented by volume 14 of the ""Presidential Series"", George Washington and his administration remained chiefly involved with maintaining the neutrality of the United States. The activities of French privateers in American waters required the administration to respond to requests from state governors for guidance about implementing the neutrality policy and to complaints from British minister George Hammond about seizures of British ships. As a result, the administration had to decide on the extent of America's territorial waters. Another threat to neutrality arose from reports of French-sponsored expeditions into Spanish Florida and Luisiana. These problems were made more difficult by the administration's increasingly public poor relations with French minister Edmond Genet.Other topics of interest include frontier defense and concerns about British retention of northwestern forts; news from Europe, including reports that a truce with Portugal would free corsairs from Algiers to attack American commerce; problems associated with the arrival of refugees from Saint Domingue; and the ubiquitous applications for appointments to federal office. The volume also records the preparation of Washington's annual message - an extended process that involved input from each member of the cabinet.The signature event of these four months, however, was the yellow fever epidemic at Philadelphia. Identified in August, the growing epidemic soon depopulated the city through departures and deaths. Perhaps speeded by the progress of the disease, Washington himself left the city on September 10, making a previously planned trip to Mount Vernon. Some questioned whether Congress could safely meet at the capital in December, and Washington sought advice about whether he had the constitutional power to alter the location at which Congress would convene and about where the government might move. Washington himself took lodgings at Germantown in November, and ultimately, the waning of the disease made action unnecessary.Among personal matters, the management of Mount Vernon claimed much of Washington's attention. He signed a contract with a new farm manager, William Pearce, and his letters to Pearce and to interim manager Howell Lewis convey information and advice. Moreover, in a letter to the English agriculturalist Arthur Young, he broached a proposal to rent out four of the five farms at Mount Vernon to immigrant farmers, describing his estate in considerable detail.

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Volume 13 of the ""Presidential Series"" documents the period from 1 June through 31 August 1793, a time when Washington focused his efforts as president on keeping the United States neutral during the war between France and Great Britain. The greatest challenge came from the presence in U.S. ports of both British and French privateers and their prizes. Frequent correspondence with the state governors, especially Thomas Mifflin of Pennsylvania and George Clinton of New York, kept the president informed of the latest arrivals. The cabinet, consisting of Secretary of the Treasury Alexander Hamilton, Secretary of State Thomas Jefferson, Secretary of War Henry Knox, and Attorney General Edmund Randolph, met frequently at Washington's behest, both with and without him. These meetings produced a series of cabinet opinions delineating America's neutrality policy. An effort to solicit the Supreme Court for an opinion on regulations designed to enforce America's neutrality policy, however, failed. The administration also was unsuccessful in its attempt to prosecute American citizens who enlisted for service on French privateers. At the same time, Charles Edmond Genet, the French minister plenipotentiary to the United States, failed to cooperate with the administration's directives concerning French privateers and prizes. This fact, combined with his attempt to influence the American political process, led to the cabinet's decision to ask the French government for Genet's recall. While some Americans opposed the neutrality policies of the administration, others did not, and Washington received numerous letters of support from municipal and civic organizations in the maritime states. Other issues of national concern included Washington's approval of additional foreign loans and the administration's preparations for a peace treaty with hostile Indians in the Northwest Territory. The president also paid considerable attention to the desire of the citizens of South Carolina and Georgia for a military expedition against the Cherokees, Creeks, and other southern Indians. Washington, however, decided against the use of force at this time. In his private life, Washington continued his efforts to manage his Mount Vernon farms while living in Philadelphia. The death of his estate manager in June provided additional anxiety as Washington searched for a replacement. He also continued his role as the patriarch of an extended family. He was particularly engaged in offering advice on estate management to Frances Bassett Washington, the widow of his nephew George Augustine Washington.

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