Search results for ""kerber verlag""

In his figurative painting, Tim Sandow (*1988) brings together the imagined cliché of a type of person with a superabundance of details. Situations that seem to come from day-to-day life appear perplexing at second glance. The paintings give the impression that they are inviting us into their world and ultimately cause us to recoil again and again from the vacant stares of the people who populate the pictures. Text in English and German.

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Karaoke bars and noisy motorbikes, AIDS and capitalism, Buddhism and homosexuality, the allure of Western brands and a worn out country, marked by war – the works of Vietnamese artists Truong Tan, Nguyen Minh Thanh, Nguyen Quang Huy and Nguyen Van Cuong are both blunt and introspective, marked by fury and tenderness. Their work stands for a society on the brink of change – and they mark the beginning of a new art, the onset of contemporary art in Vietnam. Their unconventional works, their art performances and installations – the first ever in Vietnam – have established them as the most important protagonists of a free young art scene that emerged in Hanoi in the early 1990s. Their works have found their place not only in the collections of leading museums such as Singapore Art Museum and National Gallery Singapore, Solomon R. Guggenheim Foundation New York or Fukuoka Asian Art Museum; even recent art historical surveys in Vietnam itself now honour their names as ground-breaking artists. Four extensive artist sections are the core of the book. The archive of German artist Veronika Radulovic enables us to make these radical works accessible for the first time. Don’t Call it Art! tells the initial story of four artists and thereby bridge a gap in Vietnamese art history of the 20th century.

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Dominik Schmitt (*1983) is primarily interested in philosophical and biological questions about the self and the unimaginably vast network of causes and effects to which everything in life is subject. Through his mixed-media technique, involving acrylics, oils, and pencils on collaged canvas, he combines the human and the animal, depicting their organs with allusions to the aesthetics of biological illustrations of bodies. Schmitt’s images are dominated by a dark, almost gloomy colour palette. This publication provides an overview of Schmitt’s recent paintings. Text in English and German.

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Claire Morgan’s (*1980) sculptures shake up our notion of a world neatly separated into nature and culture. She allows nature to break into the context of art by creating minimalist arrangements of plastic bits, seeds, and corpses. The artist uses taxidermy animals to fracture this supposed geometrical clarity, intermingling the artificial and the constructed with life and death. With her spaces and eco-poetic sculptures, Morgan creates a refuge for nature as still life, deftly bringing us closer to the endangered beauty and fragility of her fauna. Text in English and German.

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Salvage: The title alludes to the reused and recycled content of Jackie Nickerson's 2020 series of studio portraits that explore the homogeneity of portraiture - balance, similarity, proportions, size - that characterise the genre. With her photographic examination of old masters and modern paintings, Nickerson (* 1960) illuminates the way in which artists over centuries interpret the observed world in their own way by using common visual techniques and means of expression in different media.

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After the Excitement is the first monograph on the artistic work of Linus Riepler (* 1984). The main focus is on his large, expansive installations and sculptures from the last ten years. In particular, it is worked out how the use of space, the interaction with the viewer and the representation of scenic narratives run through Riepler's entire oeuvre. With texts and essays by art historian and curator Daniela Hahn as well as companions from previous exhibition projects. Text in English and German.

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Jana Sophia Nolle’s (*1986) Living Room is a conceptual photographic study documenting temporary homeless shelters recreated in various San Francisco living rooms. The artist worked closely with unhoused persons to understand their improvised dwellings and subsequently approached wealthy people to reconstruct and photograph these shelters in their homes. While Nolle forms an aesthetically striking photographic “inventory, a typology of improvised dwellings, cataloging their various attributes”, her photographs confront the urging socio-political dichotomy of lives most precious and lives most precarious.

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Adrian Sauer (*1976) explores the nature of photography, occupying himself with the current state of the medium in pictures, self-written programs, texts, and installations. In his artistic work, he examines the functionality and pitfalls of photography and questions its big promise of being a reliable, objective reproduction of reality. His new book of works brings together “photo works” of the past ten years and simultaneously provides insights into the migration to digital photography and the new possibilities for showing and seeing that arise from it. Text in English and German.

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Shopping carts: they stand in front of supermarkets day in and day out without attracting any attention. But when they are removed from their usual surroundings, they develop a strange power of attraction. In Berlin, shopping carts are frequently, quite often in nocturnal 'actions,' repositioned, knocked over, hung up, or loaded with curious things. Over two years, the photographer Luca Ellena (*1997) 'portrayed' numerous shopping carts in such unusual surroundings. This has resulted in an absurd artist’s book filled with unexpected stories that we can only imagine. Text in English and German.

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The work of Dries Verhoeven (*1976) blurs the boundaries between installation art and performance. He creates unsettling and ambiguous situations in public spaces, art institutions, and theatres, which disrupt the given relationships between spectators and performers. In Doubt, his first monograph contextualises his latest creations among earlier works. This book includes essays by author Christiaan Weijts, theatre and performance scholar Maaike Bleeker, as well as critic Evelyne Coussens, illuminating Verhoeven's witty sidestepping of the conventions of the various disciplines. Text in English and Dutch.

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The Jewish Museum Frankfurt presents The Female Side of God, based on numerous objects from cultural history and contemporary works of art. In a close reading of these works, the exhibition catalogue introduces this hardly known and oftentimes even 'suppressed tradition'. Comprehensible descriptions of these visual representations of a female deity, which can be found throughout the centuries, alternate with five essays, resulting from an interdisciplinary symposium of the research association 'Religious Positionings'. A highly topical publication, comprising faith, science, and art. Text in English and German.

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What does the current Chinese art scene look like? What talents can you discover here? The art platform BMCA regularly organises art exhibitions and projects that give Chinese artists the opportunity to present themselves. Based on selected works from the BMCA art collection, texts and documents, the new publication presents these 5-year projects and shows how exciting and versatile young art is in China. The book follows the stories of some of China's most exciting young talents and provides insights into a variety of artists and curators. Text in English and simplified Chinese.

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The Bauhaus was one of the most important schools of art, design, and architecture, whose visionary designs continue to be regarded as icons of modernity today. This book provides an in-depth presentation of the second-largest Bauhaus collection in the world. It includes objects from all the phases and fields at the renowned institution, including student works by Marianne Brandt, Josef Albers, or Marcel Breuer, as well as works by Paul Klee, Wassily Kandinsky, or Gunta Stölzl. Objects and materials found in the Bauhaus buildings in Dessau - the Bauhaus Building, the Masters' Houses, the Employment Office, and the Dessau-Törten estate - are presented as well. The book also provides an introduction to the history and development of the school.

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The first of Deutsche Bank Collection's new exhibition series, presented at 'PalaisPopulair' in Berlin, is dedicated to the fascinating artistic medium of paper. The World on Paper shows how the everyday and at the same time sensual material paper opens up surprising possibilities, even in an era of innovative technologies. The publication also documents the fact that works on paper in particular give rise to connections with other media and hence visualise current art in all its breadth. Artists: Doug Aitken, Josef Albers, Georg Baselitz, Joseph Beuys, Hanne Darboven, Ellen Gallagher, Hermann Glöckner, Katharina Grosse, Eva Hesse, Anish Kapoor, William Kentridge, Martin Kippenberger, Imi Knoebel, Maria Lassnig, Markus Lüpertz, Heinz Mack, Helen Marten, Joan Mitchell, Takashi Murakami, Wangechi Mutu, Bruce Nauman, Blinky Palermo, Sigmar Polke, Neo Rauch, Gerhard Richter, James Rosenquist, Karin Sander, Kara Walker, Andy Warhol, Lawrence Weiner, et. al. Text in English and German.

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Dale Grant's Fading Beauty is a collection of photographs capturing the distinctive features displayed by flowers during their life cycle. Flowers all begin life looking rather similar but it is at the moment when they begin to wither and after some time die, that their true individual beauty can be witnessed as the vivid colours of their petals eventually become transparent and muted in tone. Dale Grant sees his images of flowers as portraits and in this direction he sets out to explore life's uniqueness and constant change.

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In 1956, the journalist and photographer Milli Bau set out in a VW-bus to explore the countries along the Silk Road. She spent a longer period of time at some locations, but only passed through others. She later lived in Tehran and worked as a correspondent. Her Rolleiflex and her journal accompanied her on her extraordinary journey, to lands of which some can hardly still be visited today. In her photographs, it is possible to see nearly 20 years of cultural and contemporary history. The publication is a document of contemporary history by a travelling journalist who left Germany in the 1950s and found herself in the world. Milli Bau is an outstanding example of the life of a woman who should not be forgotten. Text in English and German.

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Having lived in the US for almost two decades, Vaterland professor of photography Joerg Colberg (*1968) attempts to understand the political, historical and social developments in his native country, Poland. Text in English, German, and Polish.

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Christine Ödlund’s (*1963) first monograph is composed as a coherent whole, with each part interacting and resonating with the next. Paying particular attention to the proper way of interacting with the multiple forms of intelligence surrounding us, Ödlund finds an inexhaustible source of inspiration in the concept of Deep Listening which states that listening implies becoming aware of oneself as part of a universal whole. The works are the result of the artist transposing sound into form and image, notably through the use of plant pigments. By contemplating the botanical motifs and the soft colours of these works on paper, we might be able to approach the plant kingdom not only with fresh eyes but possibly also with fresh ears.

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Allen Jones is one of the most important protagonists of British Pop Art. Upon the field of stage and dance, sport and advertisement, he plays out his provocative examination of the media image of the woman and traditional gender roles in a variety of media, in full suspense between figuration and gestural abstraction. The Catalogue raisonné of the Graphic Works. Part II is comprised of works between 1995 and 2018, highlighting the prominent rank of his graphics upon which he developed his complete artistic oeuvre, both technically and compositionally.

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The now forgotten East German particle physicist Hubertus M. Frassek believed in the existence of incredibly small black holes. He dreamt of travelling through Southern Germany in a mobile laboratory in order to prove his theories. Why Southern Germany? No one knows anymore. Decades later, Jan Köchermann (*1967) brought this dream to life again. At the invitation of the Kunstverein Göppingen, he undertook the hitherto unfulfilled, odd expedition with Frassek’s Space Collector. The publication itself is part of the “rolling dream along the frontiers of science” as documentation and artist’s book. Text in English and German.

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A museum repository is comparable to the heart of an organism. Exploring a museum storeroom can provide insights that cannot be communicated in an exhibition. This is particularly true of anthropological museums. Thousands of objects in collections are summarised, titled, digitalised, hidden, or rediscovered here. In her photographic work about the storerooms of the Saxon State Ethnographic Collections, the Berlin-based artist Anja Nitz (*1971) confronts the collection’s culture. Through her gaze, the boundaries between the collection’s exponents and the work done in the museum’s repository blur. Clad in their wrappings, objects from the collections are photographed in the places where they are kept. These photographs are eyewitnesses to the current debates about how to deal with the legacy of colonialism and provide some transparency about the current situations of repositories and collections at the anthropological museums in Leipzig, Dresden, and Herrnhut. Text in English and German.

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Katharina Hinsberg’s (*1967) drawing-based practice is one of today’s most innovative. Exploring the basic aspects of drawing, her works constitute media border crossings. In elaborate processes of perforation, drawings on paper are transferred to the wall with a power drill. These wall drawings, as a series of drilled holes, differ from their templates to such an extent that the motifs reveal themselves as being both something made and something absent: Images as possibilities and innuendos. Central to this book is the documentation of the complex creation of a space-filling drawing for the Saarlandmuseum. Text in English and German.

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British-Iranian photographer and filmmaker Mitra Tabrizian creates an unsettling imagery out of ordinary daily life. Atmospherically, she evokes almost unreal scenes, which push reality and its inhabitants into the sublime realm of a fathomless emotional interior. She addresses the incidental and mundane, yet her agenda reaches deeper. With a unique perspective, she inquires the complex social roles of the individual. By revealing too often unnoticed phenomena of contemporary living she challenges our established conceptions of the world. The book presents all of her works since 2012.

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The photographic series Banoo by Samaneh Khosravi (b. 1984) addresses the position of women in Iran today. Despite decades of oppression by a male-dominated society, women are steadily gaining ground in science and the world of work. In order to obtain insight into the situation of women in Iran and how they see themselves, the Iranian-German photographer accompanied protagonists from various different social strata and locations in Iran through their everyday lives. The resulting images show women who, contrary to the official government dogma, are an integral part of social life and are already paving the way for a new generation that will continue to stand up for dignity and the right to personal self-determination in the future. The term Banoo is a word used to refer to women that indicates respect and means lady.

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Since moving from Amsterdam to the rural Uckermark region in north-eastern Germany, artist Marieken Verheyen has undertaken small sensory expeditions into the fascinating forest areas just a short walk from her atelier. She searches for traces of their inhabitants and the people who use the forest and attempts to feel her way into the forest creatures' ways of seeing and thinking. In the process, Verheyen finds, again and again, that the entire world can be found compressed into this small area: contradictory ideas of nature, the often-opposing interests of various users of the forests, and the destructive influence of the climate crisis. Her images also depict the irresistible yet elusive power and beauty of nature.Text in English and German.

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Matthias Mansen (b. 1958) is one of contemporary art''s most influential woodcut artists. With his monumental colour woodcuts, which consist of several printing blocks and are often printed in overlays and ever-new states, Mansen has significantly advanced the art of woodcutting and brought new opportunities for expression to the technique.The major retrospective at the Gottorf Castle Museum of Art and Cultural History and the Kunstmuseum Singen shows works spanning four decades. The centrepiece is Mansen's most recent series Trieste oder die Götter (Trieste or The Gods), in which Mansen focuses on the motif of bathers, a subject matter that has recurred throughout art history. For him, their poses and gestures open up a world of associations with ancient Greek and Roman sculptures, which he explores in his works.Text in English and German.

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Guaymallén is a municipality in the province of Mendoza in Argentina. It was here that La Chola Poblete, Deutsche Bank's Artist of the Year 2023, was born in 1989. The choice to name the exhibition and publication Guaymallén is the artist's tribute to her roots and a reflection on her queer identity. La Chola Poblete is one of the most renowned Latin American artists. Her work combines biographical and cultural-aesthetic references with fundamental criticism. La Chola engages with the consequences of colonialism and capitalism, especially in the context of the obliteration and stereotyping of Indigenous peoples and cultures.Text in English, Spanish and German.

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Since 1953, the Kulturkreis der deutschen Wirtschaft im BDI e. V. has awarded the annual ars viva prize for visual arts to outstanding young artists based in Germany. The award honours work that demonstrates a distinct language of form and an awareness of contemporary issues. This year’s award includes exhibitions at the Rudolf-Scharpf-Galerie of the Wilhelm-Hack-Museum in Ludwigshafen, and at the Belvedere 21 in Vienna, as well as an artist residency on Fogo Island, Canada. The ars viva prize 2024 will be awarded to Atiéna R. Kilfa (b. 1990), Daniel Lie (b. 1988) and caner teker (b. 1994). Text in English and German.

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Usually, people who talk about the Camino de Santiago mention the many kilometres they have travelled, the countless encounters along the way, and evenings spent in rustic guesthouses. Willi Filz (b. 1962) travelled the two great northern Spanish Caminos between 2015 and 2022 after falling victim to a twist of fate. His enchanting landscape and nature photographs do not show streams of pilgrims, lodgings, or cathedrals, but instead bear direct testimony to the experience of stillness and contemplation. The black and white photographs show motifs viewed directly from the Camino, drawn from moments of pause and contemplation. The photographer is not concerned with any kind of spectacular narrative. “The incidental is always there on our journeys, the insignificant always plays a part - and, if I pay attention to it, it whispers in my ear many of the answers I have spent years searching for.” Text in English, German and French.

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Kathrin Landa (b. 1980) is a graduate of the prestigious Hochschule für Grafik und Buchkunst in Leipzig and devotes her art entirely to portrait painting. Her highly acclaimed works live from their expressive objectivity. This catalogue, with an introduction by Michael C. Maurer, showcases the broad spectrum of her work to date, from commissioned pieces to artistic analyses of people at their emotional limits. In his insightful observations, the author Christoph Kolk traces the poetry of her paintings. Stern journalist and couple's therapist Nina Poelchau examines Landa's double portraits and finds that they reveal existential patterns of human relationships. Lastly, writer, artist and curator Martin Oswald explains the creation of a portrait from the perspective of the sitter. This richly illustrated publication is more than just a monograph it is also a work about the very essence of portraiture.Text in English and German.

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Rainer Zerback’s works provide a vision of the world without us and make use of the most varied tradition of historic and current post-human and post-catastrophic scenarios. In his photographs we see traces of human civilization: cars, utility poles, buildings and signs. By drawing our attention to these everyday, profane objects that he has deliberately manipulated, the artist forces us to meditate on the strangeness of our material world while clearly showing how intact and untouched the things are — for now. It seems as if the humans had just vanished into thin air, as if nothing had happened. Text in English and German.

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Dennis Scholl uses repetition. Though he does not always paint the same picture, he repeatedly returns to the same point. The terrain he passes through could be a dream landscape from a night 20 years ago. ‘Landscape’ is suggestive of nature, but the reality portrayed here seems fake. It is more of a park, in which nature has been replicated. And Scholl is not alone here. There are others whom he encounters over and over. But they are no ordinary passers-by; their faces seem like masks - indeed, some of them do wear masks. Are these creatures without expression? "My impression is that there are certain arrangements in place within this loose community. Few things are self-evident here. For the most part, there seems to be more of a skirting around the edges of what is directly obvious. The fingers I would use to point at it would need to have more digits than I have on my hand." - Hans-Christian Dany Text in English and German.

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The book ZEUG is a hybrid between an artist book and a catalogue raisonné and provides a complete overview of the works created since 2006 by the Berlin-based painter René Wirths. The works are also sorted into groups based on in part formal, in part content-related, and often surprising criteria. Wirths is a painter of things whose pictures, despite their hyper realistic attention to detail, nevertheless dissolve again into colour and abstraction. The motifs depicted are thus robbed of their “authenticity” (to quote Heidegger) and become a phenomenological examination of the things that surround us. The book pursues these examinations and supplements the astounding oeuvre by positing new aspects. Text in English, German and French.

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Anna Reivilä (b. 1988, Helsinki) is a land artist and photographer living and working in Porvoo, Finland. In her book Nomad she studies the relationship between humanity and nature by referring to the Japanese bondage tradition. She explores the symbolism of bondage, regarding connections among people and the divine. The Japanese word for bondage, kinbaku-bi, literally means the beauty of tight binding. It is a delicate balance between being held together and being on the verge of breaking. In Reivilä’s photographs the ropes outline the shapes of the objects while exploring the boundaries of humanity.

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Since 1953, the Kulturkreis der deutschen Wirtschaft im BDI e. V. has awarded the annual ars viva prize for visual arts to outstanding young artists based in Germany. The award honours work that demonstrates a distinct language of form and an awareness of contemporary issues in relation to (cultural) history. This year’s award includes exhibitions at the Goethe-Institut Paris and the Haus der Kunst, Munich. The ars viva prize 2023 will be awarded to Paul Kolling (*1993), Shaun Motsi (*1989) and Leyla Yenirce (*1992). Text by Emma Enderby, Olamiju Fajemisin, Adina Glickstein, Min-young Jeon, Maximilian Kraus, Thomas Macho, Nicolaus Schafhausen, Nicholas Tammens, Franciska Zólyom Text in English and German.

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With Macromancy, the British photographer Mark Pinder (*1966) presents a photographic essay on the state of the nation that spans three and a half decades. In it, he examines the social, political, and economic changes that Great Britain (and the North East of England in particular) experienced in the years when traditional industries such as coal mining, engineering, and shipbuilding were declining, as well as the social and political tensions that resulted from this, which have led to the situation in which Great Britain finds itself today.

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The first photo book by the German photographer Stephie Braun (*1995) is titled OPAQUE and brings together works created between 2009 and 2019 from the artist’s archive. From analogue picture material to computer- and smartphone-generated photography, this publication merges various forms of picture and sounds out the boundaries of contemporary photography. The photos are accompanied by a short story and notes that appear between the pictures. This meditation is inspired by the young photographer’s phase of personal discovery, which is reflected in this book.

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Opera, whose name derives from the Italian word for “work,” is a genre in constant flux. While some see it as representing outdated bourgeois culture, for many others it embodies the ultimate art form with almost revolutionary possibilities. Situated next to the State Opera, the PalaisPopulaire, in cooperation with MAXXI - National Museum of XXI Century Arts in Rome, will present the exhibition OPERA OPERA Allegro ma non troppo in 2022. Based on a wide and significant selection of the Museum’s Collection, the show as well as the catalogue are devoted to a quintessentially Italian subject while at the same time exploring the fascination and potential of opera as a theatrical Gesamtkunstwerk - a total work of art - from the perspective of global visual arts. The artists featured deal with physical expression, masking, staging, performativity, experiences of space, and sound. Artists: Vanessa Beecroft, Monica Bonvicini, William Kentridge, Liliana Moro, Olaf Nicolai, Luigi Ontani, Susan Philipsz, Kara Walker. Text in English and German.

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