Search results for ""kapon editions""

In The Story of Lemnos Dimitris Plantzos has written the long history of the relatively unknown and, until recently, somewhat ignored Aegean island of Lemnos. The story is a fascinating narrative, a true chronicle of the place and its people. The book is illustrated throughout in colour. Readers will find detailed information about the society, economy, political life, art, and the intellectual output of the island over time, from the first nomadic settlements during the late Palaeolithic period (ca. 10,500 BC) up to today. There are extensive references to the prehistoric cities of Poliochni and Myrina, to the important sites of Koukonisi, Hephaestia and Kaveirion during the Archaic and Classical periods (7th-4th centuries BC), Lemnos of the Hellenistic and Roman eras, Lemnos as a Byzantine, Venetian, and Ottoman possession, and of course the life of the island and its inhabitants from the liberation of 1912-13 onwards. Finally, we get to read about Lemnos of today: places of historical importance, archaeological sites and museums, also locations of natural beauty, geological monuments and places of ecological interest, beaches and traditional settlements. The author also covers the intangible and gastronomic heritage of Lemnos, and also the music and dance tradition that is alive to this day. Language of text: Greek

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This book attempts a concise yet systematic presentation of the history and cultural identity of the Vlachs, using rare photographs that capture a variety of manifestations of the life of these non-Greek speaking communities at the beginning of the 20th century. The work enriches the bibliography on ethnography and makes an important contribution to the interpretation and understanding of the modern identity of the Vlachs of Greece.The book was published in collaboration with the Egnatia Epirus Foundation. An album of rare photographs highlighting the multiple dimensions of the Vlach populations living in both Greek and Ottoman lands in the Balkans in 1900. Text in Greek.

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'Rafts' by George Douatzis. Seventy-one poems, seventy-one recordings of life, which touch every reader. The deposition of a well-known poetic voice that heightens sensitivity, awakens, provokes. Greek language.

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English language text. 189 mainly colour illustrations. The exhibits on display in the Archaeological Museum of Thessaloniki are presented and illustrated in the pages of this Short Guide. The illustrations are accompanied by a brief explanatory text. This handy format short guide is designed to accompany visitors during their tour of the Museum, and afterwards serves as a keepsake, preserving the memory of the items displayed. The Archaeological Museum of Thessaloniki is one of the largest museums in Greece; its permanent exhibitions include unique masterpieces of ancient Greek art dating from prehistoric times to late antiquity.

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This is not simply a guidebook to the Acropolis Museum: by presenting the works of art exhibited in the museum, it endeavours to resynthesize the history of the Sacred Rock as part of the cultural and the wider historical process of Athens. Following the sequence of the visitor’s tour of the museum, it is lavishly illustrated with photographs, as well as with numerous plans and reconstruction drawings, which enable the reader to understand each of the fragmentarily preserved works in its context. It also answers many of the questions raised in the discerning reader’s mind: what was the size and the population of ancient Athens? what is the meaning of the beasts represented on the large Archaic pediments? what do the Korai statues represent? why did the Erechtheion become so complex and what was the role of the Karyatids? why was the temple of Athena Nike built in the Ionic order? what led Pericles and his advisers to opt for the specific building programme and how were the major public works financed? why was it decided to place an Ionic frieze on the Doric Parthenon? what political messages were transmitted to Sparta through the sculptural decoration of the Parthenon?

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This large format, lavishly illustrated book is silk-bound and slip cased. The book examines man’s relations with gold through myth, art, religion, the economy and everyday life. The Gold of the World traces the course followed throughout the world and through the centuries in man’s quest for gold. It begins with the first acquaintance with the precious metal and continues with the search to locate it and the techniques and methods by which it was worked. From the author’s Prologue: ‘This book attempts to trace the course taken by gold in the company of man. An endeavour of this kind does not try to exhaust the evidence, it simply touches on matters, describes them with a few words and leaves the reader to dream of the Conquistadors of Columbus, the gold-diggers of California, the moneychangers of Istanbul in Kapali Çarşi, of Peshawar in Sarapha Bazaar, to dream of the brokers of Wall Street the day of the great crash in 1929, and the miners of the Transvaal the day they found the huge nugget of gold weighing 70 kilos.' Almost 500 colour illustrations cover the place of gold in our lives in every period of human history, from prehistory to the major ancient civilizations and from the America of Conquistadores to the Europe of the great artists.

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This book is devoted to a category of manuscripts known as proskynetaria, dating mainly from the 17th and 18th centuries. Proskynetaria is the name given to manuscripts containing descriptions of the monuments of Palestine, especially the Christian ones. The manuscripts have many similarities with modern travel books, or with tourist guides to archaeological sites. The miniatures illustrating the manuscripts depict towns and sacred places, churches and monasteries, caves, mountains and lakes, as well as events from the Holy Scriptures and ecclesiastical history and tradition. The proskynetaria are brilliant examples of folk art that form a basic source for Palestine during one period of its history. Greek language text. Over 100 colour illustrations.

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240 colour illustrations. Greek language text. The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia.

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The art of George Kastriotis moves against a background of a Greek-inspired symbolism. It is dominated by the female form in its various manifestations, serving as an allegory for natural phenomena, though busts and other subjects are also found. Inheriting the Archaising tradition from his master, Bourdelle, Kastriotis went on to create a personal version of Academic realism, which he combined with his invention of a new material, his special plaster, a cement of his own devising that he used to perfect his compositions. His sculptures are now to be found in several Museums, Galleries and Collections, as well as in public areas in Greece and Cyprus. Greek and English text. 121 black and white illustrations.

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Archaeological writing is faced with an impasse: it has become repetitive and remote from the reading public. No large-scale excavations are taking place because of the large sums of money required. Archaeological theories are rapidly overturned and archaeological methods are trapped in the technocracy of Archaeometry. The Excavation Manual has emerged from a crisis of this kind. Its texts, written in simple, everyday language, attempt to hint at this situation. Sometimes they are merely descriptive and sometimes condemnatory or satirical. Above all, however, they envisage the renewal of archaeology in action. Text in Greek.

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The thirteen-centuries-old church of Hagia Sophia, dedicated to the Holy Wisdom of God, has been the focus of scholarly interest and debate since the nineteenth century, generating a remarkably rich bibliography both Greek and foreign. However, until now there was no publication aimed at the visitors to this monument. This book fills the need for an informative guidebook, examining all aspects of the subject of the history of the church, its decoration, and its reception throughout history. Russian language edition

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Designed to be a useful travel companion, this book’s descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements. 95 colour illustrations.

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The scholarly interest in the Battle of Marathon remains undiminished. This book presents all the ancient sources and all the scientific theories concerning the battle of Marathon. It provides a full bibliography (from the 17th century to the present day), richly illustrated with old maps. It proposes exciting and original solutions to all the historical issues surrounding this battle of cosmic importance, fought in 490 BC. Historian Christos Dionysopoulos goes head-to-head with 669 authors and 913 articles and books, emerging triumphant with a detailed study which casts light on the events, discovers unseen aspects and proposes interesting and original solutions to the questions surrounding this historic battle. The Academy of Athens awarded a prize for this study, judging it ‘to constitute the fullest, most comprehensive and most scholarly approach to the Battle of Marathon’, and that the author, with his talent for analysis and synthesis, has ‘contributed an archaeological and historical monograph of great significance for the subject of the battle which will underpin scholarship for many years to come.’ Greek language text. 120 colour illustrations.

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95 colour illustrations. The Athens Acropolis and its Museum constitute an integrated architectural and artistic unity, one of the most important in the history of global civilization. This informative and attractive guidebook is designed to be a useful travel companion; its descriptions and interpretative analyses help show the monuments in a new way, through an understanding of the historical, artistic and political events that contributed to their creation. Through the text and the illustrations we get to know the gods and heroes who were worshipped on the Acropolis, the leaders who envisaged the major projects, the artists who brought them to fruition, as well as the innovative ideas they applied, and the Athenian citizens who admired and enjoyed these achievements.

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This is not simply a guidebook to the Acropolis Museum: by presenting the works of art exhibited in the museum, it endeavours to resynthesize the history of the Sacred Rock as part of the cultural and the wider historical process of Athens. Following the sequence of the visitor’s tour of the museum, it is lavishly illustrated with photographs, as well as with numerous plans and reconstruction drawings, which enable the reader to understand each of the fragmentarily preserved works in its context. It also answers many of the questions raised in the discerning reader’s mind: what was the size and the population of ancient Athens? what is the meaning of the beasts represented on the large Archaic pediments? what do the Korai statues represent? why did the Erechtheion become so complex and what was the role of the Karyatids? why was the temple of Athena Nike built in the Ionic order? what led Pericles and his advisers to opt for the specific building programme and how were the major public works financed? why was it decided to place an Ionic frieze on the Doric Parthenon? what political messages were transmitted to Sparta through the sculptural decoration of the Parthenon?

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The Museum of the Royal Tombs of Aigai was built especially to protect the monuments in the burial complex of King Philip II and to facilitate the public’s access to their splendid murals, original large-scale paintings of the Classical period. In the form of an ancient tumulus and encasing the monuments, this Museum-Mausoleum is dedicated to the memory of illustrious historical figures familiar to all. This guide to the Museum of the Royal Tombs takes the reader step-by-step on a tour of this particularly spare and austere, yet atmospheric, exhibition of the treasures from these tombs. Impressive photographs accompany historical information and the presentation of the exhibits, transporting the visitor through space and time, in the footsteps of the remarkable flowering of culture in the land of Macedonia during Classical Antiquity. Russian language edition

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This book is a chronicle of visits made to the Acropolis by Greeks and foreigners in the 19th and 20th centuries. It investigates various subjects: How did successive generations of Greek and foreign visitors experience the shrine of the Acropolis? What course did they follow on their way to the monuments? And how far did they respect the ancient access routes? How was the new "Athenian Walk" created, fulfilling an urban-design vision born at the same time as modern Athens in 1833? The book is written in an elegant yet readily understood style, embellished with rare drawings and photographs, reminding us that in life, as in art, the "journey is the end". English language edition. 218 colour illustrations.

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For many centuries, chests were the only pieces of storage furniture to be found in the Greek home. Highly valued as a functional item, their connection with a wide range of everyday events and the most important stations in a person’s life (birth, marriage and death) gave the chest, from a very early date, a profound, symbolic meaning in the imagination of the Greek people. The important functional role of the chest is apparent in its decoration, which generally reflects beliefs and faith. These beliefs differ from place to place, and this can be seen in the different manner of decoration, which may also depend on general historic and social circumstances and events, as well as the artistic tradition of the region. Drawing on rich seams of Greek folklore and the fruits of many years of field research in every corner of Greece, the book offers an in-depth interpretation of the wealth of decoration found on chests. Preface by Angelos Delivorrias, Director of the Benaki Museum; Foreword by Ioanna Papantoniou, President of the Peloponnesian Folklore Foundation. Over 500 colour illustrations.

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From the Introduction: “In Tinos, dovecotes can be seen everywhere. The most beautiful can be found isolated in gardens, near a village or a little further away or near a spring that irrigates a garden. Others, in the middle of a field, amidst the fig and olive groves, are often associated with a wine-press or a threshing floor for wheat. [ . . .] Usually however, the dovecote is far from the village and almost always includes a room on the ground floor where the owner can store his tools and the harvest, and possibly spend the night. [. . .] the dovecotes of Tinos are undoubtedly the most beautiful and the most numerous in the Cyclades.” Ιn 1955, a young student of the Geneva School of Architecture, Manuel Baud-Bovy, visited Tinos (an island in the Greek Cyclades archipelago) for the first time, staying in a cottage on the sandy beach of Kiona. While exploring the island, Manuel came across some unusual buildings: dovecotes, scattered right across the island. Manuel Baud-Bovy, deeply impressed, decided to compile a systematic list of the dovecotes. He walked all over the island, sometimes sleeping in a village, sometimes under the stars or on a threshing floor, in a chapel, or even in an abandoned dovecote. He discovered about eight hundred of them, which he recorded in four large albums with detailed plans, theories and thoughts, which he submitted to the Geneva School of Architecture for his doctoral dissertation. After 60 and more years, a selection of this rare and valuable material becomes a book, enriched with introductory texts and many photographic documents that capture the dovecotes as they were preserved in 1955. English language edition

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This book tells the fascinating history of the Byzantine Palace of Mistras, erected in the mid-13th century and later expanded to become the seat of the Byzantine governors. From the mid-14th century it was the seat of the Despots of Mistras, and the administrative centre around which commerce and culture flourished during the final phase of the Byzantine Empire. The palace reached its final form with the extensions made at the beginning of the 15th century; it was abandoned in the 18th century and decayed into a three-storey ruin until our times. These ruins, which are described in detail, were investigated, and documented in an extensive photographic archive, leading to a plan for the Palace's restoration according to its original form. The organisation of the restoration work, the techniques employed and the structural details of the building are discussed here in great detail, revealing the Palace in its restored form. English language edition. More than 900 illustrations, many in colour.

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This book, illustrated in colour throughout, offers a concise presentation of the archaeological site of Ancient Messene, in the Greek Peloponnese, written by its excavator and head of the restoration program, and incorporating the latest results of archaeological research. Guided by the book's informative texts, pictures and drawings, the visitor to the site can take in the history of the city, walk around its monumental fortifications and explore the Theatre, the Agora and its sanctuaries, the impressive Stadium with its Palaestra, as well as investigate the area of the funerary monuments. Ancient Messene, in its capacity as a functioning archaeological and ecological park, has acquired its own unique dynamic and independent character. This is because the potential offered by the majestic remains of an entire ancient city, in combination with the controlled building activity in the surrounding modern settlements, has been substantially realized. In addition, the long-term investments in time and effort by all those who worked at the site since 1986 have paid dividends. Greek language edition (an English language edition, ISBN 9786185209483, is also available from the same publisher).

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The Smyrna Quay presents the buildings of this legendary 3 km-long strip of land on the waterfront of the Ottoman port city of Smyrna as a continuous architectural, topographic and historical ensemble. The Quay became an iconic symbol of Smyrna (modern-day Izmir), synonymous with the progress, cosmopolitanism and wealth of its inhabitants, throughout the 47 years period which spanned its existence, from its completion in August 1875 to September 1922. It was then that this glorious sight was lost in the aftermath of the Greco-Turkish war (1919-1922), after the recapture of Smyrna by the Kemalist forces and the Great Fire that followed. Most of the Quay buildings were destroyed by fire, and many of those that escaped the fire fell prey to the reconstruction of the city. Very little of the original waterfront remains intact. The authors have used commercial and travel guides, maps and postcards, as well as computer tools, in order to digitally restore the façades of all buildings of the Smyrna Quay to their original appearance. These reconstructed images form the core of this book. They have studied hundreds of Quay postcards and panoramas, depicting grand mansions, theatres, cafés, consulates, clubs and hotels, as well as the bustling port, administration buildings and agencies. All these showed aspects of the public and private life in an Anatolian city, where the European west wind blew strongly for centuries. Particular attention is paid to the lives of the inhabitants of the Quay - a dynamic, multi-ethnic society. Original research using new techniques shows Smyrna’s Quay as it was. Illustrations include architectural plans and reconstructions as well as photographs and photomosaics. 620 illustrations, 140 drawings. 2-volume set, paperback, slip-cased. Volume 1: Residential and Recreational Sections, 396pp; Volume 2: Commercial and Administrative Sections, 356pp. Greek language text.

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A touching photographic journey, captured in over 500 stereoscopic glass plates by the doctor and photographer Nissim Levis, a member of a prominent family in the Romaniote Jewish community of Ioannina, a city in north-western Greece. They were found by chance, in a historic corner of the city, in the possession of a street vendor who invited passers-by to examine them for a fee by looking into a wooden box. A voyage in time that starts during the last fifteen years of Ottoman rule in Ioannina, with stops along the way for the city’s major historical events and for visits to some of the world’s most cosmopolitan locales of that period. Most of all, however, it is a small tribute to the memory of a group of individuals, the Romaniote Jews of Ioannina, who would otherwise have been remembered only as simple rows on the Holocaust Museum’s list of victims. Not only do we see important historical events unfold over the years, but we also see the everyday life of residents from different ethnic and religious groups—Christians, Jews and Muslims. More than that, the rescued photographs contain valuable information on the diplomatic background and the battle leading to the liberation of Ioannina, and on the historical background and prevailing atmosphere in Europe and in Ioannina between the two World Wars. 266 duotones.

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2nd edition (2017) revised and enlarged, updated to include new historical and archaeological research and new photographic material from the many sites and monuments where excavation and restoration works have provided fresh insights. This book celebrates the athletes, the games, the sanctuaries, the cities and, above all, the inspiring spirit of the ancient Greeks over a span of a millennium and a half—from the earliest mentions of athletics in Homer’s Iliad and other literary sources, through the Classical age, and into the Hellenistic, Roman and late antique periods. Modelled on the physical exercises and competitions that existed in earlier Near Eastern cultures, hundreds of athletic games took place in Greek antiquity, extending across every area of the Mediterranean in which Greek culture flourished. In these five games the magnificent culture and ideology of Greek antiquity flourished, and the spectacle of the games gave rise to a sporting tradition that engages the world to this day.

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The history of Salonica and particularly the life of the Jewish Community are captured in picture postcards of the period 1897-1917. The illustrative material and accompanying texts are divided into eight sections: The People and their Costumes; Street Trades; Industry and Commerce; Homes and Neighbourhoods; Community Buildings and Institutions; Donme (Jews converted to Islam); Events and Prominent Figures; The Cemetery. English and Greek bilingual text. 217 colour illustrations.

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This brief guide to the collections of the National Archaeological Museum of Athens provides general information about all the collections, with an emphasis on the way they are presented in the Museum galleries. It illustrates representative works from each collection, demonstrating the artistic quality and value of the exhibits. The National Archaeological Museum of Athens is the largest archaeological museum in Greece and one of the most important museums in the world devoted to ancient Greek art. Large format paperback, lavishly illustrated in colour throughout

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Mycenae, in the north-eastern corner of the plain of Argos in Greece, built atop a natural stronghold, became the preeminent centre of the advanced culture that dominated mainland Greece from the C16th BC to the C12th BC. That advanced culture was named after this location—the Mycenaean civilization. This new book, lavishly illustrated in full colour throughout, offers a full picture of the archaeological site of Mycenae and its local museum, and describes the basic cultural expressions of the Mycenaean world. Concise texts, colour pictures and original photographic compositions highlight the imposing walls and buildings of the acropolis, the tombs of the Mycenaean rulers, and the museum exhibits, all of which represent various aspects of life and death in the Mycenaean world. Items described and illustrated range from wall-paintings, vases and idols to weapons and precious works of art in gold and ivory. In addition, the book offers an overview of Mycenae through the centuries, beyond Prehistory, until modern times and the excavations at the site. The presentation of the exhibits in the book follows the arrangement of the museum at Mycenae. At the same time, the reader will have the opportunity of an overall view of the achievements of the Mycenaean era, not only of those housed in the Mycenae Museum, but also of all those that vividly reflect the wealth and splendour of this culture. Colour illustrations throughout English language edition

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Photographs frame the narrative of a painful journey from Thessaloniki to Auschwitz: the loss of Renée Revah's family in the concentration camp. She promises her grandfather, the sole family member to avoid this fate, that Tehom' (biblical Hebrew for abyss') will bring him to the scene of the crime, which he had not found the strength to visit.

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Ioannina constitutes a world intertwined with its legends and the elements of nature. A city in which the lake plays a leading role, acting as a scenic artist, but also a narrator. Simultaneously, it is a city which, like the mountains surrounding it, is firmly set on the ground and, at the same time, immersed in the charm of its age-old history. Heroes, religions, myths and memories, all of which are possessions and spoils of this unique Siren, who for thousands of years now has been enticing us into listening to the song of this land.This book attempts to set out on a journey through space and time. With intermediate “stops” at the ages before and after the invention of script, the Byzantine and post-Byzantine times, the city’s conquest by the Ottomans, the reign of Ali Pasha and the Reform period to his demise and the Liberation. With “stops” at the caves of Perama and Kastritsa, Dodona —the Oracle of earth and sky, with the “high-crested” oak tree and the will of Zeus—, the Nissi (Island) —with the significant monastic state and the figures of the ancient Greek philosophers depicted on its wall paintings—, the Castle, the city of the past and the present.Man has always been at the centre of this swirl of events through space and time. It seems that his anxieties, as these were expressed in Dodona’s oracular tablets when he desperately sought prophecies, or when he silently visited a church, a mosque or a synagogue to pray, have barely changed. To him, time is no different than Plato’s perception of it: a moving image of eternity.

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The Basilica B’ in the archaeological site of Philippi dates back to the middle, approximately, of the sixth century AD and is an enigma in the history of architecture of the Justinian period of the Greek area. The present study attempts to clarify key issues of conflicting opinions that burden the relevant literature so far and to improve our knowledge on a number of unclear elements. In this context, the fact that the Basilica B’ was never completed as a building and did not function as a temple is documented, converging with the opinion of the excavator Paul Lemerle, while, at the same time, an attempt is made to determine the architect’s intentions regarding the design of the Basilica. Finally, the timeline of its construction phases is clarified and an attempt is made to determine the identity of the architect who undertook its design and construction.

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The exhibits on display in the Archaeological Museum of Thessaloniki are presented and illustrated in the pages of this Short Guide. The illustrations are accompanied by a brief explanatory text. This handy format short guide is designed to accompany visitors during their tour of the Museum, and afterwards serves as a keepsake, preserving the memory of the items displayed. The Archaeological Museum of Thessaloniki is one of the largest museums in Greece; its permanent exhibitions include unique masterpieces of ancient Greek art dating from prehistoric times to late antiquity. It holds and interprets artefacts from the Archaic, Classical, Hellenistic and Roman periods, mostly from the city of Thessaloniki but also from the region of Macedonia in general. Greek language text. 189 colour illustrations.

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The Archaeological Museum of Thessaloniki, one of the most important in Greece, houses masterpieces of Greek art associated with the history of Ancient Macedonia, from the 2nd millennium BC to the 4th century BC and the reigns of Philip II and Alexander the Great. The Guide to the Museum presents the rich, varied finds from Vergina, Sindos and Derveni and many other important Macedonian sites. Detailed illustrations accompany the descriptions of the objects on display. The introduction to Ancient Macedonia and the informative texts prefacing the descriptions of individual sections are designed to set the objects on display in their historical context, to help visitors to the Museum to enjoy the beauty of ancient art and follow the history of Macedonia.

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The North Pole, the magical kingdom of silence, has always given the impression that it would remain unchanged forever amidst its boundless tracts of ice. But the ice is beginning to melt, the icebergs of Greenland are breaking up and this legendary landscape, threatened by global warming, is gradually being destroyed. As early as the spring of 1987, Francis Latreille began to take photographs of the frozen waste of the Arctic, providing moving testimony to this alien, yet at the same time enchanting, world, and also to his admiration for those who dwell in these inhospitable regions, and their demanding way of life. Through this beautifully illustrated book, first published on the eve of the fourth International Polar Year (2007-2008), he pays tribute to the white paradise and its magical light, and to all those who live in or study the Arctic. 236 colour photograps.

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The Chronicle of Tatoϊ, Volume A 1800-1916 and Volume B 1917-2003, two-volumes, slipcased. Vol A 463pp, Vol B 323pp. 367 illustrations. A history of Tatoï, the summer palace and estate of the former Greek royal family. This book presents a detailed history of a building that was unique by virtue of the nature of its owners. The text embraces many realities simultaneously, thanks to the use of a variety of historical sources, ranging from official state documents to personal diaries and correspondence. Against a continuously renewed natural and architectural background, readers see the history unfolding of four or five generations of men, from labourers and peasants to members of the royal family. The latter are often approached by the author, through their hitherto unknown private documents and personal reminiscences, as private individuals. At the same time, Tatoï is used as a reference point through which readers follow the course of Greek political, social and diplomatic history over the period of about a century (1871-1973). Photographs, drawings and maps supplement the text. Greek language text

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Takis Tloupas was born in Thessaly, grandson of a coppersmith and son of a carpenter, and lived and worked there, in Larisa. He followed the profession of his father, and woodcarving brought him a comfortable living; until a trip to Palaios Pandeleimonas with the Mountaineering Club introduced Takis to photography. The club president was a keen amateur photographer who showed Takis his camera and how it worked. When Takis returned to Larisa he bought his first camera, and took his first photographs—of his sister, Avyi. During a trip to Paris in 1952, Takis made the decision to change his profession and on his return to Greece, he bought a Vespa scooter and began his journeys around Greece. He undertook commissions from the Forestry Inspectorate, the Mechanical Agriculture Department and the Red Cross. In 1960 the Vespa was replaced by a Deux Chevaux, and he continued to travel the whole of Greece, taking over 30,000 photographs of what he saw on his travels, of people and their lives. But it was Larisa that he photographed most as time went by, the city in which he was born and lived. This book is much more than an album of fine photographs. It demonstrates how Takis viewed nature and men through his cameras lens and provides us with the images of a world that the rest of us have not learned to see. 574 black and white photographs.

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