Search results for ""dogma""

By offering an empowering personal program of self-care in recovery, this book provides guidance for everyone affected by widespread modern 'addictiveness'.The book explores Ayurveda's understanding of both the problem of our 'one addiction process' and its solution. It offers holistic techniques that enhance any of the traditional recovery pathways and beyond any of the common diet/exercise dogma from mainstream media. It covers the stress/addictive tendencies of the doshic types, and links this to how stress affects metabolism, the main determinant of health. The program offered in the book is an integration of the philosophy, psychology and physical practices of Yoga and Ayurveda to help people shift their life trajectory.With Yoga of Recovery, author Durga Leela presents a complete resource for working with individuals recovering from addiction.

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Only once in the history of human consciousness, says Osho, has a thing like Zen come into being. In Zen: Its History and Teachings, the noted mystic explains that Zen has no rituals, no chanting, no mantras, no scriptures -- only short, evocative parables and teachings that make it ideal for the modern seeker. Using his characteristic humorous, encouraging style, Osho guides readers through the origins and development of this seminal spiritual tradition that is neither religion nor dogma nor creed. He provides a context for those who have not been born into the Zen tradition, introducing them to its timeless approach to existence. The book argues that the only preparation for fully experiencing Zen's power is meditative awareness, and Osho presents simple techniques to achieve this awareness. Stunning color photographs throughout offer further inspiration and illumination.

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“Google is a champion of cultural democracy, but without culture and without democracy.” In this witty and polemical critique the philosopher Barbara Cassin takes aim at Google and our culture of big data. Enlisting her formidable knowledge of the rhetorical tradition, Cassin demolishes the Google myth of a “good” tech company and its “democracy of clicks,” laying bare the philosophical poverty and political naiveté that underwrites its founding slogans: “Organize the world’s information,” and “Don’t be evil.” For Cassin, this conjunction of globalizing knowledge and moral imperative is frighteningly similar to the way American demagogues justify their own universalizing mission before the world. While sensitive to the possibilities of technology and to Google’s playful appeal, Cassin shows what is lost when a narrow worship of information becomes dogma, such that research comes to mean data mining and other languages become provincial “flavors” folded into an impoverished Globish, or global English.

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John Wesley led the Second English Reformation. His Methodist 'Connexion' was divided from the Church of England, not by dogma and doctrine but by the new relationship which it created between clergy and people. Throughout a life tortured by doubt about true faith and tormented by a series of bizarre relationships with women, Wesley kept his promise to 'live and die an ordained priest of the Established Church'. However by the end of the long pilgrimage - from the Oxford Holy Club through colonial Georgia to every market place in England - he knew that separation was inevitable. But he could not have realised that his influence on the new industrial working class would play a major part in shaping society during the century of Britain's greatest power and influence and that Methodism would become a worldwide religion and the inspiration of 20th century television evangelism.

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The central question animating Dieter Kienast’s anthology is: "Where better can we practice attentive interaction with the natural world than in its microcosm, the garden?"From the start of his career as a landscape architect Kienast also wrote prolifically. Once he intensified his collaboration with architects and urban planners in the 1980s, his essays, commentaries, and statements found their true subject: landscape architectural design in the human habitat, beyond the ecological dogma of a supposedly untouched and self-unfolding nature.Anyone looking for answers to the fundamental questions of the designed environment that are both profound and thought-provoking will enjoy this classic of contemporary landscape architecture. A classic that has finally been republished A collection of texts by one of the most important thinkers in contemporary landscape architecture With an up-to-date commentary on Kienast’s ideas and work by Prof. Udo Weilacher

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"Jesus Outside the Box" is a re-released, re-titled version of the author's previous book "The Magician's Tale". It a short book of twelve incredible stories written from the perspective of some of the lesser known characters of the New Testament. Each story offers an exciting and radical new portrait of the one we call The Christ. The author's intention was to present a picture of Jesus, without the 2,000 of Christian doctrine and dogma that have put him some great ecclesiastical box (and suffocated him the process). The Jesus of these tales has broken free from that box of Churchianity and will help readers do the same. This Jesus is human yet magical, gentle yet dangerous, distrustful of religion, yet unconditionally loving. He is exciting beyond our dreams. You may just discover that you'd thrown the divine baby out with the holy water.

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An Insurrectionist Manifesto contains four insurrectionary gospels based on Martin Heidegger's philosophical model of the fourfold: earth and sky, gods and mortals. Challenging religious dogma and dominant philosophical theories, they offer a cooperative, world-affirming political theology that promotes new life through not resurrection but insurrection. The insurrection in these gospels unfolds as a series of miraculous yet worldly practices of vital affirmation. Since these routines do not rely on fantasies of escape, they engender intimate transformations of the self along the very coordinates from which they emerge. Enacting a comparative and contagious postsecular sensibility, these gospels draw on the work of Slavoj Zizek, Giorgio Agamben, Catherine Malabou, Francois Laruelle, Peter Sloterdijk, and Gilles Deleuze yet rejuvenate scholarship in continental philosophy, critical race theory, the new materialisms, speculative realism, and nonphilosophy. They think beyond the sovereign force of the one to initiate a radical politics "after" God.

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An Insurrectionist Manifesto contains four insurrectionary gospels based on Martin Heidegger's philosophical model of the fourfold: earth and sky, gods and mortals. Challenging religious dogma and dominant philosophical theories, they offer a cooperative, world-affirming political theology that promotes new life through not resurrection but insurrection. The insurrection in these gospels unfolds as a series of miraculous yet worldly practices of vital affirmation. Since these routines do not rely on fantasies of escape, they engender intimate transformations of the self along the very coordinates from which they emerge. Enacting a comparative and contagious postsecular sensibility, these gospels draw on the work of Slavoj Zizek, Giorgio Agamben, Catherine Malabou, Francois Laruelle, Peter Sloterdijk, and Gilles Deleuze yet rejuvenate scholarship in continental philosophy, critical race theory, the new materialisms, speculative realism, and nonphilosophy. They think beyond the sovereign force of the one to initiate a radical politics "after" God.

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This vibrant history of the former German Democratic Republic’s public art reveals a barely known but visually and theoretically rich cultural legacy. Picturing Socialism shows how works of art and design in the urban spaces of East Germany were the site of a sustained struggle between practitioners, critics and political leaders. This was not the oft-assumed conflict between artistic freedom and political dogma; at stake was the self-identity of the republic as socialist. Art and its relationship to architecture functioned as the testing ground for East Germany’s relationship to socialist realism and modernism against the backdrop of Cold War competition from the neighbouring Federal Republic. Picturing Socialism makes a timely contribution to the recent groundswell of interest in the legacy of East Germany’s art and architecture, illuminating and elucidating the public art which has been lost or remains under threat since unification in 1990.

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Luthers Soteriologie ist eingebettet in seine Sicht des Gesamtprozesses des Wirklichen: das irreversibel-endzielstrebig angefangene Werden ("fieri") unserer Welt (der Welt-unseres-schaffenden-Personseins), das uns in seiner dauernden Gegenwart und durch sie zu-verstehen gegeben ist in der gleichursprünglichen asymmetrischen Einheit seiner fundierenden und fundierten Seite. Die fundierende ist das in der absoluten Selbstbestimmtheit (=Dreieinigkeit) Gottes gründende alles "aus nichts auer ihm selber", also innerhalb seiner Allgegenwart, schaffende (endzielstrebig anfangende und durchhaltende) Wollen und Wirken ("opus operari") seines schaffenden Personseins; die fundierte: die endzielstrebig angefangene dauernde Gegenwart des "fieri" unserer Welt und unseres "opus operari". Luther entfaltet das christologische und trinitarische Dogma, welches die neutestamentlich bezeugte christliche Zuspitzung des alttestamentlichen Schöpfungsmythos (Welt- und Menschenverständnisses) zusammenfaßt, als die zutreffende, nämlich durch reife (konkrete) Selbsterfahrung beglaubigte, Beschreibung dieses gegenwärtigen "fieri" unserer Welt. Damit sieht er nicht Gott anthropomorph, sondern uns Menschen theomorph.

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The photographic series Banoo by Samaneh Khosravi (b. 1984) addresses the position of women in Iran today. Despite decades of oppression by a male-dominated society, women are steadily gaining ground in science and the world of work. In order to obtain insight into the situation of women in Iran and how they see themselves, the Iranian-German photographer accompanied protagonists from various different social strata and locations in Iran through their everyday lives. The resulting images show women who, contrary to the official government dogma, are an integral part of social life and are already paving the way for a new generation that will continue to stand up for dignity and the right to personal self-determination in the future. The term Banoo is a word used to refer to women that indicates respect and means lady.

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At the heart of this volume are questions about the psychic components of the modes of thinking we call “fundamentalist”—that is, thinking that disavows multiplicities of meaning, abhors allegorical elements, and strives toward an exclusionary orthodoxy that codifies not just its own world but that of its adversaries, its others. The essays address transcendentalist orthodoxies of all kinds, whether religious or secularist. Fundamentalist elements in psychoanalysis itself are also placed in question, at the same time as psychoanalytic thinking and practice is explored as a mode of knowledge that ultimately unravels fundamentalist tendencies. The texts in this collection represent a wide array of disciplinary standpoints. Their overall aspiration is to interrogate discourses of orthodoxy, literalism, exclusion, and dogma—that is, discourses obsessed with monolithic (monolingual, monological, monolateral, monomythical, and certainly monotheistic) encounters with the world.

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Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status.

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A captivating historical survey of the key debates, questions, and controversies at the intersection of science and religion Throughout history, scientific discovery has clashed with religious dogma, creating conflict, controversy, and sometimes violent dispute. In this enlightening and accessible volume, distinguished historian and Pulitzer Prize–winning author Edward Larson and Michael Ruse, philosopher of science and Gifford Lecturer, offer their distinctive viewpoints on the sometimes contentious relationship between science and religion. The authors explore how scientists, philosophers, and theologians through time and today approach vitally important topics, including cosmology, geology, evolution, genetics, neurobiology, gender, and the environment. Broaching their subjects from both historical and philosophical perspectives, Larson and Ruse avoid rancor and polemic as they address many of the core issues currently under debate by the adherents of science and the advocates of faith, shedding light on the richly diverse field of ideas at the crossroads where science meets spiritual belief.

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Ian McCall has taught meditation and self realisation since 1987 and studied and practised with many esoteric teachers. Early experiences of awakening gave him a sense of the oneness of everything in this life; but this is a practical as well as an esoteric look at self realisation or enlightenment. Ian sees awakening as the birthright of all and the text is stripped of dogma and hierarchy, as far as is possible. The message is that all is not lost for the world, and movement from suffering is not only a possibility, but a simple change starting here, now. The way is simple and does not require years of practice. Having practised Zen Buddhism, Ian felt its essence was lost in tradition, doctrine and a false hierarchy of "enlightenment" and sees his message as a return to the freedom and egality of its mythical founders. It goes beyond ideas of Zen to our own well being here and now.

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This book argues that the "clash of civilizations" that is supposed to be a feature of the post-Cold War environment is not necessarily caused by the dogma of world religions or cultural incompatibilities but by the inflexible and hegemonic universalisms that have characterized world history since 1492—a cultural outlook that Majid terms post-Andalusianism. The all-encompassing worldviews of Euro-American ideologies have resulted in the retreat of Islam and other non-European traditions into dangerous orthodoxies and a growing climate of suspicion, fear, and terror. Freedom and Orthodoxy offers an alternative to perennial discord, suggesting that the world needs a philosophy of the "provincial," one that reattaches individuals and societies to their heritages and memories but connects them to the rest of the world in solid, non-alienating, meaningful ways. For this to happen, Majid contends, globalization must be reimagined as a network of human solidarities and rigorous conversations across the world's multiple cultures, not as a mechanical process of economic expansionism.

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'The Forensic Records Society is like Animal Farm but with blokes for pigs, and much better songs' Guardian Two men with a passion for vinyl create a society for the appreciation of records. Their aim is simple: to elevate the art of listening by doing so in forensic detail. The society enjoys moderate success in the back room of their local pub, The Half Moon, with other enthusiasts drawn to the initial promise of the weekly gathering. However, as the club gains popularity, its founder’s uncompromising dogma results in a schism within the movement and soon a counter group forms. Then the arrival of a young woman called Alice further fractures the unity of the vulnerable society. As rifts are forged and gulfs widen, Magnus Mills examines the surreal nature of ordinary lives. The master of the comic deadpan returns for his ninth novel, a spectacularly disingenuous exploration of power, fanaticism and really, really good records.

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The Sunday Times bestseller. An astonishing account of the sailors, scientists and inventors who sought to understand the weather.**Book of the Week on Radio 4**'Gripping' The Times'Exhilarating' Sunday TimesIn an age when a storm was evidence of God’s wrath, pioneering meteorologists had to fight against convention and religious dogma to realise their ambitions. But buoyed by the achievements of the Enlightenment, a generation of mavericks set out to unlock the secrets of the atmosphere. Meet Luke Howard, the first to classify the clouds, Francis Beaufort, quantifier of the winds, James Glaisher, explorer of the upper atmosphere by way of a hot air balloon, Samuel Morse, whose electric telegraph gave scientists the means by which to transmit weather warnings, and at the centre of it all Admiral Robert FitzRoy: master sailor, scientific pioneer and founder of the Met Office. Peter Moore’s exhilarating account navigates treacherous seas, rough winds and uncovers the obsession that drove these men to great invention and greater understanding.

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Der Katalog zur gleichnamigen Ausstellung widmet sich erstmals dem im Spätmittelalter und in der Frühen Neuzeit verbreiteten Trinitätsbild mit dem Schmerzensmann, der trinitarischen Pietà. Es zeigt Gottvater, der seinen geopferten Sohn präsentiert; ebenso gehört die Taube des Heiligen Geistes zur Ikonografie. In diesem um 1400 entstandenen Bildmotiv wird das abstrakte Dogma der Trinität emotionalisiert und in ein lebendiges Andachtsbild gewandelt. Es findet sich in allen Medien – Malerei, Skulptur, Grafik, Angewandter Kunst – und ist nicht nur in Kirchenausstattungen, sondern auch im Bereich der privaten Frömmigkeit anzutreffen. Es zeigt sich, dass die Darstellungsform der Trinität auch im Zeitalter der Reformation bestehen bleibt, was die Aktualität dieses Themas von der Gotik bis zum Barock verdeutlicht. Erste umfassende Darstellung der trinitarischen Pietà aus dem Mittelalter und der Frühen Neuzeit, die die Zeit der größten Verbreitung um 1500 einschließt Ausschließliche Widmung des Bildes der Trinität mit dem Schmerzensmann Ausstellung: LUDWIGGALERIE Schloss Oberhausen, 2021/2022

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Why is it that a founder often turns into their own business’s worst enemy? What is one of the worst things you can do when trying to tell the world about your new venture? In this insightful book, full of practical ideas, advice, and a little of his dogma, Garry Mansell, a long-time entrepreneur and business advisor, reveals answers to these and many of the other common questions he has been asked in his career advising boards. Known for plain speaking, being a hater of ‘management speak’, and for distilling problems and situations down to their fundamental causes and solutions, the author helps you realise that business is simple. That life doesn’t have to be complicated and that awards dinners can leave you and your clients with a bad feeling in the pit of your stomach, and not just because the caterers didn’t know how to run their own business.

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This vibrant history of the former German Democratic Republic’s public art reveals a barely known but visually and theoretically rich cultural legacy. Picturing Socialism shows how works of art and design in the urban spaces of East Germany were the site of a sustained struggle between practitioners, critics and political leaders. This was not the oft-assumed conflict between artistic freedom and political dogma; at stake was the self-identity of the republic as socialist. Art and its relationship to architecture functioned as the testing ground for East Germany’s relationship to socialist realism and modernism against the backdrop of Cold War competition from the neighbouring Federal Republic. Picturing Socialism makes a timely contribution to the recent groundswell of interest in the legacy of East Germany’s art and architecture, illuminating and elucidating the public art which has been lost or remains under threat since unification in 1990.

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A Fast Company blogger and former McKinsey consultant profiles the next generation business strategists: the "Outthinkers" "Outthinkers" are entrepreneurs and corporate leaders with a new playbook. They see opportunities others ignore, challenge dogma others accept as truth, rally resources others cannot influence, and unleash new strategies that disrupt their markets. Outthink the Competition proves that business competition is undergoing a fundamental paradigm shift and that during such revolutions, outthinkers beat traditionalists. Outthink the Competition presents stories of breakthrough companies like Apple, Google, Vistaprint, and Rosetta Stone whose stunning performances defy traditional explanation and will inspire readers to outthink the competition. Core concepts in the book include: Discover the Eight Dimensions of Disruption Learn to play by the Outthinker Playbook Develop the Five Habits of the Outthinker Implement the Outthinker Process It's time to buck tradition in order to stay ahead. Outthink the competition and uncover opportunities hiding in plain sight.

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“Google is a champion of cultural democracy, but without culture and without democracy.” In this witty and polemical critique the philosopher Barbara Cassin takes aim at Google and our culture of big data. Enlisting her formidable knowledge of the rhetorical tradition, Cassin demolishes the Google myth of a “good” tech company and its “democracy of clicks,” laying bare the philosophical poverty and political naiveté that underwrites its founding slogans: “Organize the world’s information,” and “Don’t be evil.” For Cassin, this conjunction of globalizing knowledge and moral imperative is frighteningly similar to the way American demagogues justify their own universalizing mission before the world. While sensitive to the possibilities of technology and to Google’s playful appeal, Cassin shows what is lost when a narrow worship of information becomes dogma, such that research comes to mean data mining and other languages become provincial “flavors” folded into an impoverished Globish, or global English.

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What did Jesus teach? Distilled from years of study and lecture, affirmed by nearly a million readers over the last fifty years, Emmet Fox''s answer in The Sermon on the Mount is simple. The Bible is a textbook of metaphysics and the teachings of Jesus express--without dogma--a practical approach for the development of the soul and for the shaping of our lives into what we really wish them to be. For Fox, Jesus was no sentimental dreamer, no mere dealer in empty platitudes, but the unflinching realist that only a great mystic can be.In his most popular work, Emmet Fox shows how to: Understand the true nature of divine wisdom. Tap into the power of prayer. Develop a completely integrated and fully expressed personality. Transform negative attitudes into life-affirming beliefs. Claim our divine right to the full abundance of life.

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Discover a new framework of living with the bold, interactive guide of the Radically Content journal. Explore themes like guilt, “I’ll be happy when...,” anxiety, settling, control, healing, shame, self-trust, and being our own worst enemies. Not only will you unlearn the dogma of that discontent, but you will learn practical tools to create a more satisfied life for yourself. With vivid imagery and prompts to guide you along the way, this journal is sure to complete your daily routines and motivate you to find the satisfaction in your everyday life. The Radically Content journal guides you through life and supports you in: ​Cultivating self-trust Defining your own version of “success” Living with intention Rewriting your personal narrative Creating consistent and healing rituals This journal encompasses themes that everyone is familiar with, and it teaches you to overcome and persevere. Learn the basics and more to your self-healing journey with the Radically Content journal.

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Through a series of case studies this book brings to the fore the voices, lives, and capacities of people with mental health problems as well as the difficulties they face. It effectively demonstrates the ways people with mental health problems are active in re-scripting versions of social recovery through their use of very different community spaces. Offers a 'hopeful epistemology' not typically found in mental health-related research Interrogates neo-liberal dogma that defines people with mental health problems as active social citizens wholly responsible for their own recoveries and acceptance Brings to the fore the voices of, lives, capacities and difficulties facing people with mental health problems Imaginatively differentiates rural, urban, interest and technological communities, disrupting familiar and conventional accounts of social inclusion and 'the local' Demonstrates how people with mental health problems are active in re-scripting their own social recoveries through their use and understanding of different social spaces

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When Gauri Lankesh, a prominent journalist in the South Indian city of Bangalore, was assassinated in September 2017 outside her home, it wasn''t just a loss to her close-knit community of journalists, activists, and local leaders - the shock reverberated nationwide, making headlines and sparking protests. Why was she targeted, and who was behind it? In investigating these questions, Rollo Romig unpeels the complex layers of South India, a place of incredible religious diversity, a strong literary tradition, myriad languages, and a fascinating history stretching back millennia. To provide even broader cultural and historical context to the region, Romig explores two other murder investigations alongside Gauri''s, introducing themes of martyrdom, mythmaking, and the legacy of colonial rule. I Am on the Hit List reveals a country that, just like the United States, has been in recent years deeply affected by dogma, dissent, and the decline of democracy. The people speaking up - like Gauri

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Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.Literature is a mode of thinking, stories being one of the oldest thinking ''devices'' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material (''language'') and its subject matter (''reality''). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and n

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Landsmoder, by the Salvadoran poet, historian, and performance artist Elena Salamanca, is a searing, and sometimes grotesque, exploration of the intersections between nationalism, dogma, patriarchy, and violence. Originally read aloud from the oldest standing monument in San Salvador’s centro histórico, the performance poems in Landsmoder retool the laudatory pomp of patriotic ceremony to protest the weaponization of national myth as a mask for erasure, cruelty, and neglect at the hands of the state. This unflinching collection, whose title comes from a Norwegian word that Salamanca translates as “madre de la patria” — or “mother of the nation/homeland/fatherland”— is a work of feminist grief, rage, and irony populated with churning wombs, bloodied flags, and ratteboned she-wolves. Appearing now in a bilingual edition nearly a decade after it was first performed, Landsmoder remains an urgent subversion, loud as ever, both on and off the page.

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Recreational drug use is a world-wide phenomenon. Despite the best efforts of governments, the public fascination with drugs shows no signs of abating. With media accounts of illegal drug use often verging on the hysterical, this book provides a refreshingly balanced and honest account of drug use throughout the world, one based on scientific fact, and not dogma. The book examines all the drugs currently used throughout the world, looking at their effects and side-effects. Why do people use drugs? Why do they become addicted? What are the lessons to be learned from making drugs illegal? Updated for the third edition with chapters rewritten to take account of scientific, epidemiological and political developments since the second edition, and with a new section on the present and future US drug policy from high-profile contributors, the book provides a much needed rational approach to the problem of drug use.

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A courageously personal exploration of gender identity across Muslim cultures, from the West to South Asia. From an early age, Leyla Jagiella knew that she would be defined by two things: being Muslim and being trans. Struggling to negotiate these identities in her conservative, small hometown, she travelled to India and Pakistan, where her life was changed by her time among third-gender communities. Known as hijras in India, khwajasaras in Pakistan, these marginal communities have traditionally been politically and culturally important, respected for their supernatural powers to bless or curse, and often serving as eunuchs in Mughal India’s palaces. But under British colonialism, the hijras were criminalised and persecuted, entrenching taboos they still battle today. Among the Eunuchs reveals vastly varied interpretations of religion, gender and sexuality, illuminating how deeply culture informs our experiences. As identity becomes an ideological battlefield, Jagiella complicates binaries and dogma with her rich personal reflections. Her fascinating journey speaks to all who find themselves juggling different kinds of belonging.

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By his national affiliation and choice of genre, French novelist Gustave Flaubert can be considered emblematic of modernity. This book showcases his specific and highly refined imaginary as at once unique and symptomatic of an era. In particular, it contributes to the controversial discussion of modernity's relation to religion. At a time when new religious fundamentalisms throughout the world are on the rise, this has only become a more pressing issue. Through this single acclaimed author, we realize that modernity can only be understood in terms of its critical rewriting of religious dogma. Strikingly, already in Flaubert, this rewriting emerges in conjunction with questions of the Orient and Orientalism. Flaubert's Orient is an Other that is always already within Western society. By highlighting the complexity of the relation between religion, modernity, and the Oriental, Barbara Vinken's discussion of these issues goes beyond simple binaries. Her Flaubert Postsecular is a model of scholarly research with far-reaching political implications.

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Published more than twenty years ago, Stephen Eric Bronner's bold defense of socialism remains a seminal text for our time. Treating socialism as an ethic, reinterpreting its core categories, and critically confronting its early foundations, Bronner's work offers a reinvigorated "class ideal" and a new perspective for progressive politics in the twentieth century. Socialism Unbound is an extraordinary work of political history that revisits the pivotal figures of the labor movement: Karl Marx, Friedrich Engels, Karl Kautsky, Vladimir Lenin, and Rosa Luxemburg. Examining their contributions as well as their flaws, Bronner shows how critical innovation gave way to dogma. New practical problems have arisen, and this volume engages with the relationship between class and social movements, institutional accountability and democratic participation, economic justice and market imperatives, and internationalism and identity. With a foreword by Dick Howard and a new introduction by the author, Bronner's classic study remains indispensable for scholars and activists alike.

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'The greatest living poet of the Arab world' GuardianCloud, mirror, stone, thunder, eyelid, desert, sea. Through a dead or dying land, Mihyar walks: a figure of heroic individualism and dissent, part-Orpheus, part-Zarathustra. Where he goes, the austere building-blocks of his world become the expressions of passionate emotion, of visionary exaltation and despairing melancholy. The traditions of the Ancient Greeks, the Bible and the Quran flow about and through him.Written in the cosmopolitan Beirut of the early 1960s, Adonis's Songs of Mihyar the Damascene did for Arabic poetry what The Waste Land did for English. These are poems against authoritarianism and dogma, in which a new Noah would abandon his ark to dive with the condemned, and in which surrealism and Sufi mysticism meet and intertwine. The result is a masterpiece of world literature.Translated by Kareem James Abu Zeid and Ivan Eubanks'The most eloquent spokesman and explorer of Arabic modernity' Edward Said

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"Higher Reality Therapy: Nine Pathways to Inner Peace" is an intelligent, but accessible book designed to relieve psychological suffering. Entirely unique in its eclectic approach, this project constitutes a trip back to the future. "Higher Reality Therapy" combines ancient and more recent philosophical traditions - both Eastern and Western - with modern psychology and newly emerging forms of spiritual practice. This book offers a fruitful alternative to people who have not been helped by conventional psychotherapy. It is also useful for those individuals who feel alienated from organized religions, finding no respite for their troubled minds in dogma or ritual. People who are suffering from chronic or diffuse psychological malaise, but who are not yet ready to seek out professional treatment, will benefit by this book as well. What is offered is a program of spiritual self-healing. At the level of personality, improved psychological hygiene is the objective. Taking steps to achieve greater peace of mind is the process.

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Through a series of case studies this book brings to the fore the voices, lives, and capacities of people with mental health problems as well as the difficulties they face. It effectively demonstrates the ways people with mental health problems are active in re-scripting versions of social recovery through their use of very different community spaces. Offers a 'hopeful epistemology' not typically found in mental health-related research Interrogates neo-liberal dogma that defines people with mental health problems as active social citizens wholly responsible for their own recoveries and acceptance Brings to the fore the voices of, lives, capacities and difficulties facing people with mental health problems Imaginatively differentiates rural, urban, interest and technological communities, disrupting familiar and conventional accounts of social inclusion and 'the local' Demonstrates how people with mental health problems are active in re-scripting their own social recoveries through their use and understanding of different social spaces

Read more less

By his national affiliation and choice of genre, French novelist Gustave Flaubert can be considered emblematic of modernity. This book showcases his specific and highly refined imaginary as at once unique and symptomatic of an era. In particular, it contributes to the controversial discussion of modernity's relation to religion. At a time when new religious fundamentalisms throughout the world are on the rise, this has only become a more pressing issue. Through this single acclaimed author, we realize that modernity can only be understood in terms of its critical rewriting of religious dogma. Strikingly, already in Flaubert, this rewriting emerges in conjunction with questions of the Orient and Orientalism. Flaubert's Orient is an Other that is always already within Western society. By highlighting the complexity of the relation between religion, modernity, and the Oriental, Barbara Vinken's discussion of these issues goes beyond simple binaries. Her Flaubert Postsecular is a model of scholarly research with far-reaching political implications.

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Kay Ann Johnson provides much-needed information about women and gender equality under Communist leadership. She contends that, although the Chinese Communist Party has always ostensibly favored women's rights and family reform, it has rarely pushed for such reforms. In reality, its policies often have reinforced the traditional role of women to further the Party's predominant economic and military aims. Johnson's primary focus is on reforms of marriage and family because traditional marriage, family, and kinship practices have had the greatest influence in defining and shaping women's place in Chinese society. Conversant with current theory in political science, anthropology, and Marxist and feminist analysis, Johnson writes with clarity and discernment free of dogma. Her discussions of family reform ultimately provide insights into the Chinese government's concern with decreasing the national birth rate, which has become a top priority. Johnson's predictions of a coming crisis in population control are borne out by the recent increase in female infanticide and the government abortion campaign.

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An expansive dialogue between old and new forms of emancipatory art The 58th Carnegie International traces the geopolitical footprint of the US since 1945 to suggest a historical ground for the images, ideas, objects and people that shape and desire emancipatory expressions and artworks, contextualizing conversations around migration, representation, appropriation and decolonization. This 424-page publication features two dialogical tracks: a historical current that comprises existing works borrowed from institutions, estates and artists, which are placed in dialogue with recent works and new commissions. Artists include: Abdul Hay Mossallam Zarara, Ali Eyal, Võ An Khánh, Andy Robert, Angel Velasco Shaw, Anh Tran, Antonio Martorell, Aziz Hazara, Banu Cennetoglu, Carlos Cañas, Carlos Motta, Christian Nyampeta, Claes Oldenburg, Colectivo 3, Dala Nasser, Daniel Lie, Denzil Forrester, Dia al-Azzawi, Diane Severin Nguyen, Doan Ket, Dogma Collection, Édgar Calel, Felix Gonzalez-Torres, Fereydoun Ave, Giana De Dier, Hiromi Tsuchida, Hyphen—, I Gusti Ayu Kadek Murniasih and Isabel De Obaldía.

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The Ancient Meditation Technique that Brings Real Peace of MindVipassand-bhavand, the development of insight, embodies the essence of the teaching of the Buddha. As taught by S. N. Goenka, this path to self-awareness is extraordinary in its simplicity, its lack of dogma and, above all, its results. The Vipassana technique can be successfully applied by anyone.Based on the lectures and writings of S. N. Goenka--and prepared under his direct guidance--The Art of Living shows how this technique can be used to solve problems, develop unused potential, and lead a peaceful, productive life. It includes stories by S. N. Goenka, as well as answers to students'' questions, that convey a vivid sense of his teaching.S. N. Goenka''s Vipassana courses have attracted thousands of people of every background. Unique among teachers of meditation, Goenka is a retired industrialist and former leader of the Indian Community in Burma. Although a layman, his t

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The bestselling author of The Designer presents a sweeping story of blind faith, family allegiance and how love makes one man question everything he thought he knew. Max Wolff is a committed soldier of the Reich. So when he is sent home wounded, only to discover that his mother is sheltering two young Jewish women in their home, he is outraged. His mother’s act of mercy is a gross betrayal of everything Max stands for. He has dedicated his life to Nazism, fighting to atone for the shame of his anti-Hitler father’s imprisonment. It’s his duty to turn the sisters over to the Gestapo. But he hesitates, and the longer Max fails to do his duty, the harder it becomes. When Allied bombers fill the skies of Germany, Max is forced to abandon all dogma and face the brutality of war in order to defend precious lives. But what will it cost him?

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In this study, Teresa L. Ebert makes a spirited, pioneering case for a new cultural critique committed to the struggles for human freedom and global equality. Demonstrating the implosion of the linguistic turn that isolates culture from historical processes, The Task of Cultural Critique maps the contours of an emerging materialist critique that contributes toward a critical social and cultural consciousness. Through groundbreaking analyses of cultural texts, Ebert questions the contemporary Derridian dogma that asserts "the future belongs to ghosts." Events-to-come are not spectral, she contends, but the material outcome of global class struggles. Not "hauntology" but history produces cultural practices and their conflictive representations--from sexuality, war, and consumption to democracy, torture, globalization, and absolute otherness. With close readings of texts from Proust and Balzac to "Chick Lit," from Lukács, de Man, Deleuze, and Marx to Derrida, Žižek, Butler, Kollontai, and Agamben, the book opens up new directions for cultural critique today.

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Published more than twenty years ago, Stephen Eric Bronner's bold defense of socialism remains a seminal text for our time. Treating socialism as an ethic, reinterpreting its core categories, and critically confronting its early foundations, Bronner's work offers a reinvigorated "class ideal" and a new perspective for progressive politics in the twentieth century. Socialism Unbound is an extraordinary work of political history that revisits the pivotal figures of the labor movement: Karl Marx, Friedrich Engels, Karl Kautsky, Vladimir Lenin, and Rosa Luxemburg. Examining their contributions as well as their flaws, Bronner shows how critical innovation gave way to dogma. New practical problems have arisen, and this volume engages with the relationship between class and social movements, institutional accountability and democratic participation, economic justice and market imperatives, and internationalism and identity. With a foreword by Dick Howard and a new introduction by the author, Bronner's classic study remains indispensable for scholars and activists alike.

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The Provocative Classic The Privileged Planet in a Fully Revised, 20th Anniversary Edition! Are we just an accident of cosmic evolution? Is Earth a “lonely speck in the great enveloping cosmic dark” as the late Carl Sagan put it? Or is there more to the story? In this provocative book, Guillermo Gonzalez and Jay W. Richards marshal a staggering array of scientific evidence to counter the modern dogma that Earth is nothing more than the winner of a blind cosmic lottery.   When The Privileged Planet was first published in 2004, it garnered both praise and rage. But its argument has stood the test of time. In this completely revised 20th anniversary edition, Gonzalez and Richards show how thousands of discoveries of extrasolar planets over the last two decades have only strengthened their case.   They take readers on a mind-expanding journey through our solar system and beyond. Along the way, they explore the mys

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It is fast becoming dogma that French prose emerged out of poetry by a process of deversification in the thirteenth century. Since the earliest extant example of written French prose dates back to the eighth century, this premise cannot be taken at face value. Prose had been the medium of the clercs for many centuries before the thirteenth. It had been honed by constant use to all manner of functions whether legal, diplomatic, epistolary, or edificatory (to name only those exemplified in this study). Early Prose in France is above all a reevaluation, an attempt to call into question the assumption that deversification could have been responsible for the emergence of such lengthy prose works as the crusading chronicles and the encyclopedic translations of the early thirteenth century. In this volume Beer demonstrates the sophisticated stylistic propensities of Early French prose, an effort long needed that does a great service to all French literary scholars.

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A fresh look at how Christianity and Judaism became two distinct religions through the parting of their intellectual traditions How, when, and why did Christianity and Judaism diverge into separate religions? Emanuel Fiano reinterprets the parting of the ways between Jews and Christians as a split between two intellectual traditions, a split that emerged within the context of ancient debates about Jesus’s relationship to God and the world. Fiano explores how Christianity moved away from Judaism through the development of new practices for religious inquiry. By demonstrating that the constitution of communal borders coincided with the elaboration of different methods for producing religious knowledge, the author shows that Christian theological controversies, often thought to teach us nothing beyond the history of dogma, can cast light on the broader religious landscape of late antiquity. Three Powers in Heaven thus marks not only a historical but also a methodological intervention in the study of the parting of the ways and in scholarship on ancient religion.

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This book presents rare evidence about the lives of three African women in the sixteenth century--the very period from which we can trace the origins of global empires, slavery, capitalism, modern religious dogma and anti-Black violence. These features of today's world took shape as Portugal built a global empire on African gold and bodies. Forced labour was essential to the world economy of the Atlantic basin, and afflicted many African women and girls who were enslaved and manumitted, baptised and unconvinced. While some women liaised with European and mixed-race men along the West African coast, others, ordinary yet bold, pushed back against new forms of captivity, racial capitalism, religious orthodoxy and sexual violence, as if they were already self-governing. Many Black Women of this Fortress lays bare the insurgent ideas and actions of Graça, Mónica and Adwoa, charting how they advocated for themselves and exercised spiritual and female power. Theirs is a collective story, written from obscurity; from the forgotten and overlooked colonial records. By drawing attention to their lives, we dare to grasp the complexities of modernity's gestation.

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While ancient civilizations worshipped strong, active emotions, modern societies have favored more peaceful attitudes, especially within the democratic process. We have largely forgotten the struggle to make use of thymos, the part of the soul that, following Plato, contains spirit, pride, and indignation. Rather, Christianity and psychoanalysis have promoted mutual understanding to overcome conflict. Through unique examples, Peter Sloterdijk, the preeminent posthumanist, argues exactly the opposite, showing how the history of Western civilization can be read as a suppression and return of rage. By way of reinterpreting the Iliad, Alexandre Dumas's Count of Monte Cristo, and recent Islamic political riots in Paris, Sloterdijk proves the fallacy that rage is an emotion capable of control. Global terrorism and economic frustrations have rendered strong emotions visibly resurgent, and the consequences of violent outbursts will determine international relations for decades to come. To better respond to rage and its complexity, Sloterdijk daringly breaks with entrenched dogma and contructs a new theory for confronting conflict. His approach acknowledges and respects the proper place of rage and channels it into productive political struggle.

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