Search results for ""author paperblanks""

Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Midnight Steel Address Book pays homage to the craft of delicate gold tooling, originally introduced to Europe via the flourishing trade routes to the East. The timeless beauty of an antique leather binding is brought into the present on the cover of this deep blue book.

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This satin black Nova Stella Nox journal, with its central star shape, exerts an emotional pull like the North Star. The free space around the focal object is as important as the ornamentation, just as deep space is part of what makes stars so inspiring. Let this Paperblanks book design guide your imagination into a universe of possibilities.

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The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover. The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

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In our Your Move journal, we feature a classical character from children’s literature drawn by artist Tim Bowers. With his timeless use of colour and line, Bowers captures the charm of iconic characters from folk and fairy tales. One is never too old or too young to enjoy playtime and the company of legendary characters.

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The 20th-century Canadian artist Alistair Macready Bell is revered for his moody, expressionistic woodprints. An Alistair Bell work is instantly recognisable for its angularity, bold tones and innovative use of natural textures. Paperblanks Mooring journal reflects the characteristic attention to line and internal rhythm of this celebrated printmaker.

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The 20th-century Canadian artist Alistair Macready Bell is revered for his moody, expressionistic woodprints. A gifted student of wild places, Bell travelled the world to sketch boats, birds and animals. Paperblanks Solitary Oryx journal reflects the characteristic angularity, attention to line and internal rhythm of this celebrated printmaker.

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This Paperblanks Silver Filigree Aubergine journal cover was originally designed in Germany in the early 1800s. To achieve the gilded motif, a base layer of silver sheets was first die cut, and elaborate grooves were then etched into its surface. Our silver and deep purple notebook celebrates the technique of filigree, an art form that is a testament to the human drive to ornament.

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William Shakespeare (1564–1616), long considered the greatest of English writers, left few traces of his handwriting. The banned play Sir Thomas More (1595) was written and revised by five different playwrights, of whom scholars now believe Shakespeare to be one. The handwritten manuscript on this Paperblanks journal cover portrays his passionate defence of refugees and displaced people.

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The Lindau Gospels’ bindings were designed to inspire awe when the book was carried in processions or displayed on an altar. Paperblanks Lindau journal depicts the back cover of this bookmaking masterwork, created near Salzburg between 750 and 800 AD. It was tooled in gilt, silver and enamel and adorned with jewels, making for a powerful manifestation of art as a vehicle for belief.

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Combining the Latin words “filum” (thread) and “granum” (seed), silver “filigree” describes an art form that is achieved by first die cutting a base layer of silver sheets and then meticulously etching elaborate grooves into its surface. The binding pattern seen on Paperblanks Silver Filigree Blush Pink journal is inspired by a 1697 French binding of Johann Arndt’s Paradiesgärtlein.

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Ancient spiritual practices meet modern digital art in the work of Android Jones. His art asks the viewer to focus on the potential for awakening, the power of the third eye and the early reverberations of the time that lies before us. With colours both psychedelic and hyper-modern, and imagery combining Eastern iconography with a science fiction aesthetic, Jones is an artist who draws on old traditions and those yet to be born.

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This lovely, organic pattern comes from the illustrious carpet-making traditions of the Moldavian people. The earliest known Moldavian carpets can be dated to the late 18th century, though archaeological findings suggest the craft tradition goes back to the 14th- and 15th-century weaving mills of the Moldavian countryside. By mixing ideals of beauty and harmony with folk mysticism and mythology, Moldavian craftspeople elevate everyday carpets to works of spiritual and cultural expression. This particular design comes from a contemporary rug manufacturer, Floare Carpet, who design their floor coverings in the traditional ways.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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Virginia Woolf wrote with insight about the uncertainty of everyday life. Her novel The Waves, drafted in a series of notebooks including the one reproduced here, is made up of soliloquies spoken by the main characters. Today, the notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the Polonsky Exhibition of The New York Public Library’s Treasures.

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A lifelong artist, Gary Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artwork behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art.

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This lovely, organic pattern comes from the illustrious carpet-making traditions of the Moldavian people. By mixing ideals of beauty and harmony with folk mysticism and mythology, Moldavian craftspeople elevate everyday carpets to works of spiritual and cultural expression. This particular design comes from a contemporary rug manufacturer, Floare Carpet, who design their floor coverings in the traditional ways.

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French artist Claude Monet (1840–1926) was one of the founders of the Impressionist movement. Monet was particularly fascinated with portraying the beauty of nature as the light, shadows and colours changed with each passing moment, day or season. The 1897 painting reproduced on our cover portrays a vibrant bed of colourful chrysanthemums captured in Monet’s distinctive heavy brushstrokes, which beautifully highlight the magnificence of nature.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. Created using woodblock printing done by hand, his evocations of antique florals and plants in all their magical gradation of tints have become design classics gracing the decorative arts.

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Laurel Burch created brilliantly coloured, exquisitely embellished, vibrant and moving artistic themes. Her celestial theme has evolved over the years in a vibrant colour palette emblazoned with shimmering details of silver and gold, including rainbow-hued fish and sprays of colourful flowers cavorting with her suns, moons and stars.

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Luxuriate in the brass and regal blue tones of this Blue Luxe cover design. The original book, crafted in the heart of Amsterdam in 1715, was bound in goatskin with elaborate gold tooling. Contained inside the volume was the Oratio Dominica (Lord’s Prayer) in almost 150 languages and dialects, compiled by English courtier John Chamberlayne, creating a document of global appeal. The intricate details of this design reflect the tapestry of cultures in its original pages.

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William Morris (1834–1896) was one of the most celebrated practitioners of the Arts and Crafts movement. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts, including our book cover.

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This glorious design comes from Sangorski & Sutcliffe, a world-renowned British bindery celebrated for their jewelled bindings, like the one reproduced here. It was originally crafted to house a poem written for Queen Victoria’s Diamond Jubilee.

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Described as the “mise en scène for the romantic drama of American business,” New York City’s Chanin Building was built by Irwin S. Chanin in the late 1920s. Ornately adorned with bronze grilles representing some of the finest Art Deco in the city, the lobby was styled around a “City of Opportunity” concept. One of these ventilator grilles, with loops, spirals and geometric lines symbolizing human thought and emotion, is reproduced here.

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Charlie Chaplin was an English actor, filmmaker and composer remembered as one of the most important figures in the history of film. This pencil case celebrates Charlie Chaplin, commemorating both the 100th anniversary of The Kid, his first feature-length film, and the enduring cultural impact of The Great Dictator, by reproducing the final speech.

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The captivating image on the cover of this Paperblanks journal comes from the first edition of Scottish poet and anthropologist Andrew Lang’s The Violet Fairy Book. Compiled in 1901 by Lang and illustrated by Henry Justice Ford, the book was one in a 12-part series known as Lang’s Fairy Books, with each book named for the colour of its fairy.

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Taking their slightly sullen cues from previous artistic movements, the New Romantics of the 1980s brought their hairstyles and attitudes to new prominence. Our Peacock Punk Address Book celebrates the drama that made the New Romantic movement some of the most ironic good times popular culture has ever had.

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Our Agra journal cover is named for Agra, India, where the Taj Mahal is located. It reproduces a photograph by Gérard Degeorge of one of the Taj Mahal’s iconic marble flowers. To carve into marble is to commit to perfection. Any mistake meant the whole slab had to be discarded. Each of these marbled flowers is its own masterwork.

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This Paperblanks journal design comes from an 1893 binding housing Voltaire’s Zadig, or The Book of Fate. First published in 1747, it tells the story of Zadig, an ancient Babylonian philosopher. The book is a philosophical treatise that provides thematic inspiration for the modern detective story, including for Edgar Allan Poe’s C. Auguste Dupin.

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This Paperblanks journal design comes from an 1893 binding housing Voltaire’s Zadig, or The Book of Fate. First published in 1747, it tells the story of Zadig, an ancient Babylonian philosopher. The book is a philosophical treatise that provides thematic inspiration for the modern detective story, including for Edgar Allan Poe’s C. Auguste Dupin.

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The Taj Mahal is renowned not just for its soaring symmetry and the breathtaking precision of its construction, but also for the floral forms carved in marble that adorn it. A photograph of one of these iconic flowers is reproduced for our Lahori journal, named for Ustad Ahmad Lahori, who is said to have been the grand mausoleum’s chief architect.

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We have captured some of the splendid daybreak palette of ancient Venice with this Paperblanks softcover Flexi notebook. Our Aureo design is inspired by a 1600s Italian cover for a book called The Treatise on Colours. Our book cover embraces the Renaissance value of cultural rebirth by representing an ancient binding with contemporary bookmaking techniques.

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Evocative of an age when the heavens were alive with more than satellites, this softcover Celestial Planisphere Flexi notebook is a romantic’s delight. Frederick de Wit’s spectacular map of the heavens was published in the late 17th century and depicts the hemispheres with representations of the constellations and signs of the Zodiac.

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This pencil case urges you to imagine yourself walking along the winding lanes that are home to the weavers of Varanasi, India. At one time there were as many as 300,000 weavers in the area, but today there are no more than 40,000. We have named it Siyah after the Urdu word for “black.”

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Brilliant fireworks are conjured up by this magnificent pencil case which reproduces the binding La Déclamation Théâtrale (1766), a didactic poem by Claude J. Dorat. Scorned by critics, Dorat persisted in writing an explosion of works. Though his legacy is not that of a major master, one cannot help but admire his incandescent desire to create.

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Our Kuro journal cover showcases a reproduction of an original piece of katagami art. It reproduces a stencil crafted from mulberry bark and persimmon juice. Such stencils are found throughout Japanese culture. The word Kuro means “dark” or “black” in Japanese and it’s the perfect title for this hauntingly shadowed design.

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Olena Skytsiuk is one of the foremost practitioners of Ukrainian Petrykivka painting, a technique in which brushes crafted from cat hairs are used to create a visual effect unlike any other. In each design, like that reproduced on this Moonlight journal cover, thousands of small brush strokes combine to create miniature landscapes and floral scenes.

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Here is journal cover art that shows just how profound charm can be. Featuring the work of Canadian artist Tracy Walker, this Paperblanks Baby Elephant book design combines a folk-art naiveté with a timeless mid-century feel, as well as wondrous detail that is sure to elicit smiles upon closer inspection.

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Maxi VER.

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The image on the cover of Paperblanks Cabaret Cabaret journal was created in the 1930s by French illustrator and painter Gaston Girbal (1888–1978), best known for the posters he designed for Le Casino de Paris. While many of the costume and set designers who captured the look and feel of the Art Deco era remain unheralded, it is a testament to Girbal’s influence that his name is remembered.

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Picnics, summer holidays and lashings of ginger beer… it’s hard not to picture the stories of Enid Blyton when thinking of these nostalgic moments. A prolific writer, Blyton penned over 700 books and thousands of short stories that captured an idyllic childhood full of adventure in the countryside. A common theme in Blyton’s writing is the atmospheric representation of life in a rural landscape. Though her works spanned multiple genres, it was stories that focused on family that were her favourite to write. One of Blyton’s most popular works was The Famous Five, a series of children’s adventure stories that centre around a group of four cousins – Julian, Dick, Anne and George – and George’s dog, Timmy. Reproduced here are the illustrations from the covers of two books in the series, Five on a Treasure Island and Five on Finniston Farm. These classic images are the works of Eileen Soper, whose illustrations bring the wonderfully nostalgic

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Picnics, summer holidays and lashings of ginger beer… it’s hard not to picture the stories of Enid Blyton when thinking of these nostalgic moments. A prolific writer, Blyton penned over 700 books and thousands of short stories that captured an idyllic childhood full of adventure in the countryside. A common theme in Blyton’s writing is the atmospheric representation of life in a rural landscape. Though her works spanned multiple genres, it was stories that focused on family that were her favourite to write. One of Blyton’s most popular works was The Famous Five, a series of children’s adventure stories that centre around a group of four cousins – Julian, Dick, Anne and George – and George’s dog, Timmy. Reproduced here are the illustrations from the covers of two books in the series, Five on a Treasure Island and Five on Finniston Farm. These classic images are the works of Eileen Soper, whose illustrations bring the wonderfully nostalgic

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This Baroque-inspired cover comes from a 1725 binding of The Decameron of Giovanni Boccaccio, a masterpiece of Italian literature. Giovanni Boccaccio (1313–1375) was an Italian writer and poet who helped lay the foundations of Renaissance humanism. With its scope from humour to tragedy and its vivid narrative structure, The Decameron – his defining work – remains an affirmation of humanity and moral values even when read today.  

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Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868). It was originally used as a costume for the theatrical style known as Noh. Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character. In this case, the stiff brocade creates a thick, glossed fabric that would not drape easily – this created an angular effect evoking the spirit of a noblewoman. The pattern of flowering grasses emphasized the character’s femininity. By the Meiji period (1868–1912) Noh had reached such heights that it was widely introduced overseas, and today there are still more than 70 Noh theatres throughout Japan. This beautiful example of karaori costuming can now be found at the Art Institute of Chicago. It is our great pleasu

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Azulejos (meaning small polished stone) are painted, glazed ceramic tiles that date back to 13th-century Portugal where they were used inside buildings during the Gothic period. Today, we see these decorative tiles across a wide range of buildings, from monasteries, palaces and restaurants to bars, railway stations and family homes. The design on the tiles commonly related to the building's unique history, and the individual pieces often end up forming an elaborate mosaic.There are countless wonderful examples of these beautiful tiles all across Portugal. The design seen here is pulled from the traditional tiles gracing the facades of a variety of old houses in Porto. Ornate in detail, these tiles do not just serve as decoration but represent an important part of Portuguese culture and tradition. Held within are stories of their country and its past.

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Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868). It was originally used as a costume for the theatrical style known as Noh. Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character. In this case, the stiff brocade creates a thick, glossed fabric that would not drape easily – this created an angular effect evoking the spirit of a noblewoman. The pattern of flowering grasses emphasized the character’s femininity. By the Meiji period (1868–1912) Noh had reached such heights that it was widely introduced overseas, and today there are still more than 70 Noh theatres throughout Japan. This beautiful example of karaori costuming can now be found at the Art Institute of Chicago. It is our great pleasu

Read more less

Vincent van Gogh was one of the greatest of the Post-Impressionist painters, though he experienced much turmoil in his personal life. After admitting himself to the Saint-Paul Asylum following a severe mental health crisis, Van Gogh began his recuperation by painting the asylum garden, notably its irises. We are honoured to feature this seminal painting from the J. Paul Getty Museum in our collection.  

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