Search results for ""author horace""

Despite his importance and influence, jazz musician, educator, and community leader Horace Tapscott remains relatively unknown to most Americans. In Songs of the Unsung Tapscott shares his life story, recalling his childhood in Houston, moving with his family to Los Angeles in 1943, learning music, and his early professional career. He describes forming the Pan Afrikan Peoples Arkestra in 1961 and later the Union of God's Musicians and Artists Ascension to preserve African American music and serve the community. Tapscott also recounts his interactions with the Black Panthers and law enforcement, the Watts riots, his work in Hollywood movie studios, and stories about his famous musician-activist friends. Songs of the Unsung is the captivating story of one of America’s most unassuming heroes as well as the story of L.A.'s cultural and political evolution over the last half of the twentieth century.

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The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings.This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.

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Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as 'hard bop' in the 1950s. This freewheeling autobiography of the great composer, pianist, and band leader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life 'after the road' in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative - like his music - is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes. "Let's Get to the Nitty Gritty" also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called "The United States of Mind" and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalog of new compositions and recordings that are at least as impressive as his earlier work.

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Originally published in 1906, Horace Kephart’s Camping and Woodcraft: A Handbook for Vacation Campers and Travelers in the Woods stands more than a century later as a classic in outdoors writing. Praised byField & Stream as “an encyclopedia of living in the open,” it provides expertly detailed answers to hundreds of practical problems that arise on every outing in the great outdoors. Within Camping and Woodcraft, you’ll find tips on: •Catching and cooking game with minimal effort •Practical provisions to bring •Navigating unfamiliar trails and terrains •Setting up camp •Useful woodsmanship and marksmanship skills to learn •And dozens more topics Delivering timeless instructional wisdom, Camping and Woodcraft belongs on the shelf and in the backpack of every camper, hiker, and outdoor aficionado.

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Achieving Cultural Competency: A Case-Based Approach to Training Health Professionals provides the necessary tools to meet the ever-growing need for culturally competent practitioners and trainees. Twenty-five self-study cases cover a variety of medical topics, including cardiovascular, pulmonary, neurology, oncology, hematology, immunology, and pediatric disorders. Actual scenarios that occurred in clinical settings help the user gain direct insight into the realities of practice today. Cultural factors covered within the cases include cultural diversity plus gender, language, folk beliefs, socioeconomic status, religion, and sexual orientation. This book is an approved CME-certifying activity to meet physicians’ cultural competency state requirements. Get 25 pre-approved self-study American Dietetic Association credits at no additional charge when you purchase the book. Email hark@lisahark.com for further instructions.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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The ecumene in prose.Strabo (ca. 64 BC to ca. AD 25), an Asiatic Greek of Amasia in Pontus, studied at Nysa and after 44 BC at Rome. He became a keen traveler who saw a large part of Italy, various near eastern regions including the Black Sea, various parts of Asia Minor, Egypt as far as Ethiopia, and parts of Greece. He was a long time in Alexandria where he no doubt studied mathematics, astronomy, and history. Strabo’s historical work is lost, but his most important Geography in seventeen books has survived. After two introductory books, numbers 3 and 4 deal with Spain and Gaul, 5 and 6 with Italy and Sicily, 7 with north and east Europe, 8–10 with Greek lands, 11–14 with the main regions of Asia and with Asia Minor, 15 with India and Iran, 16 with Assyria, Babylonia, Syria, and Arabia, 17 with Egypt and Africa. In outline he follows the great mathematical geographer Eratosthenes, but adds general descriptions of separate countries including physical, political, and historical details. A sequel to his historical memoirs, Geography is planned apparently for public servants rather than students—hence the accounts of physical features and of natural products. On the mathematical side it is an invaluable source of information about Eratosthenes, Hipparchus, and Posidonius. The Loeb Classical Library edition of Strabo is in eight volumes.

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On the day of his wedding, Conrad, heir to the house of Otranto, is killed in mysterious circumstances. His calculating father Manfred fears that his dynasty will now come to an end and determines to marry his son's bride himself - despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold. First published pseudonymously in 1764, purporting to be an ancient Italian text from the time of the crusades, The Castle of Otranto is a founding work of Gothic fiction. With its compelling blend of sinister portents, tempestuous passions and ghostly visitations, it spawned an entire literary tradition and influenced such writers as Ann Radcliffe and Bram Stoker.

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Down-Home Comfort Foods at Their Best Everyone who knew Norma Jean McQueen Haydel knew that she’s a supreme cook and that she was the steward of the McQueen family recipes. But she didn’t measure when she cooked. Or write things down. Norma Jean’s brother Horace got to worrying about this. He cooked, too, but his repertoire wasn’t as vast as Norma Jean’s. So he began bothering her about writing down how she made her many dishes. “I didn’t want Norma Jean’s recipes, or our Mama’s recipes, to be lost. We have kids coming. And other folks love to eat at my sister’s table, too.” So the two got busy recording their treasured family recipes from the South. This collection of more than 250 dishes includes their best ones. “This is food you will absolutely enjoy,” said Horace. “Traditional, full of marvelous flavor, ‘enhanced’ old-timeys.” Norma Jean and Horace put together the full line-up: crawfish bisque, poblano cream soup, wilted spinach salad, smothered pork ribs, zesty broasted chicken, baked catfish, cajun rice jambalaya, stuffed cornbread, five-flavor pound cake, margarita pie, and on and on.

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The Satires of Horace offer a hodgepodge of genres and styles: philosophy and bawdry; fantastic tales and novelistic vignettes; portraits of the poet, his contemporaries, and his predecessors; jibes, dialogue, travelogue, rants, and recipes; and poetic effects in a variety of modes. For all their apparent lightheartedness, however, the poems both illuminate and bear the marks of a momentous event in world history, one in which Horace himself played an active role--the death of the Roman Republic and the birth of the Principate.John Svarlien's lively blank-verse translation reflects the wide range of styles and tones deployed throughout Horace's eighteen sermons or conversations, deftly reproducing their distinctive humor while tracking the poet's changing mannerisms and moods.David Mankin's Introduction offers a brief account of the political upheavals in which Horace participated as well as the social setting in which his Satires were produced, and points up hallmarks of the poet's distinctive brand of satire. His detailed commentary offers a behind-the-scenes look at Roman society and an often between-the-lines examination of a key work of one of Rome's sharpest observers.

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Thomas Sankara was one of Africa's most important anti-imperialist leaders of the late 20th Century. His declaration that fundamental socio-political change would require a 'certain amount of madness' drove the Burkinabe Revolution and resurfaced in the country's popular uprising in 2014. This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso. In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.

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These two volumes of Horace Walpole's correspondence illustrate the breadth and variety of Walpole's friendships. The rakes, wits, and politicians of Volume 30 are the intimates of his younger days as an active member of the Young Club at White's and of Parliament, although correspondences with George Selwyn and Henry Fox continue until their deaths. Walpole's subjects in these letters are politics and gossip, occasionally dispensed with asperity and witty allusions to entertain Sir Charles Williams and Lord Lincoln. Volume 31 shows Walpole the attendant of wise and spirited dowagers and later, of pretty young women with good minds and literary tastes. Here he is soliciting the reminiscences of Lady Suffolk, comforting and entertaining Lady Hervey, squiring Lady Browne, teasing Lady Mary Coke and Hannah More, dispensing gaiety and gifts to all.Eighty-one of the letters from Walpole in these two volumes are printed for the first time and seven others first printed in full; the correspondences with Lord Lincoln, Selwyn, Hannah More, and Lady Browne are particularly rich in this new material. Seventy-seven other Walpole letters, although printed in supplements to the previous edition of Walpole letters, are integrated here for the first time with the main body of his correspondence, as are all of sixty-three letters to him. The appendices contain several of his biographical sketched and other writings as well as his will.

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The Roman philosopher and dramatic critic Quintus Horatius Flaccus (65-3 B.C.), known in English as Horace, was also the most famous lyric poet of his age. Written in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse. Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at his command of formal style, his economy of expression, his variety, and his mature humanism. Horace's comic genius has also had a profound influence on the Western literary tradition through such authors as Swift, Pope, and Boileau, but interest in the Satires has dwindled due to the difficulty of capturing Horace's wit and formality with the techniques of contemporary free verse. A. M. Juster's striking new translation relies on the tools and spirit of the English light verse tradition while taking care to render the original text as accurately as possible.

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On the feminist sculpture and interventions of the Guerrilla Girls member and veteran of New York’s 1980s art scene Rising to prominence in the downtown New York art scene of the 1980s and 1990s, Mary Ann Unger (1945–98) was skilled in graphic composition, watercolor, large-scale conceptual sculpture and environmentally responsive, site-specific interventions. Unger was a member of the Guerrilla Girls and is acknowledged as a feminist pioneer of neo-expressionist sculptural form. This monograph brings together 50 images of the artist’s work, often monumental sculpture formed into organic shapes. Taking the reprinting of Roberta Smith's 1999 obituary for Unger as a starting point, the book’s essays provide the first full consideration of Unger, tracing her life, her studies and her network of artists and mentors. This catalog also includes an interview with Unger's daughter, the artist Eve Biddle.

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Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him.Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

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The Satires of Horace offer a hodgepodge of genres and styles: philosophy and bawdry; fantastic tales and novelistic vignettes; portraits of the poet, his contemporaries, and his predecessors; jibes, dialogue, travelogue, rants, and recipes; and poetic effects in a variety of modes. For all their apparent lightheartedness, however, the poems both illuminate and bear the marks of a momentous event in world history, one in which Horace himself played an active role--the death of the Roman Republic and the birth of the Principate.John Svarlien's lively blank-verse translation reflects the wide range of styles and tones deployed throughout Horace's eighteen sermons or conversations, deftly reproducing their distinctive humor while tracking the poet's changing mannerisms and moods.David Mankin's Introduction offers a brief account of the political upheavals in which Horace participated as well as the social setting in which his Satires were produced, and points up hallmarks of the poet's distinctive brand of satire. His detailed commentary offers a behind-the-scenes look at Roman society and an often between-the-lines examination of a key work of one of Rome's sharpest observers.

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A major, never before translated novel by the author of "Muj?ng / The Heartless"--often called the first modern Korean novel--"The Soil" tells the story of an idealist dedicating his life to helping the inhabitants of the rural community in which he was raised. Striving to influence the poor farmers of the time to improve their lots, become self-reliant, and thus indirectly change the reality of colonial life on the Korean peninsula, "The Soil" was vitally important to the social movements of the time, echoing the effects and reception of such English-language novels as Upton Sinclair's "The Jungle."

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Working in video, sculpture, photography, and text-based artworks, Smith draws attention to American systems of inequity This is the first major monograph dedicated to the New York–based artist Sable Elyse Smith (born 1986). Through her wide-ranging multimedia practice, Smith elucidates how the carceral state (read America) quietly inflicts violence and is constantly reinforced by the seemingly banal: from furniture found in prison visitation rooms, to pages from state-issued children's coloring books. Included in this publication are works produced from 2015 to the present day to provide a comprehensive overview of Smith’s videos, sculptures, photography, texts and printed matter. Accompanying over 140 color images are texts by Horace Ballard (Theodore E. Stebbins Jr. Associate Curator of American Art at Harvard Art Museums), Johanna Burton (Executive Director of the Museum of Contemporary Art, Los Angeles), Nana Kwame Adjei-Brenyah (author of Friday Black), and Christina Sharpe (writer, professor and Tier 1 Canada Research Chair in Black Studies in the Humanities at York University).

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Macabre and melodramtic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.

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The Tale of Bygone Years (Pověst’ vremennykh lět) is the most important source for the history of early Rus’. Full of stories of grand princes and saints, monks, and knightly retinues, this chronicle compilation has been the bedrock of modern interpretations of the history, ethos, and religious traditions of Ukrainians, Russians, and Belarusians alike. It also has been a source of controversy, with competing redactions and interpretations of the Old East Slavic language in which it was written. This massive undertaking provides scholars and general readers with the first fully legible text that includes all of the known redactions of the Pověst’. The text consists of an intercollation of the five oldest redactions, three more modern redactions, three later interpolations, and Donald Ostrowski’s own final interpretation. The intercollated texts are nested line-by-line. This three-part set will be of fundamental importance to Slavic philologists and historians of early Rus’.

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Thomas Sankara was one of Africa's most important anti-imperialist leaders of the late 20th Century. His declaration that fundamental socio-political change would require a 'certain amount of madness' drove the Burkinabe Revolution and resurfaced in the country's popular uprising in 2014. This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso. In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.

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A rich exploration of American artworks that reframes them within current debates on race, gender, the environment, and moreObject Lessons in American Art explores a diverse gathering of Euro-American, Native American, and African American art from a range of contemporary perspectives, illustrating how innovative analysis of historical art can inform, enhance, and afford new relevance to artifacts of the American past. The book is grounded in the understanding that the meanings of objects change over time, in different contexts, and as a consequence of the ways in which they are considered. Inspired by the concept of the object lesson, the study of a material thing or group of things in juxtaposition to convey embodied and underlying ideas, Object Lessons in American Art examines a broad range of art from Princeton University’s venerable collections as well as contemporary works that imaginatively appropriate and reframe their subjects and style, situating them within current social, cultural, and artistic debates on race, gender, the environment, and more.Distributed for the Princeton University Art Museum

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First published in 1990, this is a sensational and highly controversial novel by one of Korea's most electrifying contemporary authors. A preposterous coming-of-age story, melding sex, death, and high school in a manner reminiscent of some perverse collision between Georges Bataille and Beverly Cleary, the narrator of this book plows through contemporaneous Korean mores with aplomb, bound for destruction, or maturity--whichever comes first.

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This groundbreaking new translation of Horace's most widely read collection of poetry is rendered in modern, metrical English verse rather than the more common free verse found in many other translations. Jeffrey H. Kaimowitz adapts the Roman poet's rich and metrically varied poetry to English formal verse, reproducing the works in a way that maintains fidelity to the tone, timbre, and style of the originals while conforming to the rules of English prosody. Each poem is true to the sense and aesthetic pleasure of the Latin and carries with it the dignity, concision, and movement characteristic of Horace's writing. Kaimowitz presents each translation with annotations, providing the context necessary for understanding and enjoying Horace's work. He also comments on textual instability and explains how he constructed his verse renditions to mirror Horatian Latin. Horace and The Odes are introduced in lively fashion by noted classicist Ronnie Ancona.

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Drawn from the rich archives of the Birmingham Civil Rights Institute, this collection brings together twenty-nine oral histories from people of varying ages and occupations who participated in civil rights activism at the grassroots level. These highly personal narratives convey the real sense of fear and the risk of bodily danger people had to overcome in order to become the movement's foot soldiers. The stories offer testimony as to how policing was carried out when there were no cameras, how economic terrorism was used against activists, how experiences of the movement differed depending on gender, and how youth participation was fundamental to the cause. Participants in the struggle ranged from teachers, students of all ages, and domestic workers to elderly women and men, war veterans, and a Black Panther leader. This volume demonstrates the complexity and diversity of the spirit of resistance at a formative moment in American history.

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