Search results for ""author herrera"

Dialectical Imaginaries brings together essays that analyze the effects of class conflict and capitalist ideology on contemporary works of U.S. Latino/a literature. The editors argue that recent global events have compelled contemporary scholars to reexamine traditional interpretive models that center on identity politics and an ethics of multiculturalism. The volume seeks to demonstrate that materialist methodologies have a greater critical reach than other methods, and that Latino/a literary criticism should be more attuned to interpretive approaches that draw on Marxism and other globalizing social theories. The contributors analyze a wide range of literary works in fiction, poetry, drama, and memoir by writers including Rudolfo Anaya, Gloria Anzaldúa, Daniel Borzutzky, Angie Cruz, Sergio de la Pava, Mónica de la Torre, Sergio Elizondo, Juan Felipe Herrera, Rolando Hinojosa, Quiara Alegría Hudes, Lin-Manuel Miranda, Óscar Martínez, Cherríe Moraga, Urayoán Noel, Emma Pérez, Pedro Pietri, Miguel Piñero, Ernesto Quiñónez, Ronald Ruiz, Hector Tobar, Rodrigo Toscano, Alfredo Véa, Helena María Viramontes, and others.

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'An enchanting love story with a fierce, complex heroine and a swoon worthy hero. The Luna sisters have arrived . . . and the London season will never be the same' Adriana Herrera, USA Today bestselling author of A Caribbean Heiress in ParisA forbidden love between a Mexican heiress and a shrewd British politician makes for a tantalizing Victorian season.Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr Fox.Gideon Fox elevated himself from the London gutters by chasing his burning desire for more: more opportunities, more choices. For everyone. Now, as a member of Parliament, Gideon is on the cusp of securing the votes he needs to put forth a measure to abolish the Atlantic slave trade once and for all - a cause that is close to his heart as the grandson of a formerly enslaved woman. The charmingly vexing Ana María is a distraction he must ignore.But when Ana María finds herself in the crosshairs of a nefarious nobleman with his own political agenda, Gideon knows he must offer his hand as protection . . . but will this Mexican heiress win his heart as well?'Its two protagonists [are] as fiery and intractable as the best romance novel matches are... vitally alive' Entertainment Weekly'Truly a delight! A breath of fresh air in the landscape of historical romance' Sophie Jordan 'The perfect blend of romance and intrigue' Alicia Thompson 'Ana María is a feisty, fresh, and fabulous heroine and I fell hard for her swoony hero, Gideon. This book is pure magic!' Minerva Spencer 'A delicious slow burn romance with danger, intrigue, and sisterly bonding' Alexis Daria 'With plenty of humour, history and, of course, spicy love scenes, Ana María and the Fox, is an absolute must-read for fans of historical romance' Elizabeth Everett 'Fulfilled every historical romance craving I had and then some' Isabel Cañas

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The contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding both the complex temporality of theater and the historical persistence of race, they identify and pursue critical alternatives to the conceptualization, organization, measurement, and politics of race in performance. The contributors examine theater, performance art, music, sports, dance, photography, and other forms of performance in topics that range from the movement of boxer Joe Louis to George C. Wolfe's 2016 reimagining of the 1921 all-black musical comedy Shuffle Along to the relationship between dance, mourning, and black adolescence in Flying Lotus's music video “Never Catch Me.” Proposing a spectrum of coexisting racial temporalities that are not tethered to repetition, this collection reconsiders central theories in performance studies in order to find new understandings of race. Contributors. Joshua Chambers-Letson, Soyica Diggs Colbert, Nicholas Fesette, Patricia Herrera, Jasmine Elizabeth Johnson, Douglas A. Jones Jr., Mario LaMothe, Daphne P. Lei, Jisha Menon, Tavia Nyong’o, Tina Post, Elizabeth W. Son, Shane Vogel, Catherine M. Young, Katherine Zien

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As the topic of immigration continues to dominate headlines, it becomes more important to educate young readers on the history of other cultures, specifically the incredible contributions made by Latinos in America. The Smithsonian's National Museum of American History will open a permanent exhibit on influential Latinos in 2021. Charged with the task of telling the long, complicated relationship of Latinos in the U.S.--a relationship so long, it predates the country--the gallery offers an opportunity to reflect on the stories and experiences of Latinas and Latinos throughout the U.S. today. Nuestra America highlights the incredible contributions of the following:Sylvia AcevedoLuis AlvarezPura BelpreMartha E. BernalJulia de BurgosCesar ChavezSandra CisnerosRoberto ClementeCelia CruzOlga E. CustodioOscar de la RentaJaima EscalanteMarcario GarciaEmma GonzalezLaurie HernandezJuan Felipe HerreraDolores HuertaJennifer LopezXiuhtezcatl MartinezSylvia MendezLin-Manuel MirandaC. David MolinaRita MorenoEllen OchoaJorge RamosSylvia RiveraMaria Elena SalinasSonia SotomayorDara TorresRoberto Unanue

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The iconic dress that has stood the test of time.Contemporary yet classic, the little black dress never goes out of style. Popularized by Coco Chanel in the 1920s, the style freed women from the corset and became the epitome of liberation. Dubbed the 'Ford of fashion' by American Vogue, it was simple, stylish and affordable – 'the frock that all the world will wear'.Tracing the fascinating evolution of the LBD, from Audrey Hepburn's sleek Givenchy sheath in Breakfast at Tiffany's or Princess Diana's rebellious 'revenge dress' right through to the mesh detailing and body-sculpting shapes of recent years, this little book is a celebration of one of fashion's most iconic garments.'One is never under dressed or over dressed with a little black dress.' Karl Lagerfield'A little black dress is something to rely on. To fill you with confidence and ease. To have an attitude that is pure and effortless, yet sexy and classy.' Stella McCartney'The little black dress must be luxurious, rich, sensual, diaphanous, exotic, severe, lush, demure, demanding, frivolous, amusing, and it must linger in memory, but above all, it must be simple and little and black.' Carolina Herrera

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Qué tal si desterramos, de una vez por todas, al príncipe azul de nuestras vidas, o mejor dicho, de nuestros sueños? En este momento, mujeres de todo el mundo sufren por amor soñando con un modelo de hombre que no existe, con una pareja ideal como tabla de salvación. Gracias a la educación recibida, a la sociedad, a los cuentos de hadas, al cine de Hollywood, a la herencia religiosa, a un larguísimo etcétera? han conseguido volvernos adictas a la droga del amor, al milagro romántico, a la satisfacción de esa utopía individual. Todos estos relatos parecen inocentes, pero en realidad no lo son. Como afirma Coral Herrera, al patriarcado le conviene que permanezcamos encadenadas a esta ilusión, porque mientras nos abracemos a ella, permaneceremos débiles y no volveremos la mirada hacia lo que verdaderamente importa: que las mujeres unidas, empoderadas en busca del bien común, pueden resultar muy peligrosas para el sistema. Este libro es una invitación a sufrir menos y a disfrutar más del a

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Muchos creemos que los operadores de bolsa son grandes economistas y eruditos de las finanzas, pero esto no es del todo cierto. El mundo de la bolsa está rodeado de personas de a pie como nosotros. Encontraremos amas de casa, hosteleros, funcionarios, estudiantes, y todos en busca de un tesoro que la gran mayoría desea: la independencia financiera. Trabajar unas horas al día, ganarse un jornal extra sin salir de casa y adueñarse del tiempo; con estas condiciones todos nos preguntamos dónde hay que firmar?Con tan solo veintiún años de edad, con formación, disciplina y constancia, Francisco Herrera Fialli ha logrado entender los mercados financieros. Si él lo ha conseguido, por qué no intentarlo?Este libro está dirigido a todos los públicos, no requiere conocimientos previos para su entendimiento, pero también puede ser muy útil para aquellas personas inmersas en el trading que buscan un método para reforzar conocimientos. El autor plasma la esencia del trading y la bolsa, con ce

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The everyday practices, policy ideas, and ideological and political battles that have shaped Egyptian education, from the era of nation-building in the twentieth century to the age of digital disruption in the twenty-firstFrom the 1952 revolution onward, a main purpose of formal education in Egypt was to socialize children and youth into adopting certain attitudes and behaviors conducive to the regimes in power. Control by the state over education was never entirely hegemonic. National education came increasingly under pressure due to a combination of the growing privatization of the education sector, the growth of political Islam, and rapidly changing digital technologies.Educating Egypt traces the everyday practices, policy ideas, and ideological and political and economic contests over education from the era of nation-building in the twentieth century to the age of global change and digital disruption in the twenty-first. Its overarching theme is that schooling and education, broadly defined, have consistently mirrored larger debates about what constitutes the model citizen and the educated person. Drawing on three decades of ethnographic research inside Egyptian schools and among Egyptian youth, Linda Herrera asks what happens when education actors harbor fundamentally different ideas about the purpose, provision, and meaning of education. Her research shows that, far from serving as a unifying social force, education is in reality an ongoing battleground of interests, ideas, and visions of the good society.

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The contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding both the complex temporality of theater and the historical persistence of race, they identify and pursue critical alternatives to the conceptualization, organization, measurement, and politics of race in performance. The contributors examine theater, performance art, music, sports, dance, photography, and other forms of performance in topics that range from the movement of boxer Joe Louis to George C. Wolfe's 2016 reimagining of the 1921 all-black musical comedy Shuffle Along to the relationship between dance, mourning, and black adolescence in Flying Lotus's music video “Never Catch Me.” Proposing a spectrum of coexisting racial temporalities that are not tethered to repetition, this collection reconsiders central theories in performance studies in order to find new understandings of race. Contributors. Joshua Chambers-Letson, Soyica Diggs Colbert, Nicholas Fesette, Patricia Herrera, Jasmine Elizabeth Johnson, Douglas A. Jones Jr., Mario LaMothe, Daphne P. Lei, Jisha Menon, Tavia Nyong’o, Tina Post, Elizabeth W. Son, Shane Vogel, Catherine M. Young, Katherine Zien

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A sumptuous survey of over 300 women painters and their work spanning almost five centuries Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars. Covering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images. Artists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola, Cecily Brown, Leonora Carrington, Mary Cassatt, Elaine de Kooning, Marlene Dumas, Nicole Eisenman, Jadé Fadojutimi, Helen Frankenthaler, Artemisia Gentileschi, Maggi Hambling, Carmen Herrera, Gwen John, Frida Kahlo, Tamara de Lempicka, Agnes Martin, Joan Mitchell, Alice Neel, Plautilla Nelli, Georgia O'Keeffe, Paula Rego, Bridget Riley, Jenny Saville, Dana Schutz, Lee Krasner, Yayoi Kusama

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The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

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The first new translation of Balzac’s 1847 novel Splendeurs et misères des courtisanes in half a century, fully annotated and with an extensive introduction In Lost Souls, Honoré de Balzac’s brilliant evocation of nineteenth-century Paris, we enter a world of glittering wealth and grinding poverty, teeming with strivers, poseurs, and pleasure seekers along with those who struggle merely to survive. Between the heights of Parisian society and the criminal world lurking underneath, fate is about to catch up with Lucien de Rubempré, last seen in Lost Illusions, as his literary aspirations, his love for the courtesan Esther van Gobseck, and his scheme to marry the wealthy Clotilde become entangled in the cunning and ultimately disastrous ambitions of the Abbé Herrera, a villain for the ages. An extraordinary volume in Balzac’s vast Human Comedy (in which he endeavored to capture all of society), Lost Souls appears here in its first new English translation in half a century. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, this edition also includes an introduction presenting thorough biographical, literary, and historical context, as well as extensive notes throughout the text—an invaluable resource for today’s readers as they navigate Balzac’s copious allusions to classical and contemporaneous politics and literature.

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Este volumen describe con firmeza la historia de las ideas de los precursores de la Modernidad y su lucha contra sus perseguidores. Esta contienda todavía no ha terminado y nosotros somos sus herederos.Tras una detallada historia de las ideas del Renacimiento, este libro destila otro libro oculto de intervención política, en el que el lector encontrará un aliado intelectual contra los poderes actuales de la reacción, del servilismo, del dogmatismo y del totalitarismo.La imagen que nuestra época elabore acerca del Renacimiento es muy importante para definir el futuro que queremos construir. Justo por ello, aquellas corrientes intelectuales y religiosas herederas del escolasticismo están muy interesadas en transmitir e imponer una idea residual del Renacimiento.Frente a esto, el libro de Herrera define con claridad qué debe la Modernidad al verdadero precursor (el humanista y el filósofo renacentista) y qué debe la Modernidad (si le debe algo positivo) al perseguidor (la esco

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More than a quarter of a million LGBTQ-identified migrants in the United States lack documentation and constantly risk detention and deportation. LGBTQ migrants around the world endure similarly precarious situations. Eithne Luibhéid's and Karma R. Chávez’s edited collection provides a first-of-its-kind look at LGBTQ migrants and communities. The academics, activists, and artists in the volume center illegalization, detention, and deportation in national and transnational contexts, and examine how migrants and allies negotiate, resist, refuse, and critique these processes. The works contribute to the fields of gender and sexuality studies, critical race and ethnic studies, borders and migration studies, and decolonial studies. Bridging voices and works from inside and outside of the academy, and international in scope, Queer and Trans Migrations illuminates new perspectives in the field of queer and trans migration studies. Contributors: Andrew J. Brown, Julio Capó, Jr., Anna Carastathis, Jack Cáraves, Karma R. Chávez, Ryan Conrad, Elif, Katherine Fobear, Monisha Das Gupta, Jamila Hammami, Edward Ou Jin Lee, Leece Lee-Oliver, Eithne Luibhéid, Hana Masri, Yasmin Nair, Bamby Salcedo, Fadi Saleh, Rafael Ramirez Solórzano, José Guadalupe Herrera Soto, Myrto Tsilimpounidi, Suyapa Portillo Villeda, Sasha Wijeyeratne, Ruben Zecena

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More than a quarter of a million LGBTQ-identified migrants in the United States lack documentation and constantly risk detention and deportation. LGBTQ migrants around the world endure similarly precarious situations. Eithne Luibhéid's and Karma R. Chávez’s edited collection provides a first-of-its-kind look at LGBTQ migrants and communities. The academics, activists, and artists in the volume center illegalization, detention, and deportation in national and transnational contexts, and examine how migrants and allies negotiate, resist, refuse, and critique these processes. The works contribute to the fields of gender and sexuality studies, critical race and ethnic studies, borders and migration studies, and decolonial studies. Bridging voices and works from inside and outside of the academy, and international in scope, Queer and Trans Migrations illuminates new perspectives in the field of queer and trans migration studies. Contributors: Andrew J. Brown, Julio Capó, Jr., Anna Carastathis, Jack Cáraves, Karma R. Chávez, Ryan Conrad, Elif, Katherine Fobear, Monisha Das Gupta, Jamila Hammami, Edward Ou Jin Lee, Leece Lee-Oliver, Eithne Luibhéid, Hana Masri, Yasmin Nair, Bamby Salcedo, Fadi Saleh, Rafael Ramirez Solórzano, José Guadalupe Herrera Soto, Myrto Tsilimpounidi, Suyapa Portillo Villeda, Sasha Wijeyeratne, Ruben Zecena

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Inspired by the Sheldon Museum of Art’s holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style’s aesthetic, intellectual, and social implications. Sharon L. Kennedy’s essay draws on the Sheldon’s collection to trace the style’s beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.

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The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War.Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s.The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.

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The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War.Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s.The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.

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Since its founding in 1993 by the late Pace Foods heiress Linda Pace, Artpace has become one of the premiere foundations for contemporary art. An artist residency program based in San Antonio, Texas, Artpace's goal is to give artists time and space to imagine new ways to work. Each year, nine artists (three from Texas, three from other areas of the United States, and three from abroad) are invited to the foundation to create new work. Selected by guest curators like Robert Storr and Okwui Enwezor, the artists who have undertaken residencies is impressive, prescient, and diverse, including Felix Gonzalez-Torres, Annette Messager, Tracey Moffatt, Xu Bing, Nancy Rubins, Cornelia Parker, Inigo Manglano-Ovalle, Glenn Ligon, Kendell Geers, Carolee Schneemann, Mona Hatoum, Isaac Julien, Arturo Herrera, and Christian Jankowski. Dreaming Red includes images of all the works created at Artpace since its inception; an essay by art historian Eleanor Heartney; short essays on selected artists by guest curators, including Cuauhtemoc Medina, Lynne Cooke, Chrissie Iles, and Judith Russi Kirshner; and a lengthy essay on the personal history of the foundation and its founder.

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Explore the treasures of The Frick Collection through the eyes of a diverse group of contemporary writers, artists and other cultural figures, from George Condo, Lydia Davis and Julie Mehretu to Abbi Jacobson and Edmund White A cultural haven for museumgoers in New York and beyond, The Frick Collection holds masterpieces by some of the most celebrated artists in the Western tradition—among them Bellini, Gainsborough, Goya, Rembrandt, Vermeer and Whistler—installed in a Gilded Age mansion on Fifth Avenue. This book includes 61 reflections on the Frick’s preeminent collection, with the contributors writing about an artwork that has personal significance, sharing how it has moved, challenged, puzzled or inspired them. Each text is accompanied by an illustration of the artwork. For example, writer Jonathan Lethem tells how he started going to the Frick as a teenager, to gaze at Hans Holbein’s portraits of Thomas Cromwell and Sir Thomas More. Historian Simon Schama revels in Turner’s Mortlake Terrace: Early Summer Morning, which reminds him of his own childhood growing up next to the River Thames. This engaging anthology attests to the inspirational power of art and reminds us that there is no one way to look. Authors include: André Aciman, Ida Applebroog, Firelei Báez, Victoria Beckham, Tom Bianchi, Carter Brey, Rosanne Cash, Jerome Charyn, Roz Chast, George Condo, Gregory Crewdson, Joan K. Davidson, Lydia Davis, Edmund de Waal, Rineke Dijkstra, Mark Doty, Lena Dunham, Stephen Ellcock, Donald Fagen, Rachel Feinstein and John Currin, Teresita Fernández, Bryan Ferry, Michael Frank, Moeko Fujii, Adam Gopnik, Vivian Gornick, Agnes Gund, Carolina Herrera, Alexandra Horowitz, Abbi Jacobson, Bill T. Jones, Maira Kalman, Nina Katchadourian, Susanna Kaysen, Jonathan Lethem, Kate D. Levin, David Masello, Julie Mehretu, Daniel Mendelsohn, Rick Meyerowitz, Duane Michals, Susan Minot, Mark Morris, Nico Muhly, Vik Muniz, Wangechi Mutu, Catherine Opie, Jed Perl, Taylor M. Polites, Diana Rigg, Jenny Saville, Simon Schama, Lloyd Schwartz, Annabelle Selldorf, Arlene Shechet, Judith Thurman, Colm Tóibín, Chris Ware, Darren Waterston, Edmund White and Robert Wilson.

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Founded in 2002 by the artists Samuel Borkson and Tury Sandoval III, FriendsWithYou is a fine art collective that has been spreading their trademarked message of Magic, Luck, and Friendship(TM) worldwide through its inflatable cartoon heads and winking art installations. Together they have forged their admiration with Takashi Murakami, Yayoi Kusama, and Arturo Herrera and have instilled in their artwork the powerful ability to trigger thoughts of happiness and curiosity in even the most jaded of audiences. This comprehensive book will explore a decade of FriendsWithYou, from their early street art interventions in Miami to their recent collaborations with mega-brands like Target, and their work on videos for Pharrell Williams. Originating at the crossroads of art, design, popular culture, and street savvy, FriendsWithYou's output is quite unique. By playing off the different disciplines - namely street art, design, high art - and using each as an element in the other, these artists are revolutionising the art world and widening the straightforward definitions of each of these disciplines. Lavishly illustrated with over 250 sketches, concept renderings and photographs, the book features FWY's prolific body of work in their unique graphic language. With contributions by Pharrell Williams and Takashi Murakami, this book will reveal never-before-seen insight into the Miami duo responsible for spreading the love.

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Today in thirty-nine states, employers may legally fire workers simply because they are known or thought to be gay. Clearly, the struggle against workplace discrimination based on sexual orientation has a long way to go. In Out at Work, a distinguished group of prominent gay rights activists, union leaders and members, policymakers, and academics—including U.S. Representative Barney Frank, AFL-CIO president John J. Sweeney, and rights advocate Urvashi Vaid—offers a spirited assessment of the challenges faced by lesbians, gays, and other sexual minorities on the job. Although mainstream gay rights organizations have tended to imagine their community as primarily middle class, an overwhelming number of lesbians and gays are working class, and many are already union members. Indeed, most of the progress made toward improved workplace conditions for gays and lesbians has been accomplished by rank-and-file union activists. Out at Work identifies the important parallels between the labor and gay rights movements and their shared work of foregrounding human rights, fighting homophobia, and embracing the full range of sexual expression. Through case studies of organizing efforts and more broadly political approaches, the authors call for both movements to reexamine their priorities and practices. There is much to be gained from a partnership between these movements, they conclude: for the gay rights movement, having the bargaining power of the trade unions behind them; for organized labor, a broader base of support. Contributors: Cathy J. Cohen, Yale U; Teresa Conrow; Lisa Duggan, NYU; William Fletcher Jr., AFL-CIO; Representative Barney Frank; Tami Gold, Hunter College; Yvette Herrera, Communication Workers of America; Desma Holcomb, UNITE; Amber Hollibaugh; Gloria Johnson, Coalition of Labor Union Women; Tamara Jones; Heidi Kooy, Exotic Dancers Union; Andrew Ross, NYU; Van Alan Sheets, Pride at Work; Nikhil Pal Singh, U of Washington; John J. Sweeney, AFL-CIO; Jeff Truesdell, Orlando Weekly; Urvashi Vaid, National Gay and Lesbian Task Force; Riki Anne Wilchins, GenderPAC; and Kent Wong, UCLA.

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Antología para hamacados Con fotografías en color de Lucrecia Herrera de González. Edición y selección de Marc García. Circunstancias que tienen que ver con lo cíclico y lo sutil determinaron que entre el solsticio de invierno de 2015 y el otoño siguiente, la página en Facebook del Centro de Estudios de Simbología de Barcelona se convirtiese en el altavoz de un gran arcoíris de textos de distintas tradiciones de la Tierra ?ahora publicados en forma de cuaderno? que hablan, con tonos variados y un significado unánime, del Infinito, el Absoluto, la Ilimitada Posibilidad Universal y la Matriz Oscura de todo lo que vendrá al ser y de lo que jamás será, sinónimos todos ellos de un Océano sin orillas al que sólo podemos referirnos de modo elusivo o negativo (pues ningún nombre es apropiado para lo que es Innombrable porque No Es). Decía Federico Gonzalez que vivimos hamacados entre el No Ser y el Ser. A los hombres y las mujeres que, reconociéndolo, compartimos una misma visión de la Cosmogo

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Desde el inicio de Lope de Vega en la narrativa hasta la muerte de sor Juana Inés de la Cruz se extiende en las letras hispanas un siglo marcado por la novedad. Lope define su carrera dramática en el Arte nuevo de hacer comedias, y la feliz fórmula bien vale para caracterizar la preocupación de sus contemporáneos por realizar una profunda renovación a partir de los cimientos renacentistas. La muerte de Herrera en 1597 coincide con el apogeo de la generación poética encabezada por el Fénix y Góngora, consagrada editorialmente en el cambio de centuria, para diseminarse en poco más de una década con la polémica en torno a la nueva poesía. En los mismos años un ya maduro Cervantes llevaba a su culminación el arte nuevo de hacer novelas, dando ejemplo en todas las modalidades genéricas con un giro radical en los modelos heredados. A su zaga, discursos, géneros, autores y obras seguirán una senda que, como Ícaro, se hundirá en el mar tras rozar las regiones del sol.

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This popular resource has transformed classrooms for thousands of teachers by providing how-to guidance for success with culturally and linguistically diverse (CLD) students. It illustrates how to use strategies that recognize and leverage all the cultural and linguistic assets that students bring to their learning. This new edition situates biography-driven instruction at the intersection of culturally responsive teaching, culturally sustaining pedagogies, and antiracist education. Herrera provides updated vignettes and student work artifacts to reflect the diversity of learners in today's historically and culturally situated spaces. Teaching strategies, tools, and interactional processes provide practical, proven ways to restructure classrooms for relational equity. Increased attention on each learner's biopsychosocial history will help educators to cultivate classroom ecologies that nurture and challenge CLD learners to reach their potentials. With lesson planning and strategy templates, tips for grouping students, teacher reflections, assessment aids, a classroom observation tool, and more features to foster classroom and schoolwide change, this edition shows teachers and administrators how to take the next steps toward critical consciousness and authentic relationships that will accelerate content learning and foster more extensive use and development of language. Book Features: Lesson planning guide that can be used with any curriculum. Strategy tools and templates to foster engaged learning. Voices of CLD families that highlight benefits of asset-driven practices. Journaling process for critical reflection on assumptions and perspectives. Book study discussion guide to scaffold collaboration and goal setting. Classroom observation tool for coaching, mentoring, and self-assessment.

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Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition. This work engages with a broader evaluation of early modern poetics that foregrounds the processes rather than the products of thinking. The locus of the study is the Imperial 'home' space, where love poetry meets early modern empire at the inception of a very conflicted national consciousness, and where the vernacular language, Castilian, emerges in the encounter as a strategic site of national and imperial identity. The political is, therefore, a pervasive presence, teased out where relevant in recognition of the poet's sensitivity to the ideologies within which writing comes into being. But the primary commitment of the book is to lyric poetry, and to poets, individually and intheir dynamic interconnectedness. Moving beyond a re-evaluation of critical responses to four major poets of the period (Garcilaso de la Vega, Herrera, Góngora and Quevedo), this study disengages respectfully with the substantialbody of biographical research that continues to impact upon our understanding of the genre, and renegotiates the Foucauldian concept of the 'epistemic break', often associated with the anti-mimetic impulses of the Baroque. This more flexible model accommodates the multiperspectivism that interrogated Imperial ideology even in the earliest sixteenth-century poetry, and allows for the exploration of new horizons in interpretation. Isabel Torres isProfessor of Spanish Golden Age Literature and Head of Spanish and Portuguese Studies at Queen's University, Belfast.

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"Brief, brilliantly written, and kissed by a sense of the absurd....like a much lazier, Mexico City version of Dostoevsky's Underground Man."—John Powers, Fresh Air“Daniel Saldaña París knows how to talk about those other tragedies populating daily life: a boring, unwanted marriage; mind numbing office work; family secrets. He builds on those bricks of tedium a greatly enjoyable and splendidly well-written suburban farce.” —Yuri HerreraRodrigo likes his vacant lot, its resident chicken, and being left alone. But when passivity finds him accidentally married to Cecilia, he trades Mexico City for the sun-bleached desolation of his hometown and domestic life with Cecilia for the debauched company of a poet, a philosopher, and Micaela, whose allure includes the promise of time travel. Earthy, playful, and sly, Among Strange Victims is a psychedelic ode to the pleasures of not measuring up.Daniel Saldaña París (born Mexico City, 1984) is an essayist, poet, and novelist whose work has been translated into English, French, and Swedish and anthologized, most recently in Mexico20: New Voices, Old Traditions, published in the United Kingdom by Pushkin Press. Among Strange Victims is his first novel to appear in the United States. He lives in Montreal, Quebec.

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Pietro Bembo (1470-1547) nació en Venecia en el seno de una familia perteneciente a la aristocracia. Su padre, prestigioso diplomático, bibliófilo y coleccionista de arte, mantuvo estrecho contacto con figuras destacadas del humanismo italiano, lo que permitió al autor entrar desde muy temprano en contacto con el mundo de la cultura y de la aristocracia. La obra poética y teórica de Bembo fue ampliamente conocida y seguida en España. Su influencia en las Anotaciones de Fernando de Herrera es clara y directa. Las Prosas de la lengua vulgar son uno de esos grandes textos fundacionales, que representan uno de los pilares de la historia de la literatura. Los literatos de todos los tiempos han acudido a esta obra de forma habitual y constante. La trascendencia de la obra bembiana superó las barreras de su país de origen y llenó los cauces de la literatura española en un momento de evolución decisivo para su desarrollo futuro. En la necesidad de una codificación de la lengua poética, las Pro

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El volumen acoge una serie de ensayos organizados en torno al problema de la construcción de una teoría de la lírica aplicable y aplicada al estudio de la práctica poética en el Siglo de Oro español. La primera parte establece las relaciones entre texto poético y comunicación determinando el texto lírico como un discurso mimético y diegético que comunica desplazamientos figurados de conciencia. Asímismo analiza el papel de la semántica y la pragmática en el comentario de textos y establece una propuesta para el estudio de la poesía desde la perspectiva cognitiva, la segunda parte enfoca diversos fenómenos de retórica y práctica poética en el Siglo de Oro: la enunciación lírica en los sonetos de Garcilaso, la realización de la epístola de Garcilaso a Boscán como híbrido de sermo y oratio, la pragmática de la lírica en la poesía renacentista, las tradiciones estilísticas en las Anotaciones de Fernando de Herrera o las estrategias discursivas de la poesía de circunstancias en Góngora.

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PAULINO MASIP nace en La Granadella (Lleida) en 1899 y muere en el exilio en Cholula, México, en 1963. Desde 1905 y hasta 1920 vivió en Logroño; en 1920 se traslada a París donde traduce varias novelas de Charles Nodier para Espasa Calpe. En Logroño funda los diarios El Diario de la Rioja y El Heraldo Riojano, ambos cerrados por las numerosas multas recibidas por su oposición a la dictadura de Primo de Rivera. Después de colaborar en diversos periódicos, es nombrado director de El Sol, y simultáneamente de La Voz, en Madrid. En 1936, al estallar la guerra civil, marcha con Azaña a Valencia y después a Barcelona donde llega a ser director de La Vanguardia, hasta 1938 año que Álvarez del Vayo le envía a París como agregado de prensa en la Embajada de España. En 1939, junto a Bergamín, Herrera Petere, Emilio Prados, J. Renau y otros intelectuales españoles, se traslada definitivamente a México, donde, por propia voluntad, permaneció al margen de cualquier corriente literaria, aunque colab

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Eduardo Bravo Martín, José Antonio Herrera Rodríguez, Manuel López López, Miguel Ángel Martín InfanteLa programación de la Educación Física constituye una labor cotidiana para los docentes de este ámbito. Es por esto, que contando con la experiencia, vivencias y recurriendo a multitud de recursos, se ha llevado a cabo esta propuesta para facilitar la labor del docente.El documento integra y adapta diversas opciones y visiones del quehacer diario de la Educación Física, tratando de huir de la utopía que otras programaciones ofrecen.Está diseñada tanto para el profesional que pretenda asumirla como tal y ponerla en práctica en sus clases diarias, como para aquel otro que la utilice como un referente o fuente de recursos que complete sumarco programático personal.El lector tiene en sus manos una obra con carácter global que desarrolla una propuesta teórico-práctica para abordar la programación de Educación Física, adaptada a la Ley Orgánica de Educación (LOE).La obr

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Stray Poems opens with San Francisco Poet Laureate Alejandro Murguía's inaugural address, where he provides a brilliant and impassioned poetic account of San Francisco's Native and Latino literary history. What follows is a selection of Murguía's most recent work, composed over the past twelve years. These are poems of the twenty-first century, written in a combination of English and Spanish—the patois of contemporary America. Angry, rebellious, subversive, sentimental, hip, urban, local, global.Alejandro Murguía is the author of Southern Front and This War Called Love, both winners of the American Book Award. He is San Francisco's first Latino Poet Laureate.Praise for Alejandro Murguía & Stray Poems:"In the city of poets, Murguía has become the activist voice of refugees and exiles--as so many of us are, even as natives--at the center of the Americas. Disguised by its sensuous intimacy, soothing and ennobling, his is a poetry that arms the resistance."--Dagoberto Gilb, author of The Magic of Blood"Poet, teacher, publisher, lover, literary guerrilla--Alejandro Murguía is a San Francisco treasure. And I'm not saying this because he knows where to find the best pozole. Although he does."--Jack Boulware, Litquake co-founder"The powerful stream of rich, diverse Spanish spoken in the United States by millions of Latinos from Mexico, Central and South America, and the Caribbean, has rushed into the huge river of the English tongue in such a way that a language and a literature have been born from those troubled waters, exploring multiple alternatives and choosing many paths. These Stray Poems from Alejandro Murguía speak with all those voices, crossing linguistic borders and really going out of the way to deviate from the standard path and let the multiracial and multicultural, all-embracing Latino beat flow into the heart of English."--Daisy Zamora, The Violent Foam"Murguía with a tango unleashed, a city on fire, a rendezvous of homage, manifesto, revenge and transcendence--he is alone, without a face, yet recognizable in every body that swims through the under-streets of the City, of Paris, of Havana, of bombed-out-Here's-and-There’s and the stripped down body of all of us. No stones are left unturned; hypnotic, alarming, 'melodramático,' rough-lovin’, unkempt, 'dangerous,' and ready to battle at the center of the scorched core. 'I didn’t cheat,' one poem admits. He is on trial—fire-spitter and disassembler of cultural falsifications, in 'strange' and romantic moods, the poems scatter truth and aim and blow and burn and rise unto the flagless sky--'. . . a country of oceans and mountains.' Murguía gets there. Alone, because few embark on that voyage. An astonishing, brutal nakedness. Love, that is. No book like it. An unimaginable heart of and for the peoplea ground--breaking prize."--Juan Felipe Herrera, Poet Laureate of California

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La poesía de César Vallejo surge en un momento de transición, a caballo entre los modos fosilizados de un modernismo en decadencia y el nuevo aire de libertad que significó la renovación estética preconizada por las diversas tendencias del vanguardismo. Desde sus primeras expresiones la voz del gran escritor peruano ofrece un acento original, ronco, áspero y profundamente individualizado, siempre presente a lo largo de su trayectoria posterior. La continuidad de su obra, señala Américo Ferrari en el prólogo, se alimenta de sus obsesiones, heredadas de los grandes románticos: la incógnita del destino del hombre, su agonía entre el tiempo y la muerte, el desamparo, la orfandad humana, el silencio de Dios, y, por encima de todo, la necesidad inexplicable del dolor y del mal que el hombre ha de asumir sin comprender, los golpes del destino que nos caen sin que sepamos de dónde ni por qué. Si en Los heraldos negros (1918) Vallejo sigue fiel a Darío y a Herrera y Reissig, en Trilce (1922), y

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Este libro trata de las relaciones artísticas entre España e Italia durante la Edad Moderna y puede considerarse como una puesta al día de las últimas investigaciones que se están llevando a cabo en materia de coleccionismo y relaciones artísticas entre ambos países. Se analiza el patrocinio artístico a través de distintos comitentes: virreyes, embajadores, arzobispos y alta jerarquía administrativa civil y religiosa. En algunos casos se analizan casos concretos de este tipo de patrocinio. Así lo vemos en los capítulos de Diana Carrió-Invernizzi -dedicado al virrey de Nápoles, Antonio Álvarez de Toledo, V duque de Alba-, el de Escardiel González Estévez - aplicado al virrey de Sicilia, Nicolò Pignatelli-, el de David García Cueto -centrado en la experiencia romana de los virreyes napolitanos en tiempo de Felipe IV-, el de Francisco Javier Herrera García -que estudia el patrocinio artístico de los prelados españoles en la Sicilia del siglo XVII- o el de Juan Luis Ravé -que analiza el ca

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The poems in Jennifer Atkinson’s A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve. Composed in response to the artists’ multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don’t so much describe the art as revel in it. No patriarchal anxiety here—the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term—respecting the achieved calm of Agnes Martin’s “Night Sea” and the flare and smolder of Ana Mendieta’s “earth-body” work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa’s cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir’s un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists—their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking—conscious, attentive looking—and the mysterious nature of abstraction.

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Con este libro, publicado originalmente en 1914, José María Izquierdo definió el género literario del sevillanismo literario, la divagación. Sin duda, en sus páginas encontramos todo un programa de interpretación idealista de la ciudad de Sevilla y un modelo de prosa que, desde una estirpe poética (de Bécquer a Juan Ramón Jiménez), desemboca en el ensayo plenamente modernista. Sin este libro no se entienden plenamente las tentativas literarias posteriores sobre Sevilla: los textos de Romero Murube, Chaves Nogales, Luis Cernuda, Núñez de Herrera, Rafael Laffón, Juan Sierra o Rafael Montesinos...Según José María Izquierdo, toda ciudad debe tener una altura, para mirar el horizonte, el cielo, la tierra; un espejo, para mirarse a sí misma; y un "no se qué" que haga que la ciudad sepa como es en sí misma. Sevilla tiene una torre como la Giralda, un espejo como el Guadalquivir, y un quid divinum que es la Gracia. Divagando... se basa en el estudio de un alto y complejo concepto de la Gra

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Inaki Abalos and Juan Herreros established their studio in Madrid in 1984 and working together until 2006, when the firm was dissolved. They mainly realised projects in Spain. Both architects are still active internationally, Inaki Abalos with Abalos+Sentkiewicz, based in Madrid and Cambridge (MA), Juan Herreros with Estudio Herreros in Madrid. The archive of Abalos & Herreros was donated to the Canadian Center for Architecture (CCA) in Montreal in 2012. It comprises some 250 projects dating from 1985-2008: sketches and drawings, collages, related text documents, slides and models. This new book presents three contemporary encounters with the Abalos & Herreros archive at CCA. The architects OFFICE Kersten Geers David Van Severen, Juan Jose Castellon and SO - IL conducted research into the archive and developed specific readings of the material. The book reframes these research projects, showing archival material in its current state and reinterpreting it. The essays offer more background to the research and also give voice to Inaki Abalos and Juan Herreros themselves.Richly illustrated, the book reveals as much about the interests of a new generation of architects as about the work of Abalos & Herreros.

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Todavía piensas que aquí no inventa nadie? Asómate a estas páginas y descubre a los olvidados genios de la invención en España. Podrás conocer, entre otras, la historia de pioneros y tecnologías como.Jerónimo de Ayanz y su máquina de vapor. El intrépido viaje del locomóvil Castilla. Motores rotativos y a reacción que se adelantaron a su tiempo. El Talgo y los motores Barreiros. Los dirigibles de Torres Quevedo. El autogiro de La Cierva. El rayo de la muerte de Antonio Longoria. La escafandra estratonáutica de Emilio Herrera. Los submarinos de Cosme García, Monturiol, Peral y Cabanyes. El Hidrotren de Aldecoa. Los experimentos del Tesla de Pozuelo. Las pilas de Gabarró y la calculadora de Ramón Verea. La historia del inventor del primer telégrafo eléctrico. Julio Cervera y sus proezas con la radio. Ángela Ruiz Robles y sus libros mecánicos. La música electrónica de Juan García Castillejo. La lengua artificial de Sotos Ochando. El laringoscopio de Manuel García. Los osados experimento

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Milwaukee Rock and Roll, 1950-2000: A Reflective History surveys and celebrates a rich musical heritage. It does not claim to be a definitive account of Milwaukee rock, but it offers an important narrative—a foundation for further study and appreciation. This book is an anthology of written, vocal, and visual reflections, which will inform readers and evoke memories for those who experienced this music and era. It includes, among so many other performers, Milwaukee rock pioneers Sam McCue, Artie Herrera, and Larry Lynne; truck driver folk great Larry Penn; impresario Nick Topping; rhythm and blues standout Junior Brantley and soul man Harvey Scales; 60s bands like the Ricochettes, Shag, and the Corporation; bluesmen Jim Liban and Jon Paris; “girl rockers” epitomized by the G.T.O.’s and Ruby Starr; punks like the Haskels, the Oil Tasters, and Die Kreuzen; the internationally renowned punk/indie Violent Femmes; and prog rocker (among his other impressive musical talents) Sigmund Snopek III. Others are also referenced including Buddy Holly; Pete Seeger; Jean Ritchie, Bob Dylan; the Dave Clark Five; the Beatles; Cream; Led Zeppelin; the Grateful Dead; Chuck Berry; Muddy Waters; Lou Reed; Bruce Springsteen; and Patti Smith. The editors present a multifaceted cultural history of Milwaukee and rock music highlighted by a multiplicity of voices—musicians, promoters, DJs, photographers, artists, and audience members—collectively committed to the sounds of a great city.

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A tale of man and machine battling against breath-taking terrain for the ultimate prize, this is the story of the Alpe d'Huez. Known as the Tour de France’s ‘Hollywood climb', veteran cycling journalist Peter Cossins reveals the triumphs, passion and despair behind the great exploits on this Alpe and discloses the untold details that have led to the mountain becoming as important to the Tour as the race is to resort at its summit. The Alpe d’Huez has played a starring role in cycling’s history since its first encounter with the sport back in 1952 when the legendary Fausto Coppi triumphed on the summit. Re-introduced to the Tour in 1976, Alpe d’Huez has risen to mythical status, thanks initially to a string of victories by riders from Holland, whose exploits attracted tens of thousands of their compatriots to the climb - which has become known as ‘Dutch mountain’. A snaking 13.8-kilometre ascent rising up through 21 numbered hairpins at an average gradient of 7.8%, Alpe d’Huez is the climb on which every great rider wants to win. Many of the sport’s most famous and now even infamous names have won on the Alpe, including Bernard Hinault, Joop Zoetemelk, Lucho Herrera, Marco Pantani and Lance Armstrong. As well as days of brilliance, there have been controversies such as the high-speed and drug-fuelled duels of the EPO years in the 1990s and into the new millennium.

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Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty—and sheer variety—leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine’s Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell.The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not—or not yet—well known.The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.

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Entrenamiento en Conciencia Creativa 3 ed

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Johnnie Cooper: Sunset Strip is the first monograph of the British artist's work, joining a curatorial initiative over recent decades to undertake important re-evaluations of the careers of important twentieth- and twenty-first-century artists such as Tess Jaray, William Turnbull and Cuban-born, American Minimalist artist Carmen Herrera. Johnnie Cooper has, for the past half-century, devoted himself to a tireless investigation into the nature and potential of painting in his rural Worcestershire studio, constantly exploring new principles and processes. This book provides an opportunity to explore the development of Cooper's practice, from the figurative totems sculpted in his student days to the rich, Abstract Expressionist works of the 1980s and the Minimalist, gestural works on paper of the past decade. Johnnie Cooper: Sunset Strip charts the journey of his signature investigations into colour, line and form. Born in Wolverhampton, UK, Cooper attended the sculpture course at Staffordshire College of Art, run by internationally renowned sculptor Stuart Osborne. After completing a postgraduate year at Staffordshire University in Fine Art Sculpture, Cooper was awarded a travel bursary and also won a prestigious grant from the Gulbenkian Society to study in Florence. As well as exhibiting in mixed shows throughout the UK over the past 40 years, Cooper has recently shown work in Dallas and Shanghai, and is held in numerous private collections. Cooper has also exhibited with the Free Painters and Sculptors Society, and at the Manchester Academy of Fine Art, the Mall Galleries and the Royal Academy.

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Encuadernación: RústicaContiene CD

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Ana Domenge, who later founded the Dominican convent in Perpignan, composed a written account of her spiritual intimacies with God while being held in terrible conditions in a secret prison in Barcelona. Ines of Herrera del Duque, a leather tanner's twelve-year-old daughter whose messianic prophesies captivated both children and adults, was burned at the stake along with many of her followers. Nine years after the death of Catarina de San Juan, the Inquisition banned copies of her image and biography, fearing that a cult was forming around this popular holy woman in Puebla, New Spain. Inquisitors enlisted the assistance of Mari Sanchez's daughter to prove that this Jewish converso was guilty of practicing Judaism in secret, an accusation that led to her death. In Women in the Inquisition, Mary E. Giles brings together scholars from literature, history, and religious studies to explore women's experiences under the Inquisition in both Spain and the New World. Based on fresh archival work, the essays provide a broader perspective on the Inquisition than has previously been available. Examining the stories of fifteen women in the context of this fearful Catholic institution in both Spain and the New World, the contributors chronicle a broad range of "crimes" against the Catholic Church, including sexual transgressions, the practice of crypto-Judaism, and the writing and preaching by alumbradas that undermined Catholic orthodoxy. The accounts, representing the experiences of girls and women from different classes and geographical regions, also include the trials' vastly divergent outcomes ranging from burning at the stake to exoneration.

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The LSE Companion to Health Policy covers a wide range of conceptual and practical issues from a number of different perspectives introducing the reader to, and summarising, the vast literature that analyzes the complexities of health policy. The Companion also assesses the current state of the art. Health policy is a wide-ranging subject covering many academic disciplines, but what most studies in health policy have in common is an interest in applying theory to improve practice. This Companion brings academic rigor to bear evidence on a range of central areas within health policy. It covers key issues on the quality, access and inequalities in health and health care; supply and health markets; insurance and expenditures; pharmaceuticals and new technologies; ageing and long-term care; and behavior and health production. This unique Companion on health policy contains the most important features for health system reform at a time of funding constraints and will therefore hold great appeal for policy analysts and makers, students, academics and management professionals. Contributors: S. Allin, R.G. Bevan, R. Butterfield, C. Campbell, A. Comas-Herrera, Z. Cooper, J. Costa-Font, M. Di Cesare, H.A. Elgazzar, J.-L. Fernandez, A. Gibbs, C. Henderson, C. Hernandez-Quevedo, L. Kossarova, C. Masseria, A. McGuire, P. Mladovsky, A. Morton, M. Murphy, I. Papanicolas, M. Raikou, C. Rudisill, V. Serra-Sastre, C. Stavropoulou, N. Varol, J.M. Wiener, R. Wittenberg, V. Zigante

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The LSE Companion to Health Policy covers a wide range of conceptual and practical issues from a number of different perspectives introducing the reader to, and summarising, the vast literature that analyzes the complexities of health policy. The Companion also assesses the current state of the art. Health policy is a wide-ranging subject covering many academic disciplines, but what most studies in health policy have in common is an interest in applying theory to improve practice. This Companion brings academic rigor to bear evidence on a range of central areas within health policy. It covers key issues on the quality, access and inequalities in health and health care; supply and health markets; insurance and expenditures; pharmaceuticals and new technologies; ageing and long-term care; and behavior and health production. This unique Companion on health policy contains the most important features for health system reform at a time of funding constraints and will therefore hold great appeal for policy analysts and makers, students, academics and management professionals. Contributors: S. Allin, R.G. Bevan, R. Butterfield, C. Campbell, A. Comas-Herrera, Z. Cooper, J. Costa-Font, M. Di Cesare, H.A. Elgazzar, J.-L. Fernandez, A. Gibbs, C. Henderson, C. Hernandez-Quevedo, L. Kossarova, C. Masseria, A. McGuire, P. Mladovsky, A. Morton, M. Murphy, I. Papanicolas, M. Raikou, C. Rudisill, V. Serra-Sastre, C. Stavropoulou, N. Varol, J.M. Wiener, R. Wittenberg, V. Zigante

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Encuadernación: Rústica con solapasColección: Biblioteca de ensayo. Mayor,68Descripción: 192 p. il. 21x15 cmQué quiso decir el Bosco en el Jardín de las delicias, o Velázquez en Las hilanderas o Felipe II y Juan de Herrera en el monasterio, palacio y mausoleo del Escorial, o Felipe IV en el Salón de Reinos alrededor del cual giraba la maquinaría arquitectónica del Palacio del Buen Retiro?He ahí alguna de las cuestiones -históricas, estéticas y simbólicas- que se formulan y contestan en La variedad del mundo.En este libro también se exploran las relaciones del amor y la muerte en los campos del arte y la literatura -particularmente en Goya-, se indaga el sentido de los "grutescos", que tanta trascendecia tuvo en el arte del Renacimiento, y se da cuenta de los variados simbolismos que ha revestido el agua en diferentes culturas, sobre todo en la grecorromana y en la judeo-cristiana, que están en la base de nuestra cultura occidental.Ignacio Gómez de Liaño muestra tamb

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