Search results for ""author henry adams"

Cambios de humor (Moods) fue la primera novela publicada por la famosa autora estadounidense Louisa May Alcott. Aparecida en 1864, cuatro años antes de su gran éxito Mujercitas, y reescrita casi veinte años más tarde (versión que presentamos aquí), retrata de manera poco convencional a una mujercita de 17 años, sincera y apasionada (como lo fue la propia autora), que anhela una existencia repleta de aventuras. El relato comienza cuando Sylvia se embarca en un viaje de placer por el río con su hermano y dos amigos de este, Adam y Geoffrey ?pretendientes rivales que se inspiran en los filósofos Henry David Thoreau y Ralph Waldo Emerson?, quienes se enamoran perdidamente de ella. Sylvia siente la fuerza del magnetismo y el carácter fuerte de Adam, pero también valora mucho la tierna amistad y llena de sensibilidad de Geoffrey. Al estar dominada por sus cambios de humor y gobernada más por la emoción que por la razón, Sylvia tal vez hará juicios equivocados en el amor. En definitiva, una m

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A four-story collection with archaeologist Bernice Summerfield and her friend the Seventh Doctor. 1) The Pyramid of Sutekh by Guy Adams. Professor Bernice Summerfield, archaeologist and adventurer, has discovered a Pyramid on Mars. Inside she finds her old friend the Doctor is fighting a battle with the Osiran God Sutekh. One he is losing. 2) The Vaults of Osiris by Justin Richards. Egypt in 2015 is an unsettled place. The trade in stolen antiquities is a murky one, and it's about to get a whole lot worse, as an ancient and terrible force enters the market. 3) The Eye of Horus by James Goss. Ancient Egypt is enjoying a golden age - peace, prosperity and a powerful Pharoh. But something is moving through the sands. A forgotten god requests an invite to the feast. 4) The Tears of Isis by Una McCormack. Russell Courtland prophesised the world would end on Tuesday. No-one was more surprised than he was when it did. Four all-new audio dramas telling of the return of Sutekh, one of the most popular Doctor Who villains of all time since his appearance in 1975's The Pyramids of Mars.Bernice Summerfield was the first Doctor Who character Big Finish brought to life, in 1998's audio play Oh No It Isn't! Gabriel Woolf, who returns to give chilling voice to Sutekh again provided the voice of the Beast, in the new run of Doctor Who, namely the 2006 stories The Impossible Planet and the Satan Pit. CAST: Lisa Bowerman (Professor Bernice Summerfield), Sylvester McCoy (The Doctor), Sophie Aldred (Ace), Gabriel Woolf (Sutekh the Destroyer), Diveen Henry (Alozza), Nicholas Briggs (Vasha), Sakuntala Ramanee (Hatshepsut), Matthew J Morgan (Tutmosis), Dan Bottomley (Kamos), Mathew Bates (Courtland), Rachel Atkins (Susannah), Naomi McDonald (Alyx), Guy Adams (Cultist).

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The twentieth century witnessed human cruelty on a scale never before imagined. Paradoxically, in recent years the doctrine of original sin has suffered neglect and ridicule. In this philosophically sophisticated treatment of the biblical evidence for original sin, Henri Blocher offers a robust response. Interacting with the best theological thinking on the subject, he shows that while the nature of original sin is a mystery - a riddle even - only belief in it makes sense of evil and wrong-doing. After a general survey of the biblical evidence, Professor Blocher moves on to discuss the two key texts. First, he considers the relation of the Eden story of Genesis 2 - 3 to modern scientific, literary and theological thinking. Then he offers a new and ground-breaking interpretation of Romans 5, where the apostle Paul discusses Christ and Adam. From this exegetical foundation, he goes on to show how the doctrine of original sin makes sense of the paradoxes of human existence. In the final chapter, he discusses the intellectual difficulties that some feel remain with the doctrine itself.

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'A very promising historical adventure' - THE TIMES'A terrific novel' - HISTORIA MAGAZINE***'There is a fury in England that none shall suppress - and when it breaks forth it will shake the throne'1264 Storm clouds are gathering as Simon de Montfort and the barons of the realm challenge the power of Henry III. The barons demand reform; the crown demands obedience. England is on the brink of civil war. Adam de Norton, a young squire devoted to the virtues of chivalry, longs only to be knighted, and to win back his father's lands. Then a bloody hunting accident leaves him with a new master: the devilish Sir Robert de Dunstanville, who does not hesitate to use the blackest stratagems in pursuit of victory. Following Robert overseas, Adam is introduced to the ruthless world of the tournament, where knights compete for glory and riches, and his new master's methods prove brutally effective. But as England plunges into violence, Robert and Adam must choose a side in a battle that will decide the fate of the kingdom. Will they fight for the king, for de Montfort - or for themselves? Searingly vivid and richly evocative, Battle Song is tale of friendship and chivalry, rivalry and rebellion, and the medieval world in all its colour and darkness.***Readers absolutely love BATTLE SONG:'Another five star Ian Ross novel!' *****'Truly is a masterclass in historical fiction' *****'The best historical fiction I've read in years. Up there with Hilary Mantel!' *****'A great well researched novel' *****'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' *****'Well written and engaging characters' *****'Ian Ross writes with a class and style that leaves the reader or listener thirsting for more' *****'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' *****'A gripping tale of early England' *****'A really good story, brought to life by an excellent narrator' *****

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In a time when the idea of literature has been dissolved by our academic critics into mere “discourse,” many readers seem unable to distinguish between art and ideology. “This book,” James Tuttleton writes, “is about the difference between the two and about the ways in which ideology has not merely entered the word of some of our best writers but even grossly disfigured it.” Mr. Tuttleton’s new collection of fifteen essays focuses on what Henry James called “the imaginative faculty under cultivation,” the quality that makes for important literature. The subjects here range from Washington Irving to Louis Auchincloss, with stops along the way for considerations of Cooper, Poe, Howells, James, Henry Adams, Edith Wharton, Scott Fitzgerald, Sinclair Lewis, and Conrad Aiken. The effects of ideology are a dominant motif, supported by Mr. Tuttleton’s customary banquet of information based upon his close reading of American literature and criticism. Of his most recent collection, Vital Signs, James Seaton wrote in the Hudson Review: "The ability to integrate analysis with celebration requires both intellectual entergy and generosity of spirit; James Tuttleton is one of those rare critics who possesses both.... He is a critic whose judgements can be trusted." A Fine Silver Thread further confirms Mr. Tuttleton’s stature as one of our most respected critics.

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In 1796, famed engineer and architect Benjamin Henry Latrobe toured the coal fields outside Richmond, Virginia, declaring enthusiastically, "Such a mine of Wealth exists, I believe, nowhere else!" With its abundant and accessible deposits, growing industries, and network of rivers and ports, Virginia stood poised to serve as the center of the young nation's coal trade. By the middle of the nineteenth century, however, Virginia's leadership in the American coal industry had completely unraveled while Pennsylvania, at first slow to exploit its vast reserves of anthracite and bituminous coal, had become the country's leading producer. Sean Patrick Adams compares the political economies of coal in Virginia and Pennsylvania from the late eighteenth century through the Civil War, examining the divergent paths these two states took in developing their ample coal reserves during a critical period of American industrialization. In both cases, Adams finds, state economic policies played a major role. Virginia's failure to exploit the rich coal fields in the western part of the state can be traced to the legislature's overriding concern to protect and promote the interests of the agrarian, slaveholding elite of eastern Virginia. Pennsylvania's more factious legislature enthusiastically embraced a policy of economic growth that resulted in the construction of an extensive transportation network, a statewide geological survey, and support for private investment in its coal fields. Using coal as a barometer of economic change, Old Dominion, Industrial Commonwealth addresses longstanding questions about North-South economic divergence and the role of state government in American industrial development, providing new insights for both political and economic historians of nineteenth-century America.

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SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD'Maximilian Ponder is lying face up, dead, on the dining table in his own front room. This is something you really should know, right from the start. 'Max would also have wanted you to know that this is a Henri II style, French, walnut extending dining table, standing on solid turned legs with fretwork decor to the middle, also with ebony and sandalwood inlay, designed by the French furniture maker Nicolas Rastin and probably dating from around 1900 ...'Maximilian Ponder shut himself away for thirty years in an attempt to record every memory he ever had. Now he lies dead, surrounded by his magnum opus - The Catalogue - an exhaustive set of notebooks and journals that he hopes will form the map of one human mind. But before his friend Adam Last can call the police and inform them of Max's death, one rather gruesome task remains in order for Max's project to be complete. Interspersed with sections from The Catalogue, Adam tells the story of the man he knew - a man whose life changed dramatically the day he buried a dead labrador and fought a duel with his father. What emerges is both the story of a friendship, and also of a lifelong obsession, a quest to understand the human mind, memory and what constitutes a life.

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A funeral, a ghost, a murder ...It's all in a day's work for emma lee raines ...Bopped on the head from a falling plastic Santa, local undertaker Emma Lee Raines is told she's suffering from "funeral trauma." It's trauma all right, because the not-so-dearly departed keep talking to her. Take Ruthie Sue Payne-innkeeper, gossip queen, and arch-nemesis of Emma Lee's granny-she's adamant that she didn't just fall down those stairs. She was pushed. Ruthie has no idea who wanted her pushing up daisies. All she knows is that she can't cross over until the matter is laid to eternal rest. In the land of the living, Emma Lee's high-school crush, Sheriff Jack Henry Ross, isn't ready to rule out foul play. Granny Raines, the widow of Ruthie's ex-husband and co-owner of the Sleepy Hollow Inn, is the prime suspect. Now Emma Lee is stuck playing detective or risk being haunted forever.

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First published in 1985, Between Men was a decisive intervention in gender studies, a book that all but singlehandedly dislodged a tradition of literary critique that suppressed queer subjects and subjectivities. With stunning foresight and conceptual power, Eve Kosofsky Sedgwick's work opened not only literature but also politics, society, and culture to broader investigations of power, sex, and desire, and to new possibilities of critical agency. Illuminating with uncanny prescience Western society's evolving debates on gender and sexuality, Between Men still has much to teach us. With a new foreword by Wayne Koestenbaum emphasizing the work's ongoing relevance, Between Men engages with Shakespeare's Sonnets, Wycherley's The Country Wife, Sterne's A Sentimental Journey Through France and Italy, Hogg's The Private Memoirs and Confessions of a Justified Sinner, Tennyson's The Princess, Eliot's Adam Bede, Thackeray's The History of Henry Esmond, Esq., and Dickens's Our Mutual Friend and The Mystery of Edwin Drood, among many other texts. Its pathbreaking analysis of homosocial desire in Western literature remains vital to the future of queer studies and to explorations of the social transformations in which it participates.

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How much do you really know about Arsenal? Put your Gunners knowledge to the test with this bumper book of brainteaser quizzes and fascinating facts, beautifully illustrated by one of the world's leading sports artists. It's packed with trivia on all the great Arsenal sides and players - from Chapman's champions to Mee's double winners and Wenger's 'invincibles', from Adams, Wright, Bergkamp and Henry to Pepe and Partey - providing hours of highly dippable fun and entertainment. Which player was nicknamed 'The Little Mozart'? Which England international appeared with Diana Dors and Thora Hird in a 1953 film? Who is the only World Cup Golden Shoe-winner to have played for Arsenal? Who was the only Arsenal player in the GB football squad at the 2012 Olympics? Which player fronted a worldwide ad campaign as a Calvin Klein underwear model? Trivquiz Arsenal holds the answers to all these questions and hundreds more.

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The hilarious history book for kids, all about the human body, from bestselling, record-breaking author and illustrator Adam Kay and Henry Paker.The olden days were pretty fun if you liked wearing chainmail or chopping people's heads off.But there was one TINY LITTLE problem back then . . . doctors didn't have the slightest clue about how our bodies worked.It's time to delve into history and get some answers to some big questions, like: Why did patients gargle with wee? Why did people used to get paid for farting? (Unfortunately that’s no longer a thing – sorry.) How did a doctor save people's lives using a washing machine, a can of beans and some old sausages? What was the great stink? (No, it's not what doctors call your bum.) If you're sure you're ready, then pop a peg on your nose (there was a lot of stinky pus back then), pull on your wellies (there was a lot of poo there too), wash your hands (because they certainly didn't) and explore this gross and gruesome history of the human body!Praise for Kay's Anatomy:'An enjoyably gross look at the human body. Hours of gruesome fun guaranteed' - i'Like listening to a teacher who makes pupils fall about' - Sunday Times'Totally brilliant!' - Jacqueline Wilson'Fun and informative' - Malorie Blackman'Very funny - this exciting book is bound to inspire the next generation of medics' -Sunday Express

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With color photographs and artwork, Sisters in Art is the first biography to capture the lives and works of Margaret, Esther, and Helen Bruton, three exceptionally talented sisters whose mark on the California modernist art scene still impacts our world.Nominee, 2021 New Deal Book Award"Great stories abound in this book, including the goings-on of the 'Monterey Group' of painters and an encounter with a teetotaling Henri Matisse at a North Beach cocktail party. If California had a Belle Époque, this was it. From their chubby-cheeked 'Gibson Girl' childhood through their sunlit dotage, the Brutons were exemplars of many aspects of California history and, in recent years, overlooked. Good’s book corrects this."—Library Journal"Both beautiful and substantial, Sisters in Art: The Biography of Margaret, Esther, and Helen Bruton. . . would make a great gift for the art lover in your life […] The book contains detailed-but-lively accounts of the sisters' lives and work, and is filled with black-and-white and color plates of their art."—The Carmel Pine Cone"An illuminating and heroic work... [Good] writes vividly about how all three Brutons continued to make art until the very end of their lives."—Jasmin Darznik, New York Times–bestselling author of The Bohemians"For decades, Margaret, Esther and Helen Bruton have been relegated to a side note in California art history. Yet their work has found new appreciation in the 21st century, and their fascinating lives and impressive artistic achievements are finally coming back into the light."—Carmel MagazineEducated at art schools in New York and Paris, the Brutons ran in elite artistic circles and often found themselves in the company of luminaries including Frida Kahlo, Diego Rivera, Henri Matisse, Armin Hansen, Maynard Dixon, Imogen Cunningham, and Ansel Adams. Their contemporaries described the sisters as geniuses, for they were bold experimenters who excelled in a wide variety of mediums and styles, each eventually finding a specialization that expressed her best: Margaret turned to oil paintings, watercolors, and terrazzo tabletops; Esther became known for her murals, etchings, fashion illustrations, and decorative screens; and Helen lost herself in large-scale mosaics.Although celebrated for their achievements during the 1920s and 1930s, the Brutons cared little about fame, failing to promote themselves or their work. Over time, the "famous Bruton sisters" and their impressive art careers were nearly forgotten. Now for the first time, Sisters in Art reveals the contributions of Margaret, Esther, and Helen Bruton as their works continue to inspire and find new appreciation today.

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Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility. Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought. Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.

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Winter 1795: Lieutenant John Pearce, reckoning to have finally ditched his old enemy, Admiral Hotham, has found a new one in Henry Digby, previously a friend. Meanwhile, Pearce's pregnant and recently widowed lover is adamant they cannot be seen together for the sake of their unborn child as she seeks respectability in society.Aboard HMS Flirt as part of the squadron led by Horatio Nelson, Pearce and his Pelicans soon join a reconnaissance mission which results in the destruction of a key French battery—though the success is short-lived. In raids ashore, split loyalties, and bloody sea fights, Pearce must show bravery and resourcefulness to ensure his survival and return to Emily. But the headstrong lieutenant is faced with immense danger, not only from the enemy but also from his own captain. Only luck and Pearce's fierce appetite for battle can save them from the perils ahead.

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Demonstrating the timely relevance of Theodore Dreiser, Edith Wharton, Jack London and Henry Adams, this book shows how debates about evolution, identity, and a shifting world picture have uncanny parallels with the emerging global systems that shape our own lives. Tracing these systems' take-off point in the early twentieth century through the lens of popular science journalism, John Bruni makes a valuable contribution to the study of how biopolitical control over life created boundaries among races, classes, genders and species. Rather than accept that these writers get their scientific ideas about evolution second-hand, filtered through a social Darwinist ideology, this study argues that they actively determine what evolution means. Furthermore, the book, examines the ecological concerns that naturalist narratives reflect - such as land and water use, waste management, and environmental pollution - previously unaddressed in a book-length study.

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The story of Annie - everyone's favourite orphan - with an introduction by writer, actor and comedian Miranda Hart.It's 1933 and for as long as she can remember, 11 year old Annie has believed that her mother and father would come back to her New York City orphanage to get her. But mean Miss Hannigan the headmistress is making Annie's life a misery. So she runs away to find her parents - and along the way she rescues a friendly dog, meets millionaire Oliver Warbucks, and has a many scary and exciting adventures. Will kind-hearted Annie find a way to escape her hard-knock life?The author THOMAS MEEHAN is the playwright of the original Broadway play and he has expanded the story of the plucky little orphan in this classic American tale.Thomas Meehan was born in New York in 1929. He worked as a journalist for the New Yorker magazine and wrote comedy sketches for the satirical TV show, 'That Was the Week That Was'. He received a Tony Award for Annie in 1977, for The Producers in 2001 and in 2003 for the musical Hairspray. He currently lives in New York city and in Nantucket, Massachusetts.Also available in A Puffin Book: GOODNIGHT MISTER TOM and BACK HOME by Michelle Magorian CHARLOTTE'S WEB, STUART LITTLE and THE TRUMPET OF THE SWAN by E. B. White THE BORROWERS by Mary NortonSTIG OF THE DUMP by Clive KingROLL OF THUNDER, HEAR MY CRY by Mildred D. TaylorA DOG SO SMALL by Philippa PearceGOBBOLINO by Ursula Moray WilliamsMRS FRISBY AND THE RATS OF NIMH by Richard C O'BrienA WRINKLE IN TIME by Madeleine L'EngleTHE CAY by Theodore TaylorTARKA THE OTTER by Henry WilliamsonWATERSHIP DOWN by Richard AdamsSMITH by Leon GarfieldTHE NEVERENDING STORY by Michael EndeTHE FAMILY FROM ONE END STREET by Eve Garnett

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Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.

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One of the best-loved animal stories of our time."Twilight over meadow and water, the eve-star shining above the hill, and Old Nog the heron crying kra-a-ark! as his slow dark wings carried him down to the estuary."The classic story of an otter living in the Devonshire countryside which captures the feel of life in the wild as seen through the otter's own eyes.Tarka is born in Owlery Holt, near Canal Bridge on the River Torridge, where he grows up with his mother and sisters, learning to swim and catch fish, and to beware the hunters' cry. His life is one of adventure and play, but soon he must fend for himself, travelling along streams and rivers to the open sea, sometimes with female otters White-tip and Greymuzzle. Always on the run, Tarka has many close shaves until he finally meets his nemesis, the fearsome hound Deadlock.Henry William Williamson was born in 1895 in Brockley, south-east London. The then semi-rural location provided easy access to the countryside, and he developed a deep love of nature throughout his childhood. He became a prolific author known for his natural and social history novels. He won the Hawthornden Prize for literatrure in 1928 for Tarka the Otter.Also available in A Puffin Book: GOODNIGHT MISTER TOM and BACK HOME by Michelle Magorian CHARLOTTE'S WEB, STUART LITTLE and THE TRUMPET OF THE SWAN by E. B. White THE BORROWERS by Mary NortonSTIG OF THE DUMP by Clive KingROLL OF THUNDER, HEAR MY CRY by Mildred D. TaylorA DOG SO SMALL by Philippa PearceGOBBOLINO by Ursula Moray WilliamsMRS FRISBY AND THE RATS OF NIMH by Richard C O'BrienA WRINKLE IN TIME by Madeleine L'EngleTHE CAY by Theodore TaylorWATERSHIP DOWN by Richard AdamsSMITH by Leon GarfieldTHE NEVERENDING STORY by Michael EndeANNIE by Thomas MeehanTHE FAMILY FROM ONE END STREET by Eve Garnett

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Do you ever wonder where the stuff around you all came from? No, not from eBay. I mean, who had the amazing idea of making a mobile phone or the annoying idea of building a school? For example, did you know that Velcro was invented by a dog and WiFi by a movie star? (Spoiler alert - it wasn't Zendaya.)In the fourth laugh-out-loud book from Adam Kay and Henry Paker, you'll learn all about the coolest, grossest and most ridiculous inventions in the world. You'll meet the queen who used the first ever toilet, learn why margarine used to be full of maggots and find out why Ancient Greeks wiped their bums on dinner plates. Oh, and hopefully some slightly more useful facts as wellAn A to Kay to Z of the random, ridiculous and revolutionary inventions that changed our lives. (And some that definitely didn''t . . .)Praise for Kay''s Anatomy:''An enjoyably gross look at the human body. Hours of gruesome fun guaranteed'' i''Like listening to a

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From the fun of the fair to the depths of hell, experience sixteen more curses in this sequel to the bestselling Cursed: An Anthology. A blend of traditional and reimagined curses from fairy-tales to Snow White, from some of the best names in fantasy. BE CAREFUL WHAT YOU WISH FOR Take a trip to a terrifying carnival and uncover the secrets within, solve a mysterious puzzle box and await your reward, join a travelling circus and witness the strangest ventriloquist act you’ve ever seen. In this follow-up to the bestselling Cursed: An Anthology, you’ll unearth curses old and new. From a very different take on Snow White, to a new interpretation of The Red Shoes, the best in fantasy spin straw into gold, and invite you into the labyrinth. Just don’t forget to leave your trail of breadcrumbs… Featuring stories from: Joanne Harris Neil Gaiman Joe Hill Sarah Pinborough Angela Slatter M. R. Carey Christina Henry A. C. Wise Laura Purcell Katherine Arden Adam L. G. Nevill Mark Chadbourn Helen Grant Kelley Armstrong A. K. Benedict L. L. McKinney

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It was clear from an early age that Dexter Procter was different.He started speaking at four seconds old. By the age of three, he had 87 A-levels, from Afrikaans to Zoology.And by ten, he was working as a paediatrician at Lilydale General Hospital.Despite a loving but annoying family and a couple of good friends (Rupi and Otto), Dexter's always struggled to fit in. Add to this a mortal enemy (Dr Drake) and a major problem at his old school (all the teachers struck down with awful diarrhoea) - will Dexter be able to save his job, save the school and find his place in the world? (Spoiler alert: yes!)A laugh-out-loud new fiction series about the world's youngest doctor from the record-breaking Adam Kay and Henry Paker.'Original, very funny, ultra-informative - and children will love all the disgusting parts.' Jacqueline Wilson'If laughter truly is the best medicine, book this hilarious appointment with Dr Procter immed

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A sweeping, emotional tale of hope and perseverance, Swan Light weaves together the stories of two people separated by a century but connected by family, purpose, and one extraordinary lighthouse. 1913. Eighty-three-year-old Silvestre Swan has dedicated his life to the care of his Newfoundland lighthouse. His petition to relocate Swan Light from its precarious cliff’s edge is going unheard by town patriarch Cort Roland—that is, until a terrible storm brings an unlikely ally into Swan’s life. But is it too late for the stone lighthouse? 2014. Marine archaeologist Mari Adams’s attempts to fund her search for the notorious SS Californian are realized when she accepts a job to find the remains of Swan Light, rumored to have collapsed into the sea one hundred years ago. She teams up with salvager Julian Henry, and the pair unearth more than they bargained for in their search for the ruins. But when a group of treasure hunters threatens their mission, their hunt for the truth turns dangerous. As past and present collide, the secrets hiding on the ocean floor begin to surface. Can Mari find the answers she is looking for—and at what price?

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When you look at an image, what do you see, think, and feel? How do you want your audience to react when they view your work? For over 30 years the late Richard Zakia helped photographers enrich their creative vision through his classic book, Perception and Imaging. Now he is joined by co-author John Suler who extensively studied and worked with images throughout his career as a clinical psychologist. Together they present their insights into the principles of perception, memory, color, time, space, shapes, illusion, subliminals, rhetoric, personality style, and photo critique. Unlike any other book, Perception and Imaging will give you an extensive understanding of how photography relates to art, design, advertising, psychology, and philosophy, as well as what makes photography unique among the image-making disciplines. Whether you are a beginner or a professional, this information will help you appreciate photography not simply as a mastering of technique and composition, but as a way of truly seeing, especially now in the digital age. – New sections about photo sharing in social media and online groups devoted to photography critique– Includes inspirational images from some of the world’s most well-known photographers, including Henri Cartier-Bresson, Man Ray, and Ansel Adams– A comprehensive discussion of the "decisive moment" photo, its vital ingredients, and why some consider it the essence of photography– New sections about body language in photographs, camera angles, aspect ratios, self portraits and selfies, and how memory and personality affect photography

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Presence is a thrilling immersion into the personal collection of photographer and humanitarian Judy Glickman Lauder. Nearly 160 images by some eighty photographers, selected from Judy Glickman Lauder’s collection of over 650 prints, explore the idea of “presence” of the human spirit. This stunningly designed album showcases the imagery of beloved and influential photographers of the twentieth century, such as Berenice Abbott, Richard Avedon, Henri Cartier-Bresson, Imogen Cunningham, Nan Goldin, Susan Meiselas, Gordon Parks, Sebastião Salgado, Weegee, and James Van Der Zee. Spanning Pictorialism, portraiture, and fashion, to documentary and photojournalism, and featuring iconic figures from the fields of art, politics, entertainment, and social justice, Presence: The Photography Collection of Judy Glickman Lauder celebrates photography’s ability to capture the human experience. Essays by Anjuli Lebowitz and Adam D. Weinberg provide historical and artistic context, while an autobiographical essay by Glickman Lauder tells the story of her collection. This book accompanies an exhibition drawn from the Judy Glickman Lauder Collection at the Portland Museum of Art, to which the Collection has been gifted. Published by Aperture in partnership with the Portland Museum of Art, Maine

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Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, "Reconstructing the View". The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes, to well-known artworks by Edward Weston and Ansel Adams, and from souvenir postcards to contemporary digital images drawn from Flickr. The pair then employed digital postproduction methods to bring the original images into dialogue with their own. The result is this stunning volume, illustrated with a wealth of full-color illustrations that attest to the role photographers - both anonymous and great - have played in picturing American places. Rebecca Senf's compelling essay traces the photographers' process and methodology, conveying the complexity of their collaboration. Stephen J. Pyne provides a conceptual framework for understanding the history of the canyon, offering an overview of its discovery by Europeans and its subsequent treatment in writing, photography, and graphic arts.

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Combines historical rigour with an analysis of dramatic contexts, themes and forms The 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years. The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell. Key Features * Provides a thorough overview of Scottish theatre from the earliest days to the present * Deals with play texts as well as with the key contexts and themes of drama and theatre over the years * Provides insights into the work of leading Scottish playwrights, including the new generations since the 1970s * Written for students and theatre-lovers alike

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The Art and Thought of John La Farge: Picturing Authenticity in Gilded Age America offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and opens a window onto nineteenth-century American culture. The book reveals how the work of John La Farge contributed to a rich philosophical dialogue concerning the trustworthiness of human perception. In his struggle against a 'common truth' of iconic symbols presented by a new mass visual culture, La Farge developed a subversive approach to visual representation that focused attention not on the artwork itself, but on the complex, real encounter of artist, subject and medium from which the artwork came. Katie Kresser charts La Farge's efforts to assert his own reality - his own intrinsic uniqueness - in a postwar society that increasingly based personal identity on standardized vocational labels and economic productivity. La Farge's work is contrasted with that of Kenyon Cox, James Whistler and Henry Adams, all of whom (for La Farge) had fallen prey to the crass new visual environment - albeit in very different ways. This innovative study suggests that La Farge dealt with issues still relevant in a world characterized by ubiquitous mass media and the proliferation of 'normative' visions.

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‘Joyfully absurd and hilarious.’ ADAM KAY'One of the funniest things I’ve ever read. It is brilliant.' CLAUDIA WINKLEMANHere before you is Joe Wilkinson's brilliantly absurd and utterly fictional account of his time on - and briefly off - planet Earth.Through cartoon stories (illustrated by Henry Paker) Joe recounts the defining moments and bizarre encounters of his imaginary life – from his schoolboy misfortunes to his formative years on the dating scene, to his money-making schemes and globetrotting adventures.With tall stories including…-Winning ‘most nits’ at school-That time I threw a turd into a tornado-Becoming the bad boy of fly tipping-The disastrous double date-My car airbag addiction-The time I tunnelled too far out of prison and ended up in the prison next door-The real reason Bigfoot went into hiding…this book is a delightfully absurd journey into the mind of a comic maverick.Hilarious, heart-warming and utterly unique, Joe Wilkinson: My Autobiography is the off-the-wall life story of one of our most beloved and unorthodox comedians.

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“One of the best books I have read on investing in years. ” —Bill Ackman, founder and CEO, Pershing Square Capital Management From a successful investor and a contributor to Barron’s and Fortune comes a once-in-a-lifetime book that gives modern investors what they need most: a fresh guide to making money in a stock market now dominated by tech stocks.Technological change is reshaping the economy in a way not witnessed since Henry Ford introduced the assembly line. A little more than ten years ago, only two of the ten most valuable publicly traded companies in the world were digital enterprises—today, they comprise eight of the top ten. Investors around the world are struggling to understand the Digital Age and how they can use the stock market to profit from it. Author Adam Seessel understands. Several years ago, he watched his old-school portfolio built using traditional value investing principles decline while the market, driven by “expensive” tech stocks, advanced. Determined to reverse course, he set off in search of a new investment paradigm, one that remained true to the discipline that Ben Graham gave us a century ago while reflecting the new realities of the Digital Age. In this “helpful take on playing the stock market” (Publishers Weekly), Seessel introduces a refreshed value-based framework that any investor, professional or amateur, can use to beat the modern market. Like all sectors, the tech sector follows certain rules. We can study these rules, understand them, and invest accordingly. The world is changing, and we can profit from it. Approaching tech this way, the economy’s current changes and the rapid rise of tech stocks are not reasons to be frightened or disoriented—they’re reasons to be excited. Infused with the same kind of optimism and common sense that inspired Benjamin Graham’s The Intelligent Investor and Peter Lynch’s One Up on Wall Street, Where the Money Is ushers in a new era of modern value investing.

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Fracking - tar-sand runoff - dirty oil extraction. This is the language of our oil-addicted 21st century society: incredibly invasive, blatant in its purpose, and richly embedded in mythological and archetypal symbolism. The ultimate goal of the industry: To core the underworld.Endangered Hydrocarbons, Lesley Battler's first full-length collection of poetry, shows that the language of hydrocarbon extraction, with its blend of sexual imagery, archetype, science, pseudoscience and the purely speculative, can be as addictive as the resource it pursues.Using pastiche and wordplay, Battler shines a floodlight on the absurdity and pervasiveness of production language in all areas of human life in the oil fields, including art, culture and politics. Incorporating texts generated by a multinational oil company, and spliced with a variety of found material (video games, home decor magazines, works by Henry James and Carl Jung), Battler deliberately tampers with her found material, treating it as crude oil--excavating, mixing, and drilling these texts to emulate extraction processes used by the industry.With traces of Dennis Lee's Testament, Larissa Lai's Automaton Biographies, and Adam Dickinson's The Polymers, this lively and refreshing take on a polarizing topic will resonate with readers of contemporary poetry who connect with environmental issues and capitalist critique.

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A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist workOn the Rural is the first English collection to translate Lefebvre’s crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre’s key works on rural questions, including the first half of his book Du rural à l’urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation—supplemented with extensive notes and a substantive introduction—to cement Lefebvre’s central contribution to the political economy of rural sociology and geography.

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A collection of previously untranslated writings by Henri Lefebvre on rural sociology, situating his research in relation to wider Marxist workOn the Rural is the first English collection to translate Lefebvre’s crucial but lesser-known writings on rural sociology and political economy, presenting a wide-ranging approach to understanding the historical and rural sociology of precapitalist social forms, their endurance today, and conditions of dispossession and uneven development. In On the Rural, Stuart Elden and Adam David Morton present Lefebvre’s key works on rural questions, including the first half of his book Du rural à l’urbain and supplementary texts, two of which are largely unknown conference presentations published outside France. On the Rural offers methodological orientations for addressing questions of economy, sociology, and geography by deploying insights from spatial political economy to decipher the rural as a terrain and stake of capitalist transformation. By doing so, it reveals the production of the rural as a key site of capitalist development and as a space of struggle. This volume delivers a careful translation—supplemented with extensive notes and a substantive introduction—to cement Lefebvre’s central contribution to the political economy of rural sociology and geography.

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Individuals who are civically active have three things in common: they have the capacity to do so, they want to, and they have been asked to participate. New Advances in the Study of Civic Voluntarism is dedicated to examining the continued influence of these factors—resources, engagement, and recruitment—on civic participation in the twenty-first century. The contributors to this volume examine recent social, political, technological, and intellectual changes to provide the newest research in the field. Topics range from race and religion to youth in the digital age, to illustrate the continued importance of understanding the role of the everyday citizen in a democratic society. Contributors include:Molly Andolina, Allison P. Anoll, Leticia Bode, Henry E. Brady, Traci Burch, Barry C. Burden, Andrea Louise Campbell, David E. Campbell, Sara Chatfield, Stephanie Edgerly, Zoltán Fazekas, Lisa García Bedoll, Peter K. Hatemi, John Henderson, Krista Jenkins, Yanna Krupnikov, Adam Seth Levine, Melissa R. Michelson, S. Karthick Ramakrishnan, Dinorah Sánchez Loza, Kay Lehman Schlozman, Dhavan Shah, Sono Shah, Kjerstin Thorson, Sidney Verba, Logan Vidal, Emily Vraga, Chris Wells, JungHwan Yang, and the editor.

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How can cradling, handling, or rubbing a text be said, ethically, to have made something happen? What, as readers or interpreters, may come off in our hands in as we maculate or mark the books we read? For Adam Zachary Newton, reading is anembodied practice wherein “ethics” becomes a matter of tact—in the doubled sense of touch and regard. With the image of the book lying in the hands of its readers as insistent refrain, To Make the Hands Impure cuts a provocative cross-disciplinary swath through classical Jewish texts, modern Jewish philosophy, film and performance, literature, translation, and the material text. Newton explores the ethics of reading through a range of texts, from the Talmud and Midrash to Conrad’s Nostromo and Pascal’s Le Mémorial, from works by Henry Darger and Martin Scorsese to the National September 11 Memorial and a synagogue in Havana, Cuba. In separate chapters, he conducts masterly treatments of Emmanuel Levinas, Mikhail Bakhtin, and Stanley Cavell by emphasizing their performances as readers—a trebled orientation to Talmud, novel, and theater/film. To Make the Hands Impure stages the encounter of literary experience and scriptural traditions—the difficult and the holy—through an ambitious, singular, and innovative approach marked in equal measure by erudition and imaginative daring.

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In this ambitious book, Patrick Brantlinger offers a cultural history of Great Britain focused on the concept of "public credit," from the 1694 founding of the Bank of England to the present. He draws on literary texts ranging from Augustan satire such as Gulliver's Travels to postmodern satire such as Martin Amis's Money: A Suicide Note. All critique the misrecognition of public credit as wealth. The economic foundations of modern nation-states involved national debt, public credit, and paper money. Brantlinger traces the emergence of modern, imperial Great Britain from those foundations. He analyzes the process whereby nationalism, both the cause and the result of wars and imperial expansion, multiplied national debt and produced crises of public credit resolved only through more nationalism and war. During the first half of the eighteenth century, conservatives attacked public credit as fetishistic and characterized national debt as alchemical. From the 1850s, the stabilizing theories of public credit authored by David Hume, Adam Smith, Henry Thornton, and others, helped initiate the first "social science" economics. In the nineteenth century, literary criticism both paralleled and questioned early capitalist discourse on public credit and nationalism, while the Victorian novel refigured debt as the individual, private credit and debt. During the era of high modernism and Keynesian economics, the notion of high culture as genuine value recast the debate over money and national indebtedness. Brantlinger relates this cultural-historical trajectory to Marxist, poststructuralist, and postcolonial theories about the decline of the European empires after World War II, the global debt crisis, and the weakening of western nation-states in the postmodern era.

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Throughout American history, succeeding in the military has demanded unflagging courage, strength of character, and a patriotic spirit. For an African American man or woman, serving in the military has also meant battling oppression and struggling against deep-seated prejudice. Those who persevered were not only warriors, nurses, or leaders—they were heroes and heroines. In this action-packed collection, you will meet thirty brave and determined African American military heroes, from the eighteenth century up to the present. You'll discover little-known facts about their families and careers, as well as the remarkable odds each of them overcame. Ranging from the Revolutionary War to Vietnam and the Persian Gulf War, these exciting stories show you how: Private Peter Salem, born into slavery, led the charge against the British redcoats at the Battle of Bunker Hill and turned the tide in America's fight for independence. Harriet Tubman, famous for her daring in the Underground Railroad, worked as a spy and nurse for the Union army during the Civil War. Private Henry Johnson, a member of the first black combat battalion in World War I, single-handedly withstood a German ambush and received the Croix de Guerre, France's highest honor for bravery in action. Brigadier General Hazel W. Johnson, chief of the Army Nursing Corps, blazed a trail in the struggle for racial integration in the armed forces during World War II, becoming the military's highest-ranking African American woman. General Colin L. Powell, recipient of the Purple Heart in Vietnam, steadily rose through army ranks to become the first African American chairman of the Joint Chiefs of Staff, overseeing the U.S. invasion of Panama and Operation Desert Storm. This extraordinary collection highlights these and dozens of other absorbing stories of dedicated defenders of America. BLACK STARS Meet the courageous black stars who defended our liberty with uncommon valor—from the early years to modern times: Vernon J. Baker Guion S. Bluford Jr. Sherian Cadoria William H. Carney Austin Dabney Benjamin O. Davis Sr. Benjamin O. Davis Jr. Martin Robison Delany Charity Adams Earley Christian A. Fleetwood Henry O. Flipper Robert O. Goodman Jr. William Goyens Samuel L. Gravely Jr. Lemuel Haynes Michael A. Healy Daniel "Chappie" James Jr. Hazel W. Johnson Henry Johnson Dorie Miller Pinckney Benton Stewart Pinchback Colin L. Powell Peter Salem Deborah Sampson Robert Smalls Harriet Tubman John Bathan Vashon Peter Vogelsang George Washington Williams Charles A. Young

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Though history and autobiography both claim to tell true stories about the past, historians have traditionally rejected first-person accounts as subjective and therefore unreliable. What then, asks Jeremy D. Popkin in History, Historians, and Autobiography, are we to make of the ever-increasing number of professional historians who are publishing stories of their own lives? And how is this recent development changing the nature of history-writing, the historical profession, and the genre of autobiography? Drawing on the theoretical work of contemporary critics of autobiography, as well as the philosophy of Paul Ricoeur, Popkin reads the autobiographical classics of Edward Gibbons and Henry Adams and the memoirs of contemporary historians such as Emmanuel Le Roy Ladurie, Peter Gay, Jill Ker Conway, and many others. He reveals the contributions that historians' life stories make to our understanding of the human experience. Historians' autobiographies, he shows, reveal how scholars arrive at their vocations, the difficulties of writing about modern professional life, and the ways in which personal stories can add to our understanding of historical events such as war, political movements, and the traumas of the Holocaust. An engrossing overview of the way historians view themselves and their profession, this work will be of interest to readers concerned with the ways in which we understand the past, as well as anyone interested in the art of life-writing.

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WINNER OF THE WILLIAM HILL SPORTS BOOK OF THE YEAR With contributions from Usain Bolt, Adam Goodes, Jeff Harriott, Thierry Henry, Michael Johnson, Ibtihaj Muhammad, Makhaya Ntini, Naomi Osaka, Hope Powell THE HIGHLY ACCLAIMED SUNDAY TIMES BESTSELLER In the aftermath of the murder of George Floyd and the #BlackLivesMatter protests that followed, a rain delay during a Test match gave Michael Holding an opportunity. For the first time, he spoke about the racism that he and those around him have suffered. WINNER OF THE SUNDAY TIMES SPORTS BOOK AWARDS BOOK OF THE YEAR Now, in Why We Kneel, How We Rise Holding shares his story together with those of some of the world's most iconic athletes. To understand the racism of today, Holding dives into its uncomfortable and unedited history. He tells the stories left untold about Black people's accomplishments throughout history and emphasises the importance of education as a tool to achieve equality. THE TIMES AND SUNDAY TIMES SPORTS BOOK OF THE YEARWhy We Kneel, How We Rise is a powerful, poignant and personal exploration of racism - with a message of hope for real change. 'No more important sports book this year' Sunday Times 'If anything will change the way we see the world it is this'Daily Mail

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Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility. Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought. Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.

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Since the Enlightenment, the idea of progress has spanned right- and left-wing politics, secular and spiritual philosophy, and most every school of art or culture. The belief that humans are capable of making lasting improvements—intellectual, scientific, material, moral, and cultural—continues to be a commonplace of our age. However, events of the preceding century, including but not limited to two world wars, conflicts in Korea and Vietnam, the spread of communism across Eastern Europe and parts of Asia, violent nationalism in the Balkans, and genocides in Cambodia and Rwanda, have called into question this faith in the continued advancement of humankind. In A Road to Nowhere, Matthew W. Slaboch argues that political theorists should entertain the possibility that long-term, continued progress may be more fiction than reality. He examines the work of German philosophers Arthur Schopenhauer and Oswald Spengler, Russian novelists Leo Tolstoy and Aleksandr Solzhenitsyn, and American historians Henry Adams and Christopher Lasch—rare skeptics of the idea of progress who have much to engage political theory, a field dominated by historical optimists. Looking at the figures of Schopenhauer, Tolstoy, and Adams, Slaboch considers the ways in which they defined progress and their reasons for doubting that their cultures, or the world, were progressing. He compares Germany, Russia, and the United States to illustrate how these nineteenth-century critics of the idea of progress contributed to or helped forestall the emergence of forms of government that came to be associated with each country: fascism, communism, and democratic capitalism, respectively. Turning to Spengler, Solzhenitsyn, and Lasch, Slaboch explores the contemporary relevance of the critique of progress and the arguments for and against political engagement in the face of uncertain improvement, one-way inevitable decline, or unending cycles of advancement and decay. A Road to Nowhere concludes that these notable naysayers were not mere defeatists and presents their varied prescriptions for individual and social action.

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Adventures Across Space and Time brings together key academic, critic and fan writings about Doctor Who alongside newly-commissioned work addressing contemporary issues and debates to form a comprehensive guide to the wider Whoniverse. The perennially popular BBC series holds a unique place in the history of television and of TV fandom: the longest running science-fiction show, the series and its fan communities have tracked social and cultural changes over its 60 year lifetime. Adventures Across Space and Time presents classic writings on Who and its fandom by leading scholars including John Fiske, Henry Jenkins, John Tulloch and Matt Hills, but also represents writings and art by fans, including fans who went on to become showrunners, writers or even the Doctor himself, with contributions by Steven Moffat, Chris Chibnall, Douglas Adams and Peter Capaldi. This innovative anthology addresses Doctor Who's showrunners, Doctors, companions, enemies and collaborators as well as issues and debates around queer fandom, intersectionality, the 'wokeness' of the Doctor, fan media including websites, podcasts and vlogs, fan activism and questions of race and sexuality in relation to the show and its spin offs. It considers Doctor Who as a peculiarly British phenomenon but also one that has delighted, engaged and sometimes enraged viewers around the world.

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Brooks's theological and intellectual lineageThe Education of Phillips Brooks probes the formative years of one of the best-known figures of Victorian America's "Gilded Age". Rigorously researched, bringing as yet untapped archival material into play, John F. Woolverton's book is an extremely readable and fascinating look at a gifted, persuasive clergyman and public figure. The sermon Brooks delivered at his Holy Trinity Church in Philadelphia while Abraham Lincoln's body lay in state overnight in Independence Hall was published, making him nationally famous overnight. He also is known for penning the lyrics to "O Little Town of Bethlehem". Although Brooks was not a major theologian, he was nurtured in an atmosphere of serious religious thought. In the crisis era of pre-Civil War America, he sought a religious and cultural ideal in the "perfect manhood" of Jesus Christ and consequently "won a name" for himself, as his slightly envious cousin, Henry Adams, once remarked. Woolverton places Brooks in his cultural context and shows how this religious leader was shaped psychologically and by his times and how those factors helped him forge a spiritual ideal for a troubled nation.

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To celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium, from America’s most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.

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This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring’s teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring’s intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring’s unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins. Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mähler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring’s unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring—with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring’s living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.

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Ghastly castles, haunted mansions, shadowy forests and long, dark corridors... This new addition to the Gothic Fantasy series is packed with tales of terror, bringing together the new and the familiar, the unusual and the unexpected. Featuring many stories from open submissions by new writers, Terrifying Ghosts Short Stories delivers a satisfying read for anyone fascinated by glimpses of the beyond: some of the master storytellers included are E.F. Benson, Amelia B. Edwards, Lafcadio Hearn, Henry James, M.R. James, Sheridan Le Fanu and Edith Wharton. New, contemporary and notable writers featured are: Die Booth, Nancy Brewka-Clark, Ramsey Campbell, Dan Coxon, Felix Flynn, Robert Ford, Lyndsay E. Gilbert, Lisa L. Hannett, Sarah Hans, Sean Hogan, O.R. Kennett, John Kiste, Spencer Koelle, Jessica Landry, J.A.W. McCarthy, Marshall J. Moore, Joe Nazare, Michael Nethercott, Adam L.G. Nevill, Michelle Tang, and Jeffrey Thomas. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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The brand new BBC Radio 4 full-cast series based on And Another Thing… the sixth book in the famous Hitchhiker’s Guide “trilogy”.Winner of the 2019 Audie Award for Science Fiction.Forty years on from the first ever radio series of The Hitchhiker’s Guide to the Galaxy, Arthur Dent and friends return in six brand new episodes, in which they are thrown back into the Whole General Mish Mash in a rattling adventure involving Viking Gods and Irish Confidence Tricksters, with our first glimpse of Eccentrica Gallumbits and a brief but memorable moment with The Ravenous Bugblatter Beast Of Traal.Starring John Lloyd as The Book, with Simon Jones as Arthur, Geoff McGivern as Ford Prefect, Mark Wing-Davey as Zaphod Beeblebrox, Sandra Dickinson and Susan Sheridan as Trillian, Jim Broadbent as Marvin the Paranoid Android and Jane Horrocks as Fenchurch, the cast also includes Samantha Béart, Toby Longworth, Andy Secombe, Ed Byrne, Lenny Henry, Philip Pope, Mitch Benn, Jon Culshaw and Professor Stephen Hawking.First broadcast on BBC Radio 4 in 2018, the series is written and directed by Dirk Maggs and based on And Another Thing… by Eoin Colfer with additional unpublished material by Douglas Adams. This edition also includes over 50 minutes of unbroadcast bonus material.Listeners are reminded that the relaxed attitude to danger provided by Joo Janta 200 Super-Chromatic Peril Sensitive Sunglasses is no substitute for running around, screaming. Duration: 3 hours 35 minutes

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From an upstart Ulster County militia officer to "Pharaoh of New York" and vice president under both Jefferson and Madison, George Clinton cast a political shadow over the young republic for almost forty years. As outspoken supporter of the patriot cause, antifederalism, and later of Republican politics, he dominated the imbroglio of New York politics until his death in 1812. The first biography of this pivotal figure in over half a century, George Clinton analyzes the public career of this leader who, because of the destruction of his papers, has remained largely lost to history. In addition to exploring the complexities of Clinton's life, Kaminski clarifies the often arcane issues of Confederation politics. His mastery of detail, his broad knowledge of the period, and his sensitivity to the subtleties of politics on state and national levels enable him to redefine Clinton and his age. George Clinton describes how politics worked from county to Congress and how Clinton worked from behind the scenes to dominate New York. In a revelatory new interpretation, Kaminski describes how Clinton, the leading Antifederalist in the coutnry, allowed the New York State Convention to ratify the Constitution in pursuit of his ambition to become Washington's first vice president and ultimately, his successor. With this book Clinton is given his rightful place in American historiography alongside Patrick Henry, Alexander Hamilton, and Samuel Adams.

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Examines the role of Welsh soldiers in English armies, from the conquests under Edward I through to the Battle of Agincourt. Not only the leaders but the entire nation are trained in war. Sound the trumpet for battle and the peasant will rush from his plough to pick up his weapons as quickly as the courtier from the court. So wrote Gerald of Wales atthe end of the twelfth century; and war continued to define the experiences of Welshmen in the succeeding years. This book explores the role of the Welsh in England's armies and in England's wars between Edward I's conquest of Wales in the 1280s, through the wars in Scotland and France and the revolt led by Owain Glyndwr, concluding with Henry V's conquest of Normandy following his victory at Agincourt in 1415. It examines the structure and composition of armies and the social networks and hierarchies which underpinned them: what sort of Welshmen became soldiers? How was Welsh society organised for war? What impact did wider political considerations have upon Welshmen in England's armies? These questions are answered using both well-known sources, such as the financial records of the English crown, and others less familiar, including the records of local administration and the large surviving corpus ofWelsh-language poetry. Adam Chapman is Editor and Training Coordinator with the Victoria County History of the Counties of England at the Institute of Historical Research, London.

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