Search results for ""author edith""

In recent years, the apology has become an important feature of politics. States are asking their own citizens or the citizens of other countries for forgiveness. ''Oh, sorry that we rounded up people in West Africa, shipped them across the Atlantic and sold them as slaves''. ''Oh, sorry that we convicted homosexuals as criminals.'' ''Oh, sorry that we burnt so many women as witches.'' Sometimes the issue arises as a demand for an apology. Thus, Lopez Obrador, the Mexican president, has asked the Spanish government to apologise for the conquista. The zapatistas, on the other hand, said of their recent trip to Spain that they were not going to ask for an apology. How do we understand the rise of the public apology and how do we relate to it politically? In a moment of severe social crisis, the institutional acts of apology and forgiveness could be theorised as a specific type of ritual which aims to respond to public anger and to reestablish social cohesion. In doing so, the state legit

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In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.". Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Eine „tägliche […] Buchführung mit sich selbst“ war für Goethe von großer Bedeutung, wie er 1827 gegenüber Kanzler Friedrich von Müller formulierte. Seine überlieferten Tagebücher machen rund zehn Prozent seines literarischen Nachlasses aus und erstrecken sich über einen Zeitraum von 57 Jahren. In der neuen historisch-kritischen Edition werden die Texte – im Unterschied zur Weimarer Ausgabe von Goethes Werken – ohne Eingriffe durch die Herausgeber nach den Handschriften wiedergegeben. Ein Apparat verzeichnet sämtliche zeitgenössischen Korrekturen und Ergänzungen sowie die Wechsel der Schreiber. Ein umfangreiches Register der direkt und indirekt im Tagebuch genannten Personen, Werke und Orte sowie ein Register zu Goethes Werken erschließen den Text. Ein ausführlicher Kommentar im zweiten Teilband erläutert und kontextualisiert die Notate und macht sie dadurch mit Gewinn lesbar.

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No other thinker so engaged the Russian cultural imagination of the early twentieth century as did Friedrich Nietzche. The Revolution of Moral Consciousness shows how Nietzschean thought influenced the brilliant resurgence of literary life that started in the 1890s and continued for four decades. Through an analysis of the Russian encounter with Nietzsche, Edith Clowes defines the shift in ethical and aesthetic vision that motivated Russia's unprecedented artistic renascence and at the same time led its followers to the brink of cultural despair. Clowes shows how in the last years of the nineteenth century a diverse array of writers and critics discovered Nietzsche's thought, embracing or repudiating it with equal vigor. The literary storm brewing around Nietzsche and the concurrent relaxation of censorship combined to attract a public eager to follow the new intellectual fashion. Young writers, such as Andreev and Kuprin, welcomed the idea of the "superman" as a promising path to personal fulfillment. The tragic fates of their protagonists and the alluring gospel of the vulgar Zarathustra-like characters of such bestselling authors as Boborykin, Artsybashev, and Verbitskaia found enthusiastic, if indiscriminating, audiences ready to be "taught" how to "find themselves." By considering this Nietzschean cult, Clowes draws fresh insight into the nature of the budding popular-culture industry in Russia and the fast-growing reading public. From this ferment emerged the greatest Russian literary voices of the early twentieth century. The revolutionary romantics, Gorky and Lunacharsky, sought in Nietzsche's writing a new vision of total social and cultural change. Merezhkovsky led a generation of mystic symbolists in the search for a literary myth of resurrection. Ivanov, Blok, and Belyi appropriated the image of the "crucified Dionysus" as the central symbol of spiritual transfiguration. Their encounters with Nietzschean thought disclose an even more profound creative struggle with their own cultural past and its established formulations of nation and individual, culture and history. Clowes uses the term future anxiety to speak of a creative mentality that strove to assert itself by diminishing the impact of powerful literary precursors, such as Tolstoi, Dostoevsky, and Solovyov, and opening to the imagination the vision of a future full of vast creative possibility.

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Edith Wyschogrod presents the first full-length study in English of the important contemporary French philosopher Emmanuel Levinas. It is a revision of the author’s earlier study and includes discussions of his recent writings as well as current scholarship. Dr. Wyschogrod’s extensive discussion of Levinas's relation to Judaism, especially his use of literature from the Torah and other religious writings, will be of interest to religious scholars. The author compares Levinas’s thought with that of his contemporaries, most notably Jacques Derrida and Husserl.

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What are the ethical responsibilities of the historian in an age of mass murder and hyper-reality? Can one be postmodern and still write history? For whom should history be written? The author explores these questions through the figure of the "heterological historian". Realizing the philosophical impossibilities of ever recovering "what really happened", this historian nevertheless acknowledges a moral imperative to speak for those who have been rendered voiceless. The book also weighs the impact of modern archival methods, such as photographs, film and the Internet, which bring with them new constraints on the writing of history and which mandate a different vision of community. Drawing on the works of continental philosophers, historiographers, cognitive scientists and filmmakers, the book creates a framework for the understanding of history and the ethical duties of the historian.

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Edith Nesbit was an English author and poet who was born in 1858. As well as writing for children, she wrote poems, plays and was also a political activist and co-founded the Fabian Society. Her most famous works are The Railway Children and Five Children and It.

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This is the first book exclusively about L. C. Tiffany's glass mosaic masterpieces, created from 1880 to 1931 at the Tiffany Studios in New York City for clients across the continent. Fascinating and well-researched text combines with over 700 color photographs to showcase Tiffany's magnificent art. Many of the images are published here for the first time, highlighting over 70 luminous installations in private mansions, public buildings, and churches. Beautifully decorated interiors, mausoleums, and domestic rooms are shown along with an explanation of Tiffany's technique of mosaic making and the unique glass he created and used in them. New information identifies the mosaic artists who worked with him. A useful glossary of mosaic and glass terms, chronology of events in L. C. Tiffany's life relating to his mosaic work, and complete listing of the locations of his mosaic masterpieces are provided. This book will enthrall lovers of mosaics, students, and scholars with an interest in Tiffany as well as decorative arts and design.

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A moving portrayal of the struggle between desire and duty in nineteenth-century New York high societyNewland Archer, an eligible young man of the establishment is about to announce his engagement to May Welland, a pretty ingénue, when May''s cousin, Countess Olenska, is introduced into their circle. The Countess brings with her an aura of European sophistication and a hint of scandal, having left her husband and claimed her independence.Her sorrowful eyes, her tragic worldliness and her air of unapproachability attract the sensitive Newland and, almost against their will, a passionate bond develops between them. But Archer''s life has no place for passion and, with society on the side of May and all she stands for, he finds himself drawn into a bitter conflict between love and duty.

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A stunning new colouring book that will take you through a year in the life of the English countryside.Nearly 40 years ago, a rediscovered diary enchanted the nation. Edith Holden's 'Country Diary of an Edwardian Lady' from 1906 captured her observations on the English countryside's changing seasons, accompanied by exquisite illustrations of its flora and fauna. Now, for the first time, Edith's work been turned into an beautiful colouring book. Featuring black & white ink illustrations based on her paintings, alongside the original handwriting from the lost journal, this is a captivating colouring book that guides you through a year in the world of this truly remarkable Edwardian lady.

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A great collection to include Five Children and It, The Phoenix and the Carpet and The Story of the Amulet. All the books contain extra material for your readers, a glossary and a test yourself section.

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Now Rose has found her happily-ever-after with Charles - until a sudden storm destroys his ship and he is presumed dead. But Rose doesn’t believe the shipwreck was an act of nature, nor does she believe Charles is truly dead. Something much more sinister is at work. With mysterious and unstoppable forces threatening the lives of the people she loves, Rose must once again set off on a perilous journey. And this time, the fate of the entire world is at stake.

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An impoverished member of the privileged high society of old New York, Lily Bart is beautiful and socially agreeable, but she is almost thirty and still unmarried. Now she is keen to secure a wealthy husband to confirm her status, but the debts she contracts at the card table, her reduced circumstances and the constant gossip she attracts from malevolent tongues through her heedless behaviour and faux pas make her prospects look bleak. As suitor after suitor appears and fades away, and she is drawn further and further down a spiral of loneliness and unhappiness, she realizes that she is just one step away from losing everything she has. Published in 1905 to immediate critical and commercial success, Edith Wharton’s enduringly popular novel of manners is a brilliant evocation of the economic and social changes wrought by the Gilded Age, as well as a universal satire on the constraints and follies of upper-crust conventions.

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A story of forbidden sexual passion and thwarted dreams set against the backdrop of a lush summer in rural MassachusettsSeventeen-year-old Charity Royall is desperate to escape life with her hard-drinking adoptive father. Their isolated village stifles her, and his behaviour increasingly disturbs her. When a young city architect visits for the summer, it offers Charity the chance to break free. But as they embark on an intense affair, will it bring her another kind of trap? Regarded by Edith Wharton as among her best novels, Summer caused a sensation in 1917 with its honest depiction of a young woman overturning the rules of her day and attempting to live on her own terms.

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They gave us democracy, philosophy, poetry, rational science, the joke. They built the Parthenon and the Library of Alexandria. They wrote the timeless myths of Odysseus and Oedipus, and the histories of Leonidas’s three hundred Spartans and Alexander the Great. But who were the ancient Greeks? And what was it that enabled them to achieve so much? Here, Edith Hall gives us a revelatory way of viewing this geographically scattered people, visiting different communities at various key moments during twenty centuries of ancient history. Identifying ten unique traits central to the widespread ancient Greeks, Hall unveils a civilization of incomparable richness and a people of astounding complexity – and explains how they made us who we are today. ‘A thoroughly readable and illuminating account of this fascinating people… This excellent book makes us admire and like the ancient Greeks equally’Independent‘A worthy and lively introduction to one of the two groups of ancient peoples who really formed the western world’Sunday Times‘Throughout, Hall exemplifies her subjects’ spirit of inquiry, their originality and their open-mindedness’Daily Telegraph‘A book that is both erudite and splendidly entertaining’Financial Times

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Journey back in time to the roaring twenties, and across England and Lapland, to experience the charming and thrilling adventure of Emma G. Wildford, a tale that mixes mystery, grand adventure, and love. It's been fourteen months since Emma G. Wildford's fiance, Roald Hodges, a member of the National Geographic Society board the good ship Kinship and set sail for Norway... and she has had no news of him since. Every day, she questions the other members of the Society about his whereabouts, and his current situation, whether good or ill, but to no avail. Before he left, Roald gave Emma a mysterious envelope to open, but only in case something happened to him. Rejecting the very thought of Roald's death, Emma decides to leave behind everything - her life, her comfort, her England, to go to Lapland in pursuit. Along the way, Emma's certainties and beliefs will be challenged in every way, changing this quest for her fiance into a quest for her true, essential self. Beautifully illustrated and rivetingly written, Emma G. Wildford is a character that will imprint herself on your mind and memory forever!

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Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge, Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today. Clowes lays out several sides of the debate. She takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers, among them Tatyana Tolstaya and Viktor Pelevin. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin's extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book. In Russia on the Edge, literary and cultural critics will find the keys to a vital post-Soviet writing culture. For intellectual historians, cultural geographers, and political scientists the book is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold. The book introduces nonspecialist readers to some of the most creative and provocative of present-day Russia's writers and public intellectuals.

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If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat,'" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers—Berdiaev, Losev, Rozanov, Shestov, and Solovyov—made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances.Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists—particularly Dostoevsky, Pasternak, and Platonov—as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age.

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Language typology identifies similarities and differences among languages of the world. This textbook provides an introduction to the subject which assumes minimal prior knowledge of linguistics. It offers the broadest coverage of any introductory book, including sections on historical change, language acquisition, and language processing. Students will become familiar with the subject by working through numerous examples of crosslinguistic generalizations and diversity in syntax, morphology, and phonology, as well as vocabulary, writing systems, and signed languages. Chapter outlines and summaries, key words, a glossary, and copious literature references help the reader understand and internalize what they have read, while activities at the end of each chapter reinforce key points.

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