Search results for ""author . ross""

What happens to poetic beauty when history turns the poet from one who contemplates natural beauty and the sublime to one who attempts to reconcile the practice of art with the hustle and noise of the city? An Atmospherics of the City traces Charles Baudelaire’s evolution from a writer who practices a form of fetishizing aesthetics in which poetry works to beautify the ordinary to one who perceives background noise and disorder—the city’s version of a transcendent atmosphere—as evidence of the malign work of a transcendent god of time, history, and ultimate destruction. Analyzing this shift, particularly as evidenced in Tableaux parisiens and Le Spleen de Paris, Ross Chambers shows how Baudelaire’s disenchantment with the politics of his day and the coincident rise of overpopulation, poverty, and Haussmann’s modernization of Paris influenced the poet’s work to conceive a poetry of allegory, one with the power to alert and disalienate its otherwise inattentive reader whose senses have long been dulled by the din of his environment. Providing a completely new and original understanding of both Baudelaire’s ethics and his aesthetics, Chambers reveals how the shift from themes of the supernatural in Baudelaire to ones of alienation allowed a new way for him to articulate and for his fellow Parisians to comprehend the rapidly changing conditions of the city and, in the process, to invent a “modern beauty” from the realm of suffering and the abject as they embodied forms of urban experience.

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Has anyone ever worked harder and longer at being immature than Philip Roth? The novelist himself pointed out the paradox, saying that after establishing a reputation for maturity with two earnest novels, he "worked hard and long and diligently" to be frivolous--an effort that resulted in the notoriously immature Portnoy's Complaint (1969). Three-and-a-half decades and more than twenty books later, Roth is still at his serious "pursuit of the unserious." But his art of immaturity has itself matured, developing surprising links with two traditions of immaturity--an American one that includes Emerson, Melville, and Henry James, and a late twentieth-century Eastern European one that developed in reaction to totalitarianism. In Philip Roth's Rude Truth--one of the first major studies of Roth's career as a whole--Ross Posnock examines Roth's "mature immaturity" in all its depth and richness. Philip Roth's Rude Truth will force readers to reconsider the narrow categories into which Roth has often been slotted--laureate of Newark, New Jersey; junior partner in the firm Salinger, Bellow, Mailer, and Malamud; Jewish-American regionalist. In dramatic contrast to these caricatures, the Roth who emerges from Posnock's readable and intellectually vibrant study is a great cosmopolitan in the tradition of Henry James and Milan Kundera.

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An internationally recognized scientist shows that Earth’s separate continents, once together in Pangea, are again on a collision course. You’ve heard of Pangea, the single landmass that broke apart some 175 million years ago to give us our current continents, but what about its predecessors, Rodinia or Columbia? These “supercontinents” from Earth’s past provide evidence that land repeatedly joins and separates. While scientists debate what that next supercontinent will look like—and what to name it—they all agree: one is coming. In this engaging work, geophysicist Ross Mitchell invites readers to remote (and sometimes treacherous) lands for evidence of past supercontinents, delves into the phenomena that will birth the next, and presents the case for the future supercontinent of Amasia, defined by the merging of North America and Asia. Introducing readers to plate tectonic theory through fieldwork adventures and accessible scientific descriptions, Mitchell considers flows deep in the Earth’s mantle to explain Amasia’s future formation and shows how this developing theory can illuminate other planetary mysteries. He then poses the inevitable question: how can humanity survive the intervening 200 million years necessary to see Amasia? An expert on the supercontinent cycle, Mitchell offers readers a front-row seat to a slow-motion mystery and an ongoing scientific debate.

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In his ambitious second full collection, Ross Sutherland is an uneasy observer of our age of inauthenticity, hacked computers and digital avatars. Emergency Window features new poems alongside excerpts from two recent sequences, including a hilarious and strangely prescient version of 'Little Red Riding Hood', a poem written using Google Streetview, sonnets inspired by the Street Fighter 2 video game, and a sequence of computer-generated translations of classic literature.Surreal, funny, intelligent and experimental, these poems chart a search for meaning in a disintegrating world."If he were a piece of furniture, he would be an elegant high stool that felt uncomfortable and stylish at the same time."Ian McMillan, BBC Radio 3"Sparky, surprising, joyous poetry" Roddy LumsdenRoss Sutherland was born in Edinburgh in 1979. His first collection, Things To Do Before You Leave Town, was published by Penned in the Margins in 2009, followed by the limited-edition mini-book Twelve Nudes in 2010 and the free National Poetry Day e-book Hyakuretsu Kyaku in 2011. Ross regularly appears at the Aldeburgh, Manchester, Glastonbury and Latitude Festivals; he is taking his latest show, Comedian Dies in the Middle of Joke, to the Edinburgh Fringe 2012. He lives in Cambridge.

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The respective authors are some of the leading developmental scholars of this time, and are also major proponents of the theoretical traditions they address...- British Journal of Occupational TherapyThis is a first-rate volume that makes a unique contribution.- Ross D. Parke, University of California, Riverside...an excellent text for senior undergraduate and graduate students...a worthwhile addition to the library shelf of any serious student of developmental psychology.- Contemporary Psychology

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‘If the sky dropped the stars or the river drained the water there would be outrage, but we treat children like this and there is silence.’ Something's not right. Children are being raised by animals. A mother is slowly sinking in the bath. The trees are left doing the paperwork. The air is filled with screams of children howling for help. And some twins want to tell you a story about how everything got so fucked up. A spiralling odyssey of dizzying theatricality, Wolfie is a bold, fantastical fairytale following two twins separated at birth and asks who is truly responsible for society's most vulnerable children. Ross Willis's debut play is a wildly imaginative, irreverent look at life in and after the care system. It was premiered at Theatre503, London, in March 2019, directed by Theatre503 Artistic Director Lisa Spirling. Wolfie was awarded Best Play at the 2020 Writers' Guild Awards, and Best New Play at the 2020 Off-West End Awards. It also earned Willis a nomination for Best Writer at the 2019 Stage Debut Awards and Most Promising Playwright at the Evening Standard Theatre Awards.

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The Shamanic Plant Medicine series acts as an introduction to specific teacher plants used by shamans in a variety of cultures to facilitate spirit communion, healing, divination and personal discovery, and which are increasingly known, used and respected in Western society by modern shamans as a means of connecting to spirit. Named after Saint Peter, the gatekeeper to Heaven, San Pedro is used by the shamans of the Andes in ways similar to ayahuasca and for similar reasons and effects. Its close relative, peyote, is employed by the shamans of Mexico and its modern chemical equivalent, Ecstasy, has become a popular rave culture means to trance and bliss states. Awareness of San Pedro is spreading rapidly in the West and the plant is likely to become more utilised than ayahuasca in the near future.

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There is more than a little truth in the suggestion that beer is humankind''s greatest ever invention. It was a thirsty appetite that motivated people to grow the grains needed to make beer; bread was more an afterthought. And while wine might be synonymous with fancy restaurant fare, beer is the perfect match for the big, bold flavours of Piri Piri Chicken, Lamb Shawarma or Goulash. Nothing cuts through the heat of Fish Baked in Chipotle or the salty crispness of Calamari Fritti more than the fresh fizz of a cold beer. Beer Food is the perfect recipe book and beer-matching guide to the flavours you love with a brew. Featuring 80 relaxed, authentic dishes drawing from cuisines internationally, and sprinkled with features on favourite beers from around the world, this is a cookbook that understands that Great Food + Good Beer = Happiness.

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Poor Mouse! A bear has settled in his favorite chair, and that chair just isn’t big enough for two. Mouse tries all kinds of tactics to move pesky Bear, but nothing works. Once Mouse has gone, Bear gets up and walks home. But what’s that? Is that a mouse in Bear’s house?

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This original and provocative engagement with Erasmus' work argues that the Dutch humanist discovered in classical Stoicism several principles which he developed into a paradigm-shifting application of Stoicism to Christianity. Ross Dealy offers novel readings of some lesser and well-known Erasmian texts and presents a detailed discussion of the reception of Stoicism in the Renaissance. In a considered interpretation of Erasmus' De taedio Iesu, Dealy clearly shows the two-dimensional Stoic elements in Erasmus' thought from an early time onward. Erasmus' genuinely philosophical disposition is evidenced in an analysis of his edition of Cicero's De officiis. Building on stoicism Erasmus shows that Christ's suffering in Gethsemane was not about the triumph of spirit over flesh but about the simultaneous workings of two opposite but equally essential types of value: on the one side spirit and on the other involuntary and intractable natural instincts.

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Claude Monet’s water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King’s Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. By the outbreak of war in 1914, Monet, then in his mid-seventies, was one of the world’s most famous and successful painters, with a large house in the country, a fleet of automobiles and a colossal reputation. However, he had virtually given up painting following the death of his wife Alice in 1911 and the onset of blindness a year later. Nonetheless, it was during this period of sorrow, ill health and creative uncertainty that – as the guns roared on the Western Front – he began the most demanding and innovative paintings he had ever attempted. Encouraged by close friends such as Georges Clemenceau, France’s dauntless prime minister, Monet would work on these magnificent paintings throughout the war years and then for the rest of his life. So obsessed with his monumental task that the village barber was summoned to clip his hair as he worked beside his pond, he covered hundreds of yards of canvas with shimmering layers of pigment. As his ambitions expanded with his paintings, he began planning what he intended to be his legacy to the world: the ‘Musée Claude Monet’ in the Orangerie in Paris. Drawing on letters and memoirs and focusing on this remarkable period in the artist’s life, Mad Enchantment gives an intimate portrayal of Claude Monet in all his tumultuous complexity, and firmly places his water lily paintings among the greatest achievements in the history of art.

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For more than five centuries The Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. And yet there is a very human story behind this artistic 'miracle'. Ross King's Leonardo and the Last Supper is both a 'biography' of one of the most famous works of art ever painted and a record of Leonardo da Vinci's last five years in Milan.

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We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants’ Revolt to the English Civil War. The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation—the process by which one could become a vessel for divine violence—and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic’s claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism’s tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.

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Editorial Board: Bernard Burgoyne (London) James Grotstein (Los Angeles) Murray Stein (Chicago) Cleo van Velsen (London) Consultant Editors: Lewis Aaron, Howard Bacal, June Bernstein, Ron Britton, Morris Eagle, John Muller, Malcolm Pines, Eric Rayner, Paul Roazen, William Richardson, Andrew Samuels, Robert Wallerstein Executive Editors: Joe Aguayo, Shelley Ahanati, Betty Cannon, Rebecca Curtis, Elinor Fairbairn Birtles, Kirsty Hall, Jennifer Johns, Rik Loose, Maria Rhode, David Scharff, Robert Stolorow, Richard Tuch, Jane van Buren, Aleksandra Wagner The one thousand entries in this book provide the best single volume coverage of psychoanalysis available. With its wide, objective and catholic vision, the Encyclopaedia demonstrates that psychoanalysis is a single discipline, very much greater than any particular movement, school or individual, including its founder, Freud. Thus the book contains authoritative entries on all the most important authors, practitioners, concepts, movements, schools, debates and controversies in psychoanalysis and its offspring, past and present. A precis essay is given of each school amplified by explanations of all key terms within that school. Entries are alphabetically arranged, fully cross-referenced, many with suggestions for further reading. Most importantly the book features both contributors and entries reflecting the various disciplines such as Feminism, Literature, Philosophy, Art and Anthropology that have contributed to the development of psychoanalysis or been influenced by it. Besides an immense array of topics on psychoanalysis contributed by psychoanalysts themselves, there are also entries on many topics written by psychiatrists, psychologists, psychotherapists, philosophers, medical researchers, historians, literary critics, anthropologists, linguists and other specialists. International in scope, the Encyclopaedia also draws on a geographically wide field of authors. The Encyclopaedia caters for readers who require knowledge at a glance as well as those seeking a more detailed account. Besides concise definitions, it includes numerous illuminating longer essays by distinguished contributors including: Peter Fonagy, Michael Eigen, James Grotstein, Eric Laurent, Thomas Ogden, Paul Roazen, Hazel Barnes, Charles Brenner, Marcia Cavell, Morris Eagle, Murray Stein, Allan Schore, Robert Stolorow and Robert Wallerstein. Key Features * Entries on all the concepts of the main psychoanalytic schools of thought including the analytic psychologist, Jung. * Full coverage of: Freud, Fairbairn, Jung, Klein, Bion, Kohut, Winnicott and Lacan. Existential psychoanalysis is covered in detail, as are Group psychoanalysis, Child psychotherapy and Psychiatry. *Some 50 extended essays on links with other subjects including: Philosophy, Ethology, Literature, Film, Politics, Feminism, Neuroscience, Human Nature, Religion and many more. * Entries on all the main figures of psychoanalysis, past and present as well as the history and practice of psychoanalysis in 47 countries worldwide.

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Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.

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In this study of warfare in ancient Mesoamerica, Ross Hassig offers new insight into three thousand years of Mesoamerican history, from roughly 1500 B.C. to the Spanish conquest. He examines the methods, purposes, and values of warfare as practiced by the major pre-Columbian societies and shows how warfare affected the rise of the state.

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Based on their enormously complex calendars that recorded cycles of many kinds, the Aztecs and other ancient Mesoamerican civilizations are generally believed to have had a cyclical, rather than linear, conception of time and history. This boldly revisionist book challenges that understanding. Ross Hassig offers convincing evidence that for the Aztecs time was predominantly linear, that it was manipulated by the state as a means of controlling a dispersed tribute empire, and that the Conquest cut off state control and severed the unity of the calendar, leaving only the lesser cycles. From these, he asserts, we have inadequately reconstructed the pre-Columbian calendar and so misunderstood the Aztec conception of time and history. Hassig first presents the traditional explanation of the Aztec calendrical system and its ideological functions and then marshals contrary evidence to argue that the Aztec elite deliberately used calendars and timekeeping to achieve practical political ends. He further traces how the Conquest played out in the temporal realm as Spanish conceptions of time partially displaced the Aztec ones. His findings promise to revolutionize our understanding of how the Aztecs and other Mesoamerican societies conceived of time and history.

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Samuel "Roxy" Rothafel (1882-1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release "events," and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.

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During their lifetimes, Alfred Russel Wallace and Charles Darwin shared credit and fame for the independent and near-simultaneous discovery of natural selection. Together, the two men spearheaded one of the greatest intellectual revolutions in modern history, and their rivalry, usually amicable but occasionally acrimonious, forged modern evolutionary theory. Yet today, few people today know much about Wallace. The Heretic in Darwin's Court explores the controversial life and scientific contributions of Alfred Russel Wallace-Victorian traveler, scientist, spiritualist, and co-discoverer with Charles Darwin of natural selection. After examining his early years, the biography turns to Wallace's twelve years of often harrowing travels in the western and eastern tropics, which place him in the pantheon of the greatest explorer-naturalists of the nineteenth century. Tracing step-by-step his discovery of natural selection-a piece of scientific detective work as revolutionary in its implications as the discovery of the structure of DNA-the book then follows the remaining fifty years of Wallace's eccentric and entertaining life. In addition to his divergence from Darwin on two fundamental issues-sexual selection and the origin of the human mind-he pursued topics that most scientific figures of his day conspicuously avoided, including spiritualism, phrenology, mesmerism, environmentalism, and life on Mars. Although there may be disagreement about his conclusions, Wallace's intellectual investigations into the origins of life, consciousness, and the universe itself remain some of the most inspired scientific accomplishments in history. This authoritative biography casts new light on the life and work of Alfred Russel Wallace and the importance of his twenty-five-year relationship with Charles Darwin.

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Discover a world of magical storytelling with Ross Montgomery. SHORTLISTED FOR THE COSTA CHILDREN'S BOOK AWARD WATERSTONES CHILDREN'S BOOK OF THE MONTHHIVE CHILDREN'S BOOK OF THE MONTHTOPPSTA CHILDREN'S BOOK OF THE MONTH“One of our finest children’s writers.” Phil Earle“A master storyteller.” Aisling Fowler“Another absolute triumph from one of my favourite children’s authors.” Catherine Doyle Sometimes at the darkest hour, hope shines the brightest…When Col’s childhood imaginary friends come to life, he discovers a world where myths and legends are real. Accompanied by his guardians – a six-foot tiger, a badger in a waistcoat and a miniature knight – Col must race to Blitz-bombed London to save his sister.But there are darker forces at work, even than the Nazi bombings. Soon Col is pursued by the terrifying Midwinter King, who is determined to bring an eternal darkness down over everything.PRAISE FOR THE MIDNIGHT GUARDIANS"Montgomery's latest is an enthralling, Narnia-flavoured novel with the folkloric feel of a Christmas classic." Guardian"Beautifully drawn fantasy characters ... a story of hope and love underpinned by witty humour.” Daily Mail"A magical slice of historical fantasy fiction.” i Newspaper"This lovely adventure story has the feel of a classic children's book." Book of the Week, The Week Junior“Ross Montgomery’s beautiful writing and epic storytelling weave together a magical adventure set against the backdrop of World War Two.” WRD Magazine"Spectacular. A story of real and rare power - The Midnight Guardians is one of the best books I've read in years." Kiran Millwood Hargrave"The Midnight Guardians is torch-under-the-duvet, can't-stop-reading magic. British folklore rebooted … in an edge-of-your-seat, heart-filled search for hope in the darkest hour." Piers Torday"Embark on a mythic, comic, classic adventure with the finest fellowship since Frodo set a hairy foot beyond the Shire.” David Solomons“Glorious! I think this is Ross Montgomery’s best book yet: an adventure across WWII wintry Britain with a Kindertransportee, a boy dressed in shorts and his three imaginary friends. A joy of a joy of a thing.” Katherine Rundell"A gem of book, jam-packed with heart and humour and one utterly unique set of friends." Peter Bunzl“Pure magic. Storytelling at its very best.” Abi Elphinstone"Brilliant! The Midnight Guardians is the perfect blend of humour, adventure and emotion. Simply beautiful." Lisa Thompson"Funny, thrilling, moving ... everything that is brilliant about children's literature. A triumph." Sophie Anderson“Brimming with imagination and warmth, and powered by the strongest magic of all - hope. Fantastic from first page to last.” Catherine Doyle"Beautiful. A magical, big-hearted adventure full of wit and warmth. One of the best children's books I've read for ages." Anna James“A tale of enchantment and friendship … all the warmth of a timeless story, told between friends round a winter fire … funny and true in the way all good stories are.” Thomas Taylor“The adventure whisks you through wartime trouble and mythical danger like riding a giant tiger through falling snow … A magical story.” Jack Noel“With the spirit of Narnia, but a heart of its own. The Midnight Guardians is totally enchanting. I gobbled up every word.” Aisha Bushby"I inhaled this wonderful book in one sitting ... humour, beautiful writing, heartbreak, hope, and a fat badger in a waistcoat. I'll be recommending it to everyone." Katya Balen"A real triumph of the imagination, blending the appeal of a classic adventure with Montgomery's heart and humour, and a hint of Narnia." Editor's Choice, The Bookseller

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How the philosophers and polemicists of eighteenth-century Britain used ridicule in the service of religious toleration, abolition, and political justiceThe relaxing of censorship in Britain at the turn of the eighteenth century led to an explosion of satires, caricatures, and comic hoaxes. This new vogue for ridicule unleashed moral panic and prompted warnings that it would corrupt public debate. But ridicule also had vocal defenders who saw it as a means to expose hypocrisy, unsettle the arrogant, and deflate the powerful. Uncivil Mirth examines how leading thinkers of the period searched for a humane form of ridicule, one that served the causes of religious toleration, the abolition of the slave trade, and the dismantling of patriarchal power.Ross Carroll brings to life a tumultuous age in which the place of ridicule in public life was subjected to unparalleled scrutiny. He shows how the Third Earl of Shaftesbury, far from accepting ridicule as an unfortunate byproduct of free public debate, refashioned it into a check on pretension and authority. Drawing on philosophical treatises, political pamphlets, and conduct manuals of the time, Carroll examines how David Hume, Mary Wollstonecraft, and others who came after Shaftesbury debated the value of ridicule in the fight against intolerance, fanaticism, and hubris.Casting Enlightenment Britain in an entirely new light, Uncivil Mirth demonstrates how the Age of Reason was also an Age of Ridicule, and speaks to our current anxieties about the lack of civility in public debate.

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Do you help individuals and families in need of emergency financial help? With details of over 1,800 grant-making charities giving GBP297 million in funds, this 18th edition of the guide is your companion for providing support to the individuals who need it most.

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Governor Andrew Cuomo, scion of Mario Cuomo, is today as famous as his father, also a governor of New York state for three terms. Like Robert Moses, he is one of New York’s great and infamous power brokers. Though initially lavishly celebrated for his handling of the coronavirus pandemic, not least by himself, it is now apparent that Cuomo’s management of the crisis was a juddering and fatal failure. Thousands died because, ignoring the advice of experts, he shut down too late and returned still sick patients to nursing homes. The crisis was intensified by his previous commitment to austerity, which saw the slashing of funding to hospitals. A vital riposte to Cuomo’s recently published book about the pandemic, now increasingly derided as self-serving and deceitful, The Prince is a searing indictment of Cuomo’s handling of coronavirus and his time overall in the highest office of the state.

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Zombies have plagued humanity's nightmares for centuries, but fortunately, the scientific community has created this detailed and completely serious guide to the undead. Only Zombies of the World tackles this issue and many more, so you might want to read up before a zombie tackles you!Zombies menace humanity, yet we barely understand them. There are books that show you how to kill the undead, but this is the first field guide to explain the importance of zombies to us. Zombies of the World reveals the undead to be a valuable part of our ecosystem and the key to new discoveries in medicine and technology.Zombies of the World uses captivating illustrations to document how evolution has led to a wide variety of species. Few outside the scientific community even realize that creatures like the Egyptian Mummy (Mortifera mumia aegyptus) are actually zombies. Some species are even h

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Few thinkers have provoked such violently opposing reactions as Edmund Burke. A giant of eighteenth-century political and intellectual life, Burke has been praised as a prophet who spied the terror latent in revolutionary or democratic ideologies, and condemned as defender of social hierarchy and outmoded political institutions. Ross Carroll tempers these judgments by situating Burke's arguments in relation to the political controversies of his day. Burke's writings must be understood as rhetorically brilliant exercises in political persuasion aimed less at defending abstract truths than at warning his contemporaries about the corrosive forces ideological, social, and political that threatened their society. Drawing on Burke's enormous corpus, Carroll presents a nuanced portrait of Burke as, above all, a diagnostician of political misrule, whether domestic, foreign, or imperial. Burke's lasting value, Carroll argues, derives less from the content of his specific positions than fro

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Focusing on the requirement for energy-efficient sustainable architecture with a small carbon footprint, this book explores the many ways in which containers can be renovated to create housing and more. With environmentally friendly design, low associated costs and ease of mobility, containers could be a great future contributor to the development of low-carbon architecture. This book features a detailed analysis of over 40 container projects, each with their own prominent features. These are presented alongside landscape plans, technical drawings and text explanations. In addition to the case studies, design guidelines are supplied alongside information regarding the relevant construction standards for container buildings, making this book both inspirational and a practical resource for designers and architects.

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"Plant Spirit Wisdom" expands on the herbal and shamanic healing practices introduced in "Plant Spirit Shamanism", the author's most recent (2006) and currently best-selling book on traditional plant medicines and techniques for healing the soul. Whereas his previous book takes a cross-cultural perspective, however, "Plant Spirit Wisdom" focuses on the Celtic and native (European and American) use of herbs and plants in spiritual healing. At its core is the wisdom and plant folklore stemming from Welsh and Irish practices, paganism, shamanism, and herbalism, and especially sin eating (a little-known Celtic spiritual practice which works with energy medicine and the spirit - rather than the pharmacology - of herbs and plants).To the sin eater, the soul is a web of energy which connects us to everyone and everything, and this energy can be depleted or lost when we act out of accordance with our spiritual purpose. Plants and spiritual practices are used to rebalance this energy, release old attachments, and repattern ourselves for a more positive and healthier life. The approach is exactly the same as that used by shamans in, for example, the Amazon, the Andes, Haiti, and among Native American healers, and yet little has been written of it from our own native perspective.

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