Search results for ""anvil press""

Most civic histories celebrate progress, industry, order, and vision. This isn't one of those. Vancouver Confidential is a collaboration of artists and writers who plumb the shadows of civic memory looking for the stories that don't fit into mainstream narratives. We honour the chorus line behind the star performer, the mug in the mugshot, the victim in the murder, the teens in the gang, and the "slum" in the path of the bulldozer. By focusing on the stories of the common people rather than community leaders and headliners, Vancouver Confidential shines a light on the lives of Vancouverites that have for so long been ignored. This new collection takes a fresh look at the raw urban culture of a port city in the mid-twentieth century. These were years when Hastings and Main was still a dynamic commercial hub, when streetcars thrummed through the city streets, and when "theatre" meant vaudeville and burlesque. Street gambling and illegal boozecans peppered the map, brothels and bootleggers served loggers and shoreworkers, and politicians were almost always larger than life. This collection of essays and art illuminates aspects of a city that was too busy getting into trouble to worry about whether it was "world class." The collection includes essays from Tom Carter, Aaron Chapman, Jesse Donaldson, James Johnston, Lani Russwurm, Eve Lazarus, Diane Purvey, Catherine Rose, Rosanne Sia, Jason Vanderhill, Stevie Wilson, Jim Wong-Chu, Will Woods, Terry Watada, and John Belshaw.

Read more less

In prose thats as sharp as broken glass and shot through with poetry, Teresa McWhirter unlocks the extraordinary subculture of urban adults in their twenties and early thirties. Most startling of all are the portraits of young womentough, independent party girls who are strong enough to say no to love and smart enough to know why. McWhirter unearths a community of adult-kids seldom chronicled Realistic dialogueheavily peppered with slang, swearing and esoteric pop-culture referencescontributes to the novels overall believability. The humour and wordplay alone mark McWhirter as a writer to watch. Quill and Quire Some Girls Do is a sharp, poetic glimpse into the yearning but hopelessly unfocused lives of a group of marginal urbanites surprisingly, McWhirter makes them touching rather than alienating. Elle Canada

Read more less

In this debut collection of personal essays, Silcott looks at the tangle of midlife, the long look back, the shorter look forward, and the moments right now that shimmer and rustle around her: marriage, menopause, fear, desire, loss, and that guy on the bus, the woman on the street, wandering bears, marauding llamas, light and laundry rooms. This isnt a how to guide to middle age and its not a collection of memories either for one thing, the author cant remember that much foranother, shes more interested in the places where the raw bones of the personal intersect with the wider world. Where a moment or gesture suddenly feels emblematic or prophetic or final, and why is that? Why do some moments shimmer, while others fade into a quickly growing morass of "I cant remember?"

Read more less

'A Dark Boat', a new collection of poetry by Patrick Friesen, is heavily influenced by 'cante jondo' (Spanish "deep song", or flamenco) and 'fado' (Portuguese songs of longing). Friesen approaches music as a method of weaving his poems with both Spanish and Portuguese aspects of longing, imagistic leaps, and darkness. The poems in 'A Dark Boat' try to shake hands with darkness; the kind of darkness that is rich and necessary for a full human life, the darkness of soil into which seeds drop and grow, the darkness of the grave into which the body is lowered. They explore the kind of loneliness and yearning that is contained in the Portuguese word 'saudad:' a longing for something in the past that can never be found because time has shifted everything away from what it was. Although musically aware and inspired, Friesen's poems do not delve too deeply into the metaphorical; rather, they thrive on an allusive and suggestive level that makes room for jarring non sequiturs andvibrant images. These elusive and emotional poems say much, while telling as little as possible. "...His (Friesen's) sensitivity as an artist affects all his work in a profound and beautiful way. ...Friesen writes about a world that is "quiet" but teeming with emotion; this world is alive and "writhing" with lust, obsession, inspiration, suffering, and yearning. ...There is a musicality to Friesen's writing, a lyricism indicative of what the Spanish term "Deep Song", a more somber stream of flamenco music. There are constant references to fado music, pianos, horns and Tom Waits, as Friesen probes the universality of music. ...The poems are not frivolous but neither are they suppressive or overwrought by the darkness. Instead, the themes are the undiluted musings of an adult, contemplative, full of yearning and with an awareness of death. Friesen is preoccupied with dancing, the motion of feet and legs. In his poems everything from walking and drunken stumbles, as well as the movementof dance, is associated with lust, struggle and resistance. This becomes the perfect backdrop for historically rich poems about Lorca. ..." - Vancouver Weekly "...If you've never heard fado music, you should. It is an intense, raw, emotional music which Patrick compared to the Delta blues, another passion of his. Or you could just read this book, which is imbued with his reminiscences of his trip and the music of fado. ...lines that punch you in the gut, leaving you breathless. ..." - PrairieFire

Read more less

'Vancouver Noir' looks at the period from the 1930s to the 1960s, an era in which there was intensified concern with order, conformity, structure, and restrictions. These are visions of the city, both of what it was and what some of its citizens hoped it would either become, or, conversely, cease to be. The photographs-most of which look like stills from period movies featuring detectives with chiselled features, tough women, and bullet-ridden cars-speak to the styles of the Noir era and tell us something special about the ways in which a city is made and unmade. The authors argue that Noir-era values and perspectives are to be found in the photographic record of the city in this era, specifically in police and newspaper pictures. these photographs document changing values by emphasizing behaviours and sites that were increasingly viewed as deviant by the community's elite. They chart an age of rising moral panics. Public violence, smuggling rings, police corruption, crime waves, the sex trade, and the glamourization of sex in burlesques along and nearby Granville Street's neon alley belonged to an array of public concerns about which the media and political campaigns were repeatedly launched. "Purvey and Belshaw's 'Vancouver Noir' resurrects, in eminently readable black and white, the stories, characters, landmarks, images, lexicon and lore of one of this city's truly colourful eras." - James C. Johnstone, Historian "...If the thirties was a time of idealism, thepost-war world was one of cynicism. The insistence on social conformity and order provided a stark contrast to a seething underworld-if sometimes only in peoples' imagination. Contradictions abound. As suburban living reflected decency and family values, public concern was expressed about juvenile delinquency. Public (and even private) discussion of sex was generally taboo but the sex trade prospered in brothels and neon signs along Granville Street lit up dens of burlesque, booze and gambling.Ladies and escorts began entering the regulated beer parlours in Vancouver through separate doors in 1927. Thirsty working men crowded these establishments after a hard day's work and it was unseemly for a very long time, for women to mix freely among them. By 1954 cocktail bars were established so middle-class men and women could meet in an acceptable environment. Glamour arrived to the city in the form of supper clubs, emerging in the late 1930s and including big-name American acts like HarryBelafonte, Tony Bennett, Mitzi Gaynor, Duke Ellington and Ella Fitzgerald. Still segregation, not integration was the cultural norm as visible minorities lived in separate neighborhoods such as Hogan's Alley and Chinatown, sin' was confined to a square mile, and police attempted to the activities of drug pedlars and addicts. Attacking the poor and disenfranchised was common. Stanley Park rancheries, float houses under the Burrard Street bridge and other residential blights' to the city cameunder regular attack by civic authorities... 'Vancouver Noir' succeeds in exposing what lies beneath, delivering readers a fascinating glimpse of another side of the city."- British Columbia History

Read more less

In a style reminiscent of Raymond Carver, the stories contained in 'Animal' depict people on the brink of major life change. They stand at crossroads they are often oblivious to; they suck thick air in rooms filled with palpable tension. Leggat's characters often seem captured in a cinematic slo-mo, teetering on the edge of something unknown, heroically resisting the ever-present pull of Fate. It matters little whether the characters take action or refuse to act; life acts for them. The reader is left to wonder: when does "meaning" cease to have meaning? Like travelling a mountain highway at night, what's just around the next bend is never known. The stories in 'Animal' never fail to deliver potent surprises. "I'm tempted to say it's a slim, distilled masterpiece." Michael Bryson, Underground Book Club "These quickly unfolding stories are elliptically drawn, tense with action and dark humour. Leggat is a shape-shifting writer" The Globe and Mail "This immensely rewarding collection is worth picking up" eye weekly Finalist for the Trillium Book Award

Read more less

'I Cut My Finger' is Stuart Ross's first full-length poetry collection since his acclaimed 'Hey, Crumbling Balcony! Poems New & Selected' (2003). The poems here show Ross's ever-expanding breadth, from his trademark humour and surrealism, to pointedly experimental works and poems of human anguish. Here, a poet includes a letter threatening suicide in his submission of poems to a literary journal; a businessman dons flippers to swim along the sidewalk to his downtown office; the U.S. military follows a trail of red ants to glacial redemption; the writer finds profound joy in a tower of canned niblets. But beneath the slapstick exterior of so many of Ross's poems there lurk dark threats and darker pleasures. "Many of his narrative poems can best be called surreal. With their fancifully imaginative stories and wonderfully absurdist takes on the world, it's as if you're watching bizarre cartoons on YouTube." - Prairie Fire "A damn-fine book in every sense of the word." - TaddleCreek

Read more less

Had Charles Bukowski and Mary Karr birthed a literary bastard-child, it could have been Rodney DeCroo. From the banks of the Allegheny River to the west coast of Canada comes a fighter and survivor that has chosen poetry and song as his weapons of defence. These poems show you what happens to the traumatized children of drunken, negligent and equally traumatized parents. Children and teens living in powder keg homes whose "safe place" is a hiding spot behind the furnace, the streets, abandoned houses, and condemned factories. These pages are stained by people that have done horrible things and had horrible things done to them: neglected Vietnam vets, out of work coal miners, desperate and violent men with nothing but rage for a world that used them up like canisters of propane. Fishing for Leviathan is not a work about the privileged and entitled, but the trapped wage-earners and broken labourers that make the world of the privileged possible. And it is all anointed with liberal quantities of booze and drugs which, of course, make the situations worse; but they also make the days and nights bearable. These are poems from a writer who has crawled through a mile of broken glass and come out the other side more or less intact. Sobriety, meetings, counselling, therapy, and good friends are the balm and glue that put the broken back together again. Advance praise for Fishing for Leviathan "Rodney DeCroo's work reveals again and again that he's as true a poet as any writing today. Like all poets who can lay claim to authenticity, he's a troubled marriage of heaven and hell, and in this collection he has brought forth fierce, finely honed poems that are at once brutal and uniquely beautiful. Fishing for Leviathan is a piercing imaginative document and a clear, redemptive revelation of what it is to be alive." - Russell Thornton, author of Answer to Blue

Read more less

This Here Paradise begins with an epigraph from the work of Welsh poet, Menna Elfyn: "your language a hymn/ lost in the multitude,/ requiem for a world/ that's forgetting how to be". As if in response to this "forgetting," Wharton's poems move from the personal to cross a panorama of hopeful attentiveness. Clear images combine with a distinctive sense of rhythm and music to shape a collection both straight-ahead readable and carefully thoughtful, serious and playful. There is a recognition that paradise includes both highs and lows. The presumptive duality of these two conditions suggests a tension that resolves through the book's five sections, as Wharton opens a suitcase of birds and watches them soar over a landscape alive with radiant, open waters.

Read more less

Just Like a Real Person is a story about broken cars and broken people. A story of intoxication, sobriety, and potent memories of a woman in a yellow sundress. But, it's also a story about love that asks what it means to finally feel, after years of feeling nothing but numb. The story begins with a crash, and throughout the story, we bear witness to many more - both literal and metaphorical - as cars wrap around lamp posts and jump medians, and as the humans inside them are unknotted from smouldering metal and the entanglements of their choices. "He" is a nameless, indiscriminate addict. A fuck-up without a driver's license, who has caused forty-two car crashes in eight years, and makes his living by picking through the shattered belongings and lives he leaves behind. "She" is Lola, and Lola is unsure where she's going, just that it's far from there. Disorienting as an acid trip, the story winds through the aftermath, watching as he collides with recovery, women, and his own imperfect recollections while searching for the elusive girl in the yellow sundress.

Read more less

From the author of 19 Knives and My White Planet comes a brilliant suite of stories built around music and travel. Whether it's a band coming apart at the ruins of Pompeii, or tours through Napoli's "volcanic dust and volcanic drugs and jackal-headed bedlam and mountains of stinking trash"; or a nostalgic stroll past the homeless in Victoria's inner harbour while "gentle Tunisian techno" rides the breeze, where the addicted populate park benches, as weighted as Shakespearean characters ... "lit rock and tiny chalice hidden under his shirt, get it all, draw every wisp of the wreath and heavy is the head that wears the crown, that lights the lighter." Or it's Steppenwolf or The Youngbloods drifting from a car radio as "an ambulance siren and lights fly our street ... a flashing mime show of grief's rocket." Or, perhaps they're in Iceland, or Denmark, "somewhere seriously lunar and attractive" spending wheelbarrows of cash the record execs didn't give them. Or it's the Viper Room, Sunset Boulevard, a bar in Butte, Montana, or Johnny Cash in Tijuana. The five stories that comprise Czech Techno are replete with the sizzle and jump we have come to expect in a Mark Jarman story - "those shadowbox anthems of lost icy street corners and vanished republics" are on grand display, his herky-jerky emblematic style in full roar. And the quest for love, the matters of the heart, is ever-present, weaving through these stories like a knife blade through sand.

Read more less

Montaigne Medal Finalist, Eric Hoffer Awards Against Death is an anthology of creative non-fiction exploring the psychological shifts that occur when we prematurely or unexpectedly confront death. Against Death is a natural outgrowth of the editor's experience of surviving a vertebral artery dissection and stroke and the subsequent writing of a long poem memoir about the event. To be "against" something can mean two different things at the same time. "Against" can mean pressed up close to something, yet it can also signify refusal. These texts deal with the affects of this proximity, taking into account any meaning of the word. Rather than showcase only extreme survival stories or difficult biological situations, the pieces in Against Death consider the ways we make sense of death on a personal level and how we integrate that thinking as we continue forward. Against Death articulates the personal experiences of each author's "near-deathness," utilizing fresh and inventive language to represent what "magical thinking" proposes. These pieces are incisive and articulate, avoiding the usual platitudes, feel-good bromides, and pep talks associated with near-death encounters. The writing moves past the sob story and confronts the tough circumstance of facing death with truth and compassion, no matter how ugly or (in)convenient. Contributors include: angela rawlings, Joe Average, Aislinn Hunter, Jennifer van Evra, Maureen Medved, Fiona Tinwei Lam, Bruce Meyer and many others.

Read more less

"Writers, like skaters, score the blank sheet and test the edge of inclusion and exclusion. Most of these poems begin with a word from skating and push off to another topic. Others revisit ideas of femininity, control and language as pattern, or visit the past through movement, or enact principles from the rink such as symmetry, joy, endurance, crescendo and accent, revolution, response. The blade melts ice via friction and pressure. I drifted away from skating but the language is imprinted in me, too, a tracing, a line extending beyond the margins." (from Serpentine Loop) These are engaging and poignant poems about life on and off the ice.

Read more less

Montaigne Medal Finalist (Eric Hoffer Awards) In Garage Criticism Peter Babiak eviscerates and deflates some of the cultural sacred cows of our time. From Fifty Shades of Grey ("Hot for Teacher: What Fifty Shades of Grey Taught Me About Salacious Grammar, Sexy Women and the Scandalous Conflation of Cultural and Literary Culture") to the disintegration of the "deep read" ("F You Professor: Tumblr, Triggers and the Allergies of Reading") to the Hunger Games ("The Revolution Will Not Be Televised - But It Might Be Carnivalized 'N' Shit") and Twilight ("Really Dumb Students"), through to student/professor relationships, inappropriate office visits, and a shared "voluptuous appetite for Nabokov." Babiak deconstructs our fascination with internet culture, takes on the inanities of youthful, ungrammatical irises, devolves the rhetorical hallucinations of economics and marketing, and reasserts the supremacy of linguistic thinking in everyday cultural affairs. Babiak's is a new and timely voice in the arena of cultural criticism and critical theory. Praise for Garage Criticism: "... Somewhere, a transition takes place and the garage critic is replaced by the father, lover, the middle-aged man searching for some meaning in a silly world. The wisdom of this book doesn't come from its dismantling of vacuous modern culture, but from its subtle examination of fatherhood, the follies of man, the inevitable fray of husbandry, and the tribulation of losing the ones you love. These are messages that are left nearly unsaid, unseen, but like stars resting beneath a sunrise, achingly they remain long after the book is closed." (Cascade, UFV)

Read more less

Assdeep in Wonder is a collection of new poems that explore the idea of identity in a myriad of contexts: personal, sexual, cultural, national, literary, and poetic. The poems are raw and immediate, exploring themes of addiction, sexuality, loss, love, and wonder in equal measures. Selected Praise: "Gudgeon's first poetry collection is a quirky valentine to irreverent readers, full of stark and pretty imagery, wry quips, and glorious bursts of vulgarity. ..." (Foreword Reviews)

Read more less

Myrtle is not one of those communities with a town historian or a roster of famous residents. Myrtle does, however, have a poultry plant, and looming above the plant are the eagles, massive birds that roost in trees and feast on entrails left by workers, creatures synonymous with power, freedom and might. The story starts with a newspaper photo taken in an obscure Nova Scotia town after the murder of eight bald eagles. The bizarre photo wins a contest and, over time, the unidentified girl in the foreground becomes, like Diane Arbus's Child with Toy Hand Grenade in Central Park, infamous. Rita Van Loon decides, after seven painful years, to explain herself and the events surrounding the murders. The Most Heartless Town in Canada looks at media agendas, amateur sport, family dynamics, and the divide between rural and urban Canada. Selected Praise: "... McCluskey's cast of characters 'and it is quite large' is anything but ordinary, especially when it comes to Pammy Pottie, Rita's well-meaning but luckless swim coach, and her motley crew of swimmers. Myrtle is full of oddballs, which is lucky for us, because that, more than anything else, is what gives this novel its quirky charm." (Quill and Quire) "The Most Heartless Town in Canada is explicitly about bearing false witness to a place and what that does to the people there. (It?s also extremely funny.) ..." (The Globe and Mail) "McCluskey's complex small town terrific" (Winnipeg Free Press)

Read more less