Search results for ""alma books ltd""

While at a party organized by the local landowner for the officers of his brigade, the shy and awkward Ryabovich is suddenly kissed by an unknown woman in a dark room. This unexpected, electrifying encounter, which he relives in his mind day after day, marks a turning point for Ryabovich, showing him that everything in life – joy, sorrow, hope – is equally pointless and subject to chance. One of Chekhov’s most admired stories, ‘The Kiss’ is joined in this volume by six other celebrated tales in a new translation by Hugh Aplin: ‘The Lady with the Little Dog’, ‘Ward Six’, ‘The Black Monk’, ‘The House with a Mezzanine’, ‘The Bishop’ and ‘Peasants’ – making this an indispensable collection for those wanting to discover Chekhov at his creative best.

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When the world-weary dandy Eugene Onegin moves from St Petersburg to take up residence in the country estate he has inherited, he strikes up an unlikely friendship with his neighbour, the poet Vladimir Lensky. Coldly rejecting the amorous advances of Tatyana and cynically courting her sister Olga – Lensky’s fiancée – Onegin finds himself dragged into a tragedy of his own making. Eugene Onegin – presented here in a sparkling translation by Roger Clarke, along with extensive notes and commentary – was the founding text of modern Russian literature, marking a clean break from the high-flown classical style of its predecessors and introducing the quintessentially Russian hero and heroine, which would remain the archetypes for novelists throughout the nineteenth century.

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Emma is considered by many readers to be Jane Austen's crowning achievement, a timeless comedy of manners that lays bare the limits on women's autonomy in Regency England. The disparity between Emma Woodhouse's self-confidence and self-knowledge, and her determination to arrange marriages for her friends while avoiding one for herself, leads to a painful series of misunderstandings for everyone who suffers from her well-meaning altruism - and with Mr Knightley being the only person of her acquaintance who has the good sense to challenge her, Emma must eventually recognize her match in every sense. Long praised for its rich detail and perfect craftsmanship, Emma is one of those classic masterpieces that readers go back to again and again for its inexhaustible fund of humanity.

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A young Harvard graduate with bright prospects, Bill Frothington is invited on board a steamer hosting a high-school dance, where he meets and falls in love with the seventeen-year-old Mae. As the match is not considered socially advantageous enough, Bill moves on, marries and has a career, but he remains painfully nostalgic for that episode on the river. A poignant tale which touches on the themes of yearning and lost youth that are central to many of Fitzgerald’s novels and stories, ‘The Love Boat’ is here presented with other lesser-known pieces which he wrote in the 1920s and explore the many facets of his creative talents.

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Giuseppe Tomasi di Lampedusa, the author of one of the most poignant and enduringly popular novels of the twentieth century, left only a few other pieces of fiction when he died prematurely at the age of sixty. Childhood Memories and Other Stories, here presented in a new translation by Stephen Parkin and including previously deleted passages and the unpublished fragment ‘Torretta’, collects all of Lampedusa’s extant shorter fiction and provides a revealing glimpse into the writer’s workshop and the background to the composition of his masterpiece. From the atmospheric recollections of the Palazzo Lampedusa and the Palazzo Filangeri Cutò at the turn of the twentieth century in ‘Childhood Memories’ to the delightful fable ‘The Siren’, from the gently humorous, bitter­sweet tones of ‘Joy and the Law’ to ‘The Blind Kittens’ – the first chapter of what was intended to be a sequel to The Leopard – this volume showcases Lampedusa’s unparalleled ob­ser­vational powers and narrative skills.

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Throughout his life Rudyard Kipling was fond of dogs, and while they featured prominently in early tales such as 'The Dog Hervey' and 'Garm - a Hostage', he later came up with the innovative idea of writing a story from the perspective of a dog, resulting in the hugely successful 'Thy Servant a Dog', narrated by an Aberdeen terrier named Boots. This collection, published in the author's lifetime, gathers Kipling's dog stories written throughout his career, providing a warm tribute to man's best friend and showcasing the lively storytelling talents of one of Britain's most enduringly popular writers.

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Inspired by Dostoevsky's own gambling addiction and written under pressure in order to pay off his creditors and retain his rights to his literary legacy, The Gambler is set in the casino of the fictional German spa town of Roulettenburg and follows the misfortunes of the young tutor Alexei Ivanovich. As he succumbs to the temptations of the roulette table, he finds himself engaged in a battle of wills with Polina, the woman he unrequitedly loves. With an unforgettable cast of fellow gamblers and figures from European high society, this darkly comic novel of greed and self-destruction reveals Dostoevsky at his satirical and psychological best.

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Set in the year after the 1929 crash and incorporating many autobiographical elements, ‘Babylon Revisited’ tells the story of the widower Charlie Wales, a reformed alcoholic and successful businessman returning to Paris to convince his in-laws to give him back the daughter he abandoned. As the old haunts of the city he used to carouse in seem more and more alien to him, he finds himself assailed by feelings of guilt and regret. Considered one of Fitzgerald’s finest and most poignant pieces of short fiction, 'Babylon Revisited’ is presented here with a selection of other tales published in the same period, such as ‘Crazy Sunday’ – an account of alcoholism and infidelity in Hollywood – which showcase the author at his creative best.

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Presented as a collection of confessional letters written by the eponymous protagonist, The Sorrows of Young Werther charts the emotional journey of a young man who, during a stay in a picturesque German village, falls in love with Lotte, a local woman engaged to another man. As he realizes that his passion is doomed to failure and constant pain, Werther contemplates taking the most drastic measures. Partly autobiographical, and the prototype for many later Romantic works in its depiction of the sensitive, tortured hero, Goethe's seminal classic is a timeless masterpiece of world literature.

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One of Stevenson's most famous and enduringly popular works, the Strange Case of Dr Jekyll and Mr Hyde describes the mysterious relationship between a respectable and affable doctor and his brutal associate. Set in the grimy streets of Victorian London, this tale of murder, split personality and obscure science, with its chilling final revelation, became an instant horror classic when it was first published in 1886, and has enthralled and terrified generations of readers ever since. This volume also contains seven other Gothic stories by Stevenson - such as 'The Body Snatchers', 'Markheim' and 'Olalla' - showcasing the author's mastery of the horror genre and his interest in both the otherworldly and the strange ways the human brain can distort reality.

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The Mudfog Papers, a collection of sketches by Dickens published in Bentley’s Miscellany between 1837 and 1838, describes the local politics of the fictional town of Mudfog – such as the delusions of grandeur of its mayor Nicholas Tulrumble and his disastrous attempts at putting on a public show – and the meetings of its Society for the Advancement of Everything, during which the town is overrun by illustrious scientists and professors conducting ostensibly pointless research. Written at the same time as Oliver Twist – indeed the serialized version of the novel referred to Mudfog as the protagonist’s home town – The Mudfog Papers lampoons all manner of journalistic and scientific writing of the time and showcases the young Dickens at his satirical best.

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At the end of an industrious political career in conflictriven Italy, the Florentine diplomat Niccolo Machiavelli composed his masterpiece The Prince, a classic study of power and politics, and a manual of ruthlessness for any ambitious ruler. Controversial in his own time, The Prince made Machiavelli's name a byword for manipulative scheming, and had an impact on such major figures as Napoleon and Frederick the Great. It contains principles as true today as when they were first written almost five centuries ago.

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The tale of Heathcliff and Cathy's ungovernable love and suffering, and the havoc that their passion wreaks on the families of the Earnshaws and the Lintons, shocked the book's first readers, with even Emily's sister Charlotte wondering whether it is right or advisable to create beings like Heathcliff . Replete with unforgettable characters and situations that have seared themselves into our literary consciousness, Emily Bronte's intense masterpiece is one of the most haunting love stories in the canon of English literature.

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Presented as a series of letters between the humble copying clerk Devushkin and a distant relative of his, the young Varenka, Poor People brings to the fore the underclass of St Petersburg, who live at the margins of society in the most appalling conditions and abject poverty. As Devushkin tries to help Varenka improve her plight by selling anything he can, he is reduced to even more desperate circumstances and seeks refuge in alcohol, looking on helplessly as the object of his impossible love is taken away from him. Introducing the first in a long line of underground characters, Poor People, Dostoevsky's first full-length work of fiction, is a poignant, tragi-comic tale which foreshadows the greatness of his later novels.

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Since it was first published in 1818, Mary Shelley's seminal novel has generated countless print, stage and screen adaptations, but none has ever matched the power and philosophical resonance of the original. Composed as part of a challenge with Byron and Shelley to conjure up the most terrifying ghost story, Frankenstein narrates the chilling tale of a being created by a bright young scientist and the catastrophic consequences that ensue. Considered by many to be the first science-fiction novel, the tragic tale of Victor Frankenstein and the tortured creation he rejects is a classic fable about the pursuit of knowledge, the nature of beauty and the monstrosity inherent to man.

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An unsuccessful writer and an inveterate alcoholic, Boris Alikhanov is running out of money and has recently divorced from his wife Tatyana, who intends to emigrate to the West with their daughter Masha. The prospect of a summer job as a tourist guide at the Pushkin Hills preserve offers him hope of bringing back some balance into his existence, but during his stay in the rural estate of Mikhaylovskoye, Alikhanov's life continues to unravel.

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Caught up in an oil spill, a dying seagull scrambles ashore to lay her final egg and lands on a balcony, where she meets Zorba, a big black cat from the port of Hamburg. The cat promises the seagull to look after the egg, not to eat the chick once it's hatched and - most difficult of all - to teach the baby gull to fly. Will Zorba and his feline friends honour the promise and give Lucky, the adopted little seagull, the strength to discover her true nature? A moving, uplifting and life-enhancing story with a strong environmental theme, Luis Sepulveda's instant children's classic has been a worldwide best-seller and is presented here with new drawings by acclaimed illustrator Satoshi Kitamura.

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Mademoiselle Charlotte, the new teacher, is not like the others: she wears a large hat and a crumpled dress that make her look like a scarecrow, and she talks to a rock. The children think she is crazy at first, but soon realize she makes school more fun than ever, getting them to measure the room with cooked spaghetti in maths class, telling fascinating stories about a gorilla and even taking the pupils on at football. The first book in Dominique Demers’s popular series, The New Teacher, brilliantly illustrated by Tony Ross, is an entertaining, imaginative and inspiring book that will make you wish you had a teacher just like Mademoiselle Charlotte.

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Toddler in tow, Bee Rowlatt embarks on an extraordinary journey in search of the life and legacy of the first celebrity feminist: Mary Wollstonecraft. From the wild coasts of Norway to a naked re-birthing in California, via the blood-soaked streets of revolutionary Paris, Bee learns what drove her hero on and what’s been won and lost over the centuries in the battle for equality. On this biographical treasure hunt she finds herself consulting a witch, a porn star, a quiet Norwegian archivist and the tenants of a blighted council estate in Leeds – getting much more than she bargained for. In her quest to find a new balance between careers and babies, Bee also discovers the importance of celebrating the radiant power of love in all our lives.

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When Francesco decides to embark on his first trip outside his native Italy, he leaves behind a difficult relationship with his father, the narrow vistas of a small provincial town and the stifling atmosphere of a country he feels has become degraded. All he brings with him are a change of clothes, a map of Europe and the desire to discover new places, new people and, perhaps, a new life. But a chance encounter in Munich takes him off course, on an incredible journey that will see him fall in love in Sweden, lose all his money in Amsterdam, sleep rough in the streets of London, win big in Monte Carlo and get caught up in an international imbroglio.

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When Sofia Behrs married Count Leo Tolstoy, the author of "War and Peace", husband and wife regularly exchanged diaries covering the years from 1862 to 1910. Sofia's life was not an easy one: she idealized her husband, but was tormented by him; even her many children were not an unmitigated blessing. In the background of her life was one of the most turbulent periods of Russian history: the transition from old feudal Russia to the three revolutions and three major international wars. Yet it is as Sofia Tolstoy's own life story, the study of one woman's private experience, that the diaries are most valuable and moving. They are a testament to a woman of tremendous vital energy and poetic sensibility who, in the face of provocation and suffering, continued to strive for the higher things in life and to remain indomitable. It contains a forward by Doris Lessing.

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A young woman, who works as a maid for a living, takes her charge out to play in a Parisian garden square. Sitting on a bench, she starts talking to a stranger, a travelling salesman, and their conversation gradually turns into an exchange of confidences, as she speaks of her desire for a more stable future and he of his feelings of rootlessness and disillusionment. As the afternoon wears on, the two sense an increasing connection between them. Understated and impressionistic, and consisting almost entirely of dialogue, The Garden Square is one of Marguerite Duras’s finest novels, which she also adapted for the stage.

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The Battle of Reichenfels has been fought and lost. The army is in flight. The enemy is expected to arrive in town at any moment. A soldier, carrying a parcel under his arm, is wandering through an unknown town. All the streets look the same, and he cannot remember the name of one where he was supposed to meet the man who had agreed to take the parcel. But he must deliver the parcel or at least get rid of it… A brilliant work from one of the finest exponents of the Nouveau Roman, In the Labyrinth showcases an inventive, hypnotic style which creates an uncanny atmosphere of déjà vu, yet undermines the reader’s expectations at every turn.

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In his most famous and perhaps most typical work, Robbe-Grillet explores his principal preoccupation: the meaning of reality. The novel is set on a tropical banana plantation, and the action is seen through the eyes of a narrator who never appears in person, never speaks and never acts. He is a point of observation, his personality only to be guessed at, watching every movement of the other characters’ actions as they flash like moving pictures across the distorting screen of a jealous mind. The result is one of the most important and influential books of our time, a completely integrated masterpiece that has already become a classic.

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During the German advance through Belgium into France in 1940, Captain de Reixach is shot dead by a sniper. Three witnesses, involved with him during his lifetime in different capacities – a distant relative, an orderly and a jockey who had an affair with his wife – remember him and help the reader piece together the realities behind the man and his death. A groundbreaking work, for which Claude Simon devised a prose technique mimicking the mind’s fluid thought processes, The Flanders Road is not only a masterpiece of stylistic innovation, but also a haunting portrayal – based on a real-life incident – of the chaos and savagery of war.

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According to many experts, China is already the largest economy on the planet – yet its relations with the rest of the world have deteriorated in recent years, and are now at an all-time low. Is this a passing phase caused by the shockwaves of the Covid pandemic and the personalities of leaders in China and in the USA, or are the current divergencies going to become wider and more entrenched, as China grows economically and develops technological leadership? Can the West learn from its past mistakes and engage successfully with China on many common interests, or are we on the verge of a new Cold War? In The Chinese Conundrum, Vince Cable – author of the Sunday Times number-one bestseller The Storm: The World Economic Crisis and What it Means – provides an answer to these and many other topical questions of global politics and economy, examining the long history of relationships between China and the West, as well as the change in attitudes on both sides of the divide, with a particular focus on the possible repercussions of the recent election of Joe Biden as president of the United States. The result is a gripping, insightful and accessible investigation into the intricacies of today’s economic and geopolitical situation.

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When shop-owner Julia Segovia decides that she’s going to marry the handsome if exceedingly young and naive soldier Valentin Brû, he willingly goes along with her scheme. Little does he know that he will have to contend with disgruntled in-laws, eccentric locals, a cunning wife, a shifty career in fortune-telling, the approaching threat of war with Germany and the mysteries of Parisian public transport. With a cast of eccentric characters, amusing incidents and an uplifting tone, The Sunday of Life – its title playfully alluding to Hegel’s theory of history – is a scintillating novel which showcases Queneau’s trademark punning, sly wit and delight in the absurdity of people and situations.

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The local landowner Van Cheele experiences an unnerving encounter with a youth sunning himself near a pond, and starts to wonder if there is any connection between this wild-looking boy and the recent disappearances of poultry, hares, lambs and, more alarmingly, an infant child in the area. To his astonishment, he discovers the next day that his aunt has decided to take the boy in, buying him a suit of clothes and naming him Gabriel-Ernest. Van Cheele remains suspicious, especially when it is revealed that there is something supernatural about their new ward...

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This collection of lesser-known early short fiction – ranging from absurd humorous sketches to psychological dramas and tragic tales – demonstrates Anton Chekhov’s mastery of the genre, with stories about marital infidelity, betrayal, deception and love in its various forms. Although varying in tone and purpose, what these tales have in common is a profound and subtle understanding of the human condition, in its farcical and melancholy aspects, couched in Chekhov’s trademark minimalist style.

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Although he is now mostly remembered as a novelist, it is as a poet and a translator of poetry that Sándor Márai - the acclaimed author of 'Embers' and 'Conversations in Bolzano' - first made his name in the literary world. This collection, the first and only edition of Márai's poems in the English language - here presented in John M. Rudland's and Peter V. Czipott's brilliant verse translation - offers a comprehensive selection spanning the author's whole career and exemplifying his mastery of what he considered to be the highest form of literary expression.

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The Beatles’ hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties’ psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or show­business connections, end up literally at the cutting edge of Sixties’ fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.

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Jim Talbot, a writer with a dozen unpublished novels under his belt, has been roundly rejected by every agent and publisher in the land, and is willing to go to extreme lengths to make his dream of literary stardom come true. Charles Randall, the eccentric founder and managing director of Tetragon Press, a small independent publisher that has managed to survive for thirty years in a fierce environment dominated by corporate juggernauts, is about to be brutally sacked by a newly appointed business consultant. In the cut-throat world of modern publishing, Charles and Jim’s paths towards literary salvation are fraught with the most unpredictable dangers. A novel of intrigue, deceit and sheer desperation, Bestseller is a caustic portrait of contemporary culture and of Britain’s obsession with fame, success and becoming the next J.K. Rowling.

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"These five plays provide an excellent introduction to Kaiser’s vision of the regeneration of man, which he illustrated in his works by a total paring down of detail, penetrating to the core of the matter and revealing man’s true potential. In From Morning to Midnight the cashier, downtrodden victim of the capitalist system, turns bank robber in order to test the power, freedom and happiness that money can bring. His grand gesture of setting himself and others free turns into an odyssey of disillusion and ends in his violent death. The unique stage technique employed by Kaiser is as challenging today as it was when the play was first performed. The Burghers of Calais has always been considered Kaiser’s greatest play and the “classic” of Expressionist drama. In it, Kaiser exploits the non-naturalistic technique of Expressionism. The play embraces vast expansiveness and total concentration, stylized gesture and lengthy monologues."

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Babel, Alan Burns’s fourth critically acclaimed novel, contains all the hallmarks of the aleatoric style he helped to define – shot through with seemingly random newspaper headlines, poems, snatches of conversation and anecdote, which both heighten and undermine meaning, and characterized by extreme contrasts of mood and style and startling surrealist juxtapositions of images and ideas. By turns comic and tragic, tender and brutal, religious and blasphemous, the narrative rockets from London to the United States to Vietnam to interstellar space, familiar events are constantly fragmented and reset into new patterns, and ultimately Babel becomes a cautionary tale about the tragedy arising from attempting to build Utopia.

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Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi’s narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman’s corpse floating in the canal, and tensions increase further in cramped confines with the narrator’s highly charged seduction of the skipper’s wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.

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Stravinsky’s genius for the stage is here represented by two very different works. Oedipus Rex (1927) is the fruit of a collaboration with Jean Cocteau, in which the Sophocles tragedy is pared down to make an opera-oratorio of overwhelming impact. Judith Weir analyses how this is achieved: the Latin text has an immediacy which is sometimes even comic, and the vibrant rhythms are reminiscent of the Italian operatic tradition – explored by David Nice in his analysis of the score. The libretto of The Rake’s Progress (1951) by W.H. Auden and Chester Kallman is one of the greatest English opera texts. In a survey of the composition period, Roger Savage examines the contributions of the different collaborators. Contents: The Person of Fate and the Fate of the Person: ‘Oedipus Rex’, David Nice; ‘Oedipus Rex’: A Personal View, Judith Weir; On an Oratorio, Jean Cocteau; Oedipus Rex: Libretto by Jean Cocteau, translated into Latin by Jean Daniélou; Oedipus Rex: English translation of the narration by e. e. cummings and of the Latin text by Deryck Cooke; Making a Libretto: Three Collaborations over ‘The Rake’s Progress’, Roger Savage; The New and the Classical in ‘The Rake’s Progress’, Brian Trowell; The Rake’s Progress: Libretto by W.H. Auden and Chester Kallman

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What can explain Wagner's obsession with Tannhauser, an opera which he first conceived in 1845 and still considered unfinished at his death in 1883? The subject is the struggle of a man torn between erotic love and spiritual fulfilment, between worlds of liberation and of sterile order. It contains the kernels of all his later works: man's need for love and artistic satisfaction, his desire for an existence beyond death, the operation of memory and the nature of madness. The essays in this volume examine the medieval legends which Wagner chose to weave into his text, and their significance for him. Carolyn Abbate also considers the effect of his many revisions upon the score, pointing out that the initial idea already involved a contrast of musical language to focus the conflict. As Wagner remained unsatisfied with the work, it provokes constant reassessment.

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Richard Strauss turned his genius to opera at the turn of the twentieth century, and this guide contains the texts and introductions to his first two masterpieces in what was, for him, a new genre. Despite obvious similarities – both operas consisting of one act, centred upon one female title role – the works are quite different in subject and treatment. Salome, based on Oscar Wilde’s notorious play, has a kaleidoscopic range of orchestral colour and a lurid climax. Elektra, derived from the myths of the ancient Greeks and the first collaboration between Strauss and Hofmannsthal, is a study in neurosis, ripe for Jungian comparative analysis. Contents: Richard Strauss and the Unveiling of ‘Salome’, Paul Banks; Salome: Libretto by Hedwig Lachmann; Salome: English translation by Tom Hammond; Hofmannsthal’s ‘Elektra’: from Drama to Libretto, Kenneth Segar; Elektra and the ‘Elektra Complex’, Christopher Wintle; Elektra: Libretto by Hugo von Hofmannsthal; Elektra: English translation by Anthony Hose; Strauss’s Orchestra in ‘Salome’ and ‘Elektra’, Jonathan Burton

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Rossini is one of the great operatic composers and a major innovator in the field of serious and comic operas. Moise et Pharaon is a score which he revised for Paris ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade - from the neo-classical sublime to spectacular Romantic grand opera. Il barbiere di Siviglia has been a consistent favourite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the 'opera industry' in Rossini's Italy, on Balzac's delightful novel concerning Moise and on the exceptional challenge of performing this type of music to a high standard.

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Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dramatic scenes, it has not fulfilled its composer’s aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner’s leitmotifs and the different purposes they fulfil. Derrick Puffett discusses how Wagner composed Tristan und Isolde and Die Meistersinger von Nu¨rnberg in the eight-year hiatus between his beginning and completion of Siegfried’s second act. The thematic guide complements those found in the other Opera Guides to The Ring Cycle. Contents: Educating Siegfried, Ulrich Weisstein; ‘Siegfried’: The Music, Anthony Newcomb; ‘Siegfried’ in the Context of Wagner’s Operatic Writing, Derrick Puffett; Siegfried: Poem by Richard Wagner; Siegfried: English translation by Andrew Porter

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The story of Manon Lescaut has become part of the European imagination: she is the fun-loving woman who is irresistible to men. Of Massenet’s many operas, she inspired the most popular one, and this libretto shows his minute attention to detail in bringing the character and the period to life. This guide opens with a general survey of Massenet’s career by the musicologist Gérard Condé, and includes two essays about this particular opera. Professor Hugh Macdonald explores the interplay of speech and song in Manon and Massenet’s genius for comedy. Professor Vivienne Mylne traces the sources and context of Prévost’s novel. Contents: Massenet, Gerard Conde; A Musical Synopsis, Hugh Macdonald; Prevost and ‘Manon Lescaut’, Vivienne Mylne; Manon: Libretto by Henri Meilhac and Philippe Gille; Manon: English version by Edmund Tracey

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This famous opera has had a chequered performance history, and Professor Laurel E. Fay, in an illuminating musical analysis, points out that the interpretation of the opera depends very much on which edition is used. Robert Oldani introduces the 'Boris problem': Pushkin's play was not an obvious choice for a young composer, since it had been banned from performance for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Mussorgsky forged his own text and created a legendary masterwork; Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.

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Winton Dean relates how Otello came into being as much because of the persistence of Verdi’s publisher as of the composer’s lifelong passion for Shakespeare, and the collaboration of the brilliant poet Arrigo Boito. Benedict Sarnaker argues that this magnificent large-scale opera rivals Shakespeare in intensity and profundity. William Weaver’s lively review of Shakespeare on the Italian stage in the last century enables us to make a wholly fresh appraisal of Verdi’s stature as a dramatist. The libretto itself is a masterpiece, and Andrew Porter has also translated the third-act revision which Verdi came to prefer and which has not been performed outside France before the 1981 ENO production. Contents: ‘Otello’: The Background, Winton Dean; ‘Otello’: Drama and Music Benedict Sarnaker; Verdi, Shakespeare and the Italian Audience, William Weaver; Otello: Libretto by Arrigo Boito; Otello: English Translation by Andrew Porter

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In these vivid and anecdotal memoirs, Giulio Gatti-Casazza, one of the twentieth century’s most successful impresarios, tells of his long reign in two of the world’s most famous opera houses: a decade at La Scala in Milan, followed by twenty-seven years at the Metropolitan Opera in New York. With an inimitable tone, Gatti relates an astonishing wealth of history, including an impressive cast of personal friends numbering Verdi, Puccini, Debussy and many more. Gatti’s memoirs are totally unimpeded either by time or by their sheer content, recollecting in extraordinary detail his earliest musical experiences that led to a lifelong inspiration. Most remarkable is Gatti’s never-failing self-awareness, always appreciative of his role in cultural history, but never boastful of his talents. He commits his memories of opera’s golden age to paper, he says, only for posterity – and they serve posterity well.

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Renowned for its versatility, the piano has played a major role both in musical development and in the shaping of public taste. Throughout its history it has always remained at the centre of the music scene as the composer’s tool, the virtuoso’s partner and the accompanist’s mainstay. Style in Piano Playing is a book not only about the piano, its uses and performers, but also about the music written for the piano. In it, the author shows how the great pianists of the past built their programmes, tells of how they were received and takes a critical look at the history of musical taste.

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