Search results for ""University of Exeter Press""
University of Exeter Press Le Philinte De Molière
Le Philinte de Molière, or La suite du Misanthrope, was first published in 1791 and is here produced with variants from the manuscript held in the Bibliothèque nationale and with a selection of contemporary reviews of the first performance in 1790. The play is the eighteenth-century continuation of Molière’s classic comedy, Le Misanthrope, influenced by Jean-Jacques Rousseau. The first performance caused a stir and was acclaimed by d’Eglantine’s contemporaries. It is an important work, particularly when presented in the context of the author’s life and the political backdrop against which it was written, and it is vital to any study of the legacy of Molière and of the history of the theatre in the late eighteenth century.
£31.04
University of Exeter Press The White Man's Burdens: An Anthology of British Poetry of the Empire
In 1898, notoriously, Kipling urged the imperialist nations to 'Take up the White Man's Burden' the following year, in Satan Absolved, Wilfrid Scawen Blunt angrily replied, 'The White Man's Burden, Lord, is the burden of his cash'. Such ideological conflicts - and a whole range of intermediate positions - feature in much of the poetry British writers produced about the British Empire over the four centuries of its rise and fall. The discourses of postcolonialism have drawn attention to the major and continuing significance of the cultural products of the period of Western imperialism. But, so far, they have concentrated largely upon fiction and upon the writings and experiences of those parts of the world that were subject to colonialism and imperialist oppression. For the first time, The White Man's Burdens offers a cross-section of British poetry in which the Empire was the burden of the song. The material, much of it previously uncollected, is drawn from a broad cultural spectrum that includes narrative poetry, heroic verse, patriotic ballads, music hall monologues, and poems from Punch. A substantial Introduction sets the poems in the context of the economic, political, and ideological development of British imperial rule, and headnotes historicize the poems themselves, which are presented chronologically - from George Chapman's 'De Guiana: Carmen Epicum' of 1596 to Fred D'Aguiar's 'At the Grave of the Unknown African' of 1993. The result is a poetic summary of the changing attitudes of an imperialist nation to its own imperialism, attitudes which range from jingoism and racism, through religious idealism and liberal anxiety, to outright disgust at the whole enterprise.
£85.25
University of Exeter Press François Mauriac: Psycholectures/Psychoreadings
François Mauriac is one of France's most read and consistently studied modern writers. For more than a decade Mauriac's work has been increasingly subjected to analyses drawing their inspiration in one way or another from psychology. Most of the essays in this collection are written from a psychobiographical or psychocritical viewpoint, drawing on the work of Freud, Marthe Robert, Klein, Lacan and Mauron. In some cases they investigate recurrent themes, motifs or preoccupations in Mauriac's work as a whole, in others they focus their attention on individual texts. Brought together they indicate the richness of this kind of approach as well as of the material at which it is directed. The essays are presented in the language of original composition (English or French) with a complete set of summaries in the alternate language in an appendix.
£64.05
University of Exeter Press The Cornish Mineral Industry: Past Performance and Future Prospect
This book commemorates the work of Jack Trounson, who was one of the leading twentieth-century authorities on Cornish mining and the greatest exponent of its future potential. He had an unparalleled ability to marshal a wealth of detail on the past working of mines and use it to point to places where minerals might still be worked at a profit.The articles collected here were first published during the Second World War but remain an up-to-date guide for historians, prospectors and planners alike. A leading member of the Cornish Instutue of Engineers, the Cornish Mining Development Association, the Cornish Chamber of Mines, and the Trevithick Society, few have done more to preserve the county’s industrial past and promote its future prosperity.
£31.04
University of Exeter Press The Folklore of Devon
Devon has a long and rich folkloric heritage which has been extensively collected over many years. This book consolidates more than a century of research by eminent Devon folklorists into one valuable study and builds on the vital work that was undertaken by the Devonshire Association, providing insightful analysis of the subject matter and drawing comparisons with folklore traditions beyond the county. The first major work on Devon's folklore since Ralph Whitlock’s short book published by the Folklore Society in the 1970s, this volume brings the subject into the twenty-first century with consideration of internet memes and modern lore, demonstrating that ‘folklore’ does not equate to ‘old rural practice’. With chapters covering the history of Devon's folklore collecting, tales from the moors, the annual cycle, farming and the weather, the devil, fairies, hauntings, black dogs, witchcraft and modern lore, this will remain the standard work for many years to come.
£45.00
University of Exeter Press Theatres Of War: French Committed Theatre from the Second World War to the Cold War
Theatres of War is the first full-length study to be devoted to the 'Committed' theatre that flourished in modern France from 1944 to the mid-1950s. During this crucial decade, authors such as Sartre, de Beauvoir and Camus, along with other lesser-known dramatists, responded to the issues of their time by contributing a number of tense controversial plays to a distinctive genre of realist theatre. These plays dealt with the ideological, political and moral issues arising from the Second World War, the Cold War and a series of disastrous colonial wars. Theatres of War combines historical contextualisation, pointing up the political and moral debate of the theatre of the period, with detailed analysis of specific plays, making it a useful student text. All quotations are in French with English translations immediately following.
£75.00
University of Exeter Press Film, Cinema, Genre: The Steve Neale Reader
This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies. DOI: https://doi.org/10.47788/YRCC6901
£100.00
University of Exeter Press Crestien’s Guillaume d’Angleterre / William of England: An Edition and Annotated Translation
An edition with facing annotated translation of the twelfth-century Medieval French popular romance Guillaume d’Angleterre. The claim to fame of this verse narrative is to have had its authorship attributed (falsely) to Chrétien de Troyes, the most famous of all twelfth-century Medieval French narrative poets. This prototypical adventure romance and is representative of a literary genre that has recently seen a renewal of interest among medieval literary critics. An amusing tale of late twelfth-century social mobility, the romance tells of a bewildering series of adventures that befall a fictitious king who deliberately abandons his royal status to enter the ‘real’ world of knights, wolves, pirates and merchants. He and his family, dispersed by events between Bristol, Galway and Caithness, are finally reunited at Yarmouth thanks to a climactic stag hunt. The book is designed for students of French, Medieval Studies, Comparative Literature and English, and for all medieval scholars interested in having an English version of a typical medieval adventure romance. It is the first authoritative English translation of this text, and all of its critical material is new. DOI: https://doi.org/10.47788/TXVU9029
£75.00
University of Exeter Press Mental Health Ontologies: How We Talk About Mental Health, and Why it Matters in the Digital Age
Mental health presents one of the defining public health challenges of our time. Proponents of different conceptions of what mental illness is wage war for the hearts and minds of patients, practitioners, policy-makers, and the public. Debate and fragmentation around the nature of the entities that feature in the mental health domain divide resources and reduce progress. The way mental health is publicly discussed in the media has tangible effects, in terms of stigma, access to healthcare and resources, and private expectations of recovery. This book explores in detail the sorts of statements that are made about mental health in the media and public reporting of scientific research, grounding them in the wider context of the theoretical frameworks, assumptions and metaphors that they draw from. The author shows how a holistic understanding of the way that different aspects of mental illness are interrelated can be developed from evidence-based interpretation of the latest research findings. She offers some ideas about corrective, integrative approaches to discussing mental health-related matters publicly that may reduce the opposition between conceptualisations while still aiming to reduce stigma, shame and blame. In particular, she emphasises that discourse in the media needs to be anchored to an overview of all the research results across the field and argues that this could be achieved using new technological infrastructures. The author provides an integrative account of what mental health is, together with an improved understanding of the factors driving the persistence of oppositional accounts in the public discourse. The book will be of benefit to researchers, practitioners and students in the domain of mental health.
£75.00
University of Exeter Press Communication Across Cultures: The Linguistics of Texts in Translation (Expanded and Revised Edition)
A unique synthesis of contrastive linguistics and discourse analysis, providing a core text for upper undergraduates and postgraduates taking courses in language, applied linguistics, translation and cultural studies. The book will also be of interest to language teachers and other applied linguists, as well as translators and interpreters. This revised and expanded edition includes important updates reflecting the growth over the past two decades in the theoretical study of translation and contrastive linguistics, and the wide-ranging practical applications of such studies. It offers authoritative updates on the major issues of translation and contrastive linguistics, using new practical examples and case studies that present the latest exploratory research of interest to both students and practitioners. While English and Arabic remain the language pair used for illustrative purposes, the analytic tools and theoretical overviews presented are of global applicability. The main objectives pursued remain the training of future linguists and, more broadly, an increased awareness of the subtleties of discourse on the part of language users.
£80.00
University of Exeter Press Forms of Conflict: Contemporary Wars on the British Stage
Forms of Conflict is a full-length study of the representation of contemporary warfare on the British stage and investigates the strategies deployed by theatre practitioners in Britain as they meet the representational challenges posed by the ‘new wars’ of the global era. It questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed after the September 11 terrorist attacks. Soncini examines how the works of playwrights such as Caryl Churchill, David Hare, Martin Crimp and Simon Stephens have provided an interpretative means to enlarge our understanding of the new patterns of conflict, ensuring theatre’s continued cultural and political relevance. Forms of Conflict explores the relationship between new forms of warfare and new forms of drama, illustrating what dramatic form can reveal about the post-9/11 landscape and complementing a rapidly growing field of contemporary war studies. The appendix contains a complete list of war-related plays staged in Britain between 1990 and 2010, with a brief description of their topic and approach.
£75.00
University of Exeter Press Water in the City: The Aqueducts and Underground Passages of Exeter
The city of Exeter was one of the great provincial capitals of late medieval and early modern England, possessing a range of civic amenities fully commensurate with its size and importance. Among the most impressive of these was its highly sophisticated system of public water supply, including a unique network of underground passages. Most of these ancient passages still survive today. Water in the City provides a richly illustrated history of Exeter's famous underground passages—and of Exeter’s system of public water supply during the medieval and early modern periods. Illustrated with full colour throughout, Mark Stoyle shows how and why the passages and aqueducts were originally built, considers the technologies that were used in their construction, explains how they were funded and maintained, and reveals the various ways in which the water fountains were used and abused by the townsfolk.
£60.00
University of Exeter Press John Betjeman and Cornwall
“I was one of the 8,000-strong ‘Betjemaniacs’ gathered at Carruan farm in Cornwall in August 2006 to celebrate the hundredth birthday of Sir John Betjeman, the late Poet Laureate. Situated high above Polzeath, with tremendous views out to the azure Atlantic and the great headland of Pentire, Carruan was, with its exhilarating sense of space, an inspirational choice for this great event. I stood in the pasty-queue with the Archbishop of Canterbury, watched the poetic performance of Bert Biscoe, and browsed among the bookstalls in the hope of finding second-hand copies of rare Betjeman books to add to my collection. Here was that Patrick Taylor-Martin volume that had eluded me for years, and Betjeman’s Britain – compiled by Candida Lycett Green, Betjeman’s daughter – together with more recent editions of old favourites.” Philip Payton, in the preface to John Betjeman and Cornwall Quintessentially English, Betjeman was an 'outsider' in England - and doubly so in Cornwall where, as he was the first to admit, he was a ‘foreigner’. And yet, as this book describes, Betjeman also strove to acquire a veneer of ‘Cornishness', cultivating an alternative Celtic identity, and finding inspiration in Cornwall's Anglo-Catholic tradition. He was also active in Cornish affairs, insisting that Cornwall was not part of England, and championing Cornish environmental concerns that anticipated today's focus on sustainability. The new research in this book includes a wealth of previously ignored source material, forming a lively new account of Betjeman's life and work and his defining relationship with Cornwall. This book is likely to be controversial and to provoke debate.
£75.00
University of Exeter Press Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland
The first book to document grass roots popular theatres which developed from within the working class Republican and Loyalist communities of Belfast and Derry during the latest phase of the four hundred year conflict between Ireland and Britain. Theatres of the Troubles explores the history of one of the most important periods of political theatre activity in post-war Europe. This significant study seeks to convey how the moment to moment unfolding of the conflict determined organisation, ‘texts’, performance contexts and reception, and how the theatres operated within Republican and Loyalist communities. All chapters draw upon previously unpublished primary sources, including texts, interviews and letters, shared workshops and witnessed performance. In examining not only how these theatres related to each other, but also their relationship to European traditions of radical theatre and to the liberation models which were developing in neo- and post-colonial contexts in the South, Theatres of the Troubles represents a key addition to our understanding of the critical relationship between historical conditions and the development of radical theatre forms.
£21.53
University of Exeter Press Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television
John McGrath's plays are compulsory reading and viewing for students of drama, film and television courses in many University and Further Education departments and yet despite recognition of the central importance of McGrath's work, very little has been written about him. This is the first full-length study of his work. This book illuminates the importance of John McGrath's role in the development of theatre, film and television in the last four decades of the twentieth century. Through play and script-writing, through directing, producing and co-ordinating work, and through his critical, political and philosophical reflections, McGrath exerted a powerful influence over developments and innovations in all three art forms. The contributors include film and television directors, actors, designers, writers, university researchers and journalists, many of whom worked with McGrath. Questions of day-to-day working practice are addressed alongside broader political and aesthetic concerns, and the question of McGrath's relationship to and influence on the arts in Scotland receives careful consideration.
£19.25
University of Exeter Press Making Theatre in Northern Ireland: Through and Beyond the Troubles
Making Theatre in Northern Ireland examines the relationships between theatre and the turbulent political and social context of Northern Ireland since 1969. It explores in detail key theatrical performances which deal directly with this context. The works examined are used as exemplars of wider approaches to theatre-making about Northern Ireland. The book is aimed at a student readership: it is largely play-text-based, and it contains useful contextualising material such as a chronological list of Northern Ireland’s plays in the modern period, a full bibliography, and a brief chronology. Students find it hard to obtain any detailed and informed perspective on this key element of the theatre of Ireland and Britain: Northern Ireland’s theatrical traditions are normally discussed only as an adjunct to discussions of Irish theatre more generally, or as so exceptional as to be beyond comparison with others. This book sets out to fill this gap.
£21.53
University of Exeter Press A.L. Rowse And Cornwall: Paradoxical Patriot
Winner of the Adult Non-Fiction section of the Holyer an Gof Awards 2006, and Overall Winner of the Holyer an Gof Trophy, this gripping biographical study, published here for the first time in paperback, explores the immensely complicated relationship that existed between A.L. Rowse and his native Cornwall. Rowse’s books, A Cornish Childhood and Tudor Cornwall, remain in strong demand and are essential reading for the general reader and historian alike, and for all those who know and love Cornwall. By shedding new light on this complex character, Payton invites a greater understanding of the broader issues of Cornish identity as well as assessing Rowse’s highly original contribution to the writing of British and Cornish history.
£75.00
University of Exeter Press From Goethe To Gide: Feminism, Aesthetics and the Literary Canon in France and Germany, 1770-1936
From Goethe to Gide brings together twelve essays on canonical male writers (six French and six German) commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide. The collection therefore foregrounds the major authors taught on British university BA courses in French and German. Working with the tools of feminist criticism, the authors demonstrate how feminist readings of these writings can illuminate far more than attitudes towards women.
£23.78
University of Exeter Press From Mimesis to Interculturalism: Readings of Theatrical Theory Before and After ‘Modernism'
From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day, asking the reader to re-examine the basis of what have become assumptions, but are all too often perceived as truths. The book complements existing studies of the major modern theorists by giving close attention to the European tradition before Stanislavski, and to the theorists who have gained prominence after Grotowski. The use of language and the creation of meaning is the primary concern of all the readings. Part One considers classical and classicizing theorists from Greece and the European enlightenment, and Part Two twentieth-century theorists after Grotowski; a concluding Part Three indicates how the approach might be applied to exemplary theorists from the modern canon, and to certain contemporary theoretical proposals.
£75.00
University of Exeter Press New Arabian Studies Volume 5
New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics.
£65.00
University of Exeter Press New Directions In Celtic Studies
The primary aim of New Directions in Celtic Studies is to focus on contemporary issues and to promote interdisciplinary approaches within the subject. Written by international scholars and practitioners in fields such as folklore, ethnomusicology, art history, religious studies, tourism and education, the book brings together in one volume a wide range of perspectives. It responds to the recent questioning of the viability of the notion of 'Celticity' and the idea of Celtic Studies as a discipline and points to a renewed vitality in the subject. New Directions in Celtic Studies is divided into four sections: popular culture and representation; commodities and Celtic lifestyles; contemporary Celtic identity and the Celtic diaspora; Celtic praxis.
£75.00
University of Exeter Press The Censorship of British Drama 1900-1968 Volume 1: 1900-1932
This is the first volume in a new paperback edition of Steve Nicholson's well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence archives. It charts the period before 1932, when theatre was seen as a crucial medium with the power to shape society, determining what people believed and how they behaved. It uncovers the differing views and the disputes which occurred among and between the Lord Chamberlain and his Readers and Advisers, and discusses the extensive pressures exerted on him by bodies such as the Public Morality Council, the Church, the monarch, government departments, foreign embassies, newspapers, powerful individuals and those claiming to represent national or international opinion. The book explores the portrayal of a broad range of topics in relation to censorship, including the First World War, race and inter-racial relationships, contemporary and historical international conflicts, horror, sexual freedom and morality, class, the monarchy, and religion. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/LXOK1281
£75.00
University of Exeter Press A Further Range: Studies in Modern Spanish Literature from Galdós to Unamuno
The late nineteenth- and early twentieth-century Spanish literature discussed in this volume falls into two main categories: the work of the Galician novelist, short-story writer and critic, Emilia Pardo Bazán, and the wider context of prose fiction and criticism during the period 1870 to 1935. These two areas represent the main spheres of interest of the distinguished scholar and critic Maurice Hemingway, to whose memory this volume is dedicated. Maurice Hemingway was associated with Hispanic scholarship of the highest quality and this book exemplifies the appreciation of Hemingway's work by his colleagues and academic friends in the UK, Spain, France, USA and Canada. Hispanists involved with modern Spanish literature will find the book crucial to their investigations.
£75.00
University of Exeter Press Sick Heroes: French Society and Literature in the Romantic Age 1750-1850
Sick Heroes examines the cultural practices that created those remarkably offensive, though strangely appealing, romantic heroes that appeared in European and especially in French literature in the latter half of the eighteenth century. Romanticism has long been considered a literary movement, but Pasco broadens its scope and suggests that it was a cultural reality born of widespread social factors and sustained by a mass market for novels, poems and plays that popularized attitudes and behaviour.
£26.06
University of Exeter Press The Beginnings Of The Cinema In England,1894-1901: Volume 2: 1897
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Volume 2 details how by 1897 on-screen movement was no longer enough to hold the attention of the public. Film makers were beginning to look for other means to widen the appeal of the moving image, including employing lecturers to accompany the shows and filming newsworthy events. Queen Victoria’s Diamond Jubilee procession through London was one of the first of these events. Almost every major and minor film producer in England covered it. These types of films can be seen as the forerunners of the newsreels of the 1920s and 1930s. Barnes was awarded the Jean Mitry Prize for a life-long contribution to film in 1998. Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year.
£75.00
University of Exeter Press The Beginnings Of The Cinema In England,1894-1901: Volume 3: 1898
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 3 explains how by 1898 the playbills of almost every prominent English music hall featured cinema shows with musical accompaniment. Producers such as R.W. Paul, G.A. Smith and James Williamson began to experiment with ‘made up’ productions that anticipated cinema’s development as a storytelling medium. The volume also details the technical improvements in film processing and the influence of French and American film production on the English cinema industry.
£75.00
University of Exeter Press Gentry Leaders In Peace And War: The Gentry Governors of Devon in the Early Seventeenth Century
The great strength of the government of Devon in the early seventeenth century lay in the quality of its leaders. They ruled together in harmony, free from rivalries for supremacy, free from the influence of any powerful resident nobles and saved from religious conflicts by the pacific Bishop Hall. Confident of their ability to rule the county and prepared to introduce innovative methods, even in the judicial sphere, they achieved a high level of competent administration. They gave the King loyal service but were also prepared to be outspoken over the difficulties his policies caused them. This book emphasizes this strength by describing much of the administration through a series of biographical studies, each biography covering the whole life of the subject and so relating service in peacetime to actions during the civil war. In this way the book describes the government of Devon in the early seventeenth century through the eyes of its administrators and helps us to understand the whole class of gentry leaders.
£75.00
University of Exeter Press The Exeter English-Russian Dictionary of Cultural Terms
The Exeter English-Russian Dictionary of Cultural Terms is a unique work of reference whose aim is to provide English speakers who possess at least some knowledge of Russian with the Russian equivalents of foreign and cultural terms in widespread use.
£21.53
University of Exeter Press The Café Of Mirrors
Katharina Pollaczek, a young woman of Slav origin, returns to the Italian border city of her youth to fight for the custody of her young son. The narrative charts Katharina's wanderings through the beautiful but decaying streets of this once-great city which is clearly recognisable as Trieste. Casual encounters highlight the pain and difficulty of communication, and her chance arrival at the scene of the murder of a young Serbian woman forces Katharina to contemplate the tragedy of ethnic tension and the crisis of conscience which characterizes an entire generation. This is the first translation into English of this Italian novel and the Introduction by Luisa Quartermaine includes background on the book as well as on Morandini, Trieste and the history of the region.
£19.25
University of Exeter Press New Arabian Studies Volume 2
New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics.
£65.00
University of Exeter Press Stendhal's Italy: Themes of Political and Religious Satire
The essential thrust of this book is an examination of the origins and development of the satirical element of Stendal's writing in Italy, which culminates with the creation of what many critics consider to be his finest achievement, the novel La Chartreuse de Parme. Tony Greaves adduces some of Stendhal's lesser-known, non-fictional 'Italian' works as essential ingredients in the understanding of 'where La Chartreuse comes from', telling how the different Italian themes of the novel emerge from their historical context.
£75.00
University of Exeter Press American Cultural Critics
This collection of essays assesses the work of a number of American intellectuals, including Susan Sontag, F.O. Mathieson, Daniel Bell and Hannah Arendt, who have addressed issues of culture and its multifaceted relations to politics, history, sociology and literary criticism. Concentrating on writing since 1940, the essays examine the central themes of American postwar intellectual history, including the continuing reaction to (or against) modernity and technology, the legacies of Marxism and psychoanalysis, and the re-examination of American founding principles and figures in conservative or liberal terms.
£23.78
University of Exeter Press Picturing Cornwall: Landscape, Region and the Moving Image
This book explores the history of Cornwall‘s picturing on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham’s Poldark books. Drawing on art history to illuminate the construction of Cornwall in films and television programmes, the book looks at amateur film, newsreels and contemporary film practice as well as drama. It argues that Cornwall‘s screen identity has been dominated by the romantic coastal edge, leaving the regional interior absent from representation. In turn, the emphasis on the coast in Cornwall‘s screen history has had a significant and ongoing economic impact on the area.New research with an innovative approach, looking at amateur film and newsreels alongside mainstream film and television. Will appeal to both the academic and the more general reader.
£75.00
University of Exeter Press Letters from the Carlist War (1874-1876)
Sir Vincent Hunter Barrington Kennett-Barrington (1844-1903), was a humanitarian worker and businessman. He was associated with the British League of the Order of St John of Jerusalem, which in turn led to his involvement with the Society for Aiding and Ameliorating the Condition of the Sick and Wounded in the Time of War (known as the National Aid Society and later, as the Red Cross). He was involved in providing humanitarian assistance to both sides in the Franco-Prussian War of 1870-71. Following the armistice he became further involved in humanitarian work in eastern France, and went on to provide help during the Carlist War in Spain (1873-5), the Serbo-Turkish War (1876-7), and the Turko-Russian War (1877-8). This is a collection of some of his letters home and to the National Aid Society from the war front in Spain in the 1870s.
£21.53
University of Exeter Press Screening Europe in Australasia: Transnational Silent Film Before and After the Rise of Hollywood
Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions.
£80.00
University of Exeter Press Madness and Literature: What Fiction Can Do for the Understanding of Mental Illness
Mental illness has been a favourite topic for authors throughout the history of literature, while psychologists and psychiatrists such as Sigmund Freud and Karl Jaspers have in turn been interested in and influenced by literature. Pioneers within philosophy, psychiatry and literature share the endeavour to explore and explain the human mind and behaviour, including what a society deems as being outside perceived normality. Using a theoretical approach that is eclectic and transdisciplinary, this volume engages with literature’s multifarious ways of probing minds and bodies in a state of mental ill health. The cases and the theory are in dialogue with a clinical approach, addressing issues and diagnoses such as trauma, psychosis, bipolar disorder, eating disorders, self-harm, hoarding disorder, PTSD and Digital Sexual Assault. The chapters in Part I address literary representations of madness with a historical awareness, outlining the socio-political potentials of madness literature. Part II investigates how representations of mental illness in literature can offer unique insights into the subjective experience of alternative states of mind. Part III reflects on how literary cases can be applied to help inform mental health education, how they can be used therapeutically and how they are giving credence to new diagnoses. Throughout the book, the contributors consider how the language and discourses of literature—both stylistically and theoretically—can teach us something new about what it means to be mentally unwell.
£75.00
University of Exeter Press The Censorship of British Drama 1900-1968 Volume 4: The Sixties
Winner of the Society for Theatre Research Book Prize – 2016 This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
£25.00
University of Exeter Press Imagining Air: Cultural Axiology and the Politics of Invisibility
Imagining Air tackles air as a cultural, medical, and environmental phenomenon. Its major aim is to explore air’s visibility and invisibility within the environment through the investigation of such phenomena as pollution and pandemics. The book provides environmental and medical perspectives on air, in particular how it has historically been envisioned in U.S., Canadian and British cultural and literary narratives. The authors explore how these representations and the constructed meanings of air can help us understand the complex nature of air as it pertains to the COVID-19 pandemic, air pollution and broader environmental degradation. Chapter authors: Siobhan Carroll, Jeff Diamanti, Corey Dzenko, Clare Hickman, Tatiana Konrad, Jayne Lewis, Chantelle Mitchell, Christian Riegel, Arthur Rose, Gordon M. Sayre, Savannah Schaufler.
£75.00
University of Exeter Press Sacrament an Alter/The Sacrament of the Altar: A critical edition with translation
'Sacrament an Alter' (The Sacrament of the Altar) is a Cornish patristic catena selected and translated from Foxe's Book of Martyrs, which is attached to the translation of Bishop Bonner's Homilies in the Tregear Manuscript (BL Add. MS 46397). No complete critical edition of the Tregear Homilies has been published since the manuscript's discovery, yet it is the longest surviving example of Cornish prose. The so-called thirteenth homily, 'Sacrament an Alter' is a work in its own right, of a later period than the other twelve homilies, and represents a distinctive form of Cornish. In addition to establishing authorship, date, sources and historical context of this important text, the present book offers a complete and accurate transcription of the manuscript, along with an edited version thereof, a translation and all the relevant source passages-largely taken from the account of the 1555 Oxford Disputations given in John Foxe's 'Acts and Monuments'. A full commentary then explores hermeneutical, theological and dialectic issues arising from the text. Extensive notes concentrate on interesting features of the Cornish-making a significant contribution to the study of the late evolution of Cornish, since the language can be dated to around 1576, halfway between that of John Tregear and William Jordan, author of the Creation of the World. This first ever critical edition of a pivotal Cornish-language text opens to the Tudor historian-and the general reader-a previously closed window (due to its language) on a crucial example of the reception of Foxe, and gives fascinating insights into a possible alliance between Church Papism and recusancy in Tudor Cornwall.
£80.00
University of Exeter Press La Matrone Chinoise: ou l'épreuve ridicule, comédie (1765)
La Matronne Chinoise is a new critical edition of a two-act comedy by Pierre-René Lemonnier, first performed in paris in 1765. Lemonnier adapted a theme which dates back to the Latin writer Petronius, and is also present in an old Chinese story, which had recently been taken up by Voltaire, that of the apparently inconsolable widow who rapidly finds consolation in the arms of another. The edition is accompanied by a full introduction setting out the play’s historical and thematic context, along with an analysis of its versification, and by an appendix reproducing earlier versions of the tale from Petronius to Voltaire.
£31.23
University of Exeter Press Satyres Nouvelles
Poet, novelist, sometime member of Mademoiselle de Montpensier’s circle and correspondent of the Mercure Galant, Cantenac (Bordeauz 1630?-1714) was notorious in his own time but has only recently become the subject of serious study. Satyres nouvelles was first published in 1706 in Amsterdam. It contains seventeen poetic “satyres” together with various other poems and is the last of six collections by Cantenac published in his lifetime. This is a volume in the Textes littéraires/Exeter French Texts. The text, introduction and essential notes are all in French.
£30.61
University of Exeter Press Le Comte D'Essex
If Elizabeth I of England thought to rid herself forever of Robert Devereaux, Earl of Essex, by sending him to the scaffold she was very much mistaken, since his name, intertwined with hers, has traversed four centuries. Amongst those who realized the dramatic possibilities of the death of the Queen’s favourite was Thomas Corneille, a Frenchman. His interpretation of the motives and actions of the principal protagonists reflected the taste of his contemporaries in 1678 and helped prolong the popularity of the story into the eighteenth century. This is a volume in the series Textes littéraires/Exeter French Texts. The text, introduction and essential notes are all in French.
£31.23
University of Exeter Press British Theatre And The Red Peril: The Portrayal of Communism 1917-1945
British Theatre and the Red Peril examines how communism was portrayed in plays in the British theatre between 1917 and 1945, and how at a time when the capitalist system seemed on the verge of collapse, the theatre played a significant part in communicating and manipulating political propaganda in order to influence audiences. It reveals explicit right-wing propaganda produced within mainstream British theatre and questions the assumption that political theatre is almost always left-wing. The book draws on published and unpublished scripts and archive documents to demonstrate how the theatre became a key site for propaganda and ideological warfare. It discusses the methods by which the Lord Chamberlain, the government and even royalty exerted control over the political views voiced on stage in an age when contemporary commentators described the theatre as second only to the press in terms of its significance as a medium of communication.
£32.35
University of Exeter Press Short French Fiction: Essays on the Short Story in France in the Twentieth Century
Short fiction in France has made a major contribution to French culture and literature. This volume provides new insights into some of the best examples of this form of writing in the twentieth century and also includes a chapter which explores ways in which the genre is evolving as the century draws to a close. Each chapter has been written by specialists in their particular field; their interpretations are backed by the experience of teaching and writing about these authors. They invite the reader to go beyond the immediate context or circumstances of what is related in the story under scrutiny and illustrate some of the many ways in which short stories may be narrated. In some cases stories are revisited and subjected to new interpretations; in others those perhaps less well known are revealed as being no less rewarding. The book offers stimulating reading for those already familiar with some of the works under discussion as well as for those coming to them afresh.
£103.66
University of Exeter Press Christian-Jewish Dialogue: A Reader
Brings together primary texts from influential Jewish and Christian writers, providing an accessible overview of the major issues and movements in the Christian-Jewish dialogue. The book includes key topics such as anti-Semitism, Jesus, Israel, women and the Holocaust.
£105.01
University of Exeter Press La Troade
This is the first edition since 1641 of a play whose importance lies partly in its links with Racine’s Andromaque but more particularly in its dramaturgical, psychological and thematic originality in adapting its traditional classical material for the seventeenth-century stage.
£30.71
University of Exeter Press Faction And Faith: Politics and Religion of the Cornish Gentry before the Civil War
The history of Cornwall in the first half of the seventeenth century is both dramatic and turbulent. In Faction and Faith, Anne Duffin draws upon extensive new source material, combining national documents and local family collections with a detailed analysis of churchwardens' accounts, borough records and over 350 wills. She challenges the established view that Cornwall was naturally royalist and presents a picture of a politically-aware and religiously-splintered society. Makes use of extensive new source material from national and local records First major publication since 1933 on Cornwall in this period Challenges the established view of Cornish society in the early seventeenth century Market: Scholars of early seventeenth century history. Academic and local libraries. Postgraduate and undergraduate students of history. All those with an interest in Cornish and Civil War history.
£104.48
University of Exeter Press L’ Art de Régner
L’Art de Régner is a tragi-comedy by Gillet de La Tessonerie, first published in 1645. It is unusual in that structurally each of its five acts is a separate playlet. The sub-title, Le Sage Gouverneur, refers to the role of a royal tutor, probably meant to be the duc de Bassompierre, to whom the play is dedicated. Each playlet is prefaced by a lesson from the tutor, and the complete play is concluded by the young prince’s words of gratitude for his dramatic education.
£31.23