Search results for ""The University of Chicago Press""

On college campuses and in high school halls, being white means being boring. Since whiteness is the mainstream, white kids lack a cultural identity that's exotic or worth flaunting. To remedy this, countless white youths across the country are now joining more outre subcultures like the Black- and Puerto Rican- dominated hip-hop scene, the glamorously morose goth community, or an evangelical Christian organization whose members reject campus partying. Amy C. Wilkins' intimate ethnography of these three subcultures reveals a complex tug-of-war between the demands of race, class, and gender in which transgressing in one realm often means conforming to expectations in another. Subcultures help young people, especially women, navigate these connecting territories by offering them different sexual strategies: wannabes cross racial lines, goths break taboos by becoming involved with multiple partners, and Christians forego romance to develop their bond with God. Avoiding sanctimonious hysteria over youth gone astray, Wilkins meets these kids on their own terms, and the result is a perceptive and provocative portrait of the structure of young lives.

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In the wake of ever-changing family values, how have the stances of evangelical and mainline Protestant churches toward marriage and parenting influenced the husbands and fathers that fill their pews? To answer that question this work examines the ideologies produced by Protestant churches since the 1950s. According to W. Bradford Wilcox there are fundamental differences between the family ideologies offered by evangelical and mainline churches. But these do not translate into large differences in family behavior between evangelical and mainline Protestant men who are married with children. Mainline Protestant men, he contends, are "new men" who take a more egalitarian approach to the division of household labor than their conservative peers and a more involved approach to parenting than men with no religious affiliation. Evangelical Protestant men, meanwhile, are "soft patriarchs" - not as authoritarian as some would expect and given to being more emotional and dedicated to their wives and children than both their mainline and secular counterparts. Thus, Wilcox contends that religion domesticates men in ways that make them more responsive to the aspirations and needs of their immediate families.

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White extends his theory of law as constitutive rhetoric, asking how one may criticize the legal culture and the texts within it. "A fascinating study of the language of the law...This book is to be highly recommended: certainly, for those who find the time to read it, it will broaden the mind, and give lawyers a new insight into their role."--New Law Journal

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How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood's roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, "The Philadelphia Barrio" examines one neighborhood's fight to erase the stigma of devastation. Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood. Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, "The Philadelphia Barrio" presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.

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According to the people of the Mueda plateau in northern Mozambique, sorcerers remake the world by asserting the authority of their own imaginative visions of it. While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery - for many of them, West's efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In "Ethnographic Sorcery", West explores the fascinating issues provoked by this equation. A key theme of West's research into sorcery is that one sorcerer's claims can be challenged or reversed by other sorcerers. After West's attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realizes that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

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During the past fifteen years, one of the most vexing issues facing fledgling transitional democracies around the world--from South Africa to Eastern Europe, from Cambodia to Bosnia--has been what to do about the still-toxic security apparatuses left over from the previous regime. In this now-classic and profoundly influential study, the New Yorker's Lawrence Weschler probes these dilemmas across two gripping narratives (set in Brazil and Uruguay, among the first places to face such concerns), true-life thrillers in which torture victims, faced with the paralysis of the new regime, themselves band together to settle accounts with their former tormentors. "Disturbing and often enthralling."--New York Times Book Review "Extraordinarily moving...Weschler writes brilliantly."--Newsday "Implausible, intricate and dazzling."--Times Literary Supplement "As Weschler's interviewees told their tales, I paced agitatedly, choked back tears...Weschler narrates these two episodes with skill and tact...An inspiring book."--George Scialabba, Los Angeles Weekly

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This text introduces an approach for mastering the concepts of vectors and vector analysis which not only brings together many loose ends of the traditional treatment, but also leads directly into the practical use of vectors in general curvilinear co-ordinates. It separates those relationships which are topologically invariant from those which are not. Based on the essentially geometric nature of the subject, this approach builds consistently on students' prior knowledge and geometrical intuition. Written in an informal and personal style, this text provides a guide for any student of vector analysis. Clear line drawings illustrate key points in the text, and problem sets as well as physical examples are provided.

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Song for Thom GunnThere is no east or westin the wood you fear and seek,stumbling past a gate of mossand what you would not take.And what you thought you had(the Here that is no rest)you make from it an aidto form no east, no west.No east. No west. No needfor given map or bell,vehicle, screen, or speed.Forget the house, forget the hill.Taking its title from a set of writings found in the Dead Sea Scrolls, From the Book of Giants retunes the signal broadcast from these ancient fragments, transmitting a new sound in the shape of a Roman drain cover, in imitations of Dante and Martial, in the voice of a cricket and the hard-boiled American photographer Weegee, in elegies both public and personal, and in poems that range from the social speech of letters to the gnomic language of riddles. Out of poetry’s “complex of complaint and praise,” Joshua Weiner discovers, in one poem, his own complicity in Empire during his son’s baseball game at the White House. In another, an embroidered parrot sings a hermetic nursery rhyme to an infant after 9/11.

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This work attempts to see the satis - the Hindu custom of women sacrificing themselves on the funeral pyres of their husbands - through Hindu eyes, providing an experiential and psychoanalytic account of ritual self-sacrifice and self-mutilation in South Asia. Based on 15 years of fieldwork in northern India, where the state-banned practice of satis re-emerged in the 1970s, as well as textual analysis, Catherine Weinberger-Thomas constructs a radically new interpretation of satis. She shows that their self-immolation transcends gender, caste and class, region and history, representing for the Hindus a path to immortality.

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When you start a new job, you learn how things are done in the company, and you learn how they are complained about too. Unpopular Culture considers why people complain about their work culture and what impact those complaints have on their organizations. John Weeks based his study on long-term observations of the British Armstrong Bank in the United Kingdom. Not one person at this organization, he found, from the CEO down to the junior clerks, had anything good to say about its corporate culture. And yet, despite all the griping—and despite high-profile efforts at culture change—the way things were done never seemed fundamentally to alter. The organization was restructured, jobs redefined, and processes redesigned, but the complaining remained the same.As Weeks demonstrates, this is because the everyday standards of behavior that regulate complaints curtail their effectiveness. Embarrass someone by complaining in a way that is too public or too pointed, and you will find your social standing diminished. Complain too loudly or too long, and your coworkers might see you as contrary. On the other hand, complain too little and you may be seen as too stiff or just too strange to be trusted. The rituals of complaint, Weeks shows, have powerful social functions.

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In this text, S. Craig Watkins examines two of the important developments in the recent history of black cinema - the ascendancy of Spike Lee and the proliferation of "ghettocentric films". The work explores a distinct contradiction in American society - at the same time that black youth have become the targets of a fierce racial backlash, their popular expressive cultures have become highly visible and commercially viable.

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Explorer, scientist, writer, and humanist, Alexander von Humboldt was the most famous intellectual of the age that began with Napoleon and ended with Darwin. With "Cosmos", the book that crowned his career, Humboldt offered to the world his vision of humans and nature as integrated halves of a single whole. In it, Humboldt espoused the idea that, while the universe of nature exists apart from human purpose, its beauty and order, the very idea of the whole it composes, are human achievements: cosmos comes into being in the dance of world and mind, subject and object, science and poetry. Laura Dassow Walls here traces Humboldt's ideas for "Cosmos" to his 1799 journey to the Americas, where he first experienced the diversity of nature and of the world's people - and envisioned a new cosmopolitanism that would link ideas, disciplines, and nations into a global web of knowledge and cultures. In reclaiming Humboldt's transcultural and transdisciplinary project, Walls situates America in a lively and contested field of ideas, actions, and interests, and reaches beyond to a new worldview that integrates the natural and social sciences, the arts, and the humanities.

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The purpose of this book, now in its third edition, is to introduce the morphology of vertebrates in a context that emphasizes a comparison of structire and of the function of structural units. The comparative method involves the analysis of the history of structure in both developmental and evolutionary frameworks. The nature of adaptation is the key to this analysis. Adaptation of a species to its environment, as revealed by its structure, function, and reproductive success, is the product of mutation and natural selection–the process of evolution. The evolution of structure and function, then, is the theme of this book which presents, system by system, the evolution of structure and function of vertebrates. Each chapter presents the major evolutionary trends of an organ system, with instructions for laboratory exploration of these trends included so the student can integrate concept with example.

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Often depicted as deviant or pathological by public health researchers, psychoanalysts, and sexologists, male-with-male sex and sex work is, in fact, an increasingly mainstream pursuit. Based on a qualitative investigation of the practices involved in male-for-male - or m4m - Internet escorting, "Touching Encounters" is the first book to explicitly address how masculinity and sexuality shape male commercial sex in this era of Internet communications. By looking closely at the sex and work of male escorts, Kevin Walby tries to reconcile the two extremes of m4m sex - the stereotypical idea of a quick cash transaction and the tendency toward friendship and mutuality. In doing so, Walby draws on the work of Foucault to make visible the play of power in these physical and commercial relations between men. At once a contribution to the sociology of work and a much-needed critical engagement with queer theory, "Touching Encounters" responds to calls from across the social sciences to connect Foucault with sociologies of sex, sexuality, and intimacy. Walby does this and more, tying this sexual practice back to society at large.

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Canon formation: ". . . the traditional dream of ambitious critics. A canon is commonly seen as what other people, once powerful, have made and what should now be opened up, demystified, or eliminated altogether." So writes editor Robert von Hallberg in his introduction. This collection of essays articulates how canons are constructed and examines the ways in which academic canons influence literary thought and instruction. Presenting a wide range of canonical interpretation, the volume includes essays on such themes as Native American literature and the canon, the ideology of canon formation, the history of American poetry anthologies, undoing the canonical economy, the making of the modernist canon, and canon and power in the Hebrew scriptures.

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"The Bird is Her ReasonThere are some bodies that emergeinto desire as a godrises from the sea, emotion andmemory hang like dripping clothes - thiswant is likeentering that heated redon the mouth of a Delacroix lion,stalwart, always that redwhich makesmy teeth ache and my skin feela hand that has never touched me,the tree groaning outside becomesa man who knocks on my bedroom window,edge of red on gold fur,the horse, the wildflip of its head, the rake of clawsacross its back, the unfocussed,swallowed eye.""Rare High Meadow of Which I Might Dream" is a book haunted by the afterlife of medieval theology and literature yet grounded in distinctly modern quandaries of desire. Connie Voisine's female speakers reverberate with notes of Marie de France's tragic heroines, but whereas Marie's poems are places where women's longings quickly bloom and die in captivity - in towers and dungeons - Voisine uses narrative to suspend the movement of storytelling. For Voisine, poems are occasions for philosophical wanderings, extended lyrics that revolve around the binding and unbinding of desire, with lonely speakers struggling with the impetus of wanting as well as the necessity of a love affair's end. With fluency, intelligence, and deeply felt emotional acuity, "Rare High Meadow of Which I Might Dream" navigates the heady intersection of obsessive love and searing loss.

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"Intimate Friends" explores the fascinating history of the erotic friendships of educated English and American women over the 150-year period leading up to the 1928 publication of Radclyffe Hall's landmark novel, "The Well of Loneliness". Distinguished scholar Martha Vicinus explores all-female communities, liaisons between younger and older women, the female rake, and even mother-daughter affection. Women, she reveals, drew upon a rich religious vocabulary to describe elusive and complex erotic feelings. Drawing upon diaries, letters, and other archival sources, Vicinus brings to life a variety of well-known and historically less recognized women, ranging from the predatory Ann Lister (who documented her sexual activities in code), to Mary Benson (the wife of the Archbishop of Canterbury), to the coterie of wealthy Anglo-American lesbians living in Paris. In vivid and colorful prose, "Intimate Friends" offers a remarkable picture of women navigating the uncharted territory of same-sex desire.

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For generations, fans and critics have characterized classic American radio drama as a "theater of the mind". This book examines that characterization by recasting the radio play as an aesthetic object within its unique historical context. In "Theater of the Mind", Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theatre on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.

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Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günther, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The appendixes include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue in G minor. The score, which has been beautifully bound and autographed, is printed on high-grade paper in an oversized format. The introduction to the score discusses the work's genesis, instrumentation, and problems of notation. The critical commentary, printed in a smaller format, discusses the editorial decisions and traces the complex compositional history of the Requiem.

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In Freedom and the End of Reason, Richard L. Velkley offers an influential interpretation of the central issue of Kant's philosophy and an evaluation of its position within modern philosophy's larger history. He persuasively argues that the whole of Kantianism-not merely the Second Critique-focuses on a "critique of practical reason" and is a response to a problem that Kant saw as intrinsic to reason itself: the teleological problem of its goodness. Reconstructing the influence of Rousseau on Kant's thought, Velkley demonstrates that the relationship between speculative philosophy and practical philosophy in Kant is far more intimate than generally has been perceived. By stressing a Rousseau-inspired notion of reason as a provider of practical ends, he is able to offer an unusually complete account of Kant's idea of moral culture.

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In this groundbreaking work, Richard L. Velkley examines the complex philosophical relationship between Martin Heidegger and Leo Strauss. Velkley argues that both thinkers provide searching analyses of the philosophical tradition's origins in radical questioning. For Heidegger and Strauss, the recovery of the original premises of philosophy cannot be separated from rethinking the very possibility of genuine philosophizing. Common views of the influence of Heidegger's thought on Strauss suggest that, after being inspired early on by Heidegger's dismantling of the philosophical tradition, Strauss took a wholly separate path, spurning modernity and pursuing instead a renewal of Socratic political philosophy. Velkley rejects this reading and maintains that Strauss' engagement with the challenges posed by Heidegger - as well as by modern philosophy in general - formed a crucial and enduring framework for his lifelong philosophical project. More than an intellectual biography or a mere charting of influence, "Heidegger, Strauss, and the Premises of Philosophy" is a profound consideration of these two philosophers' reflections on the roots, meaning, and fate of Western rationalism.

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Marion Mahony Griffin (1871-1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright's Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony's life and paints a vivid portrait of a woman's place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony's origins in the Chicago suburbs, through her years as Wright's right-hand woman and her bohemian life with her husband in Australia - whose new capital city, Canberra, she helped to plan - up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony's works and populated by an international cast of characters, "Marion Mahony Reconsidered" greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

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Advocate and exemplar of women's education, Anna Maria van Schurman (1607-1678) was one of Reformation Europe's most renowned writers defending women's intelligence. A supporter of the female sex, she argues that the same rigorous education that shaped her should be made available to all Christian daughters of the aristocracy. This text contains Schurman's defence of women's education, her letters to other learned women, her own account of her early life as well as responses to her work from male contemporaries. It also includes rare writings by Schurman's mentor, Voetius.

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This work presents an analysis of the classic problem of constraints on pronominal anaphora within the framework of cognitive grammar. The author proceeds from the position that grammatical structure can be characterized in terms of semantic and phonological representations, without autonomous syntactic structures or principles, such as tree structures or c-command. She argues that constraints on anaphora can be explained in terms of semantic interactions between nominals and the contexts in which they are embedded. Integrating the results of previous work, van Hoek develops a model in which some nominals function as "conceptual reference points" which dominate over stretches defined by the semantic relations among elements. When a full noun is in the domain of a reference point, co-reference is ruled out, since the speaker would be sending contradictory messages about the salience of the noun's referent. This book is designed to interest theoretical linguists of all persuasions.

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A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.

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In this first comprehensive synthesis of the literature on food hoarding in animals, Stephen B. Vander Wall discusses how animals store food, how they use food and how this use affects individual fitness, why and how food hoarding evolved, how cached food is lost, mechanisms for protecting and recovering cached food, physiological and behavioral factors that influence hoarding, and the impact that hoarding animals have on plant populations and plant dispersal. He then provides detailed coverage of hoarding behavior across taxa—mammals, birds, and arthropods—to address issues in evolution, ecology, and behavior. Drawings, photographs, and appendixes document complex and intrinsically interesting food-hoarding behaviors, and the bibliography of nearly 1,500 sources is itself an invaluable and unique reference.

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When the U.S. military invaded Iraq, it lacked a common understanding of the problems inherent in counterinsurgency campaigns. It had neither studied them, nor developed doctrine and tactics to deal with them. It is fair to say that in 2003, most Army officers knew more about the U.S. Civil War than about counterinsurgency. This volume was written to fill that void. The result of unprecedented collaboration among top U.S. military experts, scholars, and practitioners in the field, the manual espouses an approach to combat that emphasizes constant adaptation and learning, the importance of decentralized decision making, the need to understand local politics and customs, and the key role of intelligence in winning the support of the population. The manual also emphasizes the paradoxical and often counterintuitive nature of counterinsurgency operations: sometimes the more you protect your forces, the less secure you are; sometimes the more force you use, the less effective it is; sometimes doing nothing is the best reaction. A new introduction by Sarah Sewall, director of the Carr Center for Human Rights Policy at Harvard's Kennedy School of Government, places the manual in critical and historical perspective, explaining the significance and potential impact of this revolutionary challenge to conventional U.S. military doctrine. An attempt by our military to redefine itself in the aftermath of 9/11 and the new world of international terrorism, "The U.S. Army/Marine Corps Counterinsurgency Field Manual" will play a vital role in American military campaigns for years to come.

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A fantastical collection of poems by revolutionary Afro-Cuban poet Nicolás Guillén presented in a Spanish-English bilingual edition. Born in Cuba to parents of African and European ancestry, Nicolás Guillén worked in printing presses and studied law before moving into Havana's literary scene. A virtuosic maker and breaker of forms, Guillén rose to fame by transforming a popular form of Cuban music into poetry that called attention to the experience of Afro-Cuban people, and he continued to interweave his artistic and political commitments as he traveled the world. Originally published in Spanish in 1967, The Great Zoo is a humorous and biting collection of poems that presents a fantastical bestiary of ideas, social concerns, landscapes, phenomena, and more. The animals on view in this menagerie include the Mississippi and Amazon Rivers, clouds from different countries, a singing guitar, a temperamental atomic bomb, blue-pelted police, a hurricane, the KKK, and the North Star, a

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The first book to consider the shellac disc as a global format. With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format. Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved med

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Updated to reflect the most recent species classifications, a second edition of the beautifully illustrated and beloved guide to 600 members of the suborder Serpentes. For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick, and so these creatures have held a special place in our cultures. Yet, for as many meanings as we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders. Now in a new edition, reflecting the most recent species classifications, The Book of Snakes presents 600 species of snakes from around the world, covering roughly one in seven of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years and that now inhabit every continent except Antarctica, as well as two of the great oceans. This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.

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An insightful look at how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music's ineffability. The Musician as Philosopherexplores the philosophical thought of avant-garde musicians in postwar New York: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell. It contends that these musiciansall of whom are understudied and none of whom are traditionally taken to be composersnot only challenged the rules by which music is written and practiced but also confounded and reconfigured gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social tendency of the 1960s: a simultaneous affirmation and crisis of the modern self.

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A deep examination of why respect is in short supply in politics today and why it matters. Respect is in trouble in the United States. Many Americans believe respecting others is a necessary virtue, yet many struggle to respect opposing partisans. Surprisingly, it is liberal citizens, who hold respect as central to their view of democratic equality, who often have difficulty granting respect to others. Drawing on evidence from national surveys, focus groups, survey experiments, and the views of political theorists, Jeff Spinner-Halev and Elizabeth Theiss-Morse explain why this is and why respect is vital toand yet so lacking incontemporary US politics. Respect and Loathing in American Democracy argues that liberals and conservatives are less divided than many believe, but alienate one another because they moralize different issues. Liberals moralize social justice, conservatives champion national solidarity, and this worldview divide keeps them at odds. Respect is both far-reaching

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How a writer who investigated scientific anomalies inspired a factious movement and made a lasting impact on American culture. Flying saucers. Bigfoot. Frogs raining from the sky. Such phenomena fascinated Charles Fort, the maverick writer who scanned newspapers, journals, and magazines for reports of bizarre occurrences: dogs that talked, vampires, strange visions in the sky, and paranormal activity. His books of anomalies advanced a philosophy that saw science as a small part of a larger system in which truth and falsehood continually transformed into one another. His work found a ragged following of skeptics who questioned not only science but the press, medicine, and politics. Though their worldviews varied, they shared compelling questions about genius, reality, and authority. At the center of this community was adman, writer, and enfant terrible Tiffany Thayer, who founded the Fortean Society and ran it for almost three decades, collecting and reporting on every manner of odd

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A defense and celebration of the discipline of literary studies and its most distinctive practice—close reading. Does literary criticism offer truths about the world? In Criticism and Truth, Jonathan Kramnick offers a new and surprising account of criticism’s power by zeroing in on its singular method: close reading. Long recognized as the distinctive technique of literary studies, close reading is the critic’s way of pursuing arguments and advancing knowledge, as well as the primary skill taught in the English major. But it is also more than that—a creative, immersive, and transformative writing practice that fosters a unique kind of engagement with the world. Drawing on the rich and varied landscape of contemporary criticism, Kramnick changes how we think about the basic tools of literary analysis, including the art of in-text quotation, summary, and other reading methods, helping us to see them as an invaluable form of humanistic expertise. Criticism and Truth is a call to arms, making a powerful case for the necessity of both literature and criticism within a multidisciplinary university. As the humanities fight for survival in contemporary higher education, the study of literature doesn’t need more plans for reform. Rather, it needs a defense of the work already being done and an account of why it should flourish. This is what Criticism and Truth offers, in vivid and portable form.

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The story of how the First Amendment became an obstacle to campaign finance regulation—a history that began much earlier than most imagine. Americans across party lines believe that public policy is rigged in favor of those who wield big money in elections. Yet, legislators are restricted in addressing these concerns by a series of Supreme Court decisions finding that campaign finance regulations violate the First Amendment. Big Money Unleashed argues that our current impasse is the result of a long-term process involving many players. Naturally, the justices played critical roles—but so did the attorneys who hatched the theories necessary to support the legal doctrine, the legal advocacy groups that advanced those arguments, the wealthy patrons who financed these efforts, and the networks through which they coordinated strategy and held the Court accountable. Drawing from interviews, public records, and archival materials, Big Money Unleashed chronicles how these players borrowed a litigation strategy pioneered by the NAACP to dismantle racial segregation and used it to advance a very different type of cause.

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Examines forms of intimate citizenship that have emerged in relation to growing anti-homosexual violence in Kenya. Campaigns calling on police and citizens to purge their countries of homosexuality have taken hold across the world. But the “homosexual threat” they claim to be addressing is not always easy to identify. To make that threat visible, leaders, media, and civil society groups have deployed certain objects as signifiers of queerness. In Kenya, for example, bead necklaces, plastics, and even diapers have come to represent the danger posed by homosexual behavior to an essentially “virile” construction of national masculinity. In Queer Objects tothe Rescue, George Paul Meiu explores objects that have played an important and surprising role in both state-led and popular attempts to rid Kenya of various imagined threats to intimate life. Meiu shows that their use in the political imaginary has been crucial to representing the homosexual body as a societal threat and as a target of outrage, violence, and exclusion, while also crystallizing anxieties over wider political and economic instability. To effectively understand and critique homophobia, Meiu suggests, we must take these objects seriously and recognize them as potential sources for new forms of citizenship, intimacy, resistance, and belonging.

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The first book-length ethnographic study on music and Ifá divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifá missionary-practitioners are transforming the landscape of Ifá divination and deity (òrìṣà/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifá and Santería emerged as an interrelated, Yorùbá-inspired ritual complex, worshippers are driven to “African traditionalism” by its promise of efficacy: they find Yorùbá approaches more powerful, potent, and efficacious. In the first book-length study on music and Ifá, Ruthie Meadows draws on extensive, multisited fieldwork in Cuba and Yorùbáland, Nigeria, to examine the controversial “Nigerian-style” ritual movement in Cuban Ifá divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifá priestesses (ìyánífá), female batá drummers (bataleras), and priests (babaláwo) harness Yorùbá-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of revolutionary state policy, Nigerian-style Ifá-Òrìṣà is leveraged to transform femininity and masculinity, state religious policy, and transatlantic ritual authority on the island.

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The first comprehensive defense of an inferential conception of scientific representation with applications to art and epistemology. Mauricio Suárez develops a conception of representation that delivers a compelling account of modeling practice. He begins by discussing the history and methodology of model building, charting the emergence of what he calls the modeling attitude, a nineteenth-century and fin de siècle development. Prominent cases of models, both historical and contemporary, are used as benchmarks for the accounts of representation considered throughout the book. After arguing against reductive naturalist theories of scientific representation, Suárez sets out his own account: a case for pluralism regarding the means of representation and minimalism regarding its constituents. He shows that scientists employ a variety of modeling relations in their representational practice—which helps them to assess the accuracy of their representations—while demonstrating that there is nothing metaphysically deep about the constituent relation that encompasses all these diverse means. The book also probes the broad implications of Suárez’s inferential conception outside scientific modeling itself, covering analogies with debates about artistic representation and philosophical thought over the past several decades.

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A theological history of consequentialism and a fresh agenda for teleological ethics. Consequentialism—the notion that we can judge an action by its effects alone—has been among the most influential approaches to ethics and public policy in the Anglophone world for more than two centuries. In The Best Effect, Ryan Darr argues that consequentialist ethics is not as secular or as rational as it is often assumed to be. Instead, Darr describes the emergence of consequentialism in the seventeenth century as a theological and cosmological vision and traces its intellectual development and eventual secularization across several centuries. The Best Effect reveals how contemporary consequentialism continues to bear traces of its history and proposes in its place a more expansive vision for teleological ethics.

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An essential look at how and why backlash movements are inherent to US policymaking. The most successful policies not only solve problems. They also build supportive coalitions. Yet, sometimes, policies trigger backlash and mobilize opposition. Although backlash is not a new phenomenon, today’s political landscape is distinguished by the frequency and pervasiveness of backlash in nearly every area of US policymaking, from abortion rights to the Affordable Care Act. Eric M. Patashnik develops a policy-centered theory of backlash that illuminates how policies stimulate backlashes by imposing losses, overreaching, or challenging existing arrangements to which people are strongly attached. Drawing on case studies of issues from immigration and trade to healthcare and gun control, Countermobilization shows that backlash politics is fueled by polarization, cultural shifts, and negative feedback from the activist government itself. It also offers crucial insights to help identify and navigate backlash risks.

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A fascinating historical account of a largely forgotten statesman, who pioneered a form of patriotism that left an indelible mark on the early United States. Joel Roberts Poinsett’s (1779–1851) brand of self-interested patriotism illuminates the paradoxes of the antebellum United States. He was a South Carolina investor and enslaver, a confidant of Andrew Jackson, and a secret agent in South America who fought surreptitiously in Chile’s War for Independence. He was an ambitious Congressman and Secretary of War who oversaw the ignominy of the Trail of Tears and orchestrated America’s longest and costliest war against Native Americans, yet also helped found the Smithsonian. In addition, he was a naturalist, after whom the poinsettia—which he appropriated while he was serving as the first US ambassador to Mexico—is now named. As Lindsay Schakenbach Regele shows in Flowers, Guns, and Money, Poinsett personified a type of patriotism that emerged following the American Revolution, one in which statesmen served the nation by serving themselves, securing economic prosperity and military security while often prioritizing their own ambitions and financial interests. Whether waging war, opposing states’ rights yet supporting slavery, or pushing for agricultural and infrastructural improvements in his native South Carolina, Poinsett consistently acted in his own self-interest. By examining the man and his actions, Schakenbach Regele reveals an America defined by opportunity and violence, freedom and slavery, and nationalism and self-interest.

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A dynamic and sweeping history that exposes how humankind’s affinity for pesticides made the modern world possible—while also threatening its essential fabric. For thousands of years, we’ve found ways to scorch, scour, and sterilize our surroundings to make them safer. Sometimes these methods are wonderfully effective. Often, however, they come with catastrophic consequences—consequences that aren’t typically understood for generations. The Chemical Age tells the captivating story of the scientists who waged war on famine and disease with chemistry. With depth and verve, Frank A. von Hippel explores humanity’s uneasy coexistence with pests, and how their existence, and the battles to exterminate them, have shaped our modern world. Beginning with the potato blight tragedy of the 1840s, which led scientists on an urgent mission to prevent famine using pesticides, von Hippel traces the history of pesticide use to the 1960s, when Rachel Carson’s Silent Spring revealed that those same chemicals were insidiously damaging our health and driving species toward extinction. Telling the story of these pesticides in vivid detail, von Hippel showcases the thrills and complex consequences of scientific discovery. He describes the invention of substances that could protect crops, the emergence of our understanding of the way diseases spread, the creation of chemicals used to kill pests and people, and, finally, how scientists turned those wartime chemicals on the landscape at a massive scale, prompting the vital environmental movement that continues today. The Chemical Age is a dynamic, sweeping history that exposes how humankind’s affinity for pesticides made the modern world possible—while also threatening its essential fabric.

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The virus that changed how we think about cancer and its culprits—and the vaccine that changed how we talk about sex and its risks. Starting in 2005, people in the US and Europe were inundated with media coverage announcing the link between cervical cancer and the sexually transmitted virus HPV. Within a year, product ads promoted a vaccine targeting cancer’s viral cause, and girls and women became early consumers of this new cancer vaccine. An understanding of HPV’s broadening association with other cancers led to the identification of new at-risk populations—namely boys and men—and ignited a plethora of gender and sexual issues related to cancer prevention. Sexualizing Cancer is the first book dedicated to the emergence and proliferation of the HPV vaccine along with the medical capacity to screen for HPV—crucial landmarks in the cancer prevention arsenal based on a novel connection between sex and chronic disease. Interweaving accounts from the realms of biomedical science, public health, and social justice, Laura Mamo chronicles cervical cancer’s journey out of exam rooms and into public discourse. She shows how the late twentieth-century scientific breakthrough that identified the human papilloma virus as having a causative role in the onset of human cancer galvanized sexual politics, struggles for inclusion, new at-risk populations, and, ultimately, a new regime of cancer prevention. Mamo reveals how gender and other equity arguments from within scientific, medical, and advocate communities shaped vaccine guidelines, clinical trial funding, research practices, and clinical programs, with consequences that reverberate today. This is a must-read history of medical expansion—from a “woman’s disease” to a set of cancers that affect all genders—and of lingering sexualization, with specific gendered, racialized, and other contours along the way.

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The first book to map William James’s preoccupation with medical ideas, concerns, and values across the breadth of his work. William James is known as a nineteenth-century philosopher, psychologist, and psychical researcher. Less well-known is how his interest in medicine influenced his life and work, driving his ambition to change the way American society conceived of itself in body, mind, and soul. William James, MD offers an account of the development and cultural significance of James’s ideas and works, and establishes, for the first time, the relevance of medical themes to his major lines of thought. James lived at a time when old assumptions about faith and the moral and religious possibilities for human worth and redemption were increasingly displaced by a concern with the medically “normal” and the perfectibility of the body. Woven into treatises that warned against humanity’s decline, these ideas were part of the eugenics movement and reflected a growing social stigma attached to illness and invalidism, a disturbing intellectual current in which James felt personally implicated. Most chronicles of James’s life have portrayed a distressed young man, who then endured a psychological or spiritual crisis to emerge as a mature thinker who threw off his pallor of mental sickness for good. In contrast, Emma K. Sutton draws on his personal correspondence, unpublished notebooks, and diaries to show that James considered himself a genuine invalid to the end of his days. Sutton makes the compelling case that his philosophizing was not an abstract occupation but an impassioned response to his own life experiences and challenges. To ignore the medical James is to misread James altogether.

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A revelatory assessment of workplace inequality in high-status jobs that focuses on a new explanation for a pernicious problem: racial discomfort. America’s elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don’t advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a “Black ceiling.” Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn’t explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America’s segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort. Offering a new perspective on a pressing social issue, The Black Ceiling is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.

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Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf’s interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.

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An original and profound exploration of contemplation from philosopher, theologian, and poet Kevin Hart. In Lands of Likeness, Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.

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The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy. Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future. Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.

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