Search results for ""Thames Hudson""

‘Shoot for the moon. Even if you miss, you will land among the stars’ Norman Vincent Peale Tim Walker’s monograph Story Teller, published by Thames & Hudson, introduced audiences to this unique photographer’s fantastical, magical worlds, conjured anew with each shoot. But every point must have its counterpoint, day its night, light its dark; creativity is no different. Shoot for the Moon, Walker’s much anticipated followup, draws audiences close to reveal fantasy’s other, darker side. Delving deep into the art and mind of one of the most exciting and original fashion photographers working today, Shoot for the Moon showcases the gamut of Walker’s weird, wild Wonderlands. In images that demand to be read as art as much as fashion, his signature opulence and decadent eccentricity encroach ever further beyond the ‘real’, exploring the mysteries of imagination and inspiration, and where it is they come from. Dazzlingly designed to a lavish spec, with images featuring some of the biggest names in fashion and contemporary culture, and texts and commentary by a collection of noteworthy contributors as well as Walker himself, Shoot for the Moon is set to be an unmissable addition to the lexicon of fashion photography.

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A House for Mouse tells the story of a little grey mouse who leaves his tiny hole in the forest to explore the wider world. On his search for a new home he unwittingly encounters some of the biggest stars in the fairytale genre. He discovers a house shaped like a shoe (belonging to Old Mother Hubbard); he takes tea with a little pig in a house made of straw (awfully breezy); is flummoxed by a tower with no door (Rapunzel’s); and dares to take a nibble from a most remarkable house made of gingerbread (narrowly missing Hansel and Gretel). The little grey mouse is about to give up his search for a new home when he comes face to face with the most spectacular house of all: a glorious, towering castle (Sleeping Beauty’s). Its ballrooms, turrets and drawbridge win him over, and he moves in immediately. But the little grey mouse feels terribly alone in his roomy new digs – until there is a knock at the door. His friends from the forest, and all those he has met on his journey, descend on the castle. Their feasting and dancing are so happy and lively that they even wake Sleeping Beauty, leading the little grey mouse to conclude that it is family and friends that turn a house into a home.

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A guide to modern Mexican style. It features projects from some of the country's most noted architects and designers, from thatched huts on the Pacific coast to contemporary homes in Mexico City.

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This book presents the first visualizations of dinosaurs and other prehistoric reptiles as they really looked. Up to now, colours were imaginary, but here we draw on the newest research to present stunning images where every detail of colour, pattern, feather, scale and scute are explained from first-hand evidence. Dinosaurs are not what you thought they were – or at least, they didn’t look like you thought they did. The world-leading palaeontologist Michael J. Benton brings us a new visual guide to the world of the dinosaurs, showing how rapid advances in technology and amazing new fossil finds have changed the way we see dinosaurs forever. Stunning new illustrations from palaeoartist Bob Nicholls display the latest and most exciting scientific discoveries in vibrant colour. No book before this has been so rigorous in its use of new data that finally tell us how dinosaurs actually looked. From Sinosauropteryx, the first dinosaur to have its colour patterns identified – a ginger and white striped tail – by Benton’s team at Bristol University in 2010, to the recent research on the mixed feathers and scales of Kulindadromeus, this is the first book to be based on cutting-edge scientific research. Each chapter focuses on one particular species, featuring a specially commissioned illustration that brings to life the latest scientific breakthroughs, with accompanying text exploring how palaeontologists have become able to determine new details such as the patterns on skin and the colours of feathers of animals that lived millions of years ago. This will be a visual compendium to surprise and challenge everything you thought you knew about what dinosaurs looked like and how they lived.With over 150 illustrations in colour

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This practical set of yoga positions, movements, breathing exercises and meditations lets you create a routine that's perfect for you. The 60 illustrated cards and accompanying booklet give clear instructions so that you can practice alone, and with confidence. The cards are divided up into five useful sections, helping you navigate quickly to the ones you need: Inversions and balancing; Back arches and twists; Standing poses; Supine and seated, and Breath and meditations. The different postures and exercises (asana) include variations and modifications to suit all abilities, body types and ages. Each card includes a graphic icon to highlight the main qualities of the pose or exercise being shown: calm, energy, focus, mobility and strength so you can zone in fast on the ones that suit your needs on any given day. Also included is a section of breathing and mindfulness exercises (pranayama) giving advice and bite-size information on the science of breath for stress release, sleep

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The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931–2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith’s major Tate Gallery retrospective in 1975, he was ‘at once in and out of touch with the currents of the mainstream … au courant and aloof at the same time.’ That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith’s entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the ‘Kite’ works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith’s art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith’s art, while Alex Massouras’s two themed essays, ‘Young and British’ and ‘From Motion Pictures to Flight’, explore Smith’s originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.

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In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.

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Francis Bacon: Shadows continues in the revelatory mode established by Inside Francis Bacon. It comprises six essays on diverse topics, interpretative as well as factual, which cumulatively present an abundance of fresh ideas and information about Bacon. The fundamental aim of the series – to rethink Bacon’s art from new perspectives – is impressively fulfilled by the eminent authors. Martin Harrison opens the book with some hitherto unseen Bacon-related photographs and includes a tribute to the great Bacon scholar, David Boxer (1946–2017). Christopher Bucklow turns his attention to the contrast between Bacon's art and the art of our own times, setting Bacon in the context of Romantic Modernism's confidence in the unconscious as a source. Amanda Harrison’s essay explores imagery in Bacon’s paintings that relates to esoteric, mythological and alchemical themes, while Stefan Haus draws on the ideas of philosophers from Plato to Hegel to consider the impact of Bacon’s art. Hugh Davies’s unexpurgated 1973 Bacon Diaries are published here in their entirety for the first time, revealing a more complete view of Bacon as both man and artist. Sophie Pretorius examines Tate's Barry Joule Archive, a collection of working materials and drawings attributed to Bacon. Finally, Martin Harrison explores Francis Bacon's Lost Paintings – works Bacon dubbed 'failures', but preserved by his Estate and published here for the very first time.With 120 illustrations in colour

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Bridget Riley, one of the leading abstract painters of her generation, holds a unique position in contemporary art. She has developed and extended the range of her interests ever since her first success in the 1960s, creating a body of work which is both consistent and highly varied. This volume, now fully revised and updated, reveals the mind behind this remarkable achievement, drawing together the most important texts and interviews of the last fifty years. Riley’s writings show a passionate engagement with her subjects and a great insight paired with a freshness of approach and an exceptional clarity of expression. Quite apart from providing a key to understanding her own work, this book is a fascinating document reflecting the issues and problems facing an artist in the 21st century.

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In July 1975, Sheikh Nasser Sabah Ahmed al-Sabah showed his wife, Sheikha Hussah Sabah al-Salem al-Sabah, a splendid enamelled glass bottle dating from the Mumluk period (Egypt or Syria, 14th century), the first object of Islamic art he had acquired during one of his travels. It marked the start of an extraordinary adventure that mingled intelligence, love, research, curiosity and farsightedness.In eight years of concentrated and passionate work, the couple collected about 20,000 works of art, including masterpieces, many of which are deserving of study for the way they shed new light on techniques and little-known aspects, or intriguing pieces whose provenance has yet to be unravelled.On the occasion of the Kuwait’s National Day in February 1983, Sheikh Nasser and Sheikha Hussah offered their country the inestimable gift of the permanent loan of their collection to the National Museum of Kuwait.This volume illustrates 300 from among the most beautiful objects in the Collection and, for those exploring the Islamic world for the first time, describes its culture and art on a chronological (from the early days to the great 16th-century empires) and thematic basis (calligraphy, geometric decoration, arabesques and figurative art). Lastly, there is a section dedicated to jewels, for which the collection is renowned worldwide.

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Carpets from Islamic lands have been treasured for centuries on nearly every continent on earth. Prized by European monarchs and traded as far afield as Tibet and the Americas, these woven and knotted masterpieces are both distinguished works of art and revealing utilitarian objects that offer a rare glimpse of life in the Islamic world. Carpets from Islamic Lands features more than forty fine classical carpets held in the al-Sabah Collection, Kuwait, along with several important pre-Islamic carpet fragments. Friedrich Spuhler describes this spectacular collection in the context of the history of Islamic art, recounting the carpets’ fascinating stories and celebrating their intricate designs and masterful craftsmanship. Including pictures of many carpets never before reproduced in print, and a few that may have been lost forever following the Iraqi invasion of Kuwait in 1990, this richly illustrated volume is essential reading for modern admirers of oriental carpets, and a treasure in its own right.

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Twenty art projects inspired by famous artworks for budding mini artists aged 3–6 years. The benefits of art to young children are well known. Art stimulates curiosity, creativity and the imagination. It also cultivates wellbeing, but being creative with young children can feel surprisingly daunting - and this is where Mini Artists comes in. The twenty projects in Mini Artists are designed to engage children with art through making. Mini artists will discover drip painting with Jackson Pollock, carve soap sculptures with Barbara Hepworth, and create their own obliteration room with Yayoi Kusama. They'll also travel through time and explore art from different periods, from cave painting to Medieval stained-glass, and Chinese ink painting to washable graffiti inspired by Jean-Michel Basquiat. Each project requires minimal set-up so the maximum amount of time is spent creating together, and the step-by-step instructions show photographs of the projects in progress so they can be followed at a glance. The projects use simple materials, from clay to ink to paint. Being grounded in art history, Mini Artists features a range of interesting art techniques that are ideal for teaching new motor skills.

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A unique pop-up book from the master of the medium, David A. Carter. This spectacular pop-up book is packed with tabs to pull, wheels to wind, flaps to flip and lots more surprises. So many colourful shapes, stripes and spots are ready to come to life - all you need to do is make them move!

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Through 14 stories, this picture book edition of the multi-award-winning Black Artists Shaping the World makes the work and lives of Black artists accessible to a younger generation. Featuring full colour reproductions of 14 artworks and illustrations of the artists at work, this picture book is an ideal introduction to contemporary art for young children, and a fantastic tool for teachers wishing to de-colonise and diversify their classroom. Sharna Jackson's experience as a children's author who has worked for over a decade in the cultural sector, both at Tate in London and at Site Gallery in Sheffield, is combined here with the curatorial expertise of Dr Zoé Whitley, Director of London's Chisenhale Gallery and co-curator of the landmark Tate exhibition Soul of a Nation: Art in the Age of Black Power'. Their book features artists working in a variety of media from painting and sculpture to ceramics and installation. The result is a refreshingly contemporary celebration of

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A beautifully designed, fact-filled fold-out book on Antarctica. John, an intrepid journalist, has long dreamt of visiting Antarctica - and finally his dream is coming true. He's off to Antarctica to be part of a scientific expedition. Join him on his journey as he learns all about this amazing continent and the people who work there.

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In this delightful follow-up to How to Light Your Dragon, readers see how fun life with a pet dragon can be. In five short, amusing stories full of colourful illustrations, the child and dragon playact as firefighters, doctors, and even Christmas trees! But living with a dragon is anything but normal; when they get tired and need to nap, dragons snore and little sparks come out of their nose that attract fireflies. Pure magic and wonder!

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First published in 1961, this charming story follows a small boy named Edward who lives in the soaring heights of New York and yearns for a pet to keep him company. Edward lives on the twenty-first floor of a large apartment block in New York, which has a sign in the lobby that reads: ‘No dogs or cats allowed’. This isn’t much fun for someone like Edward, who would have loved a dog or cat to keep him company, or even more than that, a horse. But the sign doesn’t say anything about horses... Edward sets out in search of a horse who likes the city and who won’t cost a lot of money to keep. With the help of a friendly fireman, Edward discovers Smitty, whom he unhitches from a vegetable cart and takes home immediately. Before Edward and Smitty can get anywhere near the freight elevator, they are stopped by Smitty’s owner, who kindly offers to let Edward ride with them around the city whenever he pleases.

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What surprises await beneath the flaps? Find out in this charming book in the bestselling Flip Flap Pop-Up series. Everybody needs a hug, as this delightful addition to the Flip Flap Pop-Up series demonstrates. Packed with interactive tabs, this pop-up book is full of flaps to lift, tabs to pull and plenty of surprises!

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Meet Belle, a Parisian girl who goes on holiday to the countryside and is eager to explore on her new bicycle. Soon, though, disaster strikes: Belle falls off her bike and is lost and alone. Now it’s time to meet a talking bee! Yes, a bee who speaks! The talking bee rescues Belle and they set off together… Follow the wonderful adventure of Belle and the bee as they meet every kind of plant and animal proud to call the countryside their home. Just like Belle, you’ll be amazed to discover how nature works: you’ll never look at the natural world around you in the same way again.

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What makes your body work? Is it all in your mind? Sort of! Take a tour of the human body from head to toes and everything in between. Aimed at curious children who want to know how their body works and how their brain keeps it running, The Brainiac's Book of the Body and Brain answers need-to-know and quirky questions about the bodies we live in. This fun-filled introduction to the often complex, sometimes gross, and completely fascinating functions of the human body explores what happens to the food we eat, how medicines can fool us into making us feel better, as well as how and why we dream. Showcasing and celebrating the differences that make every person unique, this inclusive book features easy and fun practical activities and experiments, including keeping a poo diary and optical illusions. Written with a zany sense of humour and packed with facts and hands-on activities, this latest instalment in the Brainiac's series is the perfect creative and accessible introduction

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