Search results for ""Mousse Publishing""

Falling In: Movement and Becoming in Curatorial Research, edited by Dahlia El Broul, Ksenia Kaverina, and Jussi Koitela, brings together curators from diverse locations to explore and discuss their research-related methodologies, motivations, and aims. The essays delve into the multifaceted nature of their work, addressing its performative, educational, historical, affective, bodily, activist, and communal dimensions, and highlighting how much of the research takes place beyond traditional academic circles and doesn't necessarily seek validation from institutions. Published within the context of the Frame Curatorial Research Fellowshipa four-year initiative for contemporary art curators aimed at exploring novel research approaches that challenge conventional curatorial and institutional practicesFalling In features contributions from Ama Josephine Budge, Diana Campbell, Sonia D'Alto, Léuli Eshraghi, Satu Herrala and Eva Neklyaeva, Anaïs Lepage, Miguel A. López, Nikolay Smirnov, and TOK

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Grand Illusion is a photographic series of screenshots from Google Cultural Institute's Museum View of Baroque European palacesobjects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible. While the monarchies and empires of the past used beauty as an expression of their authority, technology, in its mediation of the world, often operates without an aesthetic agenda. Throughout this series, the covert power of technology makes itself visible only through accidents such as glitches, a glimpse of the machine in the mirror, the AI blurring the faces of statuary.

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There is one kind of structure that defies the principles of both simultaneity and oscillation, and whose verticality is comparable, therefore, neither to that of the tree or the lighthouse, nor to that of the person. This is the statue. Tim IngoldSculpture is the first monograph dedicated to the work of New Yorkbased British artist Jesse Wine (b. 1983), bringing together a substantial body of work produced between 2016 and 2023. Wine's colorfully expressive sculptures investigate notions of the body and the gesture, and how they fit into and cohabit with capitalist society and the urban landscape. This richly illustrated volume includes essays by writer and editor Amy Sherlock, exploring the historical context of gestures and movements in art; by SculptureCenter deputy director Kyle Dancewicz, providing his analysis of Imperfect List, Wine's first institutional US solo exhibition; and by anthropologist Tim Ingold, delving into the materiality and symbolic meaning of clay, the artist's

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