Search results for ""Manchester University Press""

This book examines the links between major contemporary public sector reforms and neoliberal thinking. The key contribution of the book is to enhance our understanding of contemporary neoliberalism as it plays out in the public administration and to provide a critical analysis of generally overlooked aspects of administrative power. The book examines the quest for accountability, credibility and evidence in the public sector. It asks whether this quest may be understood in terms of neoliberal thinking and, if so, how? The book makes the argument that while current administrative reforms are informed by several distinct political rationalities, they evolve above all around a particular form of neoliberalism: constructivist neoliberalism. The book analyses the dangers of the kinds of administrative power seeking to invoke the self-steering capacities of society and administration itself.

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How do we know which snakes are dangerous? This seemingly simple question caused constant concern for the white settlers who colonised Australia after 1788. Facing a multitude of serpents in the bush, their fields and their homes, colonists wanted to know which were the harmful species and what to do when bitten. But who could provide this expertise? Liberally illustrated with period images, Venomous encounters argues that much of the knowledge about which snakes were deadly was created by observing snakebite in domesticated creatures, from dogs to cattle. Originally accidental, by the middle of the nineteenth century this process became deliberate. Doctors, naturalists and amateur antidote sellers all caused snakes to bite familiar creatures in order to demonstrate the effects of venom - and the often erratic impact of 'cures'. In exploring this culture of colonial vivisection, Venomous encounters asks fundamental questions about human-animal relationships and the nature of modern medicine.

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The book examines the history of co-operation in the broad context of the history of consumerism and consumption; of internationalism and the development of international organisations; and debates about international trade during the inter-war period. The fundamental question explored in the book concerns the meaning of co-operation. Was it a social movement or an economic enterprise? Did it aspire to challenge capitalism or to reform it? Did it contain at its heart a political vision for the transformation of society or was it simply a practical guide for organising a business? Hilson argues that it was both, but that an examination of the debates over the different meanings of co-operation can also illuminate broader questions about the emergence of consumer interests in the first half of the twentieth century, especially in a transnational context.

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This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.

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Regarding the real develops an original approach to documentary film, focusing on its aesthetic relations to visual arts such as animation, assemblage, photography, painting and architecture. Throughout, the book considers the work of figures whose preferred film language is associative and fragmentary, and for whom the documentary is an endlessly open form; an unstable expressive phenomenon that cannot help but interrogate its own narratives and intentions. Combining close analysis with cultural history, the book re-assesses the influence of the modern arts in subverting structures of realism typically associated with the documentary. In the course of its discussion, it charts a fascinating path that leads from Len Lye to Hiroshi Teshigahara, and includes along the way figures such as Joseph Cornell, Johan van der Keuken, William Klein, Jean-Luc Godard, Jonas Mekas and Raymond Depardon.

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This volume explores the planning and architectural cultures that shaped the model space of French colonial Dakar, a prominent city in West Africa. With a focus on the period from the establishment of the city in the mid-nineteenth century until the interwar years, the book reveals a variety of urban politics, policies and practices, and complex negotiations on both the physical and conceptual levels. Chronicling the design of Dakar as a regional capital, the book suggests a connection between the French colonial doctrines of assimilation and association, and French colonial planning and architectural policies in sub-Saharan Africa. Of interest to scholars in history, geography, architecture, urban planning, African studies and Global South studies, the book incorporates both primary and secondary sources collected from multilateral channels in Europe and Senegal.

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Le Chevalier au barisel is an established part of the Old French literary canon, but up to now it has not been available in English. This translation offers a vibrant but scholarly version of the exciting short story, suitable for a wide readership including university students, scholars of associated disciplines (history, English, theology, fine arts, comparative literature, etc.) and general readers. The greatest strength of the book is the translation itself, which can be read without reference to the original text or alongside the medieval French. But also valuable is the apparatus surrounding the text: cultural rather than linguistic, explicative rather than excessively technical. A substantial commentary reveals the internal struggles of the protagonists, highlights existing research and suggests future lines of enquiry. This commentary is a freestanding work of rigorous scholarship that makes plentiful reference to the text.

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Collections XVII is the latest volume in the Malone Society’s pioneering series of editions of miscellaneous documents relating to English theatre and drama before 1642. It is likely to be of special interest not only to early theatre historians but to those working on Tudor and Stuart court and civic culture, manuscript writing, household drama and early modern women’s writing, as it publishes new material in each of these fields. The book includes items such as Revels Office accounts, a playscript fragment, entertainments, poems and civic shows. Many of these documents are previously unpublished, and have been freshly edited and transcribed; each has an introduction giving details of its date, authorship and historical importance. The volume will be essential reading for postgraduates and university teachers in early modern drama, theatre history and women’s writing.

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This major new account of the politics of modern Ireland offers a rigorous analysis of the forces which shaped both how the Irish state governed itself from the period since 1987 and how it lost its economic sovereignty in 2010. This study comprehensively assess the last quarter century in Irish electoral politics from the time of the end of a deep recession in 1987 to the general election of 2011 where Ireland was ruled by the Troika and austerity was a by-word for both policy-making and how many Irish people lived their lives. It analyses why the political system in Ireland was unable to stop the country losing its economic sovereignty and why the Irish electorate kept returning to political alternatives which they had rejected in the past. Written in a lively and engaging style it offers rich insights into the politics of modern Ireland and how Irish citizens have lived through a period combining triumphant euphoria and deep despair.

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This book is a timely and solid portrait of modern China from the First Opium War to the Xi Jinping era. Unlike the handful of existing textbooks that only provide narratives, this textbook fashions a new and practical way to study modern China. Written exclusively for university students, A-level or high school teachers and students, it uses primary sources to tell the story of China and introduces them to existing scholarship and academic debate so they can conduct independent research for their essays and dissertations. This book will be required reading for students who embark on the study of Chinese history, politics, economics, diaspora, sociology, literature, cultural, urban and women’s studies. It would be essential reading to journalists, NGO workers, diplomats, government officials, businessmen and travellers.

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The political writings of Eva Gore-Booth brings together a fascinating array of material from this important Irish author and political activist. The volume includes a selection of letters, political pamphlets, newspaper articles and poetry relating to key aspects of Irish and British events of the early twentieth century; events which are now entering centenary commemorations. The volume is presented in three sections focusing on women’s suffrage and women’s trade unionism, pacifism and conscientious objection during the First World War, and Irish nationalism before independence. Many of these writings are out of print and difficult to source, and this volume offers a valuable research and teaching resource.

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The introduction of FOI in Ireland was a watershed moment in Irish democracy. It gave citizens a right to know, and abolished eighty years of official secrecy that had existed since the foundation of the State. As the new 2014 FOI Act is extended to the gardaí and the Central Bank for the first time, this book critically examines the important contribution the legislation has made to the opening up of Irish democracy and society. The book includes important contributions from the Ombudsman and Information Commissioner Peter Tyndall, former minister Eithne FitzGerald and RTE journalist Richard Dowling. It will be a core text for students of politics and public administration, journalism, media and communications and law; and will be an important reference for policy makers and civil and public servants.

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In providing a counterweight to the notion that political violence has irrevocably changed in a globalised world, Violence and the state offers an original and innovative way in which to understand political violence across a range of discipline areas. It explores the complex relationship between the state and its continued use of violence through a variety of historical and contemporary case studies, including the Napoleonic Wars, Nazi and Soviet 'eliticide', the consolidation of authority in modern China, post-Soviet Russia, and international criminal tribunals. It also looks at humanitarian intervention in cases of organised violence, and the willingness of elites to alter their attitude to violence if it is an instrument to achieve their own ends.The interdisciplinary approach, which spans history, sociology, international law and International Relations, ensures that this book will be invaluable to a broad cross-section of scholars and politically engaged readers alike.

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This book examines the place of 'saints' and sanctity in a self-consciously modern age, and argues that Protestants were as fascinated by such figures as Catholics were. Long after the mechanisms of canonisation had disappeared, people continued not only to engage with the saints of the past but continued to make their own saints in all but name. Just as strikingly, it claims that devotional practices and language were not the property of orthodox Christians alone. Making and remaking saints in the nineteenth-century Britain explores for the first time how sainthood remained significant in this period both as an enduring institution and as a metaphor that could be transposed into unexpected contexts. Each of the chapters in this volume focuses on the reception of a particular individual or group, and together they will appeal to not only historians of religion, but those concerned with material culture, the cult of history, and with the reshaping of British identities in an age of faith and doubt.

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Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.

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Otherwise: Imagining queer feminist art histories is the first book to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of ‘queer’ to feminism in other disciplines of the humanities and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive. This book fills the gap by providing a range of chapters by key North American and European scholars, both emerging and established, who address the historiographic and political questions arising from the relationship between art history and queer theory in order to help map exclusions and to offer models of a new queer feminist art historical or curatorial approach.

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This historical perspective on The Open University, founded in 1969, frames its ethos (to be open to people, places, methods and ideas) within the traditions of correspondence courses, commercial television, adult education, the post-war social democratic settlement and the Cold War. A critical assessment of its engagement with teaching, assessment and support for adult learners offers an understanding as to how it came to dominate the market for part-time studies. It also indicates how, as the funding and status of higher education shifted, it became a loved brand and a model for universities around the world. Drawing on previously ignored or unavailable records, personal testimony and recently digitised broadcast teaching materials, it recognises the importance of students to the maintenance of the university and places the development of learning and the uses of technology for education over the course of half a century within a wider social and economic perspective.

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This major new volume brings together leading international scholars to debate the continuing importance and relevance of the concept of abjection for the interpretation of modern and contemporary culture. This genuinely interdisciplinary collection includes important new essays that draw on the work of Georges Bataille, Judith Butler, Julia Kristeva and other key critical thinkers to provide innovative readings of works of art, film, theatre and literature. The clear and accessible essays in this volume extend the existing literature on abjection in exciting new ways to demonstrate the enduring richness of the concept.

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This book is open access under a CC-BY-NC-ND licence. The making of British bioethics provides the first in-depth study of how philosophers, lawyers and other 'outsiders' came to play a major role in discussing and helping to regulate issues that used to be left to doctors and scientists. It details how British bioethics emerged thanks to a dynamic interplay between sociopolitical concerns and the aims of specific professional groups and individuals who helped create the demand for outside involvement and transformed themselves into influential 'ethics experts'. Highlighting this interplay helps us appreciate how issues such as embryo research and assisted dying became high-profile 'bioethical' concerns in the late twentieth century, and why different groups now play a critical role in developing regulatory standards and leading public debates. The book draws on a wide range of original sources and will be of interest to historians of medicine and science, general historians and bioethicists.

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The houses of history is a clear, jargon-free introduction to the major theoretical approaches employed by historians. This innovative critical reader provides accessible introductions to fourteen schools of thought, from the empiricist to the postcolonial, including chapters on Marxist history, Freud and psychohistory, the Annales, historical sociology, narrative, gender, public history and the history of the emotions.Each chapter begins with a succinct description of the ideas integral to a particular theory. The authors then explore the insights and controversies arising from the application of this model, drawing upon debates and examples from around the world. Each chapter concludes with a representative example from a historian writing within this conceptual framework.This newly revised edition of the highly successful textbook is the ideal basis for an introductory course in history and theory for students of history at all levels.

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In the club presents a comprehensive examination of social clubs across South Asia, arguing for clubs as key contributors to South Asia’s colonial associational life and civil society. Using government records, personal memoirs, private club records, and club histories themselves, In the club explores colonial club life with chapters arranged thematically: the legal underpinnings of clubs; their physical locations and compositions; their financial health; the role of servants and staff as employees of clubs; issues of race and class in clubs; women’s clubs; and finally clubs in their postcolonial milieus. This book will be critical reading for scholars of South Asia, graduate students, and intellectually engaged club members alike.

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This is the first book-length study of the Scottish Legendary of the late fourteenth century. The only extant collection of saints' lives in the vernacular from medieval Scotland, the work scrutinises the dynamics of hagiographic narration, its implicit assumptions about literariness, and the functions of telling the lives of the saints. The fifty saints' legends are remarkable for their narrative art: the enjoyment of reading the legends is heightened, while didactic and edifying content is toned down. Focusing on the role of the narrator, the depiction of the saintly characters, their interiority, as well as temporal and spatial parameters, it is demonstrated that the Scottish poet has adapted the traditional material to the needs of an audience versed in reading romance and other secular genres. This study scrutinises the implications of the Scottish poet's narrative strategies with respect to the Scottishness of the Legendary and its overall place in the hagiographic landscape of late medieval Britain.

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Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

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What do we imagine when we imagine Europe and the European Union? To what extent is our understanding of the EU – of its development, its policies and its working processes – shaped by unacknowledged assumptions about what Europe really is?The book constructs a case for re-imagining Europe – not as an entity in Brussels or a series of fixed relations - but as a simultaneously real and imagined space of action which exists to the extent that Europeans and others act in and on it. This Europe is constantly being made in particular spaces, through specific actor struggles, whose interconnections are often ill-defined. We ask how do those concerned with building Europe, with extending and elaborating the EU, think of where they are and what they are doing?The book captures Europeans in the process of making Europe: of performing, interpreting, modelling, referencing, consulting, measuring and de-politicising Europe.

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This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

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This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

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Spanish contemporary poetry: An anthology presents a selection of Spanish peninsular poetry from the 1970s to the present day, with an introductory study of the most relevant poetic trends and poetic groups of the period, followed by guided and close readings of each poem. The anthology includes poems by twenty-two authors selected according to their literary rigour and with attention to the relevance of their work, a comprehensive introductory study, notes, thorough individual commentaries to the poems, and lists of selected vocabulary and rhetorical terms that provide accessibility to the anthology. The poetic selection is divided into sections and subsections in order to aid its pedagogical intent, covering: the poetry written during the transition to democracy; the emergence of poetry written by women in the 1980s; the Spanish poetic field of the 1990s; the poetry written at the turn of the new millennium; and some of the youngest voices in Spanish poetry today. English-speaking students working in the field of Hispanic literature, but also a more general reader keen on literature written in Spanish language, should thoroughly enjoy this work.

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This book examines the work that nurses of many differing nations undertook during the Crimean War, the Boer War, the Spanish Civil War, both World Wars and the Korean War. It makes an excellent and timely contribution to the growing discipline of nursing wartime work. In its exploration of multiple nursing roles during the wars, it considers the responsiveness of nursing work, as crisis scenarios gave rise to improvisation and the – sometimes quite dramatic – breaking of practice boundaries. The originality of the text lies not only in the breadth of wartime practices considered, but also the international scope of both the contributors and the nurses they consider. It will therefore appeal to academics and students in the history of nursing and war, nursing work and the history of medicine and war from across the globe.

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Rocks of nation reveals how the imagination of nations and races is grounded in the landscape. In doing so, it makes a striking contribution to theories of nation, offering new insights into how national identity is bound up with materiality. The book provides an in-depth case study of Cornwall and its economy in the wider context of Britain and the rise of nationalist politics, especially in England (UKIP) and Scotland (SNP). Spanning from the early nineteenth to the twenty-first century, it traces the gradual formation of a cultural consciousness of Cornwall as a distinctively rocky nation through a wide range of literatures, including nineteenth-century geological journals and folklore, Gothic and detective fiction, modernist and romance novels, travel narratives, 'New Age' eco-spiritualism and Cornish nationalist writings. Rocks of nation will be of interest to students and academics across the disciplines, from English literature and cultural geography to Celtic studies, history and politics.

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This is a highly anticipated examination of the popular film and fiction consumed by Britons in the 1920s and 1930s. Departing from a prevailing emphasis on popular culture as escapist, Christine Grandy offers a fresh perspective by noting the enduring importance of class and gender divisions in the narratives read and watched by the working and middle classes between the wars. This compelling study ties contemporary concerns about ex-soldiers, profiteers, and working and voting women to the heroes, villains and love-interests that dominated a range of films and novels. Heroes and happy endings further considers the state’s role in shaping the content of popular narratives through censorship. An important and highly readable work for scholars and students interested in cultural and social history, as well as media and film studies, this book is sure to shift our understanding of the role of mass culture in the 1920s and 1930s.

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Worker protests in post-communist Romania and Ukraine is a book about strategies of trade unions confronting employers in difficult conditions. The book’s main idea is to study why and how successful forms of workers’ interest representation could emerge in a hostile context. The post-communist context makes it difficult for workers and trade unions to mobilise, pose threats to employers, and break out of their political isolation, but even under such harsh conditions strategy matters for defending workers’ rights and living standards. The cases studied in this book are 18 conflict episodes at 10 privatised plants in the Romanian steel industry and Ukraine's civil machine-building sector in the 2000s.This book should be relevant for anyone taking interest in how and to what extent workers can reassert their influence over the conditions of production in regions and economic sectors characterised by disinvestment (of which outsourcing and ‘lean’ methods of production are instances).

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This highly original book is the first in-depth study of a footsoldier of the seventeenth-century German Republic of Letters. Its subject, the polymath and schoolteacher Christian Daum, is today completely forgotten, yet left behind one of the largest private archives of any early modern European scholar. On the basis of this unique source, this book portrays schools as focal points of a whole world of Lutheran learning outside of universities and courts, as places not just of education but of intense scholarship, and examines their significance for German culture.Multi-confessional Germany was different from Catholic France and Protestant England in that its network of small cities fostered educational and cultural competition and made possible a much larger and socially open Republic. This book allows us for the first time to understand how the Republic of Letters was constructed from below and how it was possible for individuals from relatively humble backgrounds and occupations to be at the centre of European intellectual life.This book is aimed at other specialists as well as postgraduate students in the fields of cultural and social history, and can also serve as an introduction to recent European literature on early modern scholarship for undergraduate students.

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The right and the recession considers the ways in which conservative activists, groupings, parties and interests in the US and Britain responded to the financial crisis and the 'Great Recession' that followed in its wake. The book looks at the tensions and stresses between different ideas, interests and institutions and the ways in which they shaped the character of political outcomes. In Britain, these processes opened the way for leading Conservatives to redefine their commitment to fiscal retrenchment and austerity. Whereas public expenditure reductions had been portrayed as a necessary response to earlier overspending they were increasingly represented as a way of securing a permanently 'leaner' state. The book assesses the character of this shift in thinking as well as the viability of these efforts to shrink the state and the parallel attempts in the US to cut federal government spending through mechanisms such as the budget sequester.

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This book compares the histories of psychiatric and voluntary hospital nurses’ health from the rise of the professional nurse in 1880 to the advent of the National Health Service in 1948. In the process it reveals the ways national ideas about the organisation of nursing impacted on the lives of ordinary nurses. It explains why the management of nurses’ health changed over time and between places, and sets these changes within a wider context of social, political and economic history. Today, high rates of sickness absence in the nursing profession attract increasing criticism. Nurses took more days off sick in 2011 than private sector employees and most other groups of public sector workers. This book argues that the roots of today’s problems are embedded in the ways nurses were managed in the late nineteenth and early twentieth centuries. It offers insights not only into the history of women’s work but also the history of disease and the ways changing scientific knowledge shaped the management of nurses’ health.

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The cinema of Lucrecia Martel provides a comprehensive analysis of the work of the acclaimed Argentine director, whose elusive and elliptical feature films have garnered worldwide recognition since her 2001 debut La ciénaga. This volume considers existing critical work on Martel's oeuvre, and proposes new ways of understanding it, in particular through desire, the use of the child's perspective, and through the senses and perception. Martin also offers an analysis of the politics of Martel's films, showing how they can be understood as sites of transformation and possibility, develops queer approaches to Martel's films, and shows how they offer new forms of cinematic pleasure. The cinema of Lucrecia Martel combines traditional plot and gaze analysis with an understanding of film as a material object, to explore the films' sensory experiments and their challenges to dominant cinematic forms.

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This wide-ranging and accessible book examines the effects of British imperial involvements on history writing in Britain since 1750. It provides a chronological account of the development of history writing in its social, political, and cultural contexts, and an analysis of the structural links between those involvements and the dominant concerns of that writing. The author looks at the impact of imperial and global expansion on the treatment of government, of social structures and changes and of national and ethnic identity in scholarly and popular works, in school histories, and in ‘famous’ history books. In a clear and student-friendly way, the book argues that involvement in empire played a transformative and central role within history writing as whole, reframing its basic assumptions and language, and sustaining a significant ‘imperial’ influence across generations of writers and diverse types of historical text.

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The Civil Service and the London County Council employed tens of thousands of women in Britain in the early twentieth century. As public employers these institutions influenced both each other and private organisations, thereby serving as a barometer or benchmark for the conditions of women’s white-collar employment. Drawing on a wide range of archival sources – including policy documents, trade union records, women’s movement campaign literature and employees’ personal testimony – this is the first book-length study of women’s public service employment in this period. It examines three aspects of their working lives – inequality of pay, the marriage bar and inequality of opportunity – and demonstrates how far wider cultural assumptions about womanhood shaped policies towards women’s employment and experiences. Scholars and students with interests in gender, British social and cultural history and labour history will find this an invaluable text.This book is relevant to United Nations Sustainable Development Goal 5, Gender equality.

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The intellectual culture of the English country house is a ground-breaking collection of essays by leading and emerging scholars, which uncovers the vibrant intellectual life of early modern provincial England. The essays in the volume explore architectural planning; libraries and book collecting; landscape gardening; interior design; the history of science and scientific experimentation; and the collection of portraits and paintings. The essays demonstrate the significance of the English country house (e.g. Knole House, Castle Howard, Penshurst Place) and its place within larger local cultures that it helped to create and shape. They provide a substantial overview of the country house culture of early modern England and the complicated relationship between the provinces and the national, the country and the city, in a period of rapid social, intellectual and economic transformation. It will appeal to anyone interested in the culture of the country house and its place in early modern England.

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Photography and documentary film in the making of modern Brazil provides a major contribution to the field of visual culture through a study of still and moving images of Brazil in the first four decades of the twentieth century, when the camera played a key role in making Brazilian peoples and places visible to a variety of audiences. The book explores what is distinctive about the visual representation of Brazil in an era of modernisation, also attending to the significance of the different technical properties of film and photography for the writing of new histories of visual technologies. It offers new insights into the work of key writers, photographers, anthropologists and filmmakers, including Claude Lévi-Strauss, Mário de Andrade, Silvino Santos and Aloha Baker. Unearthing a wealth of materials from archives in the USA, Britain, and Brazil, the book seeks to contribute to the postcolonial theoretical project of pinpointing locally distinctive histories of visual technologies and practices.

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This is the first book to provide comprehensive coverage of the far right political party phenomenon in the Balkans. The author focuses on parties generally described as lying on the far right in academic literature and examines their development from 2000 until 2010. The book provides a detailed analysis of the historical legacy essential in understanding the overall context of nationalism in the region as well as an overview of the far right political parties in each country. It discusses parties individually, detailing their ideological features, strategy, internal organisation and leadership, and compares their political, social, economic, ethno-cultural and international characteristics. It reveals the main factors that were influential in the successes and failures of the far right, and offers a comparison between the typical far right voter living in the Balkans and his counterpart in Western Europe. The implementation and enforcement of legislature such as hate speech laws is also examined, along with other legal issues affecting the extremist parties in the region.

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Monstrous media/spectral subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media technologies from the phantasmagoria and magic lantern to the hand-held video camera and the personal computer both shape Gothic subjects and in turn become Gothicised. In a collection of essays that ranges from the Victorian fiction of Wilkie Collins, Bram Stoker and Richard Marsh to the music of Tom Waits, world horror cinema and the TV series Doctor Who, this book finds fresh and innovative contexts for the study of Gothic. Combining essays by well-established and emerging scholars, it should appeal to academics and students researching both Gothic literature and culture and the cultural impact of new technologies.

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This collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature

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Pauper policies examines how policies under the old and New Poor Laws were conceived, adopted, implemented, developed or abandoned. This fresh perspective reveals significant aspects of poor law history which have been overlooked by scholars. Important new research is presented on the adoption and implementation of ‘enabling acts’ at the end of the old poor laws; the exchange of knowledge about how best to provide poor relief in the final decades of the old poor law and formative decades of the New; and the impact of national scandals on policy-making in the new Victorian system. Pointing towards a new direction in the study of poor law administration, it examines how people, both those in positions of power and the poor, could shape pauper policies. It is essential reading for anyone with an interest in welfare and poverty in eighteenth and nineteenth-century England.This book is relevant to United Nations Sustainable Development Goal 1, No poverty.

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Focusing on the US, British and Australian contexts, Object matters addresses the impact of the discourse of safer sex on our lives and in particular the lives of adolescents. Addressing AIDS public health campaigns, sex education policies, sex research on adolescence and debates on the eroticization of safer sex, the author looks at how the condom has affected our awareness of ourselves, of one another and our futures. In her examination of the condom in the late twentieth century, Vitellone critically engages with a range of literatures including those concerned with sexuality, adolescence, methods, gender and the body. This book will be of interest to sex educators, academics as well as undergraduate and postgraduate students working in the areas of Sociology, History, Cultural Studies and Gender Studies.

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This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

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Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family.Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey Niffenegger. There are also essays on Dutch authors (Louis Couperus and Renate Dorrestein) and on the film directors Wes Craven and Steven Sheil.Arranged chronologically, the various contributions show that both early and contemporary Gothic display very diverse kinship ties, ranging from metaphorical to triangular, from queer to nuclear-patriarchal. Gothic proves to be a rich source of expressing both subversive and conservative notions of the family.Gothic kinship will be of interest to academics and students of European and American Gothic in literature and film, gender studies and cultural studies.

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From virtue to venality examines the problem of corruption in British urban society and politics between 1930 and 1995. It is not a conventional study of the politics of local government since it seeks to place corruption in urban societies in a wider cultural context. The accounts of corruption in Glasgow – a British Chicago – as well as the major corruption scandals of John Poulson and T. Dan Smith show how Labour-controlled towns and cities were especially vulnerable to corrupt dealings. By contrast the case of Dame Shirley Porter in the City of Westminster in the late 1980s reveals that Conservative-controlled councils were also vulnerable since in London the stakes of the political struggle were especially intense. This book will be of special interest to students of history and politics and those who are concerned about the growth of corruption in British political culture.

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This book investigates the crucial question of ‘restitution’ in the work of W. G. Sebald. Written by leading scholars from a range of disciplines, with a foreword by his English translator Anthea Bell, the essays collected in this volume place Sebald’s oeuvre within the broader context of European culture in order to better understand his engagement with the ethics of aesthetics. Whilst opening up his work to a range of under-explored areas including dissident surrealism, Anglo-Irish relations, contemporary performance practices and the writings of H. G. Adler, the volume notably returns to the original German texts. The recurring themes identified in the essays – from Sebald’s carefully calibrated syntax to his self-consciousness about ‘genre’, from his interest in liminal spaces to his literal and metaphorical preoccupation with blindness and vision – all suggest that the ‘attempt at restitution’ constitutes the very essence of Sebald’s understanding of literature.

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