Search results for ""Le Th"

A funny and fantastical adventure from former Children’s Laureate Michael Rosen and award-winning illustrator Viviane Schwarz.Gaston le Dog longs to return to the beautiful beach he remembers from years ago. So he sets off on an adventure – but mystery and danger lurk at every turn, and Gaston will need all the help he can get from the friends he meets along the way. But can they all be trusted? And will Gaston’s odyssey bring him everything he hoped for? This playful new tale from national treasure Michael Rosen sprinkles myth, magic and fairy tale to create a brilliant story, illustrated by award-winning artist Viviane Schwarz, perfect for fans of the Grimwood series.

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Niveau : debutants, faux-debutants Niveau A1-B2Methode d'apprentissage de vietnamienVoici la toute nouvelle edition de notre cours de vietnamien,desormais en superpack USB.Comme toutes les langues a tons, le vietnamien n'est pas une langueaisee, mais au moins, elle utilise une ecriture latine ! En nous suivantattentivement et regulierement , vous allez apprendre en quelquesmois le vocabulaire de la langue courante, ainsi que les reglesfondamentales de la grammaire.Tres rapidement, cette belle langue vous semblera familiere, grace aune centaine de dialogues tires de la vie quotidienne que nous vouspresentons, dans ce coffret, sur CD et sur cle USB.Les enregistrements reprennent l'integralite des textes en vietnamiendes lecons et des exercices de traduction du livre. Ils sont interpretespar des locuteurs natifs professionnels. La cle USB permet de chargertout ou partie des enregistrements sur votre lecteur mp3.>>> Des dialogues vivants>>>Une progression tres etudiee>>> La prononciation

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The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience. The chronicles of Jean le Bel, written around 1352-61, are one of the most important sources for the beginning of the Hundred Years' War. They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Liège, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the countess of Salisbury because he believed it to be true,puzzled and shocked though he was by his material. It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

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Underlying the melodrama and moralism, the orthodoxy and mysticism of Uncle Silas, W. J. Mc Cormack has discovered a 'sinister vacancy from which authority has withdrawn'. The remark might be applied to the whole body of Sheridan Le Fanu's fiction. "Vision and Vacancy" follows the course of his attraction to the void, and his resistance to it, from the beginning to the end of his career. By placing his work within the appropriate contexts of early apparition narrative and modern ghost story, English and Continental novel, Walton's study provides not only the most thorough account of the richness of his techniques but shows how cosmopolitan influences were an inescapable condition of his (Anglo-) Irishness.

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Underlying the melodrama and moralism, the orthodoxy and mysticism of Uncle Silas, W. J. Mc Cormack has discovered a 'sinister vacancy from which authority has withdrawn'. The remark might be applied to the whole body of Sheridan Le Fanu's fiction. "Vision and Vacancy" follows the course of his attraction to the void, and his resistance to it, from the beginning to the end of his career. By placing his work within the appropriate contexts of early apparition narrative and modern ghost story, English and Continental novel, Walton's study provides not only the most thorough account of the richness of his techniques but shows how cosmopolitan influences were an inescapable condition of his (Anglo-) Irishness.

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The Veloce company is well regarded for producing some of the best single-cylinder motorcycles in race form and for private use. It is not so well-known that Veloce Ltd also produced some twin-cylinder machines: the Roarer, for racing, and the Model O for production. These bikes had many engineering features in common, such as twin contra-rotating crank shafts, inline cranks, shaft drive, and swing arm rear suspension. The supercharged Roarer was never raced because of the advent of war; this also put paid to the development of the Model O, which would have been the first so-called "Superbike." After the war, the Goodman family, owners of Veloce Ltd, focused on the production of a "Motorcycle for Everyman" - an idea that had featured in their production bikes since the formation of the company. They drew on the ideas embodied in the Roarer and the Model O to produce the twin cylinder LE range of motorcycles. These, however, were not well received by the motorcycling public, and many blame the production of the LE for the eventual demise of the company. The purpose of the book is to present, from an engineering perspective, an analysis of the Roarer and the Model O, comparing and contrasting the methods adopted by their designers to meet the different design specifications of these bikes, and to illustrate how the ideas developed in this exercise appeared in the LE range of motorcycles. The authors, Brian Agnew and Ivan Rhodes, met in the 1960s when Brian worked at Rolls-Royce Derby. They spent their weekends tinkering with motorcycles, and both have an intimate knowledge of the Velocette twins both from their time spent together and from their personal projects.

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John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos. Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent

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A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598–1648), Louis (c. 1600/1605–1648), and Mathieu (1607–1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists’ full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.Published in association with the Fine Arts Museums of San FranciscoExhibition Schedule:Kimbell Art Museum (05/22/16–09/11/16)de Young Museum, San Francisco (10/08/16–01/29/17)Musée du Louvre-Lens (03/22/2017–06/26/2017)

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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Rüegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.

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The book is based on amateur films, shot by the architect Ernest Weissmann (1903-1985) with a Pathé Motocamera in the years 1929-1933 at, among other places, the Atelier Le Corbusier and Pierre Jeanneret. These films capture moments from Le Corbusier's life that have never been seen before. It also documents his friendships with Pierre Jeanneret, Lluis Sert, Charlotte Perriand, Norman Rice, Kunio Maekawa, Sigfried Giedion and others. Across six chapters, the book shows impressive stills from these films and places them in the respective historical and personal context of Le Corbusier in introductory texts. Two introductions are devoted to the history of these pioneering amateur films and to Ernest Weissmann's life and his life-long relationship with Le Corbusier. A documentary treasure trove on the life of Le Corbusier Featuring 80 previously unpublished film stills Available as softcover (9783035627282), hardcover (9783035627299) and limited special edition with three photographic prints (9783035627305)

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'An impassioned tour around France which is best enjoyed with a bottle of red ... or two.' The Sunday Times'I've known Peter for some years and I'm sure you will enjoy his personal journey to the heart of rugby in this superb country.' Dan Carter, Former All Black and Rugby World Cup winner'Bills' wondrous travelogue features so many great tales from the mouths of legends.' Irish Independent'I really enjoyed this book ... A great memoir of France and its people through the eyes of rugby.' Michael Lynagh, TV analyst and Australian Rugby World Cup winner'Wonderful! This is a great read. I simply loved it and I am sure that many others will also.' Bob Dwyer, Australian World Cup winning coach 1991From French rugby's origins in Le Havre to the Catalan coast, acclaimed rugby writer Peter Bills travels the length and breadth of France, visiting the big cities and regional heartlands of the game, to reveal a country whose deep love of rugby has created a culture and playing style like no other.Featuring exclusive interviews with many of the greatest international players to have played club rugby in France, from Ronan O'Gara to Dan Carter, as well as French legends of the sport, from Serge Blanco and Jean-Pierre Rives to Antoine Dupont, Le Coq brings to life the passion, colour, excitement, characters, anecdotes, locations and great moments of French rugby's near 150 years of existence.Former French Grand Slam captain Jacques Fouroux talked of 'Rugby; the game, the life'. This book will show you exactly what he meant.

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The French Right is a constant, evolving and continuing theme in all aspects of the political life of the French nation - shaping much of this country's nation-state from the Revolution to the present - and is now a burning contemporary issue. The authors show how the influence of the French Right has entered into all areas of political, economic, social, cultural, religious and especially, radical aspects of Bonapartism, the Vichy experience and the World Wars, Gaullism, post-Gaullism and the resurgence of the Right under Le Pen. This edition updates the story and demonstrates that the French Right, despite electoral defeat, remains a potent force ans an underlying constant in French political experience.

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Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber. Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. It starts in a low key, copying an earlier chronicle, but by the end of Edward II's reign he offers a much more vivid account. His description of Edward II's last days is partly based on the eyewitness account of his patron, Sir Thomas de la More, who was present at one critical interview. Baker's story of Edward's death, like many other details from his chronicle, was picked up by Tudor historians, particularly by Holinshed, who was the source for Shakespeare's history plays. The reign of Edward III is dominated, not by Edward III himself, but by Baker's real hero, Edward prince of Wales. His bravery aged 16 at Crécy is presented as a prelude to his victory at Poitiers, a battle which Baker is able to describe in great detail, apparently from what he was told by the prince's commanders. It is a rarity among medieval battles, because - in sharp contrast to the total anarchy at Crécy - the prince and his staff were able to see the enemy's manoeuvres. Throughout the chronicle there are sharply defined vignetteswhich stay in the mind - the killing of the Scottish champion on Halidon Hill, the drowning of Sir Edward Bohun, the earls of Salisbury and Suffolk as prisoners carried in a cart, the death of Sir Walter Selby and his two sons, the bravery of Sir Thomas Dagworth against a cobbler's son, the duel between Otho and the duke of Lancaster, John Dancaster and the lewd washerwoman. Baker writes in a complex Latin which even scholars find problematic, and David Preest's new translation will be widely welcomed by anyone interested in the fourteenth century. There are extensive notes and an introduction by Richard Barber.

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Pro Tools LE and M-Powered is an authoritative guide to Digidesign's entry-level hardware and software systems. Illustrated throughout with color screen grabs, the book starts by giving you useful overviews and advice about the hardware options available. Subsequent chapters are packed with easy-to-follow instructions, valuable hints and time-saving tips on how to use the software. Includes:* Full coverage of all new features in version 7* Information on tempos, clicks and grooves* Two chapters on MIDI* Useful tutorials on using Reason, Live and SampleTank* Recommendations on backups and transfers* Guidance on the DV Toolkit for post productionFor troubleshooting technical problems, advice on purchasing decisions or inspiration for new ideas, keep this book by your side as a vital reference point.

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'Glorious...gripping and sometimes tragic' Robbie Coltrane The inspirational story of the Bentley Boys and Le Mans – the race they made their own. Le Mans, 1927. W.O. Bentley peered into the dusk. His three cars, which had led from the start, were missing. Two years running he had failed to finish. Once again he was staring into a void. Racing, his shareholders told him, was a waste of money. This race looked like being his last. W.O’s engineering skills had been forged on the Great Northern railway and in the skies of the First World War, where Bentley-powered Sopwith Camels took the fight to Germany’s Red Baron. Determined to build and race his own cars, he assembled a crack team from all strata of 1920s Britain, from East End boys Leslie Pennal and Wally Hassan to multi-millionaires Woolf Barnato and Tim Birkin, men in search of adventures to blaze their way out of the dark past. They dedicated themselves to building the perfect road and racing car. In the hayloft above their workshop, the first Bentley was born and soon it was the car of choice for the fast-living upper classes. They raced at the fashionable Brooklands circuit and then set their sights on the fledgling 24 Hours Le Mans race. An audacious goal for a British car, yet the Bentley Boys rose to the challenge. But on that night in 1927, after the biggest crash in racing history claimed their cars, could they still pull it off and put British motor racing on the map? In the 1920s, Bentley Motors burned brightly but all too briefly; yet its tale, filled with drama, tragedy, determination and glory still shines a century on.

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